Gun Lover Quotes

You are enough to drive a saint to madness or a king to his knees.

Bad boys, bad boys, whatcha gonna do, watcha gonna do when they cut your wiener,” Gavin sang as he pointed his gun at random objects. “Wow, cops have gotten pretty hardcore lately” Carter muttered.

Your hands on a gun butt right now, isn't it? Afraid of me?” “Just want to make sure I can take care of you.” “Oh, really?” “Yeah, in case you need Glock-to-mouth-resuscitation.

She was a ray of sunshine, a warm summer rain, a bright fire on a cold winter’s day, and now she could be dead because she had tried to save the man she loved.

Shit. . . this was a bad idea. A pure-blooded, bonded male vampire about to watch his shellan feed someone else. Holy hell, when the Scribe Virgin had suggested Beth come down, V had assumed it was for ceremonial purposes, not so she could be a vein. But what was the choice? Butch was going to suck Marissa dry and not have enough and there wasn't another female in the house who could do the job: Mary was still human and Bella was pregnant. Besides, like dealing with Rhage or Z would be any easier? For the beast, they'd need a tranq gun the size of a cannon and Z. . . well, shit.

In case you haven't noticed, as the result of a shamelessly rigged election in Florida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jut-jawed, pitiless war-lovers with appalling powerful weaponry - who stand unopposed. In case you haven't noticed, we are now as feared and hated all over the world as the Nazi's once were. And with good reason. In case you haven't noticed, our unelected leaders have dehumanized millions and millions of human beings simply because of their religion and race. We wound 'em and kill 'em and torture 'em and imprison 'em all we want. Piece of cake. In case you haven't noticed, we also dehumanize our own soldiers, not because of their religion or race, but because of their low social class. Send 'em anywhere. Make 'em do anything. Piece of cake. The O'Reilly Factor. So I am a man without a country, except for the librarians and a Chicago paper called "In These Times." Before we attacked Iraq, the majestic "New York Times" guaranteed there were weapons of destruction there. Albert Einstein and Mark Twain gave up on the human race at the end of their lives, even though Twain hadn't even seen the First World War. War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun. Shrapnel was invented by an Englishman of the same name. Don't you wish you could have something named after you? Like my distinct betters Einstein and Twain, I now give up on people too. I am a veteran of the Second World War and I have to say this is the not the first time I surrendered to a pitiless war machine. My last words? "Life is no way to treat an animal, not even a mouse." Napalm came from Harvard. Veritas! Our president is a Christian? So was Adolf Hitler. What can be said to our young people, now that psychopathic personalities, which is to say persons without consciences, without senses of pity or shame, have taken all the money in the treasuries of our government and corporations and made it all their own?

Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride

Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.

And speaking of on board, she'd moved into John's room properly. In his closet, her leathers and her muscles shirts were hanging next to his, and their shitkickers were lined up together, and all her knives and her guns and her little toys were now locked up in his fire proof cabinet. Their ammo was even stacked together. How frickin' romantic.

I hear them say go home, I hear them say fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth upon your body one second; the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement and now my home is the mouth of a shark, now my home is the barrel of a gun. I’ll see you on the other side.

Jenny can still suck a golf ball through a garden hose and she guns my cock like a champ since she misplaced her false teeth!

Vishous: "...we both would slaughter anything that so much as startled you." Jane: "I'm scared of mice and spiders. But you don't need to use that gun on your hip to blow a hole in a wall if I ran into one, okay? Havaheart traps and rolled newspapers work just as well. Plus, you don't need a Sheetrock patch and plaster job afterward. I'm just saying.

I can't catch her by copying her, I can't draw her with a borrowed stencil. She is all the things a lover should be and quite a few a lover should not. Pin her down? She's not a butterfly. I'm not a wrestler. She's not a target. I'm not a gun. Tell you what she is? She's not Lot no. 27 and I'm not one to brag.

All problems with writing and performing come from fear. Fear of exposure, fear of weakness, fear of lack of talent, fear of looking like a fool for trying, for even thinking you could write in the first place. It's all fear. If we didn't have fear, imagine the creativity in the world. Fear holds us back every step of the way. A lot of studies say that despite all our fears in this country - death, war, guns, illness - our biggest fear is public speaking. What I am doing right now. And when people are asked to identify which kind of public speaking they are most afraid of, they check the improvisation box. So improvisation is the number-one fear in America. Forget a nuclear winter or an eight-point nine earthquake or another Hitler. It's improv. Which is funny, because aren't we just improvising all day long? Isn't our whole life just one long improvisation? What are we so scared of?

What I told you tonight - it isn't my story alone. It belongs to every Irish person living and dead. And every Irish person living and dead belongs to it. And to all the story of Ireland; blood and bones, legends, guns and dreams, Catholics, Protestants, England, horses and poets and lovers.

You are enough to drive a saint to madness or a king to his knees Excerpt from To Kiss a King by Grace Willows Coming this summer to Amazon Kindle and paperback.

She, the first-born daughter of water, faced darkness and smiled. Took mystery as her lover and raised light as her child. Man that shit was wild. You should have seen how they ran. She woke up in an alley with a gun in her hand. Tupac in lotus form, Ennis’ blood on his hands.

When I picked up the bird and felt its light weight in my hands, I realized that carelessness was a form of cruelty. See, I'd always told myself that because I meant no harm, anything that happened wasn't my fault. At that moment, though, I knew I was wrong. If I hadn't given the female my gun, the bird wouldn't have been shot. I was responsible even though I didn't pull the trigger.

The riot had taken on a beauty of its own now. Arcs of gasoline fire under the crescent moon. Crimson tracer in mystical parabolas. Phosphorescence from the barrels of plastic bullet guns. A distant yelling like that of men below decks in a torpedoed prison ship. The scarlet whoosh of Molotovs intersecting with exacting surfaces. Helicopters everywhere: their spotlights finding one another like lovers in the Afterlife. And all this through a lens of oleaginous Belfast rain.

When you carry a gun, everything starts looking like a sword. If you pass the butter too quickly, I’m likely to shoot you. But even if you attack me, we can still be lovers.

The bartender appeared and asked what I wanted. I didn’t know or care. A bottle of Xanax. A loaded gun. I ordered a vodka tonic.

We don’t live far away, I’ll hold her on my lap. Dominic has Bronagh.” I heard male grumbling then a quick, “I call shot gun.” It was Kane who spoke. “The fuck?” Damien snapped. “Why do I have to sit between lover boys and the drunken sisters?

Funny, he wasn't handsome, not in a Mr. Perfect kind of way, at least. The guy had a nose that had clearly been busted once or three times, and his hazel eyes were too shrewd and too exhausted to be classified as attractive. But he was like a cocked gun: He has a steely intelligence and a dangerous power about him that you respected. Because the combination was a flat-out killer, literally

I once heard the word 'conversation' described as a progression of exchanges but there is no progress here so maybe I will instead compare this to the bullet drop—the idea that if you shoot a gun & drop a bullet from the same location they will hit the floor at the same time, hundreds of feet apart. ("The Lover as a Dream")

Today Means Amen Dear you, whoever you are, however you got here, this is exactly where you are supposed to be. This moment has waited its whole life for you. This moment is your lover and you are a soldier. Come home, baby, it's over. You don't need to suffer anymore. Dear you, this moment is your surprise party. You are both hiding in the dark and walking through the door. This moment is a hallelujah. This moment is your permission slip to finally open that love letter you've been hiding from yourself, the one you wrote when you were little when you still danced like a sparkler at dusk. Do you remember the moment you realized they were watching? When you became ashamed of how much light you were holding? When you first learned how to unlove yourself? Dear you, the word today means amen in every language. Today, we made it. Today, I'm going to love you. Today, I'm going to love myself. Today, the boxcutter will rust in the garbage. The noose will forget how to hold you, today, today-- Dear you, and I have always meant you, nothing would be the same if you did not exist. You, whose voice is someone's favorite voice, someone's favorite face to wake up to. Nothing would be the same if you did not exist. You, the teacher, the starter's gun, the lantern in the night who offers not a way home, but the courage to travel farther into the dark. You, the lover, who worships the taste of her body, who is the largest tree ring in his heart, who does not let fear ration your love. You, the friend, the sacred chorus of how can I help. You, who have felt more numb than holy, more cracked than mosaic. Who have known the tiles of a bathroom by heart, who have forgotten what makes you worth it. You, the forgiven, the forgiver, who belongs right here in this moment. You, this clump of cells, this happy explosion that happened to start breathing, and by the grace of whatever is up there, you got here. You made it this whole way: through the nights that swallowed you whole, the mornings that arrived in pieces. The scabs, the gravel, the doubt, the hurt, the hurt, the hurt is over. Today, you made it. You made it. You made it here.

- Ja vill inte vara ditt barn. (Bengt) - Vad vill du vara då? (Gun) - Din älskare. (Bengt)

Someone doesn’t always need a gun to kill you. Sometimes, their actions are enough. You don’t need an assassin to kill you. Sometimes, a lover is enough.

But not even ardent nut lovers eat wild almonds, of which a few dozen contain enough cyanide (the poison used in Nazi gas chambers) to kill us. The forest is full of many other plants deemed inedible.

I’d warned that fucking flea-bitten, sway-backed, hay-burning refugee from a glue factory that I had a gun and had no problem using it if he made me look bad in front of my lover. Obviously, he hadn’t taken my warning seriously.

Locking the door behind Preacher, Knuckles turned to Debbie, a strained smile on his face. “You ain’t got no gun, right Debbie darling?” He pointed to the words on his T-shirt—PEACE, LOVE, AND PUSSY. “’Cause, I’m a lover, not a fighter.

If I'd been a cowboy, it might've ended well. Somewhere on the ramble, I'm sure I'd have to sell My guns along the highway. My coins to the table To make a gambler's double, I'd double debts to pay. Prob'ly shrink and slink away, It mightn't've ended well. What If I'd been a sailor? I think it might've ended well. From August to May For a searat of man drifting through eternal blue, aboard the finest Debris. I might've called the shanties. From daybreak to storm's set, lines stay Taught, over rhythm unbroken. But, oh, there's a schism unspoken, a mighty calling of the lee. An absentminded Pirate, unaccustomed to the sea; To the land, a traitor. I think it mightn't've ended well. What might've worked for me? What might've ended well? Soldier, to bloody sally forth through hell? Teacher of glorious stories to tell? Man of gold, or stores to sell? Lover to a gentle belle? Maybe a camel; A seashell. What mightn't've been a life where it mightn't've ended well?

The idea that there is are all these people who are going to make all these great and wise decisions with guns. Because you know all the people who can make the best decisions in the world always want to be armed; because they are really smart, really wise, know exactly what should be done in society so naturally they want lots of guns. You get how insane that is right? The only people who want to force you to do stuff are people who know their ideas are shit to begin with. "It's a basic fact of life that anyone who wants to force you to do something means their ideas are shit to begin with. Not a lot of rapists are very good lovers because they don't have to sell quality; they got violence. Everyone is mad at Barack Obama's website from hell but they [the government] don't care because if you don't pay them they will throw you in jail. "The people with the best ideas are the most voluntary. The best parents don't beat their children. In fact if you beat your children you are saying 'I'm a shitty parent; I don't know what I'm doing and I'm pretty sadistic.' A rapist is saying I'm not a good boyfriend. Why do we even need to say this? People with guns are saying to your face, 'My ideas suck, I'm a bully, I get a thrill out of power so fucking do what I say or I'll shoot you in the ass.

It was not the same as charging down a machine-gun nest armed only with a Bowie knife, or strapping in to the tail-gunner seat of a four-engined heavy bomber. And no one else would ever know, since one did not get a medal for letting go of a woman’s hand on a gray Saturday morning in the middle of a European war. But to have faith—that a lover would be constant and life clement—this did require courage in a city more disposed to beginnings than safe continuations. As

I hear them say, go home; I hear them say, fucking immigrants, fucking refugees. Are they really this arrogant? Do they not know that stability is like a lover with a sweet mouth on your body one second and the next you are a tremor lying on the floor covered in rubble and old currency waiting for its return. All I can say is, I was once like you, the apathy, the pity, the ungrateful placement; and now my home is the mouth of a shark, now my home is the barrel of a gun. I’ll see you on the other side.

I should have done it a long time ago. When there were three bullets in the gun instead of two. I was stupid. We’ve been over all of this. I didnt bring myself to this. I was brought. And now I’m done. I thought about not even telling you. That would probably have been best. You have two bullets and then what? You cant protect us. You say you would die for us but what good is that? I’d take him with me if it werent for you. You know I would. It’s the right thing to do. You’re talking crazy. No, I’m speaking the truth. Sooner or later they will catch us and they will kill us. They will rape me. They’ll rape him. They are going to rape us and kill us and eat us and you wont face it. You’d rather wait for it to happen. But I cant. I cant. She sat there smoking a slender length of dried grapevine as if it were some rare cheroot. Holding it with a certain elegance, her other hand across her knees where she’d drawn them up. She watched him across the small flame. We used to talk about death, she said. We dont any more. Why is that? I dont know. It’s because it’s here. There’s nothing left to talk about. I wouldnt leave you. I dont care. It’s meaningless. You can think of me as a faithless slut if you like. I’ve taken a new lover. He can give me what you cannot. Death is not a lover. Oh yes he is.

Happy Valentine's Day, baby. No matter what, Gavin will always be your little boy. The first woman he ever asked to marry him. Even when he's in fifth grade and those little bitches pull out the big guns and start getting boob jobs and vaginal rejuvenation surgeries.

I tried to speak, but he said coldly: “Not a word, daroga, or I shall blow everything up.” And he added, “The honor rests with mademoiselle … Mademoiselle has not touched the scorpion"—how deliberately he spoke!—"mademoiselle has not touched the grasshopper"—with that composure!—"but it is not too late to do the right thing. There, I open the caskets without a key, for I am a trap-door lover and I open and shut what I please and as I please. I open the little ebony caskets: mademoiselle, look at the little dears inside. Aren’t they pretty? If you turn the grasshopper, mademoiselle, we shall all be blown up. There is enough gun-powder under our feet to blow up a whole quarter of Paris. If you turn the scorpion, mademoiselle, all that powder will be soaked and drowned. Mademoiselle, to celebrate our wedding, you shall make a very handsome present to a few hundred Parisians who are at this moment applauding a poor masterpiece of Meyerbeer’s … you shall make them a present of their lives … For, with your own fair hands, you shall turn the scorpion … And merrily, merrily, we will be married!” A pause; and then: “If, in two minutes, mademoiselle, you have not turned the scorpion, I shall turn the grasshopper … and the grasshopper, I tell you, HOPS JOLLY HIGH!” - Chapter 25: The Scorpion or the Grasshopper: Which?

Addiction has ruined so much of my life it’s not funny. It’s ruined relationships. It’s ruined the day-to-day process of being me. I have a friend who doesn’t have any money, lives in a rent-controlled apartment. Never made it as an actor, has diabetes, is constantly worried about money, doesn’t work. And I would trade places with him in a second. In fact, I would give up all the money, all the fame, all the stuff, to live in a rent-controlled apartment—I’d trade being worried about money all the time to not have this disease, this addiction. And not only do I have the disease, but I also have it bad. I have it as bad as you can have it, in fact. It’s backs-to-the-wall time all the time. It’s going to kill me (I guess something has to). Robert Downey Jr., talking about his own addiction, once said, “It’s like I have a gun in my mouth with my finger on the trigger, and I like the taste of the metal.” I got it; I understand that.

1)    The woman has intuitive feelings that she is at risk. 2)    At the inception of the relationship, the man accelerated the pace, prematurely placing on the agenda such things as commitment, living together, and marriage. 3)    He resolves conflict with intimidation, bullying, and violence. 4)    He is verbally abusive. 5)    He uses threats and intimidation as instruments of control or abuse. This includes threats to harm physically, to defame, to embarrass, to restrict freedom, to disclose secrets, to cut off support, to abandon, and to commit suicide. 6)    He breaks or strikes things in anger. He uses symbolic violence (tearing a wedding photo, marring a face in a photo, etc.). 7)    He has battered in prior relationships. 8)    He uses alcohol or drugs with adverse affects (memory loss, hostility, cruelty). 9)    He cites alcohol or drugs as an excuse or explanation for hostile or violent conduct (“That was the booze talking, not me; I got so drunk I was crazy”). 10)   His history includes police encounters for behavioral offenses (threats, stalking, assault, battery). 11)   There has been more than one incident of violent behavior (including vandalism, breaking things, throwing things). 12)   He uses money to control the activities, purchase, and behavior of his wife/partner. 13)   He becomes jealous of anyone or anything that takes her time away from the relationship; he keeps her on a “tight leash,” requires her to account for her time. 14)   He refuses to accept rejection. 15)   He expects the relationship to go on forever, perhaps using phrases like “together for life;” “always;” “no matter what.” 16)   He projects extreme emotions onto others (hate, love, jealousy, commitment) even when there is no evidence that would lead a reasonable person to perceive them. 17)   He minimizes incidents of abuse. 18)   He spends a disproportionate amount of time talking about his wife/partner and derives much of his identity from being her husband, lover, etc. 19)   He tries to enlist his wife’s friends or relatives in a campaign to keep or recover the relationship. 20)   He has inappropriately surveilled or followed his wife/partner. 21)   He believes others are out to get him. He believes that those around his wife/partner dislike him and encourage her to leave. 22)   He resists change and is described as inflexible, unwilling to compromise. 23)   He identifies with or compares himself to violent people in films, news stories, fiction, or history. He characterizes the violence of others as justified. 24)   He suffers mood swings or is sullen, angry, or depressed. 25)   He consistently blames others for problems of his own making; he refuses to take responsibility for the results of his actions. 26)   He refers to weapons as instruments of power, control, or revenge. 27)   Weapons are a substantial part of his persona; he has a gun or he talks about, jokes about, reads about, or collects weapons. 28)   He uses “male privilege” as a justification for his conduct (treats her like a servant, makes all the big decisions, acts like the “master of the house”). 29)   He experienced or witnessed violence as a child. 30)   His wife/partner fears he will injure or kill her. She has discussed this with others or has made plans to be carried out in the event of her death (e.g., designating someone to care for children).

I see poisoners—so calculating, so cold-blooded—as most like the villains of our horror stories. They’re closer to that lurking monster in the closet than some drug-impaired crazy with a gun. I don’t mean to dismiss the latter—both can achieve the same awful results. But the scarier killer is the one who thoughtfully plans his murder ahead, tricks a friend, wife, lover into swallowing something that will dissolve tissue, blister skin, twist the muscles with convulsions, knows all that will happen and does it anyway.

Rhage.” “What?” “I'll tell you this. Your destiny's coming for you. And she's coming soon.” Rhage laughed. “Oh, yeah? What's the female like? I prefer them—” “She's a virgin.” A chill shot down Rhage's spine and nailed him in the ass. “You're kidding, right?” “Look in my eye. Do you think I'm jerking you off?” V paused for a moment and then opened the door, releasing the smell of beer and human bodies along with the pulse of an old Guns N' Roses song. As they went inside, Rhage muttered, “You're some freaky shit, my brother. You really are.

God caught Day’s falling body before he was able to hit the floor. He dropped to his knees with his lover in his arms and held him close. “Breathe, Leo.” God coaxed while rubbing Day’s cheek. He felt Day take in a few quick breaths before he opened his eyes and stared up at him. God closed his eyes and pressed their foreheads together, not wanting to see what Day was saying. “If he had killed you, I would’ve swallowed my own gun. There’s no life without you,” God whispered just for Day to hear. He felt Day grab onto his neck, holding him close. “Let the paramedics take a look at him, Detective Godfrey.” God raised his head at his captain’s order and slowly lowered Day’s head while he moved back to let them tend to his partner. God watched them closely while they took a few quick vitals before placing him on the stretcher. One of them turned to look at God and his captain. God stepped forward. “His blood pressure’s high and pulse is erratic, so we're going to take him to the hospital to be monitored. He’ll be at St. Mary’s.” “I’m riding with him,” God demanded. “I’m sorry sir, but regulations don’t allow that.” The thin guy answered him as the other paramedic wheeled his man away. God bared his teeth right before he felt a hand come down hard on his shoulder. “Let them do their jobs, because you still have one to do too, Detective. Is that going to be a problem?” His captain leveled a hard stare on him. God paused for a second, then gave a quick jerk of his head and turned in the opposite direction that his love had gone. God walked through the hangar aware of the many eyes that were on him. He just wanted to finish his job so he could go home.    

God saw Hansen tighten his chokehold on Day and he could see his lover fighting to breathe. Day’s ears and neck were bright red. His lips were turning a darker color as his body was deprived of oxygen. Hansen pressed the barrel in deeper and yelled. “Two minutes and fifteen seconds before I get to zero and I provide the great state of Georgia the luxury of one less narc.” God’s mind exploded at the thought of not having Day in a world he lived in. He looked into his partner’s glistening eyes and saw he was turning blue and possibly getting ready to faint. Day was still looking at him, looking into God’s green eyes. No, no, no! He’s saying good-bye. God closed his eyes and released a loud, gut-wrenching growl cutting off the SWAT leader’s negotiations. “Godfrey, get yourself under control,” his captain said while grabbing for him. God jerked himself away from the hold and stepped forward, his angry eyes boring into Hansen’s dark ones. Hansen stared at him as if God was crazy. Little did he know God was at that moment. “Godfrey, get back here and stand down. That’s an order, Detective!” his captain barked. God’s large hands clenched at his sides fighting not to pull out his weapons. He ground his teeth together so hard his jaw ached. “Do you have any idea of the shit storm you’re about to bring down on your life,” God spoke with a menacing snarl while his large frame shook with fury. “In your arms you hold the only thing in this world that means anything to me. The man that you are pointing a gun at is my only purpose for living. You are threating to kill the only person in this world that gives a fuck about me.” God took two more steps forward and was vaguely aware of the complete silence surrounding him. Hansen’s finger hovered shakily over the trigger as he took two large steps back with Day still tight against his chest. God growled again and he saw a shade of fear ghost over Hansen’s sweaty face. “If you kill that man, I swear on everything that is holy, I will track you to the ends of the earth, killing and destroying any and everything you hold dear. I will take everything from you and leave you alive to suffer through it. I will bestow upon you the same misery that you have given to me.” Hansen shook his head and inched closer to the door behind him. “Stay back,” he yelled again but this time the demand lacked the courage and venom he exhibited before. “You kill that man, and you’ll have no idea of the monster you will create. Have you ever met a man with no heart…no conscience…no soul…no purpose?” God rumbled, his voice at least twelve octaves lower than the already deep baritone. God yanked his Desert Eagle from his holster in a flash and cocked the hammer back chambering the first round. Hansen stumbled back again, his eyes gone wide with fear. God’s entire body instinctually flexed every muscle in his body and it felt like the large vein in his neck might rupture. His body burned like he had a sweltering fever and he knew his wrath had him a brilliant shade of red. “I’m asking you a goddamn question, Hansen! No soul! No conscience! I’m asking you have you ever met the devil!” God’s thunderous voice practically rattled the glass in the hanger. “If you kill the man I love, you better make your peace with God, because I’m gonna meet your soul in hell.” His voice boomed.

V frowned. There was only a hissing sound coming from the voice mail. But then a clatter had him yanking the phone away from his ear. Now Butch's voice, hard, loud: "Dematerialize. Dematerialize now." A scared male: "But-but-" "Now! For fuck's sake, get your ass out of here..." Sounds of muffled flapping. "Why are you doing this? You're just a human-" "I am so sick of hearing that. Leave!" There was a metallic shifting, a gun being reloaded. Butch's voice: "Oh,shit..." Then all hell broke loose. Gunshots, grunts, thuds. V leaped up from his desk so fast he knocked his chair over.

Thank you, V, he thought as he jumped out himself. Balz stayed tight on her heels as she hit a little walkway with a long stride, and about halfway to her front door, he realized how ridiculous he looked: He was still nakie with a sheet wrapped around his hey-nannies, and he had a gun down at one thigh and a duffle bag full of click-click-bang-bang hanging off his other shoulder. Too bad this wasn’t Halloween for the humans. He could have called himself a flasher-assassin and maybe gotten away with it. Plus, hey, guy shows up on your trick-or-treat doorstep with a forty caliber in his palm, you were likely to dump your bowl of candy wherever he told you to put the stuff. So he’d clean up and Rhage would be psyched.

Just in Case I back up my all my poetry at the end each day ~ just in case. I pour so much of my soul into my writing, I fear that if it were lost, I'd lose an essential part of me. You may call this foolishness,poppycock ~ even paranoia. But I know what it feels like to lose poetry. It hurts. It is as deep as a lover's heartbreak. It fills you with regrets, saying to yourself, 'I should have done this or that' and you swear, 'This will never happen again.' But the sad reality is, no matter how much we beautify life with our words, the world we live can be a hostile place, where bad shit can happen overnight. So, I've because the woman who's once been raped and forever sleeps with a gun under her pillow ~ just in case.

But now 'tis the modern ole Coast Division S.P. and begins at those dead end blocks and at 4:30 the frantic Market Street and Sansome Street commuters as I say come hysterically running for ther 112 to get home on time for the 5:30 televisions Howdy Doody of their gun toting Neal Cassady'd Hopalong childrens. 1.9 miles to 23rd Street, another 1.2 Newcomb, another 1.0 to Paul Avenue and etcetera these being the little piss stops on that 5 miles short run thru 4 tunnels to mighty Bayshore, Bayshore at milepost 5.2 shows you as I say that gigantic valley wall sloping in with sometimes in extinct winter dusks the huge fogs milking furling meerolling in without a sound but as if you could hear the radar hum, the oldfashioned dullmasks mouth of Potato Patch Jack London old scrollwaves crawling in across the gray bleak North Pacific with a wild fleck, a fish, the wall of a cabin, the old arranged wallworks of a sunken ship, the fish swimming in the pelvic bones of old lovers lay tangled ath the bottom of the sea like slugs no longer discernible bone by bone but melted into one squid of time that fog, that terrible and bleak Seattlish fog that potatopatch wise comes bringing messages from Alaska and from the Aleutian mongol, and from the seal, and from the wave, and from the smiling porpoise, that fog at Bayshore you can see waving in and filling in rills and rolling down and making milk on hillsides and you think, "It's hypocricy of men makes these hills grim.

But you must admit,it's taking up an inordinate amount of your time. Why it's taken us six months to have dinner together." "Is that all?" He misinterpreted the quiet response, and the gleam in her eyes.And leaned toward her. She slapped a hand on his chest. "Don't even think about it.Let me tell you something,pal.I do more in one day with my school than you do in a week of pushing papers in that office your grandfather gave you between your manicures and amaretto lattes and soirees. Men like you hold no interest for me whatsoever,which is why it's taken six months for this tedious little date.And the next time I have dinner with you,we'll be slurping Popsicles in hell.So take your French tie and your Italian shoes and stuff them." Utter shock had him speechless as she shoved open her door.As insult trickled in,his lips thinned. "Obviously spending so much time in the stables has eroded your manners, and your outlook." "That's right, Chad." She leaned back in the door. "You're too good for me. I'm about to go up and weep into my pillow over it." "Rumor is you're cold," he said in a quiet, stabbing voice. "But I had to find out for myself." It stung,but she wasn't about to let it show. "Rumor is you're a moron. Now we've both confirmed the local gossip." He gunned the engine once,and she would have sworn she saw him vibrate. "And it's a British tie." She slammed the car door, then watched narrow-eyed as he drove away. "A British tie." A laugh gurgled up,deep from the belly and up into the throat so she had to stand, hugging herself, all but howling at the moon. "That sure told me." Indulging herself in a long sigh, she tipped her head back,looked up at the sweep of stars. "Moron," she murmured. "And that goes for both of us." She heard a faint click, spun around and saw Brian lighting up a slim cigar. "Lover's spat?" "Why yes." The temper Chad had roused stirred again. "He wants to take me to Antigua and I simply have my heart set on Mozambique.Antigua's been done to death." Brian took a contemplative puff of his cigar.She looked so damn beautiful standing there in the moonlight in that little excuse of a black dress, her hair spilling down her back like fire on silk.Hearing her long, gorgeous roll of laughter had been like discovering a treasure.Now the temper was back in her eyes,and spitting at him. It was almost as good. He took another lazy puff, blew out a cloud of smoke. "You're winding me up, Keeley." "I'd like to wind you up, then twist you into small pieces and ship them all back to Ireland." "I figured as much." He disposed of the cigar and walked to her. Unlike Chad, he didn't misinterpret the glint in her eyes. "You want to have a pop at someone." He closed his hand over the one she'd balled into a fist, lifted it to tap on his own chin. "Go ahead." "As delightful as I find that invitation, I don't solve my disputes that way." When she started to walk away, he tightened his grip. "But," she said slowly, "I could make an exception." "I don't like apologizing, and I wouldn't have to-again-of you'd set me straight right off." She lifted an eyebrow.Trying to free herself from that big, hard hand would only be undignified.

Freydis lifted a hand and rubbed briefly at the spot on her chin where the gun’s muzzle had left a mild indentation. Then she said, to Murphy, “Are you seeing anyone?” Murphy blinked. “Mortals make the best lovers by far,” Freydis explained. “And this job means I’m basically sexually frustrated around the clock. But it’s hard to find mortals I respect.” Murphy’s cheeks turned bright pink. “Um.” Freydis frowned slightly and glanced from Murphy to me and back. “I don’t mind sharing.” “I’m . . . I’m Catholic,” Murphy said. Freydis’s eyes shone with a wicked sparkle. “I don’t mind conflicted, either.” Murphy gave me a somewhat desperate glance. Huh. I’d officially seen everything now. Murphy asking for a rescue. From monsters and madmen, she’d never cried uncle. It had taken a redhead. “Business first, maybe?” I suggested. “We could all die tonight,” Freydis said. “But as you wish.

In the dark melodramas of the forties, woman came down from her pedestal and she didn’t stop when she reached the ground. She kept going – down, down, like Eurydice, to the depths of the criminal world, the enfer of the film noir – and then compelled her lover to glance back and betray himself…. But for all her guts and valor, and for all her unredeemable venality…she hadn’t a soul she could call her own. She was, in fact, a male fantasy. She was playing a man’s game in a man’s world of crime and carnal innuendo, where her long hair was the equivalent of a gun, where sex was the equivalent of evil. And where her power to destroy was projection of man’s feeling of impotence. Only this could never be spelled out; hence the subterfuge and melodrama. She is to her thirties’ counterpart as night – or dusk – is to day. And the difference between their worlds, between the drawing room of romantic comedy and the underground of melodrama, is the difference between flirtation and fornication … or rape” (Haskell 191).

To pass the time, he hunted through the apartment, patting surfaces down with his palms in an attempt to find computers, extra phones, more goddamn guns. He’d just returned to the second bedroom when something ricocheted off the window. Wrath unholstered his forty again and back-flatted it on the wall next to the window. With his hand, he sprang the lock and pushed the sheet of glass open a crack. The cop’s Boston accent was about as subtle as a loudspeaker. “Yo, Rapunzel, you going to let down your frickin’ hair, there?” “Shh, you wanna wake the neighbors?” “Like they can hear anything over that TV? Hey, this is the bat epi…” Wrath left Butch to talk to himself, putting his gun back on his hip, pushing the window wide, then heading for the closet. The only warning he gave the cop as he winged the first two-hundred-pound crate out of the building was, “Brace yourself, Effie.” “Jesus Ch—” A grunt cut off the swearing. Wrath poked his head out of the window and whispered, “You’re supposed to be a good Catholic. Isn’t that blasphemy?” Butch’s tone was like someone had pissed out a fire on his bed. “You just threw half a car at me with nothing but a quote from Mrs. fucking Doubtfire.” “Put on your big-girl pants and deal.” As the cop cursed his way over to the Escalade, which he’d managed to park under some pine trees, Wrath headed back to the closet. When Butch returned, Wrath heaved again. “Two more.” There was another grunt and a rattle. “Fuck me.” “Not on your life.” “Fine. Fuck you.” -Butch & Wrath

Given that media has become fast-paced, readers now want books that show the action and don’t just tell you what is happening. Modern readers don’t want three pages of descriptions of a farmhouse. They want to hear the door’s creak quiet the chirping of crickets out in the cornfield, they want to feel the cool air drift through the house, then they want to see the shadow of a man, gun drawn, standing over the bed of his disloyal lover.

Ultimately, the justification for the cartoon contest in Garland, as well as for the quixotic idea of writing a breezy book about a group devoted to mass murder, rape, slavery, and other far-from-light-hearted topics, is this: in the face of evil, especially evil that demands respect and obeisance at the point of a gun, mockery is not only justified, but required. Thomas More said, “The devil . . . the proud spirit . . . cannot endure to be mocked.” But the lovers of life, and of humanity, and of freedom must mock humorless evil—and its enablers in our willfully blind intelligentsia and political leadership—for not to do so would be to leave unpunctured its pride, its hubris, its arrogance, its hatred of all that is good, decent, vibrant, and alive. It would be to grant evil the victory, to concede that death will overcome life.

The hand that holds the pen (or chalk, or the stethoscope, or the gun, or lover's skin) is so different from the hand that lit the match, and so incapable of such an act that it is not even a matter of forgiveness, or healing.

was made from a lightweight polymer material, not metal, making it very light and easy to carry. It was well balanced for a sub gun, and small enough to fit in the back pocket of most dress pants. Only a passionate gun lover would think it was pretty, but I could see the purpose and function. It was a gun made to kill people. Like the folding machine guns carried by Big H’s security goons, it was perfect for concealed carry and could be disguised in a small bag or package.

Shall I get drunk or cut myself a piece of cake, a pasty Syrian with a few words of English or the Turk who says she is a princess--she dances apparently by levitation? Or Marcelle, Parisienne always preoccupied with her dull dead lover: she has all the photographs and his letters tied in a bundle and stamped Decede in mauve ink. All this takes place in a stink of jasmin. But there are the streets dedicated to sleep stenches and the sour smells, the sour cries do not disturb their application to slumber all day, scattered on the pavement like rags afflicted with fatalism and hashish. The women offering their children brown-paper breasts dry and twisted, elongated like the skull, Holbein's signature. But his stained white town is something in accordance with mundane conventions- Marcelle drops her Gallic airs and tragedy suddenly shrieks in Arabic about the fare with the cabman, links herself so with the somnambulists and legless beggars: it is all one, all as you have heard. But by a day's travelling you reach a new world the vegetation is of iron dead tanks, gun barrels split like celery the metal brambles have no flowers or berries and there are all sorts of manure, you can imagine the dead themselves, their boots, clothes and possessions clinging to the ground, a man with no head has a packet of chocolate and a souvenir of Tripoli.

Cleaning My Gun" You and I went deeply, you and I went far and wide You and I went gently, you and I went for a ride But somewhere in the ashes of this burning lovers' game Somehow you decided that you would find another flame And as you lay sleeping with your eyes softly shut I'll be cleaning my gun Cleaning my gun When heaven or hell takes this life I'll be done You never lied to me, never said you'd be around for long But somehow I believed that you would be my only one Cause you know where I'm going, and you know where I'm coming from But now this train is slowly coming to its final destination And as you lay sleeping with your eyes softly shut I'll be cleaning my gun Cleaning my gun When heaven or hell takes this life I'll be done Cleaning my gun Cleaning my gun When heaven or hell takes this life I'll be done And as you lay sleeping with your eyes softly shut Know it ain't me that you're dreaming of Mother always told me love would save me from myself Daddy always said that love would take me straight to hell Sometimes they were righteous and sometimes they were oh so wrong Cause I'm cleaning my gun I'm cleaning my gun When heaven or hell takes this life I'll be done Cleaning my gun Cleaning my gun When heaven or hell takes this life I'll be done When heaven or hell takes this life I'll be done I'll be done Songbook (2011)

A gun shot echoed in the mansion, freezing the guests and residents in their spots, and silence prevailed for a few seconds before a shuffle of feet and cries of dismay shattered it. Madeline reached the side of her dying lover in time to hold his hand and bid farewell to him with a passionate kiss. News of the murder spread like a wild raging fire, turning the mansion into a place of doom as the surveillance team stepped in to investigate the motive behind the murder.

Forget not, we are but each other's keeper, Born not to be intellectual, but drunken lover.

Army of Lovers (The Sonnet) What's needed is an army of lovers, To set this world on fire, A fire that burns prejudice to ashes, And sparks a humanitarian desire. Lovers devoted to the path of sacrifice, Pure and chaste serving without reward, Pursuing the one impossible dream, The dream of humanizing the entire world. Not a trace of self within, Not a kernel of self-obsession, Uncorrupted and unbending to the bone, Wake up and be the living ascension. Drink from the fountain of service effulgent. Annihilated for others we turn omnipresent.

Sonnet of Human Intervention Vegetables often say, In the end all will be well. It is but an illusion of control, Progress comes not through silent spell. Nothing good happens by magic, Every good requires human intervention. When we stand up and act with conscience, Only then we'll cause real ascension. The whole world is my responsibility, Thus speaks the civilized human. Defy the norm that makes you selfish, Embodying love's enduring aspiration. Forget not, we are but each other's keeper, Born not to be intellectual, but drunken lover.

All problems with writing and performing come from fear. Fear of exposure, fear of weakness, fear of lack of talent, fear of looking like a fool for trying, for even thinking you could write in the first place. It’s all fear. If we didn’t have fear, imagine the creativity in the world. Fear holds us back every step of the way. A lot of studies say that despite all our fears in this country—death, war, guns, illness—our biggest fear is public speaking. What I am doing right now. And when people are asked to identify which kind of public speaking they are most afraid of, they check the improvisation box. So improvisation is the number-one fear in America. Forget a nuclear winter or an eight point nine earthquake or another Hitler. It’s improv. Which is funny, because aren’t we just improvising all day long? Isn’t our whole life just one long improvisation? What are we so scared of?’ No.

What's needed is an army of lovers, To set this world on fire, A fire that burns prejudice to ashes, And sparks a humanitarian desire.

Believing the monster was preparing to ram his yacht, Bud Harris panicked. Drunk, depressed, and suddenly quite terrified of meeting the same horrible fate as his lover, the millionaire shoved the gun into his mouth and pulled the trigger, blasting the back of his head open like a ripe watermelon.

Flower killers ( PART 1 ) Flower killers There is a war going on out there, Wherever you turn to see, it is everywhere, Guns firing bullets that bear one address: kill, Who? Just anyone do it at your free will, And the guns spray death in all directions, Giving rise to endless predilections, That of a father, a mother and a lover, Whoever the bullet may hit, is lost forever, And when bullets turn stray, They hit anything that comes in their way, It does not matter whether you are a foe or a friend, That time the bullet, only its purpose does defend, That to kill and shoot anyhow and anyone, It can be a father, a mother, a daughter, a lover, or just a human someone, And as the victim falls and collapses on the ground, The bullet pierces deeper like the canines of a hungry hound, And no matter how hard you tried it cannot be bound, Because the war is everywhere and so is its echoing and deathly sound, That tempts the bullet to travel and shoot someone, somewhere, And it couldn't be happier than now, because the war is everywhere, Yesterday a stray bullet whizzed through the air, And it hit a flower that had just bloomed and looked fair, Its petals got shredded into countless pieces, The pollen grains flew in the air and fell in different places, And as they fell, they all cried, “murder!” But the bullet had no intention to surrender, The tattered flower petals fell on the ground, I realised there is a new gang called, “flower killers” and they abound, The bee and the butterfly desperately searched for their missing flower, And ah the pain they felt as a dismayed lover, Their wings dropped and they fell to ground like dead autumn leaves, Where except the bullet, even death grieves, The other flowers looked helplessly at the fallen youth and it's still falling memories, And in honour of the killed flower, they named their garden, the garden of tragedies, And to pay their homages, they all wilted on the same day, The garden looked barren even on a new Summer day, The bullet that killed the flower lies embedded in the fence, Same bullet that killed someone who possessed nothing in self defence, Continued in part 2...

Jack nodded, his mind drifting back to a night in Coventry when he and his wife had been caught in an air raid. He closed his eyes briefly as he thought about her, his throat catching as he recalled the letter she had sent him a week earlier. It had been the first he had received from his wife since arriving in France and he knew that it would be the last. In it she had confirmed all of the wild fantasies that had plagued him for countless nights. In it was the end of the hope he had clung to for so long. The letter had barely been a paragraph long, yet it had destroyed the world that Jack had once known. She had told him that there was another man, an American who was stationed on an airbase near their home. He was, she had told him, an officer. They had been together for two years and she planned to marry him. She had asked for a divorce and had informed him briskly that she intended, when the war was over, to take the children and return with her lover to New York. The letter had been blunt and to the point, there had been no warmth, no consideration in the words, just a cold animosity that Jack could not understand. The wording had suggested that it was his fault that their marriage had fallen apart, that somehow, in some imperceptible way, he had forced her into the arms of another. He felt his blood rising and he forced himself to breathe, his hands white against the stock of his Sten gun as he mulled over the contents of the letter. He had, deep inside, harboured a hope, a small dream that when the war finished they could rebuild their strained marriage. The letter had shattered that illusion and left in its wake a cold reality that had struck Jack like a thunderbolt. He spat onto the ground and wished that he could get five minutes alone with the bastard. All those years of writing to her, of missing her. All those years of struggling in the desert, longing to come home, of pouring his heart into the precious letters he had sent to her. All that time she had been with another man.

He just grew up rough. Rougher than even I did. The Gallos have money. But how old was he the first time somebody put a gun in his hand?

Just as I cancelled the existence of my wife's lover from the punch cards, so I must cancel him from the world of the living. Which is why I am now pulling out my gun and pointing it at you, Müller, why I'm squeezing the trigger, killing you.

Avraham Najeri’s fingers slid over the receiver of the Galil assault rifle with the intimate touch of a lover. He sighed. Guns were such beautiful things. Instruments of death to be sure, but beautiful nonetheless. There was a certain poetry to them

An economy made of paper could never be as strong as one of bricks, guns and widgets.

Slaton moved closer and reached a hand under the waist of her unzipped jacket. To anyone watching, they would appear as lovers engaged in a parting embrace. Astrid tensed visibly as his hand curled around her beltline and found the gun. He’d made her take it when they left the chalet—that X-ray image he could never have explained. He discreetly pulled the Glock clear and slid it under his own jacket. “I might need this.” She pulled back and smiled nervously. “One hour,” he repeated. She nodded and turned away, crunching over a sidewalk paved in clouded ice. Astrid turned a corner and disappeared

Marika could feel herself cocking the trigger of a loaded gun and pointing it at herself, because the truth could be too shocking a revelation, something that would shake their lives to the core... but lies were just a dead-end alleyway that offered no way out.

Someone doesn't always need a gun to kill you. Sometimes, their actions are enough. You don't need an assassin to kill you. sometimes, a lover is enough.

Robin mate, Luke says, the gypsies have just tried to sell Peter a gun for fuck’s sake!!...So had come the call from the clearly bewildered and angry personal manager of the errant and erstwhile lover and libertine Peter Doherty...

The gun goes back into the shoe box, which is in turn put back in its hiding place under the sink. Like a fickle lover, I no longer want to look at it now that I’ve held it all night.

You are provided with hands, but you decide how to employ them. Some use their hands to provide a lover's caress, chisel a sculpture, plant seeds; others use their hands to tighten a noose, pull a gun trigger, turn a prison key on innocent souls.

Amantium irae amoris integratio est.’” Lovers’ quarrels are a part of love.

Her moan of despair came through the phone all too clearly. “Oh…Christ. Whatever. Kill yourself, fine.” She hung up on him. “Fuck.” He rubbed his face. “Fuck!” Rehv sat up and fired the cell phone at the bedroom door. And just as it ricocheted off the panels and went flying, he realized he’d busted the only thing he had with her number in it. With a roar and a messy scramble, he launched his body off the bed, quilts landing everywhere. Not a great move on his part. As his numb feet hit the throw rug, he went Frisbee, finding air briefly before landing on his face. On impact, a sound like a bomb had gone off rumbled through the floorboards, and he crawled for the phone, tracking the light that still glowed from its screen. Please, oh, fucking please, if there is a God… He was almost in range when the door swung open, narrowly missing his head and clipping the phone—which shot like a hockey puck in the opposite direction. As Rehv wheeled around and lunged for thing, he shouted at Trez. “Don’t shoot me!” Trez was in full fighting stance, gun up and pointed at the window, then the closet, then the bed. “What the fuck was that.” Rehv sprawled out flat to reach the phone, which was spinning under the bed. When he caught it, he closed his eyes and brought it close to his face. “Rehv?” “Please…” “What? Please…what?” He opened his eyes. The screen was flickering, and he pressed the buttons fast. Calls received…calls received…calls r— “Rehv, what the hell is going on?” There it was. The number. He stared at the seven digits after the area code as if they were the combination to his own safe, trying to get them all. The screen went dark and he let his head fall down on his arm. Trez crouched beside him. “You okay?” Rehv pushed himself out from under the bed and sat up, the room spinning like a merry-go-round. “Oh…fuck me.” Trez holstered his gun. “What happened?” “I dropped my phone.” -Ehlena, Rehv, & Trez

LAST DAYS’ LAWLESSNESS There will be terrible times in the last days. People will be lovers of themselves, lovers of money, boastful, proud, abusive, disobedient to their parents, ungrateful, unholy, without love, unforgiving, slanderous, without self-control, brutal, not lovers of the good, treacherous, rash, conceited, lovers of pleasure rather than lovers of God. . . . 2 Timothy 3:1–4 It’s certainly hard to argue we’re not living in the last days as described in the Bible. Everything in these verses matches up with our current circumstances; there’s a never-ending road of examples lately. Our culture, and Western civilization as a whole, has been declining for a long while—but things can look especially grim today. We do seem to live in evil times when evil is celebrated—whether it’s in the brazen rejection of the Gospel or in the unashamed brutality of terrorist groups like ISIS. A surprising number of our fellow Americans don’t like the word “evil.” They’re always voicing the need for “tolerance” or “understanding”—or what you and I would call “moral relativism.” But these same people sure are keen on trying to legislate “evil” away when it comes to issues like guns, as if gun control laws (that only the good guys will follow) are a solution rather than an added problem.

...and lovers of romance novels and dissident rebels and brothers in Christ and druids and shamans and aphrodisiac vendors and scriveners and purveyors of real fake passports and gun-runners and porters and bric-a-brac trades and mining prospectors short on liquid assets and Siamese twins...

Poison is for weaklings, they say. The English poet Phineas Fletcher (1582-1650) may have been the first to coin the term “coward's weapon,” but the opinion has not dissipated in the centuries since; even a character in George R. R. Martin’s Game of Thrones recently sniped that poison was a gutless way to kill. Poison is sneaky, it’s slow, and you can poison someone without spilling a drop of their blood or awkwardly making eye contact with them midimpalement. As such, it doesn’t get a lot of cred for being scary. Poisoners simply don’t terrify people the way, say, disembowlers do. But that’s unfair, because poisoning requires advance planning and the stomach for a drawn-out death scene. You need to look into your victim’s trusting eyes day after day as you slowly snuff out their life. You have to play the role of nurse or parent or lover while you sustain your murderous intent at a pitch that would be unbearable for many of those who’ve shot a gun or swung a sword. You’ve got to mop up your victim’s vomit and act sympathetic when they beg for water. While they scream that their insides are on fire, you must steel yourself against the dreadful sight of encroaching death and give them another sip of the fatal drink. A coward’s weapon? Not so much. Poison is the weapon of the emotionless, the sociopathic, and the truly cruel.

People confuse love with sex. Having sex doesn’t mean you’re in love. Sex with the wrong partner destroys. Wrong mating is the major cause of the devastation the world is witnessing. If only true love could reign in the hearts of couples, then the entire world would witness peace. Harmony in the homes would create cohesion in the communities and cohesion in the communities spells agreement amongst nations and that would readily translate to global peace. But tension-filled homes which are the products of loveless relationships are infecting the bloodstream of international relationship and that’s the number one reason for chaos everywhere. The chap with a gun shooting down others I can tell you is a child from a loveless home. He knows no love and can’t extend it either. The world has plenty of sex but is wanting in love.

Gavin ran back into the house with a toy gun, cowboy hat and sheriff’s badge stuck to his shirt. "Bad boys, bad boys, whatcha gonna do, whatcha gonna do when they cut your wiener," Gavin sang as he pointed his gun at random objects. "Wow, cops have gotten pretty hardcore lately," Carter muttered.

I’m very surprised to hear that you’re a gun lover.

One thing was for sure: Her attacker had made a hell of a mistake when he’d picked her. The entire police force was going to be gunning for that fool when they found out who he was. And Butch had a big mouth.

The headlights swung around and caught Z rolling on the snow-covered asphalt in a ball. Split second later he sprang to his feet and hauled ass, gunning for the steaming, crumpled sedan that now had a pine tree for a hood ornament.

I moved from one part of the city to another as though turning from an Ashkenazi fable to a Bedouin tale, with equal delight, and I didn't need to be a conscientious objector to distrust policies requiring armed struggle and sermons based on hatred. Gazing upon Jerusalem's sacred structures was enough to persuade me to oppose everything that might injure their enduring grandeur. And still today, beneath its surface holiness, the city is like an odalisque longing for her lover, ready to burst into sensuous joy. It frowns unhappily upon the uproar of its citizens, hoping against hope that enlightenment may come and deliver their minds from their dark torment. By turns Olympus and ghetto, muse and concubine, temple and arena, Jerusalem suffers from an inability to inspire poems without inflaming passions. It's crumbing, heavyhearted, breaking up like its prayers amid the blasphemy of guns....

You texted Garcia for help?" Jack gritted out. "Garcia? Not me?" "He has a gun." "So do I." "He's steady and reliable," I said. "He doesn't disappear for eight months. He doesn't go on business trips that require burner phones and secret codes. He doesn't refuse to tell me what he does for a living. I texted HELP and I knew he'd come. I wasn't sure about you." "You don't think I would have come if you'd texted me for help?" Indignation laced Jack's tone. "For all I knew, you were being tossed out a window in Rio, tortured by the Italian Mafia in Tuscany, or you were in the North Sea trapped in a Russian submarine." "The Italian Mafia are based in Sicily," he corrected me. "Tuscany doesn't have the port access they need for the drug trade." I folded my arms and sighed. "You missed the point entirely.