Gyration Quotes

We live in one of the few epochs of humanity where life isn't just a painful cycle of toil, fatigue, and collapse. Now pleasure gyrates us through those stages.

You know we've got it bad when a naked and gyrating Channing Tatum can't solve our problems.

How comes when a man likes an attractive female, is he helping to exploit women around the world, yet the moment he doesn't fancy the female in question, he only hates on her because she's empowering women? Seriously, I don't get it - Rihanna and Nicki do exactly the same thing as far as I can see. They both sing, dance and gyrate their sexy stuff on stage, yet one empowers women, the other is being exploited, depending on which one I fancy the most at the point of being asked the sodding question. How the fuck does any of this make sense?

Our purpose is to consciously, deliberately evolve toward a wiser, more liberated and luminous state of being; to return to Eden, make friends with the snake, and set up our computers among the wild apple trees. Deep down, all of us are probably aware that some kind of mystical evolution - a melding into the godhead, into love - is our true task. Yet we suppress the notion with considerable force because to admit it is to acknowledge that most of our political gyrations, religious dogmas, social ambitions and financial ploys are not merely counterproductive but trivial. Our mission is to jettison those pointless preoccupations and take on once again the primordial cargo of inexhaustible ecstasy. Or, barring that, to turn out a good thin-crust pizza and a strong glass of beer.

Algebra applies to the clouds, the radiance of the star benefits the rose--no thinker would dare to say that the perfume of the hawthorn is useless to the constellations. Who could ever calculate the path of a molecule? How do we know that the creations of worlds are not determined by falling grains of sand? Who can understand the reciprocal ebb and flow of the infinitely great and the infinitely small, the echoing of causes in the abyss of being and the avalanches of creation? A mite has value; the small is great, the great is small. All is balanced in necessity; frightening vision for the mind. There are marvelous relations between beings and things, in this inexhaustible whole, from sun to grub, there is no scorn, each needs the other. Light does not carry terrestrial perfumes into the azure depths without knowing what it does with them; night distributes the stellar essence to the sleeping plants. Every bird that flies has the thread of the infinite in its claw. Germination includes the hatching of a meteor and the tap of a swallow's beak breaking the egg, and it guides the birth of the earthworm, and the advent of Socrates. Where the telescope ends, the microscope begins. Which of the two has a greater view? Choose. A bit of mold is a pleiad of flowers; a nebula is an anthill of stars. The same promiscuity, and still more wonderful, between the things of the intellect and material things. Elements and principles are mingled, combined, espoused, multiplied one by another, to the point that the material world, and the moral world are brought into the same light. Phenomena are perpetually folded back on themselves. In the vast cosmic changes, universal life comes and goes in unknown quantities, rolling everything up in the invisible mystery of the emanations, using everything, losing no dream from any single sleep, sowing a microscopic animal here, crumbling a star there, oscillating and gyrating, making a force of light, and an element of thought, disseminated and indivisible dissolving all, that geometric point, the self; reducing everything to the soul-atom; making everything blossom into God; entangling from the highest to the lowest, all activities in the obscurity of a dizzying mechanism, linking the flight of an insect to the movement of the earth, subordinating--who knows, if only by the identity of the law--the evolutions of the comet in the firmament to the circling of the protozoa in the drop of water. A machine made of mind. Enormous gearing, whose first motor is the gnat, and whose last is the zodiac.

It is impossible to give a clear account of the world, but art can teach us to reproduce it-just as the world reproduces itself in the course of its eternal gyrations. The primordial sea indefatigably repeats the same words and casts up the same astonished beings on the same sea-shore.

I got really offended when my single 'Smile' got banned [during after-school hours] from MTV in the U.K. because it had the word fuck in it. They said, 'We don't want kids to grow up too quickly.' But then you have Paris Hilton and the Pussycat Dolls taking their clothes off and gyrating up against womanizing, asshole men, and that's acceptable. You're thinking your kids are gonna grow up quicker because they heard the word fuck than from thinking they should be shoving their tits in people's faces?

When I fight off a disease bent on my cellular destruction, when I marvelously distribute energy and collect waste with astonishing alacrity even in my most seemingly fatigued moments, when I slip on ice and gyrate crazily but do not fall, when I unconsciously counter-steer my way into a sharp bicycle turn, taking advantage of physics I do not understand using a technique I am not even aware of using, when I somehow catch the dropped oranges before I know I've dropped them, when my wounds heal in my ignorance, I realize how much bigger I am than I think I am. And how much more important, nine times out of ten, those lower-level processes are to my overall well-being than the higher-level ones that tend to be the ones getting me bent out of shape or making me feel disappointed or proud.

Jenks, deep into his honey drunk, gyrated wildly.

An author, like any other so-called artist, is a man in whom the normal vanity of all men is so vastly exaggerated that he finds it a sheer impossibility to hold it in. His over-powering impulse is to gyrate before his fellow men, flapping his wings and emitting defiant yells. This being forbidden by the police of all civilized nations, he takes it out by putting his yells on paper. Such is the thing called self-expression.

Even in those earlier times, finding the really outstanding companies and staying with them through all the fluctuations of a gyrating market proved far more profitable to far more people than did the more colorful practice of trying to buy them cheap and sell them dear.

Mist devils spun in the air, dispersed then reassembled, gyrating above the ground, vapor-gamboling.

nightly gyrations.

Not a breath, not a sound—except at intervals the muffled crackling of stones that the cold was reducing to sand—disturbed the solitude and silence surrounding Janine. After a moment, however, it seemed to her that the sky above her was moving in a sort of slow gyration. In the vast reaches of the dry, cold night, thousands of stars were constantly appearing, and their sparkling icicles, loosened at once, began to slip gradually towards the horizon. Janine could not tear herself away from contemplating those drifting flares. She was turning with them, and the apparently stationary progress little by little identified her with the core of her being, where cold and desire were now vying with each other. Before her the stars were falling one by one and being snuffed out among the stones of the desert, and each time Janine opened a little more to the night. Breathing deeply, she forgot the cold, the dead weight of others, the craziness or stuffiness of life, the long anguish of living and dying. After so many years of mad, aimless fleeing from fear, she had come to a stop at last. At the same time, she seemed to recover her roots and the sap again rose in her body, which had ceased trembling. Her whole belly pressed against the parapet as she strained towards the moving sky; she was merely waiting for her fluttering heart to calm down and establish silence within her. The last stars of the constellations dropped their clusters a little lower on the desert horizon and became still. Then, with unbearable gentleness, the water of night began to fill Janine, drowned the cold, rose gradually from the hidden core of her being and overflowed in wave after wave, rising up even to her mouth full of moans. The next moment, the whole sky stretched out over her, fallen on her back on the cold earth.

For our own part, we learned a great deal about the techniques of love, and because we didn't know the words to denote what we saw, we had to make up our own. That was why we spoke of "yodeling in the canyon" and "tying the tube," of "groaning in the pit," "slipping the turtle's head," and "chewing the stinkweed." Years later, when we lost our own virginities, we resorted in our panic to pantomiming Lux's gyrations on the roof so long ago; and even now, if we were to be honest with ourselves, we would have to admit that it is always that pale wraith we make love to, always her feet snagged in the gutter, always her single blooming hand steadying itself against the chimney, no matter what our present lovers' feet and hands are doing.

An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")

Umm,” he moaned, as he started his rhythmic movements underneath me; raising me up and down with his hands at the speed and tempo he wanted. I leaned forward a bit so that my breasts were brushing against his chest; my hands gripped his shoulders as the heat of our lovemaking increased. He raised me up and down; up and down; my hips gyrated in a circular motion making sure the head of his beautiful cock was hitting my magic spot over and over again. My whimpers of pleasure were getting louder; his breathing was coming faster…

For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

She stared at the building covered in dead vines and wildly gyrating roses. Amara stifled a laugh as she watched them dance. "Could you do me a favor?" Mollie pushed her sweaty bangs out of her eyes with a shaking hand. "Hmm?" "The roses have started doing the Macarena, and it´s freaking me the fuck out. Could you make them stop?

I watch as Ronak gyrates his hips a bit, and I narrow my eyes. Is he…? Yep. He’s drawing a dick on the carpet with his urine. A piss dick pic. It’s actually kind of impressive.

Rarely is investigative work quite as engaging as being surrounded by gyrating naked women. It’s a sacrifice I make for the good of our team and for the children. Or something like that.

your mind becomes a supercomputer capable of calculating the gyrations of your car, multiplying that by the speed of the fall over the angle of descent, factoring in Newton’s laws of motion and, in a split second, coming to the panicked conclusion that this is gonna hurt like hell.

Deep inside each human being is a spirit that hungers for movement and for growth. A live and burgeoning ball of energy, the spirit naturally moves, expands, gyrates—dances, even—purely by virtue of its desire for freedom. It craves beauty over entertainment, meaning over triviality, and knowledge over sensation. American society devotes few harbors to the trade of truth. Too often we sacrifice the pursuit of knowledge, distracted instead by sparkling material things.

Brian came in heavy at that moment on his guitar, the rapid, high-pitched squeal ranging back and forth as his fingers flew along the frets. As the intro's tempo grew more rapid, Bekka heard Derek's subtle bass line as it worked its way in. After another few seconds Will came in, slow at first, but racing along to match the others' pace. When their combined efforts seemed unable to get any heavier, David jumped into the mix. As the sound got nice and heavy, Bekka began to rock back-and-forth onstage. In front of her, hundreds of metal-lovers began to jump and gyrate to their music. She matched their movements for a moment, enjoying the connection that was being made, before stepping over to the keyboard that had been set up behind her. Sliding her microphone into an attached cradle, she assumed her position and got ready. Right on cue, all the others stopped playing, throwing the auditorium into an abrupt silence. Before the crowd could react, however, Bekka's fingers began to work the keys, issuing a rhythm that was much softer and slower than what had been built up. The audience's violent thrash-dance calmed at that moment and they began to sway in response. Bekka smiled to herself. This is what she lived for.

SKIRTING the river road, (my forenoon walk, my rest,) Skyward in air a sudden muffled sound, the dalliance of the eagles, The rushing amorous contact high in space together, The clinching interlocking claws, a living, fierce, gyrating wheel, Four beating wings, two beaks, a swirling mass tight grappling, 5 In tumbling turning clustering loops, straight downward falling, Till o’er the river pois’d, the twain yet one, a moment’s lull, A motionless still balance in the air, then parting, talons loosing, Upward again on slow-firm pinions slanting, their separate diverse flight, She hers, he his, pursuing.

We are the fluid gyrations of birthing stars, beautiful explosions in motion coruscating with all the love that we brought from the outer edges of the cosmos, and it whirls wildly, madly, in the centre of our beings...

By 2005, Moore was referring to the gyrating Pacific dump as 10 million square miles—nearly the size of Africa. It wasn’t the only one: the planet has six other major tropical oceanic gyres, all of them swirling with ugly debris. It was as if plastic exploded upon the world from a tiny seed after World War II and, like the Big Bang, was still expanding. Even if all production suddenly ceased, an astounding amount of the astoundingly durable stuff was already out there. Plastic debris, Moore believed, was now the most common surface feature of the world’s oceans. How long would it last? Were there any benign, less-immortal substitutes that civilization could convert to, lest the world be

Here the vast bed of waters, seamed and scarred into a thousand conflicting channels, burst suddenly into phrensied convulsion-heaving, boiling, hissing-gyrating in gigantic and innumerable vortices, and all whirling and plunging on to the eastward with a rapidity which water never elsewhere assumes except in precipitous descents.

He glanced over to the stage, where a nearly naked woman gyrated lifelessly around the pole. She could’ve been cleaning toilets for all the enthusiasm she showed.

Prezz was exercising in his spaceport suite, performing mental gyrations instead of actual muscle bending. It was better to do both, but he never did.

This equation of empowerment and liberation with sexual objectification is now seen everywhere, and is having a real effect on the ambitions of young women. [...] When we talked about empowerment in the past, it was not a young woman in a thong gyrating around a pole that would spring to mind, but the attempts by women to gain real political and economic equality.

Anal sex is in fact characteristically the interaction of two active partners, not one aggressor and one passive recipient of aggression. No anal sex worth a candle involves a limp, passive, nearly comatose “victim”; both participants write the script, both actively orchestrate the scene, both gyrate their bodies with interactive abandon. Which fact, if acknowledged, would, as it were, make the traditional-minded heterosexual male’s blood run cold (or, perhaps put more appropriately, scare the shit out of him).

In taking a side, I thought uneasily, perhaps I ought to take the long view, the survival of the species as a whole. That was my problem, I thought, I was always thinking at the level of the individual, in this case the rabbit, the grim scene unfolding before me in the garden as the kite pecked at the belly of the poor beast, initiating a gyration in the corpse or almost corpse of the poor rabbit, a kind of organy wobbling. Now what was that that reminded me of? A hanging, tremulous, a doorway and a tidy garden. What happened to one’s past when one got beyond it?

The supersession of the round dance, choral and figure dances by dancing à deux, whether this take the form of gyrating as in the waltz or polka or the slitherings and slidings and even acrobatics of contemporary dancing, is probably to be regarded as a symptom of declining culture. There

No breath, no sound, except at times the muffled cracking of stones being reduced to sand and cold, came to disturb the solitude that surrounded Janine. After a moment, however, it seemed to her that a king of slow gyration was sweeping the sky above her. In the depths of the dry, cold night thousands of stars were formed unceasingly and their sparkling icicles, no sooner detached, began to slip imperceptibly towards the horizon. Janine could not tear herself away from the contemplation of these shifting fires. She turned with them, and the same stationary progression reunited her little by little with her deepest being, where cold and desire now collided. Before her, the stars were falling one by one, then extinguishing themselves in the stones of the desert, and each time Janine opened a little more to the night. She was breathing deeply, she forgot the cold, the weight of beings, the insane or static life, the long anguish of living and dying.

Mazirian made a selection from his books and with great effort forced five spells upon his brain: Phandaal’s Gyrator, Felojun’s Second Hypnotic Spell, The Excellent Prismatic Spray, The Charm of Untiring Nourishment, and the Spell of the Omnipotent Sphere. This accomplished, Mazirian drank wine and retired to his couch.

Luke grabs my hand. I turn to see a look of pure horror on his face. "This," he says, "is a dance?" "You were expecting what?" I say. "Why are they not dancing?" I look around the gym again. "Well, most people are dancing." I nod at the freshman boys, who have resorted to doing the robot. "They're dancing." Luke looks completely unconvinced. "And the music," he says, "is it always this.....loud?" I laugh. "You sound like you're forty. You have been to a dance before, right?" Luke looks offended. "Yes. Of course. But it was more..." he surveys the gyrating bodies around us "....civilised that this." He turns to me accusatory. "And you. Have you been to a dance?

The good doctor reassured John these were people who put their psychopathy to good use. They lived productive, well-adjusted lives as surgeons, CEOs and ambulance drivers. The light bulb went on. The CSC [Correctional Service of Canada] doesn't have to go through all these gyrations to reprogram anyone, they just have to find every inmate the right job!

God’s cock buried fully inside him. God spread his legs wider and inched down further on the couch. He gripped Day’s chin and turned his face, kissing him again. It was sloppy, wet, and erotic. They moaned into each other’s mouths and Day began to move faster, his breath panting with each gyration of those talented hips. “Mmmm. Fuck yeah. Ride my cock.” Day

These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

And, sure enough, saturation begins--the staedy work of seeps and springs. Then, suddenly, cottonwoods and willows spring from the sand, their leaves gyrating into a byzantine mosaic of greens. Birds, frogs, and insects trill out brilliant improvisations--a kind of critter jazz. And as the water gathers substance, there is the ballet of tadpoles and water skeeters across the face of clear ponds.

For our own part, we learned a great deal about the techniques of love, and because we didn't know the words to denote what we saw, we had to make up our own. That was why we spoke of "yodeling in the canyon" and "tying the tube," of "groaning in the pit,""slipping the turtle's head," and "chewing the stinkweed." Years later, when we lost our own virginities, we resorted in our panic to pantomiming Lux's gyrations on the roof so long ago; and even now, if we were to be honest with ourselves, we would have to admit that it is always that pale wraith we make love to, always her feet snagged in the gutter, always her single blooming hand steadying itself against the chimney, no matter what our present lovers' feet and hands are doing. And we'd have to admit, too, that in our most intimate moments, alone at night with our beating hearts, asking God to save us, what comes most often is Lux, succubus of those binocular nights.

Let’s dance.” She grabbed his hand and started toward the middle of the room, but he tugged her back. “I don’t dance.” His serious yet warm eyes startled her. She wanted to kiss him again, so she averted her gaze. “It doesn’t matter. I can show you.” She trailed her finger down his skin where the shirt folded open on top. “It’ll be romantic.” He grimaced. “Gyrating beside strangers on a packed dance floor is far from romantic.” “You’ve never gyrated with me.” This time he followed, his empty

Lorelai pulls me in closer and I feel her hair brush the side of my face. Huh, she smells like bubblegum and oranges. Wait. What the hell? Oh great! I’m actually sniffing her hair now. Yeah, that’s not super creepy at all! Time to dial back the crazy. It would be wrong to make a move, remember? The song ends and suddenly The Ronettes’ ‘Be My Baby’ starts to play. “Ah! I loooove thissss!” Lorelai declares as she grabs me and starts gyrating up and down. It’s wrong to make a move. It’s wrong to make a move. It’s wrong to make a move. Oh God …

In our hands we hold the shadow of our hands. The night is kind―the others do not see us holding our shadow. We reinforce the night. We watch ourselves. So we think better of others. The sea still seeks our eyes and we are not there. A young girl buttons up her love in her breast and we look away smiling at the great distance. Perhaps high up, in the starlight, a skylight opens up that looks out on the sea, the olive trees and the burnt houses― We listen to the butterfly gyrating in the glass of All Soul’s Day, and the fisherman’s daughter grinding serenity in her coffee- grinder.

The Enkindled Spring This spring as it comes bursts up in bonfires green, Wild puffing of emerald trees, and flame-filled bushes, Thorn-blossom lifting in wreaths of smoke between Where the wood fumes up and the watery, flickering rushes. I am amazed at this spring, this conflagration Of green fires lit on the soil of the earth, this blaze Of growing, and sparks that puff in wild gyration, Faces of people streaming across my gaze. And I, what fountain of fire am I among This leaping combustion of spring? My spirit is tossed About like a shadow buffeted in the throng Of flames, a shadow that's gone astray, and is lost

she trails off with a pointed look to the left, and we follow her gaze to see Ronak who undoes his pants, grabs his junk, and pees all over the carpet. I pinch the bridge of my nose and shake my head. “Duru is gonna be so pissed,” I say. Then I snort at my own joke. I watch as Ronak gyrates his hips a bit, and I narrow my eyes. Is he…? Yep. He’s drawing a dick on the carpet with his urine. A piss dick pic. It’s actually kind of impressive. “Should I, umm, take him outside, my lady?” the servant asks nervously. Ronak chooses that moment to turn around full-frontal, flashing her with his impressive cooch cork. “Ronak!” I snap. “Put your shmecky away, that is not polite!

Many aspects of how the Chinese political class manages its economy are antithetical to the Western values of democracy and free markets. But this stance has not put off foreign investors, who are attracted to the government’s willingness to prioritize physical infrastructure, political security, and stability over the health of the population, transparency in decision making, and transparency in the rule of law (if not necessarily the system of governance). In essence, the pursuit of economic growth overrides any views on the political system they invest in. Currently China’s political class has a strategy to evolve from an investment-led exporting economy to one more in line with Western economies, relying on domestic consumption. The transition to this new economic equilibrium will not be linear. China will likely experience significant economic volatility and market gyrations as the structure of its economy shifts. There is also mounting skepticism about China’s ability to manage its debt levels, and the country’s lack of individual political freedoms will continue to hamper its growth prospects. But Chinese policymakers will, no doubt, be focused on continuing to show economic progress in advance of two target dates: 2021—one hundred years after the formation of the Communist Party—and 2049, one hundred years after the formation of the People’s Republic of China.

These classical projections, and something from the fire, suddenly suggested Poussin's scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outward like the Seasons, moving hand in hand in intricate measure, stepping slowly, methodically sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seemingly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.

Maybe the affecting aspect was that Madame Ko's tanukis sparked in an onlooker's muscles a kinetic memory of the innocent freedom of early childhood, when one could let one's body go all akimbo on the slightest whim, could bounce, flop, and skip about in pure corporeal joy without embarrassment, judgement, or restraint. Or maybe there was a more "mature" associations, memories, say, of being falling-down drunk at the company picnic-but now crazy little animals were serving as surrogates, allowing one to vicariously relive those deliciously liberating and rebellious moment while maintaining one's veneer of civilized respectability, protecting in the process, one's marriage, one's standing in the community, one's job. Or maybe, on a strictly subconscious level, circusgoers recognized in the antics of the tanukis-antics that appeared goofy and bumbling yet, at the same time, brave and successful-an analogy to their own blindly hopeful gyrations in a complex, impermanent universe where every happy dance was danced in the lengthening shadow of death. And maybe they were inspired, if only for a night, to emulate the tanuki capacity for self-enjoyment, a gift that ought to be the birthright of every Homo sapiens. or maybe not. Maybe all those interpretations are just so much god-fodder (The God-Fodder, The God-Fodder II), the very sort of bullshit responsible, some say, for keeping alive a modicum of divine interest in our discredited race.

The evaluation of the merits of medical treatments for madness has always been a calculation made by doctors and, to a certain extent, by society as a whole. Does the treatment provide a method for managing disturbed people? That is the usual bottom line. The patient’s subjective response to the treatment—does it help the patient feel better or think more clearly?—simply doesn’t count in that evaluation. The “mad,” in fact, are dismissed as unreliable witnesses. How can a person crazy in mind possibly appreciate whether a treatment—be it Rush’s gyrator, a wet pack, gastrointestinal surgery, metrazol convulsive therapy, electroshock, or a neuroleptic—has helped? Yet to the person so treated, the subjective experience is everything.

CUTHBERT: No, they didn't warn you about my dancing. They didn't warn you about its sensual power. They didn't warn you that the gyration of my hips is as the gyration of galaxies, that the writhing of my limbs is as the writhing of your most ancient desire. They didn't warn you that to watch me boogie is to hear ancient drums beat an eldritch, irresistible rhythm in the most primal part of your soul. (ASHTON stiffens as CUTHBERT speaks. She turns and grips him with one arm around his waist and one behind his head, and kisses him hungrily.) ASHTON: Please don't do that tonight, in front of Marty and Susan. CUTHBERT: Of course not. An orgy breaking out on the dance floor is fun once or twice, but I've learned there is a terrible price to pay for my powers.

When boys called Bob and Bono would bring their own wild-rhythm celebration and the world would fall down in worshipful hallelujahs as it again acknowledged Ireland's capacity to create missionaries. So what if they were "the boys in the band"? They sang from a pulpit, an enormous pulpit looking down on a congregation that would knock your eyes out. A city that had produced Joyce and Beckett and Yeats, a country that had produced poet-heroes and more priests and nuns per head of population than almost any on earth was not going to spawn boys who just wanted to stand before a packed hall of gyrating teenagers and strum their guitars and sing. They had to have a message. One of salvation; they were in it to save the world. Like I said, we're teachers, missionaries.

Moreover, puberty is not just about the onslaught of gonadal hormones. It’s about how they come online.9 The defining feature of ovarian endocrine function is the cyclicity of hormone release—“It’s that time of the month.” In adolescent females puberty does not arrive full flower, so to speak, with one’s first period. Instead, for the first few years only about half of cycles actually involve ovulation and surges of estrogen and progesterone. Thus, not only are young adolescents experiencing these first ovulatory cycles, but there are also higher-order fluctuations in whether the ovulatory fluctuation occurs. Meanwhile, while adolescent males don’t have equivalent hormonal gyrations, it can’t help that their frontal cortex keeps getting hypoxic from the priapic blood flow to the crotch.

Hey, Hiro," the black-and-white guy says, "you want to try some Snow Crash?" A lot of people hang around in front of The Black Sun saying weird things. You ignore them. But this gets Hiro's attention. Oddity the first: The guy knows Hiro's name. But people have ways of getting that information. It's probably nothing. The second: This sounds like an offer from a drug pusher. Which would be normal in front of a Reality bar. But this is the Metaverse. And you can't sell drugs in the Metaverse, because you can't get high by looking at something. The third: The name of the drug. Hiro's never heard of a drug called Snow Crash before. That's not unusual -- a thousand new drugs get invented each year, and each of them sells under half a dozen brand names. But a "snow crash" is computer lingo. It means a system crash -- a bug -- at such a fundamental level that it frags the part of the computer that controls the electron beam in the monitor, making it spray wildly across the screen, turning the perfect gridwork of pixels into a gyrating blizzard. Hiro has seen it happen a million times. But it's a very peculiar name for a drug. The thing that really gets Hiro's attention is his confidence. He has an utterly calm, stolid presence. It's like talking to an asteroid. Which would be okay if he were doing something that made the tiniest little bit of sense. Hiro's trying to read some clues in the guy's face, but the closer he looks, the more his shifty black-and-white avatar seems to break up into jittering, hardedged pixels. It's like putting his nose against the glass of a busted TV. It makes his teeth hurt. "Excuse me," Hiro says. "What did you say?

But what really won me over was his butt. What finally made it impossible for me not to like the man was how right out there on the Adventist basepaths, right in front of eighty or ninety of the kind of pious adult spectators who spent their every Sabbath if not their entire lives trying to forget the existence of things like butts, Beal's buns were trying to light a fire by friction inside his jeans; they were gyrating like a washing machine with its load off balance; they were thrashing against his pants like two big halibut against the bottom of a boat. And the wonderful thing, the amazing thing, was how once his older audience got over the shock of it, they began to look amused at, then fascinated by, and finally downright grateful toward his writhing reminder that yes, buns did exist, and yes, every one of us owned not one but two of the things, and yes, like the God who created them in His Image, they did indeed move in mysterious ways.

Fear not, O backward alien, I have experts who will explain to you the endless benefits one may derive from owning a horde of slaves. You can, for example, dress them in robes of different colors and have them stand in a great square to form a living mosaic, or signs providing sentiments for every occasion. You can tie them in bundles and roll them down hills, you can make a huge hammer—five thousand for the head, three thousand for the handle—to break up boulders or clear forests. You can braid them into rope and make decorative hangings, where those at the very bottom, by the droll gyrations of their bodies, the kicking and squeaking as they dangle over the abyss, create a sight that gladdens the heart and rejoices the eye. Or take ten thousand young female slaves, stand them all on one leg and have them make figure eights with their right hands and circles with their left—a spectacle, believe me, which you won't wish to part with, and I speak from experience!

We continued our coitus reservatus as I mounted my lover in the lotus position. We closed our eyes to relish our unhurried gyrations, stirring an ardent tranquillity within ourselves that defied space and time. We lost track of time in this meditative equilibrium. All we experienced was the intimate connection our souls shared in our consummate union. Our spirits intertwined into a blissful state which the Hindus call Nirvana, the union with Brahman, the divine ground of existence, and the experience of seraphic egolessness. We were at once the Alpha and the Omega, the Yin and the Yang, the Front and the Back, the Positive and the Negative. “When you make the two into one, and when you make the inner as the outer, and the upper as the lower, and when you make male (masculine) and female (feminine) into a single entity, so that the male shall not be male, and the female shall not be female… then you will enter [the kingdom],” I remembered Jabril quoting from the gnostic Apostle Thomas.

I ventured to place my hand on the large wings that lay folded on his breast, and in doing so a slight shock as of electricity passed through me. I recoiled in fear; my host smiled, and as if courteously to gratify my curiosity, slowly expanded his pinions. I observed that his garment beneath them became dilated as a bladder that fills with air. The arms seemed to slide into the wings, and in another moment he had launched himself into the luminous atmosphere, and hovered there, still, and with outspread wings, as an eagle that basks in the sun. Then, rapidly as an eagle swoops, he rushed downwards into the midst of one of the groups, skimming through the midst, and as suddenly again soaring aloft. Thereon, three forms, in one of which I thought to recognise my host’s daughter, detached themselves from the rest, and followed him as a bird sportively follows a bird. My eyes, dazzled with the lights and bewildered by the throngs, ceased to distinguish the gyrations and evolutions of these winged playmates, till presently my host re-emerged from the crowd and alighted at my side.

What do all of these involuntary shakes and shivers have in common? Why do we quake when frightened or tremble in anger? Why do we quiver at sexual climax? And what might be the physiological function of trembling in spiritual awe? What is the commonality of all these shivers and shakes, quivers and quakes? And what have they to do with transforming trauma, regulating stress and living life to its fullest? These gyrations and undulations are ways that our nervous system “shakes off” the last rousing experience and “grounds” us in readiness for the next encounter with danger, lust and life. They are mechanisms that help restore our equilibrium after we have been threatened or highly aroused. They bring us back down to earth, so to speak. Indeed, such physiological reactions are at the core of self-regulation and resilience. The experience of emergent resilience gives us a treasure beyond imagination. In the words of the ancient Chinese text, the I Ching, The fear and trembling engendered by shock comes to an individual at first in such a way that he sees himself placed at a disadvantage … this is only transitory. When the ordeal is over, he experiences relief, and thus the very terror he had to endure at the outset brings good fortune in the long run.

I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.

If these avatars were real people in a real street, Hiro wouldn't be able to reach the entrance. It's way too crowded. But the computer system that operates the Street has better things to do than to monitor every single one of the millions of people there, trying to prevent them from running into each other. It doesn't bother trying to solve this incredibly difficult problem. On the Street, avatars just walk right through each other. So when Hiro cuts through the crowd, headed for the entrance, he really is cutting through the crowd. When things get this jammed together, the computer simplifies things by drawing all of the avatars ghostly and translucent so you can see where you're going. Hiro appears solid to himself, but everyone else looks like a ghost. He walks through the crowd as if it's a fogbank, clearly seeing The Black Sun in front of him. He steps over the property line, and he's in the doorway. And in that instant he becomes solid and visible to all the avatars milling outside. As one, they all begin screaming. Not that they have any idea who the hell he is -- Hiro is just a starving CIC stringer who lives in a U-Stor-It by the airport. But in the entire world there are only a couple of thousand people who can step over the line into The Black Sun. He turns and looks back at ten thousand shrieking groupies. Now that he's all by himself in the entryway, no longer immersed in a flood of avatars, he can see all of the people in the front row of the crowd with perfect clarity. They are all done up in their wildest and fanciest avatars, hoping that Da5id -- The Black Sun's owner and hacker-in-chief -- will invite them inside. They flick and merge together into a hysterical wall. Stunningly beautiful women, computer-airbrushed and retouched at seventy-two frames a second, like Playboy pinups turned three-dimensional -- these are would-be actresses hoping to be discovered. Wild-looking abstracts, tornadoes of gyrating light-hackers who are hoping that Da5id will notice their talent, invite them inside, give them a job. A liberal sprinkling of black-and-white people -- persons who are accessing the Metaverse through cheap public terminals, and who are rendered in jerky, grainy black and white. A lot of these are run-of-the-mill psycho fans, devoted to the fantasy of stabbing some particular actress to death; they can't even get close in Reality, so they goggle into the Metaverse to stalk their prey. There are would-be rock stars done up in laser light, as though they just stepped off the concert stage, and the avatars of Nipponese businessmen, exquisitely rendered by their fancy equipment, but utterly reserved and boring in their suits.

My Father Comes Home From Work" My father comes home from work sweating through layers of bleached cotton t-shirts sweating through his wool plaid shirt. He kisses my mother starching our school dresses at the ironing board, swings his metal lunchbox onto the formica kitchen table rattling the remnants of the lunch she packed that morning before daylight: crumbs of baloney sandwiches, empty metal thermos of coffee, cores of hard red apples that fueled his body through the packing and unpacking of sides of beef into the walk-in refrigerators at James Allen and Sons Meat Packers. He is twenty-six. Duty propels him each day through the dark to Butcher Town where steers walk streets from pen to slaughterhouse. He whispers Jesus Christ to no one in particular. We hear him-- me, my sister Linda, my baby brother Willy, and Mercedes la cubana’s daughter who my mother babysits. When he comes home we have to be quiet. He comes into the dark living room. Dick Clark’s American Bandstand lights my father’s face white and unlined like a movie star’s. His black hair is combed into a wavy pompadour. He sinks into the couch, takes off work boots thick damp socks, rises to carry them to the porch. Leaving the room he jerks his chin toward the teen gyrations on the screen, says, I guess it beats carrying a brown bag. He pauses, for a moment to watch.

I ASSURE you that I am the book of fate. Questions are my enemies. For my questions explode! Answers leap up like a frightened flock, blackening the sky of my inescapable memories. Not one answer, not one suffices. What prisms flash when I enter the terrible field of my past. I am a chip of shattered flint enclosed in a box. The box gyrates and quakes. I am tossed about in a storm of mysteries. And when the box opens, I return to this presence like a stranger in a primitive land. Slowly (slowly, I say) I relearn my name. But that is not to know myself! This person of my name, this Leto who is the second of that calling, finds other voices in his mind, other names and other places. Oh, I promise you (as I have been promised) that I answer to but a single name. If you say, "Leto," I respond. Sufferance makes this true, sufferance and one thing more: I hold the threads! All of them are mine. Let me but imagine a topic say... men who have died by the sword-and I have them in all of their gore, every image intact, every moan, every grimace. Joys of motherhood, I think, and the birthing beds are mine. Serial baby smiles and the sweet cooings of new generations. The first walkings of the toddlers and the first victories of youths brought forth for me to share. They tumble one upon another until I can see little else but sameness and repetition. "Keep it all intact," I warn myself. Who can deny the value of such experiences, the worth of learning through which I view each new instant? Ahhh, but it's the past. Don't you understand? It's only the past!

Complex systems are more spontaneous, more disorderly, more alive than that. At the same time, however, their peculiar dynamism is also a far cry from the weirdly unpredictable gyrations known as chaos. In the past two decades, chaos theory has shaken science to its foundations with the realization that very simple dynamical rules can give rise to extraordinarily intricate behavior; witness the endlessly detailed beauty of fractals, or the foaming turbulence of a river. And yet chaos by itself doesn't explain the structure, the coherence, the self-organizing cohesiveness of complex systems. Instead, all these complex systems have somehow acquired the ability to bring order and chaos into a special kind of balance. This balance point—often called the edge of chaos—is were the components of a system never quite lock into place, and yet never quite dissolve into turbulence, either. The edge of chaos is where life has enough stability to sustain itself and enough creativity to deserve the name of life. The edge of chaos is where new ideas and innovative genotypes are forever nibbling away at the edges of the status quo, and where even the most entrenched old guard will eventually be overthrown. The edge of chaos is where centuries of slavery and segregation suddenly give way to the civil rights movement of the 1950s and 1960s; where seventy years of Soviet communism suddenly give way to political turmoil and ferment; where eons of evolutionary stability suddenly give way to wholesale species transformation. The edge of chaos is the constantly shifting battle zone between stagnation and anarchy, the one place where a complex system can be spontaneous, adaptive, and alive. Complexity, adaptation, upheavals at the edge of chaos—these common themes are so striking that a growing number of scientists are convinced that there is more here than just a series of nice analogies. The movement's nerve center is a think tank known as the Santa Fe Institute, which was founded in the mid-1980s and which was originally housed in a rented convent in the midst of

If love were a gesture, I don’t think it would be a gyrating pelvis. But then again, I could be wrong, as I’m not fluent in body language.

Pretend mic in hand, she danced into the bedroom, singing Rod Stewart's "Do Ya Think I'm Sexy." She executed a few dance steps she'd read about in books on modern dance. Losing herself to the groove of the music, she swayed and gyrated as she belted out the lyrics. She toed off her shoes and shimmied out of her jeans, bending to slip them over her feet... "I'm thinking this is a sight and a sound I could get used to.

Bollywood’s Govinda was gyrating his hips in front of a Swiss Alpine landscape.

My cooler is cooler than yours. It’s also chillier. My gyrations are more hip than your swiveling hips. I have the hips of a hippo.

I’ll gyrate my hips at irate guests to generate income for the generations.

With 87 other Elvis impersonators, I’m going to take over the world. Starting with Vegas. We will gyrate our hips out of love, and to end world hunger.

ANTONY REMEMBERED Val’s kids being taken away, one after the other. Mikey, Barry, Lily. Lily was the last to go. She was only a few years older than Antony, but when he screwed his eyes up tight and tried to remember her face, he couldn’t. He remembered the nickname she’d given him though: Spug. Because he loved birds so much. Her scratchy voice, full of wires and string. Her screams before she started to fit, that cacophony of vowels and white noise. Little Spuggy. Sparrow boy. Lily. Feral fitting girl. The pissy smell of her. He remembered how terrifying it was seeing her hurly-burly. That unmistakeable sound, a liquid hollow sound, of a human skull hitting the concrete. Her body churning, shambling, gyrating – how life would take a sudden detour. Like there was some enormous struggle going on inside her body and she always lost the fight. She didn’t have epilepsy; it had her. — Little Spug. The day she was taken away. The jealousy he felt. Lily had escaped.

However, our kind Nigerian friend failed to mention that not only is stripping in Japan a full-contact sport above the waist, but also apparently having shots poured over your breasts and sucked off your nipples by strange Japanese men is as commonplace as the gyrations to be overheard in the dark quarters where much more than private dances went on.

Panhandle's residence was situated in a remote part of the country, and at this moment I have no clear recollection of the complicated journey, with its many changes at little-known junctions, which I had to make in order to find my friend. The residence stood in the midst of elevated woodlands, and was well hidden by the trees. An immense sky-sign, standing out high above all other objects and plainly visible to the traveller from whatever side he made his approach, had been erected on the roof. The sky-sign carried the legend "No Psychologists!" It turned with the wind, gyrating continually, and when darkness fell the letters were outlined in electric lamps. Only a blind man could miss the warning. This legend was repeated over the main entrance to the grounds, with the addition of the word "Beware!" I thought of mantraps and ferocious dogs, and for some minutes I stood before the gates, wondering if it would be safe for me to enter. At last, remembering how several friends had assured me that I was "no psychologist," I concluded that little harm awaited me, plucked up my courage, and boldly advanced. Beyond the gates I found the warning again repeated with a more emphatic truculence and a finer particularity. At intervals along the drive I saw notice-boards projecting from the barberries and the laurels, each with some new version of the original theme. "Death to the Psychology of Religion" were the words inscribed on one. The next was even more precise in its application, and ran as follows:— "Inquisitive psychologists take notice! Panhandle has a gun, And will not hesitate to shoot." Somewhat shaken I approached the front door and was startled to see a long, glittering thing suddenly thrust through an open window in the upper storey; and the man behind the weapon was unquestionably Panhandle himself. "Can it be," I said aloud, "that Panhandle has taken me for an inquisitive psychologist?" "Advance," cried my host, who had a keen ear for such undertones. "Advance and fear nothing." A moment later he grasped me warmly by the hand, "Welcome, dearest of friends," he was saying. "You have arrived at an opportune moment. The house is full of guests who are longing to meet you." "But, Panhandle," I expostulated as we stood on the doorstep, "I understood we were to be alone. I have come for one purpose only, that you might explain your familiarity with—with those people." I used this expression, rather than one more explicit, because the footman was still present, knowing from long experience how dangerous it is to speak plainly about metaphysical realities in the hearing of the proletariat. "Those very people are now awaiting you," said Panhandle, as he drew me into the library. "I will be quite frank with you at once. This house is haunted; and if on consideration you find your nerves unequal to an encounter with ghosts, you had better go back at once, for there is no telling how soon the apparitions will begin.

When a worship team stands on stage facing the audience, when the stage is brightly-lit with multi-colored lighting while the lights in the rest of the auditorium are dimmed, when the worship leader turns first toward one and then another member of the worship team in a carefully choreographed fashion during the singing of a praise chorus, smiling at each in turn, perhaps even winking at them, when musicians of near-professional quality gyrate as they play their guitars, then it becomes nearly inevitable that those in the auditorium will see this as a performance intended to entertain them, no matter how many times they are verbally reminded that all this is supposed to be praise to God.

He gyrated his hips suggestively and the rest of the guys snickered. Horse turned fast, punching him in the stomach. Mohawk man doubled over but managed to stay standing as Horse grabbed my arm and jerked me out the door.

He paused in his gyrations to give Schwartz a high five. "I'm wearing my cap askew," [Owen] said.

Ever since the millennial crash, the United States has been buffeted by currency shocks, interest-rate gyrations, and financial device bubbles. Government fashions move “investment” from real estate consumption to climate distractions. It was technology alone that saved the world economy.

The sultry look upon your face In reaching that gyrating gush. The way you bite my fingers When I try to make you hush.

A word formed in her mind as his gyrating tail caught her attention. Monster.

The frightening thing, he reflected for the ten thousandth time as he forced his shoulders painfully backward (with hands on hips, they were gyrating their bodies from the waist, an exercise that was supposed to be good for the back muscles)—the frightening thing was that it might all be true. If the Party could thrust its hand into the past and say of this or that event, it never happened—that, surely, was more terrifying than mere torture and death. The Party said that Oceania had never been in alliance with Eurasia. He, Winston Smith, knew that Oceania had been in alliance with Eurasia as short a time as four years ago. But where did that knowledge exist? Only in his own consciousness, which in any case must soon be annihilated. And if all others accepted the lie which the Party imposed—if all records told the same tale—then the lie passed into history and became truth. “Who controls the past,” ran the Party slogan, “controls the future: who controls the present controls the

Right in the middle of a Stevie Wonder concert, right in the middle of this musical trance, this electronic night with thousands in the stadium, a night worthy of Metropolis with the thousands of cerebro-motor slaves gyrating to the rhythm of synthesizers and all the lighter flames serving as a luminous ovation - a new ritual worthy of the catacombs - I feel a total coldness, complete indifference to this faked music, without the slightest melodic phrase, music of a pitiless technicity. Everything is both visceral and coded at the same time. A strictly regulated release, a cold ceremonial, very far in human terms from its own musical savagery, which is merely that of technology. Only the visual impact remains, the spectacle of the crowd and its phYSical idolatry, particularly as the idol is blind and directs the whole thing with his dead eyes, exiled from the world and its tumult, but absorbing it all like an animal. The same air of sacredness as with Borges. The same translucidity of the blind, who enjoy the benefits of the silence of light and therefore of blackmail by lucidity. But modern idolatry is not easily accepted; the bodies stay clenched. Technicity wins out over frenzy in the new metropolitan nights. Growing old is not the approach of a biological term. It is the ever lengthening spiral which distances you from the physical and intellectual openness of your youth. Eventually, the spiral becomes so long that all chance of return is lost. The parabola becomes eccentric, and the peak of one's life-curve gets lost in space. Simultaneously the echo of pleasures in time becomes shorter. One ceases to find pleasure in pleasure. Things live on in nostalgia, and their echo becomes that of a previous life. This is the second mirror phase, and the beginning of the third age.

The rigidity of religious practitioners is exactly like the rigidity of the muscles that Reichian therapists encounter in the bodies of those people who have had their emotions repressed by their parents, society, trauma, and other factors. Why do you think that the Christian Revivalist movements in which people shake (The Shakers), quake (The Quakers), and generally shout and roll around on the floor in all sorts of gyrating movements (Christian Evangelical Revivalist Meetings), are so popular?

I scooch my body over so I’m on the bed, and we’re head to toe. She’s lying next to me. “Sixty-nine,” I say with a smirk. “Oh. I’ve never done that.” “Hop on. Don’t be shy.” She doesn’t hesitate, and the next thing I know, my tongue is on her again and my cock is taken in by her magical mouth. I love the weight of her tits on my abs as she bobs up and down on me. I wrap my arms around her waist, and as much as I want to see what she’s doing that is making me feel so amazing, I love how I can make her wiggle in this position. Her body shudders again, and I wonder if she’s coming. I damn well hope so. I feel some combination of her hands, mouth, and tongue on me as she slides up and down, slick hands on my rock-hard erection. I gyrate up and down a little, rocking my hips into her. Our bodies press together in an explosion of sixty-nine heat and sweat and sex. For a moment, I pull her hands behind her back, forcing her to sit up and on my face. She’s hesitant at first, but I think my enthusiasm overrides any shyness she might have, and she’s twisting into me as she comes again. I know because she tells me, even though her words are barely a whimper at this point. She lifts her body up and off me, then kneels between my legs and pushes her hair behind her head. “D, tell me how you want me to finish you,” she says as she runs her hand up and down on my cock. I bite my lip. “I’d be lying if I said I didn’t want to fuck your tits.” “Well, I’m glad you’re not lying.” She looks down. “Fuck these things? And how would you do that?” I narrow my eyes. “You’ve never done that?” She shakes her head. “Never.” “So I get to take your boobs’ V card?” I exclaim. “Let’s not make a big deal out of it.” She lies down on her back and I position my legs on either side, straddling her upper body. I slide my cock between her breasts, and just enjoy the beautiful view for a moment. When I lean back with one arm for balance, I find myself fondling her clit again—instinct—but she grabs my arm. “Nah-ah. This is about you, now. This is about D.” Grabbing my cock, she pulls me toward her face and leans forward at the same time, then takes me to the back of her throat, leaving me nice and slick. She puts my cock between her tits and then presses them together. “You like that?” she asks, and I nod vigorously. “Very much,” I grit out. “Good. I like watching you do it.” Her eyes flicker with excitement and that turns me on even more. I press her boobs together myself and she grabs hold of my ass and slides her hands around my hips. It’s so damn hot and this is goddamn reckless abandon, and I feel like I can do anything sexually with this woman, like I’m free and she’s my toy and I’m hers, too. I pump my cock between her tits again and she lets out a moan that puts me over the edge. “Gonna come,” I growl. “Where should I come.” “My tits, baby,” she says throatily, and next thing I know I spurt ropes all over her breasts and neck. By some miracle, none gets on her face. When it’s all over, both of our hearts are racing. She looks down at her chest, and then up at me. “Wow.” “I would say sorry, but that would be a lie.” She touches a tiny bit of the liquid with her finger and taps her tongue. “You taste good, actually. I mean, I already tasted you before.” I laugh as I unstraddle her and go grab a towel. “I’ll let you taste me as much as you want, babe. By the way, let me just say you kind of look hot as hell right now.” “Thanks.” I wipe her off, wipe myself off, and then lean down to kiss her. I envisioned a peck, but it ends up being a long, lingering kiss that promises more. She takes my hand and I stand there for a minute, next to her.

any other crime lord had received a slightly threatening holographic message from someone who claimed to be a Jedi Knight, the crime lord might have prepared to negotiate, flee to another planet, or surrender entirely. But Jabba was not just any other crime lord, so he decided to throw a party. It was a lewd and noisy affair, with semi-clad alien females gyrating to the rhythms of the Max Rebo band. On the bandstand,

We need to find more body parts if possible, and we need divers and evidence retrieval specialists. You got those, too?” “Just say the word, and they are yours, like the song goes.” “What song?” “The Tom Jones song. ‘Help Yourself.’ Do you guys remember that one?” “You’re really old, Micah. How old is Tom Jones, anyway? Eighty?” “I don’t know. So what? Is it illegal to remember Tom Jones?” Micah turned his fist into a microphone, held it up to his mouth, and began to sing and gyrate his lower torso in a circular manner, his best imitation of Tom Jones in his prime years. “Now there’s an image that will be impossible to erase from my mind,” Zack said, looking repulsed.

As was the custom with big events in the mid- to late-1960s, particularly in the northern California area, Altamont was drenched in acid. And as was also the custom at that time, that acid was provided free-of-charge by Mr. Augustus Owsley Stanley III, also known as The Bear. At the so-called “Human Be-In” staged in January of 1967, for example, Owsley had kindly distributed 10,000 tabs of potent LSD. For the Monterey Pop Festival just five months later, he had cooked up and distributed 14,000 tabs. For Altamont, he did likewise. Also present that day, and featured in the Maysles brothers’ film gyrating atop a raised platform near the stage, was the King of the Freaks himself, Vito Paulekas.

I watch the hand nearest me disappear into the pocket of his pants, pulling out a pack of cigarettes. He offers me one. “No, thank you.” He tosses his head, breathing in a long drag, then pushes a curl behind his ear. It doesn’t catch, though, and when he smiles it brushes the top of his lashes. “Where does your friend work?” I ask, petting Bruce, who has jumped onto the bench and rolled over so I can reach his belly. “Cristiano and his sister own Club Fluid.” He raises his arms in the air, gyrates with his hips. “It’s where we like to dance. Do you like martinis? Silvia makes a good martini.” He blows smoke out of his mouth when he says martinis. “Vodka or gin?” “Gin,” he says, frowning. “Vodka is disgusting.” I prefer vodka, but don’t say so. He points at the terrier. “Bruce likes you.” There’s that wry smile, as if he’s in on some private joke at my expense. It’s exasperating to be next to someone so young and confident.

If the van’s a rockin’, don’t come a knockin’!” Jenks said, gyrating beside me.

Time now for what I told you was the ‘Leg Cocking’; this is an English officer gyration. The man assumes the position for a Highland Reel, and then at the sound of 2/4 or 6/8 tempo, he raises his right leg and leaps all over the room with one hand up in the air and one on his hip. We played ‘Highland Laddie’; at once the floor became a mass of leaping twits all yelling “Och! Aye!

IN the calendar of American economic life, 1955 was the Year of the Automobile. That year, American automobile makers sold over seven million passenger cars, or over a million more than they had sold in any previous year. That year, General Motors easily sold the public $325 million worth of new common stock, and the stock market as a whole, led by the motors, gyrated upward so frantically that Congress investigated it.

Matter is none the less Matter to us, while we dwell on the plane of Matter, although we know it to be merely an aggregation of "electrons," or particles of Force, vibrating rapidly and gyrating around each other in the formations of atoms; the atoms in turn vibrating and gyrating, forming molecules, which latter in turn form larger masses of Matter. Nor does Matter become less Matter, when we follow the inquiry still further, and learn from the Hermetic Teachings, that the "Force" of which the electrons are but units is merely a manifestation of the Mind of THE ALL, and like all else in the Universe is purely Mental in its nature. While on the Plane of Matter, we must recognize its phenomena — we may control Matter (as all Masters of higher or lesser degree do), but we do so by applying the higher forces. We commit a folly when we attempt to deny the existence of Matter in the relative aspect. We may deny its mastery over us — and rightly so — but we should not attempt to ignore it in its relative aspect, at least so long as we dwell upon its plane.

In the Sultan Suite   Andy was eagerly awaiting my reappearance. He had nailed as many engaging pictures as he could, and he had done superbly – but I didn’t know that yet.               When I regained position, Lihaar had straddled Aziz’s firmness, and Jabril’s thickness was gyrating within her derriere. The men rocked into her in rhythmic synchronicity while moans of zealous fervencies rose in crescendo from the singer’s throat. Coraline seized the opportunity and plunged her tilting pelvis onto the actress’s face. As if executing a perfect dance the Indian twirled her lecherous tongue into the big sister’s blossoming crevice. Afraid the dark-haired female would evade her pleasure vault, Coraline’s tenacious hands gripped her tightly.               Aziz drove his slithering tongue into Narnia’s wetness, teasing her nether region to groans of rapturous ecstasy. His probing fingers buried deep in her rousing bottom, driving her to bouts of climactic liberations. She shuttered unquenchably to each heaving motion of intimate deliverance. Waves of euphoric ecstasies filled her girlishness. She delivered her youthful exuberance again and again until her heaving breasts laid heavy against the Arab’s muscular chest. After all, I had been taught by great masters of the day – and I was the sorcerer’s apprentice. Therefore, no encouragements were required for me to capture affectionate kisses and private embraces from every bewitching angle. But my task was by no means over. Exotic shots of erotic discharges arrived in the shapely form of Ms. Lihaar riding both phalluses with abandon. Like her little sister Narnia, Coraline had delivered curls of billowing euphoria onto the actress’s face, coating the flawless beauty with dribbling wetness before lapping at her deliverance with sensual jubilations.               The men could no longer withhold their deposits. Sprays of masculinity filled the actress as she milked their pounding manliness to blissful nirvana. Together, my chaperone and I had garnered superlative shots for our patron when we left the Sultan cavern quietly, returning to the Maharajah in pursuit of a saturnalia of unbridled revelry.

Jabril’s epicurean tongue rimmed at my anal receptacle before jabbing into my tunnel of love with abandon. His commanding lividity drove my tilting pelvis to receive slivers of his dripping saliva. He was preparing me for the feast of the gods. And I was delighted to suffice. Much like my Valet relishing the helmsman’s mightiness, Victor devoured the captain’s prowess with avid ferocity. Spittle of beaming wetness coated their organs. Tad led me above deck while the men followed suit. Pulling me atop a comfortable mattress, I straddled the athlete with aplomb, kissing his succulent mouth with wanton fervency. Quivers of euphoric rhapsody surged through my body when his tumid avidity eased into my passageway of forbidden love. His bouncing gyrations commingled with my lustful kisses brought our hankering spirits into a unified entity. Just as this newfound vivacity took hold, I felt another force in my core. This elevated double entry catapulted me into an uncharted and blissful realm. The captain and the champion tantalized my tightness with symmetrical cadences as we tangoed to the rhythm of the lapping waves. Tad’s provocative expertise, coalescing with Fahrib’s rousing mastery, hurled my frenzied soul to an intensified crescendo of erotic gratification. Rainbows of aesthetic enthusiasm flashed before me as Andy and Victor mirrored one another as the Levantine logerez himself onto their throbbing hardness simultaneously. He was at once in agony and ecstasy before his misshapen expression transformed into gleeful entrancement. Heaving sighs of euphoric relief, he accommodated both obelisks with pride.

My lover’s alluring propensities took on a vivacity I had difficulty conceding. His passion magnified a thousand-fold within my consciousness as I closed my eyes to this wanton dexterity. I desired him, and he wanted me. Under this euphoric ecstasy, I relinquished my person to his coveted demands.               My Apollo, my Phoebus, who never failed to brighten my person and radiate my soul, had coiled me into his solicitous web of ardent devotion. My coverings fell away with every inhalation of his loving elixir. My lover had exposed my nakedness to the gazing eyes of the unseen voyeur and stalker. They alone were granted dispensation to witness the audacity between my lover and me.               Our fiery gazes never left or strayed from each other. Bewitched by his blueish-green eyes, my soul was bare to him. His oral stimulation had fostered me to arch my back in a balletic pose as his hands supported the small of my back. Watched through the submerged glass, we felt like Poseidon’s pleasure slaves, performing solely for his gratification. I was awed by our agility and reminded of a supple aquatic dance performance I had witnessed during my extensive travels. My former ballet training surged through me as I saw myself swirling and pirouetting across the room, and Andy’s thickness gyrated within the core of my being. The ecstasy and the agony of my dance pedagogy had transformed into the art of intercourse. The grace of movement and the beauty of love had merged into a seraphic epiphany – a unity of the Godhead within and without.               At the precise moment of our orgasmic exultations, I finally grasped my chaperone’s universal knowledge: that the divine and I are but one and the same. It was then I comprehended my guardian’s god-like comportment. Andy knew his birth-right, and he wore his divinity with pride and honour. All of that I saw in him as it came gushing to the forefront. He was indeed a Phoebus Apollo, a sun god beheld in a darkened chamber. There and then, I made a secret covenant to myself, like an apostle to the Son of God - I would follow in his footsteps.               My Valet’s sanctity swirled within me, flooding my kernel with beatific sows of celestial grace. Overjoyed by his tokens of affection, I too released my passion into his garnering gulf. Streams of my succulent splendour oozed from his enticing lips. It was only when we shared the final droplets of my luscious deposits that he liberated his engorgement from my sopping honeycomb. I supped at his dripping remains before sharing my fill with him, so we could both partake in this sexual liturgy of heavenly Eucharist.               We did not relinquish our performance after the lights and music had disappeared, but remained entwined in darkness, savouring the inseparable devotion that had once been the domain of Apollo and his beloved Hyacinth.

Tell me what to do,” Ruxs whispered against Green’s lips. “I want to do something to you.” Green flicked his tongue over Ruxs bottom lip. “Do you know how sexy your mouth is? I could kiss you for hours.” Green pushed his hips in harder, groaning powerfully. “I could come just like this.” “Tell me what to do, Chris.” Ruxs’ hands went to Green’s hip, feeling it gyrate under his palm. “You

I remembered the words of Professor Andrew Henderson, my Bahriji art of seduction and flirtation teacher; his advice, “Tease without over zealousness, seduce without blatancy and keep your devotees desiring more.” Gyrating sensually and seductively, my determination as a provocateur garnered synchronized applauds and incendiary reactions from the maniacal crowd. Oohs and aahs came from bona-fide horny men craving for more; instead I gave my admirers a show without revealing too much. This,

Dex helped Sloane remove the rest of his clothes, and once Sloane was naked, he pushed Dex onto the couch, groaning when Dex fell back onto it, his face flushed, smooth tanned skin begging to be spoiled by Sloane. He grabbed the bottle of lube from the end table drawer and stalked Dex, his grin feral as Dex drew his knees up and palmed his erection. His hair was a mess, his lips swollen from Sloane’s kisses, and he was putting on a show for Sloane. Sloane bit down on his bottom lip to keep himself from moaning at Dex’s provocative behavior, challenging Sloane not to lose what little control he clung to. Dex lay back on the couch, his eyes never leaving Sloane’s as he stroked his cock with one hand, his other hand sliding up his torso. He arched his back and gyrated his hips. “You like to watch me,” Dex said, his voice low and husky. Sloane nodded. Fuck yeah. He loved to see the pleasure on Dex’s face. Loved seeing the way those plump lips parted in ecstasy, how his skin turned pink, the sweat beaded on his brow, how he lost himself at Sloane’s hands. “I

Derrien had issued his battle cry, he annulled it by order of Vichy. “November 8, we fight everybody,” he wrote privately. “November 9, we fight the Germans. November 10, we fight nobody. November 10 (noon), we fight the Germans. November 11 (night), we fight nobody.” Perhaps no passage written during the war better captured the agony of France and the moral gyrations to which her sons were subject.

FROM HEAD TO TOE   The smooth stones that dream by that peaceful stream have been made in the likeness of her smooth body that moves like the water, shaping my love for her by the natural method of Mother Earth. Warm shades of yellow and scarlet seem to cast themselves before me even from beneath the cool of a clouded day. Feeling her lips nuzzled against me gives me refuge in such a way that I have never before encountered. I am enchanted by the closeness of her. I have become curious as to that course of nature and what I do believe it will decide. The deep brown embers glowing from inside the richness of her eyes reveal to me just how irresistible I have become to her. She reaches out to kiss me as the stars from heaven thrust themselves to the earth in a glittery glow, encircling these two hearts in a bird-like formation that delivers our love from this cultural hindrance. The curves of her lips gyrate duly over mine for a duration of fitting ecstasy that adduces her unyielding conviction in me evermore. Fermented in the pulp of her demulcent lips our kisses contort within this impassioned expressiveness that defines the candor of our love. My declared state of awareness brings me to bow to our allegiance deduced by the serum secreting from her chamomile kiss. Her fine glacé lips bear the splendid petimezi of all hidden vineyards. Her touch is as still as the mist that warms a cool forest as she feels for me from head to toe.