Took Her For Granted Quotes

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She had been wrong to think it wouldn't matter that much to him, yes, he took her for granted, of course he did , but he took her for granted - not like an old coat in the corner of a dark cupboard, as she'd put it to herself , but like the very air that he breathed .
Ahdaf Soueif (In the Eye of the Sun)
It’s about the dream of second chances,” he says finally. He hasn’t raised his eyes from the paper on his desk and I feel him looking at me without looking when he uses his grandfather’s words. “The narrator doesn’t respect the beauty of life and the world around her, so it crushes her into the ground and once she’s dead, she realizes everything she took for granted and didn’t see right in front of her while she was alive. She’s begging for another chance to live again so she can appreciate it this time.” “And does she get that chance?” she asks Josh while I desperately focus on the poster of literary terms on the wall and wait for absolution. When it comes, I barely hear it. “She does.
Katja Millay (The Sea of Tranquility)
So what are you gonna say at my funeral, now that you've killed me? Here lies the body of the love of my life, whose heart I broke without a gun to my head. Here lies the mother of my children, both living and dead. Rest in peace, my true love, who I took for granted. Most bomb p*ssy who, because of me, sleep evaded. Her god listening. Her heaven will be a love without betrayal. Ashes to ashes, dust to side chicks.
Beyoncé Knowles
In prison, I fell in love with my country. I had loved her before then, but like most young people, my affection was little more than a simple appreciation for the comforts and privileges most Americans enjoyed and took for granted. It wasn't until I had lost America for a time that I realized how much I loved her.
John McCain (Faith of My Fathers: A Family Memoir)
Once, very long ago, Time fell in love with Fate. This, as you might imagine, proved problematic. Their romance disrupted the flow of time. It tangled the strings of fortune into knots.  The stars watched from the heavens nervously, worrying what might occur. What might happen to the days and nights were time to suffer a broken heart? What catastrophes might result if the same fate awaited Fate itself? The stars conspired and separated the two. For a while they breathed easier in the heavens. Time continued to flow as it always had, or perhaps imperceptibly slower. Fate weaved together the paths that were meant to intertwine, though perhaps a string was missed here and there. But eventually, Fate and Time found each other again.  In the heavens, the stars sighed, twinkling and fretting. They asked the Moon her advice. The Moon in turn called upon the parliament of owls to decide how best to proceed. The parliament of owls convened to discuss the matter amongst themselves night after night. They argued and debated while the world slept around them, and the world continued to turn, unaware that such important matters were under discussion while it slumbered.  The parliament of owls came to the logical conclusion that if the problem was in the combination, one of the elements should be removed. They chose to keep the one they felt more important. The parliament of owls told their decision to the stars and the stars agreed. The Moon did not, but on this night she was dark and could not offer her opinion.  So it was decided, and Fate was pulled apart. Ripped into pieces by beaks and claws. Fate’s screams echoed through the deepest corners and the highest heavens but no one dared to intervene save for a small brave mouse who snuck into the fray, creeping unnoticed through the blood and bone and feathers, and took Fate’s heart and kept it safe. When the furor died down there was nothing else left of Fate.  The owl who consumed Fate’s eyes gained great site, greater site then any that had been granted to a mortal creature before. The Parliament crowned him the Owl King. In the heavens the stars sparkled with relief but the moon was full of sorrow. And so time goes as it should and events that were once fated to happen are left instead to chance, and Chance never falls in love with anything for long. But the world is strange and endings are not truly endings no matter how the stars might wish it so.  Occasionally Fate can pull itself together again.  And Time is always waiting.
Erin Morgenstern (The Starless Sea)
I have noticed that what cats most appreciate in a human being is not the ability to produce food - which they take for granted - but his or her entertainment value. Asmodeus took to his toy enthusiastically. In another week he permitted me to stroke him, producing a raucous purr, but, in order to save his face, pretending to be asleep.
Geoffrey Household (Rogue Male (Rogue Male, #1))
She took him for granted sometimes. That was the luxury of a long marriage. But she knew that she loved him. She needed him. He was the anchor that kept her from drifting away.
Karin Slaughter (Pretty Girls)
eventually the girl you took for granted will take her love and give it to herself and someday someone better than you will love her in all the ways you couldn’t
R.H. Sin (I hope this reaches her in time)
He took her chin in his hand and turned her to face him. "I'm a Dom, Savannah. I try to be in control of myself at all times, sometimes to the extreme. That control allows me to be in a place where I am responsible enough to accept the submission of someone who wants me to control her. The only control I will ever have over you is what you grant me.
Kallypso Masters (Nobody's Perfect (Rescue Me Saga, #3))
She wished so much for the presence of the boys, or Calla, or her mother, or — she had so many people that she took for granted, all the time. She had never needed to be truly afraid before. There had always been another hand to catch her, or at least to hold hers as they fell together.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much. The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted: Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your eyes And when again they open, the sun will rise Here it's safe, here it's warm Here the daisies guard you from every harm Here your dreams are sweet snd tomorrow brings them true Here is the place where I love you.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
She leaned a shoulder against the tunnel wall and thought of Kellan. A Dragon King. A dragon and a King. A gorgeous man who kissed as if there were no tomorrow and made love skillfully, adeptly. He could have let her die. Instead, he took her on a journey that opened her eyes to an entirely new world both beautiful and frightening.
Donna Grant (Darkest Flame: Part 4 (Dark Kings))
This story was written many moons ago under an apple tree in an orchard in Kent, which is one of England's prettiest counties . . . I had read at least twenty of the [fairy tales] when I noticed something that had never struck me before--I suppose because I had always taken it for granted. All the princesses, apart from such rare exceptions as Snow White, were blond, blue-eyed, and beautiful, with lovely figures and complexions and extravagantly long hair. This struck me as most unfair, and suddenly I began to wonder just how many handsome young princes would have asked a king for the hand of his daughter if that daughter had happened to be gawky, snub-nosed, and freckled, with shortish mouse-colored hair? None, I suspected. They would all have been of chasing after some lissome Royal Highness with large blue eyes and yards of golden hair and probably nothing whatever between her ears! It was in that moment that a story about a princess who turned out to be ordinary jumped into my mind, and the very next morning I took my pencil box and a large rough-notebook down to the orchard and, having settled myself under an apple tree in full bloom, began to write . . . the day was warm and windless and without a cloud in the sky. A perfect day and a perfect place to write a fairy story.
M.M. Kaye (The Ordinary Princess)
Eat slowly," the blueblood said. "Don't cut your food with the fork. Cut it with the knife, and make the pieces small enough so you can answer a question without having to swallow first." Why me? "Right. Any other tips?" Her sarcasm whistled right over his head. "Yes. Look at me and not at your plate. If you have to look at your plate, glance at it occasionally." Rose put down her fork. "Lord Submarine..." "Camarine." "Whatever." "You can call me Declan." He said it as if granting her a knighthood. The nerve. "Declan, then. How did you spend your day?" He frowned. "It's a simple question: How did you spend your day? What did you do prior to the fight and the pancake making?" "I rested from my journey," he said with a sudden regal air. "You took a nap" "Possibly." "I spent my day scrubbing, vacuuming and dusting ten offices in the Broken. I got there at seven thirty in the morning and left at six. My back hurts, I can still smell bleach on my fingers, and my feet feel as flat as these pancakes. Tomorrow, I have to go back to work, and I want to eat my food in peace and quiet. I have good table manners. They may not be good enough for you, but they're definitely good enough for the Edge, and they are the height of social graces in this house. So please keep your critique to yourself." The look on his face was worth having him under her roof. As if he had gotten slapped. She smiled at him. "Oh and thank you for the pancakes. They are delicious.
Ilona Andrews (On the Edge (The Edge, #1))
...No one ever told her it was okay to make mistakes. No one told her there was nothing wrong with needing help. No one told her it was normal to feel upset, or angry, or overwhelmed now and then. Everyone in her life took her perfectionism for granted and didn't realize how suffocating it was. And because no one gave the young woman permission to be human, she thought she was a failure for being one.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
A red traffic light loomed, and Cecilia slammed her foot on the brake. The fact that Polly no longer wanted a pirate party was breathtakingly insignificant in comparison to that poor man (thirty!) crashing to the ground for the freedom that Cecilia took for granted, but right now, she couldn’t pause to honor his memory, because a last-minute change of party theme was unacceptable. That’s what happened when you had freedom. You lost your mind over a pirate party.
Liane Moriarty (The Husband's Secret)
Lila had discovered that the hardest part of her charade was pretending that everything was old hat when it was all so new, being forced to feign the kind of nonchalance that only comes from a lifetime of knowing and taking for granted. Lila was a quick study, and she knew how to keep up a front; but behind the mask of disinterest, she took in everything. She was a sponge, soaking up the words and customs, training herself to see something once and be able to pretend she’d seen it a dozen—a hundred—times before.
V.E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
It occurred to her then that there was a reason age drained the pleasure out of life, slowly stripping away all the things you enjoyed or took for granted. It was so you wouldn't need convincing when the time came. You'd be ready, because everything good in life was gone.
Laura McHugh (The Weight of Blood)
Sometimes she struggled with resentment watching her family eat a meal that she prepared. People took eating and shitting for granted, like the continuous beating of their hearts, the inevitable protection of their skin. They didn't think about their intestines doing everything wrong, fucking up the basic process of digestion.
Zoje Stage (Baby Teeth)
No matter that they had been together for years, always a feeling of formality when they first saw each other again, even if the separation had been only hours. It had something to do with the attention [he] paid to her – the fact that he never took anyone’s return for granted.
Tatjana Soli (The Lotus Eaters)
Except when the freedom is one you don't choose to grant," Memeki said, more loudly this time. She was shaking herself all over, struggling to stand stright again. "You hold our hope with one claw and take it away with her other! I may be weak and doomed soon to die, but I will die as an I, not just one more nameless scarp of shell to be thrown out into the sucking mud! No matter how little a time it lasts, I will be what all these are" -she looked around at Kit and Ponch and Nita and the others-"selves unto themselves and being what matters to each other! Such a life, even a breath's worth of it, is better than anything you've ever given me!" Memeki was trembling again, but with passion with determinatin, desperate and doomed. She took a stem toward the dias, and another, her claw lifted not in that old gesture of submission, but in one more like a warrior's threat. "I will be what the Voice said I was, the Hesper I will be the Aeon of Light, the Power that made a different choice from yours. I will be the Star that did not fall, no matter how little a time the light lasts!
Diane Duane (Wizards at War (Young Wizards, #8))
He wondered whether he really liked his mother. But she was his mother and this fact was recognized by everybody as meaning automatically that he loved her, and so he took for granted that whatever he felt for her was love. He did not know whether there was any reason why he should respect her judgment. She was his mother; this was supposed to take the place of reasons.
Ayn Rand (The Fountainhead)
A little difficult to know where you were with Elinor. She didn't reveal much of what she thought and felt about things. He liked that about her. He hated people who reeled off their thoughts and feelings to you, who took it for granted that you wanted to know all their mechanism. Reserve was always more interesting.
Agatha Christie (Sad Cypress (Hercule Poirot, #22))
And your neihjbour is sitting next door weeping as she watches her child facing a crowd of Palestiniankids armed with rocks which could take your boy's eye out or give him brain damage if god forbids he took off his helmet one of those dusty stones hit him in the head
Linda Grant
Just as I never wondered what it was like for my mother to be a full-time, at-home mother, I never wondered then what it meant to be married. I took my parents’ union for granted. It was the simple solid fact upon which all four of our lives were built. Much later, my mother would tell me that every year when spring came and the air warmed up in Chicago, she entertained thoughts about leaving my father. I don’t know if these thoughts were actually serious or not. I don’t know if she considered the idea for an hour, or for a day, or for most of the season, but for her it was an active fantasy, something that felt healthy and maybe even energizing to ponder, almost as ritual. I understand now that even a happy marriage can be a vexation, that it’s a contract best renewed and renewed again, even quietly and privately—even alone. I don’t think my mother announced whatever her doubts and discontents were to my father directly, and I don’t think she let him in on whatever alternative life she might have been dreaming about during those times. Was she picturing herself on a tropical island somewhere? With a different kind of man, or in a different kind of house, or with a corner office instead of kids? I don’t know, and I suppose I could ask my mother, who is now in her eighties, but I don’t think it matters.
Michelle Obama (Becoming)
When the Creator banished from his sight Frail man to dark mortality's abode, And granted him a late return to light, Only by treading reason's arduous road,— When each immortal turned his face away, She, the compassionate, alone Took up her dwelling in that house of clay, With the deserted, banished one. With drooping wing she hovers here Around her darling, near the senses' land, And on his prison-walls so drear Elysium paints with fond deceptive hand. While soft humanity still lay at rest, Within her tender arms extended, No flame was stirred by bigots' murderous zest, No guiltless blood on high ascended. The heart that she in gentle fetters binds, Views duty's slavish escort scornfully; Her path of light, though fairer far it winds, Sinks in the sun-track of morality. Those who in her chaste service still remain, No grovelling thought can tempt, no fate affright; The spiritual life, so free from stain, Freedom's sweet birthright, they receive again, Under the mystic sway of holy might.
Friedrich Schiller
His head lowered as he brushed his nose against hers. "Tell me to stop. Please, Lexi, because I can no' do it on my own." She put her hands on each side of his face. "Don't ever stop." He issued a groan before he took her mouth again.
Donna Grant (Passion Ignites (Dark Kings, #7))
The world was at her feet, and she didn’t even know it. None of them did—the normal ones; the ones who didn’t have to worry about the day to day, hour to hour, and minute to minute; the masses of people who woke up each and every day not fearing the hours ahead and the day that would follow; or those who didn’t have to wonder if they’d be around to celebrate the next holiday. How easily people took life for granted when it had so easily been given. How I wished for such simplicity.
J.L. Berg (Within These Walls (Walls, #1))
She was guilty, after all, of success, a success that stemmed from birthright and privilege. She took hope for granted, saw opportunity as her due, and had never really had to worry about vanishing into a sea of unseen faces and unseen voices.
Dennis Lehane (Since We Fell)
Hey,man,got a problem?" "Veronica left me." Ivan crossed one leg over the other and was obviously jiggling his foot. "Oh,yeah? For some other guy, huh?" "No." "How come?" Macintosh never altered positions, and the very absence of action made the point. "Because I was selfish, rude, arrogant,dishonest, stupid and generally nasty." Ivan considered the toe of his boot. "Is that all?" "Yeah." "Women," Ivan said with a shrug. "Never satisfied." Gennie read the strip twice, then looked up helplessly. Without a word,Serena took the paper from her hand and read it herself. She chuckled once, then set it back down. "Want me to help you pack?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The Widow Russell apparently took her at-home retirement so far as the abstain from receiving guests in the formal parlors: Theo was shown to a pink-papered upstairs room where she sat in an armchair whose chintz upholstery featured roses twining daintily on a white ground. She was head-to-toe in black, of course, and for a moment he had the very odd impression of a spider lurking in a rose bouquet.
Cecilia Grant (A Lady Awakened (Blackshear Family, #1))
When Grant opened the door, he thought she looked like some fairy princess-part ingenue,part seductress. Her eyes met his in the glass, and she smiled while following through with the last stroke of the brush. "Take the wrong turn?" "I took the right one." He closed the door behind him,then flicked the lock. "Is that so?" Tapping the brush against her palm, Gennie arched a brow. "I thought you had the room down the hall." "The MacGregors forgot to put something in there." He stood where he was for a moment, pleased just to look at her. "Oh? What?" "You.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Bring her back,hell,Grant thought, dragging a hand through his hair. He'd beg,plead,grovel, whatever it took to make her give him another chance. It was her fault, he decided with a quick switch back to fury. Her fault, that he was acting like a maniac. He hadn't had a decent night's sleep in over two weeks.And the solitude he'd always prized was threatening to smother him.If he didn't find her soon, he'd lose what was left of his mind.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I mean, we don’t have to worry about it until winter, anyway,” she said. “I was just wondering if you felt cured.” I didn’t know what to tell her. I didn’t feel cured. I felt like what Cole said —almost cured. A war survivor with a phantom limb. I still felt that wolf that I’d been: living in my cells, sleeping uneasily, waiting to be coaxed out by weather or a rush of adrenaline or a needle in my veins. I didn’t know if that was real or suggested. I didn’t know if one day I would feel secure in my skin, taking my human body for granted. “You look cured,” Grace said. Just her face was visible at the end of the shower curtain, looking in at me. She grinned and I yelled. Grace reached in just far enough to shut off the tap. “I’m afraid,” she said, whipping the shower curtain open all the way and presenting me with my towel, “this is the sort of thing you’ll have to put up with in your old age.” I stood there, dripping, feeling utterly ridiculous, Grace standing opposite, smiling with her challenge. There was nothing for it but to get over the awkwardness. Instead of taking the towel, I took her chin with my wet fingers and kissed her. Water from my hair ran down my cheeks and onto our lips. I was getting her shirt all wet, but she didn’t seem to mind. A lifetime of this seemed rather appealing. I said gallantly, “That better be a promise.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Grant smiled-slowly, deliberately. Insolently? Gennie wasn't sure, but her heart rose to her throat and stuck there. However he smiled, whatever his intent, it added a wicked, irresistible charm to his face. She thought it was a smile a barbarian might have given his woman before he tossed her over his shoulder and took her into some dark cave.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
It was after her time, which was sort of nice to realize, that her childhood was far enough away that new cartoons had been invented. Eventually, she’d be old, too, just like Elliot, and Aidan and Zachary would have to explain all the things they automatically understood, just like she took it for granted that gay people could get married, or that Google could answer any question in a split second. She looked forward to there being things that young people would have to laboriously explain, their eyeballs rolling skyward
Emma Straub (All Adults Here)
If a girl admits that she likes you, know that it took her every ounce of courage she has, don't take it for granted.
Green Monk
I'd remind you of that restaurant around the corner except..." His gaze flicked over the robe that dipped deep at her breasts and skimmed her thighs. "You'd have to get dressed." Shelby smiled, a slow invitation, but when he took a step toward her, she dunked bread into the batter. "Get a plate." He reached into the cupboard she indicated, then drew two plates out before he came to stand behind her. Leaning over, he brushed his lips below her ear, pleased with the quick tremor of response. "The ones I burn," Shelby warned, "are all yours.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Flynn?’ Without thinking, she took a small step toward the wolf. Its ears cocked forward at the sound of the name, and it too took a step forward. Then froze. She shook her head. ‘Sorry,’ she whispered. ‘You look like someone I know.’ The wolf regarded her closely. ‘That sounds stupid, huh?’ No response. Just that intense stare. ‘You aren’t going to eat me, are you?
M.A. Grant (Red Moon (The Sinclair Pack #1))
He stared back at her, unconcerned. She had always marvelled at his calm assurance that everything good in his life would either remain the same or get better. He took good fortune for granted. As though it were impossible that it would abide only for a spell. She had never been able to shake the sense that life was war, a series of battles with the occasional spell of good things.
Ayọ̀bámi Adébáyọ̀ (A Spell of Good Things)
I need you to trust me." "Gennie." He took her hand and linked fingers. "I do.That's what I've been trying to tell you." "You haven't been doing a good job of it." "No." He drew her closer. "Let me try again." He kissed her, telling himself to be gentle and easy with her. But his arms locked and tightened, his mouth hungered. The spray shimmered over both of them as they stood entangled.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
After so many solitary years, spent tucked away in convents and forgotten in boarding schools, Isabelle never took for granted the fact that now she had friends, people whom she cared about and who cared about her.
Kristin Hannah (The Nightingale)
I meant to resist your charms; I really did.I wasn't going to do this." Alan took her wrist, guiding her hand over so that he could press a kiss to the palm. "Make love with me?" "No." Shelby's gaze traveled from his mouth to his eyes. "Be in love with you." She felt his fingers tighten on her wrist, then loosen slowly as his eyes stayed dark and fixed on hers. Beneath her, she felt the change in his heartbeart. "And are you?" "Yes." The word, hardly audible, thundered in his head. Alan brought her to him, cradling her head against his chest, feeling her low slow expulsion of air as his arm came around her. He hadn't expected her to give him so much so soon. "When?" "When?" Shelby repeated, enjoying the solid feel of his chest under her cheek. "Sometime between when we first stepped out on the Write's terrace and when I opened a basket of strawberries." "It took you that long? All I had to do was look at you.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
The old man raised both hands, palms toward her. “No, miss, don’t you give it a second thought. The kind of ‘present’ I have in mind is not something tangible, not something with a price tag. To put it simply”—he placed his hands on the desk and took one long, slow breath—”what I would like to do for a lovely young fairy such as you is to grant a wish you might have, to make your wish come true. Anything. Anything at all that you wish for—assuming that you do have such a wish.
Haruki Murakami (La chica del cumpleaños)
Truce," she decided and held out a hand. When he only stared at her,she gave a quick huff and swallowed another morsel of pride. "Please." Trapped by the single word,he took the offered hand. "All right." When she would have drawn her hand away, he tightened his grip. "Why?" "I don't know," Gennie told him with fresh impatience. "Just a wild urge to see if I can get along with an ogre." At the ironic lift of his brow, she sighed. "All right,that was just a quick slip.I take it back.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
One of the earliest and most vivid memories of Robin’s childhood was of the day that the family dog had been put down. She herself had been too young to understand what her father was saying; she took the continuing existence of Bruno, her oldest brother’s beloved Labrador, for granted. Confused by her parents’ solemnity, she had turned to Stephen for a clue as to how to react, and all security had crumbled, for she had seen, for the first time in her short life, happiness and comfort drain out of his small and merry face, and his lips whiten as his mouth fell open. She had heard oblivion howling in the silence that preceded his awful scream of anguish, and then she had cried, inconsolably, not for Bruno, but for the terrifying grief of her brother.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Desire was just the dumbest thing. You wanted what you wanted until it was yours. Then you didn’t want it anymore. You took what you had for granted until it was no longer yours. This, it seemed to her, was one of the crueller paradoxes of human nature.
Ann Brashares
...she sat down at the piano and began to run over the first act of the Walkure, the last of his roles they had practiced together; playing listlessly and absently at first, but with gradually increasing seriousness. Perhaps it was the still heat of the summer night, perhaps it was the heavy odors from the garden that came in through the open windows; but as she played there grew and grew the feeling that he was there, beside her, standing in his accustomed place. In the duet at the end of the first act she heard him clearly: "Thou art the Spring for which I sighed in Winter's cold embraces." Once as he sang it, he had put his arm about her, his one hand under her heart, while with the other he took her right from the keyboard, holding her as he always held Sieglinde when he drew her toward the window. She had been wonderfully the mistress of herself at the time; neither repellent nor acquiescent. She remembered that she had rather exulted, then, in her self-control--which he had seemed to take for granted, though there was perhaps the whisper of a question from the hand under her heart. "Thou art the Spring for which I sighed in Winter's cold embraces." Caroline lifted her hands quickly from the keyboard, and she bowed her head in them, sobbing.
Willa Cather (The Troll Garden: Short Stories)
Hattie remembers she took her body for granted back then, when it automatically did what her mind instructed it to She remembers when she could milk thirty cows every morning and every evening, slowly straining the warm milk into cans, then muck out the milking parkour, was and sterilize the utensils and help the dairymen load the milk on to their horse-drawn wagons Without feeling tired Now her body fights her over the simplest things like putting on her overalls, getting out of chairs, and climbing stairs
Bernardine Evaristo (Girl, Woman, Other)
A face that bore no mark of pain or fear or guilt...The shape of his mouth was pride, and more: it was as if he took pride in being proud. The angular planes of his cheeks made her think of arrogance, of tension, of scorn—yet the face had none of these qualities, it had their final sum: a look of serene determination and of certainty, and the look of a ruthless innocence which would not seek forgiveness or grant it. It was a face that had nothing to hide or to escape, a face with no fear of being seen or of seeing, so that the first thing she grasped about him was the intense perceptiveness of his eyes—he looked as if his faculty of sight were his best-loved tool and its exercise were a limitless, joyous adventure, as if his eyes imparted a superlative value to himself and to the world—to himself for his ability to see, to the world for being a place so eagerly worth seeing. It seemed to her for a moment that she was in the presence of a being who was pure consciousness—yet she had never been so aware of a man’s body.
Ayn Rand (Atlas Shrugged)
In prison, I fell in love with my country. I had loved her before then, but like most young people, my affection was little more than a simple appreciation for the comforts and privileges most Americans enjoyed and took for granted. It wasn't until I had lost America for a time that I realized how much I loved her. "I loved what I missed most from my life at home: my family and friends; the sights and sounds of my own country; the hustle and purposefulness of Americans; their fervid independence; sports; music; information--all the attractive qualities of American life. But though I longed for the things at home I cherished the most, I still shared the ideals of America. And since those ideals were all that I possessed of my country, they became all the more important to me.
John McCain (Faith of My Fathers: A Family Memoir)
There was indeed a caste system in Maycomb, but to my mind it worked this way: the older citizens, the present generation of people who had lived side by side for years and years, were utterly predictable to one another: they took for granted attitudes, character shadings, even gestures, as having been repeated in each generation and refined by time. Thus the dicta No Crawford Minds His Own Business, Every Third Merriweather Is Morbid, The Truth Is Not in the Delafields, All the Bufords Walk Like That, were simply guides to daily living: never take a check from a Delafield without a discreet call to the bank; Miss Maudie Atkinson’s shoulder stoops because she was a Buford; if Mrs. Grace Merriweather sips gin out of Lydia E. Pinkham bottles it’s nothing unusual—her mother did the same.
Harper Lee
Bouchalka was not a reflective person. He had his own idea of what a great prima donna should be like, and he took it for granted that Mme. Garnet corresponded to his conception. The curious thing was that he managed to impress his idea upon Cressida herself. She began to see herself as he saw her, to try to be like the notion of her that he carried everywhere in that pointed head of his. She was exalted quite beyond herself. Things that had been chilled under the grind came to life in her that winter, with the breath of Bouchalka’s adoration. Then, if ever in her life, she heard the bird sing on the branch outside her window; and she wished she were younger, lovelier, freer. She wished there were no Poppas, no Horace, no Garnets. She longed to be only the bewitching creature Bouchalka imagined her.
Willa Cather (Youth and the Bright Medusa)
Remember what I told you on the phone, that I found out the truth about the grant that was paying all my expenses?” she asked. Leta nodded. “Well, it wasn’t a grant that was paying for my education and living expenses.” She took a harsh breath. “It was Tate.” Leta scowled. “Are you sure?” “I’m very sure.” She glanced at the older woman. “I found out in the middle of Senator Matt Holden’s political fund-raiser, and I lost my temper. I poured crab bisque all over your son and there were television cameras covering the event.” She turned her wounded eyes toward the dancers. “I was devastated when I found out I’m nothing more than a charity case to him.” “That isn’t true,” Leta said gently, but a little remotely. “You know Tate’s very fond of you.” “Yes. Very fond, the way a guardian is fond of a ward. He owned me.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I've always been his favorite." "Is that so?" Lazily Shelby folded her arms behind her head. She could picture him as a boy,seeing beyond what other boys saw and storing it. "Why?" "If I weren't modest,I'd confess that I was always a well-mannered, even-tempered child who never gave my parents a moment's trouble." "Liar," she said easily. "How'd you get the broken nose?" The grin became rueful. "Rena punched me." "Your sister broke your nose?" Shelby burst out with delighted and unsympathetic laughter. "The blackjack dealer, right? Oh,I love it!" Alan caught Shelby's nose between two fingers and gave it a quick twist. "It was rather painful at the time." "I imagine." She kept right on laughing as he shifted to her side. "Did she make a habit of beating you up?" "She didn't beat me up," he corrected with some dignity. "She was trying to beat Caine up because he'd teased her about making calf's eyes at one of his friends." "Typical brotherly intimidation." "In any event," Alan put in mildly, "I went to drag her off him,she took another swing,missed him, and hit me. A full-power roundhouse,as I remember. That's when," he continued as Shelby gave another peal of laughter, "I decided against being a diplomat. It's always the neutral party that gets punched in the face." "I'm sure..." Shelby dropped her head on his shoulder. "I'm sure she was sorry." "Initially.But as I recall, after I'd stopped bleeding and threatening to kill both her and Caine, her reaction as a great deal like yours." "Insensitive." Shelby ran apologetic kisses over his face. "Poor baby. Tell you what, I'll do penance and see about fixing you breakfast.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Where did you come from?" she asked impulsively. "The same place you did." It took her a minute, then she chuckled. "I don't mean biologically. Geographically." He shrugged, trying not to be pleased she had caught on so quickly. "South of here." "Oh,well that's specific," she muttered, then tried again. "What about family? Do you have family?" He stopped to study her. "Why?" With an exaggerated sigh, Gennie shook her head. "This is called making friendly conversation.It's a new trend that's catching on everywhere." "I'm a noncomformist." "No! Really?" "You do that wide-eyed, guileless look very well, Genvieve.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I loved what you were playing.” He dipped his head and took her lips again, nibbling on the bottom one. When he pulled away, he smiled. “ Not to mention how hot it was to watch your hands move on my guitar. It made me think of a not to distant morning when your hands were doing something else.” - Jameson Grant
Nikki Lynn Barrett (The Melody In My Head (Love and Music in Texas #2))
Alan stopped her in the hall by slipping his arms around her waist. "I haven't done this in one hour and twenty-three mintutes." His mouth covered hers, slowly, confidently. As her lips parted and offered he took, taking the kiss just to the border, but no further, of madness. "I love you." He caught her bottom lip between his teeth, then released her mouth only to change the angle and deepen the kiss. He felt her heartbeat sprint against his, felt that long, lazy meltng of her bones he knew happened just before she went from pliant to avid. "Tonight, no matter who you dance with,think of me." Breathless,she looked up.In his eyes, she saw that banked brooding passion she could never resist. He'd overwhelm her if she let him;absorb her. He had the power.Shelby tilted her head so her lips stayed within a whisper of his. "Tonight," she said huskily, "no matter who you dance with,you'll want me." Her arms stayed around him when she rested her head on his shoulder. "And I'll know.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
corruption is defined in narrow terms to nail the poor deluded fool who slips a £20 note inside the cover of their passport before handing it to the Border Force officer who is checking travel documents with a CCTV camera looking over her shoulder. There’s nothing corrupt about the government minister who announces new and impossible performance targets for a hitherto just-about-coping agency that manages transport infrastructure, drives it into a smoking hole in the ground, and three years later retires and joins the board of the corporation that subsequently took over responsibility for maintaining all the bridges on behalf of the state—for a tidy annual fee, of course. After all, the minister is a demonstrable expert on the ownership and management of bridges, and there’s no provable link between their having set up the agency for failure and their subsequently being granted a nonexecutive directorship that gets them their share of the rental income from the privatized bridge, is there?
Charles Stross (The Delirium Brief (Laundry Files, #8))
Bagpipe Music' It's no go the merrygoround, it's no go the rickshaw, All we want is a limousine and a ticket for the peepshow. Their knickers are made of crêpe-de-chine, their shoes are made of python, Their halls are lined with tiger rugs and their walls with heads of bison. John MacDonald found a corpse, put it under the sofa, Waited till it came to life and hit it with a poker, Sold its eyes for souvenirs, sold its blood for whiskey, Kept its bones for dumb-bells to use when he was fifty. It's no go the Yogi-Man, it's no go Blavatsky, All we want is a bank balance and a bit of skirt in a taxi. Annie MacDougall went to milk, caught her foot in the heather, Woke to hear a dance record playing of Old Vienna. It's no go your maidenheads, it's no go your culture, All we want is a Dunlop tyre and the devil mend the puncture. The Laird o' Phelps spent Hogmanay declaring he was sober, Counted his feet to prove the fact and found he had one foot over. Mrs Carmichael had her fifth, looked at the job with repulsion, Said to the midwife 'Take it away; I'm through with overproduction'. It's no go the gossip column, it's no go the Ceilidh, All we want is a mother's help and a sugar-stick for the baby. Willie Murray cut his thumb, couldn't count the damage, Took the hide of an Ayrshire cow and used it for a bandage. His brother caught three hundred cran when the seas were lavish, Threw the bleeders back in the sea and went upon the parish. It's no go the Herring Board, it's no go the Bible, All we want is a packet of fags when our hands are idle. It's no go the picture palace, it's no go the stadium, It's no go the country cot with a pot of pink geraniums, It's no go the Government grants, it's no go the elections, Sit on your arse for fifty years and hang your hat on a pension. It's no go my honey love, it's no go my poppet; Work your hands from day to day, the winds will blow the profit. The glass is falling hour by hour, the glass will fall for ever, But if you break the bloody glass you won't hold up the weather.
Louis MacNeice
The excitement that filled Usaeil could barely be contained. She knew it wouldn’t take Taraeth long to corner Rhi. As she walked past a mirror on her way to the movie set, she paused and looked at herself. Perfection. There was no way Con would refuse her. He was making a show of it, but she knew he’d cave. It didn’t matter how long it took, the King of Kings would be hers. That was something else she’d tell Rhi right before the pesky meddler breathed her last. The need to have Rhi wiped from existence consumed her. Usaeil wouldn’t be able to concentrate on anything else until Rhi was gone. Forever. No one would stand between the Queen of the Light and what she wanted. Especially not someone like Rhi.
Donna Grant (Heat (Dark Kings, #12))
Don't you know that the less you tell someone, the more they want to know? You're better off to make something up than to say nothing at all." "I'm the youngest of twelve children of two South African missionaries," he said with such ease,she very nearly believed him. "When I was six,I wandered into the jungle and was taken in by a pride of lions.I still have a pechant for zebra meat.Then when I was eightteen,I was captured by hunters and sold to a circus.For five years I was the star of the sideshow." "The Lion Boy," Gennie put in. "Naturally.One night during a storm the tent caught fire.In the confusion I escaped.Living off the land, I wandered the country-stealing a few chickens now and again.Eventually an old hermit took me in after I'd saved him from a grizzly." "With your bare hands," Gennie added. "I'm telling the story," he reminded her. "He taught me to read and write. On his deathbead he told me where he'd buried his life savings-a quarter million in gold bullion. After giving him the Viking funeral he'd requested, I had to decide whether to be a stockbroker or go back to the wilderness." "So you decided against Wall Street, came here, and began to collect stamps." "That's about it." "Well," Gennie said after a moment. "With a boring story like that, I can see why you keep it to yourself." "You asked," Grant pointed out. "You might have made something up." "No imagination." She laughed then and leaned her head on his shoulder. "No,I can see you have a very literal mind.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Did you ever climb into one of those suits of armor?" "Caine did once-it took me over an hour to pry him out." Shelby gave a murmur of sympathy as she framed his face with her hands. "You were such a good boy." Her laugh was muffled against his lips in a sudden searing kiss.All heat,all fire, without a moment's warning. "He climbed in," Alan continued as he tugged her hair back to deepen the kiss, "because I suggested it might be an interesting experience." Breathless,Shelby stared up at him. When would she be prepared for those sudden dangerous turns of his nature? "An instigator," she managed. "An objective leader," he corrected before he released her. "And I did manage to get him out...after he'd scared the wits out of Rena." For a moment she leaned against the wall watching him, while the throbbing in her body slowly, very slowly, lessened. "I don't believe you were nearly as well-mannered as you once told me.You probably deserved that broken nose." "Caine deserved it more." Shelby laughed again as they moved down another corridor. "I like your family." "So do I." "And you enjoyed watching me go nose-to-nose with your father." "I've always been fond of drawing-room comedies." "Drawing room? It's more like a throne room.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Dear Mr. Chance and Ms. Brattle. Sorry about the mess. Great bed. Loved it. As a matter of fact, loved the whole house. Actually, I tried to kill your kids when I found them here. Yeah, funny story. Maybe not funny, hah hah.’” Astrid heard nervous laughter from the media people, or maybe just from the hotel staff who were hovering around the edges grabbing a glimpse of the Hollywood royalty. “‘Anyway, I missed and they got away. I don’t know what will happen to Sanjit and that stick-up-his butt Choo and the rest, but whatever happens next, it’s not on me. However . . .’” Astrid took a dramatic pause. “‘However, the rest of what happened was on me. Me, Caine Soren. You’ll probably be hearing a lot of crazy stories from kids. But what they didn’t know was that it was all me. Me. Me me. See, I had a power I never told anyone about. I had the power to make people do bad things. Crimes and whatnot. Especially Diana, who never did anything wrong on her own, by her own will, I mean. She—and the rest of them—were under my control. The responsibility is on me. I confess. Haul me away, officers.’” Astrid suddenly felt her throat tightening, although she’d read the letter many times already, and knew what it said. Rotten son of a . . . And then this. Redemption. Not a bad concept. Well, partial redemption. “It’s signed Caine Soren. And below that, ‘King of the FAYZ.’” It was a full confession. A lie: a blatant, not-very-convincing lie. But it would be just enough to make prosecutions very difficult. Caine’s role in the FAYZ, and the reality that strange powers had actually existed in that space, were widely known and accepted. Of course Caine had enjoyed writing it. It was his penultimate act of control. He was manipulating from beyond the grave.
Michael Grant (Light (Gone, #6))
If I profane with my unworthiest hand This holy shrine, the gentle sin is this; My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims’ hands do touch, And palm to palm is holy palmers’ kiss.104 Rom. Have not saints lips, and holy palmers too? Jul. Ay, pilgrim, lips that they must use in prayer. Rom. O! then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair.108 Jul. Saints do not move, though grant for prayers’ sake. Rom. Then move not, while my prayers’ effect I take. Thus from my lips, by thine, my sin is purg’d. [Kissing her. Jul. Then have my lips the sin that they have took.112 Rom. Sin from my lips? O trespass sweetly urg’d! Give me my sin again. Jul. You kiss by the book.
William Shakespeare
She shook with laughter. “I might have something else in mind now.” Rowan let out a growl, and nipped at her ear, her neck. “Good. I do, too.” “And tomorrow?” she asked breathlessly, and they both paused to look at each other. To smile. “Will you work to rebuild this kingdom, this world, with me tomorrow?” “Tomorrow, and every day after that.” For every day of the thousand blessed years they were granted together. And beyond. Aelin kissed him again and took his hand, guiding him into the castle. Into their home. “To whatever end?” she breathed. Rowan followed her, as he had his entire life, long before they had ever met, before their souls had sparked into existence. “To whatever end, Fireheart.” He glanced sidelong at her. “Can I give you a suggestion for what we should rebuild first?” Aelin smiled, and eternity opened before them, shining and glorious and lovely. “Tell me tomorrow.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
It means what it says," he managed, staring at her again. "There's not a lot of subtlety in this particular strip." She took the paper back from him and stuck it in her pocket. It was something she intended to keep forever. "You've used me rather lavishly in your work recently." She had to tilt back her head in order to keep her eyes level with his. Grant thought she looked more regal than ever. If she turned her thumb down, she could throw him to the lions. "Didn't it occur to you to ask permission first?" "Artist's privilage." He felt the light spray hit his back, saw it dampen her hair. "Where the hell did you go?" he heard himself demand. "Where the hell have you been?" Her eyes narrowed. "That's my business, isn't it?" "Oh,no." He grabbed her arms and shook. "Oh,no,it's not.You're not going to walk out on me." Gennie set her teeth and waited until he'd stopped shaking her. "If memory serves,you did the walking figuratively before I did it literally." "All right! I acted like an idiot. You want an apology?" he shouted at her. "I'll give you any kind you want. I'll-" He broke off, his breath heaving. "Oh,God,first." And his mouth crushed down on hers, his fingers digging into her shoulders. The groan that was wrenched from him was only one more sign of a desperate need. She was here,she was his.He'd never let her go again.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Both women were mothers of children caught up in mind control cover-up, one of which paralleled Kelly’s and my case. She, too, had volumes of documents and evidences whereby it was inexcusable that justice had not prevailed. The other mother conveyed a story that touched me so deeply it undoubtedly will continue to motivate me with reverberating passion forever. This mother was very weak from the final stages of cancer and chemotherapy, and tears slid down her pale gray cheeks as she told me her story. When she reported sexual abuse of her three daughters, the local court system took custody of them. The children appeared dissociative identity disordered from their ordeal, yet were reportedly denied therapy and placed in Foster care “since the mother was dying anyway.” When she finally was granted brief visitation with her precious daughters, they looked dazed and robotic with no memory of her or their sexual abuse. Mind control was apparent to this mother, and she struggled to give voice to their plight to no avail. She explained how love and concern for her children had kept her alive far longer than her doctors thought possible. She embraced me and said, “Now I can die in peace knowing that you are out there talking, raising awareness with the same passion for justice and love for children that I have. Thank you. Please keep talking. Please remember my daughters.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
Grant-" But he barely touched her, only cupping her face as they stood beside the bed. "You're beautiful." His eyes were on hers,intense,searching. "The first time I saw you,you took my breath away. You still do." As moved by the long look and soft words as she had been by the tempestuous kisses, she reached up to take his wrists. "I don't need the words unless you want to give them. I just want to be with you." "Whatever I tell you will be the truth, or I won't tell you at all.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Two hundred years ago, the mothers of the books we take for granted were lumped together in the same lowly category as factory workers, governesses, and prostitutes. A respectable woman didn't write, she took care of her household: if she were rich, she oversaw a staff of servants and entertained for a living; if she were poor, she carried out endless labors punctuated by births and deaths. Jane Austen had to publish her books anonymously at a time when women were lucky to be taught to read.
Erin Blakemore (The Heroine's Bookshelf: Life Lessons, from Jane Austen to Laura Ingalls Wilder)
I love you." He combed her fingers through her hair,drawing her head back so that their eyes met. "I don't like it, I may never get used to it, but I love you." With a sigh,he brought her close again. "You make my head swim." With her cheek against his chest, Gennie closed her eyes. "You can take time to get used to it," she murmured. "Just promise you won't ever be sorry it happened." "Not sorry," he agreed on a long breath. "A little crazed, but not sorry." As he ran a hand down her hair, Grant felt a fresh need for her, softer, calmer than before and no less vibrant. He nuzzled into her neck because he seemed to belong there. "Are you really in love with me, or did you say that because I made you mad?" "Both.I decided this morning I'd have to bend to your ego and let you tell me first." "Is that so?" With his brows drawn together, he tilted her head back again. "My ego." "It tends to get in the way because it's rather oversized." She smiled, sweetly.In retaliation, he crushed his mouth to hers. "You know," he managed after a moment. "I've lost my appetite for breakfsat." Smiling again, she tilted her face back to his. "Have you reall?" "Mmm. And I don't like to mention it..." He took his fingertips to the lapel of the robe,toying with it before he slid them down to the belt. "But I didn't say you could use my robe." "Oh, that was rude of me." The smile became saucy. "Would you like it back now?" "No hurry." He slipped his hand into hers and started toward the steps. "You can wait until we get upstairs.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He kissed the pulsing vein at her temple that had drawn his attention when he had first met her. In hindsight, he knew that it had been love at first sight for him. Now that he held his dream in his hands, he would do anything to protect and keep it. He wasn’t the kind of man that took anything for granted. He was willing to risk everything for her, including his heart. If he had to slay a few dragons on the way in order to keep her, well, suffice it to say he was well-trained physically and mentally for just that.
Belle Ami (The One and More (The Only One #2))
Kyran stretched his legs out and crossed them at the ankles. “You’re needed, River. It’s not by accident that you know what you do about the Fae and were put in our path. You’re destined to aid us in this.” When she didn’t respond, he tried again. “Think of all the innocents, like your family and Jordyn’s, who were killed. You have a chance to help us put an end to such things for everyone. The half-Fae will no longer need to fear for their lives. And I promise you I’ll figure out who has hunted your family and end it.” Her resigned look cut through him. “You can’t do that. You work for Death. I doubt you’ll be given leave to help me.” “Let me deal with that. Whether you help me or not, I’m going to find out why the Dark are hunting your family. And then I’m going to make sure it never happens again.” River swung her gaze to him. She tucked a long length of hair behind her ear. “Do I have your word you’ll stop whoever is after me?” “Aye.” Kyran held out his hand. River stared at it a moment before she leaned up and took it. They shook, her small hand in his. “Then I’ll help you.
Donna Grant (Dark Alpha's Embrace (Reaper #2; Dark World #24))
And sometimes I get carried away, that's all. If you weren't so...judgemental all the time-" "Am I? I don't think I am . I try not to be. I just don't..." She stopped herself speaking, shook her head. "I know you've been through a lot, in the last few years, and I've tried to understand that, really I have, with your mum and all, but..." "Go on," he said. "I just don't think you're the person I used to know. You're not my friend anymore. That's all." He could think of nothing to say to this, so they stood in silence, until Emma put her hand out, took two fingers of his hand, squeezed them in her palm. "Maybe...maybe this is it, then," she said. "Maybe it's just over." "Over? What's over?" "Us. You and me. Friendship. There are things I needed to talk to you about, Dex. About Ian and me. If you're my friend I should be able to talk to you but I can't, and if I can't talk to you, well, what is the point of you? Of us?" "'What's the point?'" "You said yourself, people change, no use getting sentimental about it. Move on, find someone else." "Yeah, but I didn't mean us..." "Why not?" "Because we're....us. We're Dex and Em. Aren't we?" Emma shrugged. "Maybe we've grown out of each other." He said nothing for a moment, then spoke. "So, do you think I've grown out of you, or you've grown out of me?" She wiped her nose with the back of her hand. "I think you think I'm....dreary. I think you think I cramp your style. I think you've lost interest in me." "Em I do not think you're dreary." "And neither do I! Neither do I! I think I'm fucking marvellous if you only knew it, and I think you used to think so too! But if you don't or if you're going to just take it for granted, then that's fine. I'm just not prepared to be treated like this anymore." "Treated like what?" She sighed, and it was a moment before she spoke. "Like you always want to be somewhere else, with someone else." He would have denied this, but the Cigarette Girl was waiting in the restaurant at that very moment, the number of his mobile phone tucked into her garter. Later he would wonder if there was something else he might have said to save the situation, a joke perhaps. But nothing occurred to him and Emma let go of his hand.
David Nicholls (One Day)
Can I tell you something without it going to your head?" Shelby murmured as she ran her fingers down his chest, over his ribs. "Probably not." His voice had thickened from the pleasure of being touched. "I'm reasily flattered." "In my workroom..." Shelby pressed her lips to his chest and felt his heartbeat thud faster against them. "When I messed up your shirt and you took it off to rinse it? I turned around and saw you-I wanted to get my hands on you like this." She ran her palms up,then down again to where his waist narrowed. "Just like this,I nearly did." Alan felt his blood start to pound-in his head, his heart,his loins. "I wouldn't have put up much of a fight." "If I'd decided to have you, Senator," she murmured on a sultry laugh, "you wouldn't have had a chance." "Is that so?" Shelby ran her tongue down his rib cage. "Mmm," she said when she heard the small, quick intake of breath. "Just so.A MacGregor will always buckle under to a Campbell." Alan started to form a retort, then her fingers skimmed his thigh. As a politician, he knew the value of a debate-but sometimes they didn't require words.She could have the floor first.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Well,I appreciate the offer, Senator, but I'll drive myself.See you over the canapes." "Then, I'll ride with you," he said amiably. "We don't want to put any more carbon monoxide in the air than necessary. Shall I put that in the car for you?" Shelby took a firmer grip on the box as her hold in other areas started to slip. It was the damn serious smile and those thoughtful eyes,she decided. They made a woman feel as though she were the only one he'd ever looked at in quite that way. "Alan," she began,a bit amused by his persistance. "What is this?" "This..." He leaned over and captured her mouth with his, lingering until her fingers threatened to dig holes in the stif cardboard she held. "Is what our ancestors would have called a siege," he finished softly. "And MacGregors are notoriously successful at laying siege." Her breath shuddered out to merge with his. "You don't do badly at hand-to-hand combat either." He chuckled and would have kissed her again if she hadn't managed to step back. "All right." Shelby thrust the box into his arms, considering it a strategic move. "We'll carpool.I don't want to be condemned as an air-polluter.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Plus,he's got a terrific butt.I know becuase I made sure I walked behind him to check it out." With a laugh, Keeley sat down beside her. "First, you're so predictable. Second, if Dad hears you talk that way, he'll shove the man on the first plane back to Ireland. And third, I didn't notice his butt, or anything else about him, particularly." "Liar." Sarah propped her elbow on the counter as her sister took out a lipstick. "I saw you give him the Keeley Grant once-over." Amused, Keeley passed the lipstick to Sarah. "Then let's say I didn't much ie what I saw. The rough-edged and proud of it type just doesn't do it for me.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Are you going to dance with me, Senator? It's the only dignified way I can get my hands on you at the moment." Alan let the first wave of desire take him-a rush that blanked everyone else from his sight and hearng for one heady instant. Carefully he banked it before he rose and took her hand. "Strange how closely our minds work." After leading her to the dance floor he gathered her to him. "And how well," he murmured as their bodies melded together, "we fit." Shelby tilted her head back. "We shouldn't." Her eyes promised hot, private secrets. Her lips tempted-just parted, just curved. The hand on his shoulder moved nearer to his neck so she could brush his skin with her fingertips. "We shouldn't fit.We shouldn't understand each other.I can't quite figure out why we do." "You defy logic,Shelby.And therefore, logically,there's no reasonable answer." She laughed, pleased with the structured workings of his mine. "Oh, Alan, you're much too sensible to be argued with." "Which means you'll constantly do so." "Exactly." Still smiling,she rested her head on his shoulder. "You know me too well for my own good, Alan...and perhaps for yours. I'm in danger of adoring you." He remembered Myra had used that word to describe Shelby's feelings for her father. "I'll take the risk.Will you?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
There,he reminds me of you." Shelby indicated a black panther stretched in a path of sunlight, calmly watching the river of people who passed by. "Is that so?" Alan studied the cat. "Indolent? Subdued?" Shelby let out her smoke-edged laugh. "Oh,no, Senator.Patient, brooding. And arrogant enough to believe this confinement is nothing he can't work with." Turning, she leaned back against the barrier to consider Alan as she had considered the panther. "He's taken stock of the situation,and decided he can pretty much have his own way as things are.I wonder..." Her brows drew together inn concentration. "I wonder just what he'd do if he were really crossed.He doesn't appear to have a temper. Cats usually don't until they're pushed too far just that one time, and then-they're deadly." Alan gave her an odd smile before he took her hand to draw her toward the path again. "He normally sees that he's not often crossed." Shelby tossed her head and met the smile with a bland look. "Let's go look at the monkeys.It always makes me think I'm sitting in the Senate Gallery." "Nasty," he commented and tugged on her hair. "I know.I couldn't help it." Briefly she rested her head on his shoulder as they walked. "I'm often not a nice person. Grant and I both seem to have inherited a streak of sarcasm-or maybe it's cynicism.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Wild horses wouldn't have made Daniel admit that his wife, Anna, would have lectured him for an hour if she'd known what he was up to.Daniel considered it basic strategy not to tell her until it was done. "Since she's been moping and sighing around here," he lied without qualm, "I thought I'd bury my pride and call you myself.It's time you took a weekend and came to see your mother." Alan lifted a wry brow, knowing his father all too well. "I'd think she'd be all wrapped up in her first prospective granchild. How is Rena?" "You can see for yourself this weekend," Daniel informed him. "I-that is, Rena and Justin have decided they want to spend a weekend with the family. Caine and Diana are coming too." "You've been busy," Alan murmured. "What was that? Don't mumble, boy." "I said you'll be busy," Alan amended prudently. "For your mother's sake, I can sacrifice my peace and quiet.She worries about all of you-you especially since you're still without wife and family.The firstborn," he added, working himself up, "and both your brother and sister settled before you. The eldest son,my own father's namesake, and too busy flitting around to do his duty to the MacGregor line." Alan thought about his grueling morning and nearly smiled. "The MacGregor line seems to be moving along nicely. Maybe Rena'll have twins.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
He's back in Maine now.She did say he badgered her with questions. Of course, she didn't have the answer until she spoke to me and found out you were here." Gennie frowned at the sea and said nothing. "She wondered if you were following Macintosh in the papers. It took me over two hours to figure why she would have asked that. Gennie turned back with a speculative look which Serena met blandly. "Perhaps I'm not following you," she said, automatically guarding Grant's secret. Serena took the pot the waiter placed on the table. "Coffee,Veronica?" Gennie let out an admiring laugh and nodded her head. "You're very quick, Rena." "I love puzzles," she corrected, "and the pieces were all there.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
THEY WALKED UP TO the front door, rang the bell. Del scratched his neck and looked at the yellow bug light and said, “I feel like a bug.” “You look like a bug. You fall down out there?” “About four times. We weren’t running so much as staggering around. Potholes full of water . . . I see you kept your French shoes nice and dry.” “English. English shoes . . . French shirts. Italian suits. Try to remember that.” “Makes my nose bleed,” Del said. The door opened, and Green looked out: she was still fully dressed, including the jacket that covered her gun and the fashionable shoes that she could run in. She took a long look at Del, and asked, “Where’re Dannon and Carver?” “Dead,” Lucas said. “Where’s Grant?” “In the living room.” “You want to invite us in?” She opened the door, and they stepped inside, and followed her to the living room. Grant was there, still dressed as she had been on the stage; she was curled in an easy chair, with a drink in her hand, high heels on the floor beside her. Schiffer was lying on a couch, barefoot; a couple of Taryn’s staff people, a young woman and a young man, were sitting on the floor, making a circle. Another man, heavier and older, was sitting in a leather chair facing Grant. Lucas didn’t recognize him, but recognized the type: a guy who knew where all the notional bodies were buried, a guy who could get the vice president on the telephone.
John Sandford (Silken Prey (Lucas Davenport #23))
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
Henry James (The Beast in the Jungle)
There's nothing worse than having someone moping around feeling sorry for themselves, is there?" "A damned nuisance," he agreed lightly as he drew her into the private car. "How much did you take me for in there?" It took her a minute to realize he'd changed the subject. "Oh,I don't know-five,six hundred." "I'll put breakfast on your tab," he said as the doors opened to his and Serena's suite. Her laugh pleased him as much as the hug she gave him. "Just like a man," Serena stated as she came into the room. "Waltzing in with a beautiful woman at the crack of dawn while the wife stays home and changes the baby." She held a gurgling Mac over her shoulder. Justin grinned at her. "Nothing worse than a jealous woman.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
With the organization and brevity of a drill sergeant, she began arranging them to her liking. "Alan here..." She took him by the arm and stood him between his parents' chairs. "And Shelby." She nudged Shelby beside him. "Caine,you sit in the foor." She tugged on his hand, until grinning, he obliged her. "And Diana-" Caine pulled his wife down on his lap before Gennie could finish. "Yes, that'll do. Justin over here with Rena.And Grant-" "I'm not-" he began. "Do as you're told,boy," Daniel bellowed at him,then spoke directly to his grandson. "Leave it to a Campbell to make trouble." Grumbling,Grant strolled over behind Daniel's chair and scowled down at him. "A fine thing when a Campbell's in a MacGregor family portrait." "Two Campbells," Shelby reminded her brother with alacrity.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
So much of the most important personal news I'd received in the last several years had come to me by smartphone while I was abroad in the city that I could plot on a map, could represent spatially the events, such as they were, of my early thirties. Place a thumbtack on the wall or drop a flag on Google Maps at Lincoln Center, where, beside the fountain, I took a call from Jon informing me that, for whatever complex of reasons, a friend had shot himself; mark the Noguchi Museum in Long Island City, where I read the message ("Apologies for the mass e-mail...") a close cousin sent out describing the dire condition of her newborn; waiting in line at the post office on Atlantic, the adhan issuing from the adjacent mosque, I received your wedding announcement and was shocked to be shocked, crushed, and started a frightening multi week descent, worse for being so embarrassingly cliched; while in the bathroom at the SoHo Crate and Barrel--the finest semipublic restroom in lower Manhattan--I learned I'd been awarded a grant that would take me overseas for a summer, and so came to associate the corner of Broadway and Houston with all that transpired in Morocco; at Zucotti Park I heard my then-girlfriend was not--as she'd been convinced--pregnant; while buying discounted dress socks at the Century 21 department store across from Ground Zero, I was informed by text that a friend in Oakland had been hospitalized after the police had broken his ribs. And so on: each of these experiences of reception remained, as it were, in situ, so that whenever I returned to a zone where significant news had been received, I discovered that the news and an echo of its attendant affect still awaited me like a curtain of beads.
Ben Lerner (10:04)
She felt safe for a while and derived solace from the reflection that there would always be church. If she were a governess all her life there would be church. There was a little sting of guilt in the thought. It would be practising deception.... To despise it all, to hate the minister and the choir and the congregation and yet to come—running—she could imagine herself all her life running, at least in her mind, weekly to some church—working her fingers into their gloves and pretending to take everything for granted and to be just like everybody else and really thinking only of getting into a quiet pew and ceasing to pretend. It was wrong to use church like that. She was wrong—all wrong. It couldn't be helped. Who was there who could help her? She imagined herself going to a clergyman and saying she was bad and wanted to be good—even crying. He would be kind and would pray and smile—and she would be told to listen to sermons in the right spirit. She could never do that.... There she felt she was on solid ground. Listening to sermons was wrong... people ought to refuse to be preached at by these men. Trying to listen to them made her more furious than anything she could think of, more base in submitting... those men's sermons were worse than women's smiles... just as insincere at any rate... and you could get away from the smiles, make it plain you did not agree and that things were not simple and settled... but you could not stop a sermon. It was so unfair. The service might be lovely, if you did not listen to the words; and then the man got up and went on and on from unsound premises until your brain was sick... droning on and on and getting more and more pleased with himself and emphatic... and nothing behind it. As often as not you could pick out the logical fallacy if you took the trouble.... Preachers knew no more than anyone else... you could see by their faces... sheeps' faces.... What a terrible life... and wives and children in the homes taking them for granted....
Dorothy M. Richardson
Did you bring money with you, or shall we play for markers?" She flipped the stack of cards to the table with a professional twist of her wrist. "I don't play for less than a guinea a hand." His lips twitched. "The question is not if I have money. The question is, do you?" "I don't need funds, as I don't plan on losing," she said, her gaze mocking. For a moment, he thought he'd heard her incorrectly. Slowly, he said, "I beg your pardon, but are you saying you could beat me at a game of chance?" A dismissive smile rested on her lips. "Please, Dougal, let's speak frankly," she drawled softly. "Naturally, I expect to win; I was taught by a master." Dougal was entranced. He'd been challenged to many things before, but no one had so blatantly dismissed his chances of winning. "A giunea a hand?" "At least." "I didn't realize I'd need a note from my banker, or I'd have brought one with me." Her eyes sparkled with pure mischief, which inflamed him more. "If you've no money with you, then perhaps there are other things we can play for." The words hung in the room, as thick as the smoke that seeped from the fireplace. Like a blinding bolt of light from a storm-black sky, everything fell into place. This was why she and her minions had worked so hard to convince him that the house was worthless. If he thought it of low value, he'd be eager to wager the deed. Of all the devious plots! Yet Dougal found himself fighting a grin. He'd been feted and petted, fawned upon and sought out, but until now, no one had gone to such lengths to fleece him. Dugal couldn't look away from Sophia. He knew his own worth; women had paid attention to him for so long that he took it for granted. He'd dallied and toyed, taken and enjoyed. But never, in all of his years, had he so desired any woman as he did this one. The irony of it was that she desired him,too-but only for the contents of his pocket. Dougal didn't know whether to laugh or fume. He should be insulted, but instead he found himself watching her with new appreciation.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Damn your eyes, Justin Blade; you've the luck of the devil." "Sore losers, those MacGregors," Shelby sighed, sliding her gaze to Alan's. "We'll see if the Campbells can do any better.New blood," Alan announced from the doorway. Smoke hung in the air,the rich, fragrant sting of expensive tobacco. They were using Daniel's huge old desk as a table, with chairs pulled up to it. The three men looked over as Shelby and Serena walked in. "I don't like taking my wife's money," Justin commented,sending her a grin as he clamped a cigar between his teeth. "You won't have the opportunity of trying." Serena lowered herself to the arm of his chair with a quiet sigh. "Shelby'd like a game or two." "A Campbell!" Daniel rubbed his hands together. "Aye then,we'll see how the wind blows now.Have a chair,lass. Three raise, ten-dollar limit, jacks or better to open." "If you think you're going to make up your losses on me, MacGregor," Shelby said mildly as she took her seat, "you're mistaken." Daniel made a sound of appreciation. "Deal the cards, boy," he ordered Caine. "Deal the cards.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Livia read from the paper as if it were a letter. “Dear Blake Hartt, thank you. Thank you so much for thinking my smile was worth waiting for. Thank you for letting me see who you are inside. I found the sweetest spot in the world—it’s wherever you are, surrounded by your arms. Please be my husband. I couldn’t have it any other way. I promise to make you lose count. Love, Livia McHugh.” When she’d finished, Blake took the paper from her hands. He folded it and put it in his pocket, where it nestled side by side with his music. He kissed her ringed hand, and then her bare one. He had no paper, but he spoke clearly and unhesitatingly. There was a slight echo as his words bounced around the cement platform. He borrowed her letter format to respond. “Dear Livia McHugh, I’ll be your husband. I’ll be nothing but yours for the rest of forever. A single, simple day with you is something I’ll refuse to take for granted. You have been the reason my heart beats since the moment I saw you, long before your hands actually had to do the job for me. Sleep in my arms. Wake up by my side. My beautiful love, be my wife and make me the happiest man. And I will never, ever lose count. Love always, Blake Hartt.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
Arian paced the cavern in his mountain in agitation and a wee bit of anxiety. He was shaking off the dragon sleep from the past six hundred years. Not only had it been six centuries since he had been in human form, but there was a war the Dragon Kings were involved in. Con and the others were waiting for him to join in the war. Every King had been woken to take part. After all the wars they had been involved in, Arian wasn’t happy to be woken to join another. Because of Ulrik. The banished and disgraced Dragon King hadn’t just made a nuisance of himself, but he somehow managed to get his magic returned. Which meant the Kings needed to put extra magic into keeping the four silver dragons sleeping undisturbed deep within the mountain. They were Ulrik’s dragons, and he would want to wake them soon. But it wasn’t just Ulrik that was causing mischief. The Dark Fae were as well. It infuriated Arian that they were once more fighting the Dark. Hadn’t the Fae Wars killed enough Fae and dragons? Then again, as a Dragon King as old as time itself, they were targets for others who wanted to defeat them. For Ulrik, he just wanted revenge. Arian hated him for it, but he could understand. Mostly because Arian had briefly joined Ulrik in his quest to rid the realm of humans. Thoughts of Ulrik were pushed aside as Arian found himself thinking about why he had taken to his mountain. When he came here six hundred years earlier, it was to remain there for many thousands of years. The Dragon Kings sought their mountains for many reasons. Some were just tired of dealing with mortals, but others had something they wished to forget for a while. Arian was one of the latter. There were many things he did in his past when the King of Kings, Constantine, asked. Not all of them Arian was proud of. The one that sent him to his mountain still preyed upon him. He didn’t remember her name, but he remembered her tears. Because of the spell to prevent any of the Dragon Kings from falling in love with mortals, Arian had easily walked away from the female. Six centuries later, he could still hear her begging him to stay with her, still see the tears coursing down her face. Though he hadn’t felt anything, it bothered him that he had so easily walked away. Because Con had demanded it. Loyalty—above all else. The Dragon Kings were his family, and Dreagan his home. There was never any question if he were needed that Arian would do whatever it took to help his brethren in any capacity asked of him.
Donna Grant (Dragon King (Dark Kings #6.5; Dark World #20.5))
There was a young man with a hot temper. He was not all bad, but he was reckless, and he drank more than he should, and spent more than he could, and gave a ring to more women than one, and gambled himself into a corner so tight an ant couldn't turn round in it. Once night, in despair, and desperate with worry, he got into a fight outside a bar, and killed a man. Mad with fear and remorse, for he was more hot-tempered than wicked, and stupid when he could have been wise, he locked himself into his filthy bare attic room and took the revolver that had killed his enemy, loaded it, cocked it and prepared to blast himself to pieces. In the few moments before he pulled the trigger, he said, "If I had known that all that I have done would bring me to this, I would have led a very different life. If I could live my life again, I would not be here, with the trigger in my hand and the barrel at my head." His good angel was sitting by him and, felling pity for the young, man, the angel flew to Heaven and interceded on his behalf. The in all his six-winged glory, the angel appeared before the terrified boy, and granted him his wish. "In full knowledge of what you have become, go back and begin again." And suddenly, the young man had another chance. For a time, all went well. He was sober, upright, true, thrifty. Then one night he passed a bar, and it seemed familiar to him, and he went in and gambled all he had, and he met a woman and told her he had no wife, and he stole from his employer, and spent all he could. And his debts mounted with his despair, and he decided to gamble everything on one last throw of the dice. This time, as the wheel spun and slowed, his chance would be on the black, not the red. This time, he would win. The ball fell in the fateful place, as it must. The young man had lost. He ran outside, but the men followed him, and in a brawl with the bar owner, he shot him dead, and found himself alone and hunted in a filthy attic room. He took out his revolver. He primed it. He said, "If I'd known that I could do such a thing again, I would never have risked it. I would have lived a different life. If I had known where my actions would lead me..." And his angel came, and sat by him, and took pity on him once again, and interceded for him, and... And years passed, and the young man was doing well until he came to a bar that seemed familiar to him... Bullets, revolver, attic, angel, begin again. Bar, bullets, revolver, attic, angel, begin again...angel, bar, ball, bullets...
Jeanette Winterson (The Stone Gods)
Outside, he almost missed seeing a man's shadowed form disappearing into the bunkhouse. Hick's name formed a curse on his lips. How long had the man stood at the kitchen window? The idea that he might have seen any part of his and Willow's lovemaking made him sick to his stomach. Cursing, he headed back to the cookhouse. He hoped Providence would one day grant him the opportunity to kill that bastard! "Who was it?" Her attire repaired, Willow unlocked the door and fell into his arms. Unable to dirty what they had just shared, Rider forced himself to chuckle. "Just a coyote, sneaking up on the henhouse. Good thing he alerted us or we'd have been caught out here buck naked when your hens started to alert the whole ranch." He felt her relax and he let her go. "It's late, darlin', and I think we've tested fate enough for one night. We better turn in." Willow handed him his boots and then his shirt. They took one last look around the kitchen to make sure they'd left no embarrassing calling cards. Then he walked her to the house. At the back door, she pressed a lingering kiss to his lips, then silently disappeared inside. Rider took his time as he headed toward his lonely bed in the bunkhouse. As much as he'd enjoyed being with Willow tonight, something told him he was going to regret it.
Charlotte McPherren (Song of the Willow)
Hekate in Byzantium (also Constantinople, now Istanbul, Turkey) It is probable that Hekate had an established presence in Byzantium from a time before the city was founded. Here Hekate was invoked by her title of Phosphoros by the local population for her help when Philip of Macedon (father of Alexander the Great) attacked the city in 340 BCE. Petridou summarises the account given by Hsych of Miletus: "Hecate, or so we are told, assisted them by sending clouds of fire in a moonless rainy night; thus, she made it possible for them to see clearly and fight back against their enemies. By some sort of divine instigation the dogs began barking[164], thus awakening the Byzantians and putting them on a war footing."[165] There is a slightly alternative account of the attack, recorded by Eustathios. He wrote that Philip of Macedon's men had dug secret tunnels from where they were preparing a stealth attack. However, their plans were ruined when the goddess, as Phosphoros, created mysterious torchlight which illuminated the enemies. Philip and his men fled, and the locals subsequently called the place where this happened Phosphorion. Both versions attribute the successful defence of the city to the goddess as Phosphoros. In thanksgiving, a statue of Hekate, holding two torches, was erected in Byzantium soon after. The support given by the goddess in battle brings to mind a line from Hesiod’s Theogony: “And when men arm themselves for the battle that destroys men, then the goddess is at hand to give victory and grant glory readily to whom she will.” [166] A torch race was held on the Bosphorus each year, in honour of a goddess which, in light of the above story, is likely to have been Phosphoros. Unfortunately, we have no evidence to clarify who the goddess the race was dedicated to was. Other than Phosphoros, it is possible that the race was instead held in honour of the Thracian Bendis, Ephesian Artemis or Hekate. All of which were also of course conflated with one another at times. Artemis and Hekate both share the title of Phosphoros. Bendis is never explicitly named in texts, but a torch race in her honour was held in Athens after her cult was introduced there in the fifth-century BCE. Likewise, torch-races took place in honour of Artemis. There is also a theory that the name Phosphoros may have become linguistically jumbled due to a linguistic influence from Thrace becoming Bosphorus in the process[167]. The Bosphorus is the narrow, natural strait connecting the Black Sea to the Sea of Marmara, separating the European side of Istanbul from the Asian side. The goddess with two torches shown on coins of the time is unnamed. She is usually identified as Artemis but could equally represent Hekate.
Sorita d'Este (Circle for Hekate - Volume I: History & Mythology (The Circle for Hekate Project Book 1))
They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly. [...] She had a dream. In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?" She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it. The voice said, "Look out there." She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man." "I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep." Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve. "Is this Carla's life?" she asked. "Her creativity?" "It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!" [...] "Please don't be angry," she said, and then told Carla the dream. [...] She wiped her eyes. "It was only a dream, your dream..." "It's true anyway," Deborah said. "The one place I could never go..." Carla said musing, "...the one hunger I could never admit." When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.
Joanne Greenberg (I Never Promised You a Rose Garden)
He’s a murdering chud,” Zil was yelling. “What do you want to do? Lynch him?” Astrid demanded. That stopped the flow for a second as kids tried to figure out what “lynch” meant. But Zil quickly recovered. “I saw him do it. He used his powers to kill Harry.” “I was trying to stop you from smashing my head in!” Hunter shouted. “You’re a lying mutant freak!” “They think they can do anything they want,” another voice shouted. Astrid said, as calmly as she could while still pitching her voice to be heard, “We are not going down that path, people, dividing up between freaks and normals.” “They already did it!” Zil cried. “It’s the freaks acting all special and like their farts don’t stink.” That earned a laugh. “And now they’re starting to kill us,” Zil cried. Angry cheers. Edilio squared his shoulders and stepped into the crowd. He went first to Hank, the kid with the shotgun. He tapped him on the shoulder and said, “Give me that thing.” “No way,” Hank said. But he didn’t seem too certain. “You want to have that thing fire by accident and blow someone’s face off?” Edilio held his hand out. “Give it to me, man.” Zil rounded on Edilio. “You going to make Hunter give up his weapon? Huh? He’s got powers, man, and that’s okay, but the normals can’t have any weapon? How are we supposed to defend ourselves from the freaks?” “Man, give it a rest, huh?” Edilio said. He was doing his best to sound more weary than angry or scared. Things were already bad enough. “Zil, you want to be responsible if that gauge goes off and kills Astrid? You want to maybe give that some thought?” Zil blinked. But he said, “Dude, I’m not scared of Sam.” “Sam won’t be your problem, I will be,” Edilio snapped, losing patience. “Anything happens to her, I’ll take you down before Sam ever gets the chance.” Zil snorted derisively. “Ah, good little boy, Edilio, kissing up to the chuds. I got news for you, dilly dilly, you’re a lowly normal, just like me and the rest of us." “I’m going to let that go,” Edilio said evenly, striving to regain his cool, trying to sound calm and in control, even though he could hardly take his eyes off the twin barrels of the shotgun. “But now I’m taking that shotgun.” “No way!” Hank cried, and the next thing was an explosion so loud, Edilio thought a bomb had gone off. The muzzle flash blinded him, like camera flash going off in his face. Someone yelled in pain. Edilio staggered back, squeezed his eyes shut, trying to adjust. When he opened them again the shotgun was on the ground and the boy who’d accidentally fired it was holding his bruised hand, obviously shocked. Zil bent to grab the gun. Edilio took two steps forward and kicked Zil in the face. As Zil fell back Edilio made a grab for the shotgun. He never saw the blow that turned his knees to water and filled his head with stars. He fell like a sack of bricks, but even as he fell he lurched forward to cover the shotgun. Astrid screamed and launched herself down the stairs to protect Edilio. Antoine, the one who had hit Edilio, was raising his bat to hit Edilio again, but on the back swing he caught Astrid in the face. Antoine cursed, suddenly fearful. Zil yelled, “No, no, no!” There was a sudden rush of running feet. Down the walkway, into the street, echoing down the block.
Michael Grant (Hunger (Gone, #2))
... we decided to create a Nothing Place in the living room, it seemed necessary, because there are times when one needs to disappear while in the living room, and sometimes one simply wants to disappear, we made this zone slightly larger so that one of us could lie down in it, it was a rule that you never would look at that rectangle of space, it didn't exist, and when you were in it, neither did you, for a while that was enough, but only for a while, we required more rules, on our second anniversary we marked off the entire guest room as a Nothing Place, it seemed like a good idea at the time, sometimes a small patch at the foot of the bed or a rectangle in the living room isn't enough privacy, the side of the door that faced the guest room was Nothing, the side that faced the hallway was Something, the knob that connected them was neither Something nor Nothing. The walls of the hallway were Nothing, even pictures need to disappear, especially pictures, but the hallway itself was Something, the bathtub was Nothing, the bathwater was Something, the hair on our bodies was Nothing, of course, but once it collected around the drain it was Something, we were trying to make our lives easier, trying, with all of our rules, to make life effortless. But a friction began to arise between Nothing and Something, in the morning the Nothing vase cast a Something shadow, like the memory of someone you've lost, what can you say about that, at night the Nothing light from the guest room spilled under the Nothing door and stained the Something hallway, there's nothing to say. It became difficult to navigate from Something to Something without accidentally walking through Nothing, and when Something—a key, a pen, a pocketwatch—was accidentally left in a Nothing Place, it never could be retrieved, that was an unspoken rule, like nearly all of our rules have been. There came a point, a year or two ago, when our apartment was more Nothing than Something, that in itself didn't have to be a problem, it could have been a good thing, it could have saved us. We got worse. I was sitting on the sofa in the second bedroom one afternoon, thinking and thinking and thinking, when I realized I was on a Something island. "How did I get here," I wondered, surrounded by Nothing, "and how can I get back?" The longer your mother and I lived together, the more we took each other's assumptions for granted, the less was said, the more misunderstood, I'd often remember having designated a space as Nothing when she was sure we had agreed that it was Something, our unspoken agreements led to disagreements, to suffering, I started to undress right in front of her, this was just a few months ago, and she said, "Thomas! What are you doing!" and I gestured, "I thought this was Nothing," covering myself with one of my daybooks, and she said, "It's Something!" We took the blueprint of our apartment from the hallway closet and taped it to the inside of the front door, with an orange and a green marker we separated Something from Nothing. "This is Something," we decided. "This is Nothing." "Something." "Something." "Nothing." "Something." "Nothing." "Nothing." "Nothing." Everything was forever fixed, there would be only peace and happiness, it wasn't until last night, our last night together, that the inevitable question finally arose, I told her, "Something," by covering her face with my hands and then lifting them like a marriage veil. "We must be." But I knew, in the most protected part of my heart, the truth.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
The first time Christina and Lachlan Meet ...Christina wasn't about to stop fighting—not until she took her last breath. Boring down with her heels, she thrashed. "Get off me, ye brute." She would hold her son in her arms this day if it was the last thing she did. And by the shift of the crushing weight on her chest, she only had moments before her life's breath completely whooshed from her lungs. The very thought of dying whilst her son was still held captive infused her with strength. With a jab, she slammed the heel of her hand across the man's chin. He flew from her body like a sack of grain. Praises be, had the Lord granted her with superhuman strength? Blinking, Christina sat up. No, no. Her strike hadn't rescued her from the pillager. A champion had. A behemoth of a man pummeled the pikeman's face with his fists. "Never. Ever." His fists moved so fast they blurred. "Harm. A. Woman!" Bloodied and battered, the varlet dropped to the dirt. A swordsman attacked her savior from behind. "Watch out," she cried, but before the words left her lips the warrior spun to his feet. Flinging his arm backward, he grabbed his assailant's wrist, stopped the sword midair and flipped the cur onto his back. Onward, he fought a rush of English attackers with his bare hands, without armor. Not even William Wallace himself had been so talented. This warrior moved like a cat, anticipating his opponent's moves before they happened. Five enemy soldiers lay on their backs. "Quickly," the man shouted, running toward her, his feet bare. No sooner had she rolled to her knees than his powerful arms clamped around her. The wind whipped beneath her feet. He planted her bum in the saddle. "Behind!" Christina screamed, every muscle in her body clenching taut. Throwing back an elbow, the man smacked an enemy soldier in the face resulting in a sickening crack. She picked up her reins and dug in her heels. "Whoa!" The big man latched onto the skirt of her saddle and hopped behind her, making her pony's rear end dip. But the frightened galloway didn't need coaxing. He galloped away from the fight like a deer running from a fox. Christina peered around her shoulder at the mass of fighting men behind them. "My son!" "Do you see him?" the man asked in the strangest accent she'd ever heard. She tried to turn back, but the man's steely chest stopped her. "They took him." "Who?" "The English, of course." The more they talked, the further from the border the galloway took them. "Huh?" the man mumbled behind her like he'd been struck in the head by a hammer. Everyone for miles knew the Scots and the English were to exchange a prisoner that day. The champion's big palm slipped around her waist and held on—it didn't hurt like he was digging in his fingers, but he pressed firm against her. The sensation of such a powerful hand on her body was unnerving. It had been eons since any man had touched her, at least gently. The truth? Aside from the brutish attack moments ago, Christina's life had been nothing but chaste. White foam leached from the pony's neck and he took in thunderous snorts. He wouldn't be able to keep this pace much longer. Christina steered him through a copse of trees and up the crag where just that morning she'd stood with King Robert and Sir Boyd before they'd led the Scottish battalion into the valley. There, she could gain a good vantage point and try to determine where the backstabbing English were heading with Andrew this time. At the crest of the outcropping, she pulled the horse to a halt. "The pony cannot keep going at this pace." The man's eyebrows slanted inward and he gave her a quizzical stare. Good Lord, his tempest-blue eyes pierced straight through her soul. "Are you speaking English?
Amy Jarecki (The Time Traveler's Christmas (Guardian of Scotland, #3))