Grinding Work Quotes

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People like me know that there is no magic. There is only the grind. Work looks like magic to those unwilling to do it.
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
You lose what individualism you have, if you have enough of course, you retain some of it, but most don't have enough, so they become watchers of game shows, y’know, things like that. Then you work the 8 hour job with almost a feeling of goodness, like you’re doing something, and you get married, like marriage is a victory and you have children like having children is a victory, but most things people do are a total grind, marriage, birth, children, it’s something they HAVE to do because they have nothing else to do. There is no glory in it, no esteem, no fire, their lives are flat and the earth is full of them. Sorry, but thats the way I see it. I could not accept the snail’s pace 8-5, Johnnie Carson, merry christmas, happy new year, to me it’s the sickest of all sick things.
Charles Bukowski
From the moment I start a new novel, life’s just one endless torture. The first few chapters may go fairly well and I may feel there’s still a chance to prove my worth, but that feeling soon disappears and every day I feel less and less satisfied. I begin to say the book’s no good, far inferior to my earlier ones, until I’ve wrung torture out of every page, every sentence, every word, and the very commas begin to look excruciatingly ugly. Then, when it’s finished, what a relief! Not the blissful delight of the gentleman who goes into ecstasies over his own production, but the resentful relief of a porter dropping a burden that’s nearly broken his back . . . Then it starts all over again, and it’ll go on starting all over again till it grinds the life out of me, and I shall end my days furious with myself for lacking talent, for not leaving behind a more finished work, a bigger pile of books, and lie on my death-bed filled with awful doubts about the task I’ve done, wondering whether it was as it ought to have been, whether I ought not to have done this or that, expressing my last dying breath the wish that I might do it all over again!
Émile Zola (The Masterpiece)
The home is the center of life. It is a refuge from the grind of work, the pressure of school, and the menace of the streets. We say that at home, we can “be ourselves.” Everywhere else, we are someone else. At home, we remove our masks. The home is the wellspring of personhood. It is where our identity takes root and blossoms, where as children, we imagine, play, and question, and as adolescents, we retreat and try. As we grow older, we hope to settle into a place to raise a family or pursue work. When we try to understand ourselves, we often begin by considering the kind of home in which we were raised.
Matthew Desmond (Evicted: Poverty and Profit in the American City)
I’m going to fuck you until you’re seeing stars, Ava.” His voice is harsh as he grinds his hips against me. I whimper. “You won’t be going to work tomorrow because you won’t be able to walk. Get in the car.
Jodi Ellen Malpas (This Man (This Man, #1))
Laundry, liturgy and women's work all serve to ground us in the world, and they need not grind us down. Our daily tasks, whether we perceive them as drudgery or essential, life-supporting work, do not define who we are as women or as human beings.
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and Women's Work)
Grief is a grind. It is the work of breathing and waking and rising and moving through a world that feels emptier. A gaping hole has been torn into your existence, and everyone around you just walks right past it like it’s not even there. But all you can do is stand and stare.
Kennedy Ryan (Before I Let Go (Skyland, #1))
Basketball Rule #2 (random text from Dad) Hustle dig Grind push Run fast Change pivot Chase pull Aim shoot Work smart Live smarter Play hard Practice harder
Kwame Alexander (The Crossover)
I’m a big believer in hard work, grinding it out, and not stopping until it’s done,
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
For nothing is fixed, forever and forever and forever, it is not fixed; the earth is always shifting, the light is always changing, the sea does not cease to grind down rock. Generations do not cease to be born, and we are responsible to them because we are the only witnesses they have.
James Baldwin (Collected Essays: Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays)
Success is not just about hard work, it's about working smart. So, take a break from the grind and strategize like a pro.
Shubham Shukla (Career's Quest: Proven Strategies for Mastering Success in Your Profession: Networking and Building Professional Relationships)
how often we all try to solve problems by doing more of what’s not working—just doing it harder, grinding it out longer. We’ll do anything to avoid the lowest of the low—self-examination.
Brené Brown (Rising Strong: The Reckoning. The Rumble. The Revolution.)
We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt.
Emily St. John Mandel (Station Eleven)
If the world were full of the self-seeking individuals found in economics textbooks, it would grind to a halt because we would be spending most of our time cheating, trying to catch the cheaters, and punishing the caught. The world works as it does only because people are not the totally self seeking agents that free-market economics believes them to be. We need to design an economic system that, while acknowledging that people are often selfish, exploits other human motives to the full and gets the best out of people. The likelihood is that, if we assume the worst about people, we will get the worst out of them.
Ha-Joon Chang (23 Things They Don't Tell You About Capitalism)
There are two parts to learning craftsmanship: knowledge and work. You must gain the knowledge of principles, patterns, practices, and heuristics that a craftsman knows, and you must also grind that knowledge into your fingers, eyes, and gut by working hard and practicing.
Robert C. Martin (Clean Code: A Handbook of Agile Software Craftsmanship)
The Voyager We are all lonely voyagers sailing on life's ebb tide, To a far off place were all stripling warriors have died, Sometime at eve when the tide is low, The voices call us back to the rippling water's flow, Even though our boat sailed with love in our hearts, Neither our dreams or plans would keep heaven far apart, We drift through the hush of God's twilight pale, With no response to our friendly hail, We raise our sails and search for majestic light, While finding company on this journey to the brighten our night, Then suddenly he pulls us through the reef's cutting sea, Back to the place that he asked us to be, Friendly barges that were anchored so sweetly near, In silent sorrow they drop their salted tears, Shall our soul be a feast of kelp and brine, The wasted tales of wishful time, Are we a fish on a line lured with bait, Is life the grind, a heartless fate, Suddenly, "HUSH", said the wind from afar, Have you not looked to the heavens and seen the new star, It danced on the abyss of the evening sky, The sparkle of heaven shining on high, Its whisper echoed on the ocean's spray, From the bow to the mast they heard him say, "Hope is above, not found in the deep, I am alive in your memories and dreams when you sleep, I will greet you at sunset and with the moon's evening smile, I will light your path home.. every last lonely mile, My friends, have no fear, my work was done well, In this life I broke the waves and rode the swell, I found faith in those that I called my crew, My love will be the compass that will see you through, So don't look for me on the ocean's floor to find, I've never left the weathered docks of your loving mind, For I am in the moon, the wind and the whale's evening song, I am the sailor of eternity whose voyage is not gone.
Shannon L. Alder
Love the work: the grind, the dreaming, the distracted not-sleep, all of it. It’s the one thing in the job that will always be there, and the real pleasure in the profession. Everything else is luck.
Glen Hirshberg
But now what? Why, now comes my master, takes me right away from my work, and my friends, and all I like, and grinds me down into the very dirt! And why? Because, he says, I forgot who I was; he says, to teach me that I am only a nigger! After all, and last of all, he comes between me and my wife, and says I shall give her up, and live with another woman. And all this your laws give him power to do, in spite of God or man. Mr. Wilson, look at it! There isn't one of all these things, that have broken the hearts of my mother and my sister, and my wife and myself, but your laws allow, and give every man power to do, in Kentucky, and none can say to him nay! Do you call these the laws of my country? Sir, I haven't any country, anymore than I have any father. But I'm going to have one. I don't want anything of your country, except to be let alone,--to go peaceably out of it; and when I get to Canada, where the laws will own me and protect me, that shall be my country, and its laws I will obey. But if any man tries to stop me, let him take care, for I am desperate. I'll fight for my liberty to the last breath I breathe. You say your fathers did it; if it was right for them, it is right for me!
Harriet Beecher Stowe (Uncle Tom’s Cabin)
When I talk to anyone or read the writings of anyone who has any axe to grind, I feel that intellectual honesty and balanced judgement have simply disappeared from the face of the earth. Everyone’s thought is forensic, everyone is simply putting a “case” with deliberate suppression of his opponent’s point of view, and, what is more, with complete insensitiveness to any sufferings except those of himself and his friends.
George Orwell (Facing Unpleasant Facts: 1937-1939 (The Complete Works of George Orwell, Vol. 11))
So you, the kings, you too must reflect upon this punishment, because the immortals are here in the midst of manking, observing those who do not hold the gods in awe...but grind each other down with crooked judgements
Hesiod (Works and Days (Academic Monograph Reprint))
Someday, the universe will throw a wrench in the works and your well-oiled machine of a life will grind to a halt. And then it will keep going. Because after you got bored of crying and worrying, you took a deep breath and pushed it back into motion.
Nora McInerny Purmort (It's Okay to Laugh (Crying Is Cool Too))
Sight is seeing what's there, vision is seeing what's possible
Retin Obasohan
When the topic of self-care came up, Eve, an academic, writer and visual artist said "There is no glory in a grind that literally grinds you down to dust".
Elaine Welteroth (More Than Enough: Claiming Space for Who You Are (No Matter What They Say))
Get rid of all the cleaners, rubbish collectors, bus drivers, supermarket checkout staff and secretaries, for example, and society will very quickly grind to a halt. On the other hand, if we woke up one morning to find that all the highly paid advertising executives, management consultants and private equity directors had disappeared, society would go on much as it did before: in a lot of cases, probably quite a bit better. So,
Owen Jones (Chavs: The Demonization of the Working Class)
The only thing poverty does is grind down your nerve endings to a point that you can work harder and stoop lower than most people are willing to. It chips away a person's dreams to the point that the hopelessness shows through, and the dreamer accepts that hard work and borrowed houses are all this life will ever be.
Rick Bragg (All Over But the Shoutin')
Loving she realises is a verb. It is an act. It is not enough to say you love someone, and then forget about them, or trust a relationship will stay strong simply because you share a house or children or a life. Loving requires acts of love. It requires thinking of your spouse, doing things for them to make them happy. It requires acting in loving ways, even when you are tired, or bogged down with work, or so stressed you are waking up every night with a jaw sore from grinding your teeth. They forgot to do that, she now knows. They forgot to love each other. They expected love to continue, without putting any work into it, and today she knows this is why her marriage failed.
Jane Green (Dune Road)
Within a few years these "jokes" as we comedians call them, will have been entirely purged from my work in favour, exclusively, of grinding repetition, embarrassing silence and passive-aggressive monotony.
Stewart Lee (How I Escaped My Certain Fate)
When we overthink, we stop acting boldly and hide behind our endless streams of questions, objections, and insecurities. We drive away people and opportunities that are meant to be in our lives by overwhelming them with our expectations, stipulations, and worries. We shut off our hearts and allow our minds to work overtime, essentially turning ourselves into hamsters in wheels—endlessly grinding but going nowhere.
Mandy Hale (I've Never Been to Vegas, but My Luggage Has: Mishaps and Miracles on the Road to Happily Ever After)
This flu was clogging the whole works of the hospital. Not just the hospital, I reminded myself—the whole of Dublin. The whole country. As far as I could tell, the whole world was a machine grinding to a halt. Across the globe, in hundreds of languages, signs were going up urging people to cover their coughs.
Emma Donoghue (The Pull of the Stars)
Doing great work is a struggle. It's draining, it's demoralizing, it's frightening - not always, but it can feel that way when we're deep in the middle of it.
Ryan Holiday (Ego Is the Enemy)
Greatness is sifted through the grind, therefore don't despise the hard work now for surely it will be worth it in the end.
Sanjo Jendayi
After he saw God [Tony Amsterdam] felt really good, for around a year. And then he felt really bad. Worse than he ever had before in his life. Because one day it came over him, he began to realize, that he was never going to see God again; he was going to live out his whole remaining life, decades, maybe fifty years, and see nothing but what he had always seen. What we see. He was worse off than if he hadn’t seen God. He told me one day he got really mad; he just freaked out and started cursing and smashing things in his apartment. He even smashed his stereo. He realized he was going to have to live on and on like he was, seeing nothing. Without any purpose. Just a lump of flesh grinding along, eating, drinking, sleeping, working, crapping.” “Like the rest of us.” It was the first thing Bob Arctor had managed to say; each word came with retching difficulty. Donna said, “That’s what I told him. I pointed that out. We were all in the same boat and it didn’t freak the rest of us. And he said, ‘You don’t know what I saw. You don’t know.’
Philip K. Dick (A Scanner Darkly)
Yes. That, right there, is the difference between the heroes and the nobodies. The difference between people like you and people like me. People like me know that there is no magic. There is only the grind. Work looks like magic to those unwilling to do it.
David Wong (Futuristic Violence and Fancy Suits (Zoey Ashe, #1))
The question is, does the educated citizen know he is only a cog in an ecological mechanism? That if he will work with that mechanism his mental wealth and his material wealth can expand indefinitely? But that if he refuses to work with it, it will ultimately grind him to dust? If education does not teach us these things, then what is education for?
Aldo Leopold (A Sand County Almanac; with essays on conservation from Round River)
But the grind has begun. The windows don’t open, and even the availability of near-constant jokes about Jews and Mormons fails to stem the tide of frustration, decay. We’ve reached the end of pure inspiration, and are now somewhere else, something implying routine, or doing something because people expect us to do it, going somewhere each day because we went there the day before, saying things because we have said them before, and this seems like the work of a different sort of animal, contrary to our plan, and this is very very bad.
Dave Eggers
maybe the cure for any burnout is to work harder.
Phil Knight (Shoe Dog: A Memoir by the Creator of Nike)
There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt.
Emily St. John Mandel (Station Eleven)
Don't be concerned with other women's beauty. Only admire God's amazing work and wish them well., this earth was made to bite us in half and grind us to bone, but we were made to be kind.
Key Ballah (Preparing My Daughter For Rain)
Love can be a hell of a draw, the emotional holy grail. But love also exposes our flaws, can even draw out the worst in us. People want to perform heroic deeds, commit flagrantly dramatic acts for love. What they don't realize is that the daily grind is what is required. Instead of a single extraordinary act--slaying the dragon, throwing yourself in front of a bus--it is the repetition of small gestures over a course of years that makes love work.
Christopher Swann (Shadow of the Lions)
Because the other way wasn’t working. The waking up just to get the day over with until it was time for bed. The grinding it out was a disgrace, an affront to the honor and long shot of being alive at all.
Maria Semple (Today Will Be Different)
The hardest chore to do, and to do right, is to think. Why do you think the common man would choose labor, partially, as a distraction from his own thoughts? It is because that level of stress, he most absolutely abhors.
Criss Jami (Healology)
The waves smash against rocks, boulder thunders upon bolder. Granite men grind one another, leaving their clean sand to floor the ocean. The alternative would be for the republic to breed up a race of men who could work together without growing violent: men more interested in getting somewhere than having their own way." Haniel Long: Homestead 1892: Pittsburgh Memoranda.
Haniel Long (Pittsburgh Memoranda)
Just as he’d done to her, she slowly moved up and down, caressing him with her body, drawing out his response. He ground his teeth together, fighting not to come when she was just as determined he would. Frustrated, she wondered why he was holding back—until she heard herself moan, and realized the friction was working on her, too. The battle there in the shower was in close-combat conditions. With the clinging grip of her body she tried to wring a climax from him, locking her legs around him and pumping hard. He slowed her down with that one arm around her hips, grinding her against him and sending her response rocketing.
Linda Howard (Cry No More)
Like most marriages, ours eventually wore down all the cartilage. We were a hip needing replacement. Bone on bone, grinding, day in and day out. It worked but it was hard.
Frederick Barthelme (Elroy Nights)
Never accept yourself as a finished product. Be a finished product when you die. As long as you have breath in your lungs, expand yourself.
Brandi L. Bates
What we need are transitions that recognize the hard limits on extraction and that simultaneously create new opportunities for people to improve quality of life and derive pleasure outside the endless consumption cycle, whether through publicly funded art and urban recreation or access to nature through new protections for wilderness. Crucially, that means making sure that shorter work weeks allow people the time for this kind of enjoyment, and that they are not trapped in the grind of overwork requiring the quick fixes of fast food and mind-numbing distractions.
Naomi Klein (On Fire: The Case for the Green New Deal)
The bad ones want you to work around them and their time and the decent ones want too much time. I just don’t have it. I am in grind mode. I do not have time to be a mother, a student, a home health care worker and a girlfriend to someone. Now a fuck partner, yea I could get with that.
M.J. Sparks (Jump Off Bitches)
Smelling A Stone In The Middle Of Winter I can't remember What gravel and weeds look like. This little stone becomes important And starts to act big. I expect it to orbit the kitchen stove Any minute now. Near my nose It gets Bigger and bigger Until it's a mountain I'm lost on. This stone is different Than the stone that grinds me down All day At work. This stone Smells like the inside of your dress On a spring afternoon. It's the hard feeling in my stomach When I'm talking nonsense to you. This stone is so inviting Everyone wants to walk right into it And become a fossil.
Tom Hennen (The Heron With No Business Sense)
Sure...the boy was precocious. But having been precocious himself, Lowell was never wowed by teenagers who could recite the periodic table of elements or whatever. He was on to them. Precocious was not the same as smart, much less the same as wise, and the perfect opposite of informed - since the more you prided yourself on knowing the less you listened and the less you learned. Worse, with application less glibly gifted peers often caught up with or overtook prodigies by early adulthood, and meanwhile the kid to whom everything came so effortlessly never mastered the grind of sheer hard work.
Lionel Shriver (The Mandibles: A Family, 2029–2047)
Getting rich is about knowing what to do, who to do it with, and when to do it. It is much more about understanding than purely hard work. Yes, hard work matters, and you can't skimp on it. But it has to be directed in the right way. If you don't know yet what you should work on, the most important thing is to figure it out. You should not grind at a lot of hard work until you figure out what you should be working on.
Naval Ravikant
All those who have vantage points in their spirit... ; all those who are masters of their language; all those for whom words have a meaning; all those for whom there exist sublimities in the soul and currents of thought; all those who are the spirit of the times, and have named these currents of thought -- and I am thinking of their precise works, of that automatic grinding that delivers their spirit to the winds -- are pigs.
Antonin Artaud (Artaud Anthology)
when we sit down day after day and keep grinding, something mysterious starts to happen. A process is set into motion by which, inevitably and infallibly, heaven comes to our aid. Unseen forces enlist in our cause; serendipity reinforces our purpose.   This is the other secret that real artists know and wannabe writers don’t. When we sit down each day and do our work, power concentrates around us. The Muse takes note of our dedication.
Steven Pressfield (The War Of Art: Winning the Inner Creative Battle)
Fanfare for the Makers A cloud of witnesses. To whom? To what? To the small fire that never leaves the sky. To the great fire that boils the daily pot. To all the things we are not remembered by, Which we remember and bless. To all the things That will not notice when we die, Yet lend the passing moment words and wings. So fanfare for the Makers: who compose A book of words or deeds who runs may write As many who do run, as a family grows At times like sunflowers turning towards the light. As sometimes in the blackout and the raids One joke composed an island in the night. As sometimes one man’s kindness pervades A room or house or village, as sometimes Merely to tighten screws or sharpen blades Can catch a meaning, as to hear the chimes At midnight means to share them, as one man In old age plants an avenue of limes And before they bloom can smell them, before they span The road can walk beneath the perfected arch, The merest greenprint when the lives began Of those who walk there with him, as in default Of coffee men grind acorns, as in despite Of all assaults conscripts counter assault, As mothers sit up late night after night Moulding a life, as miners day by day Descend blind shafts, as a boy may flaunt his kite In an empty nonchalant sky, as anglers play Their fish, as workers work and can take pride In spending sweat before they draw their pay. As horsemen fashion horses while they ride, As climbers climb a peak because it is there, As life can be confirmed even in suicide: To make is such. Let us make. And set the weather fair. Louis Macneice
Louis MacNeice (Collected Poems)
He views self-monitoring as an act of modesty. It’s about accommodating oneself to situational norms, rather than “grinding down everything to one’s own needs and concerns.” Not all self-monitoring is based on acting, he says, or on working the room. A more introverted version may be less concerned with spotlight-seeking and more with the avoidance of social faux pas.
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
The way I see it, there’s work and then there’s work. And there’s a big difference between your work and your job. A job is a task done for an agreed-upon price, and work is the effort directed toward accomplishing a goal. See what I mean? A job is something you do for money. Your life’s work is done for a bigger purpose, to fulfill a calling or a dream. And when you manage to find that work—that’s when it starts feeling like play. I want that for you and for me too. Don’t allow yourself to get stuck grinding away on the job piece and lose sight of the work piece, the one that truly matters. There’s nothing admirable or respectable about laying yourself down, day in and day out, for a job you hate—not if you have a choice. Maybe you can’t up and quit the job you hate. I understand that there are extenuating circumstances that can prevent you from being able to take that leap. But if you are sticking it out because of fear or passivity, there’s nothing heroic about that. Do work that matters . . . to you.
Chip Gaines (Capital Gaines: Smart Things I Learned Doing Stupid Stuff)
That Which Cannot Be Stilled (excerpt) All my life I’ve been working, to get clean—to be clean is to be good, in America. To be clean is the grind. Except my desert is made of sand, my skin the color of sand. It gets everywhere. America is the condition—of the blood and of the rivers, of what we can spill and who we can spill it from. A dream they call it, what is American.
Natalie Díaz (Postcolonial Love Poem)
The idea that you’ll instantly move needles because you’ve never tried to move them until now is, well, delusional. Sometimes you get lucky and things are as easy as you had imagined, but that’s rarely the case. Most conversion work, most business-development work, most sales work is a grind —a lot of effort for a little movement. You pile those little movements into a big one eventually, but that fruit is way up at the top of the tree.
Jason Fried (It Doesn't Have to Be Crazy at Work)
Dear Young Black Males, You’ve got so much raw talent that’s within you. Utilize it and make your money! Don’t allow your gifts to go to waste. You don’t have to just sit back and watch other celebrities come up, get focused and get yours, too! Grind and make your dreams a reality. Put in the hard work. Be dedicated to yourself. Create an online presence and put yourself out there where people from all over the world can witness your talents. There are so many platforms online that will help propel you to where you want to be. Get busy! You know that you’ve got something special! Why not allow the world to see it? Don’t be afraid of success! Stop talking about it and be about it. Don’t doubt yourself! Just go for it! GO HARD.
Stephanie Lahart
The four to six young aides usually slept in one room, often two to a bed, then worked long days in a single room with chairs crowded around small wooden tables. Washington typically kept a small office off to the side. During busy periods, the aides sometimes wrote and copied one hundred letters per day, an exhausting grind
Ron Chernow (Alexander Hamilton)
But it’s not unprocessed grain and grape that we find on the Communion table, it’s bread and wine. Grain and grape come from God’s good earth, but bread and wine are the result of human industry. Bread and wine come about through a cooperation of the human and the divine. And herein lies a beautiful mystery. If grain and grape made bread and wine can communicate the body and blood of Christ, this has enormous implications for all legitimate human labor and industry. The mystery of the Eucharist does nothing less than make all human labor sacred. For there to be the holy sacrament of Communion there must be grain and grape, wheat fields and vineyards, bakers and winemakers. Human labor becomes a sacrament, a farmer planting wheat, a vintner tending vines, a miller grinding wheat, a winemaker crushing grapes, a woman baking bread, a man making wine, a trucker hauling bread, a grocer selling wine. Who knows what bread or what wine might end up on the Communion table as the body and blood of Christ. This is where we discover the holy mystery that all labor necessary for human flourishing is sacred. A farmer plowing his field, a worker in a bakery, a trucker hauling goods, a grocer selling wares—all are engaged in work that is just as sacred as the priest or pastor serving Communion on Sunday. The Eucharist pulls back the curtain to reveal a sacramental world.
Brian Zahnd (Water To Wine: Some of My Story)
The formation of society serves not only for defensive purposes, but is also very useful, and, indeed, absolutely necessary, as rendering possible the division of labor. If men did not render mutual assistance to each other, no one would have either the skill or the time to provide for his own sustenance and preservation: for all men are not equally apt for all work, and no one would be capable of preparing all that he individually stood in need of. Strength and time, I repeat, would fail, if every one had in person to plow, to sow, to reap, to grind corn, to cook, to weave, to stitch and perform the other numerous functions required to keep life going; to say nothing of the arts and sciences which are also entirely necessary to the perfection and blessedness of human nature.
Baruch Spinoza
Kilvin’s face broke into a great white smile. “Good. I would not have wanted to lose you to the other side of the river. Music is a fine thing, but metal lasts.” He struck the table with two huge fingers to emphasize his point. Then he made a shooing motion with the hand that held his unfinished lamp. “Go. Do not be late for work or I will keep you polishing bottles and grinding ore for another term.” As I left, I thought about what Kilvin had said. It was the first thing he had said to me that I did not agree with wholeheartedly. Metal rusts, I thought, music lasts forever. Time will eventually prove one of us right.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
The often heard lament, “I have so little time,” gives the lie to the delusion that the daily is of little significance. Everyone has exactly the same amount of time, the same twenty—four hours in which many a weary voice has uttered the gospel truth: “Sufficient unto the day is the evil thereof” (Mt 6:34, KJV). But most of us, most of the time, take for granted what is closest to us and is most universal. The daily round of sunrise and sunset, for example, that marks the coming and passing of each day, is no longer a symbol of human hopes, or of God’s majesty, but a grind, something we must grit our teeth to endure. Our busy schedules, and even urban architecture, which all too often deprives us of a sense of the sky, has diminished our capacity to marvel with the psalmist in the passage of time as an expression of God’s love for us and for all creation: It was God who made the great lights, whose love endures forever; the sun to rule in the day, whose love endures forever; the moon and stars in the night, whose love endures forever. (Ps 136: 7—9, GR) When
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and "Women's Work")
I’ve always dealt fairly in business, even when I believed someone was trying to take advantage of me. That’s one reason I have had to grind away incessantly to achieve success. In some ways I guess I’m naive. I always take a man at his word unless he’s given me a reason not to, and I’ve worked out many a satisfactory deal on the strength of a handshake. On the other hand, I’ve been taken to the cleaners often enough to make me a certified cynic.
Ray Kroc (Grinding It Out: The Making of McDonald's)
Now as always—humility and terror. Fear that the working of my pen cannot capture the grinding of my brain. It is so easy to understand why the ancients prayed for the help of a Muse. And the Muse came and stood beside them, and we, heaven help us, do not believe in Muses. We have nothing to fall back on but our craftsmanship and it, as modern literature attests, is inadequate. May I be honest; may I be decent; may I be unaffected by the technique of hucksters. If invocation is required, let this be my invocation—may I be strong and yet gentle, tender and yet wise, wise and yet tolerant. May I for a little while, only for a little while, see with the inflamed eyes of a God.
John Steinbeck (A Life in Letters)
My guess is that the indignities imposed on so many low-wage workers—the drug tests, the constant surveillance, being “reamed out” by managers—are part of what keeps wages low. If you’re made to feel unworthy enough, you may come to think that what you’re paid is what you are actually worth. It is hard to imagine any other function for workplace authoritarianism. Managers may truly believe that, without their unremitting efforts, all work would quickly grind to a halt. That is not my impression. While I encountered some cynics and plenty of people who had learned to budget their energy, I never met an actual slacker or, for that matter, a drug addict or thief. On the contrary, I was amazed and sometimes saddened by the pride people took in jobs that rewarded them so meagerly, either in wages or in recognition. Often, in fact, these people experienced management as an obstacle to getting the job done as it should be done.
Barbara Ehrenreich (Nickel and Dimed: On (Not) Getting By in America)
Trickle-down economics "So long as power remains privately concentrated, everybody, everybody, has to be committed to one overriding goal, and that's to make sure that the rich folk are happy—because, unless they are, nobody else is going to get anything. So, if you're a homeless person sleeping in the streets of Manhattan, let's say, your first concern must be that the guys in the mansions are happy—because, if they're happy, then they'll invest, and the economy will work, and things will function, and then maybe something will trickle down to you somewhere along the line. But if they're not happy, everything's going to grind to a halt, and you're not even going to get anything trickling down.
Noam Chomsky (The Quotable Chomsky)
She was fifty-three years old and lonely and oppressed; why couldn't he let her have her illusions? That was what her wounded, half-drunken eyes had seemed to be saying throughout his interrogation: Why can't I have my illusions? Because they're lies, he told her silently in his mind as he champed his jaws and swallowed the cheap food. Everything you say is a lie.(...) Everything you live by is a lie, and you want to know what the truth is? He watched her with murderous distaste as she fumbled with her spoon. They had ordered ice cream, and some of it clung to her lips as she rolled a cold mouthful on her tongue. Do you want to know what the truth is? The truth is that your fingernails are all broken and black because you're working as a laborer and God knows how we're ever going to get you out of that lens-grinding shop. The truth is that I'm a private in the infantry and I'm probably going to get my head blown off. The truth is, I don't really want to be sitting here at all, eating this goddam ice cream and letting you talk yourself drunk while all my time runs out. The truth is, I wish I'd taken my pass to Lynchburg today and gone to a whorehouse. That's the truth.
Richard Yates (A Special Providence)
Hitler is a monster of wickedness, insatiable in his lust for blood and plunder. Not content with having all Europe under his heel, or else terrorized into various forms of abject submission, he must now carry his work of butchery and desolation among the vast multitudes of Russia and of Asia. The terrible military machine, which we and the rest of the civilized world so foolishly, so supinely, so insensately allowed the Nazi gangsters to build up year by year from almost nothing, cannot stand idle lest it rust or fall to pieces. It must be in continual motion, grinding up human lives and trampling down the homes and the rights of hundreds of millions of men. Moreover it must be fed, not only with flesh but with oil.
Winston S. Churchill
For Dawkins, atheism is a necessary consequence of evolution. He has argued that the religious impulse is simply an evolutionary mistake, a ‘misfiring of something useful’, it is a kind if virus, parasitic on cognitive systems naturally selected because they had enabled a species to survive. Dawkins is an extreme exponent of the scientific naturalism, originally formulated by d’Holbach, that has now become a major worldview among intellectuals. More moderate versions of this “scientism” have been articulated by Carl Sagan, Steven Weinberg, and Daniel Dennett, who have all claimed that one has to choose between science and faith. For Dennett, theology has been rendered superfluous, because biology can provide a better explanation of why people are religious. But for Dawkins, like the other “new atheists” – Sam Harris, the young American philosopher and student of neuroscience, and Christopher Hitchens, critic and journalist – religion is the cause of the problems of our world; it is the source of absolute evil and “poisons everything.” They see themselves in the vanguard of a scientific/rational movement that will eventually expunge the idea of God from human consciousness. But other atheists and scientists are wary of this approach. The American zoologist Stephen Jay Gould (1941-2002) followed Monod in his discussion of the implications of evolution. Everything in the natural world could indeed be explained by natural selection, but Gould insisted that science was not competent to decide whether God did or did not exist, because it could only work with natural explanations. Gould had no religious axe to grind; he described himself as an atheistically inclined agnostic, but pointed out that Darwin himself had denied he was an atheist and that other eminent Darwinians - Asa Gray, Charles D. Walcott, G. G. Simpson, and Theodosius Dobzhansky - had been either practicing Christians or agnostics. Atheism did not, therefore, seem to be a necessary consequence of accepting evolutionary theory, and Darwinians who held forth dogmatically on the subject were stepping beyond the limitations that were proper to science.
Karen Armstrong
delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
Being busy helping customers meant that I had no time to train the way I was used to, with an intense four-or five-hour workout each day. So I adopted the idea of training twice a day, two hours before work and two hours from seven to nine in the evening, when business slacked off and only the serious lifters were left. Split workouts seemed like an annoyance at first, but I realized I was onto something when I saw the results: I was concentrating better and recovering faster while grinding out longer and harder sets. On many days I would add a third training session at lunchtime. I'd isolate a body part that I thought was weak and give it thirty or forty minutes of my full attention, blasting twenty sets of calf raises, say, or one hundred triceps extensions. I did the same thing some nights after dinner, coming back to train for an hour at eleven o'clock. As I went to sleep in my snug little room, I'd often feel one or another muscle that I'd traumatized that day jumping and twitching-just a side effect of a successful workout and every pleasing, because I knew those fibers would now recover and grow.
Arnold Schwarzenegger (Total Recall: My Unbelievably True Life Story)
I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better. This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
Charles Darwin (Autobiography Life and Letters of Charles Darwin, Descent of Man A Naturalist's Voyage Round the World Coral Reefs Voyage of the Beagle Origin of Species Expression of Emotion in Man and Animals)
Darwin had reasoned that evolution works via natural selection—but for natural selection to work, there had to be something natural to select. A population of organisms in the wild must have enough natural variation such that winners and losers can be picked. A flock of finches on an island, for instance, needs to possess enough intrinsic diversity in beak sizes such that a season of drought might be able to select birds with the toughest or longest beaks. Take that diversity away—force all finches to have the same beak—and selection comes up empty-handed. All the birds go extinct in a fell swoop. Evolution grinds to a halt.
Siddhartha Mukherjee (The Gene: An Intimate History)
When you reach out your vaunted strong hands for our palaces and purpled ease, we will show you what strength is. In roar of shell and shrapnel and in whine of machine-guns will our answer be couched.* We will grind you revolutionists down under our heel, and we shall walk upon your faces. The world is ours, we are its lords, and ours it shall remain. As for the host of labor, it has been in the dirt since history began, and I read history aright. And in the dirt it shall remain so long as I and mine and those that come after us have the power. There is the word. It is the king of words—Power. Not God, not Mammon, but Power.
Jack London (Jack London: The Collected Works)
M-m-master, when I was on the Quasar I had a paracoita, a doll, you see, a genicon, so beautiful with her great pupils as dark as wells, her i-irises purple like asters or pansies blooming in summer, Master, whole beds of them, I thought, had b-been gathered to make those eyes, that flesh that always felt sun-warmed. Wh-wh-where is she now, my own scopolagna, my poppet? Let h-h-hooks be buried in the hands that took her! Crush them, master, beneath stones. Where has she gone from the lemon-wood box I made for her, where she never slept at all, for she lay with me all night, not in the box, the lemon-wood box where she waited all day, watch-and-watch, Master, smiling when I laid her in so she might smile when I drew her out. How soft her hands were, her little hands. Like d-d-doves. She might have flown with them about the cabin had she not chosen instead to lie with me. W-w-wind their guts about your w-windlass, snuff their eyes into their mouths. Unman them, shave them clean below so their doxies may not know them, their lemans may rebuke them, leave them to the brazen laughter of the brazen mouths of st-st-strumpets. Work your will upon those guilty. Where was their mercy on the innocent? When did they tremble, when weep? What kind of men could do as they have done—thieves, false friends, betrayers, bad shipmates, no shipmates, murderers and kidnappers. W-without you, where are their nightmares, where are their restitutions, so long promised? Where are their abacinations, that shall leave them blind? Where are the defenestrations that shall break their bones, where is the estrapade that shall grind their joints? Where is she, the beloved whom I lost?
Gene Wolfe (The Shadow of the Torturer (The Book of the New Sun, #1))
We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
How old is she now?” “Oh, she’s twenty now.” She hesitated. She was obligated to end our little chat with a stylized flourish. The way it’s done in serial television. So she wet her little bunny mouth, sleepied her eyes, widened her nostrils, patted her hair, arched her back, stood canted and hip-shot, huskied her voice and said, “See you aroun’, huh?” “Sure, Marianne. Sure.” Bless them all, the forlorn little rabbits. They are the displaced persons of our emotional culture. They are ravenous for romance, yet settle for what they call making out. Their futile, acne-pitted men drift out of high school into a world so surfeited with unskilled labor there is competition for bag-boy jobs in the supermarkets. They yearn for security, but all they can have is what they make for themselves, chittering little flocks of them in the restaurants and stores, talking of style and adornment, dreaming of the terribly sincere stranger who will come along and lift them out of the gypsy life of the two-bit tip and the unemployment, cut a tall cake with them, swell them up with sassy babies, and guide them masterfully into the shoal water of the electrified house where everybody brushes after every meal. But most of the wistful rabbits marry their unskilled men, and keep right on working. And discover the end of the dream. They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance—with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart. Bless the bunnies. These are the new people, and we are making no place for them. We hold the dream in front of them like a carrot, and finally say sorry you can’t have any. And the schools where we teach them non-survival are gloriously architectured. They will never live in places so fine, unless they contract something incurable.
John D. MacDonald (The Deep Blue Good-By)
She needs to think you're still a couple. And you'll need to be convincing about it, too. Lots of kissing and stuff in case your mother tries to spy on you." Emma stops chewing. Galen drops his fork. "Uh, I don't think we need to take it that far-" Emma starts. "Oh, no? Teenagers don't kiss their sweethearts anymore?" Rachel crosses her arms, wagging the spatula to the beat of her tapping foot. "They do, but-" "No buts. Come on, sweetie. You think your mom's going to believe you keep your hands off Galen?" "Probably not, but-" "I said no buts. Look at you two. You're not even sitting next to each other! You need some practice, I'd say. Galen, go sit beside her. Hold her hand." "Rachel," he says, shaking his head, "this can wait-" "Fine," Emma grinds out. They both turn to her. Still frowning, she nods. "We'll make it a point to kiss and hold hands when she's around." Galen almost drops his fork again. No way. Kissing Emma is the last thing I need to do. Especially when her lips turn that red. "Emma, we don't have to kiss. She already knows I want to sleep with you." He cringes as soon as he says it. He doesn't have to look up to know the sizzling sound in the kitchen is from Rachel spitting her pineapple juice into the hot skillet. "What I mean is, I already told her I want to sleep with you. I mean, I told her I wanted to sleep with you because she already thinks I do. Want to, I mean-" If a Syrena could drown, this is what it would feel like. Emma holds up her hand. "I get it, Galen. It's fine. I told her the same thing." Rachel plops down beside Emma, wiping the juice spittle from her face with a napkin. "So you're telling me your mom thinks you two want to sleep with each other, but you don't think she'll be expecting you to kiss." Emma shakes her head and shovels a forkful of omelet into her mouth, then chases it with some juice. She says, "You're right, Rachel. We'll let her catch us making out or something." Rachel nods. "That should work." "What does that mean? Making out?" Galen says between bites. Emma puts her fork down. "It means, Galen, that you'll need to force yourself to kiss me. Like you mean it. For a long time. Think you can do that? Do Syrena kiss?" He tries to swallow the bite he forgot to chew. Force myself? I'll be lucky if I can stop myself. It had never occurred to him to kiss anyone-before he met Emma. These days, it's all he can think about, her lips on his. He decides it was better for both of them when Emma kept rejecting him. Now she's ordering him to kiss her-for a long time. Great. "Yes, they kiss. I mean, we kiss. I mean, I can force myself, if I have to." He doesn't meet Rachel's eyes as she plunks more fish onto his plate, but he can almost feel her smirking down at him. "We'll just have to plan it, that's all. Give you time to prepare," Emma tells him. "Prepare for what?" Rachel scoffs. "Kissing isn't supposed to be planned. That's why it's so fun." "Yeah, but this isn't for fun, remember?" Emma says. "This is just for show." "You don't think kissing Galen would be fun?" Emma sighs, putting her hands on her cheeks. "You know, I appreciate that you're trying to help us, Rachel. But I can't talk about this anymore. Seriously, I'm going to break out into hives. We'll make it work when the time comes." Rachel laughs and removes Emma's plate after she declines a second helping. "If you say so. But I still think you should practice.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I just wrote because I had got in the habit. You can build up an awful lot of habits in six years, and you can fill an awful lot of little black books in that time and put them in a safety-deposit box when they get full because they aren’t something to leave around and because they would be worth their weight in gold to some parties to get their hands on. Not that they ever got their hands on them, I never needed money that bad. But I had the habit of saving them. A man’s got to carry something besides a corroded liver with him out of that dark backwood and abysm of time, and it might as well be the little black books. The little black books lie up there in the safety-deposit box, and there are your works of days and hands all cozy in the dark in the little box and the world’s great axis grinds.
Robert Penn Warren (All The King's Men)
This is just a form letter,” Jules pointed out. “And as for the test, maybe she went in for a checkup. Women are supposed to do that once a year, right? She’d been in Kenya, and suddenly here she was going to this health clinic with Molly, so she figured, what the heck. Maybe this place gives pregnancy tests as part of their regular annual exam.” “Yeah,” Max said. “Maybe.” He didn’t sound convinced. “Okay. Let’s run with the worst-case scenario. She is pregnant. I know it’s not like her to have a one-night stand, but . . .” Jules said, but then stopped. His words were meant to help, but, Hey, good news—the woman you love may have gotten knocked up from a night of casual sex with a stranger were not going to provide a whole hell of a lot of comfort. It didn’t matter that the idea was less awful than the terrible alternative—that Paul Jimmo had continued to pressure Gina. And he hadn’t taken no for an answer. Which was obviously what Max was thinking, considering the way he was working to grind down his few remaining back teeth. “So,” Jules said. “Looks like our little talk didn’t exactly succeed at putting you in a better place.” It was clear, when Max didn’t respond, that he was concentrating on not leaping through the window and flying—using his rage as a form of propulsion, across the street and blasting a body-shaped hole in the wall of that building where Gina and Molly were being held prisoner—please, heavenly father, let them be in there. And Jules knew that if it turned out that Paul Jimmo had so much as touched Gina without her consent, Max would find his grave, dig up his body, bring him back to life, and then kill the son of a bitch all over again.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Thieving was not a sheer absurdity. It was a form of human industry, perverse indeed, but still an industry exercised in an industrious world; it was work undertaken for the same reason as the work in potteries, in coal mines, in fields, in tool-grinding shops. It was labour, whose practical difference from the other forms of labour consisted in the nature of its risk, which did not lie in ankylosis, or lead poisoning, or fire-damp, or gritty dust, but in what may be briefly defined in its own special phraseology as "Seven years' hard". Chief Inspector Heat was, of course, not insensible to the gravity of moral differences. But neither were the thieves he had been looking after. They submitted to the severe sanction of a morality familiar to Chief Inspector Heat with a certain resignation. They were his fellow citizens gone wrong because of imperfect education, Chief Inspector Heat believed; but allowing for that difference, he could understand the mind of a burglar, because, as a matter of fact, the mind and the instincts of a burglar are of the same kind as the mind and the instincts of a police officer. Both recognize the same conventions, and have a working knowledge of each other's methods and of the routine of their respective trades. They understand each other, which is advantageous to both, and establishes a sort of amenity in their relations. Products of the same machine, one classed as useful and the other as noxious, they take the machine for granted in different ways, but with a seriousness essentially the same. The mind of Chief Inspector Heat was inaccessible to ideas of revolt. But his thieves were not rebels. His bodily vigour, his cool, inflexible manner, his courage, and his fairness, had secured for him much respect and some adulation in the sphere of his early successes. He had felt himself revered and admired. And Chief Inspector Heat, arrested within six paces of the anarchist nicknamed the Professor, gave a thought of regret to the world of thieves--sane, without morbid ideals, working by routine, respectful of constituted authorities, free from all taint of hate and despair.
Joseph Conrad (The Secret Agent)
We have good news and bad news. The good news is that the dismal vision of human sexuality reflected in the standard narrative is mistaken. Men have not evolved to be deceitful cads, nor have millions of years shaped women into lying, two-timing gold-diggers. But the bad news is that the amoral agencies of evolution have created in us a species with a secret it just can’t keep. Homo sapiens evolved to be shamelessly, undeniably, inescapably sexual. Lusty libertines. Rakes, rogues, and roués. Tomcats and sex kittens. Horndogs. Bitches in heat.1 True, some of us manage to rise above this aspect of our nature (or to sink below it). But these preconscious impulses remain our biological baseline, our reference point, the zero in our own personal number system. Our evolved tendencies are considered “normal” by the body each of us occupies. Willpower fortified with plenty of guilt, fear, shame, and mutilation of body and soul may provide some control over these urges and impulses. Sometimes. Occasionally. Once in a blue moon. But even when controlled, they refuse to be ignored. As German philosopher Arthur Schopenhauer pointed out, Mensch kann tun was er will; er kann aber nicht wollen was er will. (One can choose what to do, but not what to want.) Acknowledged or not, these evolved yearnings persist and clamor for our attention. And there are costs involved in denying one’s evolved sexual nature, costs paid by individuals, couples, families, and societies every day and every night. They are paid in what E. O. Wilson called “the less tangible currency of human happiness that must be spent to circumvent our natural predispositions.”2 Whether or not our society’s investment in sexual repression is a net gain or loss is a question for another time. For now, we’ll just suggest that trying to rise above nature is always a risky, exhausting endeavor, often resulting in spectacular collapse. Any attempt to understand who we are, how we got to be this way, and what to do about it must begin by facing up to our evolved human sexual predispositions. Why do so many forces resist our sustained fulfillment? Why is conventional marriage so much damned work? How has the incessant, grinding campaign of socio-scientific insistence upon the naturalness of sexual monogamy combined with a couple thousand years of fire and brimstone failed to rid even the priests, preachers, politicians, and professors of their prohibited desires? To see ourselves as we are, we must begin by acknowledging that of all Earth’s creatures, none is as urgently, creatively, and constantly sexual as Homo sapiens.
Christopher Ryan (Sex at Dawn: How We Mate, Why We Stray, and What It Means for Modern Relationships)
The striking thing about Ericsson’s study is that he and his colleagues couldn’t find any ‘naturals,’ musicians who floated effortlessly to the top while practicing a fraction of the time their peers did. Nor could they find any ‘grinds,’ people who worked harder than everyone else, yet just didn’t have what it takes to break the top ranks. Their research suggests that once a musician has enough ability to get into a top music school, the thing that distinguishes one performer from another is how hard he or she works. That’s it. And what’s more, the people at the very top don’t work just harder or even much harder than everyone else. They work much, much harder. The idea that excellence at a complex task requires a critical minimum level of practice surfaces again and again in studies of excellence. In fact, researchers have settled on what they believe is the magic number for true expertise: ten thousand hours.
Malcolm Gladwell (Outliers: The Story of Success)
To take an example, therefore, from a very trifling manufacture, but one in which the division of labour has been very often taken notice of, the trade of a pin-maker: a workman not educated to this business (which the division of labour has rendered a distinct trade), nor acquainted with the use of the machinery employed in it (to the invention of which the same division of labour has probably given occasion), could scarce, perhaps, with his utmost industry, make one pin in a day, and certainly could not make twenty. But in the way in which this business is now carried on, not only the whole work is a peculiar trade, but it is divided into a number of branches, of which the greater part are likewise peculiar trades. One man draws out the wire; another straights it; a third cuts it; a fourth points it; a fifth grinds it at the top for receiving the head; to make the head requires two or three distinct operations; to put it on is a peculiar business; to whiten the pins is
Adam Smith (An Inquiry into the Nature and Causes of the Wealth of Nations)
You know, of course, that as prophesied by Moroni, there are those whose research relating to Joseph Smith is not for the purpose of gaining added light and knowledge but to undermine his character, magnify his flaws, and if possible destroy his influence. Their work product can sometimes be jarring, and so can issues raised at times by honest historians and researchers with no “axe to grind.” But I would offer you this advice in your own study: Be patient, don’t be superficial, and don’t ignore the Spirit. In counseling patience, I simply mean that while some answers come quickly or with little effort, others are simply not available for the moment because information or evidence is lacking. Don’t suppose, however, that a lack of evidence about something today means that evidence doesn’t exist or that it will not be forthcoming in the future. The absence of evidence is not proof. . . . When I say don’t be superficial, I mean don’t form conclusions based on unexamined assertions or incomplete research, and don’t be influenced by insincere seekers. I would offer you the advice of our Assistant Church Historian, Rick Turley, an intellectually gifted researcher and author whose recent works include the definitive history of the Mountain Meadows Massacre. He says simply, “Don’t study Church history too little.” While some honestly pursue truth and real understanding, others are intent on finding or creating doubts. Their interpretations may come from projecting 21st Century concepts and culture backward onto 19th Century people. If there are differing interpretations possible, they will pick the most negative. They sometimes accuse the Church of hiding something because they only recently found or heard about it—an interesting accusation for a Church that’s publishing 24 volumes of all it can find of Joseph Smith’s papers. They may share their assumptions and speculations with some glee, but either can’t or won’t search further to find contradictory information. . . . A complete understanding can never be attained by scholarly research alone, especially since much of what is needed is either lost or never existed. There is no benefit in imposing artificial limits on ourselves that cut off the light of Christ and the revelations of the Holy Spirit. Remember, “By the power of the Holy Ghost, ye may know the truth of all things.” . . . If you determine to sit still, paralyzed until every question is answered and every whisper of doubt resolved, you will never move because in this life there will always be some issue pending or something yet unexplained.
D. Todd Christofferson
I’ve sat at the piano for hours already, looking for lyrics and melodies, but everything sounds the same and I feel as uninspired as ever. Does it mean I’m finished? A more sobering thought: if I’m finished, would I miss it? But the truth is, I’ve been here before. Many times. We all have. So how do we find the faith to press on? Remember. Remember, Hebrew children, who you once were in Egypt. Remember the altars set up along the way to remind yourselves that you made the journey and God rescued you from sword and famine, from chariots and pestilence, that once you were there, but now you are here. It happened. Our memories are fallible, residing in that most complex and mysterious organ in the human body (and therefore the known universe), capable of being suppressed, manipulated, altered, but also profoundly powerful and able to transport a person to a place fifty years ago all because of a whiff of your grandfather’s cologne or an old book or the salty air. As often as you do this, do it in remembrance of me. Remember with every sip of wine that we shared this meal, you and I. Remember. So I look at the last album, the last book, and am forced to admit that I didn’t know anymore then than I do now. Every song is an Ebenezer stone, evidence of God’s faithfulness. I just need to remember. Trust is crucial. So is self-forgetfulness and risk and a measure of audacity. And now that I think about it, there’s also wonder, insight, familiarity with Scripture, passion, a good night’s sleep, breakfast (preferably an egg sandwich), an encouraging voice, diligence, patience. I need silence. Privacy. Time—that’s what I need: more time. But first I need a vacation, because I’ve been really grinding away at this other stuff and my mental cache is full. A deadline would be great. I work best with deadlines, and maybe some bills piling up. Some new guitar strings would help, and a nice candle. And that’s all I need, in the words of Steve Martin’s The Jerk. This is the truth: all I really need is a guitar, some paper, and discipline. If only I would apply myself.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
In the place Calliope had bled, a trail of corn sprouted behind her. She picked the two tallest corn shoots then sat beside two large, smooth stone metates for grinding. From within her husk rebozo, she pulled a mano, shucked the corn, laid it on the altar, and with the mano in both hands, she began moving with the weight of her whole body, the strength of her shoulders and back pressing down through her arms, back and forth, shearing, until the corn became a fine yellow powder. The Ancients sang her on as she worked. When the Earth has had enough, she will shake her troubles off. She will shake her troublemakers off. She scooped this and mashed it into the butter of her hands. Rolled it into a ball, flattened it again. Shaped and shaped until the corn grew into a child, who sprang from the stone of her hands, laughing. For she was finished, and sank into the earth, solid, hardened, at peace. And as her corn-made child ran from the mound to the grass below, the spirits intoned. The Earth has all the power she needs. When she decides to use her power, you will know.
Jennifer Givhan (Trinity Sight)
Mom?” Then again, louder. “Mom?” She turned around so quickly, she knocked the pan off the stove and nearly dropped the gray paper into the open flame there. I saw her reach back and slap her hand against the knobs, twisting a dial until the smell of gas disappeared. “I don’t feel good. Can I stay home today?” No response, not even a blink. Her jaw was working, grinding, but it took me walking over to the table and sitting down for her to find her voice. “How—how did you get in here?” “I have a bad headache and my stomach hurts,” I told her, putting my elbows up on the table. I knew she hated when I whined, but I didn’t think she hated it enough to come over and grab me by the arm again. “I asked you how you got in here, young lady. What’s your name?” Her voice sounded strange. “Where do you live?” Her grip on my skin only tightened the longer I waited to answer. It had to have been a joke, right? Was she sick, too? Sometimes cold medicine did funny things to her. Funny things, though. Not scary things. “Can you tell me your name?” she repeated. “Ouch!” I yelped, trying to pull my arm away. “Mom, what’s wrong?” She yanked me up from the table, forcing me onto my feet. “Where are your parents? How did you get in this house?” Something tightened in my chest to the point of snapping. “Mom, Mommy, why—” “Stop it,” she hissed, “stop calling me that!” “What are you—?” I think I must have tried to say something else, but she dragged me over to the door that led out into the garage. My feet slid against the wood, skin burning. “Wh-what’s wrong with you?” I cried. I tried twisting out of her grasp, but she wouldn’t even look at me. Not until we were at the door to the garage and she pushed my back up against it. “We can do this the easy way or the hard way. I know you’re confused, but I promise that I’m not your mother. I don’t know how you got into this house, and, frankly, I’m not sure I want to know—” “I live here!” I told her. “I live here! I’m Ruby!” When she looked at me again, I saw none of the things that made Mom my mother. The lines that formed around her eyes when she smiled were smoothed out, and her jaw was clenched around whatever she wanted to say next. When she looked at me, she didn’t see me. I wasn’t invisible, but I wasn’t Ruby. “Mom.” I started to cry. “I’m sorry, I didn’t mean to be bad. I’m so sorry, I’m so sorry! Please, I promise I’ll be good—I’ll go to school today and won’t be sick, and I’ll pick up my room. I’m sorry. Please remember. Please!” She put one hand on my shoulder and the other on the door handle. “My husband is a police officer. He’ll be able to help you get home. Wait in here—and don’t touch anything.” The door opened and I was pushed into a wall of freezing January air. I stumbled down onto the dirty, oil-stained concrete, just managing to catch myself before I slammed into the side of her car. I heard the door shut behind me, and the lock click into place; heard her call Dad’s name as clearly as I heard the birds in the bushes outside the dark garage. She hadn’t even turned on the light for me. I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
To take an example, therefore, from a very trifling manufacture; but one in which the division of labour has been very often taken notice of, the trade of the pin-maker; a workman not educated to this business (which the division of labour has rendered a distinct trade), nor acquainted with the use of the machinery employed in it (to the invention of which the same division of labour has probably given occasion), could scarce, perhaps, with his utmost industry, make one pin in a day, and certainly could not make twenty. But in the way in which this business is now carried on, not only the whole work is a peculiar trade, but it is divided into a number of branches, of which the greater part are likewise peculiar trades. One man draws out the wire, another straights it, a third cuts it, a fourth points it, a fifth grinds it at the top for receiving, the head; to make the head requires two or three distinct operations; to put it on is a peculiar business, to whiten the pins is another; it is even a trade by itself to put them into the paper; and the important business of making a pin is, in this manner, divided into about eighteen distinct operations, which, in some manufactories, are all performed by distinct hands, though in others the same man will sometimes perform two or three of them. I have seen a small manufactory of this kind where ten men only were employed, and where some of them consequently performed two or three distinct operations. But though they were very poor, and therefore but indifferently accommodated with the necessary machinery, they could, when they exerted themselves, make among them about twelve pounds of pins in a day. There are in a pound upwards of four thousand pins of a middling size. Those ten persons, therefore, could make among them upwards of forty-eight thousand pins in a day. Each person, therefore, making a tenth part of forty-eight thousand pins, might be considered as making four thousand eight hundred pins in a day. But if they had all wrought separately and independently, and without any of them having been educated to this peculiar business, they certainly could not each of them have made twenty, perhaps not one pin in a day; that is, certainly, not the two hundred and fortieth, perhaps not the four thousand eight hundredth part of what they are at present capable of performing, in consequence of a proper division and combination of their different operations.
Adam Smith (The Wealth of Nations)
The curve of her bare breast filled my palm, and we both made a noise of pleasure. I tweaked the hard bead of her nipple, loving the way her lids fluttered as her lips parted. She arched into the touch, her head tilting to the side. I kissed my way along her neck, pinching that sweet nipple, tugging it. Oh, but she liked that, whimpering and wiggling, lifting those sweet tits up higher in encouragement. I dipped down and dragged my tongue along one beaded tip. The sound she made was so dirty, hot, and greedy my dick pulsed. Holding that succulent breast plumped in the palm of my hand, I licked, sucked, and kissed it the way I'd been dying to. "Lucian..." She needed more, her hips grinding on my thigh with uncoordinated motions. My free hand moved to her ass---that spectacular ass----and gripped it. I hauled her up close, my mouth finding hers. "Ride me, honey." I worked her on my thigh, holding her ass as she rocked the slick heat of her sex up and down its length. Emma's breasts tickled my chest with every upward thrust, her lips feathering over mine. Our breath mingled, and I stole a kiss, messy and frantic. My cock throbbed for release, fucking ached for it. But watching her lids flutter, the way her gorgeous face strained with pleasure, made it worth the torture. "I'm going to come if you..."----she gasped, nibbled my lower lip----"keep doing that." "Good," I grunted, flexing my thigh, bouncing her. Oh, she loved that. "Come all over me, honey. Let me see you move." Her head fell to my shoulder, her lips nuzzling my neck. She rocked and ground on my thigh, getting it hot and wet. But her clever hand slid down and found my needy dick once more. I made a noise that sounded a lot like pain, but it was unadulterated pleasure that had me pushing up into the clasp of her hand. "Not without you," she said, jacking my length. Our mouths met, and the kiss became a wild thing. I kissed her until I couldn't breathe, then kissed her again. And she moved on me, her hand stroking and pulling. Heat swarmed my skin, licked up my cock. My abs clenched as I groaned, curling myself around her with a shudder of pure lust. "I'm close." "Are you?" "Yeah." Panting now, we worked with each other, harder, faster. The air steamed, and she trembled. "Now, Lucian. Now." "Fuck." "Oh!" Her deep moan, the way she clenched all around me as her orgasm shuddered through her slim frame, set me off. I released with a shout, pulsing so hard my head went light.
Kristen Callihan (Make It Sweet)
Does God get what God wants? That’s a good question. An interesting question. And it’s an important question that has given us much to discuss. But there’s a better question. One that we actually can answer. One that takes all of the speculation about the future, which no one has been to and returned with hard empirical evidence, and brings it back to one absolute we can depend on in the midst of all of this which turns out to be another question. It’s not, “Does God get what God wants?” but “Do we get what we want?” and the answer to that is a resounding, affirming, sure and certain yes. Yes, we get what we want, God is that loving. If we want isolation, despair, and the right to be our own god, God graciously grants us that option. If we insist on using our God-given power and strength to make the world in our own image, God allows us that freedom and we have that kind of license to do that. If we want nothing to do with light, love, hope, grace, and peace God respects that desire on our part and we are given a life free from any of those realities. The more we want nothing to do with what God is, the more distance and space is created. If we want nothing to do with love, we are given a reality free from love. If, however, we crave light, we’re drawn to truth, we’re desperate for grace, we’ve come to the end of our plots and schemes and we want someone else’s path, God gives us what we want. If we have this sense that we have wandered far from home and we want to return, God is there standing in the driveway arms open, ready to invite us in. If we thirst for Shalom and we long for the peace that transcends all understanding, God doesn’t just give, they are poured out on us lavishly, heaped until we are overwhelmed. It’s like a feast where the food and wine do not run out. These desires can start with the planting of an infinitesimally small seed in our heart, or a yearning for life to be better, or a gnawing sense that we are missing out, or an awareness that beyond the routine and grind of life there is something more, or the quiet hunch that this isn’t all there is. It often has it’s birth in the most unexpected ways, arising out of our need for something we know we do not have, for someone we know we are not. And to that, that impulse, craving, yearning, longing, desire God says, “Yes!”. Yes there is water for that thirst, food for that hunger, light for that darkness, relief for that burden. If we want hell, if we want heaven then they are ours. that’s how love works, it can’t be forced, manipulated, or coerced. It always leaves room for the other to decide. God says, “yes”, we can have what we want because love wins.
Rob Bell (Love Wins: A Book About Heaven, Hell, and the Fate of Every Person Who Ever Lived)
Books? Yes, I read a lot, I’ve always read a lot. No, I’m not sure we do understand each other. I like to read best on the floor, or in bed, almost everything lying down, no, it has less to do with the books, above all it has to do with the reading, with black on white, with the letters, syllables, lines, the signs, the setting down, this inhuman fixing, this insanity, which flows from people and is frozen into expression. Believe me, expression is insanity, it arises out of our insanity. It also has to do with turning pages, with hunting from one page to the other, with flight, with complicity in an absurd, solidified effusion, with a vile overflow of verse, with insuring life in a single sentence, and, in turn, with the sentences seeking insurance in life. Reading is a vice which can replace all other vices or temporarily take their place in more intensely helping people live, it is a debauchery, a consuming addiction. No, I don’t take any drugs, I take books, of course I have certain preferences, many books don’t suit me at all, some I take only in the morning, others at night, there are books I don’t ever let go, I drag them around with me in the apartment, carrying them from the living room into the kitchen, I read them in the hall standing up, I don’t use bookmarks, I don’t move my lips while reading, early on I learned to read very well, I don’t remember the method, but you ought to look into it, they must have used an excellent method in our provincial elementary schools, at least back then when I learned to read. Yes I also realized, but not until later, that there are countries where people don’t know how to read, at least not quickly, but speed is important, not only concentration, can you please tell me who can keep chewing on a simple or even a complex sentence without feeling disgust, either with the eyes or the mouth, just keep on grinding away, over and over, a sentence which only consists of subject and predicate must be consumed rapidly, a sentence with many appositions must for that very reason be taken at tremendous speed, with the eyeballs performing an imperceptible slalom, since a sentence doesn’t convey anything to itself, it has to “convey” something to the reader. I couldn’t “work my way through” a book, that would almost be an occupation. There are people, I tell you, you come across the strangest surprises in this field of reading . . . I do profess a certain weakness for illiterates, I even know someone here who doesn’t read and doesn’t want to, a person who has succumbed to the vice of reading more easily understands such a state of innocence, really unless people are truly capable of reading they ought not to read at all.
Ingeborg Bachmann (Malina)
Fritz.” The butler rushed over from the crudité arrangement he was working on. “Yes, master! I am eager to be of aid.” “Take this.” iAm peeled the cat off himself, prying both of its front claws out of his fleece. “And do whatever it is you do with it.” As he turned away, he felt like glancing back and making sure G*dd*mn was okay. But why the fuck would he do that? He had to get to Sal’s and check on his staff. Usually he hit the restaurant in the early afternoon, but shit had not been “usual,” what with that migraine: Every time his brother had one, they both got a headache. Now, though, with Trez rebounding and no doubt soon to be on the grind with that Chosen, it was time to get back on his own track. If only to keep himself from going psychotic. Jesus Christ, Trez was now going to fuck that female. And God only knew where that was going to land them all. Just as he hit the exit, he called out over his shoulder, “Fritz.” Through the din of First Meal prep, the doggen answered back, “Yes, master?” “I never find any seafood in this place. Why is that?” “The King does not favor any manner of fin.” “Would he allow it in here?” “Oh, yes, master. Just not upon his table, and certainly never upon his plate.” iAm stared at the panels of the door in front of him. “I want you to get some fresh salmon and poach it. Tonight.” “But of course. I will not have it ready afore First Meal for you—” “Not for me. I hate fish. It’s for G*dd*mn Cat. I want him served that regularly.” He pushed the door open. “And get him some fresh veggies. What kind of cat food does he eat?” “Only the best. Hill’s Science Diet.” “Find out what is in his food—and then I want everything hand-prepared. Nothing out of the bag for him from now on.” Approval bloomed in the old doggen’s voice: “I’m sure Master Boo will appreciate your special interest.” “I’m not interested in that bag of fur.” -iAm, Fritz, & Boo
J.R. Ward (The King (Black Dagger Brotherhood, #12))
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Don’t think, muñeca. Everything will work itself out.” “But--” “No buts. Trust me.” My mouth closes over hers. The smell of rain and cookies eases my nerves. My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button. “Come to me,” I say, then lift her until she’s straddling me over my bike. I can’t stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we’re together like this, hell, I can’t think of anything else but her. “I’m losing control,” she admits, biting her lower lip. I love those lips. “Mamacita, I’ve already lost it,” I say, grinding against her so she knows exactly how much control I’ve lost. She moves her hips in a slow rhythm against me, an invitation I don’t deserve. My fingertips graze her mouth. She kisses them before I slowly slide my hand down her chin to her neck and in between her breasts. She catches my hand. “I don’t want to stop, Alex.” I cover her body with mine. I can easily take her. Hell, she’s asking for it. But God help me if I don’t grow a conscience. It’s that loco bet I made with Lucky. And what my mom said about how easy it is to get a girl pregnant. When I made the bet, I had no feelings for this complex white girl. But now…shit, I don’t want to think about my feelings. I hate feelings; they’re only good for screwing up someone’s life. And may God strike me down right now because I want to make love to Brittany, not fuck her on my motorcycle like some cheap whore. I move my hands away from her cuerpo perfecto, the first sane thing I’ve done tonight. “I can’t take you like this. Not here,” I say, my voice hoarse from emotion overload. This girl was going to gift me with her body, even though she knows who I am and what I’m about to do. The reality is hard to swallow. I expect her to be embarrassed, maybe even mad. But she curls into my chest and hugs me. Don’t do this to me, I want to say. Instead I wrap my arms around her and hold on tight. “I love you,” I hear her say so softly it might have been her thoughts. Don’t, I’m tempted to say. ¡Noǃ ¡Noǃ My gut twists and I hold her tighter. Dios mío, if things were different I’d never give her up. I burrow my face in her hair and fantasize about stealing her away from Fairfield. We stay that way for a long time, long after the rain stops and reality sets in.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Unchopping a Tree. Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work. It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that. Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground. At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved
W.S. Merwin