Gray Cook Quotes

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I suspect he's sweet on Sophie and doesn't like to see her work too hard.' Tessa was glad to hear it. She'd felt awful about her reaction to Sophie's scar, and the thought that Sophie had a male admirer - and a handsome one like that- eased her conscience slightly. 'Perhaps he's in love with Agatha', she said. 'I hope not. I intend to marry Agatha myself. She may be a thousand years old, but she makes an incomparable jam tart. Beauty fades, but cooking is eternal.
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
When I’m old and gray, I want to have a house by the sea. And paint. With a lot of wonderful chums, good music, and booze around. And a damn good kitchen to cook in.
Ava Gardner
After a moment or two, a strange awareness shot through me, and I looked up to see Aidan Gray slip into the seat directly across the room, facing me. Great. There went my concentration, especially since he sat there watching me, studying me like some interesting bug under a microscope.
Kristi Cook (Haven (Winterhaven, #1))
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
...did fear drive her? Fear of the gray, not just in the strands of her hair and her wilting cheeks, but the gray that ran deeper, to the bone, so that she thought she might turn into a fine dust and simply sift away in the wind.....She cooked and cleaned, and cooked and cleaned, and found herself further consumed by the gray, until even her vision was muted and the world around her drained of color.
Eowyn Ivey (The Snow Child)
These are the end products of the Masterminds of Safety and Ethics, bulked up on cheese that contains no cheese, chips fried in oil that isn’t really oil, overcooked gray disks of what might once upon a time have been meat, a steady diet of Ho-Hos and muffins, butterless popcorn, sugarless soda, flavorless light beer. A docile, uncomprehending herd, led slowly to a dumb, lingering, and joyless slaughter.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
She cooked and cleaned, and cooked and cleaned, and found herself further consumed by the gray, until even her vision was muted and the world around her drained of color.
Eowyn Ivey (The Snow Child)
Was she conscious of her talent? Hardly. If asked about her cooking, Grandma would look down at her hands which some glorious instinct sent on journeys to be gloved in flour, or to plumb disencumbered turkeys, wrist-deep in search of their animal souls. Her gray eyes blinked from spectacles warped by forty years of oven blasts and blinded with strewing of pepper and sage, so she sometimes flung cornstarch over steaks, amazingly tender, succulent steaks! And sometimes dropped apricots into meat loaves, cross-pollinated meats, herbs, fruits, vegetables with no prejudice, no tolerance for recipe or formula, save that at the final moment of delivery, mouths watered, blood thundered in response. Her hands then, like the hands of Great-grandma before her, were Grandma's mystery, delight, and life. She looked at them in astonishment, but let them live their life in the way they must absolutely lead it.
Ray Bradbury (Dandelion Wine)
Once pain is present, it becomes a driver of muscle tone and tension, compounding the problem with distorted motor control.
Gray Cook (Movement)
We say food is a weapon, which is another way to say that food is a means of protest, but good food can also be a tool of liberation.
Jon Gray (Ghetto Gastro Presents Black Power Kitchen)
There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream.
Ernest Hemingway (For Whom The Bell Tolls - The Snows Of Kilimanjaro - Fiesta - The Short Happy Life Of Francis Macomber - Across The River And Into The Trees - The Old Man And The Sea)
Well, I guess that answers my question." The deep velvet voice startles me. I jump, grab my pillow like I'm going to use it as a weapon. Will stands in the doorway, sipping from a metallic travel mug. His gray T-shirt stretches across his shoulders and chest in a way that makes my throat close up. "What question?" I ask, breathless. "Whether you're as beautiful in the morning as you are during the rest of the day." "Oh," I say dumbly, pushing the tangle of hair back off my shoulders, certain I don't look good right now, just rolling out of bed. Not that I take pains with my appearance on the average day, but still...who looks their best fresh out of bed? "You're here again," I murmur. "Apparently." "Can't stay away?" "Apparently not." I'm okay with that. Great, in fact. "I made you breakfast," he adds. "You can cook?" I'm impressed. He grins. "I live in a bachelor household, remember? My mom died when I was a kid. I hardly remember her. I kind of had to learn to cook." "Oh," I murmur, then sit up straighter. "Wait a minute. How'd you get in here?" "Opened the front door." He takes another sip from his mug and looks at me like I'm in trouble. "Your mom really should lock the door when she leaves." I arch a brow. "Would that have kept you out?" He smiles a little. "You know me well.
Sophie Jordan (Firelight (Firelight, #1))
Excellent,” says Gray, rubbing his hands together, a gleam in his eye. “The last person to sing gets to buy the drinks.” Ivy grins wide. “You’re on, Cupcake. I’m going to sing the house down.” We all pause, our gazes darting back and forth as a certain sense of terror falls over the table. Ivy sees us and slaps her palm onto the table. “Oh, for fuck’s sake. I know what you twats are thinking! If I suck at dancing, I’ll suck at singing? Well, I don’t. I’m awesome.” Awkward silence ensues, and she snorts. “What? You think I don’t know I suck at dancing? I just don’t give a shit.” She glares at Gray, though there really isn’t any anger in the look. “So you can stop dancing like an ass now.” A strangled sound leaves him. “You knew?” “Of course.” She tosses a lock of her hair over her shoulder. “You’re too coordinated on the field, and you kind of forget to suck when you do those victory dances.” He gapes at her for a long second, then gives a bark of laughter. “I fucking love you, Special Sauce.” With that, he hauls Ivy into his lap and kisses her. Fi, however, finally snaps out of the trance she’s been in since Ivy confessed. “You sneaky shithead,” she shouts over the music. “All these years I’ve been covering for your craptacular dancing, and you knew!” She shakes a fist. “I swear to God, Ivy Weed…” “Oh, please,” Ivy counters. “You pretend you suck at baking so you don’t have to cook for family holidays.” Fi sniffs, looking guilty as hell. “I don’t know what you’re talking about.” Ivy leans in, her eyes narrowed. “Midnight cookie baking ring a bell, Tink?” Fi’s cheeks flush, and she studies her nails with undue interest while muttering something about traitor sisters under her breath. “Those are for PMS cravings and nothing more. I was baking under duress.
Kristen Callihan (The Game Plan (Game On, #3))
Picking me up, Frank carries me like they do in the movies to the back of the loft, pushing aside a gauzy scrim on rollers to reveal a king-size bed with Gothic-looking wooden posts jutting out from each corner. This is not the innocent white-sun-dappled bed of my dorm room fantasy. The sheets and duvet are a manly gray, and those posts recall certain scenes in Dracula and Wuthering Heights. Placing me on top of it, he pulls of his sweatshirt, revealing his pale, hairless chest. His disheveled hair hangs limply above his shoulders. He looks a little Klaus Kinski-ish- in need of blood, yet sexy, vulnerable, yet ready to please.
Hannah Mccouch (Girl Cook: A Novel)
Are you aware that they inject all kinds of antibiotics into that meat you eat? Yes, that same food supply and those same corporations that are actually causing and perpetuating WORLD HUNGER, because we humans could be eating the grain that they are feeding to the cows, that could live quite well on GRASS, if we didn't destroy the topsoil in this country's heartland; there are livestock an chickens that are being injected with hormones to make them grow bigger and faster and forced to live in filthy cramped conditions just so they can be slaughtered and end up on you high priced plate next to that tiny gray vegetable that you cooked to death instead of steaming.
Cornelia "Connie" DeDona (Meadow Pause Revisited)
Ildiko shuddered.  Her hope to never again see or eat the Kai’s most beloved and revolting delicacy had been in vain.  When Brishen informed her that the dish was one of Serovek’s favorites, she resigned herself to another culinary battle with her food and put the scarpatine on the menu.  She ordered roasted potatoes as well, much to the head cook’s disgust. When servants brought out the food and set it on the table, Brishen leaned close and whispered in her ear.  “Revenge, wife?” “Hardly,” she replied, keeping a wary eye on the pie closest to her.  The golden top crust, with its sprinkle of sparkling salt, pitched in a lazy undulation.  “But I’m starving, and I have no intention of filling up on that abomination.” Their guest of honor didn’t share their dislike of either food.  As deft as any Kai, Serovek made short work of the scarpatine and its whipping tail, cleaved open the shell with his knife and took a generous bite of the steaming gray meat. Ildiko’s stomach heaved.  She forgot her nausea when Serovek complimented her.  “An excellent choice to pair the scarpatine with the potato, Your Highness.  They are better together than apart.” Beside her, Brishen choked into his goblet.  He wiped his mouth with his sanap.  “What a waste of good scarpatine,” he muttered under his breath. What a waste of a nice potato, she thought.  However, the more she thought on Serovek’s remark, the more her amusement grew. “And what has you smiling so brightly?”  Brishen stared at her, his lambent eyes glowing nearly white in the hall’s torchlight. She glanced at Serovek, happily cleaning his plate and shooting the occasional glance at Anhuset nearby.  Brishen’s cousin refused to meet his gaze, but Ildiko had caught the woman watching the Beladine lord more than a few times during dinner. “That’s us, you know,” she said. “What is us?” “The scarpatine and the potato.  Better together than alone.  At least I think so.” One of Brishen’s eyebrows slid upward.  “I thought we were hag and dead eel.  I think I like those comparisons more.”  He shoved his barely-touched potato to the edge of his plate with his knife tip, upper lip curled in revulsion to reveal a gleaming white fang. Ildiko laughed and stabbed a piece of the potato off his plate.  She popped it into her mouth and chewed with gusto, eager to blunt the taste of scarpatine still lingering on her tongue.
Grace Draven (Radiance (Wraith Kings, #1))
I got the groceries and lugged them all the way to Akinli’s dorm, running slightly behind because I couldn’t get into the building on my own. The university required ID cards to get into the dorms after six, and since I wasn’t an actual student, I had to wait for someone else to come along and scan his so I could piggyback in. “You need some help?” the boy asked, his eyes lingering on my mouth. I shook my head no. “Aww, come on. That’s way too heavy for you.” He came closer, and again I cursed our natural appeal. I wasn’t in danger exactly, and I knew that, but it didn’t make these encounters any less uncomfortable. I shook my head again. “No, really, which floor are you on? I can—” “Hey, Kahlen!” I looked up to see Akinli walking down the hall. His button-up was open over the gray shirt beneath it, but I was thrilled to see that he’d at least put one on. “I was starting to worry. Hey, Sam.” “Hey.” The boy gave Akinli a look and headed toward the stairwell, his displeasure at Akinli’s arrival clear. In the meantime, I felt my mood lift significantly. I was now officially on my first date.
Kiera Cass (The Siren)
But I'm not in danger of becoming "that girl." The one who throws away her college education in favor of marrying some guy right out of high school. The one who sacrifices everything she wants in order to make his dreams come true, to make him happy. The one who hangs on his every smile, his every word, bears his children, cooks his dinner, and snuggles up to him at night. Nope, definitely not in danger of becoming her. Because Galen doesn't want me. If that kiss were real, I might have thrown scholarships to the wind and followed him to our private island or his underwater kingdom. I might have even cooked him fish. Sure, Galen would love for me to do all those things. With his brother. So it's a good thing I'm being proactive about my own recovery by going on a date, even if it is a rebound-and even if I'm rebounding from a relationship that didn't actually exist. My feelings were real. That's all that matters, isn't it? There's no stipulation in the broken-heart rule book that states the relationship had to actually be authentic, right? Sure, I'm gray-shading the line that separates stable and crazy, but the point is, there is a line. And I haven't completely crossed over to lunatic.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Whether an individual’s conspiracism exists alongside religious faith, psychologically they’re similar: a conspiracy theory can be revised and refined and further confirmed, but it probably can’t ever be disproved to a true believer’s satisfaction. The final conspiratorial nightmare crackdown is always right around the corner but never quite comes—as with the perpetually fast-approaching end-time. Like Christians certain both that evolution is a phony theory and that God created people a few thousand years ago, conspiracists are simultaneously credulous (about impossible plots) and incredulous (about the confusing, dull gray truth). Conspiracists often deride arguments against their theories as disinformation cooked up by the conspirators—the way some Christians consider evolutionary explanations to be the work of the devil.
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
Lake Michigan, impossibly blue, the morning light bouncing toward the city. Lake Michigan frozen in sheets you could walk on but wouldn't dare. Lake Michigan, gray out a high-rise window, indistinguishable from the sky. Bread, hot from the oven. Or even stale in the restaurant basket, rescued by salty butter. The Cubs winning the pendant someday. The Cubs winning the Series. The Cubs continuing to lose. His favorite song, not yet written. His favorite movie, not yet made. The depth of an oil brushstroke. Chagall's blue window. Picasso's blue man and his guitar. ... The sound of an old door creaking open. The sound of garlic cooking. The sound of typing. The sound of commercials from the next room, when you were in the kitchen getting a drink. The sound of someone else finishing a shower. ... Dancing till the floor was an optional landing place. Dancing elbows out, dancing with arms up, dancing in a pool of sweat. All the books he hadn't started. The man at Wax Trax! Records with the beautiful eyelashes. The man who sat every Saturday at Nookies, reading the Economist and eating eggs, his ears always strangely red. The ways his own life might have intersected with theirs, given enough time, enough energy, a better universe. The love of his life. Wasn't there supposed to be a love of his life? ... His body, his own stupid, slow, hairy body, its ridiculous desires, its aversions, its fears. The way his left knee cracked in the cold. The sun, the moon, the sky, the stars. The end of every story. Oak trees. Music. Breath. ...
Rebecca Makkai (The Great Believers)
All right,” I tell Gray, “you make an admirable lasagna. It’s not as good as my mom’s, but it will do.” “Don’t kill me with praise now.” Gray laughs then shakes his head. “I’m not trying to beat your Italian momma in a lasagna cook-off, Jones. That’s just crazy talk.” His brows waggle. “But I accept the compliment.” Drew snorts. The sound sudden and harsh. “‘Jones’?” Jones is his nickname for me. But I hadn’t thought he’d be territorial. He levels a look at Gray, and my chest grows tight. “And here I thought you didn’t like my girl.
Kristen Callihan (The Hook Up (Game On, #1))
Alan Ladd as Neale Jordan Veronica Lake as Ellen Hillman Mike Mazurki as Paul Fontana Elisha Cook Jr. as Ciro Ricci Gloria Graham as May Martell Frank Lovejoy as Randolph McGraw Hugh Beaumont as Charlie Gray Lloyd Nolan as Victor Haskell June Lockhart as Janet Haskell James Craig as Eddie Lomax Laird Cregar as Frank Perkins William Bendix as Art Barker Richard Denning as Jerry Markle James Gleason as Sam Menard Tom Drake as Roy Douglas Dick as Tommy Barrow Virginia Grey as Claire Allen Farley Granger as Andy Hillman Edward Ryan as Gerald
Bobby Underwood (Nightside (Nostalgia Crime, #3))
She was a clean, mean old woman. She looked at the dust-gray rotting curtains, threw them out, and made new ones. She dug grease out of the stove that had been there since Charles’ mother died. And she leached the walls of a brown shiny nastiness deposited by cooking fat and kerosene lamps. She pickled the floors with lye, soaked the blankets in sal soda, complaining the whole time to herself, “Men—dirty animals. Pigs is clean compared. Rot in their own juice. Don’t see how no woman ever marries them. Stink like measles. Look at oven—pie juice from Methusaleh.
John Steinbeck (East of Eden)
Once upon a time there was a river who, like all rivers, knew exactly where she wished to go. Some people willed her to change her course, and when she did not bend to their will, they began to tear her apart, pebble by pebble, stone by stone. Of course, the river won in the end, and returned to her route with a wet sigh of relief, running the length of her spine against the familiar gray rocks and stretching luxuriantly against the grooves of earth she had known for centuries. And she made sure that the people paid dearly for their foolishness. from P. Johansen’s Book of Remembered Norse Folk Tales, 1999 (trans. A. Faraday) 1 endless dark NOW
C.J. Cooke (The Nesting)
Claudia Roden, and Paula Wolfert (Mediterranean), Diana Kennedy and Maricel Presilla (Mexico), Andy Ricker and David Thompson (Thailand), Andrea Nguyen and Charles Phan (Vietnam). For general cooking: James Beard, April Bloomfield, Marion Cunningham, Suzanne Goin, Edna Lewis, Deborah Madison, Cal Peternell, David Tanis, Alice Waters, The Canal House, and The Joy of Cooking. For inspiring writing about food and cooking: Tamar Adler, Elizabeth David, MFK Fisher, Patience Gray, Jane Grigson, and Nigel Slater. For baking: Josey Baker, Flo Braker, Dorie Greenspan, David Lebovitz, Alice Medrich, Elisabeth Prueitt, Claire Ptak, Chad Robertson, and Lindsey Shere.
Samin Nosrat (Salt, Fat, Acid, Heat: Mastering the Elements of Good Cooking)
Are you aware that they inject all kinds of antibiotics into that meat you eat? Yes, that same food supply and those same corporations that are actually causing and perpetuating WORLD HUNGER, because we humans could be eating the grain that they are feeding to the cows, that could live quite well on GRASS, if we didn't destroy the topsoil in this country's heartland; there are livestock and chickens that are being injected with hormones to make them grow bigger and faster and forced to live in filthy cramped conditions, just so they can be slaughtered sooner to end up on your hight priced plate next to that tiny gray vegetable that you cooked to death instead of steaming.
Cornelia Connie D. DeDona
There were strange stories going around about adults who preyed on children. Not just for sex, but for food. Hyuck was told about people who would drug children, kill them, and butcher them for meat. Behind the station near the railroad tracks were vendors who cooked soup and noodles over small burners, and it was said that the gray chunks of meat floating in the broth were human flesh. Whether urban legend or not, tales of cannibalism swept through the markets. Mrs. Song heard the stories from a gossipy ajumma she had met there. “Don’t buy any meat if you don’t know where it comes from,” she warned darkly. The woman claimed she knew somebody who had actually eaten human flesh and proclaimed it delicious. “If you didn’t know, you’d swear it was pork or beef,” she whispered to a horrified Mrs. Song. The stories got more and more horrific. Supposedly, one father went so insane with hunger that he ate his own baby. A market woman was said to have been arrested for selling soup made from human bones. From my interviews with defectors, it does appear that there were at least two cases—one in Chongjin and the other in Sinuiju—in which people were arrested and executed for cannibalism. It does not seem, though, that the practice was widespread or even occurred to the degree that was chronicled in China during the 1958-62 famine, which killed as many as 30 million people.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
Just as Europeans would be long obsessed with African cannibalism, so Africans imagined Europeans practicing the same thing. The whites were thought to turn their captives’ flesh into salt meat, their brains into cheese, and their blood into the red wine Europeans drank. African bones were burned, and the gray ash became gunpowder. The huge, smoking copper cooking kettles that could be seen on sailing vessels were, it was believed, where all these deadly transformations began. The death tolls on the packed slave ships that sailed west from the Congo coast rose higher still when some slaves refused to eat the food they were given, believing that they would be eating those who had sailed before them.
Adam Hochschild (King Leopold's Ghost)
I wonder where they’ll go,” Jake continued, frowning a little. “There’s wolves out there, and all sorts of beasts.” “No self-respecting wolf would dare to confront that duenna of hers, not with that umbrella she wields,” Ian snapped, but he felt a little uneasy. “Oho!” said Jake with a hearty laugh. “So that’s what she was? I thought they’d come to court you together. Personally, I’d be afraid to close my eyes with that gray-haired hag in bed next to me.” Ian was not listening. Idly he unfolded the note, knowing that Elizabeth Cameron probably wasn’t foolish enough to have written it in her own girlish, illegible scrawl. His first thought as he scanned the neat, scratchy script was that she’d gotten someone else to write it for her…but then he recognized the words, which were strangely familiar, because he’d spoken them himself: Your suggestion has merit. I’m leaving for Scotland on the first of next month and cannot delay the trip again. Would prefer the meeting take place there, in any case. A map is enclosed for direction to the cottage. Cordially-Ian. “God help that silly bastard if he ever crosses my path!” Ian said savagely. “Who d’you mean?” “Peters!” “Peters?” Jake said, gaping. “Your secretary? The one you sacked for mixin’ up all your letters?” “I should have strangled him! This is the note I meant for Dickinson Verley. He sent it to Cameron instead.” In furious disgust Ian raked his hand through his hair. As much as he wanted Elizabeth Cameron out of his sight and out of his life, he could not cause two women to spend the night in their carriage or whatever vehicle they’d brought, when it was his fault they’d come here. He nodded curtly to Jake. “Go and get them.” “Me? Why me?” “Because,” Ian said bitterly, walking over to the cabinet and putting away the gun, “it’s starting to rain, for one thing. For another, if you don’t bring them back, you’ll be doing the cooking.” “If I have to go after that woman, I want a stout glass of something fortifying first. They’re carrying a trunk, so they won’t get much ahead of me.” “On foot?” Ian asked in surprise. “How did you think they got up here?” “I was too angry to think.
Judith McNaught (Almost Heaven (Sequels, #3))
If you’re the cook,” he said between mouthfuls, “I’m your captain. You can’t continue speaking to me that way.” “You aren’t dressed like a captain.” Gray looked down at his homespun tunic and the loose-fitting trousers cinched with a knotted cord. The clothes of a common seaman,, borrowed from a sailor now dead. He hadn’t the luxury of fine attire on the Kestrel. With the ship so undermanned, he had to be everywhere-climbing the rigging, down in the hold. “Don’t look apologetic. They suit you.” Her gaze glanced off his shoulders, then dropped to the floor. “But I see you’ve kept the detested boots.” He shrugged, spooning up another bite of chowder. “I’ve broken them in now.” “And here I hoped you were keeping them for sentimental reasons.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
I call this our Thursday special. We have it regularly." This was a lie. In all the years not one single dish resembled another. Was this one from the deep green sea? Had that one been shot from blue summer air? Was it a swimming food or a flying food, had it pumped blood or chlorophyll, had it walked or leaned after the sun? No one knew. No one asked. No one cared. The most people did was stand in the kitchen door and peer at the baking-powder explosions, enjoy the clangs and rattles and bangs like a factory gone wild where Grandma stared half blindly about, letting her fingers find their way among canisters and bowls. Was she conscious of her talent? Hardly. If asked about her cooking, Grandma would look down at her hands which some glorious instinct sent on journeys to be gloved in flour, or to plumb disencumbered turkeys, wrist-deep in search of their animal souls. Her gray eyes blinked from spectacles warped by forty years of oven blasts and blinded with strewings of pepper and sage, so she sometimes flung cornstarch over steaks, amazingly tender, succulent steaks! And sometimes dropped apricots into meat loaves, cross-pollinated meats, herbs, fruits, vegetables with no prejudice, no tolerance for recipe or formula, save that at the final moment of delivery, mouths watered, blood thundered in response. Her hands then, like the hands of Great-grandma before her, were Grandma's mystery, delight, and life. She looked at them in astonishment, but let them live their life the way they must absolutely lead it.
Ray Bradbury (Dandelion Wine)
Oh, it can’t be as bad as all that. Come on, can’t I interest you in some soup? I make a pretty mean vegetable barley, if I do say so myself.” “You know I love your food. It’s just that my stomach is in knots. I noticed a gray hair in the mirror the other day.” “Oh please, you’re still just a girl,” Ibis laughed, then caught himself. “I guess I shouldn’t speak to you that way, you being noble and all. I should be saying, ‘Yes, Your Ladyship,’ or in this case, ‘No, no, Your Ladyship! If you’ll allow me to be so bold as to speak plainly in your presence, I beg to differ, for I think you’re purty as a pot!’ That would be a more proper response.” Amilia smiled. “You know, I never have understood that saying of yours.” Ibis drew himself up in feigned offense. “I’m a cook. I like pots.
Michael J. Sullivan (Rise of Empire (The Riyria Revelations, #3-4))
Vegetarians.” Cookie muttered something under his breath. “I ain’t cooking no tofu. I’ll quit first.” “Fine by me. You cook what you like. I just wanted you to know.” “Vegetarians.” Cookie washed his hands, then attacked the lettuce. Frank walked into the kitchen. “Everything’s all set, boss. Tents, saddles, supplies. Cookie’s wagon is loaded, except for the fresh stuff. We have a schedule set up. You’ll get a delivery every afternoon.” Zane nodded. “You get a look at the folks?” His second in command did his best to keep his expression neutral, but Zane saw the corner of Frank’s mouth twitch. “You mean the fact that you’ve got to deal with Maya’s mouth, some old ladies and a couple of kids?” Cookie picked up a lethal-looking knife, then reached for several tomatoes. “You left out the good part, Zane. Tell him about the damn nut eaters.” When Frank looked confused, Zane shrugged. “Vegetarians.” This time Frank’s entire mouth jerked, but he controlled his humor. “Sounds interesting.” “Tits are interesting, boy,” Cookie growled. “Vegetarians are just plain stupid. If people want to eat leaves and grubs, then they should go live in the forest. Root around with those ugly truffle pigs and get away from my table.” “What time is supper?” Zane asked. Cookie snarled something under his breath, then walked to the back door and stuck his head out. “Billy, you got that there barbecue ready yet, boy?” “Yes, sir. Coals are hot and gray. You wanted them gray, didn’t you, Cookie?” “What color gray?” There was a pause. “Sort of medium.” “Huh.” Cookie closed the back door and grinned at Zane. “I screw with him because he makes it so easy.
Susan Mallery (Kiss Me (Fool's Gold, #17))
What’s the most frightening thing to a child? The pain of being the outsider, of looking ridiculous to others, of being teased or picked on in school. Every child burns with fear at the prospect. It’s a primal instinct: to belong. McDonald’s has surely figured this out—along with what specific colors appeal to small children, what textures, and what movies or TV shows are likely to attract them to the gray disks of meat. They feel no compunction harnessing the fears and unarticulated yearnings of small children, and nor shall I. “Ronald has cooties,” I say—every time he shows up on television or out the window of the car. “And you know,” I add, lowering my voice, “he smells bad, too. Kind of like … poo!” (I am, I should say, careful to use the word “alleged” each and every time I make such an assertion, mindful that my urgent whisperings to a two-year-old might be wrongfully construed as libelous.) “If you hug Ronald … can you get cooties?” asks my girl, a look of wide-eyed horror on her face. “Some say … yes,” I reply—not wanting to lie—just in case she should encounter the man at a child’s birthday party someday. It’s a lawyerly answer—but effective. “Some people talk about the smell, too… I’m not saying it rubs off on you or anything—if you get too close to him—but…” I let that hang in the air for a while. “Ewwww!!!” says my daughter. We sit in silence as she considers this, then she asks, “Is it true that if you eat a hamburger at McDonald’s it can make you a ree-tard? I laugh wholeheartedly at this one and give her a hug. I kiss her on the forehead reassuringly. “Ha. Ha. Ha. I don’t know where you get these ideas!” I may or may not have planted that little nugget a few weeks ago, allowing her little friend Tiffany at ballet class to “overhear” it as I pretended to talk on my cell phone.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
He wrote all the time except during those late-afternoon hours between night and day when he didn't know what to do with himself. When work was over and the evening hadn't yet begun. He saw people going about their business, on their way home on the streetcars, walking with the evening newspaper in their hands. He looked at the dull gray of the city as it settled to dark, the clatter of dishes, children's heads bent over books, cooking smells -- chicken, stews, soups -- drifting into the street. It was in the pauses, in the space between notes, in the slips and breaks, a kind of slow steady interval as if one thing could lead to the next. As if you could go to sleep and wake up and it would be a new day and somehow things would be different than they'd been before. But Benny knew otherwise. Life didn't get better as it went along. It got narrower as if you were walking through a tunnel that was closing in on you, toward a distant beam of light that kept receding. Life got slower and the pauses got longer. Benny didn't mind the day when he was busy, and he waited for the night when he'd go somewhere and listen or play if they let him. It was the in-between time when he felt lost.
Mary Morris (The Jazz Palace)
Subect: Sigh. Okay. Since we're on the subject... Q. What is the Tsar of Russia's favorite fish? A. Tsardines, of course. Q. What does the son of a Ukranian newscaster and a U.S. congressman eat for Thanksgiving dinner on an island off the coast of Massachusetts? A.? -Ella Subect: TG A. Republicans. Nah.I'm sure we'll have all the traditional stuff: turkey, stuffing, mashed potatoes. I'm hoping for apple pie. Our hosts have a cook who takes requests, but the island is kinda limited as far as shopping goes. The seven of us will probably spend the morning on a boat, then have a civilized chow-down. I predict Pictionary. I will win. You? -Alex Subect: Re. TG Alex, I will be having my turkey (there ill be one, but it will be somewhat lost among the pumpkin fettuccine, sausage-stuffed artichokes, garlic with green beans, and at least four lasagnas, not to mention the sweet potato cannoli and chocolate ricotta pie) with at least forty members of my close family, most of whom will spend the entire meal screaming at each other. Some will actually be fighting, probably over football. I am hoping to be seated with the adults. It's not a sure thing. What's Martha's Vineyard like? I hear it's gorgeous. I hear it's favored by presidential types, past and present. -Ella Subject: Can I Have TG with You? Please??? There's a 6a.m. flight off the island. I can be back in Philadelphia by noon. I've never had Thanksgiving with more than four or five other people. Only child of two only children. My grandmother usually hosts dinner at the Hunt Club. She doesn't like turkey. Last year we had Scottish salmon. I like salmon,but... The Vineyard is pretty great. The house we're staying in is in Chilmark, which, if you weren't so woefully ignorant of defunct television, is the birthplace of Fox Mulder. I can see the Menemsha fishing fleet out my window. Ever heard of Menemsha Blues? I should bring you a T-shirt. Everyone has Black Dogs; I prefer a good fish on the chest. (Q. What do you call a fish with no eyes? A. Fish.) We went out on a boat this afternoon and actually saw a humpback whale. See pics below. That fuzzy gray lump in the bumpy gray water is a fin. A photographer I am not. Apparently, they're usually gone by now, heading for the Caribbean. It's way too cold to swim, but amazing in the summer. I swear I got bumped by a sea turtle here last July 4, but no one believes me. Any chance of saving me a cannoli? -A
Melissa Jensen (The Fine Art of Truth or Dare)
What the-“ he began, already heading toward the house, with Elizabeth walking quickly behind him. Ian opened the front door just as Jake came hurrying in from the back of the cottage. “I got some milk-“ Jake began, then he stopped abruptly as the stench hit him. His gaze snapped from Ian and Elizabeth, who were just rushing inside, to Lucinda, who was sitting exactly where she had been, serenely indifferent to the smell of burning bacon and incinerated eggs as she fanned herself with a black silk fan. “I took the liberty of removing the utensil from the stove,” she informed them. “However, I was not in time to save its contents, which I sincerely doubt were worth saving in any case.” “Couldn’t you have moved ‘em before they burned?” Jake burst out. “I cannot cook, sir.” “Can you smell?” Ian demanded. “Ian, there’s nothing for it-I’ll have to ride to the village and hire a pair o’ wenches to come up here and get this place in order for us or we’ll starve.” “My thoughts exactly!” Lucinda seconded promptly, already standing up. “I shall accompany you.” “Whaat?” Elizabeth burst out. “What? Why?” Jake echoed, looking balky. “Because selecting good female servants is best done by a woman. How far must we go?” If Elizabeth weren’t so appalled, she’d have laughed at Jake Wiley’s expression. “We can be back late this afternoon, assumin’ there’s anyone in the village to do the work. But I-“ “Then we’d best be about it.” Lucinda paused and turned to Ian, passing a look of calculating consideration over hum; then she glanced at Elizabeth. Giving her a look that clearly said “Trust me and do not argue,” she said, “Elizabeth, if you would be so good as to excuse us, I’d like a word alone with Mr. Thornton.” With no choice but to do as bidden, Elizabeth went out the front door and stared in utter confusion at the trees, wondering what bizarre scheme Lucinda might have hatched to solve their problems. In the cottage Ian watched through narrowed eyes as the gray-haired harpy fixed him with her basilisk stare. “Mr. Thornton,” she said finally, “I have decided you are a gentleman.” She made that pronouncement as if she were a queen bestowing knighthood on a lowly, possibly undeserving serf. Fascinated and irritated at the same time, Ian leaned his hip against the table, waiting to discover what game she was playing by leaving Elizabeth alone here, unchaperoned. “Don’t keep me in suspense,” he said coolly. “What have I done to earn your good opinion?” “Absolutely nothing,” she said without hesitation. “I’m basing my decision on my own excellent intuitive powers and on the fact that you were born a gentleman.
Judith McNaught (Almost Heaven (Sequels, #3))
Gray burst into the galley. “Miss Turner is not eating.” The cramped, boxed-in nature of the space, the oppressive heat-it seemed an appropriate place to take this irrational surge of resentment. If only his emotion could dissipate through the ventilation slats as quickly as steam. “And good morning to you, too.” Gabriel wiped his hands on his apron without glancing up. “She’s not eating,” Gray repeated evenly. “She’s wasting away.” He didn’t even realize his knuckled cracked. He flexed his fingers impatiently. “Wasting away?” Gabriel’s face split in a grin as he picked up a mallet and attacked a hunk of salted pork. “Now what makes you say that?” “Her dress no longer fits properly. The neckline of her bodice is too loose.” Gabriel stopped pounding and looked up, meeting Gray’s eyes for the first time since he’d entered the galley. The mocking arch of the old man’s eyebrows had Gray clenching his teeth. They stared at each other for a second. Then Gray blew out his breath and looked away, and Gabriel broke into peals of laughter. “Never thought I’d live to see the day,” the old cook finally said, “when you would complain that a beautiful lady’s bodice was too loose.” “It’s not that she’s a beautiful lady-“ Gabriel looked up sharply. “It’s not merely that she’s a beautiful lady,” Gray amended. “She’s a passenger, and I have a duty to look out for her welfare.” “Wouldn’t that be the captain’s duty?” Gray narrowed his eyes. “And I know my duty well enough,” Gabriel continued. “It’s not as though I’m denying her food, now is it? I’m thinking Miss Turner just isn’t accustomed to the rough living aboard a ship. Used to finer fare, that one.” Gray scowled at the hunk of cured pork under Gabriel’s mallet and the shriveled, sprouted potatoes rolling back and forth with each tilt of the ship. “Is this the noon meal?” “This, and biscuit.” “I’ll order the men to trawl for a fish.” “Wouldn’t that be the captain’s duty?” Gabriel’s tone was sly. Gray wasn’t sure whether the plume of steam swirling through the galley originated for the stove or his ears. He didn’t care for Gabriel’s flippant tone. Neither did he care for the possibility of Miss Turner’s lush curves disappearing when he’d never had any chance to appreciate them. Frustrated beyond all reason, Gray turned to leave, wrenching open the galley door with such force, the hinges creaked in protest. He took a deep breath to compose himself, resolving not to slam the door shut behind him. Gabriel stopped pounding. “Sit down, Gray. Rest your bones.” With another rough sigh, Gray complied. He backed up two paces, slung himself onto a stool, and watched as the cook grabbed a tin cup from a hook on the wall and filled it, drawing a dipper of liquid from a small leather bucket. Then Gabriel set the cup on the table before him. Milk. Gabriel stared it. “For God’s sake, Gabriel. I’m not six years old anymore.” The old man raised his eyebrows. “Well, seeing as how you haven’t outgrown a visit to the kitchen when you’re in a sulk, I thought maybe you’d have a taste for milk yet, too. You did buy the goats.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
At the risk of oversimplifying a topic that deserves entire books, we can summarize like this: During enslavement, many Black cooks learned their way around kitchens because their lives could depend on having that knowledge and skill. After slavery was abolished, many took to slinging fried chicken (or cooking in general) as one way to make a living. Interestingly, it wasn’t until Black folks began navigating their supposed freedoms-applying to schools, looking for paid work, seeking housing-that cartoonish, offensive images of Black folks eagerly consuming chicken or stealing chickens began to appear in essays, comics, advertisements, and postcards, perpetuating a narrative by white society that Black people were subhuman and needed to be controlled, policed, and locked out of mainstream opportunities. Exacerbated by the deep white resentment of Black people’s increasing social and political mobility (this period saw the largest representation of Black people in Congress than any time since), the idea took root that being Black meant that you loved fried chicken so much that you couldn’t resist it. This narrative is a painful legacy of slavery that wasn’t of our own making and is ironic, given that people all over the world get down with wings and things. But the essence of this stereotype persists. We know folks who refuse to eat fried chicken around white people, or chefs who don’t cook it in their restaurants, because they feel that’s the only thing certain diners expect from them…American fried chicken tastes good. It’s also complicated.
Jon Gray (Ghetto Gastro Presents Black Power Kitchen)
It is the story of God.” God’s real name is Charlie, he told us. He was born in York, Pennsylvania, in 1776, in the summer of the signing, when temperatures were high as rockets and humid as seas. Charlie was the son of a poor miller, a mean man with a gammy leg and a spray of powder burns over his right temple from the war. When Charlie was just becoming something more than a boy, he went out into the creaking, old-growth forest to collect firewood. He came upon a stream that fell away, suddenly, into the earth. Charlie wanted to see where the water went. He leaned down and peered in. A spark. An alien pulse of light. He stared, transfixed, as every star, every galaxy in the universe flicked across his vision. The rings of Jupiter. The broken, sunburned back of Mars. Sights no human had ever captured with their eyes. And, just as suddenly, the feeling of every cell of every living organism hovering just beneath his fingertips, like piano keys. He could touch each one, if he wanted. He could control them. There are some who insist Charlie was simply lucky. That anyone who happened to walk by that stream on that morning, curious enough to lean over the odd water gushing into the ground, would be made God. They are wrong. Charlie was God before he was even born. It was only a matter of him finding out. Charlie lives in every generation. When he dies, he is reborn nine months later, a baby God. At any moment, you might meet him. He has been a Confederate soldier. He has been a bank teller. He has sat behind an oak desk in wire-rimmed glasses and a day’s growth of beard graying his cheeks. He has cooked dinner for his mother. He has driven to the ocean. He has fallen in love.
Stephanie Oakes (The Sacred Lies of Minnow Bly)
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees. I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers. I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand. I raced back to the villa, ran up the stairs and died. Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station. I’ve got peaches and water for the journey, I said. Thank you, he said. You think of everything. Because I love you, I said. He didn’t look at me. The change was happening too quickly. Is there a taxi coming? My voice was weak, breaking. Madame Cournier’s taking us. I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit. The bottle of pastis? he said. I smiled at him. You take it, I said. We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK. We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
Sarah Winman (Tin Man)
We can’t walk through the house like this--we’ll make a mess.” Ryder’s jeans are soaked through and caked with mud. I’m wearing shorts, but my bare legs are spattered all over. “We’re going to have to strip here,” I say, shaking my head. “Just leave it all in a pile. I’ll toss it in the wash after lunch.” He just stares at me, wide-eyed. “What? Now?” “Yeah, you go first,” I say, amused by the blush that’s creeping up his neck. “Geez, Ryder. It’s not like I haven’t seen you in your underpants before.” I have vague memories of Ryder running around Magnolia Landing’s lawn wearing nothing but superhero undies. And after all the years of shared beach houses and hotel suites, well…like I said, we were more like siblings when we were little. “If it’ll make you more comfortable, I’ll turn around,” I offer. “Nah, it’s fine.” He reaches for the hem of his T-shirt and pulls it over his head in one fluid motion. And then I remember why this was a bad idea. My mouth goes dry at the sight of his tanned, sculpted chest, his narrow waist, and jutting hip bones. Oh, man. What was I thinking? I swallow hard as he unbuttons his jeans and slides down the zipper. Boxers or briefs? That’s all I’m thinking as he peels down the wet denim--slowly, as if he’s enjoying this little striptease. He steps out of them gracefully and tosses them into a heap beside his shirt before straightening to his full height, facing me. Oh. My. God. I exhale sharply. The answer is boxer briefs, heather-gray ones. And right now they’re clinging to him wetly, leaving absolutely nothing to the imagination. He looks like a god. A six-foot-four, football-playing god, and I am staring at him with my mouth hanging open like some kind of pathetic freak. Snap out of it. “Sorry,” I say, averting my gaze. My cheeks are burning now. I probably look like a clown. That’s what happens when a fair-skinned redhead like me blushes. “If you…um…want to shower. I mean, you know--” “I’ll just go put on something dry for now. We really need to eat and then get that stuff out of the barn.” I just nod, biting my lower lip. I can’t even look at him. This is crazy. “Your turn to strip,” he says, and my gaze shoots up to meet his. He’s smiling now, his dimples in full effect. “Ugh, just go and change.” I cover my eyes with one hand and flap the other toward the hall. “I’ll meet you in the kitchen in five,” he says. “Great.” I let my hand drop only when I hear his footsteps move away. Then yeah, I’ll admit it--I allow myself a nice long look at his backside as he walks away from me. And let me tell you, it was well worth the look.
Kristi Cook (Magnolia (Magnolia Branch, #1))
When the commander of one of the brigades Gilbert had sent to reinforce McCook approached an imposing-looking officer to ask for instructions as to the posting of his troops—“I have come to your assistance with my brigade!” the Federal shouted above the uproar—the gentleman calmly sitting his horse in the midst of carnage turned out to be Polk, who was wearing a dark-gray uniform. Polk asked the designation of the newly arrived command, and upon being told raised his eyebrows in surprise. For all his churchly faith in miracles, he could scarcely believe his ears. “There must be some mistake about this,” he said. “You are my prisoner.” Fighting without its commander, the brigade gave an excellent account of itself. Joined presently by the other brigade sent over from the center, it did much to stiffen the resistance being offered by the remnants of McCook’s two divisions. Sundown came before the rebels could complete the rout begun four hours ago, and now in the dusk it was Polk’s turn to play a befuddled role in another comic incident of confused identity. He saw in the fading light a body of men whom he took to be Confederates firing obliquely into the flank of one of his engaged brigades. “Dear me,” he said to himself. “This is very sad and must be stopped.” None of his staff being with him at the time, he rode over to attend to the matter in person. When he came up to the erring commander and demanded in angry tones what he meant by shooting his own friends, the colonel replied with surprise: “I don’t think there can be any mistake about it. I am sure they are the enemy.” “Enemy!” Polk exclaimed, taken aback by this apparent insubordination. “Why, I have only just left them myself. Cease firing, sir! What is your name, sir?” “Colonel Shryock, of the 87th Indiana,” the Federal said. “And pray, sir, who are you?” The bishop-general, learning thus for the first time that the man was a Yankee and that he was in rear of a whole regiment of Yankees, determined to brazen out the situation by taking further advantage of the fact that his dark-gray blouse looked blue-black in the twilight. He rode closer and shook his fist in the colonel’s face, shouting angrily: “I’ll soon show you who I am, sir! Cease firing, sir, at once!” Then he turned his horse and, calling in an authoritative manner for the bluecoats to cease firing, slowly rode back toward his own lines. He was afraid to ride fast, he later explained, because haste might give his identity away; yet “at the same time I experienced a disagreeable sensation, like screwing up my back, and calculated how many bullets would be between my shoulders every moment.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
The day’s colors slowly dissolved into gray, and the distant mountain peaks became opaque silhouettes of crouching giants. Earlier in the day, they had passed by several villages, most of them far-flung and dusty just like Shadbagh. Small square-shaped homes made of baked mud, sometimes raised into the side of a mountain and sometimes not, ribbons of smoke rising from their roofs. Wash lines, women squatting by cooking fires. A few poplar trees, a few chickens, a handful of cows and goats, and always a mosque.
Khaled Hosseini
The goal of training is not to change how the body looks, but to improve how the body moves.
Gray Cook (Athletic Body in Balance)
Food was also expensive: In the summer of 1849, a dozen eggs cost $12 and a loaf of bread worth 5 cents cost 50 cents. Most of the city’s inhabitants were bachelors who were remarkably (but typically for their time) innocent of even the most rudimentary knowledge of cooking, cleaning, or anything domestic. As a result—and because few lodgings had cooking facilities—almost everyone ate in restaurants. (It is said that this is the origin of San Francisco’s tradition as a great restaurant town.) There were culinary establishments for every taste and budget, from the high-end Delmonico’s, where a meal could cost $10, to filthy dives where $1 would buy a meal of boiled beef, bread, and coffee. Many men ate standing up at street stands. Others frequented the “Celestial” (Chinese) restaurants that had already begun to open.
Gary Kamiya (Cool Gray City of Love: 49 Views of San Francisco)
Modern fitness equipment allows training while sitting and even slouching comfortably. This equipment accommodates pushing and pulling with the arms, and flexing and pressing with the legs. The equipment also furnishes torso flexion, extension and rotation without forcing users to balance on their feet or naturally engage the stabilizing musculature.
Gray Cook (Movement)
The Queue consists entirely of fragments of ochered’ dialogue, a linguistic vernacular anchored by the long-suffering word stoyat’ (to stand). You stood? Yes, stood. Three hours. Got damaged ones. Wrong size. Here’s what the line wasn’t: a gray inert nowhere. Imagine instead an all-Soviet public square, a hurly-burly where comrades traded gossip and insults, caught up with news left out of the newspapers, got into fistfights, or enacted comradely feats. In the thirties the NKVD had informers in queues to assess public moods, hurrying the intelligence straight to Stalin’s brooding desk. Lines shaped opinions and bred ad hoc communities: citizens from all walks of life standing, united by probably the only truly collective authentic Soviet emotions: yearning and discontent (not to forget the unifying hostility toward war veterans and pregnant women, honored comrades allowed to get goods without a wait).
Anya von Bremzen (Mastering the Art of Soviet Cooking: A Memoir of Food and Longing)
Movement-related problems and deficiencies should first be weighted against a minimum qualitative standard. If a minimum level of quality is acceptable, then—and only then—the quantities and specifics of movement should be considered. If movement quality does not meet minimal standards, it should be the primary focus against other physical parameters.
Gray Cook (Movement)
Pizzerias in big cities benefit from Italian natives or descendants thereof, people who understand that real pizza comes from Naples where the crusts are thin and the toppings simple. Samantha’s favorite was Lazio’s, a hole-in-the-wall in Tribeca where the cooks yelled in Italian as they baked the crusts in brick ovens. Like most things in her life these days, Lazio’s was far away. So was the pizza. The only place in Brady to get one to go was a sub shop in a cheap strip mall. Pizza Hut, along with most other national chains, had not penetrated deep into the small towns of Appalachia.
John Grisham (Gray Mountain)
YOU ARE PRECIOUS   A young woman named June volunteered at a church agency that served the poor and homeless of her city. One day June met George, who had come in to receive some help. Winter was coming and he needed a jacket and some shoes to help keep him warm. He took a seat in the chapel because the waiting room was crowded and noisy. When he indicated he wanted a Bible, June went to get one for him while he waited his turn in the clothing room. When she returned with a Bible, she sat down to talk to him for a while. George looked like he was in his late ’50s or early ’60s. June noticed his thin hair beginning to gray and the deep lines which marked his face. His hands were stiff and he had lost part of one finger. Although it was 1:30 in the afternoon, he smelled slightly of alcohol. He was a short, slight man, and he spoke softly. He had come into the agency alone, and June wondered if he had any family—anyone who cared that he existed. June wrote George’s name in the front of his Bible along with the date. Then she showed him the study helps in the back, which would help him find key passages. As they talked, the thought occurred to June: George is one of God’s very precious creatures. She wondered if George knew that. She wondered how long it had been since someone had told him. What if no one had ever told him he was precious to God—and to all God’s other children as well? George had very little influence or stature, but God spoke to June through him that day, “My children need to know they are precious to Me. Please tell them that.” Since then, she has made that message a part of every encounter she has at the church agency. Ask the Lord how you might share the message, “You are precious to God,” with others today through your words and actions.   SINCE THOU WAST PRECIOUS IN MY SIGHT, THOU HAST BEEN HONOURABLE, AND I HAVE LOVED THEE. ISAIAH 43:4 KJV
David C. Cook (Good Morning, God: Wake-up Devotions to Start Your Day God's Way)
If mobility is measurably improved, use it. If you gain hip extension, use it. If you gain shoulder flexion, use it.
Gray Cook (Movement)
Kai gave Tack’s cousin a half-smile. “You like to cook?” Seamus flushed red.
C.W. Gray (The Not So Little Merman (The Silver Isles #2))
As Ross entered the kitchen, he saw Ernest sitting at the scrubbed wooden table. The boy wolfed down a plate of breakfast as if it were the first decent meal he'd had in months. Sophia stood at the range with the scrawny cook-maid, apparently showing her how to prepare the morning's fare. "Turn them like this," Sophia was saying, expertly flipping a row of little cakes on a griddle pan. The kitchen atmosphere was especially fragrant today, spiced with frying bacon, coffee, and sizzling batter. Sophia looked fresh and wholesome, the trim curves of her figure outlined by a white apron that covered her charcoal-gray dress. Her gleaming hair was pinned in a coil at the top of her head and tied with a blue ribbon. As she saw him standing in the doorway, a smile lit her sapphire eyes, and she was so dazzlingly pretty that Ross felt a painful jab low in his stomach. "Good morning, Sir Ross," she said. "Will you have some breakfast?" "No, thank you," he replied automatically. "Only a jug of coffee. I never..." He paused as the cook set a platter on the table. It was piled with steaming batter cakes sitting in a pool of blackberry sauce. He had a special fondness for blackberries. "Just one or two?" Sophia coaxed. Abruptly it became less important that he adhere to his usual habits. Perhaps he could make time for a little breakfast, Ross reasoned. A five-minute delay would make no difference in his schedule. He found himself seated at the table facing a plate heaped with cakes, crisp bacon, and coddled eggs. Sophia filled a mug with steaming black coffee, and smiled at him once more before resuming her place at the range with Eliza. Ross picked up his fork and stared at it as if he didn't quite know what to do with it. "They're good, sir," Ernest ventured, stuffing his mouth so greedily that it seemed likely he would choke. Ross took a bite of the fruit-soaked cake and washed it down with a swallow of hot coffee. As he continued to eat, he felt an unfamiliar sense of well-being. Good God, it had been a long time since he'd had anything other than Eliza's wretched concoctions. For the next few minutes Ross ate until the platter of cakes was demolished. Sophia came now and then to refill his cup or offer more bacon. The cozy warmth of the kitchen and the sight of Sophia as she moved about the room caused a tide of unwilling pleasure inside him.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
By the way, Sister Drull is a ghoul. If she offers you any of her meat patties, don’t accept.” Windle remembered a vague, shy old lady in a shapeless gray dress. “Oh, dear,” he said. “You mean she makes them out of human flesh?” “What? Oh. No. She just can’t cook very well.” “Oh.
Terry Pratchett (Reaper Man (Discworld, #11))
Hey Harper, where were you last night?” I turned to see him sitting on the kitchen counter, coffee mug in hand. My heart dropped when I looked into his gray eyes. I wanted to curl up in his arms and take back the last five months. “Uh, thought it’d be a little awkward considering.” I waved a hand over my stomach. “Oh, yeah.” His eyes stayed glued to my small round belly, “Yeah, I guess. How is that going?” “It’s good.” I said softly, watching his face carefully while I said the next words, “It’s going to be a boy.” One of the days when we were in Arizona for Christmas, I had been in the kitchen with his mom cooking barefoot. Brandon started teasing that all I needed now was to be pregnant, and it would be a perfect picture. I had thrown an oven mitt at him, which he dodged and brought back over to me, wrapping his arms around me and kissing my neck. He promised he’d been joking but said whenever we did have kids, he wanted a boy to name him after his dad. I hadn’t been ready to talk about marriage with him at that point, but in the joyful mood of that day I had laughed and promised to pop out a boy for him ASAP. Even through the laughing, he got a wide smile and his eyes sparkled. My heart squeezed at that memory. He blew out heavily and closed his eyes, probably remembering that day too. “That’s uh, that’s great Harper. I’m happy for you.” My
Molly McAdams (Taking Chances (Taking Chances, #1))
He reaches for the hem of his T-shirt and pulls it over his head in one fluid motion. And then I remember why this was a bad idea. My mouth goes dry at the sight of his tanned, sculpted chest, his narrow waist, and jutting hip bones. Oh, man. What was I thinking? I swallow hard as he unbuttons his jeans and slides down the zipper. Boxers or briefs? That’s all I’m thinking as he peels down the wet denim--slowly, as if he’s enjoying this little striptease. He steps out of them gracefully and tosses them into a heap beside his shirt before straightening to his full height, facing me. Oh. My. God. I exhale sharply. The answer is boxer briefs, heather-gray ones. And right now they’re clinging to him wetly, leaving absolutely nothing to the imagination. He looks like a god. A six-foot-four, football-playing god, and I am staring at him with my mouth hanging open like some kind of pathetic freak.
Kristi Cook (Magnolia (Magnolia Branch, #1))
I was sitting on the couch in the living room, pouring through an old sci-fi novel I’d found in one of the ruins, and I could hear the water bubbling as he cooked. The spaghetti smelled good, but I knew he’d probably put something crazy in it like popcorn or marshmallows, so I ignored my rumbling belly.
Ash Gray (Qorth)
Many Horses was putting the finishing touches on a bow he had been making when Hunter entered the tepee. Setting the weapon aside, he fastened his wizened old eyes on his eldest son and pursed his crinkled lips. “You look like you’ve been eating She Who Shakes’s plum pudding and bit into a plum pit.” Hunter was in no mood for jokes. “My woman has my hackles raised.” Sitting cross-legged, he picked up the iron poker next to him and began prodding the charred wood and ashes in his father’s firepit. “One unto the other, with no horizon, that is what she wants! Imagine her setting up a lodge, tanning hides, sewing, cooking, gathering wood, all by herself. And what if she became ill while I was away? Who would tend her? Who would keep her company? The way she believes, if I was gone for a long while, she couldn’t even go to Warrior to seek solace.” “Would you wish for her to?” Hunter gave the ashes a vicious poke, sending up a cloud of gray that made Many Horses cough. The truth was, he couldn’t bear the thought of Loretta with another man. “Right now, I’d give her away to the first man stupid enough to take her.” Many Horses kept silent. “All my children would be--” Hunter rolled his eyes. “Can you see me, surrounded by White Eyes?” “Ah, that is the trouble. She is a White Eyes.” Many Horses nodded and, in a teasing voice, said, “I don’t blame you there. No man could be proud of a son with white blood. He’d be weak and cowardly, a shame to any who claimed him.” Hunter froze and glanced up. The white blood in his own veins was an unspoken truth between him and his father. Never before had Many Horses alluded to it. Many Horses sniffed and rubbed the ash from his nose. “Of course, there are the rare exceptions. I suppose a man could raise a child of mixed blood and teach him to be one of the true People. It would take work, though.
Catherine Anderson (Comanche Moon (Comanche, #1))
One unto the other, with no horizon, that is what she wants! Imagine her setting up a lodge, tanning hides, sewing, cooking, gathering wood, all by herself. And what if she became ill while I was away? Who would tend her? Who would keep her company? The way she believes, if I was gone for a long while, she couldn’t even go to Warrior to seek solace.” “Would you wish for her to?” Hunter gave the ashes a vicious poke, sending up a cloud of gray that made Many Horses cough. The truth was, he couldn’t bear the thought of Loretta with another man. “Right now, I’d give her away to the first man stupid enough to take her.
Catherine Anderson (Comanche Moon (Comanche, #1))
All my children would be--” Hunter rolled his eyes. “Can you see me, surrounded by White Eyes?” “Ah, that is the trouble. She is a White Eyes.” Many Horses nodded and, in a teasing voice, said, “I don’t blame you there. No man could be proud of a son with white blood. He’d be weak and cowardly, a shame to any who claimed him.” Hunter froze and glanced up. The white blood in his own veins was an unspoken truth between him and his father. Never before had Many Horses alluded to it. Many Horses sniffed and rubbed the ash from his nose. “Of course, there are the rare exceptions. I suppose a man could raise a child of mixed blood and teach him to be one of the true People. It would take work, though.” The stiffness eased from Hunter’s shoulders. “Did I test your patience, my father?” Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.” Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.” “Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.” Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?” “Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.” “And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
Catherine Anderson (Comanche Moon (Comanche, #1))
Did I test your patience, my father?” Many Horses seemed to ponder that question a moment. “I found myself short on patience the time you shot me in the thigh with your first bow and arrow. It wouldn’t have been so bad if I hadn’t been standing behind you.” Hunter laughed softly. “You weren’t when I let fly with the arrow. If I remember, I turned around to ask you a question.” “Which I never did answer. I always thanked the Great Ones that you were only knee high. If you’d been much taller, your brothers and sister never would have been born.” He sniffed again, then grinned. “Come to think of it, Warrior was even more dangerous with his first rifle. Remember the time he accidentally fired through my lodge and shot a hole in your mother’s cooking pot? She was boiling rabbit. The water hit the fire and filled the place with so much smoke, I nearly choked to death before I got everyone outside to safety.” Hunter threw back his head and roared with laughter. “I remember you pulling that rabbit out of the pot and telling Warrior it was a perfect shot, right through the heart. Except, of course, that it was gutted. And would he practice on live targets from then on?” “Speaking of pits in plum pudding, do you remember your sister’s first attempt? Your grandfather broke off his only remaining tooth trying to eat it.” “And swallowed tooth, pit and all, so he wouldn’t embarrass her in front of Gray Horse, who had come to court her.” Hunter placed a hand over his aching midriff and sighed. “It is good I came, my father. You have the gift. Already my heart is lighter.
Catherine Anderson (Comanche Moon (Comanche, #1))
Between culinary school, a year and a half of apprentice stages all over the world in amazing restaurants, ten years as the personal chef of talk show phenom Maria De Costa, and six years as Patrick's culinary slave, I am nothing if not efficient in the kitchen. I grab eggs, butter, chives, a packet of prosciutto, my favorite nonstick skillet. I crack four eggs, whip them quickly with a bit of cold water, and then use my Microplane grater to grate a flurry of butter into them. I heat my pan, add just a tiny bit more butter to coat the bottom, and let it sizzle while I slice two generous slices off the rustic sourdough loaf I have on the counter and drop them in the toaster. I dump the eggs in the pan, stirring constantly over medium-low heat, making sure they cook slowly and stay in fluffy curds. The toast pops, and I put them on a plate, give them a schmear of butter, and lay two whisper-thin slices of prosciutto on top. The eggs are ready, set perfectly; dry but still soft and succulent, and I slide them out of the pan on top of the toast, and quickly mince some chives to confetti on top. A sprinkle of gray fleur de sel sea salt, a quick grinding of grains of paradise, my favorite African pepper, and I hand the plate to Patrick, who rises from the loveseat to receive it, grabs a fork from the rack on my counter, and heads out of my kitchen toward the dining room. Dumpling followed him, tail wagging, like a small furry acolyte.
Stacey Ballis (Off the Menu)
When they’d filled the peppers and they were laid out in nice, neat, bacon-wrapped lines, she slid them into the oven. Then they went into the sitting room. David sat down next to Leah on the settee. “Now, we can’t fall asleep, waiting for them to finish cooking,” he said. Famous. Last. Words. They chatted for a moment about how melted cheese was probably the best invention on the planet, but it descended into quiet as their lids dropped and she wondered why she couldn’t think of anything more insightful to say. It had felt like only seconds that she rested her eyes, but Leah and David jumped to a start, the fire alarm beeping in the kitchen. The both looked at each other, their eyes big with surprise. “Oh no!” he laughed. They ran into the kitchen, David throwing on one of Nan’s oven mitts and yanking the smoking, sizzling peppers out of the oven. Leah opened the windows and the back door, but it seemed to let more cold air in than smoke out. She fanned the air, while David took the peppers outside and set them on the brick walkway. As they both stood in the freezing kitchen, the smoke billowing around the ceiling, they broke into laughter. “Maybe we should’ve just had the marshmallows,” he said. Leah rolled under the duvet to view the time, the gray morning barely giving her enough light to focus. It was still early—six o’clock. She closed her eyes and lay back on the pillow, the feel of the linens so familiar and comfortable that, at first, she’d almost forgotten about her troubles. This was the bed she’d slept in when she needed the security of family, and a retreat to ease her mind.
Jenny Hale (All I Want for Christmas)
She quickly jumped back in with her favorite part of cooking, the smells that would infuse the restaurant from open to close. Nutty olive oil , zesty herbs, briny oysters, lusty chocolate, pungent cheese, crisp greens, fresh citrus, bracing vinegar.
Jenny Nelson (Georgia's Kitchen)
She soaked, washed, and trimmed three artichokes, baby purple Romagnas, which would sadly lose their beautiful hue once they hit hot water, then washed and peeled a bunch of pencil-thin asparagus. She pulled out several small zucchini and sliced them into translucent moons. She washed three leeks, slicing them down their centers and peeling back each layer, carefully rinsing away any sand, then chopped the white, light green, and some of the darker parts into a fine dice. She shelled a couple handfuls of spring peas, collecting them in a ceramic bowl. She chopped a bulb of fennel and julienned one more, then washed and spun the fronds. She washed the basil and mint and spun them dry. Last, she chopped the shallots. With the vegetables prepped, she started on the risotto, the base layer for the torta a strati alla primavera, or spring layer cake, she'd been finessing since her arrival, and which she hoped would become Dia's dish. She'd make a total of six 'torte': three artichoke and three asparagus. The trick was getting the risotto to the perfect consistency, which was considerably less creamy than usual. It had to be firm enough to keep its shape and support the layers that would be placed on top of it, but not gummy, the kiss of death for any risotto. She started with a 'soffritto' of shallot, fennel, and leek, adding Carnaroli rice, which she preferred to arborio, pinot grigio, and, when the wine had plumped the rice, spring-vegetable stock, one ladle at a time. Once the risotto had absorbed all the liquid and cooked sufficiently, she divided it into six single-serving crescent molds, placed the molds in a glass baking dish, and popped them all in the oven, which made the risotto the consistency of a soft Rice Krispies treat. Keeping the molds in place, she added the next layer, steamed asparagus in one version, artichoke in the other. A layer of basil and crushed pignoli pesto followed, then the zucchini rounds, flash-sauteed, and the fennel matchsticks, cooked until soft, and finally, the spring-pea puree. She carefully removed the first mold and was rewarded with a near-perfect crescent tower, which she drizzled with red-pepper coulis. Finally, she placed a dollop of chilled basil-mint 'sformato' alongside the crescent and radiated mint leaves around the 'sformato' so that it looked like a sun. The sun and the moon, 'sole e luna,' all anyone could hope for.
Jenny Nelson (Georgia's Kitchen)
Do you guys have any questions?" she asked after they popped their first tastes. "Is there butter in this branzino al sala?" asked a ruddy-cheeked guy who was the latest addition to the team, his mouth full of fish. "First, 'sala' is a room. It's 'sale'- as in 'salt.' But only tell people that if they specifically ask, otherwise they'll assume it's too salty. And tell them the salt, which dries into a hard crust that's cracked open at the end, preserves the fish's natural flavors and juices as it cooks so it's moist and tender. And no butter, just olive oil, fresh thyme, chervil, and lemon." "Push this one, guys. We're selling it at thirty-three bucks a pop," Bernard said without looking up from his clipboard. "Really?" Georgia said. "A little high for my taste, but almost worth it." "So, it's rich and flavorful?" the new guy continued hopefully. She shook her head. "Subtle and delicate. Tell them we only serve this when the branzino is really top-notch. Say that and it'll fly.
Jenny Nelson (Georgia's Kitchen)
Some people smoked when they were upset, some did yoga, or drank, or paced, or picked fights, or counted to one hundred. Georgia cooked. As a small girl growing up in Massachusetts, she'd spent most of her time in her grandmother's kitchen, watching wide-eyed as Grammy kneaded the dough for her famous pumpernickel bread, sliced up parsnips and turnips for her world-class pot roast, or, if she was feeling exotic, butterflied shrimp for her delicious Thai basil seafood. A big-boned woman of solid peasant stock, as she herself used to say, Grammy moved around the cramped kitchen with grace and efficiency, her curly gray hair twisted into a low bun. Humming pop songs from the forties, her cheeks a pleasing pink, she turned out dish after fabulous dish from the cranky Tappan stove she refused to replace. Those times with Grammy were the happiest Georgia could remember. It had been almost a year since she died, and not a day passed that Georgia didn't miss her. She pulled out half a dozen eggs, sliced supermarket Swiss and some bacon from the double-width Sub-Zero. A quick scan of the spice rack yielded a lifetime supply of Old Bay seasoning, three different kinds of peppercorns, and 'sel de mer' from France's Brittany coast. People's pantries were as perplexing as their lives.
Jenny Nelson (Georgia's Kitchen)
Georgia attacked her dinner prep more aggressively than usual. As she saw it, there were two kinds of chefs. First, there were the cerebral types, who cooked with an intellectual, almost academic, bent. They cooked with precision and accuracy, studying a particular ingredient's effects in multiple settings before introducing it into their kitchen. These chefs loved the science of food. Fastidious in their pre-prep prep, they knew with 99 percent accuracy that a dish would turn out well. Then there were the chefs who worked from the heart. Who were furious when a dish fizzled, chopped angrily at the food as if it were their enemy, but on a good day could coax such sensuous, sublime flavors from a paltry potato and a handful of herbs that no diner would suspect its humble origins. When they hit, they hit big. But when they fell, it was like a sequoia cracking open in the redwood forest.
Jenny Nelson (Georgia's Kitchen)
Jack's eyes were huge, he was nervous and excited at the idea of fighting off so many blazes. “There were that many?”  Dad nodded, a frown on his face. “Yeah, I saw some other things in there, too. In the few seconds before they poofed me, anyway. Some skeletons that had dark gray bones. I hadn’t seen those before, but there weren’t nearly as many. Only a handful. I also saw some regular skeletons. But the sheer number of blazes was just...It was impossible to count.”  Mom huffed. “Well, that is not at all what I was hoping for. What are we going to do now?”  Dad opened his shulker box and pulled out his stronger set of iron enchanted armor, and a gold helmet, and put it all on. Then he took out two tower shields, equipping one in each hand. “Well first off, I should have gone in more prepared.”  Mom snapped her fingers. “Speaking of prepared, that reminds me.” She pulled out potions from her inventory, handing everyone a few. Then gave out stacks of golden apples and cooked pork, followed by healing potions. “This should help a lot for when we go in.”  “Wait,” Dad said. “You still want to go in after what I told you is behind that portal?”  Mom opened her shulker box, also getting dressed in her enchanted iron armor. “Yes, dear. We will not let some floating fire monsters stop us from reaching our goal.”  Kate grinned. “Go Mom! I have an idea too. STOMPY!” she called over to the huge ravager.  “What are you doing?” Jack asked. He had put on his enchanted iron armor, while handing Bruce some diamond armor and diamond sword, and some golden boots, just in case. Bruce ate them up, his entire body turning the blue of diamond, and his claws growing longer and sharper and shinier, piercing through his new, golden paws.  “I think we should have Stompy charge through and open a path for us. He’s perfect for the job,” Kate said as Stompy stomped up to them. She patted his neck lovingly.  “Aren’t you worried about him getting hurt?” Mom asked.
Pixel Ate (The Accidental Minecraft Family: Book 20)
Noryangjin is a wholesale market where you can choose live fish and seafood from the tanks of different vendors and have them sent up to be prepared in a number of cooking styles at restaurants upstairs. My mother and I were with her two sisters, Nami and Eunmi, and they had picked out pounds of abalone, scallops, sea cucumber, amberjack, octopus, and king crab to eat raw and boiled in spicy soups. Upstairs, our table filled immediately with banchan dotting around the butane burner for our stew. The first dish to arrive was sannakji---live long-armed octopus. A plate full of gray-and-white tentacles wriggled before me, freshly severed from their head, every suction cup still pulsing.
Michelle Zauner (Crying in H Mart)
And if you knew what my mind was like before, you’d get what I meant that gray morning, when I said you were the only one who could make me forget it was pouring.
Alicia Cook (Sorry I Haven't Texted You Back)
Listen close—my previous life was good. My mind has many pleasant memories: Camping on the Wensome’s chalk river shores, Running in green fields, picking spring flowers, Exploring the sand dunes and pine forests, A picnic on the mud flats, carefree days At home with my family in the village, Watching the terns, sedge warblers and swallows, Lessons in cooking and animal care, Untamed rivers and lakes, games with my friends, Sandy beaches, marshes, fens, and reed beds, The barn owl who liked to sing every night, Stirring conversations with my husband, Mundane chores alongside both my daughters, Magical countryside, large gray stone blocks, Tall flint walls in a nearby Roman town, Spongy saltmarsh, woodlands, and butterflies. It was all a gift, all blessed—and now I feel an unexpected clarity.
Ruth Ann Oskolkoff (The Bones of the Poor)
Urey seemed to know all the bars and restaurants near the Columbia University campus and led him to a narrow place packed with people. A white-capped short-order cook at a gas grill took barked orders from a cranky waitress who blew her hair out of her face after each sentence. Aromas of frying meat and grilled potatoes layered the air. Booths marked off tables with red-checked tablecloths. Ceiling fans turned languidly, stirring smoky air into a smooth blue-gray blur. There was no hurry in the place, a feeling of having been there all eternity, with only the faces changing in the pale winter light from the big windows. The waiters moved with quick, sure movements, delivering food that tasted exactly the same as when he was a boy in Brooklyn.
Gregory Benford (The Berlin Project)
Sea Salt I always use hand-harvested sea salt from Guérande, on the southwestern coast of Brittany. It comes in three varieties: coarse gray salt, which is used primarily in cooking and roasting; fine gray sea salt, which is used primarily at table; and pure white fleur de sel, which is used on certain delicate foods where its flavor and crunch will be appreciated. Fleur de sel is rare. Unlike the gray sea salts of Guérande, which are formed through carefully controlled evaporation, fleur de sel forms on top of the shallow water in the salt marshes only when the east wind blows. Then, its crystals sparkle and the paludières go into the marshes with their rakes and gently scrape the fleur de sel from the water—the men won’t do it, for they claim they aren’t careful enough.
Susan Herrmann Loomis (On Rue Tatin: Living and Cooking in a French Town)
Do I overstate the case? Go to Wisconsin. Spend an hour in an airport or a food court in the Midwest; watch the pale, doughy masses of pasty-faced, Pringle-fattened, morbidly obese teenagers. Then tell me I’m worried about nothing. These are the end products of the Masterminds of Safety and Ethics, bulked up on cheese that contains no cheese, chips fried in oil that isn’t really oil, overcooked gray disks of what might once upon a time have been meat, a steady diet of Ho-Hos and muffins, butterless popcorn, sugarless soda, flavorless light beer. A docile, uncomprehending herd, led slowly to a dumb, lingering, and joyless slaughter.
Anthony Bourdain (A Cook's Tour: Global Adventures in Extreme Cuisines)
I cannot yet see why it was considered necessary or in any way desirable to introduce another member into our household; particularly a loathsome, evil-minded, treacherous, and altogether useless and selfish Cat. We were, to my way of thinking, quite a complete and satisfactory family group as it was. There were Master and Mistress, without whom, of course, no household could be. There was Baby to provide occupation and a necessary object of worship. There was Nurse to look after Baby; there was Cook to feed us all; and there was myself, the Dog, to look after the rest of them and to make the many comforts of the establishment more completely worth while. It was, I think you will agree with me, a well-balanced organization. The addition of the Gray Devil was, to say the least of it superfluous.
Walter Alden Dyer (Many Dogs There Be (Short Story Index Reprint Series))
Esther sat on a barstool at the little square kitchen island and watched Hank cook eggs and bacon. She wondered who she could call to report the absolute crime that was Hank in a pair of gray sweatpants. They sat low on his hips, beneath the swell of his belly and hugged his muscular ass in a way that was frankly obscene.
Eliza MacArthur (Soft Flannel Hank (Elements of Pining, #1))
Behind them, filling the roads that converged on Liège came the infantry of Emmich’s assault force, rank after rank. Only the red regimental number painted on helmet fronts broke the monotony of field-gray Horse-drawn field artillery followed. The new leather of boots and harness creaked. Companies of cyclists sped ahead to seize road crossings and farmhouses and lay telephone wires. Automobiles honked their way through, carrying monocled Staff officers with orderlies holding drawn pistols sitting up front and trunks strapped on behind. Every regiment had its field kitchens on wheels, said to be inspired by one the Kaiser had seen at Russian maneuvers, with fires kindled and cooks standing up stirring the stew as the wagons moved. Such was the perfection of the equipment and the precision of the marching that the invaders appeared to be on parade.
Barbara W. Tuchman (The Guns of August)
The gray shells of the shrimp gleamed like smooth pebbles in a stream. Ten minutes before the guests arrived, I would submerge them into a hot bath of clear soda accented with slices of ginger. I watched and waited, checking for when the shells turned coral. The soda enhanced the natural sweetness of the shrimp. This dish would be the last to be cooked because of its short cooking time. I also prepared a batch of scented jasmine rice. Every Chinese meal was accompanied by the requisite rice or noodle staple.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
Tomorrow lunchtime. So much for my weekend neighborhood cookout, huh?” “You could always go after?” Lombardi suggested. “I don’t know about that, Tim. That’s the funny thing about cutting open a body, it really puts you off the sight of cooked meat right after.
Lisa Gray (To Die For)
Parmesan cheese?" Miller said. "We're not cooking Italian food." I rolled my eyes. "Yes, keep grating it, and when you're done, whisk it into those eggs. Now you know the secret ingredient of our fried chicken." Once the dredging pans were ready, I showed the young cooks through the four steps. They watched me closely. Ben, sweet baby--- bless him--- wrote everything down. The first step was to dry the chicken pieces with a paper towel, so they were tacky but not wet. This would enable the seasoning to stick to them. The secret here was not to salt too far in advance, because although salt helped enhance flavor, it also dried out meat. The second step was to dredge it in the flour mixed with cayenne pepper. After you shook off the excess flour, you put it into the mixture of eggs and grated Parmesan cheese. Finally, you dunked it into a second flour mixture that contained enough freshly ground black pepper to turn the mixture gray. This chicken was, as the kids say, fire, meaning it was so good. Its heat was balanced with the Parmesan cheese.
Victoria Benton Frank (My Magnolia Summer)
phasic
Gray Cook (Movement)
pole. Denise followed, her eyes rapidly exploring the interior which was completely tiled; walls, ceiling and floor. The tiles had once been white; now they were an indeterminate gray. The room was thirty feet long and twenty feet wide. Parked in rows on each side were old wooden carts with wheels the size of those on a bicycle. Down the center of the room was an open lane. Each cart supported a shrouded corpse.
Robin Cook (Brain)
FACT The pork of yesteryear was always cooked till gray, but that pork was a lot fattier than what’s on the market today. Selective breeding has made today’s pork much leaner, and if you cook it till gray, the meat will be dry and tough. We think the leanest cuts—like tenderloin—are best cooked to 145 degrees. At this point, the meat will still have a tinge of pink in the center. (Click here for more information about modern pork.)
Cook's Illustrated (The Cook's Illustrated Meat Book: The Game-Changing Guide That Teaches You How to Cook Meat and Poultry with 425 Bulletproof Recipes)
A small brownish-gray terrier had been sitting on the brick, but he hopped to his feet as soon as he saw Bridget and gave one sharp emphatic bark. "Now hush," she said to him- not that he seemed to care. She set the tin plate down and uncovered it, revealing the scraps that Mrs. Bram had saved for her. The terrier immediately began gobbling the food as if he was starving which, sadly, he might be. "You'll choke," Bridget said sternly. The terrier didn't listen. He never did, no matter how businesslike she made her voice. Grown men- footmen- might jump to obey her, but this scrawny waif defied her. Bridget bit her lip. If she was forced to leave Hermes House, who would feed the terrier? Mrs. Bram might- if she remembered to do so- but the cook was a busy woman with other matters on her mind. The dog finished his meal and licked the plate so enthusiastically that he overturned it with a clatter. Bridget tutted and bent to pick it up. The dog thrust his short snout under her hand as she did so and she found herself stroking his head. His fur was wiry rather than silky, almost greasy, but the dog had liquid brown eyes and seemed to smile as his mouth hung open, tongue lolling out. He was very, very sweet. She'd never been allowed a pet dog as a child. Her foster father was a shepherd and had considered dogs farm animals. A pet dog wasn't even to be thought of, especially for her, the cuckoo. Housekeepers, and indeed servants of any kind, weren't allowed pets. Sometimes a cat might be kept to catch mice in the kitchens, but it was a working animal. Dogs were dirty things and required food and space that, technically, she didn't own. Bridget stood and frowned down at the dog. "Shoo now." The dog sat and slowly wagged his tail, sweeping the bricks. One of his triangular ears stood up while the other lay down.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Alan Ladd as Neale Jordan Veronica Lake as Ellen Hillman Mike Mazurki as Paul Fontana Elisha Cook Jr. as Ciro Ricci Gloria Graham as May Martell Frank Lovejoy as Randolph McGraw Hugh Beaumont as Charlie Gray Lloyd Nolan as Victor Haskell June Lockhart as Janet Haskell James Craig as Eddie Lomax Laird Cregar as Frank Perkins William Bendix as Art Barker Richard Denning as Jerry Markle James Gleason as Sam Menard Tom Drake as Roy Douglas Dick as Tommy Barrow Virginia Grey as Claire Allen
Bobby Underwood (Nightside (Nostalgia Crime, #3))
Of special note are Nic Parkhill, Bill Whittaker AM, David Buchanan, Don Baxter, Ross Duffin, Paul van Reyk, Robert French, Anne Malcolm, Bill Bowtell, Brent Mackie, Graeme Head, Gray Sattler, Greg Tillett, Julie Bates, Kirsty Machon, Lyle Chan, Phillip Keen, Robert Griew, Sara Lubowitz, Sue Kippax AO, Terry Goulden, Reg Domingo, Nikki Lusk, Paul O’Beirne and Julie Williams. Extra special thanks to Jacki for your unfaltering support, along with Joni and Sam for your limitless love.
Nick Cook (Fighting For Our Lives: The history of a community response to AIDS)