Grounded Pete Quotes

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Girls are like apples...the best ones are at the top of the trees. The boys don't want to reach for the good ones because they are afraid of falling and getting hurt. Instead, they just get the rotten apples that are on the ground that aren't as good, but easy. So the apples at the top think there is something wrong with them, when, in reality, they are amazing. They just have to wait for the right boy to come along, the one who's brave enough to climb all the way to the top of the tree...
Pete Wentz
For whatever reason, it seems like we’re against love. Everyone. People think love equates to weakness, or gullibility, or an unwillingness to deal with reality, so they try to ruin it, the social scientists and the admen, with studies and lingerie shows and boxes of candy. They try to invalidate it, dirty it up, but they can’t, because people in love know the truth. They know love is good and pure and really the most beautiful thing in the world. They know love is greater than anything, greater even than God. At first, I didn’t believe it, but I do now. You have made me realize it. Being away from you has been the hardest thing I have ever done. I am shaking and sweating. I am going into withdrawal. I need you. You are my withdrawal. You are my blood. I want to protect you from all of this. When it’s all over, I want to run away with you and never come back. I want to be buried in the ground with you. It’s the only way we can keep this pure and beautiful, I’m afraid. We have to stay away from this whole life. We have to be normal. We have to get married and move to Berkeley. Our love can’t survive like this, no matter how hard we try. I’m quitting the band. I’m coming home. I need you.
Pete Wentz (Gray)
This is fucking Washington! Who the hell has a below ground swimming pool? It rained 256 days of the year, for Pete's sake! On the off chance I found the blasted owners of it, I was going to put a bullet in their heads right then.
Eloise J. Knapp (The Undead Situation (Undead, #1))
Something about the time of year depressed him deeply. Overcast skies and cutting wind, leaves falling, dusk falling, dark too soon, night flying down before you are ready. It's a terror. It's a bareness of the soul. He hears the rustle of nuns. Here comes winter in the bone. We've set it loose on the land. There must be some song or poem, some folk magic we can use to ease this fear. Skelly Bone Pete. Here it is in the landscape and sky. We've set it loose. We've opened up the ground and here it is. He took Interstate 45 south. He didn't want them to kill Leon. He felt a saturating sense of death, a dread in the soft filling of his bones, the suckable part, approaching Galveston now.
Don DeLillo (Libra)
Unrelenting criticism, especially when it is ground in with parental rage and scorn, is so injurious that it changes the structure of the child’s brain. Repeated messages of disdain are internalized and adopted by the child, who eventually repeats them over and over to himself. Incessant repetitions result in the construction of thick neural pathways of self-hate and self-disgust. Over time a self-hate response attaches to more and more of the child’s thoughts, feelings and behaviors. Eventually, any inclination toward authentic or vulnerable self-expression activates internal neural networks of self-loathing. The child is forced to exist in a crippling state of self-attack, which eventually becomes the equivalent of full-fledged self-abandonment. The ability to support himself or take his own side in any way is decimated. With ongoing parental reinforcement, these neural pathways expand into a large complex network that becomes an Inner Critic that dominates mental activity. The inner critic’s negative perspective creates many programs of self-rejecting perfectionism. At the same time, it obsesses about danger and catastrophizes incessantly.
Pete Walker (Complex PTSD: From Surviving to Thriving)
Fully feeling people are also rewarded with increasing richness in their relationships – both with themselves and with others. Love manifests as a palpable warmth and excitement when it is grounded in the heart and body by feeling. Emotional love is so much more profound than the lightweight intellectual experiences of thought-bound people for whom love is often only an ideal, a dream, or a hungry expectation.
Pete Walker (The Tao of Fully Feeling: Harvesting Forgiveness out of Blame)
When we are chronically stressed out [stuck in sympathetic nervous system activation], detrimental somatic changes become ingrained in our bodies. Here are some of the most common examples of body-harming reactions to Cptsd stress: Hypervigilance Shallow and Incomplete Breathing Constant Adrenalization Armoring, i.e., Chronic muscle tightness Wear and tear from rushing and armoring Inability to be fully present, relaxed and grounded in our bodies Sleep problems from being over-activated Digestive disorders from a tightened digestive tract Physiological damage from excessive self-medication with alcohol, food or drugs
Pete Walker (Complex PTSD: From Surviving to Thriving)
Girls are like apples...the best ones are at the top of the trees. The boys don't want to reach for the good ones because they are afraid of falling and getting hurt. Instead, they just get the rotten apples that are on the ground that aren't as good, but easy. So the apples at the top think there is something wrong with them, when, in reality, they are amazing. They just have to wait for the right boy to come along, the one who's brave enough to climb all the way to the top of the tree...” ― Pete Wentz
Pete Wentz
It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado's grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt.
Maggie Stiefvater (All the Crooked Saints)
Time stood still as I realized for the first time that I’d always looked at my entire life, everything I’d been through, from the wrong perspective. Yes, all the abuse I’d experienced and the negativity I had to push through challenged me to the core, but in that moment I stopped seeing myself as the victim of bad circumstance, and saw my life as the ultimate training ground instead. My disadvantages had been callousing my mind all along and had prepared me for that moment in that pool with Psycho Pete.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
She pushed up from the ground and ran. “What are you doing?” Pete shouted. “Getting that horse back!” Pete leaped to his feet, stepping hard into his boot to put it back on, as Beatriz had nearly pulled it off in her hurry to drag him free of the stampede’s path. Then he, too, broke into a run—only he ran for the Mercury. This was the moment their love story began.
Maggie Stiefvater (All the Crooked Saints)
To find the kinds of people with the type of on-the-ground knowledge that can enable us to understand and connect the dots, we have to imagine how to seek out and listen to them. It’s very rarely the self-styled expert or the academician, though both can make positive contributions to our knowledge base. Rather, it’s the person who has walked the specific ground, lived the specific lifestyle, and possesses a specific psychosocial mind-set whom we need.
Pete Blaber (The Mission, The Men, and Me: Lessons from a Former Delta Force Commander)
The acid test for guy-on-the-ground relevance is whether the individual possesses tacit knowledge, which is developed from direct experience and action in the actual environment. When it comes to tacit knowledge, it is generally true that the closer the person is to the environment, the more likely he or she is to possess tacit knowledge. However, when it comes to tacit knowledge, the word close does not solely connote distance. Close is a holistic concept that entails interaction, understanding, knowledge, and experience.
Pete Blaber (The Mission, The Men, and Me: Lessons from a Former Delta Force Commander)
Who?” “Schiller. A German dramatist of three centuries ago. In a play about Joan of Arc, he said, ‘Against stupidity, the gods themselves contend in vain.’ I’m no god and I’ll contend no longer. Let it go, Pete, and go your way. Maybe the world will last our time and, if not, there’s nothing that can be done anyway. I’m sorry, Pete. You fought the good fight, but you lost, and I’m through.” It worked perfectly. The Obin had enough time for a surprised squawk before the hovercraft’s gun struck it square in the chest, punching backward like it was a toy on a string, hurling down nearly the entire length of the hall. The other Obin in the room looked up while Harvey’s victim pinwheeled to the ground, then turned their multiple eyes toward the doorway, Harvey, and the hovercraft with its big gun poking right into the room. “Hello, boys!” Harvey said in a big, booming voice. “The 2nd Platoon sends its regards!” And with that, he jammed down the “fire” button on the gun and set to work. Things got messy real fast after that. It was just fucking beautiful. Harvey loved his job.
Isaac Asimov (The Gods Themselves)
The Big House Brought to you by Pete the Palikos This four-storey sky-blue Victorian is a bona fide gem. The vast veranda offers ample space for pinochle players and convalescents alike. The basement is currently set up for strawberry-jam storage, but can also be used to hide the occasional demigod driven insane by the Labyrinth. The ground-floor living quarters, camp infirmary and combination rec room / meeting room are wheelchair accessible, as is a specially designed bronze-lined office. The rooms of the top floors stand ready to welcome overnight guests, while the attic, now free of its resident desiccated mummy, provides the perfect catch-all for camper discards and memorabilia.
Rick Riordan (Camp Half-Blood Confidential (The Trials of Apollo))
Most people, who choose or are coerced into only identifying with “positive” feelings, usually wind up in an emotionally lifeless middle ground – bland, deadened, and dissociated in an unemotional “no-man’s-land.” Moreover, when a person tries to hold onto a preferred feeling for longer than its actual tenure, she often appears as unnatural and phony as ersatz grass or plastic flowers. If instead, she learns to surrender willingly to the normal human experience that good feelings always ebb and flow, she will eventually be graced with a growing ability to renew herself in the vital waters of emotional flexibility. The repression of the so-called negative polarities of emotion causes much unnecessary pain, as well as the loss of many essential aspects of the feeling nature. In fact, much of the plethora of loneliness, alienation, and addictive distraction that plagues modern industrial societies is a result of people being taught and forced to reject, pathologize or punish so many of their own and others’ normal feeling states. Nowhere, not in the deepest recesses of the self, or in the presence of his closest friends, is the average person allowed to have and explore any number of normal emotional states. Anger, depression, envy, sadness, fear, distrust, etc., are all as normal a part of life as bread and flowers and streets. Yet, they have become ubiquitously avoided and shameful human experiences. How tragic this is, for all of these emotions have enormously important and healthy functions in a wholly integrated psyche. One dimension where this is most true is in the arena of healthy self-protection. For without access to our uncomfortable or painful feelings, we are deprived of the most fundamental part of our ability to notice when something is unfair, abusive, or neglectful in our environments. Those who cannot feel their sadness often do not know when they are being unfairly excluded, and those who cannot feel their normal angry or fearful responses to abuse, are often in danger of putting up with it without protest. Perhaps never before has humankind been so alienated from so many of its normal feeling states, as it is in the twenty-first century. Never before have so many human beings been so emotionally deadened and impoverished. The disease of emotional emaciation is epidemic. Its effects on health are often euphemistically labeled as stress, and like the emotions, stress is often treated like some unwanted waste that must be removed.
Pete Walker (Complex PTSD: From Surviving to Thriving)
Maggie swung her head from side to side, checking the high scents first, then dipped her head to taste the smells close to the ground. The humans behind her might be able to identify five or six distinct smells if they concentrated, but Maggie’s long shepherd’s nose gave her an olfactory picture of the world no human could comprehend: She smelled the dust beneath her feet and the goats that had been herded along the road a few hours earlier and the two young male goatherds who led them. Maggie smelled the infection that one of the goats carried, and knew that two of the female goats were in heat. She smelled Pete’s fresh new sweat and the older sweat dried into his gear, his breath, the perfumed letter he kept in his trousers, and the green ball hidden beneath his flak. She smelled the CLP he used to clean his rifle, and the residual gunpowder that clung to his weapon like a fine dust of death. She smelled the small grove of palms not far from the road, and the trace scents of the wild dogs that had slept beneath the palms during the night and defecated and urinated before moving on. Maggie hated the wild dogs. She spent a moment testing the air to see if they were still in the area, decided they were gone, then ignored their scent and concentrated on searching for the scents Pete wanted her to find. Smells
Robert Crais (Suspect (Scott James & Maggie, #1))
Astrid felt a towering wave of disgust. She was furious with Sam. Furious with Little Pete. Mad at the whole world around her. Sickened by everyone and everything. And mostly, she admitted, sick of herself. So desperately sick of being Astrid the Genius. “Some genius,” she muttered. The town council, headed by that blond girl, what was her name? Oh right: Astrid. Astrid the Genius. Head of the town council that had let half the town burn to the ground. Down in the basement of town hall Dahra Baidoo handed out scarce ibuprofen and expired Tylenol to kids with burns, like that would pretty much fix anything, as they waited for Lana to go one by one, healing with her touch. Astrid could hear the cries of pain. There were several floors between her and the makeshift hospital. Not enough floors. Edilio staggered in. He was barely recognizable. He was black with soot, dirty, dusty, with ragged scratches and scrapes and clothing hanging in shreds. “I think we got it,” he said, and lay straight down on the floor. Astrid knelt by his head. “You have it contained?” But Edilio was beyond answering. He was unconscious. Done in. Howard appeared next, in only slightly better shape. Some time during the night and morning he’d lost his smirk. He glanced at Edilio, nodded like it made perfect sense, and sank heavily into a chair. “I don’t know what you pay that boy, but it’s not enough,” Howard said, jerking his chin at Edilio. “He doesn’t do it for pay,” Astrid said. “Yeah, well, he’s the reason the whole town didn’t burn. Him and Dekka and Orc and Jack. And Ellen, it was her idea.
Michael Grant (Lies (Gone, #3))
General Hagenbeck then did something that should provide a salutary lesson for all future leaders in every profession: he changed his mind! He did this based on the reality-correcting context of the guy on the ground. Despite having stated his previous decision over a satellite radio heard by his superiors and subordinates all across the globe, General Hagenbeck pushed aside his ego and did the right thing. It would turn out to be the right decision for the mission, the right decision for his men, and the right decision for General Hagenbeck.
Pete Blaber (The Mission, The Men, and Me: Lessons from a Former Delta Force Commander)
Women are like apples on trees, the best ones are on the top of the tree. The men don't want to reach for the good ones because they are afraid of falling and don't want to get hurt. Instead, they just get the rotten apples from the ground that aren't so good but easy. So, the apples at the top think something is wrong with them, when in reality they are amazing. They just have to wait for the right man to come along, the one who's brave enough to climb all the way to the top because they value quality. -Pete Wentz (1979 -)
M. Prefontaine (The Big Book of Quotes: Funny, Inspirational and Motivational Quotes on Life, Love and Much Else (Quotes For Every Occasion 1))
The only major thing I’d done all day was lay out a plan of action to find the key that Pete Fortney used to let himself into my home. I’d decided to start at the front porch and look in every conceivable place, working my way clock-wise around the exterior, ground level, and eaves of the house. I’d devote fifteen minutes every evening until I found it. For my own peace of mind, I had to find that key.
Dolores Wilson (BIG HAIR AND FLYING COWS)
He pulls on my hands until I stand up. Then he bends and tosses me over his shoulder and spins in a circle. I scream, covering my eyes. I know he won’t drop me but still. He runs around, and Sam and Pete chase us. Pete—or Sam. I still can’t tell them apart— slaps my butt. I flail around, trying to reach out and grab him, but Logan is running with me over his shoulder. He spins, holding tightly to my legs. I cover my eyes and squeal, but I know he can’t hear me. I hit Logan on the butt, but he pays me no mind. Suddenly, he stops and starts to lower me down his body. I slide along him slowly, my body contours rubbing against his until my feet hit the ground. “Hi,” he says quietly. He signs it, too, but his free arm is around me, holding me against him. “Hi,” I say, and I sign it just like he did. Then I smack his chest. “I can’t believe you did that.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
You got me so fucking turned on I couldn’t stand up if the place were on fucking fire, princess.” He points toward my chocolate-milk container. “And all you did was touch your pretty little lips to a fucking milk carton.” He rubs his forehead as if he wants to rub the thoughts away. He looks into my eyes. “All I know is if you ever touched me with that mouth of yours, I would go off like a cannon, princess. I’d be the happiest man in the world, but ashamed of myself, because I have no control when it comes to you, apparently.” He grimaces and looks down toward his lap, adjusting his pants as he wiggles his hips. “Our situation is messed up for so many reasons that I can’t even think about going there with you. But all I can think about is going there with you.” He groans and shoves a piece of bacon in his mouth. His eyes don’t leave mine, though. “I got up this morning thoroughly prepared to ignore you today. But then there you were, and you were smiling at me.” He looks down at my mouth. “I couldn’t ignore you if I tried.” I take a deep breath, trying to rationalize my thoughts. But I can’t. I have never, ever felt like this before. My girlfriends have talked about it, but I have never felt it. Even when I go on dates, it’s like some part of me shuts down. But with Pete, nothing shuts down. Everything wakes up. He goes on to say, “I don’t want to want you.” My heart stutters. I get it. I don’t like it. But I get it. I nod. Nobody likes damaged goods. I get up from the table and pick up my plate. “Wait,” he calls. I can’t wait. If I wait, he might see the tears that are brimming in my eyes. “Princess,” he calls again. Suddenly, my shirt jerks and I can’t walk any farther. I look back and see his hand twisted in the tail end of my shirt. He leans over the table and presses his lips together. “Don’t walk away,” he says. But all I see is the hand fisted in my shirt. My heart stutters, and my breaths freeze in my chest. I can’t get away. I turn back and punch him directly in the face with the heel of my hand. He jerks, his eyes closing as he winces and snaps his head back. I chop his wrist with my fist. One, two… Next, I’ll go for his eyes. “Reagan!” Dad yells as he drops what he’s holding and rushes in my direction. He tackles Pete, who is still stunned from my punch to the face. They drop to the ground, with Pete rolling to the bottom. Dad flips him over and pulls his hands behind his back. “Reagan,” Dad grunts. “What happened?” Pete lays there on the ground. He’s not even putting up a fight. He just winces, his eyes shut tightly as a slow trickle of blood streams from his nose. “Stay down,” Dad warns. Pete nods, and he doesn’t move. But his eyes finally open, and they meet mine. I don’t know how to interpret that look at all or what to say. So, I turn and run back to the house. I run like the terrified little girl I am.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Reagan,” Dad barks. I blow out a quick breath and say very nicely, “Yes, Dad.” “Chase Gerald’s father just called.” He looks at where my hand is tangled with Pete’s, and if death rays that shoot from the eyes existed, then Pete would be a puddle of ashes on the ground. “Is that the guy from the drugstore?” Pete whispers. I nod, slicing my eyes toward Pete for a second. “What did he want?” I can already guess, and my heart sinks at the very thought of it. “He said Chase came home talking about you being at the drugstore with some thug.” He glares at Pete, and Pete stiffens, his hand tightening on mine. “Did you explain who Pete is?” I ask. I don’t want to leave anyone with a misconception about Pete. “I told him that he’s someone my daughter is crushing on, but that I wasn’t worried about it because she’s a smart girl with her head on straight.” His voice rises on the last words, and his glare at Pete grows even fiercer. “I’m not crushing,” I protest. But I so am. Dad faces me. “Then what would you call it?” I don’t know what to call it because I don’t know what it is. I shrug. Pete stiffens more when I do that than he has since Dad came through the gate. “Chase wanted to know if you might want to go to the party at the country club tomorrow.” “I already told him no,” I say. But I can already see the look on my dad’s face. That’s not going to work. “I told him you’d love to.” He opens the gate and stops, looking at me from over his shoulder. “He’s picking you up at six.” I growl under my breath. Mainly because there’s not much more I can do since Dad is gone. The gate slams shut behind him. I pull my hand from Pete’s. “Where are you going?” Pete asks. “To catch my dad so I can tell him I’m not going.” “Do you want to go?” he asks. He watches me closely, his blue eyes blinking slowly. “If I wanted to go, I wouldn’t have told him no.” I heave a sigh. He steps back from me and takes all the warmth I was basking in a minute ago with him. “I think you should go,” he says quietly. “Why?” I ask softly. Something is really, really wrong. He doesn’t usually distance himself like this. “Your dad wants you to go,” he says with a shrug. “You don’t want to piss him off.” He starts to walk down the length of the pool. He signs to the boys, and they all start to put away the balls and the floats and they line up by the door. “I’ll see you later,” he calls quietly. Then he leads the boys from the pool area back toward their cabins. What did I do wrong? I seriously have no idea.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Tony stood his ground for a hot minute. Pete rolled up his window. Antonia Soria’s six dogs snarled and circled, their hackles up and their teeth bared. They hadn’t killed a man yet, but the yet was displayed prominently in their expressions. This was how Tony came to be on the roof of the Mercury when the lights of Bicho Raro began to flicker on. Now that the lights were coming on, it was obvious that there were owls everywhere. There were horned owls and elf owls, long-eared owls and short-eared owls. Barn owls with their ghostly ladies’ faces, and screech owls with their shaggy frowns. Dark-eyed barred owls and spotted owls. Stygian owls with eyes that turned red in lights at night—these owls weren’t originally from Colorado, but like the Soria family, they had come from Oaxaca to Bicho Raro and decided to stay.
Maggie Stiefvater (All the Crooked Saints)
Something about the time of year depressed him deeply. Overcast skies and cutting wind, leaves falling, dusk falling, dark too soon, night flying down before you’re ready. It’s a terror. It’s a bareness of the soul. He hears the rustle of nuns. Here comes winter in the bone. We’ve set it loose on the land. There must be some song or poem, some folk magic we can use to ease this fear. Skelly Bone Pete. Here it is in the landscape and sky. We’ve set it loose. We’ve opened up the ground and here it is. He
Don DeLillo (Libra)
I imagine the bottom of the bus falling away, me hitting the ground running, burning north up 35, cutting east on 44 at Oklahoma City, rocketing across great distances, jumping onto 55 in St. Louis, just a blur now, a bottle rocket headed north, past Springfield, Peoria, Lexington, Chenoa, Pontiac; then Chicago looming large on the horizon, me headed right for the heart of it, now supersonic, Kedzie Ave, Ashland Ave, Chinatown flashing by, digging my heels into the asphalt, making sparks fly, skidding to a stop on Lake Shore Drive, standing there in my underwear and sunglasses, my heels cooling in the morning light.
Pete Wentz (Gray)
By refocusing my mind on my mission, my responsibility to my men’s welfare, and then putting any thoughts of me completely out of the equation, I was able to recognize and adapt to a hauntingly familiar pattern of modern-day battlefield behavior while it unfolded in front of me (a leader misled by technology and misguided by hubris trying to make life-or-death decisions without the context of the guys on the ground). One
Pete Blaber (The Mission, The Men, and Me: Lessons from a Former Delta Force Commander)
The power of the guiding principles shared in this book, such as “Always listen to the guy on the ground”; “When in doubt, develop the situation”; and “Don’t get treed by a Chihuahua
Pete Blaber (The Mission, The Men, and Me: Lessons from a Former Delta Force Commander)
Fight types need to see how their condescending, moral high-ground position alienates others and perpetuates their present time abandonment. They must renounce the illusion of their own perfection and the habit of projecting perfectionistic inner critic processes onto others.
Pete Walker (Complex PTSD: From Surviving to Thriving)
For just as without night there is no day, without work there is no play, without hunger there is no satiation, without fear there is no courage, without tears there is no joy, and without anger, there is no real love. Most people, who choose or are coerced into only identifying with “positive” feelings, usually wind up in an emotionally lifeless middle ground – bland, deadened, and dissociated in an unemotional “no-man’s-land.
Pete Walker (Complex PTSD: From Surviving to Thriving)
Do you think you would like to test it with me?” Pete asked. He held out his hand, and Beatriz thought for a moment before taking it. Together they climbed onto the amber-brown dance stage and walked across the boards into the very center. They stopped and faced each other. “I don’t know how to dance,” Beatriz admitted. “I don’t either,” Pete said. “I guess we’ll figure it out.” Beatriz took his free hand and put it on her waist. “It’s cold,” Beatriz said. “It is,” Pete said. He stood a little closer to her so that they were warm together. “There’s no music,” Beatriz said. “We need the radio.” But the station had long since gone quiet, and Diablo Diablo had long since turned back into Joaquin. Pete put his voice right by Beatriz’s ear so that his breath warmed her skin, and he began to sing. It was nothing extravagant, just Patsy Cline sung in his low and uneven voice, and they began to dance. It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado’s grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt. The sound of this roused the Sorias from their sleep. Francisco looked out of his greenhouse and saw Pete and Beatriz dancing, and he missed Antonia. Antonia looked out the window of her house and saw Pete and Beatriz dancing, and she missed Francisco. Luis the one-handed took out his future love’s box of gloves from beside his bed and counted them. Nana reached for the photograph of her long-dead husband. Michael had been sleeping rolled up in his own lengthy beard, but he woke up and returned to sleep rolled up with Rosa instead. Judith looked out her window and wept with happiness to see her sister happy, and Eduardo wept, too, because he always liked to dress to match his wife when he could.
Maggie Stiefvater (All the Crooked Saints)
More and more believers are listening to authors and pastors, mainly in the progressive or even postevangelical Christian tribes, who deny PSA and, like Young, refer to it with the worst language imaginable, saying something like, “To believe in PSA is to be a worshiper of a bloodthirsty god who violates his own laws against child sacrifice in order to commit cosmic abuse and murder against his own son.” Well, is that all? Over the last several years, I have noticed this view gaining more ground in the evangelical marketplace and even among several circles of ministers I once considered likeminded friends. Denying PSA has become common among younger left-leaning Christians, the oft-called progressive evangelicals who listen to voices like Brian Zahnd, Pete Enns, or Richard Rohr.
Jared C. Wilson (The Gospel According to Satan: Eight Lies about God that Sound Like the Truth)
the other. I’m trying to catch Chloe’s eye but she’s refusing to look at me. She’s staring at the ground instead. ‘It’s okay,’ Pete says, after what seems like an age. ‘If that’s where she says she was, that’s where she was.’ He holds up a hand to interrupt Gwen’s, ‘But—’ ‘There were lots of people around,’ Pete adds. ‘Thousands of strangers. Anyone
Kerry Wilkinson (Two Sisters)
body-harming reactions to Cptsd stress: Hypervigilance Shallow and Incomplete Breathing Constant Adrenalization Armoring, i.e., Chronic muscle tightness Wear and tear from rushing and armoring Inability to be fully present, relaxed and grounded in our bodies Sleep problems from being over-activated Digestive disorders from a tightened digestive tract Physiological damage from excessive self-medication with alcohol, food or drugs
Pete Walker (Complex PTSD: From Surviving to Thriving)
not all survivors hide their outer critic. Fight types and subtypes can take the passive out of passive-aggressive and become quite aggressive. The survivor who is polarized to the outer critic often develops a specious belief that his subjectively derived standards of correctness are objective truth. When triggered, he can use the critic’s combined detective-lawyer-judge function to prosecute the other for betrayal with little or no evidence. Imagined slights, insignificant peccadilloes, misread facial expressions, and inaccurate “psychic” perceptions can be used to put relationships on trial. In the proceedings, the outer critic typically refuses to admit positive evidence. Extenuating circumstances will not be considered in this kangaroo court. Moreover any relational disappointment can render a guilty verdict that sentences the relationship to capital punishment. This is also the process by which jealousy can become toxic and run riot. On another level, the outer critic is skilled at building a case to justify occupying a higher moral ground. From this lofty position, the critic then claims the right to micromanage others. Typically this is rationalized as being for the other’s own good. This control, however, is usually wielded on an unconscious level to protect the survivor from any reenactment of early parental abuse or neglect. Micromanagement of others also devolves into a host of controlling behaviors. Fight types treat others like captive audiences, give them unsolicited performance evaluations, make unreasonable demands for improvement, and control their time schedules, social calendars and food and clothing choices. In worse case scenarios, they dramatically act out their jealousy, often without cause. At its absolute worst, outer critic relating looks like taking prisoners, not making friends.
Pete Walker (Complex PTSD: From Surviving to Thriving)