Guinness Drink Quotes

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When I take you to the Valley, you’ll see the blue hills on the left and the blue hills on the right, the rainbow and the vineyards under the rainbow late in the rainy season, and maybe you’ll say, “There it is, that’s it!” But I’ll say. “A little farther.” We’ll go on, I hope, and you’ll see the roofs of the little towns and the hillsides yellow with wild oats, a buzzard soaring and a woman singing by the shadows of a creek in the dry season, and maybe you’ll say, “Let’s stop here, this is it!” But I’ll say, “A little farther yet.” We’ll go on, and you’ll hear the quail calling on the mountain by the springs of the river, and looking back you’ll see the river running downward through the wild hills behind, below, and you’ll say, “Isn’t that the Valley?” And all I will be able to say is “Drink this water of the spring, rest here awhile, we have a long way yet to go and I can’t go without you.
Ursula K. Le Guin (Always Coming Home)
On a world where a common table implement is a little device with which you crack the ice that has formed on your drink between drafts, hot beer is a thing you come to appreciate.
Ursula K. Le Guin (The Left Hand of Darkness)
I eat an egg for my supper and drink Guinness with it and read Brontë and Hardy, Dante and Keats, Henry James and Conan Doyle.
Sarah Perry (The Essex Serpent)
Adrian had a Guinness because I guess he felt like drinking a loaf of bread or something. That's what it smelled like, anyway.
Cherie Priest (Bloodshot (Cheshire Red Reports, #1))
An Irishman walks into a pub,” she begins and the bar went silent. “The bartender asks him, ‘What'll you have?’” Her Irish accent was spot on. “The man says, ‘Give me three pints of Guinness, please.’ The bartender brings him three pints and the man proceeds to alternately sip one, then the other, then the third until they're gone. He then orders three more. “The bartender says, ‘Sir, no need to order as many at a time. I’ll keep an eye on it and when you get low, I'll bring you a fresh one.’ The man replies, ‘You don't understand. I have two brothers, one in Australia and one in the States. We made a vow to each other that every Saturday night we'd still drink together. So right now, me brothers have three Guinness stouts too, and we're drinking together.’ “The bartender thought this a wonderful tradition and every week the man came in and ordered three beers.” January’s playing and voice became more solemn, dramatic. “But one week, he ordered only two.” The crowd oohed and ahhed. “He slowly drank them,” she continued darkly, “and then ordered two more. The bartender looked at him sadly. ‘Sir, I know your tradition, and, agh, I'd just like to say that I'm sorry for your loss.’ “The man looked on him strangely before it finally dawned on him. ‘Oh, me brothers are fine - I just quit drinking.
Fisher Amelie (Thomas & January (Sleepless, #2))
The Sun Going South In late sunshine I wander troubled. Restless I wander in autumn sunlight. Too many changes, partings, and deaths. Doors have closed that were always open. Trees that held the sky up are cut down. So much that I alone remember! This creek runs dry among its stones. Souls of the dead, come drink this water! Come into this side valley with me, a restless old woman, unseemly, troubled, walking on dry grass, dry stones.
Ursula K. Le Guin
The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.
Neil Gaiman (American Gods)
With ceremony, with forms of politeness and reassurance, they borrowed the waters of the River and its little confluents to drink and be clean and irrigate with, using water mindfully, carefully. They lived in a land that answers greed with drought and death. A difficult land: aloof yet sensitive.
Ursula K. Le Guin (Always Coming Home)
There was something lacking – in him, he thought, not in the place. He was not up to it. He was not strong enough to take what was so generously offered. He felt himself dry and arid, like a desert plant, in this beautiful oasis. Life on Anarres had sealed him, closed off his soul; the waters of life welled all around him, and yet he could not drink.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
The bearded man lit his cigarette. "I'm a leprechaun", he said. Shadow did not smile. "Really?" he said. 'Shouldn't you be drinking Guinnes?
Neil Gaiman (American Gods)
Rosy ferried the drinks back to the table, slid the Guinness his way. “You said you have a show. Is it a comedy?” “No, but you will laugh, I hope, after hearing my qualifications.” His eyes glittered. “I do magic, with a twist. The twist is, my clothes are the first thing to disappear.” Rosy gaped. “Yes. I do magic… naked. I not only have a big ego.” Marek wiggled his middle finger. “I have a big wand.
R.G. Manse (Screw Friendship (Frank Friendship, #1))
Always, from the first time he went there to see Eros and the lights, that circus have a magnet for him, that circus represent life, that circus is the beginning and the ending of the world. Every time he go there, he have the same feeling like when he see it the first night, drink coca-cola, any time is guinness time, bovril and the fireworks, a million flashing lights, gay laughter, the wide doors of theatres, the huge posters, everready batteries, rich people going into tall hotels, people going to the theatre, people sitting and standing and walking and talking and laughing and buses and cars and Galahad Esquire, in all this, standing there in the big city, in London. Oh Lord.
Sam Selvon (The Lonely Londoners)
In scoping out the party crowd, does one face catch your eye? The Tierra del Fuegans have an expression, mamihlapinatapei, which is listed in the Guinness Book of Records as the world's mist succinct word. It refers to the act of 'looking into each other's eyes, each hoping that the other will initiate what both want to do but neither chooses to commence.
Jennifer Ackerman (Sex Sleep Eat Drink Dream: A Day in the Life of Your Body)
The bearded man lit his cigarette. “I’m a leprechaun,” he said. Shadow did not smile. “Really?” he said. “Shouldn’t you be drinking Guinness?” “Stereotypes. You have to learn to think outside the box,” said the bearded man. “There’s a lot more to Ireland than Guinness.” “You don’t have an Irish accent.” “I’ve been over here too fucken long.” “So you are originally from Ireland?” “I told you. I’m a leprechaun. We don’t come from fucken Moscow.” “I guess not.
Neil Gaiman (American Gods)
A lot of us who were from Lizzy in particular, those who were in the front line of leadership, we were not drinkers or smokers. We liked to party and have fun, go to the dance/nightclubs, and we would take our tool [gun]. If we see fellas we had to deal with, then we dealt with them. When you look at it, Scrooge was never a drinker or a smoker. I knew he would drink his Guinness every now and then, but other than that, that was it. Then there was Troit, he never used to drink nor smoke. And I could call off a lot of fellas who never used to drink nor smoke, and yet they were die-hard gangsters. Then he stopped and asked me, Do you used to drink and smoke? I just smiled and answered, No. Satisfied with himself, Apples said with passion, “My point exactly. When we were gangbanging out there, that was our drug. It was the lifestyle itself that got us high. Shelton ‘Apples’ Burrows reform gang leader
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
While glass had been used by the rich to drink wine for hundreds of years, most beers until the nineteenth century were drunk from opaque vessels such as ceramic, pewter or wooden mugs. Since most people couldn’t see the colour of the liquid they were drinking, it presumably didn’t matter much what these beers looked like, only what they tasted like. Mostly, they were dark brown and murky brews. Then in 1840 in Bohemia, a region in what is now the Czech Republic, a method to mass-produce glass was developed, and it became cheap enough to serve beer to everyone in glasses. As a result people could see for the first time what their beer looked like, and they often did not like what they saw: the so-called top-fermented brews were variable not just in their taste, but in their colour and clarity too. Not ten years later, though, a new beer was developed in Pilsen using bottom-fermenting yeast. It was lighter in colour, it was clear and golden, it had bubbles like champagne – it was lager. This was a beer to be drunk with the eyes as much as with the mouth, and these light golden lagers have continued in this tradition ever since, being designed to be served in a glass. How ironic, then, that so much lager is drunk from an opaque metal can, meaning that the only beer uniquely identifiable for its visual appearance is the epitome of opaqueness, a beer in the old pre-glass tradition, Guinness.
Anonymous
One sunny day in Ireland, two men were sitting in a pub, drinking some Guinness, when one turns to the other and says "You see that man over there? He looks just like me! I think I'm gonna go over there and talk to him." So, he goes over to the man and taps him on the shoulder. "Excuse me sir," he starts, "but I noticed you look just like me!" The second man turns around and says "Yeah, I noticed the same thing, where you from?", "I'm from Dublin", second man stunned says, "Me too! What street do you live on?", "McCarthy street", second man replies, "Me too! What number is it?", the first man announces, "162", second man shocked says, "Me too! What are your parents’ names?", first man replies, "Connor and Shannon", second man awestruck says, "Mine too! This is unbelievable!"   So, they buy some more Guinness and they're talking some more when the bartenders change shifts. The new bartender comes in and goes up to the other bartender and asks "What's new today?" "Oh, the Murphy twins are drunk again.
Johnson C. Philip (Philip's Hilarious Jokes (Philip's Jokes Book 1))
By 1831, he had determined to leave the grocery business and to begin manufacturing chocolate and cocoa. He had convinced himself that “drinking chocolate” could become an alternative to the gin and whiskey that were ravaging so many lives.
Stephen Mansfield (The Search for God and Guinness: A Biography of the Beer that Changed the World)
Historians Will and Ariel Durant have written in The Story of Civilization: The Reformation that at the time of Luther, “a gallon of beer per day was the usual allowance per person, even for nuns.” This may help to explain why beer figures so prominently in the life and writings of the great reformer. He was German, after all, and he lived at a time when beer was the European drink of choice. Moreover, having been freed from what he considered to be a narrow and life-draining religious legalism, he stepped into the world ready to enjoy its pleasures to the glory of God. For Luther, beer flowed best in a vibrant Christian life.
Stephen Mansfield (The Search for God and Guinness: A Biography of the Beer that Changed the World)
Nietzsche’s madman in The Gay Science is the epitome of someone who recognizes what it means to reject God consistently and face the consequences. To the self-appointed “anti-Christ” and the one who did his philosophy “with a hammer,” the idea that God is dead was no yawning matter. The insane man jumped into their midst, and transfixed them with his glances. “Where is God gone?” he called out. “I mean to tell you. We have killed him, you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? “Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Backwards, sideways, forwards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—For even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!”42 Nietzsche saw himself as a “born riddle-reader,” standing watch on the mountains “posted ’twixt today and tomorrow,” who could see what most people could not see yet. There was always a gap between the lightning and the thunder, though the storm was on its way. But while ordinary people could not be expected to have seen the arrival of this great event, he reserved his most withering scorn for thinkers who saw what he saw, but were unmoved and went on as before. They may have believed that God had “died” in European society, but it made no difference to them. Life would go on as it had. Such people, Nietzsche wrote, thinking of English writers such as George Eliot, were “odious windbags of progressive optimism.” If God is dead, everything that once depended on God would in the end go too. Did even science-based naturalism, he wondered, come from “a fear and an evasion of pessimism? A refined means of self-defense against—the truth?”43
Os Guinness (Fool's Talk: Recovering the Art of Christian Persuasion)
Nature,” on the original planet, had meant what was not controlled by human beings. “Nature” was what was substantially previous to control, the raw material for control, or what had escaped from control. Thus the areas of Dichew where few people lived, quadrants that were undesirably dry or cold or steep, had been called “nature,” “wilderness,” or “nature preserves.” In these areas lived the animals, which were also called “natural” or “wild.” And all the “animal” functions of the human body were therefore “natural” — eating, drinking, pissing, shitting, sex, reflex, sleep, shouting, and going off like a siren when somebody licked your clitoris.
Ursula K. Le Guin (The Birthday of the World and Other Stories)
So long as people were free to choose, if they chose to drink flybane and live in sewers, it was their business. Just so long as it wasn’t the business of Business, the source of profit and the means of power for other people.
Ursula K. Le Guin (The Day Before the Revolution)
Always, from the first time he went there to see Eros and the lights, that circus have a magnet for him, that circus represent life, that circus is beginning and the ending of the world. Every time he go there, he have the same feeling like when he see it the first night, drink coca-cola, any time is guinness time, bovril and the fireworks, a million flashing lights, gay laughter, the wide doors of theatres, the huge posters, everready batteries, rich people going into tall hotels, people going to the theatre, people sitting and standing and walking and talking and laughing and buses and cars and Galahad Esquire, in all this, standing there in the big city, in London. Oh Lord.
Sam Selvon (The Lonely Londoners)
But I can't drop my death. I'll hold it to the end, I'll cherish it, hate it, eat it, drink it, listen to it, give it my bed, mourn it, everything but let it go.
Ursula K. Le Guin (Four Ways to Forgiveness (Hainish Cycle, #7))
Britt ignored the growing sense of dread swirling inside her stomach and tapped tentatively on the battered door of Lorraine Grayson’s office. Fifteen seconds dragged by. Apart from her heart beating more rapidly in her chest, nothing happened. As she raised her hand for a second attempt, a scream from inside caused her to recoil. It was the kind she’d only ever heard in those low-budget horror movies Howie enjoyed watching on a Friday evening after drinking too much Guinness. The scream morphed into a deathly gurgle. It sounded like someone was being strangled. A few seconds of forbidding silence. Then a grunting noise, followed by the sound of something being smashed in furious retribution, caused Britt to think twice about entering this madwoman’s lair. Maybe she would come back in half an hour. Yes. A quick espresso in the NSIS canteen to allow things to calm down. By then, Lorraine’s mood would have descended from the realms of complete insanity, dropped through the domain of the dangerously demented, and settled into its more natural state of moderate lunacy. Hopefully. Then the door swung open and Lorraine’s squat figure was in front of her – cheeks crimson, hair tousled, eyes bulging, lungs heaving. From the look of her, Britt wouldn’t have been surprised to discover she had just strangled someone.
Paul Mathews (We Have Lost The Plot (We Have Lost #5))
An Irishman walks into a Dublin bar, orders three pints of Guinness, and drinks them down, taking a sip from one, then a sip from the next, until they’re gone. He then orders three more. The bartender says, “You know, they’d be less likely to go flat if you bought them one at a time.” The man says, “Yeah, I know, but I have two brothers, one in the States, one in Australia. When we all went our separate ways, we promised each other that we’d all drink this way in memory of the days when we drank together. Each of these is for one of my brothers and the third is for me.” The bartender is touched, and says, “What a great custom!” The Irishman becomes a regular in the bar and always orders the same way. One day he comes in and orders two pints. The other regulars notice, and a silence falls over the bar. When he comes to the bar for his second round, the bartender says, “Please accept my condolences, pal.” The Irishman says, “Oh, no, everyone’s fine. I just joined the Mormon Church, and I had to quit drinking.
Thomas Cathcart (Plato and a Platypus Walk into a Bar: Understanding Philosophy Through Jokes)
Like so many things in life, a well-poured pint of Guinness is worth waiting for.
Rashers Tierney (F*ck You, I'm Irish: Why We Irish Are Awesome)
The mezklete bustled up to them, pushing its little cart with its furry paws. Mezkletes love parties, love to give food, love to serve drinks and watch their humans get weird. It stayed about hopefully for a while to see if they would get weird, then bustled back to the Anarresti theorists, who were always weird.
Ursula K. Le Guin (A Fisherman of the Inland Sea)