Photos Of Good Morning Quotes

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I don’t want to know how a thirty-year-old became rich and famous; I want to hear how an eighty-year-old spent her life in obscurity, kept making art, and lived a happy life. I want to know how Bill Cunningham jumped on his bicycle every day and rode around New York taking photos in his eighties. I want to know how Joan Rivers was able to tell jokes up until the very end. I want to know how in his nineties, Pablo Casals still got up every morning and practiced his cello.
Austin Kleon (Keep Going: 10 Ways to Stay Creative in Good Times and Bad)
What happened? Stan repeats. To us? To the country? What happened when childhood ends in Dealey Plaza, in Memphis, in the kitchen of the Ambassador, your belief your hope your trust lying in a pool of blood again? Fifty-five thousand of your brothers dead in Vietnam, a million Vietnamese, photos of naked napalmed children running down a dirt road, Kent State, Soviet tanks roll into Prague so you turn on drop out you know you can't reinvent the country but maybe you reimagine yourself you believe you really believe that you can that you can create a world of your own and then you lower that expectation to just a piece of ground to make a stand on but then you learn that piece of ground costs money that you don't have. What happened? Altamont, Charlie Manson, Sharon Tate, Son of Sam, Mark Chapman we saw a dream turn into a nightmare we saw love and peace turn into endless war and violence our idealism into realism our realism into cynicism our cynicism into apathy our apathy into selfishness our selfishness into greed and then greed was good and we Had babies, Ben, we had you and we had hopes but we also had fears we created nests that became bunkers we made our houses baby-safe and we bought car seats and organic apple juice and hired multilingual nannies and paid tuition to private schools out of love but also out of fear. What happened? You start by trying to create a new world and then you find yourself just wanting to add a bottle to your cellar, a few extra feet to the sunroom, you see yourself aging and wonder if you've put enough away for that and suddenly you realize that you're frightened of the years ahead of you what Happened? Watergate Irangate Contragate scandals and corruption all around you and you never think you'll become corrupt but time corrupts you, corrupts as surely as gravity and erosion, wears you down wears you out I think, son, that the country was like that, just tired, just worn out by assassinations, wars, scandals, by Ronald Reagan, Bush the First selling cocaine to fund terrorists, a war to protect cheap gas, Bill Clinton and realpolitik and jism on dresses while insane fanatics plotted and Bush the Second and his handlers, a frat boy run by evil old men and then you turn on the TV one morning and those towers are coming down and the war has come home what Happened? Afghanistan and Iraq the sheer madness the killing the bombing the missiles the death you are back in Vietnam again and I could blame it all on that but at the end of the day at the end of the day we are responsible for ourselves. We got tired, we got old we gave up our dreams we taught ourselves to scorn ourselves to despise our youthful idealism we sold ourselves cheap we aren't Who we wanted to be.
Don Winslow (The Kings of Cool (Savages, #1))
Haili! Good morning!” She wrapped her arms around my neck and squeezed. “You look wonderful, so nice to be able to buck trends and just slap clothes together, huh? Let’s take a digital. Smile.” Pressing her cheek to mine, she held up her hand, taking the photo with the tech embedded in the tips of her fingers. “I’ll post it on Hansi.
K.B. Wagers (Behind the Throne (The Indranan War #1))
A long-time associate, Beth, who likes to refer to herself as the 'Grill Bitch', excelled at putting loudmouths and fools into their proper place. She refused to behave any differently than her male co-workers: she'd change in the same locker area, dropping her pants right alongside them. She was as sexually aggressive, and as vocal about it, as her fellow cooks, but unlikely to suffer behavior she found demeaning. One sorry Moroccan cook who pinched her ass found himself suddenly bent over a cutting board with Beth dry-humping him from behind, saying, 'How do you like it, bitch?' The guy almost died of shame — and never repeated that mistake again. Another female line cook I had the pleasure of working with arrived at work one morning to find that an Ecuadorian pasta cook had decorated her station with some particularly ugly hard-core pornography of pimply-assed women getting penetrated in every orifice by pot-bellied guys with prison tattoos and back hair. She didn't react at all, but a little later, while passing through the pasta man's station, casually remarked. 'Jose, I see you brought in some photos of the family. Mom looks good for her age.
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
After I returned from that morning, our telephone rang incessantly with requests for interviews and photos. By midafternoon I was exhausted. At four o’clock I was reaching to disconnect the telephone when I answered one last call. Thank heavens I did! I heard, “Mrs. Robertson? This is Ian Hamilton from the Lord Chamberlain’s office.” I held my breath and prayed, “Please let this be the palace.” He continued: “We would like to invite you, your husband, and your son to attend the funeral of the Princess of Wales on Saturday in London.” I was speechless. I could feel my heart thumping. I never thought to ask him how our name had been selected. Later, in London, I learned that the Spencer family had given instructions to review Diana’s personal records, including her Christmas-card list, with the help of her closest aides. “Yes, of course, we absolutely want to attend,” I answered without hesitating. “Thank you so much. I can’t tell you how much this means to me. I’ll have to make travel plans on very short notice, so may I call you back to confirm? How late can I reach you?” He replied, “Anytime. We’re working twenty-four hours a day. But I need your reply within an hour.” I jotted down his telephone and fax numbers and set about making travel arrangements. My husband had just walked in the door, so we were able to discuss who would travel and how. Both children’s passports had expired and could not be renewed in less than a day from the suburbs where we live. Caroline, our daughter, was starting at a new school the very next day. Pat felt he needed to stay home with her. “Besides,” he said, “I cried at the wedding. I’d never make it through the funeral.” Though I dreaded the prospect of coping with the heartbreak of the funeral on my own, I felt I had to be there at the end, no matter what. We had been with Diana at the very beginning of the courtship. We had attended her wedding with tremendous joy. We had kept in touch ever since. I had to say good-bye to her in person. I said to Pat, “We were there for the ‘wedding of the century.’ This will be ‘the funeral of the century.’ Yes, I have to go.” Then we just looked at each other. We couldn’t find any words to express the sorrow we both felt.
Mary Robertson (The Diana I Knew: Loving Memories of the Friendship Between an American Mother and Her Son's Nanny Who Became the Princess of Wales)
The power behind words and voices is substantial to life! I dedicated this book to all of you readers before you even read it, to understand- the book of misunderstandings for the misunderstood. To have a voice, when you were made not have one or told not to have one. Maybe if you are like me, trying to get your voice back this is the story you need. Nonetheless, let us not fail to remember all the voices, which will never speak again, for being rejected and misunderstood.' 'Yes, be that voice with this book, this book is for you, to speak up, and be heard.' 'Why?' 'So, there are no more lost and forgotten voices of life. This book is a stepping stone to abolish bullying altogether, along with your help; we can take that step forward, and forget about the past!' 'At this time, I would like you all to take a moment of silence, to remember someone, that is no longer with us. So, they are not forgotten.' Preface: 'To understand, you must read between the lines of a story just like mine. My wronging if you do not read this book, is you'll find out fast that life is going to suck, and then you make the discovery, that you are going to die alone, and the hex- I have will now be on you.' 'At least that is what I thought; I thought I read, my story before it was written, and this note was the last thing that I was going to write. However, I never realized that there was so much more to life, which I did not appreciate. I came near a stone's throw away from the end. Yet I got additional unplanned lifespans. Yet, was the second chance what I needed?' 'Nevertheless, there were things that I concerned my mind with, which was not substantial to my existence.' 'If anything- learn from me. Try to do the virtuous things I did and not the mistakes I made. Though it is up to you to decide what was good or bad, it is what you feel and believe is morally right in your mind.' 'Yeah- I never really put any thought into what was going to happen to me someday, and the others that are part of my surroundings.' 'However, life goes on, and the existence of what was stands for nothing but- a memory of what you can and cannot have. If you are someone like me, but all I ever wanted was someone that appreciates me. They say life is free or is it. Do I want it- No- not really!' 'The existence of life…!' 'Is what I do not want to have anymore. There must be a way out of all this misery that I live in today? 'They say dying is easy, as well as lasting, and living is difficult and uncertain.' While- I am going to find out!' 'I guess life is all about what you want, need, and love.' 'Likewise, existing in life comes down to what you cannot have in it.' 'All I have to say is don't let anyone or anything pin you down, and make you less than whom you are. Always be whom you were meant to be, regardless of what they say… because who in the hell are they!' 'My story- is somewhat graphic at times, just like looking into a black and white photo of the past in a scrapbook. All the color in it washes away over time, one way or another. Besides all that is left is still frames that keep on fading, and distorting.' 'On the morning I was scheduled to die, I saw my life as if I had lived it to its whole. Oh, the captivating angel beamed lovingly as she roamed forward help me hang myself, a part of me felt death, and other parts of my mind, body, and soul felt as if it would never dye.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
These Claudines, then…they want to know because they believe they already do know, the way one who loves fruit knows, when offered a mango from the moon, what to expect; and they expect the loyal tender teasing affection of the schoolgirl crush to continue: the close and confiding companionship, the pleasure of the undemanding caress, the cuddle which consummates only closeness; yet in addition they want motherly putting right, fatherly forgiveness and almost papal indulgence; they expect that the sights and sounds, the glorious affairs of the world which their husbands will now bring before them gleaming like bolts of silk, will belong to the same happy activities as catching toads, peeling back tree bark, or powdering the cheeks with dandelions and oranging the nose; that music will ravish the ear the way the trill of the blackbird does; that literature will hold the mind in sweet suspense the way fairy tales once did; that paintings will crowd the eye with the delights of a colorful garden, and the city streets will be filled with the same cool dew-moist country morning air they fed on as children. But they shall not receive what they expect; the tongue will be about other business; one will hear in masterpieces only pride and bitter contention; buildings will have grandeur but no flowerpots or chickens; and these Claudines will exchange the flushed cheek for the swollen vein, and instead of companionship, they will get sex and absurd games composed of pinch, leer, and giggle—that’s what will happen to “let’s pretend.” 'The great male will disappear into the jungle like the back of an elusive ape, and Claudine shall see little of his strength again, his intelligence or industry, his heroics on the Bourse like Horatio at the bridge (didn’t Colette see Henri de Jouvenel, editor and diplomat and duelist and hero of the war, away to work each day, and didn’t he often bring his mistress home with him, as Willy had when he was husband number one?); the great affairs of the world will turn into tawdry liaisons, important meetings into assignations, deals into vulgar dealings, and the en famille hero will be weary and whining and weak, reminding her of all those dumb boys she knew as a child, selfish, full of fat and vanity like patrons waiting to be served and humored, admired and not observed. 'Is the occasional orgasm sufficient compensation? Is it the prize of pure surrender, what’s gained from all that giving up? There’ll be silk stockings and velvet sofas maybe, the customary caviar, tasting at first of frog water but later of money and the secretions of sex, then divine champagne, the supreme soda, and rubber-tired rides through the Bois de Boulogne; perhaps there’ll be rich ugly friends, ritzy at homes, a few young men with whom one may flirt, a homosexual confidant with long fingers, soft skin, and a beautiful cravat, perfumes and powders of an unimaginable subtlety with which to dust and wet the body, many deep baths, bonbons filled with sweet liqueurs, a procession of mildly salacious and sentimental books by Paul de Kock and company—good heavens, what’s the problem?—new uses for the limbs, a tantalizing glimpse of the abyss, the latest sins, envy certainly, a little spite, jealousy like a vaginal itch, and perfect boredom. 'And the mirror, like justice, is your aid but never your friend.' -- From "Three Photos of Colette," The World Within the Word, reprinted from NYRB April 1977
William H. Gass (The World Within the Word)
I sit down on the bed and turn to the photo of me and my dad. The first man to ever break my heart.
Ashley M. Coleman (Good Morning, Love)
Most major media outlets covered the story, and people around the world began immediately to respond with prayers and good wishes on social media. When Jep heard what was going on, he jumped on Twitter and tweeted this on Saturday from his hospital bed: Well, I about died this past Sunday…I’m doing much better now. Thanks for all the prayers! #seizuresuck #gladtobealive As if that wasn’t enough, he also posted a side-by-side photo of himself and a bearded Steven Seagal, both unconscious in a hospital bed and wrapped in a white sheet. “Just like Steven Seagal, I’m hard to kill,” it said in a caption at the bottom. It’s always a good sign when you get your sense of humor back. Monday morning, most of Jep’s doctors said he could go home. One of his doctors wanted him to stay for a month, but Jep wanted out. I didn’t blame him. We walked out of the hospital together. Jep could walk, but he was very weak and wobbly. One the way home we stopped to check out the house we were remodeling, and then I got him home to rest. The next day he asked, “When are we going to go look at the house?” “We went yesterday,” I told him. He didn’t remember. I let the kids stay home from school that Monday, and we had a wonderful time just being together. There were lots of hugs and smiles, and Jep played cards with River. I noticed he was talking a little slower than normal, but he was talking. And I knew everything was going to be okay.
Jessica Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
I flew back to the States in December of 1992 with conflicting emotions. I was excited to see my family and friends. But I was sad to be away from Steve. Part of the problem was that the process didn’t seem to make any sense. First I had to show up in the States and prove I was actually present, or I would never be allowed to immigrate back to Australia. And, oh yeah, the person to whom I had to prove my presence was not, at the moment, present herself. Checks for processing fees went missing, as did passport photos, certain signed documents. I had to obtain another set of medical exams, blood work, tuberculosis tests, and police record checks--and in response, I got lots of “maybe’s” and “come back tomorrow’s.” It would have been funny, in a surreal sort of way, if I had not been missing Steve so much. This was when we should have still been in our honeymoon days, not torn apart. A month stretched into six weeks. Steve and I tried keeping our love alive through long-distance calls, but I realized that Steve informing me over the phone that “our largest reticulated python died” or “the lace monitors are laying eggs” was no substitute for being with him. It was frustrating. There was no point in sitting still and waiting, so I went back to work with the flagging business. When my visa finally came, it had been nearly two months, and it felt like Christmas morning. That night we had a good-bye party at the restaurant my sister owned, and my whole family came. Some brought homemade cookies, others brought presents, and we had a celebration. Although I knew I would miss everyone, I was ready to go home. Home didn’t mean Oregon to me anymore. It meant, simply, by Steve’s side. When I arrived back at the zoo, we fell in love all over again. Steve and I were inseparable. Our nights were filled with celebrating our reunion. The days were filled with running the zoo together, full speed ahead. Crowds were coming in bigger than ever before. We enjoyed yet another record-breaking day for attendance. Rehab animals poured in too: joey kangaroos, a lizard with two broken legs, an eagle knocked out by poison. My heart was full. It felt good to be back at work. I had missed my animal friends--the kangaroos, cassowaries, and crocodiles.
Terri Irwin (Steve & Me)
he’s texted me several times a day all through the week. Just little things like “good morning” and “I miss you, please send me a photo?” and “I meant of your face” when I send him a picture of my ass.
Amy Bellows (The Bookmobile Baby (Nerds Who Knot #2))
When you go out for a coffee, you post a photo of it on Instagram. If you didn’t, it’s like you’re wasting the money you spent because you didn’t even get content out of it.
Amy Schmittauer Landino (Good Morning, Good Life: 5 Simple Habits to Master Your Mornings and Upgrade Your Life)
Think of various ways to infuse your presence into your child’s room and bed area. Maybe you put a family photo next to your child’s sleep area and a photo of your child next to your bed as well. You can introduce this, during the daytime, by saying: “You know what I’ve been thinking about? Sometimes I have a hard time falling asleep and I think of you and miss you! I’d love to have a picture of you right next to my bed. Then I can see you and remind myself that you’re here and I’m safe, and that I’ll see you in the morning! I think it would be good for both of us to have pictures of each other. Maybe we can make picture frames and then put them by our beds.” I’d suggest making the frames together—nothing fancy, you can just decorate a piece of construction paper and glue the photo on top. This way your presence is infused into the room in your picture but also in your child’s memory of creating art with you, a memory that likely feels safe and connected, which
Becky Kennedy (Good Inside: A Practical Guide to Resilient Parenting Prioritizing Connection Over Correction)
She curls tightly to me kissing me on the lips and cheeks, her body skin to skin to mine, she’s kind of- like- a hyper puppy… you know- wet nose, big sad eyes, giving you lots of unwanted wet kisses, and can’t sit in one place for too long. Now she is pulling on my necklace, the one I am always wearing has my dad’s wedding ring hanging from it-a thin silver chain and the gold band hanging from it, a gift dad gives me- saying- ‘He loves me more than mom, that I am the love of his life.’ Yet sis tugs gently to get my full attention. I ask here- ‘Why are you not wearing your undies?’ And she baby- talks without missing a beat- ‘Be- because you don’t at night so-o why should I’s.’ I knew not too long from now she would be running around the house stark-naked like always, saying it’s because I sleep this way. I am sure mom will say I am a bad role model, but yet there are far worse things she has done, things that mom and dad never need to know about, things that I can even remember right now. If she wants to be in my bad nude, will- I guess that’s okay…? She is just trying to be like me, and that’s sweet. I have saved her butt many times when she has done bad things. I have been like a mom to her, ever since she was born if I wanted to be or not. And she has been there for me when I was a nobody. Yeah, she’s the best pain in the butt a girl can have. ‘Mommy says you have to get up soon, her hand covering her eyes as she walks my room and sees both of us.’ Her breath smells like toothpaste, as she kisses us good morning, and she stumbles over all the stuff lying on the floor and it’s not until I push sis off me that I realize how badly I’m shaking. Mom, she has one of those green face masks sped up, which is some scary-looking crap, pulls she has curlers in her hair. Yet that’s not what’s got me traumatized. ‘It’s Friday,’ I say confused. I thought we were going to the rusty anchor today? Mom said- ‘I thought you didn’t like doing that Karly that you’re too grown up to be with your mommy and Daddy and sissy… always- yes we are all going this upcoming weekend, glad to see you want to go.’ I said- ‘Oh- okay?’ Mom- ‘Karly are you feeling, okay? Are you not your usual descent and moody self? Me- ‘Yah I am a fine mom.’ I have no idea how I got home last night, or what I did or didn’t do. It’s like it never happened, yet I think it did… didn’t it? Maybe I drink too much? Mom said- ‘Um-hum- come on you two bare cuddle bugs it’s getting late.’ Then- I remember getting in the car, with the girls and the fighting it was all coming back to me, as I see my sis run into her room, leaving her nighty behind on my bed. I knew that something looked different about her when I looked her over, I am starting to remember what Ray did to her last night. Yet she seems to be taking it so well- so strange. I have no idea what happened to Jenny or Maddie or Liv, and just thinking about it makes me awful sick, pissed, and yet so worried. I put my feet on the ground, first on my fuzzy shaggy throw rug, and then I step forward feeling the hard would under my feet. The cold wood reminds me. When I was younger, I would lie on the floor all summer wishing I have some friends to spend my time with. Back then my only friend was my sis and my horse, I’m curious to do the same thing now, and reflect a bit on what the heck is going on- and also on how things have changed, I know my sis will be another half hour getting ready. And with me, all I have to do is jump in my outfit laying there on the floor. My skin feels so cold yet, yet on the inside, I feel scorching. Like- photos on Instagram, all these snapshots start scrolling, row after row in my mind. Seeing bits and pieces of what went down last night. My, I- phone starts vibrating on top of my bed until it falls off the edge hitting me square in the face making me jump two feet in the air. I reach for it and slide my finger over the cracked screen.
Marcel Ray Duriez (Nevaeh Dreaming of you Play with Me)
I’m trying to bang out some code for a client while Hazel is taking her morning nap. She’s in her crib right now, sleeping butts-up coconut.” I chuckle. “I’m afraid to ask.” “That’s what Hannah calls it when Hazel’s sleeping with her bottom straight in the air. She smashes her cheek into the mattress and curls her little legs up underneath her, and points her butt straight up. It’s the cutest thing I’ve ever seen.” “Send me a pic.” “Reed, Hazel is my baby.” I laugh. “I want to see.” “Are you drunk?” “I’m just in a good mood. Now, send me a fucking photo of your baby doing butts up coconut before I beat your scrawny ass. My time is valuable, man. I don’t beg.” He laughs. My phone pings. “I sent it.” “Aw. You’re right. That is adorable.
Lauren Rowe (Beautiful Liar (The Reed Rivers Trilogy, #2))
Human AF isn't just about being authentic. It's not just about posting a photo with messy hair and #therealme. It's not about sharing a teeny bit of struggle on Facebook. "Guys, my creativity is blocked. See, even people like me have tough days." That still has a tone of I have my shit together. Being Human AF is about being authentic about where we're being inauthentic. Like saying "You know what guys? I've been saying that I'm totally on board this climate change thing. But behind the scenes, I've made zero changes in my life." Cos you're human AF. It's about recognizing the parts of us, thoughts, behaviours, or feelings that are so in opposition of who we think we are, that we barely even admit them to ourselves. Like how you're a spiritually sound lightworker who meditates wearing white in the mornings and practises reiki to heal others, but 10 minutes later pulls the finger at someone who cuts you off on the freeway yelling, "Fuck off dickhead!" Cos you're human AF. And because road rage is real. Human AF is being honest about where we are being hypocritical, where we're saying one thing and practising another, where we're still really struggling ourselves in an area we claim to have nailed. Like being a really powerful health and wellness coach and preaching healthy habits, yet in the evening you still eat 45g of sugar before bed cos you just haven't quite nailed the harmonious relationship with food you're teaching to others. These so called dualities — good vs. bad, positive vs. negative — are not dualities at all. The reiki and the road rage are equal parts magic and human.
Peta Kelly (Earth is Hiring: The New way to live, lead, earn and give for millennials and anyone who gives a sh*t)
I felt the weight of that responsibility even more now that I had seen firsthand what life here had been like. I took the donuts and juice to a little table we had set up in the Blue Room. I opened the box and set out some paper cups. Matthews was the first to arrive at the table. “Thank you, Carrie Jo.” “My pleasure. Have you heard anything from C. M. Lowell on those mantelpieces? I know it’s only been a few weeks, but TD is going to need to install them before they cut the molding for the rest of the room.” “Right. I’ll put a call in to them this morning. I’d forgotten about that. I’ve got some leads on paintings for the two main parlors. One is pretty incredible; I emailed you photos of both of them. Don’t forget, we’ve got boxes of paintings in the attic. And good news—we have air up there now, too. If you can’t find what you want, there is plenty of room in the budget, but many of the local families are willing to allow us to use their pieces. With all credits, of course.” I couldn’t figure Hollis Matthews out: one minute he was cold and distant, and the next he was kind and friendly. One thing I knew for sure—he was always a man with a plan. “Great. I’ll check out those pictures and let you know. I’ve got some plans ready for the ladies’ parlor, including a significant display of Augusta Evans books. I’ll have those to you by the end of next week.” With a nod of his salt-and-pepper head, he walked away, probably off to call about those mantelpieces. I invited the interns to have a donut and took a few minutes to get to know them. There were two Rachels, Rachel Kowalski and Rachel McGhee, and James Pittman. All of them were excellent archaeological students who had earned their spots on our team. I’d Skyped with them individually before I came to Mobile, but this was the first time we’d met in person. “Well, guys, are you ready for the grand tour? It’s the same one visitors will take once the museum is open.” We started in the ladies’ parlor, continued on to the men’s parlor and the Blue Room, and then went up the opposite side of the hall to the servants’ waiting area, the music room and the ballroom. There were of course a myriad of
M.L. Bullock (The Ultimate Seven Sisters Collection)
As Adam and Masa drove away from WeWork’s headquarters, Masa pulled out an iPad and began sketching the terms of a deal: SoftBank and the Vision Fund would invest more than $4 billion into WeWork. The investment would be the Vision Fund’s biggest to date, and many times larger than any funding round Adam had managed thus far. Masa signed his name, drew another line next to it, and handed Neumann the stylus. Adam had gotten WeWork this far in large part by making shrewd deals—acting coy when it suited him and playing hardball when necessary. But that morning, Adam had met with a spiritual adviser, as he often did before making big decisions, and received some advice: in life, it was sometimes necessary to do “the opposite of our nature.” Adam also knew a good deal when he saw one. After Masa dropped him off, Neumann got into his white Maybach, which had been trailing Masa’s car, turned up some rap music, and drove back to WeWork headquarters. A photo of the digital napkin, with Masa’s signature in red and Adam’s in blue, was soon circulating among WeWork executives. The entire exchange, from Masa’s twelve-minute tour to signatures sealing one of the largest venture capital investments of all time, had taken less than half an hour.
Reeves Wiedeman (Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork)
You know, you just kind of do the best you can and hold on to moments that feel a little better than others. You fall asleep and try not to think about the pressing time of past and future, compressing you from both ways, but you can’t let yourself get worried about it. You just have to try to fall asleep. And you put both feet on the ground when you wake up, seeing the sun that rose once again, despite it all, knowing that this is one of very few limited mornings that you will get to experience and you just have to stop carrying life like a burden. Life is not a burden. It’s not heavy to be alive. It’s weightless. It’s light as air. You’re just floating, a leaf through space, for a little while. You just have to learn to close your eyes more, or open them, when you can. You just have to learn to float with the current more, not fight against things. Change, movement, transitions ... you have to become one with the current. So what if you find yourself homeless and aimless, broke to the bones with no one to hold or call or care for? Go climb a mountain and sit above the world for an hour or two. Breathe in cleaner air and drink water falling through the cracks of the stones. Don’t take the photo and don’t share it with anyone. It’s still beautiful even if only you know about it. You hold this moment in your heart and you go forward for here, one step at a time, and you try to get moments like this, even with other people, down on the ground, and maybe sometimes you will find yourself crying at 4am by yourself but that’s all good. It’s all okay. Just soak up whatever life offers and don’t think too much about it. It’s all beautiful. Stop seeing life as a burden. Something heavy to carry. Life is not heavy. Life is weightless and you can dance through it like a thin fog a summer’s morning. It’s all beautiful.
Charlotte Eriksson
Every day brings me new evidence that women, by and large, do not like themselves very much: their ambition gaps, their orgasm gaps, their impostor syndromes, their poor body images, their endless variety of real or perceived failures, including their failures to feel good about who and what they are. Their trainwrecks, and their need for trainwrecks; the enduring, self-loathing need to find someone about whom they can say well, at least I’m not that girl. But, in the context of trainwreck media, a female self-confidence gap is not only predictable, it’s practically unavoidable. We can’t spend twelve hours a day mainlining ideas of sexual or emotional or aging or ill women as monsters, messes, and freaks, then expect to wake up feeling beautiful and confident in the morning. Every “ugly” photo of Amy Winehouse, every nasty word typed about Azealia Banks in a comment section, is going to come back the next time we’re vulnerable, and take yet another chunk out of our ability to believe that we can screw up and still be basically worthwhile.
Jude Ellison S. Doyle (Trainwreck: The Women We Love to Hate, Mock, and Fear... and Why)
file to my right is Brian Gant’s. I open the package, remove the thick sheaf of papers, and begin to read them carefully. Gaines was born in 1966. He was first convicted of aggravated rape at the age of nineteen. He served ten years and was paroled in February of 1995, just two months before Brian Gant’s mother-in-law was murdered. I find the section that contains Gaines’s parole records. They show that in February of 1995, he moved in with a woman named Clara Stoots. As I look at Clara Stoots’s address, an alarm bell goes off inside my head. I grab Brian Gant’s file and quickly locate a copy of the original police report of the murder. I’m looking for the mother-in-law’s address. When I find it, I begin to slowly shake my head. “No,” I say out loud. “No.” Clara Stoots’s address in April of 1995 was 136 Old Oak Road, Jonesborough, Tennessee. Shirley LaGuardia, Brian Gant’s mother-in-law, lived at 134 Old Oak Road, Jonesborough, Tennessee. At the time of her murder, Earl Gaines was living right next door. I dig back through Gaines’s file, curious about one thing. At the bottom of the stack are several booking photos of Gaines. I fold my arms on the desk in front of me, drop my head onto them, and start slamming my fist onto the desk in anger and frustration. As little Natalie first told the police—Gaines looked very much like Uncle Brian. Chapter Fifty-Nine Anita White walks unannounced into my office an hour and a half later wearing a smart, navy blue pant suit but looking a bit frazzled. She sits down across the desk from me without saying a word. I’ve called her a couple times since our conversation at the restaurant the morning they arrested Tommy Miller, but she hasn’t answered and hasn’t returned the calls. I wonder whether she’s looking for another apology from me. “I’ve been trying to get a hold of you,” I say. “I’ve been out of the country.” “Vacation?” “I took a few personal days, but I worked the entire time I was gone.” “Really? On what?” “It started with the forensic analysis of Judge Green’s computer. Our analyst found out that someone had hacked into the judge’s computer not long before he was killed. He investigated, like all good TBI agents do, and found that the computer the hacker used was located in another country.” “And what country was that?” “Canada.” The look on her face is almost, but not quite, smug. There’s a gleam in her eye that tells me she knows something that I don’t. I can tell she’s dying to spit it out, but first she wants to enjoy her little game. “Canada’s a big country,” I say. “Yes, and Vancouver’s a big city.” The thought germinates in my mind and begins to grow quickly. Vancouver. Canada. Judge Green. Computer hacker. What do they have in common? It dawns on me suddenly, but I’m afraid to be too optimistic. What has she learned? How far has she taken it? “Talk to me,” I say. “When I saw the Vancouver address, I remembered the case against the pedophile that Judge Green threw out on a technicality. So I got online and looked it up. David Dillinger was the witness that the judge held in contempt that day. So I started doing my job. I checked with airlines at the Tri-Cities airport and found out that David Dillinger flew back here three days before Judge Green was murdered.
Scott Pratt (Injustice For All (Joe Dillard #3))