Sioux Sayings And Quotes

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ABSTRACT THOUGHTS in a blue room; Nominative, genitive, etative, accusative one, accusative two, ablative, partitive, illative, instructive, abessive, adessive, inessive, essive, allative, translative, comitative. Sixteen cases of the Finnish noun. Odd, some languages get by with only singular and plural. The American Indian languages even failed to distinguish number. Except Sioux, in which there was a plural only for animate objects. The blue room was round and warm and smooth. No way to say warm in French. There was only hot and tepid If there's no word for it, how do you think about it? And, if there isn't the proper form, you don't have the how even if you have the words. Imagine, in Spanish having to assign a sex to every object: dog, table, tree, can-opener. Imagine, in Hungarian, not being able to assign a sex to anything: he, she, it all the same word. Thou art my friend, but you are my king; thus the distinctions of Elizabeth the First's English. But with some oriental languages, which all but dispense with gender and number, you are my friend, you are my parent, and YOU are my priest, and YOU are my king, and YOU are my servant, and YOU are my servant whom I'm going to fire tomorrow if YOU don't watch it, and YOU are my king whose policies I totally disagree with and have sawdust in YOUR head instead of brains, YOUR highness, and YOU may be my friend, but I'm still gonna smack YOU up side the head if YOU ever say that to me again; And who the hell are you anyway . . .?
Samuel R. Delany (Babel-17)
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
Do you really expect us to believe anything you say?” “You have been given assurance on behalf of the president of the United States that no further attacks would be made on the school as long as you followed the safety protocols.” “Right. Tell that to the Sioux.” “What?” “As much as it causes me physical pain to say this out loud to another … what I assume is another Republican, our government doesn’t have a great track record for keeping its promises with people who have something they want.
Jonathan Maberry (Fall of Night (Dead of Night, #2))
I would also like to suggest that the traditions of genre exert their force here and there in the historical record. The genre I have in mind is the battle report, which falls back, in unconsciously, on Homer. When Stephen Ambrose says that forty thousand arrows were shot during the twenty or thirty minutes that it took the Sioux and Cheyenne to kill all the soldiers in the Fetterman massacre, I feel that what I'm getting is a trope, not a fact. Who would have been counting arrows on that cold day in Wyoming in 1866?
Larry McMurtry (Crazy Horse: A Life)
We Sioux spend a lot of time thinking about everyday things which in our minds are mixed up with the spiritual. We see in the world around us many symbols that teach us the meaning of life. We have a saying that the white man sees so little, he must see with only one eye. We see a lot that you no longer notice. You could notice if you wanted to, but you are usually too busy. We Indians live in a world of symbols and images where the spiritual and commonplace are one...We try to understand them not with the head but with the heart.
John Fire
lumber from the Black Hills National Forest. We have plenty of spare metal laying around in the junkyard, so we can build this with no problems,” “Uh, won’t the Sioux get kinda mad about us taking trees?” “I had to talk with the Sioux leader, John Running Elk, and he was fine with it as long as the lumber company stayed away from the Crazy Horse Memorial and the lands around it. They too have been preparing for the eventual crazy days ahead if the U.S. government does actually collapse, since it is apparent that Collins doesn’t seem to be going anywhere, in spite of Wall Street crashing and the military openly saying they want to get rid of him. Next question,
Cliff Ball (Times of Trouble: Christian End Times Novel (The End Times Saga Book 2))
What treaty that the whites have kept has the red man broken? Not one. What treaty that the whites ever made with us red men have they kept? Not one. When I was a boy the Sioux owned the world. The sun rose and set on their lands. They sent ten thousand horsemen to battle. Where are the warriors today? Who slew them? Where are our lands? Who owns them? What white man can say that I ever stole his lands or a penny of his money? Yet they say I am a thief. What white woman, however lonely, was ever captive or insulted by me? Yet they say I am a bad Indian. What white man has ever seen me drunk? Who has ever come to me hungry and gone unfed? Who has ever seen me beat my wives or abuse my children? What law have I broken? Is it wrong for me to love my own? Is it wicked in me because my skin in red; because I am a Sioux; because I was born where my fathers lived; because I would die for my people and my country?32
Mumia Abu-Jamal (Murder Incorporated - Dreaming of Empire: Book One (Empire, Genocide, and Manifest Destiny 1))
A cavalry of sweaty but righteous blond gods chased pesky, unkempt people across an annoyingly leaky Mexican border. A grimy cowboy with a headdress of scrawny vultures lay facedown in fiery sands at the end of a trail of his own groveling claw marks, body flattened like a roadkill, his back a pincushion of Apache arrows. He rose and shook his head as if he had merely walked into a doorknob. Never mind John Wayne and his vultures and an “Oregon Trail” lined with the Mesozoic buttes of the Southwest, where the movies were filmed, or the Indians who were supposed to be northern plains Cheyenne but actually were Navajo extras in costume department Sioux war bonnets saying mischievous, naughty things in Navajo, a language neither filmmaker nor audience understood anyway, but which the interpreter onscreen translated as soberly as his forked tongue could manage, “Well give you three cents an acre.” Never mind the ecologically incorrect arctic loon cries on the soundtrack. I loved that desert.
Ellen Meloy (The Last Cheater's Waltz: Beauty and Violence in the Desert Southwest)
There is no doubt that 'force multipliers' - squad automatic weapons - have changed the character of warfare once again, just as their predecessors did during the First World War, if perhaps not to quite the same degree. In the immediate future it seems that most armies will be using some form of 5.56mm machine-gun at squad level, be it a box-fed LSW or belt-fed SAW. If there is a cloud on the horizon where modern light machine-guns are concerned it is that they are not powerful enough for long-range work, or for penetrating cover and light armour. Nevertheless, the new generation of light machine-guns will remain in use well into the next century, not least because they are popular with the soldiers who operate them, the machine-gunners. Likewise, there will still be a place for the heavier GPMG, which does have the 'punch' that the LSW lacks. Machine-guns themselves have become lighter, and their operating principles both more secure and more efficient; the ammunition they use has shrunk to a quarter of its original size and become almost 100 percent reliable. The one important thing which has not changed dramatically is the human component; the attitude with which man faces the prospect of death in battle, and how he prepares himself to face that possibility quite deliberately, for it was the original invention of the machine-gun which reformed that. More than any other single 'advance' in weapons technology, the machine-gun allowed an individual (or actually, a small team of men) to dominate a sector of the battlefield. They had an inhuman advantage which simply had to be exploited if they were to be on the winning side, whether their opponents were Zulus, Sioux, or Dervishes, or other industrialized nations to be beaten into last place in the race toward economic supremacy. Whether the machine-gun has been as important, in any sense at all of the word, as it near-contemporary, the internal combustion engine - or even, date one say it, the bicycle or sewing machine - is still to be decided, but there is one clear, irrefutable fact connected with its short history: it has killed tens of millions of men, women and children and blighted the lives of tens of millions more.
Roger Ford (The Grim Reaper: Machine Guns And Machine-gunners In Action)
On the summits of these heights I found shells such as are picked up at the seaside. The Indians accounted for their appearance there by saying that once a great sea rolled over the face of the country and only one man in a boat escaped with his family. He had sailed about in the boat until the waters retired to their place, and, living there, became the father of all Indians.
Fanny Kelly (Narrative of My Captivity Among the Sioux Indians)
The Sioux say: “With all things and in all things, we are relatives.
Sylvia Browne (All Pets Go To Heaven: The Spiritual Lives of the Animals We Love)
What is this animal?” “A horse.” The chief smiled slightly, and then shouted something to his men in Sioux. They laughed heartily. “The white eye should stay out of the sun,” said the chief. Marsh couldn’t help but become a little defensive. “Wait. You’ve seen a horse’s bones, haven’t you?” The chief nodded. “Look at it closely.” Marsh held the tiny skull up alongside the head of Red Cloud’s mount, comparing the two. The chief reached down and took the skull gingerly, and peered at it intently, turning it in his enormous but surprisingly dexterous hands. “A small horse?” “Precisely,” said Marsh, indicated the size with his hands. “Very small.” The other Sioux laughed, but Red Cloud was fascinated. “Where are these small horses? Show me one.” “I’m sorry, I can’t. They are all dead. They died many, many years ago. Many snows. We search for their bones.” “Why?” “To . . . to honor them. To learn from them.” “They speak to you?” Marsh smiled. “Oh yes.” “What do they say?” “They tell us of their world. A world that has long since vanished.” The chief looked down at the skull, then at Marsh. He shouted again to his men, in Sioux, and they lowered their rifles. He dismounted and turned to face Marsh. “I am Red Cloud.” “My name is Professor Marsh.” “Marsh.” Red Cloud tested the name out loud, and then nodded in approval. “I will hear what these small horses have to teach.
Wynne McLaughlin
Friends, it has been our misfortune to welcome the white man. We have been deceived. He brought with him some shining things that pleased our eyes; he brought weapons more effective than our own. Above all he brought the spirit-water that makes one forget old age, weakness and sorrow. But I wish to say to you that if you wish to possess these things for yourselves, you must begin anew and put away the wisdom of your fathers. You must lay up food and forget the hungry. When your house is built, your store-room filled, then look around for a neighbour whom you can take advantage of and seize all he has. Chief Red Cloud of the Oglala Sioux
Hugh Brogan (The Penguin History of the USA)
Katherine sits at a table of four. She's a defensive diner, with her back to the wall like Al Capone. James asks for her order. Tea. Spicy tofu. Does she want it with, or without pork? She wants the pork. Would she like brown rice? No, she says, brown rice is an affectation of Dagou's, not authentic. White rice is fine. Whatever her complications, James thinks, they're played out in the real world, not in her palate. But Katherine's appetite for Chinese food is hard-won. She's learned to love it, after an initial aversion, followed by disinclination, and finally, exploration. Everyone knows she grew up in Sioux City eating peanut-butter-and-jelly sandwiches, carrot sticks, and "ants on a log" (celery sticks smeared with peanut butter, then dotted with raisins). Guzzling orange juice for breakfast, learning to make omelets, pancakes, waffles, and French toast. On holidays, family dinners of an enormous standing rib roast served with cheesy potatoes, mashed potatoes, and sweet potatoes with marshmallows, Brussels sprouts with pecans, creamed spinach, corn casserole, and homemade cranberry sauce. Baking, with her mother, Margaret Corcoran, Christmas cookies in the shapes of music notes, jingle bells, and double basses. Learning to roll piecrust. Yet her immersion in these skills, taught by her devoted mother, have over time created a hunger for another culture. James can see it in the focused way she examines the shabby restaurant. He can see it in the way she looks at him. It's a clinical look, a look of data collection, but also of loss. Why doesn't she do her research in China, where her biological mother lived and died? Because she works so hard at her demanding job in Chicago. In the meantime, the Fine Chao will have to do.
Lan Samantha Chang (The Family Chao)
the white tents. 17. Two views of The Wild West in Paris, igo5. Colonel Cody, a Hawkeye by birth, is personally lionized by the Parisians, and his unique exhibition, so full of historical and dramatic interest, made a wonderful impression upon the susceptible French public. The twenty lessons I took in French, at the Berlitz School of Languages, London, only gave me a faint idea of what the language was like, but as I was required to make my lectures and announcements in French, I had my speeches translated, and was coached in their delivery by Monsieur Corthesy, editeur, le journal de Londres. Well, I got along pretty fair, considering that I did not know the meaning of half the words I was saying. Anyway it amused them, so I was satisfied. I honestly believe that more people came in the side show in Paris to hear and laugh at my "rotten" French than anything else, and when I found that a certain word or expression excited their risibilities, I never changed it. I can look back now and see where some of my own literal translations were very funny. Colonel Cody's exhibition is unique in many ways, and might justly be termed a polyglot school, no less than twelve distinct languages being spoken in the camp, viz.: Japanese, Russian, French, Arabic, Greek, Hungarian, German, Italian, Spanish, Holland, Flemish, Chinese, Sioux and English. Being in such close contact every day, we were bound to get some idea of each other's tongue, and all acquire a fair idea of English. Colonel Cody is, therefore, entitled to considerable credit for disseminating English, and thus preserving the entente cordiale between nations. 18. Entrance to the Wild West, Champs de Mars, Paris, Igo5. The first place of public interest that we visited in Paris was the Jardin des Plantes (botanical and zoological garden) and le Musee d'Histoire Naturelle. The zoological collection would suffer in comparison with several in America I might mention, but the Natural History Museum is very complete, and is, to my notion, the most artistically arranged of any museum I have visited. Le Palais du Trocadero, which was in sight of our grounds and facing the
Charles Eldridge Griffin (Four Years in Europe with Buffalo Bill)
When the bell rings she hurries up to me with more than twenty sheets of paper. She’s Indian—Hidatsa, maybe, or Sioux—and the other children let her pass as if she were invisible. The morning star dances in a red circle, singing a song about his girlfriend Sheila; the angel Gabriel stands before Mary, his blue wings ablaze with stars. His mouth is open wide and notes are coming out, each one a different color. A woman with green hair holds her hands up to the sky and says: These are secret words, Say them after me. May all the plants and flowers rise And all people rise from death. I look up from the paper: a dusty shelf, a starfish in a jar caked with dust beside dusty petri dishes. I see shades of blue: the globe cerulean, the sky bleached out. And out the window, above the children’s heads, topsoil, the residue of ancient oceans, swirling like a thumbprint in the playground, wind pushing the empty swings. “So many poems,” I say, smiling at the girl. “You must love to write.” She shifts from foot to foot and weaves her hands in air. “I don’t have paper at home,” she says, “so I keep them in my head. That’s where they live until I write them down.
Kathleen Norris (Dakota: A Spiritual Geography (Dakotas))
1/11/2020 X Marks the Spot Sound Tangler Riddle-Puzzle The X: The idea of this puzzle is like trying to say something awkward 10 times, but here each X entry has its own subtle pronunciation, which would limber up any tongue in the X-ese language. Another approach is to write them out in whatever order you want pronunciation as you go. You will find both confusingly challenging. X (chi/ki, now YZ indeed? eks, plural exes): eks __ ks gz kzh k/sh h z gzh kh kh eks __ ks gz kzh k/sh h z gzh gzh kh eks __ ks gz kzh ks/h h z z gzh kh eks __ ks gz kzh k/sh h h z gzh kh eks __ ks gz kzh k/sh k/sh h z gzh kh eks __ ks gz kzh kzh k/sh h z gzh kh eks __ ks gz gz kzh k/sh h z gzh kh eks __ xxxxxxxx8 marks the spot Sound Key: -X (own name; X-ray) not listed -(k)/eks (excite, extra, intellectual) -__ (silent: Sioux Falls, faux) -ks (exit, ox, xion, ction) -gz (exert, exaltation, auxillary, exhaust) -kzh (luxury, Tupuxuara-flying dinosaur) -k/sh (complexion, obnoxious, textual) -h (Don Quixote, Xavier) -z (xylophone, Xerox, Xanadu) -gzh (luxurious, luxuriate) -kh (chi, ki) (Overlapping is subtle) *Zenzizenzizenic8 –“the eighth power of a number.” See the archaic word site The Phrontistery online, a great collection of rare, obsolete and extinct words of all sorts. exit.... dlaurent 2 of 2 end
Douglas M. Laurent
The cheekiest of land speculators, or the most conscienceless of newspaper correspondents, could not say a word in behalf of that infernal region, which it would be the acme of exaggeration to term "land." But some of our old Indian scouts said it was Arabia Felix compared with what lay between us and the Powder river. Why the government of the United States should keep an army for the purpose of robbing the Indians of such a territory, is an unsolvable puzzle. It is a solemn mockery to call the place "a reservation," unless dust, ashes and rocks be accounted of value to mankind. Not even one Indian could manage to exist on the desert tract over which
John Frederick Finerty (Warpath and Bivouac: Or The Conquest of the Sioux (1890))
I put in, in all, 15 years among the Sioux, Assiniboines and Mountain Crows. I'm not going into the subject, but I will say that the more I saw of the relations of the white man and the Indian, the more sympathy I had for the Indians. pg 62
Fred Lockley (Voices of the Oregon Territory Conversations With Bullwhackers,Muleskinners,Pioneers, Prospectors, 49Ers, Indian Fighters (Lockley Files))
I truly hope the efforts of Red Shirt and Colonel Cody can bring about peace between their peoples, Watson. They have much to learn from each other.” I queried my friend, “The white race is far advanced beyond Red Shirt’s people, Holmes. I can see the advantage the Indians would have in being assimilated into American society, but what do they have to offer in return?” Holmes limped over to the window and replied, “They are an honourable and courageous people, Watson. They are also great respecters of nature, whereas the white man runs roughshod over it in the name of progress. We need their wisdom to maintain the delicate balance of man in his place in the natural world.” “Surely science can provide the answers we need, old man,” I answered. My friend crooked his finger at me and bade me join him at the window. The streets were bustling with people and horse drawn vehicles, the London sky was shrouded in a yellowish-grey, poisonous atmosphere from the many smokestacks of homes, trains and factories. “There is the result of science, Doctor,” he said pointing to the murky skyline. “I believe that I would gladly trade this version of ‘civilisation’ for the blue skies and simple ways which the Sioux fought so desperately for. What say you?” Holmes to Watson in Buffalo Bill and the Red Shirt Menace A Sherlock Holmes Alphabet of Cases: Volume One
Roger Riccard (A Sherlock Holmes Alphabet of Cases: Volume 1 (A-E))