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From authors whom I read more than once I learn to value the weight of words and to delight in their meter and cadence -- in Gibbon's polyphonic counterpoint and Guedalla's command of the subjunctive, in Mailer's hyperbole and Dillard's similes, in Twain's invectives and burlesques with which he set the torch of his ferocious wit to the hospitality tents of the world's colossal humbug . . . I know no other way out of what is both the maze of the eternal present and the prison of the self except with a string of words."
- from Harper's Notebook, November 2010
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Lewis H. Lapham
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Death is not the biggest fear we have; our biggest fear is taking the risk to be alive.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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In the detective story, as in its mirror image, the Quest for the Grail, maps (the ritual of space) and timetables (the ritual of time) are desirable. Nature should reflect its human inhabitants, i.e., it should be the Great Good Place; for the more Eden-like it is, the greater the contradiction of murder. The country is preferable to the town, a well-to-do neighborhood (but not too well-to-do-or there will be a suspicion of ill-gotten gains) better than a slum. The corpse must shock not only because it is a corpse but also because, even for a corpse, it is shockingly out of place, as when a dog makes a mess on a drawing room carpet."
(The guilty vicarage: Notes on the detective story, by an addict, Harper's Magazine, May 1948)
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W.H. Auden
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Decay is renewal--a perhaps contradictory sentence that nevertheless characterizes the aesthetically sustainable product, which ages gracefully and which possesses the germ of aesthetic decay as process. Decay equals renewal in the sense that aesthetic decay ensures the continued interest and fascination of the recipient.
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Kristine H. Harper (Aesthetic Sustainability - Product Design and Sustainable Usage)
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There is more than you see, than I see, to each and every human being. The Self is more.
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H.A. Harper (Self, Care: Pace and Pleasure)
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Mary Webster was on the blower. Her advance agents saw Hank and me swimming in the middle of the river last night with no clothes on.
H'rm, said Atticus. He touched his glasses. I hope you weren't doing the backstroke.
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Harper Lee
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The historical division between the beautiful and the sublime indicates that an aesthetic experience is not necessarily linked to beauty, but can also be induced by the unpleasant, unbalanced, distorted, or even hideous.
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Kristine H. Harper (Aesthetic Sustainability - Product Design and Sustainable Usage)
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Heaviness is uplifting. Heaviness is strengthening. Heaviness is sustainable. Not the gloomy kind of heaviness that characterizes a state of depression and hopelessness—which we must do our best not to fall into when listening to discouraging facts about climate changes and pollution—but the em- powering kind of heaviness that fills your life with substance, when you engage in meaningful projects
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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H-ey, Atticus!” I thought he would have a fine surprise, but his face killed my joy. A flash of plain fear was going out of his eyes, but returned when Dill and Jem wriggled into the light. There was a smell of stale whiskey and pigpen about, and when I glanced around I discovered that these men were strangers. They were not the people I saw last night. Hot embarrassment shot through me: I had leaped triumphantly into a ring of people I had never seen before. Atticus got up from his chair, but he was moving slowly, like an old man. He put the newspaper down very carefully, adjusting its creases with lingering fingers. They were trembling a little.
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Harper Lee (To Kill a Mockingbird)
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swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.
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Harper Sloan (Corps Security: The Series (Corp Security, #1-5))
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WRITING GUIDES AND REFERENCES: A SELECTIVE BIBLIOGRAPHY The Artful Edit, by Susan Bell (Norton) The Art of Time in Memoir, by Sven Birkerts (Graywolf Press) The Writing Life, by Annie Dillard (Harper & Row) Writing with Power, by Peter Elbow (Oxford University Press) Writing Creative Nonfiction, edited by Carolyn Forché and Philip Gerard (Story Press) Tough, Sweet and Stuffy, by Walker Gibson (Indiana University Press) The Situation and the Story, by Vivian Gornick (Farrar, Straus and Giroux) Intimate Journalism: The Art and Craft of Reporting Everyday Life, by Walt Harrington (Sage) On Writing, by Stephen King (Scribner) Telling True Stories, edited by Mark Kramer and Wendy Call (Plume) Bird by Bird: Some Instructions on Writing and Life, by Anne Lamott (Pantheon) The Forest for the Trees, by Betsy Lerner (Riverhead) Unless It Moves the Human Heart, by Roger Rosenblatt (Ecco) The Elements of Style, by William Strunk, Jr., and E. B. White (Macmillan) Clear and Simple as the Truth, by Francis-Noel Thomas and Mark Turner (Princeton University Press) Word Court, by Barbara Wallraff (Harcourt) Style, by Joseph M. Williams and Gregory G. Colomb (Longman) On Writing Well, by William Zinsser (Harper & Row) The Chicago Manual of Style, by University of Chicago Press staff (University of Chicago Press) Modern English Usage, by H. W. Fowler, revised edition by Sir Ernest Gowers (Oxford University Press) Modern American Usage, by Wilson Follett (Hill and Wang) Words into Type, by Marjorie E. Skillin and Robert M. Gay (Prentice-Hall) To CHRIS, SAMMY, NICK, AND MADDIE, AND TO TOMMY, JAMIE, THEODORE, AND PENNY
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Tracy Kidder (Good Prose: The Art of Nonfiction)
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*———. The Mystery of Israel’s Origins: An Introduction and Proposals. Oxford: Oxford University Press, 2014. *Stager, Lawrence E. “Forging and Identity: The Emergence of Ancient Israel,” in The Oxford History of the Biblical World, ed. Michael D. Coogan. Oxford: Oxford University Press, 1998. Stark, Thomas. The Human Faces of God: What Scripture Reveals When It Gets God Wrong (and Why Inerrancy Tries to Hide It). Eugene, OR: Wipf and Stock, 2010. *Thomas, Heath A., Jeremy Evans, and Paul Copan, eds. Holy War in the Bible: Christian Morality and an Old Testament Problem. Downers Grove, IL: InterVarsity Press, 2013. Williamson, H. G. M. 1 and 2 Chronicles. Grand Rapids: Eerdmans, 1982. Wright, N. T. How God Became King: The Forgotten Story of the Gospels. San Francisco: HarperOne, 2012. *———. Jesus and the Victory of God. Minneapolis: Fortress Press, 1997. ———. Paul in Fresh Perspective. Minneapolis: Fortress Press, 2005. ———. Simply Jesus: A New Vision of Who He Was, What He Did, and Why It Matters. San Francisco: HarperOne,
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Peter Enns (The Bible Tells Me So: Why Defending Scripture Has Made Us Unable to Read It)
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These books, which cover many of the topics discussed in this book, may be helpful further reading. GENERAL REFERENCE American Academy of Pediatrics. Caring for Your Baby and Young Child: Birth to Age Five. New York: Bantam, 2004. Druckerman, P. Bringing Up Bébé: One American Mother Discovers the Wisdom of French Parenting. New York: Penguin, 2014. Eliot, L. What’s Going On in There?: How the Brain and Mind Develop in the First Five Years of Life. New York: Bantam, 2000. Nathanson, L. The Portable Pediatrician for Parents: A Month-by-Month Guide to Your Child’s Physical and Behavioral Development from Birth to Age Five. New York: HarperCollins, 1994. DISCIPLINE Phelan, T. W. 1-2-3 Magic: Effective Discipline for Children 2–12. Naperville, IL: ParentMagic, Inc., 2010. Webster-Stratton, C. The Incredible Years: A Trouble-Shooting Guide for Parents of Children Aged 2–8. Toronto: Umbrella Press, 1992. SLEEP Ferber, R. Solve Your Child’s Sleep Problems. Rev. ed. New York: Simon & Schuster, 2006. Karp, H. The Happiest Baby on the Block: The New Way to Calm Crying and Help Your Newborn Baby Sleep Longer. Rev. ed. New York: Bantam, 2015. Weissbluth, M. Healthy Sleep Habits, Happy Child: A Step-by-Step Program for a Good Night’s Sleep. 4th ed. New York: Ballantine Books, 2015. POTTY TRAINING Glowacki, J. Oh Crap! Potty Training: Everything Modern Parents Need to Know to Do It Once and Do It Right. New York: Touchstone, 2015.
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Emily Oster (Cribsheet: A Data-Driven Guide to Better, More Relaxed Parenting, from Birth to Preschool (The ParentData Series Book 2))
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Testament Can Teach Us. San Francisco: HarperOne, 2011. Kugel, James L. How to Read the Bible: A Guide to Scripture, Then and Now. New York: Free Press, 2008. *———. Traditions of the Bible: A Guide to the Bible as It Was at the Start of the Common Era. Cambridge, MA: Harvard University Press, 1998. Levenson, Jon D. Creation and the Persistence of Evil: The Jewish Drama of Divine Omnipotence. Princeton, NJ: Princeton University Press, 1994. ———. The Death and Resurrection of the Beloved Son: The Transformation of Child Sacrifice in Judaism and Christianity. New Haven, CT: Yale University Press, 1995. ———. Sinai and Zion: An Entry into the Jewish Bible. San Francisco: HarperSanFrancisco, 1987. Levine, Amy-Jill, and Marc Zvi Brettler. The Jewish Annotated New Testament. Oxford: Oxford University Press, 2011. *Miller, J. M., and J. H. Hayes. A History of Ancient Israel and Judah. Second edition. Louisville, KY: Westminster John Knox, 2006. *Moore, Megan Bishop, and Brad E. Kell. Biblical History and Israel’s Past: The Changing Study of the Bible and
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Peter Enns (The Bible Tells Me So: Why Defending Scripture Has Made Us Unable to Read It)
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Is a frog’s ass water tight?
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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Since he looks so much like Hermes and Helios, I figured he needed a name to help him fit in with the family. Hercules starts with an H and matches the stories Mr. Ben tells, so it just seemed right.” Ben turned to look at her. She saw the motion out of the corner of her eye and felt his gaze upon her, but she didn’t glance his way. She couldn’t. Not when everything inside her had frozen at the words that slipped so casually from her son’s mouth. Family. Oh, heavens. Did Lewis think of Ben Porter as family? As a father? Panic pounded through her breast, restricting her chest, closing her lungs. She’d told him over and over that the freighter was just a friend. Nothing more. But
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Karen Witemeyer (Worth the Wait (Ladies of Harper’s Station, #1.5))
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You are essentially who you create yourself to be, and all that occurs in your life is the result of your own making.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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Fear has its use, but cowardice has none,
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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Treat everyone you meet as if they were going to be dead by midnight. Extend to them all the care, kindness and understanding you can muster, and do it with no thought of any reward,
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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I gotta take care of this ragin’ food boner.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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It’s the only way I know how to deal with Conan’s BMS.” “His what?” “Bitchy man syndrome,
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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Walking with a friend in the dark is better than walking alone in the light, I said to myself, remembering Helen Keller’s famous quote.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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I gotta go number two, but this place is givin’ me pooformance anxiety.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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sixteenth president who said, ‘Better ta remain silent an’ be thought ah fool than ta speak out, an’ remove all doubt.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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I liked my stealth abs.” I frowned at him, and he patted his gut. “I gotta ripped six pack … it’s just covered by a layer of insulation.” Then he smiled and shrugged. “Stealth abs.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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All that we are is the result of what we have thought,’ Buddha.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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Midway upon the journey of our life, I found myself within a forest dark, For the straight foreward pathway had been lost.” – Dante’s Inferno
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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Shit! Just my luck. My body is telling me to start humping, my heart is telling me to run, and my mind is sitting there enjoying a cigarette as his h*ps start to move against me.
“Axel Reid, you wake up right now!” I yell. “Get your paws off my tit and call your dick off its search for my p**sy, he found it a**hole, now back off.”
“urmmpf…
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Harper Sloan (Axel (Corps Security, #1))
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Jean H. Baker, Mary Todd Lincoln: A Biography (New York: Norton, 1987); Joan E. Cashin, First Lady of the Confederacy: Varina Davis’s Civil War (Cambridge, MA: Belknap Press of Harvard University Press, 2006); Catherine Clinton, Mrs. Lincoln: A Life (New York: HarperCollins, 2009); Daniel Mark Epstein, The Lincolns: Portrait of a Marriage (New York: Ballantine Books, 2008); Jennifer Fleischner, Mrs. Lincoln and Mrs. Keckly: The Remarkable Story of the Friendship Between a First Lady and a Former Slave (New York: Broadway Books, 2003); Ernest B. Furgurson, Freedom Rising: Washington in the Civil War (New York: Knopf, 2004); Becky Rutberg, Mary Lincoln’s Dressmaker: Elizabeth Keckley’s Remarkable Rise from Slave to White House Confidante (New York: Walker and Company, 1995); Justin G. Turner and Linda Levitt Turner, Mary Todd Lincoln: Her Life and Letters (New York: Knopf, 1972); and John E.
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Jennifer Chiaverini (Mrs. Lincoln's Dressmaker)
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Resilient aesthetics and resilient beauty are terms that immediately sound like oxymorons, as beauty and aesthetically pleasing experiences and objects tend to con- note something fleeting, transient, and/or volatile. We are used to viewing beauty as something that fades, being synonymous with newness, youth, unwrinkled faces and garments, fresh flowers, polished tables, newly painted walls, and with undented floors—all of which diminish with age, usage, and wear. We are used to aesthetics and beauty being linked to the visual impression of an object.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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One could argue that time is the most valuable thing we have or “own.” We even seem to have a cultural and societal agreement on this, materializing in sayings like “time flies,” “life is short,” “our children are only on loan,” etc. It therefore seems odd that time is one of the “things” that we easily give away. We sell our time for money that we spend on new consumer goods instead of limiting our consumption in order to make it possible to sell less of our time. We engage in “ought to” events and arrangements that we don’t really want to attend in order to fit in. We waste our time on insignificant series and movies that are provided to us by endless streaming services in order to feel ready for another day of selling our time. This vicious circle is unsustainable.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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Resilient living is not an ode to dishwashing. Resilient repetitions are linked to the usage of aesthetically nourishing objects, to gratitude for the rhythms in nature, to steadily, gradually re- fining a skill, to the pleasure of slow creation—and the appreciation of slowly created objects—to creating momentous rituals with communities, friends, and family, and to finding a stimulating work-life balance and enjoying meaningful daily routines that allow for both efficiency and stillness. Resilient repetitions are nourishing be- cause they have been consciously chosen by the individual.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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Resilient living is not an ode to dishwashing. Resilient repetitions are linked to the usage of aesthetically nourishing objects, to gratitude for the rhythms in nature, to steadily, gradually refining a skill, to the pleasure of slow creation—and the appreciation of slowly created objects—to creating momentous rituals with communities, friends, and family, and to finding a stimulating work-life balance and enjoying meaningful daily routines that allow for both efficiency and stillness. Resilient repetitions are nourishing because they have been consciously chosen by the individual.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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Let’s not fall into the trap of conventions and habits and convince ourselves that the way we are consuming now is next to impossible to alter because of regulated options, economic limitations, cultural norms, accessibility, or whichever excuse we come up with. Let’s remember that just as it is momentarily the norm to mindlessly shop and consume, it could easily become the new norm not to; to radically reduce one’s consumption and to focus on the usage and aesthetic nourishment of the objects one owns and invests in. Something being the norm doesn’t mean that it is carved in stone. Norms are changeable. Not easily changeable, but nevertheless changeable. Cherishing, mending, and repairing one’s belongings could become the new normal.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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I am not on a mission that involves preaching doomsday. Yes, there are definitely a lot of pollution-based problems in the world. And, yes, we most certainly need to change our consumption and production ways radically in order to stop ongoing climate change, inequality, and mindless consumption. But I think that one of the many reasons this “turning things around” is so hard is that the way we are being told to change things is lecture-based and fear driven.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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Sustainable, simple living should be synonymous with resilience. There is nothing healthy, balanced, or resilient about the occasional “sugar-rush” in the shape of consumer-ventures or luxury holidays—which are needed in order to survive one’s stressful, busy daily life. I would even go as far as to rename the sustainable way of life—known as slow living or simple living—resilient living. The majority of the connotations currently linked to simple living are too lifeless and too monotonous to be inspiring and to contain longevity.
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Kristine H. Harper (Anti-trend, Resilient Design and the Art of Sustainable Living)
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You just gotta be careful not to be so busy tryin’ to learn how to get a life that you forget to have one.
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H.P. Mallory (Better Off Dead (Lily Harper, #1))
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...it suddenly hit him, almost like a blow in the face, how silly it was to be singing about safety and still to be afraid of every whisper in the undergrowth. If he really was safe in Jesus' arms, what was there to be afraid of?
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H. Maxwell Butcher (Rescue at Harper's Landing)
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Nobody can get across now! We'll have to stay here days and days, and we've got nothing to eat, and we'll freeze to death at night, and I didn't even tell my dad I was coming here, and I'll get a whipping when I get home!"
Tom smiled thinly and tried to make a joke out of it. "I thought you were going to freeze to death," he said.
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H. Maxwell Butcher (Rescue at Harper's Landing)
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Maybe it sounds silly, but when I was all along in the bush, I didn't feel alone at all. At least, I did at first, but then it felt as if Jesus was right beside me, telling me not to worry.
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H. Maxwell Butcher (Rescue at Harper's Landing)
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Maybe it sounds silly, but when I was all alone in the bush, I didn't feel alone at all. At least, I did at first, but then it felt as if Jesus was right beside me, telling me not to worry.
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H. Maxwell Butcher (Rescue at Harper's Landing)
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Laszlo Bock, Work Rules (New York: Grand Central Publishing, 2015) David Brooks, The Social Animal (New York: Random House, 2011) Arie de Geus, The Living Company (Boston, MA: Harvard Business Review Press, 2002) Angela Duckworth, Grit: The Power of Perseverance and Passion (New York: Scribner, 2016) Charles Duhigg, The Power of Habit: Why We Do What We Do in Life and Business (New York: Random House, 2012) Amy Edmondson, Teaming: How Organizations Learn, Innovate, and Compete in the Knowledge Economy (San Francisco: Jossey-Bass Pfeiffer, 2012) Adam Grant, Give and Take (New York: Viking, 2013) Richard Hackman, Leading Teams (Boston, MA: Harvard Business Review Press, 2002) Chip and Dan Heath, Switch: How to Change Things When Change is Hard (New York: Broadway Books, 2010) Sebastian Junger, Tribe: On Homecoming and Belonging (New York: HarperCollins, 2016) James Kerr, Legacy (London: Constable & Robinson, 2013) Patrick Lencioni, The Five Dysfunctions of a Team: A Leadership Fable (San Francisco: Jossey-Bass, 2002) Stanley McChrystal, Team of Teams: New Rules of Engagement for a Complex World (New York: Portfolio, 2015). Mark Pagel, Wired for Culture (New York: W. W. Norton & Company, 2012) Daniel Pink, Drive: The Surprising Truth About What Motivates Us (New York: Riverhead Books, 2009) Amanda Ripley, The Smartest Kids in the World: And How They Got That Way (New York: Simon & Schuster, 2013) Edgar H. Schein, Helping (Oakland, CA: Berrett-Koehler Publishers, 2009) Edgar H. Schein, Humble Inquiry (Oakland, CA: Berrett-Koehler Publishers, 2013) Peter M. Senge, The Fifth Discipline (New York: Doubleday Business, 1990) Michael Tomasello, Why We Cooperate (Cambridge, MA: MIT Press, 2009)
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Daniel Coyle (The Culture Code: The Secrets of Highly Successful Groups)
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Fashion is by definition focused on new and forward-looking trends. But despite of its forward-looking and new-is-good doctrine, fashion constantly borrows from the stylistic expressions of earlier times.
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Kristine H. Harper (Aesthetic Sustainability - Product Design and Sustainable Usage)
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No man fails, or can fail who so grandly gives himself and all he has to a righteous cause.
[Frederick Douglass, on John Brown, Speech given at Storer College, Harpers Ferry West Virginia, May 30, 1881]
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H.W. Brands