Greenhouse Glass Quotes

We've searched our database for all the quotes and captions related to Greenhouse Glass. Here they are! All 38 of them:

I know it’s not much—” “No one has ever done anything like this for me.” He shook his head in awe, looking back at the greenhouse. “No one.” “It’s just a dinner,” she said, rubbing her neck and walking to the table, if only because the urge to go to him was so strong that she needed a table between them.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
She was awake, alive, full of ideas like branches in a greenhouse, growing thick and rife against the glass.
Carolina De Robertis (The Invisible Mountain)
He's outwardly respectable. (They say he cheats at cards.) And his footprints are not found in any file of Scotland Yard's. And when the larder's looted, or the jewel-case is rifled, Or when the milk is missing, or another Peke's been stifled, Or the greenhouse glass is broken, and the trellis past repair - Ay, there's the wonder of the thing! Macavity's not there! And when the Foreign Office find a Treaty's gone astray, Or the Admiralty lose some plans and drawings by the way, There may be a scrap of paper in the hall or on the stair - But it's useless to investigate - Mcavity's not there! And when the loss has been disclosed, the Secret Service say: 'It must have been Macavity!' - but he's a mile away. You'll be sure to find him resting, or a-licking of his thumbs, Or engaged in doing complicated long-division sums. Macavity, Macavity, there's no one like Macavity, There never was a Cat of such deceitfulness and suavity. He always has an alibi, and one or two to spaer: At whatever time the deed took place - MACAVITY WASN'T THERE! And they say that all the Cats whose wicked deeds are widely known (I might mention Mungojerrie, I might mention Griddlebone) Are nothing more than agents for the Cat who all the time Just controls their operations: the Napoleon of Crime!
T.S. Eliot (Old Possum's Book of Practical Cats)
She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside. And then there was the ride home, where he did things to her neck and ear that made her forget her own name. They managed to straighten themselves out as they reached the castle gates, and kept a respectable distance as they walked back to her room, though every inch of her felt so alive and burning that it was a miracle she made it back to her door without pulling him into a closet.But then they were inside her rooms, and then at her bedroom door, and he paused as she took his hand to lead him in. “Are you sure?” She lifted a hand to his face, exploring every curve and freckle that had become so impossibly precious to her. She had waited once before—waited with Sam, and then it had been too late. But now, there was no doubt, no shred of fear or uncertainty, as if every moment between her and Chaol had been a step in a dance that had led to this threshold. “I’ve never been so sure of anything in my life,” she told him. His eyes blazed with hunger that matched her own, and she kissed him again, tugging him into her bedroom. He let her pull him, not breaking the kiss as he kicked the door shut behind them.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Okay, so we have a ghost-spy.” “A ghost-spy who can do magic,” Jenna added. I nodded. “Even better. Which means that maybe the playing field is leveled after all.” Jenna squeezed my hand, and I was actually feeling kind of optimistic as we approached the greenhouse. I mean, I wasn’t going to start skipping or anything (mostly because I was afraid I’d slip in all the muck), but all in all, I felt worlds better. Through the glass walls of the greenhouse, I could see most of the other students standing in a circle, and I was in a good enough mood to joke to Jenna, “Ooh, wonder if we’re gonna play Duck, Duck, Demon.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
So Chaol brushed away her tears, lifted her chin, and kissed her. The kiss obliterated her. It was like coming home or being born or suddenly finding an entire half of herself that had been missing. His lips were hot and soft against hers—still tentative, and after a moment, he pulled back far enough to look into her eyes. She trembled with the need to touch him everywhere at once, to feel him touching her everywhere at once. He would give up everything to go with her. She twined her arms around his neck, her mouth meeting his in a second kiss that knocked the world out from under her. She didn’t know how long they stood on that roof, tangled up in each other, mouths and hands roving until she moaned and dragged him through the greenhouse, down the stairs, and into the carriage waiting outside.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
The greenhouse was made entirely of glass. Its ceiling reached five stories high, tall enough to fit a variety of fruit-bearing trees and vines. Butterflies flitted between sparkling flowers. Honeybees collected pollen for their hive, which conveniently drip honey right into glass jars. And watermelons, root beer melons, and orangeade melons grew along trellises.
Suzanne Selfors (Once Upon A Pet : A Collection of Little Pet Stories)
They never knew, about that or why I left. Their own innocence, the reason I couldn’t tell them; perilous innocence, closing them in glass, their articial garden, greenhouse. They didn’t teach us about evil, they didn’t understand about it, how could I describe it to them? They were from another age, prehistoric, when everyone got married and had a family, children growing in the yard like sunowers; remote as Eskimoes or mastodons.
Margaret Atwood (Surfacing)
Midsummer of the year I ran away, Lia and I had discovered we liked to tan with our tops off in the old greenhouse. It was ripe with oxygen. Smashed pots everywhere. We dragged cushions from our own bedrooms to lie on, and opened up the panels in the glass roof for air. We were closed in but it was our own decision, for once. The glossy leaves of abandoned foliage sheltered our bodies. We had not yet learned that they were shameful.
Sophie Mackintosh (The Water Cure)
Charles had climbed on a bench and was calling out that he had something to say, creating a racket that quickly got the attention of the room. Everyone looked immensely surprised, including Tessa and Will. Sona frowned, clearly thinking Charles was very rude. She didn’t know the half of it, Cordelia thought darkly. “Let me be the first to raise a glass to the happy couple!” said Charles, doing just that. “To James Herondale and Cordelia Carstairs. I wish to add personally that James, my brother’s parabatai, has always been like a younger brother to me.” “A younger brother he accused of vandalizing greenhouses across our fair nation,” muttered Will. “As for Cordelia Carstairs—how to describe her?” Charles went on. “Especially when one has not bothered to get to know her at all,” murmured James. “She is both beautiful and fair,” said Charles, leaving Cordelia to wonder what the difference was, “as well as being brave. I am sure she will make James as happy as my lovely Grace makes me.” He smiled at Grace, who stood quietly near him, her face a mask. “That’s right. I am formally announcing my intention to wed Grace Blackthorn. You will all be invited, of course.” Cordelia glanced over at Alastair; he was expressionless, but his hands, jammed into his pockets, were fists. James had narrowed his eyes. Charles went on merrily. “And lastly, my thanks go out to the folk of the Enclave, who supported my actions as acting Consul through our recent troubles. I am young to have borne so much responsibility, but what could I say when duty called? Only this. I am honored by the trust of my mother, the love of my bride-to-be, and the belief of my people—” “Thank you, Charles!” James had appeared at Charles’s side and done something rather ingenious with his feet that caused the bench Charles had been standing on to tip over. He caught Charles around the shoulder as he slid to the floor, clapping him on the back. Cordelia doubted most people in the room had noticed anything amiss. “What an excellent speech!” Magnus Bane, looking fiendishly amused, snapped his fingers. The loops of golden ribbons dangling from the chandeliers formed the shapes of soaring herons while “For He’s a Jolly Good Fellow” began to play in ghostly fashion on the unmanned piano. James hustled Charles away from the bench he had clambered onto and into a crowd of well-wishers. The room, as a whole, seemed relieved. “We have raised a fine son, my darling,” Will said, kissing Tessa on the cheek.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
The Plain Sense of Things" After the leaves have fallen, we return To a plain sense of things. It is as if We had come to an end of the imagination, Inanimate in an inert savoir. It is difficult even to choose the adjective For this blank cold, this sadness without cause. The great structure has become a minor house. No turban walks across the lessened floors. The greenhouse never so badly needed paint. The chimney is fifty years old and slants to one side. A fantastic effort has failed, a repetition In a repetitiousness of men and flies. Yet the absence of the imagination had Itself to be imagined. The great pond, The plain sense of it, without reflections, leaves, Mud, water like dirty glass, expressing silence Of a sort, silence of a rat come out to see, The great pond and its waste of the lilies, all this Had to be imagined as an inevitable knowledge, Required, as a necessity requires.
Wallace Stevens
Look at it!” George’s voice shuddered with barely contained awe. “Look at it! Don’t you want to experience it? Don’t you want to be brave? You are not a gentle flower who spends its whole life in a greenhouse. You are a wildfire, Lark. A wildfire.” A sun burst on the images, its violent fury drowning the cosmos. “Dare to take that step and I will show you wonders beyond your imagination. I will give you a chance to make a difference. Come with me.” George offered his hand to her. “Live. Join me or not, but live, gods damn you, because I cannot stand the thought of you slowly aging here like some dusty fossil under glass. Take my hand and bring your sword. The universe is waiting.
Ilona Andrews (Sweep in Peace (Innkeeper Chronicles, #2))
I catch my reflection in the windowpane of the greenhouse, and even with the rippled glass, I can see the pain right there in my golden eyes. A pain I’m trying to deny. My pride was hurt, sure, but my heart was hurt more. Because Rip felt like more. Almost. He was my almost more.
Raven Kennedy (Gleam (The Plated Prisoner, #3))
I’m sure the topography of our lawn dictated how I batted in the years to come. There was a greenhouse at mid-wicket and a privet hedge, about two or three feet high, beyond a path on the offside. So it was dangerous to hit anything to mid-wicket or there would be the grim tinkle of broken glass; but there were no such hazards on the offside.
Vic Marks (Original Spin: Misadventures in Cricket)
I really hope you like this," he says again, and flings open the door. It's a glass room, a greenhouse, I realize. Within are tulips, hundreds, of all colors. Tulips bloom in the middle of July in Desi's lake house. In their own special room for a very special girl. "I know tulips are your favorite, but the season is so short," Desi said. "So I fixed that for you. They'll bloom year-round.
Gillian Flynn (Gone Girl)
Before I forget to say it: Thank you. This is …” He examined the glittering greenhouse again, then looked out to the river beyond the glass walls. “This is …” He shook his head once more, setting down his glass, and she caught a glimmer of silver in his eyes that made her heart clench. He blinked it away and looked back at her with a small smile. “No one has thrown me a birthday party since I was a child.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Along with everyone else, I looked up. Standing in the doorway was a redheaded girl. Two clouds bumped up above, skidding past each other, and let down a beam of light. This beam struck the glass roof of the greenhouse. Passing through the hanging geraniums, it picked up the rosy light which now, in a kind of membrane, enveloped the girl. It was also possible that the sun wasn’t doing this at all, but a certain intensity, a soul ray, from my eyes.
Jeffrey Eugenides (Middlesex)
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
Speaking of debutantes,” Jake continued cautiously when Ian remained silent, “what about the one upstairs? Do you dislike her especially, or just on general principle?” Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, “Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party.” “I can see how bothersome that musta been,” Jake joked, “having someone like her, with a face that men dream about, tryin’ to seduce you, usin’ feminine wiles on you. Did they work?” Slamming the glass down on the table, Ian said curtly, “They worked.” Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire. Trying to suppress his avid curiosity, Jake waited a few minutes before asking, “Then what happened?” Already engrossed in reading the documents in his hand, Ian said absently and without looking up, “I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed.” The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract. “And?” Jake demanded avidly. “And what?” “And then what happened-after the brother barged in?” “He took exception to my having contemplated marrying so far above myself and challenged me to a duel,” Ian replied in a preoccupied voice as he made another note on the contract. “So what’s the girl doin’ here now?” Jake asked, scratching his head in bafflement over the doings of the Quality. “Who the hell knows,” Ian murmured irritably. “Based on her behavior with me, my guess is she finally got caught in some sleezy affair or another, and her reputation’s beyond repair.” “What’s that got to do with you?” Ian expelled his breath in a long, irritated sigh and glanced at Jake with an expression that made it clear he was finished answering questions. “I assume,” he bit out, “that her family, recalling my absurd obsession with her two years ago, hoped I’d come up to scratch again and take her off their hands.” “You think it’s got somethin’ to do with the old duke talking about you bein’ his natural grandson and wantin’ to make you his heir?” He waited expectantly, hoping for more information, but Ian ignored him, reading his documents. Left with no other choice and no prospect for further confidences, Jake picked up a candle, gathered up some blankets, and started for the barn. He paused at the door, struck by a sudden thought. “She said she didn’t send you any note about meetin’ her in the greenhouse.” “She’s a liar and an excellent little actress,” Ian said icily, without taking his gaze from the papers. “Tomorrow I’ll think of some way to get her out of here and off my hands.” Something in Ian’s face made him ask, “Why the hurry? You afraid of fallin’ fer her wiles again?” “Hardly.” “Then you must be made of stone,” he teased. “That woman’s so beautiful she’d tempt any man who was alone with her for an hour-includin’ me, and you know I ain’t in the petticoat line at all.” “Don’t let her catch you alone,” Ian replied mildly. “I don’t think I’d mind.” Jake laughed as he left.
Judith McNaught (Almost Heaven (Sequels, #3))
Hesitantly, I follow her up the steps to a metal door. When she opens it, I let out a gasp. A large dome glitters in the sun. Garrance opens up another door, this one glass, and I'm rendered speechless as a plethora of scents and humid air hit me, wrapping me up in Mother Nature's embrace. I'm in the islands. I'm in heaven. And I'm on a roof in Paris. I need a crane to pick up my jaw. "This is my climate-controlled greenhouse, my pride and joy." This slice of Parisian paradise is filled from floor to ceiling with tropical plants like orchids and flowering trees, moths, butterflies, and bees floating from flower to flower---not to mention the exotic birds---cockatoos, parakeets, and a couple of parrots, their plumage in reds, greens, blues, oranges, and whites.
Samantha Verant (The Spice Master at Bistro Exotique)
15 million years ago ice sheets began forming over Greenland, and by the beginning of the Quaternary the cooling had passed the threshold for the North Pole’s ice cap to begin expanding. We entered the current phase of pulsing ice ages.23 It seems the Earth has been committed to a concerted effort towards cooling down. What grand-scale planetary processes have been conspiring to drive this global chilling? Gases like carbon dioxide and methane, as well as water vapour, in the atmosphere act like the panes of glass in a greenhouse: they allow the short-wavelength visible sunlight to shine right through and heat the Earth, but block the longer-wavelength infrared light given off by the warm planet surface. The effect of these greenhouse gases is to trap heat energy from escaping back into space, and so insulate the planet, leading to higher temperatures. Any mechanism that reduces the amount of these greenhouse gases in the air will therefore drive a global cooling.
Lewis Dartnell (Origins: How the Earth Shaped Human History)
How's that for self-sufficiency?" said Steinmetz. "Chateau Lunar Chardonnay, 1989. Not exactly a premier vintage. Only had enough grapes to make four bottles. Should have allowed the vines in the greenhouses to mature another year, but we got impatient." "I see you even made your own bottle," observed Hudson. "Yes, our pilot chemical plant is in full operation now. We've increased our output to where we can process almost two tons of lunar-soil materials into two hundred pounds of a bastard metal or five hundred pounds of glass in fifteen days.
Clive Cussler (Cyclops (Dirk Pitt, #8))
The roof of the apothecary was an enclosed glass greenhouse, filled with flowers and potted plants and fruit trees that had been hung with little glittering lights. The whole place had been transformed into a garden out of an ancient legend. The air was warm and sweet, and by the windows overlooking the expanse of the Avery River stood a small table set for two.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
The room beyond was quite long and wider than the shop and it was swimming in light pouring down from a glass roof. It had the peculiar but magical air of being larger on the inside than the outside. This was one of the classic nineteenth-century workshops that are still to be found throughout Paris behind even the most bourgeois façades of carved stone. Very often the backs of buildings were extended to cover part of the inner courtyard and the space roofed over with panels of glass, like a giant greenhouse.
Thad Carhart (The Piano Shop on the Left Bank: Discovering a Forgotten Passion in a Paris Atelier)
Because every time my mind wanders, it saunters right back to him. I pluck a piece of lifted ice off the glass wall next to me, like plucking a petal from a flower. A wish to garner from a fractioned shard. As I’m looking down at it in my gloved palm, I hear voices in the distance. Dropping the ice on the ground, I peer around the corner of the greenhouse. A few hundred feet away, there’s a stable. The stone structure is hitched with a large round pen, and inside, there’s a thick-furred horse being lunged in circles by its handler.
Raven Kennedy (Gleam (The Plated Prisoner, #3))
If her mother saw her now, she’d send her right back to the greenhouse, or, as Persephone had come to refer to it, the glass prison.
Scarlett St. Clair (A Touch of Darkness (Hades & Persephone, #1))
Instead of canals, a magical four-story central courtyard faces the interior walls. A greenhouse of sorts. The roof is glass and the floor is a sensuous garden filled with freestanding columns, whimsical twelfth-century lion stylobates, and all manner of statuary. A Roman mosaic sits at the center, surrounded by an ever-changing installation of flowers and shrubs. A pair of towering palm trees reach up to the sunlight, climbing beyond the third floor.
Barbara A. Shapiro (The Art Forger)
It was as Frank said: the Sparrow Sisters Nursery had quite a reputation. Sally told Henry about the Nursery that was now a landmark in the town. The plants that grew in tidy rows, the orchids that swayed delicately in the beautiful glass greenhouses, and the herbs and vegetables sown in knot gardens around the land were much in demand. Sorrel had planted a dense little Shakespeare garden as a tribute to her reading habits. The lavender, rosemary, roses and honeysuckle, clematis and pansies, creeping thyme and sage were not for sale in that garden, but Sorrel would re-create versions of it for clients whose big houses on the water needed the stamp of culture, even if their owners had little idea what their lovely gardens meant.
Ellen Herrick (The Sparrow Sisters)
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Jacob Adams
In Defense of Our Overgrown Garden" Last night the apple trees shook and gave each lettuce a heart Six hard red apples broke through the greenhouse glass and Landed in the middle of those ever-so-slightly green leaves That seem no mix of seeds and soil but of pastels and light and Chalk x’s mark our oaks that are supposed to be cut down I’ve seen the neighbors frown when they look over the fence And see our espalier pear trees bowing out of shape I did like that They looked like candelabras against the wall but what’s the sense In swooning over pruning I said as much to Mrs. Jones and I swear She threw her cane at me and walked off down the street without It has always puzzled me that people coo over bonsai trees when You can squint your eyes and shrink anything without much of A struggle ensued with some starlings and the strawberry nets So after untangling the two I took the nets off and watched birds With red beaks fly by all morning at the window I reread your letter About how the castles you flew over made crenellated shadows on The water in the rainbarrel has overflowed and made a small swamp I think the potatoes might turn out slightly damp don’t worry If there is no fog on the day you come home I will build a bonfire So the smoke will make the cedars look the way you like them To close I’m sorry there won’t be any salad and I love you
Matthea Harvey (Pity the Bathtub Its Forced Embrace of the Human Form)
It is the thinness of a single pane of glass that protects the life in the greenhouse from the cold of the winter. And we would be wise to remember that so many of the things that protect us are just as fragile.
Craig D. Lounsbrough
Day and night, I was free to explore the house-- and I went everywhere that I could, for my key opened almost half the doors. I found a rose garden under a glass dome; the roses formed a labyrinth in which I always got lost, and yet-- according to the cuckoo clock at the door-- I would always stumble out again in exactly twenty-three minutes. I found a greenhouse full of potted ferns and orange trees. The air was thick with the warm, wet smell of earth. Bees hummed through the air; the glass walls were frosted with condensation. I found a round room whose walls were covered in mosaics of naiads and tossing waves, and the air always smelled of salt, and no matter which way I turned, the door was always directly behind me.
Rosamund Hodge (Cruel Beauty)
The roof of the apothecary was an enclosed glass greenhouse, filled with flowers and potted plants and fruit trees that had been hung with little glittering lights. The whole place had been transformed into a garden out of an ancient legend. The air was warm and sweet, and by the windows overlooking the expanse of the Avery River stood a small table set for two. Chaol surveyed the room, turning in place. “It’s the Fae woman’s garden—from Rena Goldsmith’s song,” he said softly. His golden eyes were bright. She swallowed hard. “I know it’s not much—” “No one has ever done anything like this for me.” He shook his head in awe, looking back at the greenhouse. “No one.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Chaol lifted his glass and drank. “Before I forget to say it: Thank you. This is …” He examined the glittering greenhouse again, then looked out to the river beyond the glass walls. “This is …” He shook his head once more, setting down his glass, and she caught a glimmer of silver in his eyes that made her heart clench. He blinked it away and looked back at her with a small smile. “No one has thrown me a birthday party since I was a child.” She scoffed, fighting past the tightness in her chest. “I’d hardly call this a party—” “Stop trying to downplay it. It’s the greatest gift I’ve been given in a long while.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Autumn is here and winter is coming. Two guests I could do without. I am afraid of them, these strangers living outside my greenhouse. They press against the glass, voyeurs, these seasonal saboteurs.
Anne Fall (Rosa Scriptum)
Child On Top Of A Greenhouse The wind billowing out the seat of my britches, My feet crackling splinters of glass and dried putty, The half-grown chrysanthemums staring up like accusers, Up through the streaked glass, flashing with sunlight, A few white clouds all rushing eastward, A line of elms plunging and tossing like horses, And everyone, everyone pointing up and shouting!
Theodore Roethke
Greenhouse Effect: The analogous claim the earth’s atmosphere functions like a greenhouse. It allows shortwave sunlight in, which heats surfaces producing long wave energy blocked from escaping by the glass. It is an incorrect analogy.
Tim Ball (Human Caused Global Warming: The Biggest Deception in History)
He always planted at a new moon and picked when the moon was full. He had a lunar chart in his greenhouse, each day marked in a dozen different inks; brown for potatoes, yellow for parsnips, orange for carrots. Watering too was done to an astrological schedule, as was the pruning and positioning of trees. And the garden thrived on this eccentric treatment, growing strong, luxuriant rows of cabbages and turnips, carrots which were sweet and succulent and mysteriously free of slugs, trees whose branches fairly touched the ground under the weight of apples, pears, plums, cherries. Brightly colored Oriental-looking signs taped to tree branches supposedly kept the birds from eating the fruit. Astrological symbols- painstakingly constructed from pieces of broken pottery and colored glass set into the gravel path- lined the garden beds.
Joanne Harris (Blackberry Wine)