Washed Up On Shore Quotes

That was the only time, as I stood there, looking at that strange rubbish, feeling the wind coming across those empty fields, that I started to imagine just a little fantasy thing, because this was Norfolk after all, and it was only a couple of weeks since I’d lost him. I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half-closed my eyes and imagined this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call. The fantasy never got beyond that --I didn't let it-- and though the tears rolled down my face, I wasn't sobbing or out of control. I just waited a bit, then turned back to the car, to drive off to wherever it was I was supposed to be.

Sometimes when I think of life, I feel like a piece of driftwood washed up on shore.

We are shoulder to shoulder due to the size of the cab, and if Gratton is made of flour and potatoes, Sean is made of stone and driftwood and possibly those prickly anemones that sometimes wash up on shore.

I will not go on, I thought. I won't. I will throw my soul to the wind and blow into a thousand pieces. I will wash up on a shore somewhere like bleached and broken driftwood. I will dry out in the sun until I-and any gift I ever had-shrivel into the sand.

You cannot live far from the treachery of the world, because eventually the treachery will wash up on your shores.

The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.

I have dreamed of our bed as if it were a shore where we would be washed up, not this striped mattress we must cover with sheets. [from "After an Absence"]

No opinions, no ideas, no real knowledge of anything, no ideals, no inspiration; a fat, slothful, querulous, greedy, impotent carcass; a stump, a decaying belly washed up on the shore... Always tired, always bored, always hurt, always hating.

He’d told himself he was giving her a chance, being fair to this girl who had washed up on his shore. But he’d let himself think of her as someone who had made all of the wrong choices and stumbled down the wrong path. It hadn’t occurred to him that she was being chased.

His mouth opens. From inside him comes a slow stream, without breath, without interruption. It flows up through his body and out upon me; it passes through the cabin, through the wreck; washing the cliffs and shores of the island, it runs northward and southward to the ends of the earth. Soft and cold, dark and unending, it beats against my eyelids, against the skin of my face.

When I was a child, an angel came to say, A true friend is coming my warrior to sweep you away, It won’t be easy the path because it leads through hell, But if you’re faithful, it will be the greatest story to tell, You will move God’s daughters to a place of hope, Your story will teach everyone there is nothing they can’t cope, You will suffer a lot, but not one tear will you waste, Because for all that you do for me, you will be graced, For I am bringing you someone that wants to travel your trail, Someone you already met when you passed through heaven’s veil, A warrior, a friend that whispers your heart’s song, Someone that will run with you and pull your spirit along, Don’t you see the timing was love's fated throw, Because I put you both there to help one another grow, I am the writer of all great stories your chapters were written by me, You suffered, you cried because I needed you to see, That your faith in my ending goes far beyond two, It was going to change more hearts than both of you knew, So hush my child and wait for my loving hand, The last chapter is not written and still in the sand, It is up to you to finish, before the tide washes it away, All that is in your heart, I’ve put there for you to say, This is not about winning, loss or pain, I made you the way you are because true love stories are insane, I wrote you in heaven as I sat on its sandy shore, You know with all of my heart I loved you both more, There is no better ending two people seeing each other's heart, Together your spirits will never drift apart, Because two kindred spirits is what I made you to be, The waves and beach crashing together because of-- ME.

Survival was its own quest: we needed to choose to survive over and over again. We had to wash up on shore, and we had to choose to keep washing up every single day. We had to let the survival accrue, pebble after pebble, building a beach from a million tiny moments until suddenly we stopped, looked around, and thought, on a Saturday in Maine, I'm glad we're here.

I often lie down in the round little clearing and let the sunlight wash over me. Eyes closed tight, I give myself up to it.

On Sunday, something washed up on shore.

May yours be the sparkle of light on the ocean, The whisper of foam on the sea, The warm sand guiding your feet safely home, A pebble in your pocket from me. Some sea glass, a starfish, some driftwood, a whelk, Treasures washed up on the shore. A flower, a feather, an urchin, a pearl, Keep your eyes open for more. May you know yourself held in the palm of Her hand, Blessed by the waves wild and free, Blown by the wind, anointed with salt, Beloved of She of the Sea.

Alas, the sea hath cast me on the rock, Wash’d me from shore to shore, and left me breath Nothing to think on but ensuing death. What I have been I have forgot to know; But what I am, want teaches me to think on: A man throng’d up with cold: my veins are chill, And have no more of life than may suffice To give my tongue that heat to ask your help; Which if you shall refuse, when I am dead, For that I am a man, pray see me burièd.

Any event that surprises a man has already been experienced by other men before him. The effects of all human possibilities have already been felt. Nothing that might happen to us here, as terrible or as felicitous as it might seem, is new. But what we experience is always new because every man is unique, the way every leaf and every tree is unique. Men share with each other the same lifeblood, but each feeds himself from it differently. Even if the new isn’t really new, it’s always new for those who, ceaselessly, wash up on the world’s shores, generation after generation, wave after wave. So, in order to find yourself in life, to not lose yourself on the path, you must listen to the voice of duty. To think too much about yourself is to falter. Whoever understands this secret has the potential to live in peace. But it’s easier said than done.

I was thinking about the rubbish, the flapping plastic in the branches, the shore-line of odd stuff caught along the fencing, and I half closed my eyes and imaginated this was the spot where everything I'd ever lost since my childhood had washed up, and I was now standing here in front of it, and if I waited long enough, a tiny figure would appear on the horizon across the field, and gradually get larger until I'd see it was Tommy, and he'd wave, maybe even call.

All her life she has been told to believe, tried to believe, wanted to believe, that if a person suffers long enough, works hard enough, then she—like Ulysses washing up on the shore of the kingdom of brave Alcinous—will ultimately reach a better place. That through suffering we are redeemed. That by dying we live again. And maybe in the end that’s the easier thing. But Anna is tired of suffering. And she is not ready to die.

Certainly I would be less frightened of death (not just my own death but Welty's death, Andy's death, Death in general) if I thought a familiar person came to meet us at the door, because — writing this now, I'm close to tears — I think how poor Andy told me, with terror on his face, that my mother was the only person he'd known, and liked, who'd ever died. So — maybe when Andy washed up spitting and coughing into the country on the far side of the water, maybe my mother was the very one who knelt down by his side to greet him on the foreign shore. Maybe it's stupid to even articulate such hopes. But, then again, maybe it's more stupid not to.

YOU You are that song that plays rarely on the radio, But when it does I have to sing it out loud… You are the water that formed a puddle on a rainy day,that I played in, When I was only eight years old. You are the first snowfall of the season, And the reason I like the morning... You’re a single seashell that washed up onto the shore. You are my set of old medals Hidden deep in a drawer… You are the sun, the moon, the stars, and all the planets. You are the first breath of a baby just born. Eres una dandelion que encuentro, I pull, make a wish, then blow. You are the sunrise that I tried to paint after I woke up in Eilat. You give the nights its meaning… to dream, while others just sleep. You are my 3rd grade valentine, Read, frayed and loved a thousand times. Eres perfección envuelto en humildad… Eres oro, plata, y diamantes… Eres mi querido viejito Pooh, que nunca lo abandonare. You are my first time driving my brother’s Impala, When I was just fourteen. You are the name hidden deep inside my name… And I’m the fingers interlaced with yours. Eres el PS: I love you at the end la carta, Y yo soy el PS: I love you too. Somos el principio, el medio y la ultima palabra De mi libro final. Eternamente nosotros, nosotros, nosotros… Porque nosotros siempre es mejor Que solamente… yo… YOU

One of the age-old truths about love is that while it offers unparalleled opportunities for union and the lifting of ego boundaries, it also washes us up on the shores of the loved one's otherness. Sooner or later, love makes us feel inescapably separate.

Sometimes driven aground by the photon storms, by the swirling of the galaxies, clockwise and counterclockwise, ticking with light down the dark sea-corridors lined with our silver sails, our demon-haunted sails, our hundred-league masts as fine as threads, as fine as silver needles sewing the threads of starlight, embroidering the stars on black velvet, wet with the winds of Time that go racing by. The bone in her teeth! The spume, the flying spume of Time, cast up on these beaches where old sailors can no longer keep their bones from the restless, the unwearied universe. Where has she gone? My lady, the mate of my soul? Gone across the running tides of Aquarius, of Pisces, of Aries. Gone. Gone in her little boat, her nipples pressed against the black velvet lid, gone, sailing away forever from the star-washed shores, the dry shoals of the habitable worlds. She is her own ship, she is the figurehead of her own ship, and the captain. Bosun, Bosun, put out the launch! Sailmaker, make a sail! She has left us behind. We have left her behind. She is in the past we never knew and the future we will not see. Put out more sail, Captain for the universe is leaving us behind…

How paltry are the traces left behind by a life, even one concentrated around those supposed things of permanence called words. We spend our time upon the earth and then disappear, and only one one-thousandth of what we were lasts. We send all those bottles out into the ocean and so few wash up on shore.

...but by spring, she had again yielded to the tug and tide of his mind, allowing its currents to carry her back across the continent and wash them up on the remote shores of his evergreen island..

You spend long moments worrying and wondering only to see the wash up on the shore of a sea of wasted hours. Only to see them stranded on the island of foolishness. He wants that time back. He wants that energy back.

One day on a ranging we brought down a fine big elk. We were skinning it when the smell of blood drew a shadowcat out of its lair. I drove it off, but not before it shredded my cloak to ribbons. Do you see? Here, here, and here?” He chuckled. “It shredded my arm and back as well, and I bled worse than the elk. My brothers feared I might die before they got me back to Maester Mullin at the Shadow Tower, so they carried me to a wildling village where we knew an old wisewoman did some healing. She was dead, as it happened, but her daughter saw to me. Cleaned my wounds, sewed me up, and fed me porridge and potions until I was strong enough to ride again. And she sewed up the rents in my cloak as well, with some scarlet silk from Asshai that her grandmother had pulled from the wreck of a cog washed up on the Frozen Shore. It was the greatest treasure she had, and her gift to me.” He swept the cloak back over his shoulders. “But at the Shadow Tower, I was given a new wool cloak from stores, black and black, and trimmed with black, to go with my black breeches and black boots, my black doublet and black mail. The new cloak had no frays nor rips nor tears … and most of all, no red. The men of the Night’s Watch dressed in black, Ser Denys Mallister reminded me sternly, as if I had forgotten. My old cloak was fit for burning now, he said. “I left the next morning … for a place where a kiss was not a crime, and a man could wear any cloak he chose.

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright-- And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done-- "It's very rude of him," she said, "To come and spoil the fun!" The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying over head-- There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: "If this were only cleared away," They said, "it WOULD be grand!" "If seven maids with seven mops Swept it for half a year, Do you suppose," the Walrus said, "That they could get it clear?" "I doubt it," said the Carpenter, And shed a bitter tear. "O Oysters, come and walk with us!" The Walrus did beseech. "A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each." The eldest Oyster looked at him. But never a word he said: The eldest Oyster winked his eye, And shook his heavy head-- Meaning to say he did not choose To leave the oyster-bed. But four young oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat-- And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more-- All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. "The time has come," the Walrus said, "To talk of many things: Of shoes--and ships--and sealing-wax-- Of cabbages--and kings-- And why the sea is boiling hot-- And whether pigs have wings." "But wait a bit," the Oysters cried, "Before we have our chat; For some of us are out of breath, And all of us are fat!" "No hurry!" said the Carpenter. They thanked him much for that. "A loaf of bread," the Walrus said, "Is what we chiefly need: Pepper and vinegar besides Are very good indeed-- Now if you're ready Oysters dear, We can begin to feed." "But not on us!" the Oysters cried, Turning a little blue, "After such kindness, that would be A dismal thing to do!" "The night is fine," the Walrus said "Do you admire the view? "It was so kind of you to come! And you are very nice!" The Carpenter said nothing but "Cut us another slice: I wish you were not quite so deaf-- I've had to ask you twice!" "It seems a shame," the Walrus said, "To play them such a trick, After we've brought them out so far, And made them trot so quick!" The Carpenter said nothing but "The butter's spread too thick!" "I weep for you," the Walrus said. "I deeply sympathize." With sobs and tears he sorted out Those of the largest size. Holding his pocket handkerchief Before his streaming eyes. "O Oysters," said the Carpenter. "You've had a pleasant run! Shall we be trotting home again?" But answer came there none-- And that was scarcely odd, because They'd eaten every one.

He places one of his long fingers over my lips, silencing me. I can smell my own musky arousal on his digit and I have the strongest urge to take it in my mouth and suck it as I did earlier during my audition. He says nothing but drills into me with those dazzling eyes. I have the strangest feeling that he is looking into my soul. “Let us see where the wave takes us. I know I am going to enjoy the ride and I can guarantee our mutual satisfaction. Maybe we’ll be washed to shore, I just don’t know yet, but you can be certain of one thing…” I gaze up at him from his chest, breathing in the scent of his masculinity as I do. “What’s that, sir?” I ask, my voice betraying the curiosity I feel. He looks down at me for a long, hard moment before he answers. “I won’t let you drown.

A significant driver of opposition to abortion is the social construction of the Ideal Woman. In a culture that rarely, if ever, allows women simply to be people, value is ascribed based on a woman's relation to something other than herself. A woman on her own is like a bit of driftwood floating in the ocean. She is a broken object with no purpose, waiting either to wash up on the shore and be put to use as part of something else, or to sink and be forgotten forever.

The cool wind blew around us. The ocean made a complaining sound, the ocean that complains and doesn’t know why. The ocean washed woefully up onto the shore. My thoughts are an ocean, they wash woefully up against their limits. A new age would dawn, we could still do great things. I did my best to believe it, my very, very best.

Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you waterward. Its extreme downtown is the battery, where that noble mole is washed by waves, and cooled by breezes, which a few hours previous were out of sight of land. Look at the crowds of water-gazers there. Circumambulate the city of a dreamy Sabbath afternoon. Go from Corlears Hook to Coenties Slip, and from thence, by Whitehall, northward. What do you see?--Posted like silent sentinels all around the town, stand thousands upon thousands of mortal men fixed in ocean reveries. Some leaning against the spiles; some seated upon the pier-heads; some looking over the bulwarks of ships from China; some high aloft in the rigging, as if striving to get a still better seaward peep. But these are all landsmen; of week days pent up in lath and plaster--tied to counters, nailed to benches, clinched to desks. How then is this? Are the green fields gone? What do they here? But look! here come more crowds, pacing straight for the water, and seemingly bound for a dive. Strange! Nothing will content them but the extremest limit of the land; loitering under the shady lee of yonder warehouses will not suffice. No. They must get just as nigh the water as they possibly can without falling in. And there they stand--miles of them--leagues. Inlanders all, they come from lanes and alleys, streets and avenues--north, east, south, and west. Yet here they all unite. Tell me, does the magnetic virtue of the needles of the compasses of all those ships attract them thither? Once more. Say you are in the country; in some high land of lakes. Take almost any path you please, and ten to one it carries you down in a dale, and leaves you there by a pool in the stream. There is magic in it. Let the most absent-minded of men be plunged in his deepest reveries--stand that man on his legs, set his feet a-going, and he will infallibly lead you to water, if water there be in all that region. Should you ever be athirst in the great American desert, try this experiment, if your caravan happen to be supplied with a metaphysical professor. Yes, as every one knows, meditation and water are wedded for ever.

Life has a way of tugging you back with the tide and washing you up on the shore to deal with the living." (Sing Me An Old Song - By Morgan James)

I write I breathe Words ebb and flow An ocean of verse Moves out on the current To wash up on the shore Of your infinite soul

Say you could view a time lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts. Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

Then he says, “I once read a story about three brothers who washed up on an island in Hawaii. A myth. An old one. I read it when I was a kid, so I probably don’t have the story exactly right, but it goes something like this. Three brothers went out fishing and got caught in a storm. They drifted on the ocean for a long time until they washed up on the shore of an uninhabited island. It was a beautiful island with coconuts growing there and tons of fruit on the trees, and a big, high mountain in the middle. The night they got there, a god appeared in their dreams and said, ‘A little farther down the shore, you will find three big, round boulders. I want each of you to push his boulder as far as he likes. The place you stop pushing your boulder is where you will live. The higher you go, the more of the world you will be able to see from your home. It’s entirely up to you how far you want to push your boulder.’” The young man takes a drink of water and pauses for a moment. Mari looks bored, but she is clearly listening. “Okay so far?” he asks. Mari nods. “Want to hear the rest? If you’re not interested, I can stop.” “If it’s not too long.” “No, it’s not too long. It’s a pretty simple story.” He takes another sip of water and continues with his story. “So the three brothers found three boulders on the shore just as the god had said they would. And they started pushing them along as the god told them to. Now these were huge, heavy boulders, so rolling them was hard, and pushing them up an incline took an enormous effort. The youngest brother quit first. He said, ‘Brothers, this place is good enough for me. It’s close to the shore, and I can catch fish. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ His two elder brothers pressed on, but when they were midway up the mountain, the second brother quit. He said, ‘Brother, this place is good enough for me. There is plenty of fruit here. It has everything I need to go on living. I don’t mind if I can’t see that much of the world from here.’ The eldest brother continued walking up the mountain. The trail grew increasingly narrow and steep, but he did not quit. He had great powers of perseverance, and he wanted to see as much of the world as he possibly could, so he kept rolling the boulder with all his might. He went on for months, hardly eating or drinking, until he had rolled the boulder to the very peak of the high mountain. There he stopped and surveyed the world. Now he could see more of the world than anyone. This was the place he would live—where no grass grew, where no birds flew. For water, he could only lick the ice and frost. For food, he could only gnaw on moss. Be he had no regrets, because now he could look out over the whole world. And so, even today, his great, round boulder is perched on the peak of that mountain on an island in Hawaii. That’s how the story goes.

Before me, the ocean was the color of steel. The waves were coming up onto the shore and pulling themselves back from the shore. I felt exhausted with how long the sea had been doing that for--always, without end. It didn't make sense that they had been washing up and away ever since the world first began. How could the waves do it, through each and every moment, and so naturally, as if it was for the first time, as if it was for the last time, as if it was for the middle time, as if it would go on forever, and as if it would one day end. The sea moved forward and back with all these possibilities, and all of them were true. Yet it didn't grow tired of itself the way I did. Why not?

The novel puts an ad in the personals: Serial monogamist seeks same. 6x9, 220 pages. Hobbies: candlelit tension, tasteful gore. Weakness: occasional flashbacks. Enjoys long walks on the beach to search for bodies washing up on shore.

Off the Santorini cliff on a dark, starless night, I tossed a message in a bottle and love found me washed up on the black lava sand of the Aegean shore. As with my previous loves, volcanic in nature. Almost destructive before it started.

The greatest secret he taught us was that it isn’t the man who controls events but events that control the man. Any event that surprises a man has already been experienced by other men before him. The effects of all human possibilities have already been felt. Nothing that might happen to us here, as terrible or as felicitous as it might seem, is new. But what we experience is always new because every man is unique, the way every leaf and every tree is unique. Men share with each other the same lifeblood, but each feeds himself from it differently. Even if the new isn’t really new, it’s always new for those who, ceaselessly, wash up on the world’s shores, generation after generation, wave after wave. So, in order to find yourself in life, to not lose yourself on the path, you must listen to the voice of duty. To think too much about yourself is to falter. Whoever understands this secret has the potential to live in peace. But it’s easier said than done.

Men share with each other the same lifeblood, but each feeds himself from it differently. Even if the new isn’t really new, it’s always new for those who, ceaselessly, wash up on the world’s shores, generation after generation, wave after wave. So, in order to find yourself in life, to not lose yourself on the path, you must listen to the voice of duty. To think too much about yourself is to falter. Whoever understands this secret has the potential to live in peace. But it’s easier said than done.

Hester kept her company by bringing her meals and tea, fussing over Rosebud, washing Morrow’s clothes, and doing her hair as if she was the colonel’s lady. “Colonel Clark is sure taken wi’ you,” she said. “Neither man nor beast ever talks back to that man, but you shore put him in his place over that bad business at Fort Randolph. And lo and behold, I think he liked it. But for one little thing.” Morrow looked up from nursing Rosebud. “He just can’t figure out why a beautiful woman like yo’self would settle for a savage.

So-maybe when Andy washed up spitting and coughing into the country on the far side of the water, maybe my mother was the very one who knelt down by his side to greet him on the foreign shore. Maybe it's stupid to even articulate such hopes. But, then again, maybe it's more stupid not to. (pg. 724)

With a feeling of despondency so intense that it was almost pleasurable, he got out his guitar. So this was to be his condition now.What was he but a fragment of broken churned-up humanity washed up on this faraway shore? This was where his journey had brought him.... There mus be a song in this...

I was adrift on the high seas, but my course was becoming clear. It lay between the scylla of my peers and the swirling, sucking charybdis of my family. Veering toward scylla seemed much the safer route, and after navigating the passage, I soon washed up, a bit stunned, on a new shore. Like Odysseus on the island of the cyclops, I found myself facing a "being of colossal strength and ferocity, to whom the law of man and god meant nothing." In true heroic fashion, I moved toward the thing I feared. Yet while Odysseus schemed desperately to escape Polyphemus's cave, I found that I was quite content to stay here forever.

At the airport they were loaded into planes or helicopters from which, dazed but conscious, they were pushed out into the Atlantic or the estuary of the River Plate. This was done in such numbers that eventually the friendly military dictatorship in neighbouring Uruguay complained about the number of bodies being washed up on its shores.

They cut my arms off and told me to swim Now I’m sinking in the depths of an ocean thousands of miles from home It’s dark and my mind is getting hazy I wake up on an island, washed up on the shore This man stands over me and I ask him how I got here, out of the water “You swam,” he says Then he was gone Then I was gone Then I was home

When a song is ended, it leaves nothing but a feeling in those who heard it until that feeling, slowly moving backwards in time, collapses under pressure from more recent feelings and is replaced. Events become memories, unreliable stories, fade away at the ends. Unconnected and distinct from the day's experience, they become one of the millions of strata that make us who we are. We are the sum of all our experiences. We are waves on the ocean, interacting with and affected by all the other waves that move and die and are washed up on the shore. We are each a breath, a song, a flower. We are time itself, and mine has been long and I've collected many disconnected layers.

Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.” The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back. A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames. Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid. Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.

problems the earth is facing are, more or less, due to global warming. When sales of apparel go down, when tons of driftwood wash up on the shore, when there are floods and droughts, when consumer prices go up, most of the fault is ascribed to global warming. What the world needs is a set villain that people can point at and say, “It’s all your fault!

All her life she has been told to believe, tried to believe, wanted to believe, that if a person suffers long enough, works hard enough, then she—like Ulysses washing up on the shore of the kingdom of brave Alcinous—will ultimately reach a better place. That through suffering we are redeemed. That by dying we live again. And maybe in the end that’s the easier thing.

Naomi makes a face and points to the potted flowers near the front door of her houseboat. "Just look at that," she says, as if something upsetting has happened. She reaches into one of the pots and pulls out a green vine, a few feet long, with several bell-shaped flowers. "There," she says with a vindicated look in her eye, as if this vine has wronged her in some way. "What is it?" I ask. She flashes a patronizing smile. "An invasive weed," she says, tossing the vine into the lake. I watch the little white flowers flutter in the water. I want to kneel down and rescue them from drowning. "Morning glory," Naomi continues, shaking her head. "It'll take over if you let it." I watch as the vine drifts away on the lake. The little flowers bob up and down as if gasping for air. I consider that the vine might find its way to shore and wash up on a patch of soil, where it will start a new existence, maybe sink its roots and thrive. Maybe Naomi has set it free. I think of the bluebells that grew in my mother's garden when I was a child. Weeds, really. But I'd pick them by the handful, and when bunched together they looked stunning.

This isn’t sand at all.” “No,” Ann said, kneeling beside her. “They’re tiny shells.” White snail shells, no bigger than the head of a pin, caught along the lines of Evelyn’s palm. She studied them with uncertain wonder, then looked up at the beach itself, white with billions of dwarf deaths, free fossil washed, yes, gently, into petrified rhythms along the shore. “Isn’t it beautiful?” Ann asked.

The blue pieces are rare,” he says, examining it and then pressing it into my hand. “This is a good piece. Some people call them mermaid’s tears. Do you want to hear the story?” I nod as I inspect the smooth glass in my palm—it looks like a gem, a tear of frosted sapphire. “The story goes that a mermaid watched as a storm threatened to wreck the ship of the man she loved,” Ted says. His voice is hypnotic, I love listening to him. I sink my head back onto his shoulder as he speaks and he runs a hand across my hair, my whole body alert to his touch. “She was forbidden by Neptune from intervening in the weather, but she calmed the sea and tamed the waves to save her love from certain death. For her disobedience, she was banished to the ocean floor, never to surface again. Her tears wash up on the shore as glass, a reminder of true love.

Those kinds of memories -- unpretentious, commonplace. But for me, they're all meaningful and valuable. As each of these memories flits across my mind, I'm sure I unconsciously smile, or give a slight frown. Commonplace they might be, but the accumulation of these memories has led to one result: me. Me here and now, on the north shore of Kauai. Sometimes when I think of life, I feel like a piece of driftwood washed up on a shore.

We Let the Boat Drift I set out for the pond, crossing the ravine where seedling pines start up like sparks between the disused rails of the Boston and Maine. The grass in the field would make a second crop if early autumn rains hadn't washed the goodness out. After the night's hard frost it makes a brittle rustling as I walk. The water is utterly still. Here and there a black twig sticks up. It's five years today, and even now I can't accept what cancer did to him -- not death so much as the annihilation of the whole man, sense by sense, thought by thought, hope by hope. Once we talked about the life to come. I took the Bible from the nightstand and offered John 14: "I go to prepare a place for you.""Fine. Good," he said. "But what about Matthew? 'You, therefore, must be perfect, as your heavenly Father is perfect.'" And he wept. My neighbor honks and waves driving by. She counsels troubled students; keeps bees; her goats follow her to the mailbox. Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles rested across our laps; glittering drops fell randomly from their tips. The light around us seemed alive. A loon-itinerant- let us get quite close before it dove, coming up after a long time, and well away from humankind

One At A Time A friend of ours was walking down a deserted Mexican beach at sunset. As he walked along, he began to see another man in the distance. As he grew nearer, he noticed that the local native kept leaning down, picking something up and throwing it out into the water. Time and again he kept hurling things out into the ocean. As our friend approached even closer, he noticed that the man was picking up starfish that had been washed up on the beach and, one at a time, he was throwing them back into the water. Our friend was puzzled. He approached the man and said, “Good evening, friend. I was wondering what you are doing.” “I’m throwing these starfish back into the ocean. You see, it’s low tide right now and all of these starfish have been washed up onto the shore. If I don’t throw them back into the sea, they’ll die up here from lack of oxygen.” “I understand,” my friend replied, “but there must be thousands of starfish on this beach. You can’t possibly get to all of them. There are simply too many. And don’t you realize this is probably happening on hundreds of beaches all up and down this coast. Can’t you see that you can’t possibly make a difference?” The local native smiled, bent down and picked up yet another starfish, and as he threw it back into the sea, he replied, “Made a difference to that one!” Jack Canfield and Mark V. Hansen

My chin rose stubbornly. “I didn’t do anything,” I said. “Not one thing.” The side of the Darkling’s mouth twitched, as if he were repressing a smile. His eyes slid over me from head to toe and back again. I felt like something strange and shiny, a curiosity that had washed up on a lake shore, that he might kick aside with his boot. “Is your memory as faulty as your friend’s?” he asked and bobbed his head toward Mal. “I don’t …” I faltered. What did I remember? Terror. Darkness. Pain. Mal’s blood. His life flowing out of him beneath my hands. The rage that filled me at the thought of my own helplessness.

More than 100,000 soldiers will soon return home with the post-traumatic stress I know so well, not to mention the mysterious effects of deplted uranium...and the ripples of resentment and animosity this war has sent throughout the world will inevitably wash up on U.S. shores. As I write this, mainstream political dialogue is still focused on the crazy idea that we can somehow still "win" the war in Iraq. For someone like me, a citizen of both countries, what outcome would constitute a victory? When you're talking about war, about so many thousands dead, so many families shattered on both sides, how can anyone claim victory?

Certainly I would be less frightened of death (not just my own death but Welty’s death, Andy’s death, Death in general) if I thought a familiar person came to meet us at the door, because—writing this now, I’m close to tears—I think how poor Andy told me, with terror on his face, that my mother was the only person he’d known, and liked, who’d ever died. So—maybe when Andy washed up spitting and coughing into the country on the far side of the water, maybe my mother was the very one who knelt down by his side to greet him on the foreign shore. Maybe it’s stupid to even articulate such hopes. But, then again, maybe it’s more stupid not to.

Dolphins... Yeah, dolphins... A lot of people like dogs, cats, and - for some reason I've never been able to fathim - even snakes and toads. But dolphins? Everybody, and I mean EVERYBODY loves bloody dolphins. Don't they? Goes way back, to the ancient Greeks, when shipwrecked sailors would wash up on beaches yammering out crazy stories of how they was staring down a watery grave, when out of nowhere, flipper shows up and pushes them safely back to the shore. Heartarming - and say what you will about aquatic mammal public relations, but that was one ispired move, because here we are two thousand years later and everybody still loves them bloody dolphins. What you don't hear are the other stories, the ones where flipper's watching poor Artemides doggy paddling away and inhaling the warm, salty waters of the Adriatic... and flipper things, "Yeah, sure I could save him, but sod that for a can of sardines" and instead of pushing Artemides back to shore, flipper pushes the poor sod out to sea... in the immortal words of Sir Johnny of the Cash, "Just to watch him die..." See, moral is, if you're gonna be a bastard, be like a dolphin - think big picture, protect your image and above all, leave no trace. Because in the bloodshot, bleary eyes of the world, once you're a bastard, you're always a bastard.

One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes- the sweetness of a strawberry, it’s juice dripping onto her chin; a buttery pastry melting in her mouth. Smells - flowers on a front lawn, a colleague‘s perfume, seaweed washed up on the shore, Matt’s sweaty body in bed at night. Sounds – the strings on a cello, the screech of a car, her nephew’s laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She’s become hyper-present. When people delude themselves into believing they have all the time in the world, she noticed, they get lazy. She hadn’t expected to experience this pleasure in her grief, to find it invigorating, in a way. But even as she’s dying, she’s realized, life goes on - even as the cancer invades her body, she still checks Twitter. At first she thought, why would I waste even ten minutes of the time I have left checking Twitter? And then she thought, why wouldn’t I? I like Twitter! She also tries not to dwell on what she’s losing. “I can breathe fine now, “Julie says, “but it’ll get harder, and I’ll grieve for that. Until then, I breathe.

The greatest secret he taught us was that it isn’t the man who controls events but events that control the man. Any event that surprises a man has already been experienced by other men before him. The effects of all human possibilities have already been felt. Nothing that might happen to us here, as terrible or as felicitous as it might seem, is new. But what we experience is always new because every man is unique, the way every leaf and every tree is unique. Men share with each other the same lifeblood, but each feeds himself from it differently. Even if the new isn’t really new, it’s always new for those who, ceaselessly, wash up on the world’s shores, generation after generation, wave after wave.

Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.

Yes, I'm the one who washes the plates and glasses They call me an easy woman When they give me a penny I still have to say thank you Here I am, in ragged clothes At the bottom of this shabby hotel Today, you don't know who I am Today, you don't know who I am   But one evening, one beautiful evening A big commotion People running along the shore Saying: "Look who's coming!" And me, I'll smile for the first time They'll say: "You, you're smiling now?"   A big ship A hundred cannons at the portholes Will enter the harbour!   I'll always be washing The glasses and plates I'll always be an "easy woman" When they give me a penny I'll always say thank you I'll keep my ragged clothes At the bottom of this shabby hotel And tomorrow, tomorrow like today You'll never know who I am!   But one evening, that beautiful evening for which I live Look how the cannons Wake up and turn For the first time, I'll burst out laughing "What, brat, you have the heart to laugh?"   That big ship A hundred cannons at the portholes Will bombard the harbour!   Then the sailors will come to shore More than a hundred, they'll mark with a cross of blood Every house, every door And it's before me that will be brought Enchained, imploring, mutilated and bloodied Your kind, all your kind, fine gentlemen! Your kind, all your kind, fine gentlemen!   Then the one I'm waiting for will appear, he'll say to me: "What is it that you want from all these people I'm killing?" And I'll sweetly reply: "Kill them all! For each head that falls I'll clap my hands, here we go! And that big ship, Far from the city where everything will be dead Will carry me towards life!

Eh? How 'bout that?" Bill nudged her. "Did I promise to show you love or did I promise to show you love?" "Sure,they seem like they're in love." Luce shrugged. "But-" "But what?Do you have any idea how painful that is? Look at that guy. He makes getting inked look like being caressed by a soft breeze." Luce squirmed on the branch. "Is that the lesson here? Pain equals love?" "You tell me," Bill said. "It may surprise you to hear this,but the ladies aren't exactly banging down Bill's door." "I mean,if I tattooed Daniel's same on my body would that mean I loved him more than I already do?" "It's a symbol,Luce." Bill let out a raspy sigh. "You're being too literal. Think about it this way: Daniel is the first good-looking boy LuLu has ever seen. Until he washed ashore a few months ago, this girl's whole world was her father and a few fat natives." "She's Miranda," Luce said, remembering the love story from The Tempest, which she'd read in her tenth-grade Shakespeare seminar. "How very civilized of you!" Bill pursed his lips with approval. "They are liek Ferdinand and Miranda: The handsome foreigner shipwrecks on her shores-" "So,of course it was love at first sight for LuLu," Luce murmured. This was what she was afraid of: the same thoughtless,automatic love that had bothered her in Helston. "Right," Bill said. "She didn't have a choice but to fall for him.But what's interesting here is Daniel. You see, he didn't have to teach her to craft a woven sail, or gain her father's trust by producing a season's worth of fish to cure,or exhibit C"-Bill pointed at the lovers on the beach-"agree to tattoo his whole body according to her local custom.It would have been enough if Daniel had just shown up.LuLu would have loved him anyway." "He's doing it because-" Luce thought aloud. "Because he wants to earn her love.Because otherwise,he would just be taking advantage of their curse. Because no matter what kind of cycle they're bound to,his love for her is...true.

The weather has been strange in Japan this summer. The Rainey season, which usually winds down in the beginning of July, continued until the end of the month. It rained so much I got sick of it. There were torrential rains in parts of the country and a lot of people died. They say it’s all because of Global Warming. Maybe it is and maybe it isn’t. Some experts claim it is, some claim it isn’t. There’s some proof that it is, some that it isn’t. But still people say that most of the problems the earth is facing are more or less due to Global Warming. When sales of apparel go down, when tons of drift wood wash up on the shore, when there are floods and droughts, when consumer prices go up—Most of the fault is ascribed to Global Warming. What the world needs is a set villain that people can point at and say, “It’s all your fault.” At any rate, due to this villain that can’t be dealt with, it went on raining and I could hardly practice biking at all during July. It’s not my fault, it’s that villain’s.

As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.

Dear Orphan Soul, I never thought it is was easy to wipe away your tears when you are used to crying endlessly on the inside. Today was the first time ever that I felt a sense of relief. I laughed for the first time in a long time, or maybe my first time ever. I used to think I was permanently damaged, but Nurse Hope told me that it is okay for me to be myself. However, I do not know who I am. All my life, my mind and actions have been like loaded guns. I never knew when or where the bullets were coming from—most of the time, they came from someone else, and sometimes they came from me. My eyes are wet with tears as I write because of my life struggles. Sadness still remains because Nurse Hope says this is not permanent. Well, to give myself hope, nothing lasts forever. Therefore, nothing in life is permanent. Right? I am an orphaned soul. Nurse Hope's love reminds me of the ocean’s tide. It is a cycle of crashes as it knocks against the stones and shells as it gradually rolls up on the shore. I wonder if her love is going to say farewell to Kace and me as it sucks and pulls itself back into the ocean. Well, we’ve been washed up since we’ve been born. I hope instead of the tides sucking Nurse Hope's love away, I hope it sucks up our memories as they fade away with the tides, never to be found or returned again. Nothing is permanent.

SEA” Sounds of the Pacific Ocean at Big Sur “SEA” Cherson! Cherson! You aint just whistlin Dixie, Sea— Cherson! Cherson! We calcimine fathers here below! Kitchen lights on— Sea Engines from Russia seabirding here below— When rocks outsea froth I’ll know Hawaii cracked up & scramble up my doublelegged cliff to the silt of a million years— Shoo—Shaw—Shirsh— Go on die salt light You billion yeared rock knocker Gavroom Seabird Gabroobird Sad as wife & hill Loved as mother & fog Oh! Oh! Oh! Sea! Osh! Where’s yr little Neppytune tonight? These gentle tree pulp pages which’ve nothing to do with yr crash roar, liar sea, ah, were made for rock tumble seabird digdown footstep hollow weed move bedarvaling crash? Ah again? Wine is salt here? Tidal wave kitchen? Engines of Russia in yr soft talk— Les poissons de la mer parle Breton— Mon nom es Lebris de Keroack— Parle, Poissons, Loti, parle— Parlning Ocean sanding crash the billion rocks— Ker plotsch— Shore—shoe— god—brash— The headland looks like a longnosed Collie sleeping with his light on his nose, as the ocean, obeying its accomodations of mind, crashes in rhythm which could & will intrude, in thy rhythm of sand thought— —Big frigging shoulders on that sonofabitch Parle, O, parle, mer, parle, Sea speak to me, speak to me, your silver you light Where hole opened up in Alaska Gray—shh—wind in The canyon wind in the rain Wind in the rolling rash Moving and t wedel Sea sea Diving sea O bird—la vengeance De la roche Cossez Ah Rare, he rammed the gate rare over by Cherson, Cherson, we calcify fathers here below —a watery cross, with weeds entwined—This grins restoredly, low sleep—Wave—Oh, no, shush—Shirk—Boom plop Neptune now his arms extends while one millions of souls sit lit in caves of darkness —What old bark? The dog mountain? Down by the Sea Engines? God rush—Shore— Shaw—Shoo—Oh soft sigh we wait hair twined like larks—Pissit—Rest not —Plottit, bisp tesh, cashes, re tav, plo, aravow, shirsh,—Who’s whispering over there—the silly earthen creek! The fog thunders—We put silver light on face—We took the heroes in—A billion years aint nothing— O the cities here below! The men with a thousand arms! the stanchions of their upward gaze! the coral of their poetry! the sea dragons tenderized, meat for fleshy fish— Navark, navark, the fishes of the Sea speak Breton— wash as soft as people’s dreams—We got peoples in & out the shore, they call it shore, sea call it pish rip plosh—The 5 billion years since earth we saw substantial chan—Chinese are the waves—the woods are dreaming

The sun was shining on the sea, Shining with all his might: He did his very best to make The billows smooth and bright — And this was odd, because it was The middle of the night. The moon was shining sulkily, Because she thought the sun Had got no business to be there After the day was done — "It's very rude of him," she said, "To come and spoil the fun." The sea was wet as wet could be, The sands were dry as dry. You could not see a cloud, because No cloud was in the sky: No birds were flying overhead — There were no birds to fly. The Walrus and the Carpenter Were walking close at hand; They wept like anything to see Such quantities of sand: If this were only cleared away,' They said, it would be grand!' If seven maids with seven mops Swept it for half a year, Do you suppose,' the Walrus said, That they could get it clear?' I doubt it,' said the Carpenter, And shed a bitter tear. O Oysters, come and walk with us!' The Walrus did beseech. A pleasant walk, a pleasant talk, Along the briny beach: We cannot do with more than four, To give a hand to each.' The eldest Oyster looked at him, But never a word he said: The eldest Oyster winked his eye, And shook his heavy head — Meaning to say he did not choose To leave the oyster-bed. But four young Oysters hurried up, All eager for the treat: Their coats were brushed, their faces washed, Their shoes were clean and neat — And this was odd, because, you know, They hadn't any feet. Four other Oysters followed them, And yet another four; And thick and fast they came at last, And more, and more, and more — All hopping through the frothy waves, And scrambling to the shore. The Walrus and the Carpenter Walked on a mile or so, And then they rested on a rock Conveniently low: And all the little Oysters stood And waited in a row. The time has come,' the Walrus said, To talk of many things: Of shoes — and ships — and sealing-wax — Of cabbages — and kings — And why the sea is boiling hot — And whether pigs have wings.' But wait a bit,' the Oysters cried, Before we have our chat; For some of us are out of breath, And all of us are fat!' No hurry!' said the Carpenter. They thanked him much for that. A loaf of bread,' the Walrus said, Is what we chiefly need: Pepper and vinegar besides Are very good indeed — Now if you're ready, Oysters dear, We can begin to feed.' But not on us!' the Oysters cried, Turning a little blue. After such kindness, that would be A dismal thing to do!' The night is fine,' the Walrus said. Do you admire the view? It was so kind of you to come! And you are very nice!' The Carpenter said nothing but Cut us another slice: I wish you were not quite so deaf — I've had to ask you twice!' It seems a shame,' the Walrus said, To play them such a trick, After we've brought them out so far, And made them trot so quick!' The Carpenter said nothing but The butter's spread too thick!' I weep for you,' the Walrus said: I deeply sympathize.' With sobs and tears he sorted out Those of the largest size, Holding his pocket-handkerchief Before his streaming eyes. O Oysters,' said the Carpenter, You've had a pleasant run! Shall we be trotting home again?' But answer came there none — And this was scarcely odd, because They'd eaten every one.

Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful

the big horn and since the horns were found washed up on shore one may assume the nomads would have thought that these large horses died at sea, their bodies were devoured by sea beasts and that the horns floated to their coastal waters. 

We were three women who walked different paths in life and yet all three of us washed up on the same shore. Destiny is such a motherfucker. God must be a real son of a bitch.

Lani couldn't respond. She was too busy reveling in just how amazing they felt, joined. She'd thought maybe it was the delirium of the first time that had her thinking rosy thoughts. Well, and the second time. And the third. "How is it even better this time? How?" she panted, moving on top of him. She squealed an instant later when she found herself neatly on her back once again. He pushed deeper, and growled a little. "Am I hurtin' you?" "No. Don't stop," she panted, then growled a little herself as he thrust into her, again and again. She knew now, when he was fully beyond controlling himself, bits and pieces of his childhood accent resurfaced. For whatever reason, that was just hot as hell to her. It was earthy, primal. "Oh," she said, then, "Oh!" when he pulled her thighs up higher along his waist, tilting her so she was just at the right angle to- "How do you- do that?" she managed. That was it as the crescendo of sensation washed up and over, taking her on a hard, fast ride in to shore.

On Old Wyk, the priest-king Lodos, purported son of the Drowned God, called upon the krakens of the deep to rise and drag down the invaders’ ships. When that failed to happen, Lodos filled his robes with stones and walked into the sea, “to seek my father’s counsel.” Thousands followed. Their bloated, crab-eaten bodies washed up on the shores of Old Wyk for years to come.

A rock, a large piece of rock weathers off a cliff and dives deep into a pool of gushing water. Back washed, It journeys roughly and knocks of other rocks, smashing through the waves as it loses itself in scattered pieces except for its core. That core travels far and wide, it coarsely gets ground by gravel pieces smaller than itself and bullied by boulders all of which it bears up as it withstands the pressure of a distant journey off the shore. At some point, it gets dry and it encounters mud, it gets smeared dirty but the mud doesn't stick, the rain washes of the mud and it rolls off into the sand. It dances in the sand and dives into the bottom of the waves. Rising like a phoenix through the ashes, it emerges polished, looking more beautiful than it did when it got edged of the cliff. It rises a pebble, smooth and sleek. Coveted by rocks starting their dive. To be a pebble you have to run the turbulent tidal race.

Here is the story, which I have abridged (with acknowledgement to Sergey Parkhomenko, journalist and broadcaster, who reported it): The River Ob makes a turn at Kolpashevo, and every year it eats away a few feet of a sand cliff there. On April 30, 1979, the Ob's waters eroded another six-foot section of bank. Hanging from the newly exposed wall were the arms, legs and heads of people who had been buried there. A cemetery at least several yards wide had been exposed. The bodies had been packed in and layered tightly. Some of the skulls from the uppermost layer rolled out from the sandbank, and little boys picked them up and began playing with them. News of the burial spread quickly and people started gathering at the sandbank. The police and neighbourhood watch volunteers quickly cordoned off the whole thing. Shortly afterwards, they built a thick fence around the crumbling sandbank, warning people away. The next day, the Communist Party called meeting in the town, explaining that those buried were traitors and deserters from the war. But the explanation wasn't entirely convincing. If this were so, why was everyone dressed in civilian clothes? Why had women and children been executed as well? And from where, for that matter, did so many deserters come in a town of just 20,000 people? Meanwhile, the river continued to eat away at the bank and it became clear that the burial site was enormous; thousands were buried there. People could remember that there used to be a prison on these grounds in the late 1930s. It was general knowledge that there were executions there, but nobody could imagine just how many people were shot. The perimeter fence and barbed wire had long ago been dismantled, and the prison itself was closed down. But what the town's people didn't know was that Kolpashevo's prison operated a fully-fledged assembly line of death. There was a special wooden trough, down which a person would descend to the edge of a ditch. There, he'd be killed by rifle fire, the shooter sitting in a special booth. If necessary, he'd be finished off with a second shot from a pistol, before being added to the next layer of bodies, laid head-to-toe with the last corpse. Then they'd sprinkle him lightly with lime. When the pit was full, they filled in the hole with sand and moved the trough over a few feet to the side, and began again. But now the crimes of the past were being revealed as bodies fell into the water and drifted past the town while people watched from the shore. In Tomsk, the authorities decided to get rid of the burial site and remove the bodies. The task, it turned out, wasn't so easy. Using heavy equipment so near a collapsing sandbank wasn't wise and there was no time to dig up all the bodies by hand. The Soviet leadership was in a hurry. Then from Tomsk came new orders: two powerful tugboats were sent up the Ob, right up to the riverbank, where they were tied with ropes to the shore, facing away from the bank. Then they set their engines on full throttle. The wash from the ships' propellers quickly eroded the soft riverbank and bodies started falling into the water, where most of them were cut to pieces by the propellers. But some of the bodies escaped and floated away downstream. So motorboats were stationed there where men hooked the bodies as they floated by. A barge loaded with scrap metal from a nearby factory was moored near the boats and the men were told to tie pieces of scrap metal to the bodies with wire and sink them in the deepest part of the river. The last team, also composed of local men from the town, worked a bit further downstream where they collected any bodies that had got past the boats and buried them on shore in unmarked graves or sank them by tying the bodies to stones. This cleanup lasted almost until the end of the summer.

Foul unspeakable things washed up on the shore between sleep and waking, as if a trawler net has dragged through my worst fears and left them raw and bleeding for the gulls to pick.

Our time would be better spent preparing for what I believe will be a tsunami of the broken and wounded who wash up on our shores.

Place Message Here" I knew that somewhere Jesus wept. --Larry Brown, Dirty Work That was when our love began for me, though late, the way a flock of darkness settles over your shoulders. I remember the muted reflections that smudged the water prowling among the lingering rocks, a snail crawling out of its shell, the drizzle of light, the blackened windows. It was when that the sun peeled away the dark from the air, the surface of the water, then the soul. It was only then that I could read the shadows that followed our words. It seemed that the whole planet was taking aim at our future. I thought, then, that I could see your own soul in the constant waves tearing unconcerned at the impenetrable dunes. I wanted, then, to believe the moon is a flower, fragrant, its stem tossed across the water. It was then that I entered some other world, the way your life wakes suddenly in the middle of the night to find your own worn-out dreams lying in sheets around you, an empty bottle on the table, and yet some voice stumbling down the hallway of the wind trying the locked doors of the heart, calling out your name. It was then on that shore after I heard the news of my friend's heart tearing open like a wet paper bag. I was standing where Marconi sent his messages which seemed to fill the air, still, like swallows. There is always another life in the corner of our eyes, one that begins because our poor words have never said what we meant at the time. Today, here, ladybugs fill my porch screen trying to reach the early sun that radiates through the fine mesh. They halt there like messages never received, empty husks of some abandoned future we can never know. Why is it we love so fully what has washed up on the beaches of our hearts, those lost messages, lost friends, the daylight stars we never get to see? Bad luck never takes a vacation, my friend once wrote. It lies there among the broken shells and stones we collect, a story he would say begins with you, with me, a story that is forever lost among the backwaters of our lives, our endless fear of ourselves, and our endless need for hope, a story, perhaps an answer, a word suddenly on wing, the simple sound of a torn heart, or the unmistakable scent of the morning's fading moon. Richard Jackson, The Cortland Review. Spring 2005.

The story starts with Poseidon, god of the sea,” Lady Azura began. “One day, a sailor’s boat was caught in the powerful winds and the waves of a storm. The sailor was being pulled under and would surely drown, and the mermaids swam to help. Poseidon, angered that the mermaids dared to interfere with his control of the sea, banished them to below the surface. They were never to help another human in peril. The mermaids were so sad, that whenever they saw humans swallowed by the sea, they’d cry and their tears would harden and wash up to shore.

glance back at him, watching me like he’s been lost at sea and he’s just spotted land. Like I’m the shore he’s washed up against. He’s every solider pulling into the train station in 1945. We’ve returned from war.

Potentially the weakest link in the long chain that led to Pearl Harbor was actually one of the strongest. This was the busy eyes of Ensign Yoshikawa, the ostensibly petty bureaucrat in the Honolulu consulate of Consul General Nagao Kita. Presenting himself as a Filipino, he washed dishes at the Pearl Harbor Officers Club listening for scuttlebutt. He played tourist on a glass bottom boat in Kaneohe Bay near the air station where most of the Navy’s PBYs were moored. He flew over the islands as a traveler. As a straight-out spy, he swam along the shore of the harbor itself ducking out of sight from time to time breathing through a reed. He was Yamamoto’s ears and eyes. The Achilles heel to the whole operation was J-19, the consular code he used to send his information back to Tokyo. And Tokyo used to give him his instructions. Rochefort, the code breaker in Hypo at Pearl Harbor, besides being fluent in Japanese could decipher eighty percent of J-19 messages in about twelve hours. The most tell-tale of all was message 83 sent to Honolulu September 24, 1941. It instructed Yoshikawa to divide Pearl Harbor into a grid so vessels moored in each square could be pinpointed. This so-called “bomb plot” message was relayed to Washington by Clipper in undeciphered form. The Pan American plane had been delayed by bad weather so 83 wasn’t decoded and translated until October 9 or 10. Washington had five times as many intercepts piling up for decoding from Manila than Honolulu because Manila was intercepting higher priority Purple. When he saw the decrypt of 83, Colonel Rufus Bratton, head of the Far Eastern Section of Army G-2 or intelligence, was brought up short. Never before had the Japanese asked for the location of ships in harbor. Bratton sent the message on to Brigadier General Leonard T. Gerow, chief of the Army’s War Plans Division with General Marshall and Secretary Stimson marked in.

He hummed Under the Boardwalk and watched a log twisting in the foamy surf, unable to make up its mind whether to head out to sea. No one intentionally ends up in New Jersey, Mike thought. We all somehow just wash up on the shore.

All our past deeds, gentlemen, one way or another, will be washed up on the shore of the present.

For the unhappy truth is that I am the survivor of a shipwrecked life. I’m a castaway who has washed up on your shore without craft, without hope,

May my tide never end unless I wash up on the shore of paradise!

On the outside, I appeared happy and giddy, but on the inside, my soul had died. Everything that had ever mattered to me had been abandoned, but what was even more depressing was the fact that I didn’t even seem to care. I was content in my washed-up 40-something body, looking like a has-been. And then, when the ride was over, when I was no longer good for his image, I washed out with the tide, out to sea, silently screaming as I crashed against the rocky shores.

Hey...wash shore name?” he asked, his articulation long gone. “Go away.”  I spoke clearly and rudely, knowing he wouldn’t even remember in the morning.  It didn’t seem to faze him in the least. “Wanna go up shtairs?  They have a pool table,” he said drawing out the L’s in pool table  just a tad too long. Nicole coughed discreetly next to me to cover her giggle at the drunk’s poor attempts at a pickup. “No.  Go away.”  This time, I added a glare to go with the words. He looked beyond me with a startled expression, which quickly relaxed into a smile. “Oh, god it man.  Sheesh yours.” He ambled away, and Nicole and I turned to look at Clay. “What did you do?” I said.  Maybe some secret man-sign for “not interested.”  Whatever he’d done had worked well.  I hoped I could learn it. Clay flashed his teeth, showing elongated canines. I heard Nicole’s whispered “whoa” and glared at him.  If he kept flashing his teeth, people would start panicking. “If

Punker, what's compassion for a world this far gone? The streets don't give a fuck. It's a bummer, your care slides down its target like beads of rain on rock. There's no aquifer for any shit like this. Where does compassion go and can it be returned? You're Donn in this world, with the staff and the purple band. The artificer. Walking the bandoned suites of hell and your eyeballs thinking, what can be saved? Not their gear but its aspects. You started kung fu way later than the rest, and before that you saw compassion in a history spiel. Now it keeps washing up on your shore. Giving a shit might be made of parts, it might be made solo. It might be an invasive species or not. Punks evolved from dinos too. Not even cross time and distance. But the spikes on their heads are the same.

Oh my God," Mrs. McIntire screamed. She'd dropped to her knees, the dark sand and water soaking into her jeans. "Neely!" Mr. McIntire held his wife while she screeched her daughter's name over and over. "She's going to be fine, sweetie," he kept saying. I really wanted to believe him. "Is she on the other side?" I paced the shore. I couldn't see anything except a piece of driftwood lying at the water's edge. "I don't see her." Mr. McIntire didn't answer, only pointed across the rolling water. A log had washed up on the shore. It looked like maybe the water had rubbed all the bark off and left a naked, saturated trunk behind. "Tell me where she is." Aggravated, I stared until my eyes blurred with stress. "All I see is a damn log." "Son," Sheriff Mills said from behind me. "That ain't a log.

I cannot agree with the gentleman in the magenta coat that Potter’s Pond is only a wretched little hamlet. But it is certainly a very remote and secluded village; so that it seems quite outlandish, like a village of a hundred years ago. The spinsters are really spinsters — damn it, you could almost imagine you saw them spin. The ladies are not just ladies. They are gentlewomen; and their chemist is not a chemist, but an apothecary; pronounced potecary. They do just admit the existence of an ordinary doctor like myself to assist the apothecary. But I am considered rather a juvenile innovation, because I am only fifty-seven years old and have only been in the county for twenty-eight years. The solicitor looks as if he had known it for twenty-eight thousand years. Then there is the old Admiral, who is just like a Dickens illustration; with a house full of cutlasses and cuttle-fish and equipped with a telescope.’ ‘I suppose,’ said Father Brown, ‘there are always a certain number of Admirals washed up on the shore. But I never understood why they get stranded so far inland.’ ‘Certainly no dead-alive place in the depths of the country is complete without one of these little creatures,’ said the doctor. ‘And then, of course, there is the proper sort of clergyman; Tory and High Church in a dusty fashion dating from Archbishop Laud; more of an old woman than any of the old women. He’s a white-haired studious old bird, more easily shocked than the spinsters. Indeed, the gentlewomen, though Puritan in their principles, are sometimes pretty plain in their speech; as the real Puritans were. Once or twice I have known old Miss Carstairs-Carew use expressions as lively as anything in the Bible. The dear old clergyman is assiduous in reading the Bible; but I almost fancy he shuts his eyes when he comes to those words.

Thanks,” she mutters. “Call us even, I guess.” I arch a brow. “Call us even for what?” Her eyes swirl with an emotion I can’t put a name to. “I saved your life, you saved mine.” I frown. What the fuck is she talking about? “Is this another one of your lies?” “No,” she bites out. “Do you think you washed up on this shore by luck? You were knocked out cold, and I swam us here.” What… the fuck. I clench my jaw, I don’t know what the fuck I’m feeling, but whatever it is has my knees threatening to crash to the ground with reverence.

My heart stirs like some creature washed up on a muddy, desolate shore, struggling to come back to life.

You are going to die, a voice inside his head taunts him. The bottom of the bay will be your new home. Salt will keep your meat fresh for the fish to feast on, and when the pieces of your mangled body will finally wash up on a foreign shore somewhere, they will have already forgotten you have ever existed.

My throat starts to dry up right after and I feel my heart racing and that stupid lump forming in my throat again, the one I always have to swallow. And besides that, there's so much guilt; it's like a tsunami that washes over the shore and when it recedes, you're left with nothing at all. It's not fair, I want to shout. It's not fair that I have to feel so horrible and I can't even feel horrible because my brain tells me it's wrong and I'm selfish and I feel disgusting.

He’d been washed up on a familiar shore, but the sea had changed him.

Leary and Alpert’s ouster from Harvard had gotten international media attention, and the trickle of guests soon turned into a flood. All that publicity inspired a wave of protohippies to wash up onto their shores. They arrived broke and unkempt, begging for food, shelter, and cosmic illumination.

One thing that has surprised Julie about going through the process of watching herself die is how vivid her world has become. Everything that she used to take for granted produces a sense of revelation, as if she were a child again. Tastes - the sweetness of a strawberry, its juice dripping onto her chin; a buttery pastry melting in her mouth, Smells - flowers on a front lawn, a colleague's perfume, seaweed washed up on the shore, Matt's sweaty body in bed at night. Sounds - the strings on a cello, the screech of a car, her nephew's laughter. Experiences - dancing at a birthday party, people-watching at Starbucks, buying a cute dress, opening the mail. All of this, no matter how mundane, delights her to no end. She's become hyper-present. When people delude themselves into believing they have all the time in the world, she's noticed, they get lazy. p310