Grandma Love Quotes

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Grandma once told me it's easy to overthink love, to dissect it and question it until it is no more.
Ellen Hopkins (Impulse (Impulse, #1))
There’s a Korean word my grandma taught me. It’s called jung. It’s the connection between two people that can’t be severed, even when love turns to hate. You still have those old feelings for them; you can’t ever completely shake them loose of you; you will always have tenderness in your heart for them.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Scarlett, always save something to fear—even as you save something to love.
Margaret Mitchell (Gone with the Wind)
Women of the Gallagher Academy, who comes here?" she asked. Just then, every girl at every table (even the newbies) stood and said in unison, "We are the sisters of Gillian." "Why do you come?" my mother asked. "To learn her skills. Honor her sword. And keep her secrets." "To what end do you work?" "To the cause of justice and light." "How long will you strive?" "For all the days of our lives," we finished and I felt a little like a character in one of my grandma's soap operas.
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
It was an emergency!" Seth blurted. "Read my lips - emergency reading - not some demented idea of fun. If I was starving, I would eat asparagus. If somebody held a gun to my head, I would watch a soap opera. And to save Fablehaven, I would read a book, okay, are you happy?" You had best be careful, Seth," Grandma warned. "The love of reading can be contagious." I just lost my appetite," he declared...
Brandon Mull
...For all the days of our lives," we finished and I felt a little like a character in one of my grandma's soap operas...
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled on my side and fell asleep next to her. Here is the point of everything I've been trying to tell you, Oskar. It's always necessary. I love you, Grandma
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Tell me, what are your intentions with my granddaughter. She’s never had a boyfriend, you know. Yes, ma’am. I am aware. And did you have anything to do with that? The corner of his mouth lifted in a half grin. I might have. Why? Because she’s mine.
B.B. Reid (Fear Me (Broken Love, #1))
We don’t LOVE our Grandmas because they look like super models. We love them because of WHO they are
John Bytheway
Love should feel like a hand sewn quilt made by grandma, wrapping you up on a cold winter morning.
Carroll Bryant
My grandma had told me once you couldn’t make someone love you or even like you, but you could sure as hell make someone put up with you.
Mariana Zapata (Wait for It)
I was alone. I had no one. No mother, no father, no brothers, no sisters, no grandmas, no grandpas, no uncles, no aunties, no cousins, and no tribe. I’d seen the children at the orphanage laugh or cry when they received news about a family member. I would never receive such news and no family would laugh or cry for me. That day I understood with sharp clarity that I didn’t have a mother who wanted me.
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
Christy: "My grandma made this. I've had it since elementary school." Todd: "I never knew that." Christy: "I never knew you left your towel on the floor." Todd: "Uh-oh. Is this one of those issues they talked about in our premarital counseling? Should I hang up towels so you feel more loved?
Robin Jones Gunn (I Promise (Christy and Todd, The College Years #3))
So, if you have a grandma, thank the good Lord above, and give your grandmamma hugs and kisses, for grandmothers are to love.
Lois Wyse
Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Last year when my grandma fell and broke her hip she couldn't paint her toenails anymore. So my grandpa started doing it for her, even after he fell and broke his hip, too. For me, that's love.
David Ebershoff (The 19th Wife)
Once heaven is done with grandma, we'd like her back, thanks.
Mitch Albom (For One More Day)
Isn’t it so weird how the number of dead people is increasing even though the earth stays the same size, so that one day there isn’t going to be room to bury anyone anymore? For my ninth birthday last year, Grandma gave me a subscription to National Geographic, which she calls “the National Geographic.” She also gave me a white blazer, because I only wear white clothes, and it’s too big to wear so it will last me a long time. She also gave me Grandpa’s camera, which I loved for two reasons. I asked why he didn’t take it with him when he left her. She said, “Maybe he wanted you to have it.” I said, “But I was negative-thirty years old.” She said, “Still.” Anyway, the fascinating thing was that I read in National Geographic that there are more people alive now than have died in all of human history. In other words, if everyone wanted to play Hamlet at once, they couldn’t, because there aren’t enough skulls!
Jonathan Safran Foer
The groove is so mysterious. We're born with it and we lose it and the world seems to split apart before our eyes into stupid and cool. When we get it back, the world unifies around us, and both stupid and cool fall away. I am grateful to those who are keepers of the groove. The babies and the grandmas who hang on to it and help us remember when we forget that any kind of dancing is better than no dancing at all.
Lynda Barry (One Hundred Demons)
Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows. So we grapple with the mysteries, each in our own way.
Jandy Nelson (I'll Give You the Sun)
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
I don't have to tell you I love you. I fed you pancakes.
Kathleen Flinn (Burnt Toast Makes You Sing Good: A Memoir of Food and Love from an American Midwest Family)
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room. Grandma Lynn died several years later, but I have yet to see her here. I imagine her tying it on in her heaven, drinking mint juleps with Tennessee Williams and Dean Martin. She'll be here in her own sweet time, I'm sure. If I'm to be honest with you, I still sneak away to watch my family sometimes. I can't help it, and sometimes they still think of me. They can't help it.... It was a suprise to everyone when Lindsey found out she was pregnant...My father dreamed that one day he might teach another child to love ships in bottles. He knew there would be both sadness and joy in it; that it would always hold an echo of me. I would like to tell you that it is beautiful here, that I am, and you will one day be, forever safe. But this heaven is not about safety just as, in its graciousness, it isn't about gritty reality. We have fun. We do things that leave humans stumped and grateful, like Buckley's garden coming up one year, all of its crazy jumble of plants blooming all at once. I did that for my mother who, having stayed, found herself facing the yard again. Marvel was what she did at all the flowers and herbs and budding weeds. Marveling was what she mostly did after she came back- at the twists life took. And my parents gave my leftover possessions to the Goodwill, along with Grandma Lynn's things. They kept sharing when they felt me. Being together, thinking and talking about the dead, became a perfectly normal part of their life. And I listened to my brother, Buckley, as he beat the drums. Ray became Dr. Singh... And he had more and more moments that he chose not to disbelieve. Even if surrounding him were the serious surgeons and scientists who ruled over a world of black and white, he maintained this possibility: that the ushering strangers that sometimes appeared to the dying were not the results of strokes, that he had called Ruth by my name, and that he had, indeed, made love to me. If he ever doubted, he called Ruth. Ruth, who graduated from a closet to a closet-sized studio on the Lower East Side. Ruth, who was still trying to find a way to write down whom she saw and what she had experienced. Ruth, who wanted everyone to believe what she knew: that the dead truly talk to us, that in the air between the living, spirits bob and weave and laugh with us. They are the oxygen we breathe. Now I am in the place I call this wide wide Heaven because it includes all my simplest desires but also the most humble and grand. The word my grandfather uses is comfort. So there are cakes and pillows and colors galore, but underneath this more obvious patchwork quilt are places like a quiet room where you can go and hold someone's hand and not have to say anything. Give no story. Make no claim. Where you can live at the edge of your skin for as long as you wish. This wide wide Heaven is about flathead nails and the soft down of new leaves, wide roller coaster rides and escaped marbles that fall then hang then take you somewhere you could never have imagined in your small-heaven dreams.
Alice Sebold (The Lovely Bones)
[Stephanie Plum]Jeez. No True Love" [Grandma Mazur] There's always been true love, but in my day, you either talked yourself into thinking you had it, or you talked yourself into thinking you didn't need it.
Janet Evanovich (Explosive Eighteen (Stephanie Plum, #18))
What do you mean love is not for sale? Then what the hell did I just buy? And why is it grandma-shaped and moaning?
Jarod Kintz (Write like no one is reading 3)
There are lots of superheroes with different superpowers, and some of them are big and flashy, like super strength and super speed, and molecular restructuring, and force fields. But these abilities are really not so different from the superpower stuff that old Jiko could do, like moving superslow, or reading people's minds, or appearing in doorways, or making people feel okay about themselves by just being there.
Ruth Ozeki (A Tale for the Time Being)
How do you move on from something like that?" How do you deal with losing all the people you love?" "You don't, she says. "Not like anyone expects you to." Grandma Brawely signs and rests the frame on the bed. 'Life goes on with or without you, and that's just the reality of it. You never move on, you just keep moving forward.
Shaun David Hutchinson (The Five Stages of Andrew Brawley)
Hello, spawn!” I coo at Kayla’s baby brother as he waddles into her room. He burps at me. “It looks like you guys speak the same language,” Kayla quips. “Where was that sass when Jack was making you cry at Avery’s party?” “Uh, hello? He’s my crush? I’m not going to sass him.” “Flash ‘em the sass before you flash ‘em the ass.” “What kind of saying is that?” She laughs. “Grandma-saying. She’s the head of the motorcycle gang at her nursing home.
Sara Wolf (Lovely Vicious (Lovely Vicious, #1))
Such was the love of this grandson for his grandmother that two years after the death of his mother, when she herself fell gravely ill, he vowed to her that someday he would try to tell the world her life story. 'But why?' she asked humbly. 'I'm no one, just a girl from the coast' 'But you are everyone, Grandma,' the young Pramoedya told her. 'You are all the people who have ever had to fight to make this life their own.
Pramoedya Ananta Toer (Gadis Pantai)
A Grandmother thinks of her grandchildren day and night, even when they are not with her.She will always love them more than anyone would understand.
Karen Gibbs (A Gallery of Scrapbook Creations)
About Grandma Lynn: She was waiting patiently. She no longer believed in talk. At seventy, she had come to believe in time alone.
Alice Sebold (The Lovely Bones)
I loved that phrase: soul mate. We asked Grandma what it meant and she said, 'Two people who understand each other without talking about it. Two halves of a whole.
Elizabeth Wein (Black Dove White Raven)
When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to strone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. "Watch out what faces you make,. Youll freeze that way." (The Lovely Bones)
Alice Sebold
Oh, I just love the Tube! And the Facebook! And the Tweets!” “Why do you keep putting the in front of those?” “Out of respect.” Grandma’s eyebrow rose all the way to her hairline. “You never address the president as president.
Rachel Van Dyken (The Dare (The Bet, #3))
Grandma pointed her fork at me. “Just watch. Fate will throw you two together. One day you’ll just run right into him and boom! True love.
Ilona Andrews (White Hot (Hidden Legacy, #2))
When she smiles, the lines in her face become epic narratives that trace the stories of generations that no book can replace.
Curtis Tyrone Jones
At the very least i should fear you. some would say that I should hate you." "Many would say that." "Yet i neither fear nor hate you." "You-you are comforting me. Giving me sanctuary. Why, Grandma?" Aurox asked. "Because I believe in the power of love. I believe in chosing Light over Darkness-happiness over hatred-trust over skeptism,
P.C. Cast (Hidden (House of Night, #10))
For a quick moment, I saw Grandma as she saw herself: a decent woman whom God, for unfathomable reasons, had chosen to punish. I almost loved her for her bewilderment. I almost touched her.
Wally Lamb (She's Come Undone)
He tunneled into stories where weak men changed into strong half-animals or used eye beams or magic hammers to power through steel or climb up the sides of skyscrapers. He was the Hulk when angry and Spidey the rest of the time. When he felt his heart hurt he turned into something stronger than a little boy, and he grew up this way. A heart that flashed from heart to stone, heart to stone. As I watched I thought of what Grandma Lynn liked to say when Lindsey and I rolled our eyes or grimaced behind her back. "Watch out what faces you make. You'll freeze that way.
Alice Sebold (The Lovely Bones)
My grandma always said, “Pretty is as pretty does.
Reese Witherspoon (Whiskey in a Teacup: What Growing Up in the South Taught Me About Life, Love, and Baking Biscuits)
One of the secrets of life is to find joy in the journey." But Grandma, you weren't on *this* journey. It was just crazy--" Grandma held up her hand. "You have six brothers. You got to spend a whole day in the car with them. You're all healthy, well fed, happy... Someday, when you're a little older, I'll bet you'd give anything to be back in that van of yours with all of your brothers, smelly diapers and all." I mulled that over. Well what about Dad?" I pointed out. "He didn't find any joy in the journey. He was yelling at trees." Grandma sat back, "Your father and mother are masters at finding joy in the journey." I didn't understand. Grandma continued, "Do you really think your parents would have had seven kids if they couldn't find joy in the journey?... I would be willing to wager that he'll be laughing about this trip on Monday morning with his friends at work." Grandma took my hands into hers. "There are a lot of people in this life that will try to convince you that they're selling something that will bring you joy. The simple fact of the matter is that *things* don't bring you joy. You have to find joy in life experience. And if you take along somebody you love, then that journey is going to be all the more enjoyable. I can promise you right now that both good and bad things are going to happen to you in your life. Good and bad things happen to everybody. Some people are good at finding the miserable things in life, and some are good at finding the joy. No matter what happens to you, what you remember is up to you.
Matthew Buckley (Chickens in the Headlights)
I'm crying for the little girl whose mother divorced her father, the girl who wanted to fall in love for the first time but wasn't ready for sex, the girl who dated a boy just because he wasn't the first one, the girl who fell hard for the guy with the easy smile and the green eyes, the girl who needed to prove she could hook up on a class trip, the girl who rand for student council just to impress a guy, the girl who lost her best friend, the girl whose father doesn't care anymore, the girl who doesn't have the money for college, the girl who just wants her grandma to fix everything, the girl who doesn't talk to anyone about anything, the girl who just can't fall in love again - even if a sweet guy folds a thousand paper cranes. Just for her.
Sydney Salter (Swoon at Your Own Risk)
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
Pray calm yourselves. I have eleven children, and I am twenty-six times a grandma, and I have seen them all through their silly seasons, and when it come on them they will run the Devil bowlegged keeping up with their mischief. I think she'll wake when she tires of it. A child's spirit is like a child, you can never catch it by running after it; you must stand still, and, for love, it will soon itself come back.
Arthur Miller (The Crucible: A Play in Four Acts)
The Kite Charm For A Life Filled with High-Flying Fun, Play with the Wonder of A Child
Viola Shipman (The Charm Bracelet)
Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones, inside you, speaking to you, trying to get your attention by any means necessary?
Jandy Nelson (I'll Give You the Sun)
He’s a good man. Fiercely loyal and loves his family. Very protective of his heart. But once he gives it, he doesn’t take it back.” “Thank you.” “You can fix the rest. Pry the stick out of his ass and hit him over the head with it a few times. He’s smart. He’ll figure it out real quick.” “Now that, I can do.
Vi Keeland (Stuck-Up Suit)
It was Buckley, as my father and sister joined the group and listened to Grandma Lynn’s countless toasts, who saw me. He saw me standing under the rustic colonial clock and stared. He was drinking champagne. There were strings coming out from all around me, reaching out, waving in the air. Someone passed him a brownie. He held it in his hand but did not eat. He saw my shape and face, which had not changed-the hair still parted down the middle, the chest still flat and hips undeveloped-and wanted to call out my name. It was only a moment, and then I was gone.
Alice Sebold (The Lovely Bones)
The young women in all the YA books I loved were high-school age. By eighteen, the majority of them had saved the world, not to mention: kissed people, traveled, been in a relationship, had sex. At twenty I felt like a pathetic, unaccomplished, uncultured, virgin grandma. It sounds like a joke now, but at the time, around all these people my age casually discussing all of the above, I felt so small.
Christine Riccio (Again, But Better)
I’ve had a lot of sucks in life A lot My parents died almost four years ago, right after I turned seven With every day that goes by I remember them less and less Like my mom…I remember that she used to sing. She was always happy, always dancing. Other than what I’ve seen of her in pictures, I don’t really remember what she looks like. Or what she smells like Or what she sounds like And my Dad I remember more things about him, but only because I thought he was the most amazing man in the world. He was smart. He knew the answer to everything. And he was strong. And he played the guitar. I used to love lying in bed at night, listening to the music coming from the living room. I miss that the most. His music. After they died, I went to live with my grandma and grandpaul. Don’t get me wrong…I love my grandparents. But I loved my home even more. It reminded me of them. Of my mom and dad. My brother had just started college the year they died. He knew how much I wanted to be home. He knew how much it meant to me, so he made it happen. I was only seven at the time, so I let him do it. I let him give up his entire life just so I could be home. Just so I wouldn’t be so sad. If I could do it all over again, I would have never let him take me. He deserved a shot, too. A shot at being young. But sometimes when you’re seven, the world isn’t in 3-D. So, I owe a lot to my brother. A lot of ‘thank you’d’ A lot of ‘I’m sorry’s’ A lot of ‘I love you’s’ I owe a lot to you, Will For making the sucks in my life a little less suckier And my sweet? My sweet is right now.
Colleen Hoover (Point of Retreat (Slammed, #2))
I think of how Grandma makes fun of love. And maybe that’s the key.
Heidi W. Durrow (The Girl Who Fell from the Sky)
He, Jeff, and Troy Lee carried Super Soakers loaded with Grandma Lee's Vampire Cat Remedy, other Animals had garden sprayers slung on their backs, except for Gustavo, who thought that making him carry a garden sprayer was racial stereotyping. Gustavo had a flame thrower. He wouldn't say where he got it. "Second Amendment, cabrones." (The guy who sold Gustavo his green card had included two amendments from the Bill of Rights and Gustavo had chosen Two and Four, the right to bear arms and freedom from unreasonable search and seizure. [His sister Estrella had had seizures as a child. No bueno.] For five bucks extra he threw in the Third Amendment, which Gustavo bought because he was already sharing a three-bedroom house in Richmond with nineteen cousins and they didn't have any room to quarter soldiers.)
Christopher Moore (Bite Me (A Love Story, #3))
You’ll be okay driving home?” “Duh,” I feel miffed that he’d pat me like a child, but also weird and glowy on the inside in places I don’t even wanna think about. “I’m like a NASCAR driver. Minus the millions of dollars.” “Shame, really. Imagine how many more people you could annoy if you were a millionaire.” “At least ten whole people. And their grandmas.
Sara Wolf (Savage Delight (Lovely Vicious, #2))
Before I grad her book and mine, I go sit next to her on the organ bench and she gives me a big grandma hug - her special version, made from strong arms, old-fashioned perfume, and years of practice. The kind that makes you think you've won the best prize in the world. For love and safety, find your grandma. (76)
Kirstin Cronn-Mills (The Sky Always Hears Me: And the Hills Don't Mind)
My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him. We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility. ... 'Please don't let Daddy die, Susie,' he whispered. 'I need him.' When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced. I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately? 'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me. 'Remember?' he said. I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet. 'Granddaddy,' I said. And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry. 'Do you remember?' he asked. 'Barber!' 'Adagio for Strings,' he said. But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why. 'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard. We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco. When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back. 'I'm going,' he said. 'Where?' I asked. 'Don't worry, sweetheart. You're so close.' He turned and walked away, disappearing rapidly into spots and dust. Infinity.
Alice Sebold
We don’t need the money that badly,” my mother said. “According to my sisters, we do.” I slid the photograph with dollar signs toward her. Mom swung toward Grandma Frida. “Mom!” Grandma Frida’s eyes got really big. “What? Don’t look at me!” “You started this.” Ha! Attack deflected and redirected. “I did no such thing. I’m innocent. You always blame me for everything.” “You started it and you encouraged it. Now look, she’s taking on murders because you’re guilt-tripping her to put food on the table. And what kind of message does this send?” “A true-love kind of message.” Grandma Frida grinned.
Ilona Andrews (White Hot (Hidden Legacy, #2))
My father was too distracted to see anything in this. Mimicking my mother, he taped it to the fridge in the same place Buckley's long-forgotten drawing of the Inbetween had been. But my brother knew something was wrong with his story. Knew it by how his teacher reacted, doing a double take like they did in his comic books. He took the story down and brought it to my old room while Grandma Lynn was downstairs. He folded it into a tiny square and put it inside the now-empty insides of my four poster bed. ~pgs 217-218; Buckley's childhood
Alice Sebold (The Lovely Bones)
Question for your life: Let’s say we’re on a date, and I’m being all seductive by talking nonstop about such interesting topics as intergalactic nano armies and the precise elevation at which a really tall building becomes a skyscraper, how would you respond if I invited you back to my grandma’s house for a passionate night of love making?
Jarod Kintz ($3.33 (the title is the price))
I lie in a bathtub of cold water, still sweating and singing love songs to myself. I put the gun to my head and cock it. I think of my Grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I'm so sad and I can't really see a way out of what I'm feeling but I'm leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I'm already hurting. I'm not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America.
Kiese Laymon (How to Slowly Kill Yourself and Others in America)
And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It's always necessary. I love you, Grandma.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Of course I still love my grandma even after all the awful stuff she did to me, which is scary that you can love someone who is not nice. I guess that is what getting better will do to a person: make you forgive people who have been mean to you.
Jack Gantos (Joey Pigza Swallowed the Key)
All my girlhood I always planned to do something big…something constructive. It’s queer what ambitious dreams a girl has when she is young. I thought I would sing before big audiences or paint lovely pictures or write a splendid book. I always had that feeling in me of wanting to do something worth while. And just think, Laura…now I am eighty and I have not painted nor written nor sung.” “But you’ve done lots of things, Grandma. You’ve baked bread…and pieced quilts…and taken care of your children.” Old Abbie Deal patted the young girl’s hand. “Well…well…out of the mouths of babes. That’s just it, Laura, I’ve only baked bread and pieced quilts and taken care of children. But some women have to, don’t they?...But I’ve dreamed dreams, Laura. All the time I was cooking and patching and washing, I dreamed dreams. And I think I dreamed them into the children…and the children are carrying them out...doing all the things I wanted to and couldn’t.
Bess Streeter Aldrich (A Lantern in Her Hand)
You know you’re not supposed to sleep here,” the old man said. “I know. But you love me.” “I don’t love you. I dated your grandma once. That’s all.” “You love me just a little,” Boner said. “No. Not even a little.” “I love you a little.” The old man shook his head.
Justin Grimbol (Naked Friends)
There are two dedications. The first is Jessica’s. To my precious children, Madalina, Ashur, Isabelle, and Grace, No mother could love her children more than I love you. Each of you is truly a gift from God that I cherish more than anything else in this world. And to Amy Sarah, my Beloved Princess. I only held you once, but you live on forever in my heart. Even you have a story.” Kayne paused and bussed her temple before continuing. “The second dedication is from Darcy’s kids. I may call you Mom, Grandma, Aunt, or some other name, the title doesn’t matter to my heart. It only knows that it loves you. Happy Mother’s Day.
Julieanne Reeves (Razing Kayne (Walking a Thin Blue Line, #1))
A Long Way from Chicago is the funniest book I have read in a while. You will enjoy the antics of Grandma and the love and dismay her grandchildren feel for her
Robert Newton Peck
Dis ain’t no business proposition, and no race after property and titles. Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine.
Zora Neale Hurston (Their Eyes Were Watching God)
Then, wham! My first grandchild was born... I was jolted, blindsided by a wallop of loving more intense than anything I could remember or had ever imagined.
Lesley Stahl (Becoming Grandma: The Joys and Science of the New Grandparenting)
God, I’d love to have someone rip my panties from my body. But I think the only way Jeff could get my ginormous grandma undies shredded would be with some garden sheers or a bush whacker.
Madeleine Beckett (Color of Loneliness (Color, #1))
Grandma Fifi had two friends named Martin and Merlin who were afraid in a way Dirk didn't want to be. They were both very handsome and kind and always brought candies and toys when they came over for tea and Fifi's famous pastries. But as much as Dirk liked Martin and Merlin he knew he was different from them. They talked in voices as pale and soft as the shirts they wore and they moved as gracefully as Fifi did. Their eyes were startled and sad. They had been hurt because of who they were. Dirk didn't want to be hurt that way. He wanted to be strong and to love someone who was strong; he wanted to meet any gaze, to laugh under the brightest sunlight and never hide.
Francesca Lia Block (Baby Be-Bop (Weetzie Bat, #5))
Love doesn't come with any random man coming in your apartment. It comes with the right person at the right time." "Geez. You sound like a grandma. What are you going to say next? True love waits?
Shyrill Silversong (Arrival (Celestial Beings #1))
You don't notice the dead leaving when they really choose to leave you. You're not meant to. At most you feel them as a whisper or the wave of a whisper undulating down. I would compare it to a woman in the back of a lecture hall or theater whom no one notices until she slips out.Then only those near the door themselves, like Grandma Lynn, notice; to the rest it is like an unexplained breeze in a closed room.
Alice Sebold (The Lovely Bones)
It's hard to know, isn't it, whether the things we face are just because the world is full of sin and sinful people, or if God is working out a plan,' Grandma continued. 'I happen to think it's both. There's sin, but through it all, He takes the mess we make and paints a masterpiece. In fact, I'm quite certain that before God can ever bless a woman—and use her to impact many—He uses the hammer, the file, and the furnace to do a holy work.
Tricia Goyer (Love Finds You in Glacier Bay, Alaska)
I'm the kind of girl who wants to get married in a big, white dress, wearing my grandma's pearls. I want a husband who loves me and is faithful to me. I want him to come home to me every night, and I don't want to have to worry if he's doing his secretary, because he's the kind of man who has too much honor to do that. I want to wait a year and then I want to start trying for the two kids that we'll eventually have, a girl and a boy. And when we have those kids, I do not want, one day, to have to look in their little faces and explain why their daddy is on the internet having relations with everyone from College Honeys to Cougars Gone Wild for money. I want to throw a cartoon themed birthday party at a jump house for my six year old, not mark the occasion by explaining what a "money shot" is. I have a feeling your life goals are somewhat different than mine. And by 'somewhat,' I mean, utterly and completely. Does that explain why it would be a waste of time for both of us to continue being in each other's presence?
Mia Sheridan (Stinger)
Anyone who loves books the way Homer does, loves libraries, too. It doesn't matter if the library has fancy red leather chairs and gold-plated shelves that reach to a vaulted ceiling, or if the library has splintery wooden benches and shelves made of old milk crates. it's the scent that sets the book lover at ease. It's better than grandma's perfume, or freshly baked chocolate chip cookies, or even toast. It's a scent derived from paper, mildew, dust, and human endeavors.
Suzanne Selfors (Smells Like Dog (Smells Like Dog, 1))
I love my grandparents, my aunts and uncles, but I'd take a bullet for my parents or my sister without a second thought." "Dude," Greg whispered,"you wouldn't take one for your granny?" "No one's going to shoot my grandma," Jace said dismissively.
Jay Bell (Something Like Autumn (Something Like, #2))
I was having fun at grandma's house, but I kept thinking about Clifford. I wondered if he was thinking of me. He was. He loves his mom, but as soon as he could, he hurried home. So did I . . . . . . because I am thankful for Clifford, and he is thankful for me.
Norman Bridwell (Clifford's Thanksgiving Visit)
Grandma smiled brightly. “How lovely! It seems your whore has arrived.” Jake groaned and covered his face with his hands. There was no way out of it. His grandmother was going to get him shot. A&E women scorned, here I come. “Excuse me?” Aileen put her hands on her hips and did a weird head nod at Grandma, and nearly teetered off her high heels. Oh, this wasn’t good. Not good at all. Grandma reached out and patted Aileen’s arm. “Sweetheart, I’m the one with hearing aids, not you. I called you a whore. Would you like me to spell it for you, too?” She nudged Jake. “What did you do? Find her at a high school career fair?” And then in a horrifyingly loud voice she began spelling. “W-H-O-R-E.
Rachel Van Dyken (The Wager (The Bet, #2))
The little things we value as mundane or pithy usually turn into the big things in hindsight…an “I love you” called out as the door closes, a walk around the same block with the same friend, Grandma’s chocolate cake every time you visit…the brush of skin on skin as two loves pause to breath in sync. Life isn’t made up of miles, but memories. Cherish them while you’re making them, not just after you can’t make those memories anymore.
Toni Sorenson
There is no other love that’s as special as the love of a grandma. So warm and fuzzy, so calm and sweet, so cheerful and joyful. Grandmas are definitely a special gift from God. A treasure you must always keep. Memories that are never fading but always alive and well in our minds. Forever in my heart, Grandma…
Hopal Green
Once I find my way to Grandma's restaurant, after what feels like a zillion wrong turns and dead ends, I walk in and smell all the bomb soul food- her famous fried chicken with all the creole seasonings, thyme, rosemary, and tarragon. I even get a whiff of her famous sweet potato pie, and I'm practically drooling.
Jay Coles (Hungry Hearts: 13 Tales of Food & Love)
Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary?
Jandy Nelson (I'll Give You the Sun)
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
Did you say all that you meant to Before the curtain closed? Or did you feel so much more Than we'll ever know? You were an amazing person; One of the very best. You were here for part of my story; I wish you could hear the rest. I miss your smile most; The smile you had for all. Now I can only see it In pictures on the wall.
Margo T. Rose (The Words)
Bye-bye.” Walker flaps his hand up and down. I think I’ll give him a hug. I do it too fast and knock him down, he bangs on the train table and cries. “I’m so sorry,” Grandma keeps saying, “my grandson doesn’t — he’s learning about boundaries—” “No harm done,” says the first man. They go off with the little boy doing one two three whee swinging between them, he’s not crying anymore. Grandma watches them, she’s looking confused. “Remember,” she says on the way to the white car, “we don’t hug strangers. Even nice ones.” “Why not?” “We just don’t, we save our hugs for people we love.” “I love that boy Walker.” “Jack, you never saw him before in your life.
Emma Donoghue (Room)
When I opened the box, I had to remove myself from whose handwriting it was that I was reading and whose story I was hearing. I had to, or I never would have made it past the first letter. If I stopped to think about my Grandpa writing to my Grandma, knowing how much he loved her and how many years he spent without her after her death, I knew I wouldn’t be able to make it through just one letter without an onslaught of tears. And it was Grandpa, a voice I knew so well. One that I miss terribly.
Kara Martinelli (My Very Dearest Anna)
My grandma always had chocolate-covered cherries," D said, his tone curled at the edges, like he'd surprised himself with the memory. Jack slid up a little so he could watch D's face. "Usedta love them things. The way they'd kinda burst open when ya bit 'em, and that syrupy stuff inside, then the cherry. I'd bite off one side a the shell real careful-like, so none a the syrup spilled, then suck all the gooey out, then fish out the cherry with my tongue, then I'd just have the chocolate shell left and I'd nibble on it 'til it was gone. She'd only let me have one or two so I hadta make 'em last." He glanced at Jack, who was just staring at him, his mouth open. "What?" "That is the sexiest thing I've ever heard." D flushed and fidgeted. "Aw, hell." "Seriously. Ask me how much I want to go get some chocolate-covered cherries right now just so I can watch you eat them.
Jane Seville (Zero at the Bone (Zero at the Bone #1))
She told me she loved me. Most men wouldn’t know how to respond, but I did. What else could I say but, “Thanks, Grandma!
Jarod Kintz (This Book Title is Invisible)
I’m a fan of Meatloaf. He has a voice like it’s covered in thick gravy. There’s nothing better to make love to, with the possible exception of grandma’s casserole.
Jarod Kintz (This Book is Not for Sale)
Oh, grandma would be so disappointed. She loved this bench. She picked it out in the 70s. She always said she was so amazed you could get Formica with yellow daisies.
M. Caspian (Kraken)
You loathed-slash-loved him at Grandma’s party. And he loathed-slash-loved you back, which is pretty much one step away from matrimony.
Becky Wade (Falling for You (A Bradford Sisters Romance, #2))
GRANDMA RAE’S KEY INGREDIENTS for a good day: 1 cup of gratitude   1 spoonful of hope 1 ounce of laughter A dash of resilience A sprinkle of service to others 1 cup of integrity 1 cup of self-respect I good trusted friend (2 is optional) A whole lot of love for yourself 1 cupcake with a tasty whipped cream frosting with a cup of kind words to sweeten your day
Ann S. Marie (Strawberry Cream Cupcake & Murder (Dana Sweet #1))
One time, grandma told me that she would always love me, even if at times, I don't love myself. I don't really know what all that means but I think it means she loves me a whole lot.
Sophia Carter-Parker (Ready, Set, Go to Grandma's)
In the fall he picked up his phone one afternoon to hear Grandma Lynn. 'Jack,' my grandmother announced, 'I am thinking of coming to stay.' My father was silent, but the line was riddled with his hesitation. 'I would like to make myself available to you and the children. I've been knocking around in this mausoleum long enough.' 'Lynn, we're just beginning to start over again,' he stammered. Still, he couldn't depend on Nate's mother to watch Buckley forever. Four months after my mother left, her temporary absence was beginning to take on the feel of permanence. My grandmother insisted. I watched her resist the remaining slug of vodka in her glass. 'I will contain my drinking until'- she thought hard here- 'after five o'clock, and,' she said,' what the hell, I'll stop altogether if you should find it necessary.' 'Do you know what you're saying?' My grandmother felt a clarity from her phone hand down to her pump-encased feet. 'Yes, I do. I think' It was only after he got off the phone that he let himself wonder, Where will we PUT her? It was obvious to everyone. ~pgs 213-214; Grandma Lynn and Jack;
Alice Sebold (The Lovely Bones)
The truth was that although my grandma loves us and we loved her, the courage to love someone new, someone she had no hand in creating had been razed from her, torn from its roots, burned and hacked from every follicle, every pore. So she was scared to love. Because she didn't think she could handle it. Because what would she do or become if love was stripped from her once more?
Matthew Aaron Goodman (Hold Love Strong)
The monsoons had cooled down the temperature and a thick blanket, folded into a perfect rectangle, lay at the foot of my bed. Grandma must have come to inspect the settings a hundred times, being a perfectionist. Her love was evident in every little thing that was present in the house. It was soothing to be back in the house. Something unwounded from within, the moment I entered it.
Preethi Venugopala
To my special grandson HAPPY BIRTHDAY Celebrate your 13th birthday with joy and appreciation for your interesting stage of life. May God hide you under His wings. May He go before you. May He stand beside you. May He walk behind you. May He give you wisdom to excel and innovate in life forever and ever amen. Enjoy your teenage life and enjoy the blessing of grace. Grandma loves you so much.
Euginia Herlihy
I was trying to understand my grandmother feelings. Why, when I looked at and held the baby, I felt I was floating, that I was on a high.... I keep wanting to burst into song! So I wasn't crazy, & I wasn't alone. When a grandmother holds the baby, her brain, like a new mother's, can also be drenched in the bonding hormone oxytocin. Aha! There it was. We grandmas literally, actually fall in love.
Lesley Stahl (Becoming Grandma: The Joys and Science of the New Grandparenting)
The next day I picked up my electric guitar and amp at a tag sale. Grandma Dotty loves tag sales, and somehow she managed to bargain with the guy who was selling them, until we paid just three dollars
James Patterson (My Brother Is a Big, Fat Liar (Middle School #3))
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
Luella had been Lou's favorite grandma. Some grandmas took their grandchildren to parks, or bought them books and dolls, or shared their special stories. Her grandma shared her recipes. She taught Lou how to check when a roast turkey was done, chop veggies without cutting off a finger, and bake a coconut cake grown men swooned over. A fog of comforting smells had perpetually blanketed her kitchen- an expression of her love so strong you could taste it. Lou caught the culinary bug during those early days and loved that she was named after her grandma, even if Lou believed she'd never make food quite as delicious.
Amy E. Reichert (The Coincidence of Coconut Cake)
I still had Grandma’s hankie in my pocket. The sun flared. I’d heard that this river was the last of an ancient ocean, miles deep, that once had covered the Dakotas and solved all our problems. It was easy to still imagine us beneath them vast unreasonable waves, but the truth is we live on dry land. I got inside. The morning was clear. A good road led on. So there was nothing to do but cross the water and bring her home.
Louise Erdrich (Love Medicine)
I often talk about the “Grandma rule” for travelers. You may not like Grandma’s Thanksgiving turkey. It may be overcooked and dry—and her stuffing salty and studded with rubbery pellets of giblet you find unpalatable in the extreme. You may not even like turkey at all. But it’s Grandma’s turkey. And you are in Grandma’s house. So shut the fuck up and eat it. And afterward, say, “Thank you, Grandma, why, yes, yes of course I’d love seconds.
Anthony Bourdain (Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook)
I'm going to lay it out straight for you here, Carson. And the reason that I'm going to do that is because I have every confidence that it will scare you off badly enough that I can then finish my drink in peace, and we can part as acquaintances who simply have nothing in common." He raised one eyebrow and I joined my hands in my lap, tilting my head as I continued. "I'm the kind of girl who wants to get married in a big, white dress, wearing my grandma's pearls. I want a husband who love me and is faithful to me. I want him to come home me every night, and I don't want to have to worry if he's doing his secretary, because he's the kind of man who has too much honor to do that. I want to wait a year and then I want to start trying for the two kids that we'll eventually have, a girl and a boy. And when we have those kids, I do not want, one day, to have to explain why their daddy is on the internet having relations with everyone from College Honeys to Cougars Gone Wild for money. I want to throw a cartoon themed birthday party at a jump house for my six year old, not mark the occasion by explaining what a "money shot" is. I have a feeling your life goals are somewhat different than mine. And by 'somewhat,' I mean, utterly and completely. Does that explain why it would be a waste of time for both of us to continue being in each other's presence?" Chapter 1
Mia Sheridan (Stinger)
Only once, early on, did Claude wonder, “Carmy?” “Yes, dear?” “Will you love me even if I keep wearing a dress?” “I will love you even if you wear a dress made out of puppies.” Carmelo nuzzled his neck, and he giggled. “I will love you even if you wear a hat made out of toe cheese.” Claude wrinkled his nose. “You will?” “Of course.” “How come?” “’Cause I’m your grandma. That’s what grandmas are for.” “Loving you no matter what you wear?” “Loving you no matter what.
Laurie Frankel (This Is How It Always Is)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
I think wrinkles are terrific because they show what your face has been doing all your life. If your face has spent most of its time smiling, you'll have smile wrinkles. Smile wrinkles are one of the best things people can have on their face.
Marc Gellman ("Always Wear Clean Underwear!")
Hey, you just 'member it's all in the butter. I keep trynna tell your cousins that, and they don't listen for the life of 'em." Butter is probably Grandma's favorite ingredient, and she puts it in nearly everything. I believe she'd put it in her raisin bran in the mornings if she could. One year, she made deep-fried sticks of butter and dipped them in chocolate sauce and melted peanut butter. I'm not gonna lie. It was pretty flame, but I'm sure at least one of my arteries clogged up.
Jay Coles (Hungry Hearts: 13 Tales of Food & Love)
In Hawaii, family showed itself in the way that my siblings never dared to call one another "half" anything. We were fully brothers and sisters. Family appeared in the pile of rubber slippers and sandals that crowded the entrance to everyone's home; in the kisses we gave when we greeted one another and said good-bye; in the graceful choreography of Grandma hanging the laundry on the clothesline; in the inclusiveness of calling anyone older auntie or uncle whether or not they were relatives.
Janet Mock (Redefining Realness: My Path to Womanhood, Identity, Love So Much More)
I love you!” His shoulders scrunched around his ears, and he spun slowly to look at me, eyes wide, like I didn’t do this to him regularly. Muttering a quick, “Love you too,” he took off in a power walk that rivaled grandmas doing rounds at the mall.
Lilian T. James (Meet Me Halfway (Learning to Love Series))
My friends seemed to think it was great that I had a grandma who was still comfortable with her own sexuality and even acted on it. But being on the receiving end of constant sex stories and talks about improving one’s love life just wasn’t as fabulous.
Shelli Stevens (Love for Sale)
The cool thing about being a middle-aged woman is that they asked me if I wanted the security guard inside of the room or outside of the room, and I said, “Outside.” And the guard said, “You’ll be locked in, there’ll be no way for you to get out.” And I turned around and there was 21 guys looking at me. There’s something about being a middle-aged woman that just totally… I can rock the Auntie Lynda or grandma thing now. [Impersonating an old woman] “Now, you sit down! I don’t care about those tattoos! You just sit down.” [Laughter.] I really loved it. These are the people that I would venture to say probably went to public schools, probably went to difficult public schools, and now they’re in prison. Their ability to focus and write these stories was amazing; I mean their stories are.… I think the same thing that can get somebody in prison is the same thing that could make them a really good writer. Impulse control. There’s no, “Is this a bad convenience store to rob?” [Laughter.] “Is this a bad sentence?
Lynda Barry
Grandma Clara acted toward God the way we act toward people we're madly in love with. When you are truly in love, you go to great lengths to be with the one you love. You'll drive for hours to be together, even if it's only a short while. You don't mind staying up late to talk. Walking in the rains is romantic, not annoying. You'll willingly spend a small fortune on the one you're crazy about. When you are apart from each other, it's painful, even miserable. He or she is all you think about; you jump at any chance to be together.
Francis Chan (Crazy Love: Overwhelmed by a Relentless God)
Why is it the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say we speak like savages who have found three words and worship them. It's the cliches that cause the trouble. A precise emotion seeks a precise expression. If what I feel is not precise then should I call it love? It is so terrifying, love, that all I can do is shove it under a dump bin of pink cuddly toys and send myself a greetings card saying 'Congratulations on your engagement.' But I am not engaged I am deeply distracted. I am desperately looking the other way so that love won't see me. I want the diluted version, the happy language, the insignificant gestures. The saggy armchair of cliches. It's all right, millions of bottoms have sat here before me. The springs are well worn, the fabric smelly and familiar. I don't have to be frightened, look, my grandma and grandad did it, he in a stiff collar and club tie, she in white muslin straining a little at the life underneath. They did it, my parents did it, now I will do it won't I, arms outstretched, not to hold you, just to keep my balance, sleepwalking to that armchair. How happy we will be. How happy everyone will be. And they all lived happily ever after.
Jeanette Winterson (Written on the Body)
My grandma raised her eyes to the heavens, put her hand on her heart and sighed dramatically. "Dear God, one day let my family love me for my soul instead of my remarkably elegant possessions, my shoe box full of cash, and my outstanding high-interest-rate back account...
Emily Cassel (Post Grad)
And thus, the Titans & titanesses made love without passion And so did the Gods & Goddesses. They only had Longing[Pothos], Love[Eros] & Reciprocal Love[Anteros] between them, but no Passion. And this fact accounted for the unimaginative number of offspring that some of them had. And the unimaginative tendency of Gods & Goddesses to take aunts & uncles, sons & daughters & even granddads & grandmas to wife or to husband. So much so that some Gods & Goddesses preferred to produce offspring asexually, even without Love. As Hera begot Hephaestus.
Nicholas Chong
Lovin’ in My Baby’s Eyes” is playing, and Peter takes my hand and leads me out to the lawn. We’ve never danced to this kind of song before. It’s the kind of song where you sway together and make a lot of eye contact and smile. It feels different, like we’re already older versions of Peter and Lara Jean. Across the dance floor, Trina and Kitty and Margot are dancing in a circle, with Grandma in the middle. Haven is dancing with my dad. She catches my eye and mouths, He’s so cute. Peter, not my dad. He is. He is so, so cute. I will never forget tonight, not for as long as I live. One day, if I’m lucky, I’ll tell some young girl all my stories, just like Stormy told me hers. And I’ll get to live them again. When I’m old and gray, I will look back on this night, and I will remember it just as it was. Is. We’re still here. It’s not the future yet.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
When we trust in the Power above And with the realm of nature hold fast, We will have a jewel of great price To brighten our lives till the last. For the love of nature is healing, If we will only give it a try And our reward will be forthcoming, If we go deeper than what meets the eye.
Ben Montgomery (Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail)
This is what Grandma was worried about, you know.' 'Me eating a whole chocolate cake practically all by myself in a single sitting?' 'You falling in love with a computer geek. Sure, they have good stock options and smokin' hot bods, but what about that dark side of genius that reanimates the dead?
Laurie Frankel (Goodbye for Now)
She arrived home to Grandma Noreen talking from the television room. As she passed the room she saw that Sandy was still sitting in there with her. She went into the kitchen, filled a vase with water, placed the flowers in them and wrote out a note: I love you too. Please don't be sad, it will happen soon.
Katrina Kahler (He's Mine (Mean Girls #3))
before he went back to helping the boy. Missing from the Warrior tent were Kalona and Aurox. For obvious reasons, Thanatos had decided the Tulsa community wasn’t ready to meet either of them. I agreed with her. I wasn’t ready for … I mentally shook myself. No, I wasn’t going to think about the Aurox/Heath situation now. Instead I turned my attention to the second of the big tents. Lenobia was there, keeping a sharp eye on the people who clustered like buzzing bees around Mujaji and the big Percheron mare, Bonnie. Travis was with her. Travis was always with her, which made my heart feel good. It was awesome to see Lenobia in love. The Horse Mistress was like a bright, shining beacon of joy, and with all the Darkness I’d seen lately, that was rain in my desert. “Oh, for shit’s sake, where did I put my wine? Has anyone seen my Queenies cup? As the bumpkin reminded me, my parents are here somewhere, and I’m going to need fortification by the time they circle around and find me.” Aphrodite was muttering and pawing through the boxes of unsold cookies, searching for the big purple plastic cup I’d seen her drinking from earlier. “You have wine in that Queenies to go cup?” Stevie Rae was shaking her head at Aphrodite. “And you’ve been drinkin’ it through a straw?” Shaunee joined Stevie Rae in a head shake. “Isn’t that nasty?” “Desperate times call for desperate measures,” Aphrodite quipped. “There are too many nuns lurking around to drink openly without hearing a boring lecture.” Aphrodite cut her eyes to the right of us where Street Cats had set up a half-moon display of cages filled with adoptable cats and bins of catnip-filled toys for sale. The Street Cats had their own miniature version of the silver and white tents, and I could see Damien sitting inside busily handling the cash register, but except for him, running every aspect of the feline area were the habit-wearing Benedictine nuns who had made Street Cats their own. One of the nuns looked my way and I waved and grinned at the Abbess. Sister Mary Angela waved back before returning to the conversation she was having with a family who were obviously falling in love with a cute white cat that looked like a giant cottonball. “Aphrodite, the nuns are cool,” I reminded her. “And they look too busy to pay any attention to you,” Stevie Rae said. “Imagine that—you may not be the center of everyone’s attention,” Shaylin said with mock surprise. Stevie Rae covered her giggle with a cough. Before Aphrodite could say something hateful, Grandma limped up to us. Other than the limp and being pale, Grandma looked healthy and happy. It had only been a little over a week since Neferet had kidnapped and tried to kill her, but she’d recovered with amazing quickness. Thanatos had told us that was because she was in unusually good shape for a woman of her age. I knew it was because of something else—something we both shared—a special bond with a goddess who believed in giving her children free choice, along with gifting them with special abilities. Grandma was beloved of the Great Mother,
P.C. Cast (Revealed (House of Night #11))
She was in love with Justin Bieber, let me tell you,” Grandma says, tapping the picture of me wearing a Bieber T-shirt and a collection of Bieber stickers decorating my arms and face. “That girl was crazy about him. Of course now she acts like she's too cool for that kind of music, but you know how kids are.
Amy Sparling (Summer Unplugged (Summer Unplugged #1))
Grandma Min had poured herself into those she loved and her efforts would live on even though she was gone. This was why her death left a gaping hole in my heart—because her life had mattered. I felt my ambitions shift a bit. Home is important. Building a home for those you love is a beautiful, worthwhile aim.
Chana Keefer (One Night With a Rock Star (One Night With a Rock Star, #1))
Oskar. The night before I lost everything was like any other night. Anna and I kept each other awake very late. We laughed. Young sisters in bed under the roof of their childhood home. Wind on the window. How could anything less deserve to be destroyed? I thought we would be awake all night. Awake for the rest of our lives. The spaces between our words grew. It became difficult to tell when we were talking and when we were silent. The hairs on our arms touched. It was late, and we were tired. We assumed there would be other nights. Anna’s breathing started to slow, but I still wanted to talk. She rolled onto her side. I said, I want to tell you something. She said, You can tell me tomorrow. I had never told her how much I loved her. She was my sister. We slept in the same bed. There was never a right time to say it. It was always unnecessary. The books in my father’s shed were sighing. The sheets were rising and falling around me with Anna’s breathing. I though about waking her. But it was unnecessary. There would be other nights. And how can you say I love you to someone you love? I rolled onto my side and fell asleep next to her. Here is the point of everything I have been trying to tell you, Oskar. It’s always necessary. I love you, Grandma
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
Here, let me do it,” Peter says, coming up close behind me. I jerk away from him. “No no, I’ll do it,” I say, and he shakes his head and tries to take the measuring cup from me, but I won’t let go, and flour poufs out of the cup and into the air. It dusts us both. Peter starts cracking up and I let out an outraged shriek. “Peter!” He’s laughing too hard to speak. I cross my arms. “I’d better still have enough flour.” “You look like a grandma,” he says, still laughing. “Well, you look like a grandpa,” I counter. I dump the flour in my mixing bowl back into the flour canister. “Actually, you’re really a lot like my granny,” Peter says. “You hate cussing. You like to bake. You stay at home on Friday nights. Wow, I’m dating my granny. Gross.” I start measuring again. One, two. “I don’t stay home every Friday night.” Three. “I’ve never seen you out. You don’t go to parties. We used to hang out back in the day. Why’d you stop hanging out?” Four. “I…I don’t know. Middle school was different.” What does he want me to say? That Genevieve decided I wasn’t cool enough so I got left behind? Why is he so clueless? “I always wondered why you stopped hanging out with us.” Was I on five or six? “Peter! You made me lose my count again!” “I have that effect on women.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Lara Jean, promise me you won’t let her get her hooks in Daddy. He doesn’t know the first thing about dating in the twenty-first century, and she’ll just eat him alive. He needs to be with someone mature, someone with wisdom in her eyes.” I snort. “Like who? A grandma? If so, I know a few from Belleview I could set him up with.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Nukuu ya mwandishi wa vitabu wa Brazili, Paulo Coelho, "Tunapopenda tunajitahidi siku zote kuwa wazuri zaidi kuliko jinsi sisi wenyewe tulivyo. Tunapojitahidi kuwa wazuri zaidi kuliko jinsi sisi wenyewe tulivyo, kila kitu katika maisha yetu kinakuwa kizuri hali kadhalika.", inadhihirisha kikamilifu tabia ambayo bibi yangu (Martha Maregesi) alijitahidi kuwa nayo katika kipindi cha maisha yake yote. Alikuwa mtu mwenye furaha sana. Alikuwa na tabasamu lenye kuambukiza ambalo marafiki na familia yake hawakuweza kujizuia kutabasamu pia alipofurahi nao. Pamoja na kwamba alikumbana na matatizo mengi na bahati mbaya nyingi katika maisha yake, alijulikana kama mtu mwenye upendo na uvumilivu mkubwa.
Enock Maregesi
IT WAS A HOT AND MUGGY DAY AS I looked up in the powder blue sky that covered the Port of San Pedro. The Bell helicopter circled above like a dragonfly in my Grandma Cholé's rose garden. I don't know if it was the unbearable humidity or the whoop- whoop- whoop of the chopper's rotor blades as they sliced through the air, but something was affecting me.
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
I noticed that religion gave some people a way to escape dealing with the world: “Things will be better when you die,” the people of my grandma’s generation said as they worked themselves to death. “God wants you to forgive and love those who do you wrong,” some people said to shake off the shame of being unable to respond to the abuse they endured. The holier-than-thou faction found comfort in believing, “The rest of y’all are lost because you don’t have a personal relationship with God—our God.” But art engages you in the world, not just the world around you but the big world, and not just the big world of Tokyo and Sydney and Johannesburg, but the bigger world of ideas and concepts and feelings of history and humanity.
Wynton Marsalis (Moving to Higher Ground: How Jazz Can Change Your Life)
You know the one about the old man whose grandson is getting married? Just before the wedding, he calls the boy in for a chat. “My child,” he says, “I want you to know that all marriages go through phases. At first, you and you wife will make love all the time. But then, as the children come along, you will find that you are having sex less and less. And by the time they are grown and gone, you’ll be just like your grandmother and me. All you’ll ever have is oral sex. I just wanted you to know how things will go.” The boy looks at him, incredulous. “You and Grandma have oral sex?” “Every single night,” the old man says, “and it’s a perfectly natural thing. She goes into her bedroom and calls, ‘Fuck you!’ And I go into my bedroom and call back to her, ‘No, fuck you!
A. Manette Ansay (Good Things I Wish You)
Grandma was always so loyal and good. She would never have let any of us down. Whatever happened, no matter how much I misbehaved, Grandma always stuck up for me. Grandma, did you love me, or did you not understand me either? I don’t know. How lonely Grandma must have been, in spite of us. You can be lonely even when you’re loved by many people, since you’re still not anybody’s ‘one and only’. And
Anne Frank (The Diary of a Young Girl: The Definitive Edition)
There’s a Korean word my grandma taught me. It’s called jung. It’s the connection between two people that can’t be severed, even when love turns to hate. You still have those old feelings for them; you can’t ever completely shake them loose of you; you will always have tenderness in your heart for them. I think this must be some part of what I feel for Genevieve. Jung is why I can’t hate her. We’re tied.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Over mochi ice cream, Grandma tells us about all the places she wants to take us in Korea: the Buddhist temples, the outdoor food markets, the skin clinic where she goes to get her moles lasered off. She points at a tiny mole on Kitty’s cheek and says, “We’ll get that taken care of.” Daddy looks alarmed, and Trina’s quick to ask, “Isn’t she too young?” Grandma waves her hand. “She’ll be fine.” Then Kitty asks, “How old do you have to be to get a nose job in Korea?” and Daddy nearly chokes on his beer. Grandma gives her a threatening look. “You can never, ever change your nose. You have a lucky nose.” Kitty touches it gingerly. “I do?” “Very lucky,” Grandma says. “If you change your nose, you’ll change your luck. So never do it.” I touch my own nose. Grandma’s never said anything about my nose being lucky.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Peace had failed her and Ashley had failed her, both in the same day, and it was as if the last crevice in the shell had been sealed, the final layer hardened. She had become what Grandma Fontaine had counseled against, a woman who had seen the worst and so had nothing else to fear. Not life nor Mother nor loss of love nor public opinion. Only hunger and her nightmare dream of hunger could make her afraid.
Margaret Mitchell (Gone with the Wind)
I think of my grandma and remember that old feeling of being so in love that nothing matters except seeing and being seen by her. I drop the gun to my chest. I’m so sad and I can’t really see a way out of what I’m feeling but I’m leaning on memory for help. Faster. Slower. I think I want to hurt myself more than I’m already hurting. I’m not the smartest boy in the world by a long shot, but even in my funk I know that easy remedies like eating your way out of sad, or fucking your way out of sad, or lying your way out of sad, or slanging your way out of sad, or robbing your way out of sad, or gambling your way out of sad, or shooting your way out of sad, are just slower, more acceptable ways for desperate folks, and especially paroled black boys in our country, to kill ourselves and others close to us in America.
Kiese Laymon (How to Slowly Kill Yourself and Others in America)
The avengers outside are the worst kind, the ones in silver cross necklaces, baseball caps, and Life is Good T-shirts. The ones who stay up until midnight to build their first-graders’ Alamo projects out of sugar cubes, cancel a Thanksgiving cruise to bring Grandma some turkey in the hospital, spend a full paycheck on ACL surgery for the family dog. Their love for God and family is just as manic as their hate.
Julia Heaberlin (We Are All the Same in the Dark)
I stepped closer to Clay and laid my head against his chest, wrapping my arms around his waist.  “Everyone I’ve ever loved this way I’ve lost,” I said, recalling my earliest memories of my mom and grandma.  I hugged him close.  “Don’t let me down.” “I won’t.  You’re stuck with me forever,” he whispered as he held me close. I pulled back enough to meet his eyes and knew without a doubt I’d found the perfect man.  He would stand by me.  Always. I
Melissa Haag (Hope(less) (Judgement of the Six #1))
Because who knows? Who knows anything? Who knows who’s pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother’s last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? Who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows.
Jandy Nelson (I'll Give You the Sun)
years, my family had sold the estate around the house, piece by piece, so that the sprawling peach orchard and even the grand front drive had given way to tidy bungalows lining the long road to the main house. Grandma had said it made gossip travel even faster, the way they built houses so close together these days. I always told her that the good citizens of Sugarland, Tennessee, needed no help. Still, I loved the place. And I absolutely despised letting
Angie Fox (Southern Spirits (Southern Ghost Hunter Mysteries, #1))
They say that when you have your own child, the first time you look into his or her eyes you will fall instantly in love and the rest of the world disappears. They say you’ll believe your child can do no wrong, and you will love them unconditionally right from the very first moment. Well, whoever “they” are should seriously limit the amount of crack they smoke and stop talking out of their ass while their Arby’s vaginas are flopping around in their grandma panties.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
There’s our homecoming picture. Last Halloween, when I dressed up as Mulan and Peter wore a dragon costume. There’s a receipt from Tart and Tangy. One of his notes to me, from before. If you make Josh’s dumb white-chocolate cranberry cookies and not my fruitcake ones, it’s over. Pictures of us from Senior Week. Prom. Dried rose petals from my corsage. The Sixteen Candles picture. There are some things I didn’t include, like the ticket stub from our first real date, the note he wrote me that said, I like you in blue. Those things are tucked away in my hatbox. I’ll never let those go. But the really special thing I’ve included is my letter, the one I wrote to him so long ago, the one that brought us together. I wanted to keep it, but something felt right about Peter having it. One day all of this will be proof, proof that we were here, proof that we loved each other. It’s the guarantee that no matter what happens to us in the future, this time was ours. When he gets to that page, Peter stops. “I thought you wanted to keep this,” he said. “I wanted to, but then I felt like you should have it. Just promise you’ll keep it forever.” He turns the page. It’s a picture from when we took my grandma to karaoke. I sang “You’re So Vain” and dedicated it to Peter. Peter got up and sang “Style” by Taylor Swift. Then he dueted “Unchained Melody” with my grandma, and after, she made us both promise to take a Korean language class at UVA. She and Peter took a ton of selfies together that night. She made one her home screen on her phone. Her friends at her apartment complex said he looked like a movie star. I made the mistake of telling Peter, and he crowed about it for days after. He stays on that page for a while. When he doesn’t say anything, I say, helpfully, “It’s something to remember us by.” He snaps the book shut. “Thanks,” he says, flashing me a quick smile. “This is awesome.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I have many wonderful memories of this days we had together. It would make me happy to know that at least a few of your memories of me are good ones. I wonder if you ever think about sitting under that oak tree, with the cicadas buzzing, and, at night, the crickets. Or how the ice used to cover the blueberry bushes in the winter, giving them that dreamy look. Or how we used to sell the pies for your mother at the roadside stand. I still think of you whenever I see blueberries.
Mary Simses (The Irresistible Blueberry Bakeshop & Cafe)
That might be older than Bronte. But not older than Fallon Vacker, our great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-great-grandfather. He’s one of the three founding members of the Council, and served for about a thousand years, before he fell in love with my great-great-great-great—” “Yeah yeah, your really old grandma,” Dex interrupted. “We get it. You guys have lots of super-old, super-important relatives. Whoop-de-do.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
I made it my mission to help him see the light, to reveal life has meaning. And in the process, he helped recover the meaning of mine. My world thrived with him in it. I rediscovered my love for music, as he did his appreciation for love songs. We cultivated joy together, God by our sides, learning to combat small town politics and judgment by sticking together. We were Bama Boy and Grandma Emmie, following in the footsteps of my grandparents, playing parts in one of the greatest love stories Grahamwood has ever known.
Allyson Kennedy (The Crush (The Ballad of Emery Brooks, #1))
Grandma was always warm, even on the coldest nights, and I loved to sleep with her because she let me put my cold feet on her warm legs. Whenever I had to cry over something, it almost always happened at that time of the night. Being close to Grandma in bed gave me some sense of freedom and relief, and whatever had hurt me during the day usually came out then. Sometimes she could help me with my problems and sometimes not, but she always held on to me, and that made me feel I could get through it. That night I cried and cried.
Gail Rock (The House without a Christmas Tree (Addie Mills #1))
You've been here before, Bell. Remember the stories you told me about wandering in the woods when you were a little girl? It scared the crap out of you, but you went out there all alone, knee-high to a bunny rabbit, and picked berries and climbed trees and found bird nests and came home all bug-bitten and mossy. And you loved every minute of it. It made you our beautiful Arctic Bell, impervious to cold and feared by mosquitoes. Aren't you glad you didn't stay by grandma's side, darning socks and baking gingerbread? Who darns socks? Girls nobody tells stories about.
Alexis M. Smith
Charlie glanced at the poster hanging on the door, which announced the store's annual Hungry Ghost Festival, just four days away. It used to be Charlie's favorite holiday, from the puppet shows at the community center to the paper lanterns that his mom hung outside and to the food- especially the food. Sautéed pea shoots. Roasted duck. Pineapple cakes that fit into the palm of your hand. Then there was his grandma's shaved ice with all the toppings- chopped mangos, condensed milk poured on thick, and her famous mung beans in sugary syrup. He could eat a whole bowl of those.
Caroline Tung Richmond (Hungry Hearts: 13 Tales of Food & Love)
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does. I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera. Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
Claire Kohda (Woman, Eating)
QUESTLOVE: How do you get that back? Does being downtrodden make us spiritual again? WEST: I don't think it's just a matter of the material conditions; it's a matter of the choices that we make. Our ancestors could have chosen forms of spiritual suicide and spiritual blackout, but they decided not to, even in the midst of slavery, even in the midst of Jim Crow. Great-great grandma could have chosen to commit suicide. But she said no, her kids said no. The love said no. "I choose to be on the love train, even under slave-like conditions." That's a choice we make. All we have had as a people, historically—amid the levels of hatred, the social death of slavery, the civic death of Jim Crow, the psychological death of hating one's self, the spiritual death of giving up and selling out and caving in—all we have is a subversive memory, personal integrity, and courageous witness in the fight for justice. That's all we've got. You do away with the memory, and people can't hear the voice of a Glenn Jones or, my favorite, Gerald Levert. With no memory, you get very little artistic integrity, just a matter of stimulating people for the market, and then no creative witness.
Cornel West
Dis is uh love game. Ah done lived Grandma’s way, now Ah means tuh live mine.” “What you mean by dat, Janie?” “She was borned in slavery time when folks, dat is black folks, didn’t sit down anytime dey felt lak it. So sittin’ on porches lak de white madam looked lak uh mighty fine thing tuh her. Dat’s whut she wanted for me—don’t keer whut it cost. Git up on uh high chair and sit dere. She didn’t have time tuh think whut tuh do after you got up on de stool uh do nothin’. De object wuz tuh git dere. So Ah got up on de high stool lak she told me, but Pheoby, Ah done nearly languished tuh death up dere.
Zora Neale Hurston (Their Eyes Were Watching God)
I don't worry about being unfilial: that I could be struck by lightning because I have not been grateful enough to my family. But sometimes, I worry that I'm mean, that it has something to do with genetics or upbringing or it doesn't matter, I'm just mean. How else could you explain it, the way I am so terrible to the only person who loves me, except that I am incapable of kindness? Every day I tell myself that I'll make an effort to change, that I'll remember to be nice to Gran tomorrow. I try, really try, until maybe six P.M., and then I forget all about it. And then I'll say, Ugh, Grandma, stop nagging.
Karen Cheung (The Impossible City: A Hong Kong Memoir)
Hi, Auntie Sam,” Hope greets her with a smile. “I was hopin’ you’d be here. Me and Mama created a special auntie pie we’re gonna make just for you.” “You did?” Sam asks excitedly and carries Hope over to where Grace stands so she can hug her, too. “Yeah, it’s called Pain In The Ass Pie,” I say with a smirk, earning a glare from her. My mom smacks my shoulder. “Watch your mouth. Especially in front of the kids.” “Don’t worry, Grandma. We’ve heard him say much worse,” Parker tells her, throwing me under the bus. “Yeah,” Hope joins in. “We make a lot of money in the swear jar ’cause of him. Ain’t that right, Mama?
K.C. Lynn (Sweet Love (The Sweet, #1))
A Letter To Say, "I'll See You Later" I remember just like it was yesterday the grapevine, clothesline, lilacs and peonies. I remember the secret hiding place for 50-cent pieces. I remember just like it was yesterday the color wheel Christmas Tree, The Honeymooner’s, The Dukes of Hazzard and Jeopardy! I remember just like it was yesterday the house was full of children, but I was your only and your favorite. You always made time for me, even when I deserved the fly swatter. I remember just like it was yesterday falling asleep to the scent of Dove soap on your pillow, you lying for me so I wouldn’t be abused again. I remember just like it was yesterday your big “Black Cat” and the late, dark nights driving to IFP and knowing there was “No Place Like Home.” I remember just like it was yesterday the “horns” in your ‘do and the smell of Raffinee wafting through the house and Listerine in the bathroom. I remember your bows and polka dots and “just a few fries.” I remember the green blanket. I remember just like it was yesterday the way it felt to sit on your lap and have you sing “She’s Grandma’s Little Baby.” I remember just like it was yesterday the day you told me I could “Shit in the sugar bowl.” I remember just like it was yesterday telling you that you were going to be a great-grandma…for the first time. I remember just like it was yesterday the 1st time you held him in your arms; you helped me raise him. Your house was always our home. I remember just like it was yesterday having my heart broken but you helped me mend it. I remember just like it was yesterday asking for your help when I couldn’t do it on my own; you’ve always been my rock. I remember just like it was yesterday confiding my secrets to you – you were the first to know another baby was on the way, this time a girl. I remember just like it was yesterday the joy they brought to your life; they were the reason you didn’t give up. I remember just like it was yesterday saying words I never meant, not spending more time with you because my life got in the way. I remember just like it was yesterday you loving on me, your strength and vitality, your faith, hope and kindness. I remember just like it was yesterday wishing for more tomorrows so I could tell you that I love you another time. I remember just like it was yesterday having you tell me you love me, “more than anyone will ever know.” I remember just like it was yesterday you taught me to never say good-bye, just say “I’ll see you later.
Amanda Strong
Pretty speech,” he said. “It’s the only one I’ve got.” “I know what’s really going on here. You’re scared to step into my world. Afraid you can’t hack it. Much better to hide here and be a big fish in a very small pond.” “If that’s the way you see it, fine.” I raised my chin. “I have nothing to prove to you, Rogan.” “But now I have something to prove to you,” he said. “I promise you, I will win, and by the time I’m done, you won’t walk, you’ll run to jump into my bed.” “Don’t hold your breath,” I told him. All of his civilized veneer was gone now. The dragon faced me, teeth bared, claws out, breathing fire. “You won’t just sleep with me. You’ll be obsessed with me. You’ll beg me to touch you, and when that moment comes, we will revisit what happened here today.” “Never in a million years.” I pointed at the doorway. “Exit is that—” He grabbed me. His mouth closed on mine. His big body caged me in. His chest mashed my breasts. His arms pulled me to him, one across my back, the other cupping my butt. His magic washed over me in an exhilarating rush. My body surrendered. My muscles turned warm and pliant. My nipples tightened, my breasts ready to be squeezed, ready for his fingers and his mouth. An eager ache flared between my legs. My tongue licked his. God, I wanted him. I wanted him so badly. He let me go, turned on his toes, and went out, laughing under his breath. Aaargh! “That’s right! Keep . . . walking!” I threw the wrench down. “Now that was a kiss,” Grandma Frida said from the doorway behind me. I jumped. “How long have you been there?” “Long enough. That man means business.” All my words tried to come out at once. “I don’t . . . what . . . asshole! . . . screw himself for all I care!” “Aww, young love, so passionate,” Grandma said. “I’m going to buy you a subscription to Brides magazine. You should start shopping for dresses.” I waved my arms and walked away from her before I said something I would regret.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
They see it as perfectly normal for me to sit beside Victoria’s body for hours on end, telling her how much I love her and all the things I meant to inform her of but never got around to. How her grandfather Jack was a conscientious objector in the Second World War, but did not want to be separated from his mates, and so became an ambulance officer. How Grandma Sheila recalls him waking from a frequent dream of the trenches, always crying out, “I can’t reach him, I can’t reach him.” That he was a brave man who did the best he could within his own principles. Of how he would have loved her and been so proud of her. Asking Vic to tell Jack we miss him.
Linda Collins (Loss Adjustment)
Do you want some help?"said Liam, rising. "No, thanks." She smiled at him, the man without a past with whom she was falling in love, and shook her head. He could help her later, she thought, when she brought down the larger boxes, big box with the theater programs and school yearbooks, and the little leather case that held the fans and the sketches and the pieces of needlework. But first, she would go alone to bring down the letters it would be the last time she would have Grandma Jo to herself. "Thanks, but I want to do this on my own." "Independent family, aren't they?" Liam grumbled to Matthew, sitting down again. "You don't know the half," said Matthew.
Gabrielle Donnelly (The Little Women Letters)
On my second afternoon at Grandma’s, she waved me over from where I was sitting on the front porch, waiting for the mailman. She introduced herself as Roberta and asked me to run to the store for a pack of Newports. When I returned, she waved away the change and proceeded to dazzle me with her exotic life story. She had once been married to a sword swallower who was now in jail where he belonged. Her second husband, the Canuck, God love him, was dead. Roberta had traveled with the Canuck to both Alaska and Hawaii and liked Alaska better. She’d dreamed President Kennedy’s assassination the week before it happened. She had been a vegetarian since the day in 1959 when she opened up a can of beef stew and found a baby rat.
Wally Lamb (She's Come Undone)
December 29th, 1943 How lonely Grandma must have been, in spite of us. You can be lonely even when you're loved by many people, since you're still not anybody's "one and only." ... Hanneli, you're a reminder of what my fate might have been...Why do I always think and dream the most awful things and want to scream in terror? Because, in spite of everything, I still don't have enough faith in God. He's given me so much, which I don't deserve, and yet each day I make so many mistakes! Thinking about the suffering of those you hold dear can reduce you to tears; in fact, you could spend a whole day crying. The most you can do is pray for God to perform a miracle and save at least some of them. And I hope I'm doing enough of that!
Anne Frank (The Diary of a Young Girl)
Carter told you he loves you, didn’t he?” Wide-eyed, Emily turned from the mirror. “How did you know?” “You nearly floated into the house when you came home. And now your face switches from joy to terror in seconds.” Grandma Kate smiled, the wrinkles crinkling around her eyes. “And what did you say?” Heat infusing her cheeks, Emily licked her lips. “Ah, he didn’t let you answer. Smart boy.” “Grandma!” The older woman waddled to the door. “It’s good to make him wait a bit for your declaration. You should pray about it before you say anything. Affairs of the heart need to be placed in the hands of the Lover of our souls. Only God knows what is best.” She tilted her head to the side to take in both ear bobs. “He’s a good man, Emily. Don’t be afraid.
Lorna Seilstad (A Great Catch)
and drew her strength directly from our magickal Oklahoma earth. “U-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. “Zoey, Sister Mary Angela could use your help filling out cat adoption forms.” “I’ll help you, Grandma Redbird,” Shaylin said. “I love the smell of lavender.” “Oh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. “Sure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. “And I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. “Grandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” “Go on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” “Thanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. “Okay, if your mom’s group is coming back, I’m gonna go help the nuns.” “Yeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, “I see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” “Don’t worry. We can handle this,” Shaunee said. “’Kay,” I said, grinning at both of them. “I’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. “I thought you didn’t want a lecture from the nuns.” “Better than a lecture from PTA moms.” She shuddered. “Plus, I like cats more than people.” I shrugged. “Okay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. “Seriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. “Yeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. “I really thought she was better than that.” “Apparently not,” Aphrodite said. “Eeew,” I said, looking away from their way too public display of locked lips. “I’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. “Check out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. “She looks serious,” I said. “You know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” “Zoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
P.C. Cast (Revealed (House of Night #11))
Every one of these old people was over ninety. They were as shrivelled as prunes, and as bony as skeletons, and throughout the day, until Charlie made his appearance, they lay huddled in their one bed, two at either end, with nightcaps on to keep their heads warm, dozing the time away with nothing to do. But as soon as they heard the door opening, and heard Charlie’s voice saying, ‘Good evening, Grandpa Joe and Grandma Josephine, and Grandpa George and Grandma Georgina,’ then all four of them would suddenly sit up, and their old wrinkled faces would light up with smiles of pleasure – and the talking would begin. For they loved this little boy. He was the only bright thing in their lives, and his evening visits were something that they looked forward to all day long.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket #1))
You watch. Someday you’re going to love those freckles.” “No I’m not.” Mr. John leapt through the air after that, feet flailing and his back arched too far away from his knees: his worst one yet. After both of our ankles got splashed again, Grandma Bramhall picked up my chin and said, “You are as beautiful as your mom was,” and then kissed my cheek with hers. I looked down at the mirrors in her sarong again, tiny little pieces of blue sky in them. “Thanks,” I said quietly. “You’re welcome,” Grandma Bramhall said squeezing my hand. “How was that?” Mr. John yelled, popping up and dog paddling toward us. I snuck a look at Grandma Bramhall. “A ten,” I said. “Yes!” Mr. John yelled, raising both fists this time and sinking back into the water. Grandma Bramhall and I had to suck in our cheeks not to laugh. “See how beautiful you are, Apron?
Jennifer Gooch Hummer (Girl Unmoored)
To my children three. Life is like a movie, it starts and it ends.If you are reading this probably i'm gone. but my presence is always with you. All wanted to say how much I loved you. and I wanted to share my life journey with all of you. When I Conceived each of you, I can feel the butterflies in my tummy and I already fail in love with you. When each of you were born, tears dropped of my eye, I know it that was a happy tears. When you said dada, I was excited and happy to hear you saying it over and over. I see you growing like a flower and flying like a bird in front of my eye, in front of the pales a colorful garden who always stay blooming. Slowly you gew wing and all you flew away from the nest. All i'm left with good memories an album full of beautiful of pictures.from you baby showers, 1st word, 1st birthdays,1st trip to Disney or Universal Studios, each of you got to meet your favored TV characters. Your smiley faces was telling me I was doing ok as a parent, although I been told I'm the worst mom. But I know you did not mean that, you meant to say I love you mom. and I love you to my children, It was a nice journey. If I have to go back on time to change the way I raised you, I won't change a thing, beside some of your friends, but you were old enough and free to make your own choices. You have to make your mistakes and i'm pretty sure you learned from them. But at the end I never worry about you, because I'm pretty sure I give 200% as a parent. I know I taught, I armed and I shield you with everything including knowledge you need to survive in world. Remember don't matter how old are you, you always will be my babies. and I always be your Angel ! "Toko - Lock " te ka nana sho. Love Mom & Grandma!
Zybeta Metani' Marashi
There is yet another reason why peer-oriented kids are insatiable. In order to reach the turning point, a child must not only be fulfilled, but this fulfillment must sink in. It has to register somehow in the child's brain that the longing for closeness and connectedness is being met. This registration is not cognitive or even conscious, but deeply emotional. It is emotion that moves the child and shifts the energy from one developmental agenda to another, from attachment to individuation. The problem is that, for fulfillment to sink in, the child must be able to feel deeply and vulnerably — an experience most peer-oriented kids will be defended against. Peer-oriented children cannot permit themselves to feel their vulnerability. It may seem strange that feelings of fulfillment would require openness to feelings of vulnerability. There is no hurt or pain in fulfillment — quite the opposite. Yet there is an underlying emotional logic to this phenomenon. For the child to feel full he must first feel empty, to feel helped the child must first feel in need of help, to feel complete he must have felt incomplete. To experience the joy of reunion one must first experience the ache of loss, to be comforted one must first have felt hurt. Satiation may be a very pleasant experience, but the prerequisite is to be able to feel vulnerability. When a child loses the ability to feel her attachment voids, the child also loses the ability to feel nurtured and fulfilled. One of the first things I check for in my assessment of children is the existence of feelings of missing and loss. It is indicative of emotional health for children to be able to sense what is missing and to know what the emptiness is about. As soon as they are able to articulate, they should be able to say things like “I miss daddy,” “It hurt me that grandma didn't notice me,” “It didn't seem like you were interested in my story,” “I don't think so and so likes me.” Many children today are too defended, too emotionally closed, to experience such vulnerable emotions. Children are affected by what is missing whether they feel it or not, but only when they can feel and know what is missing can they be released from their pursuit of attachment. Parents of such children are not able to take them to the turning point or bring them to a place of rest. If a child becomes defended against vulnerability as a result of peer orientation, he is made insatiable in relation to the parents as well. That is the tragedy of peer orientation — it renders our love and affection so useless and unfulfilling. For children who are insatiable, nothing is ever enough. No matter what one does, how much one tries to make things work, how much attention and approval is given, the turning point is never reached. For parents this is extremely discouraging and exhausting. Nothing is as satisfying to a parent as the sense of being the source of fulfillment for a child. Millions of parents are cheated of such an experience because their children are either looking elsewhere for nurturance or are too defended against vulnerability to be capable of satiation. Insatiability keeps our children stuck in first gear developmentally, stuck in immaturity, unable to transcend basic instincts. They are thwarted from ever finding rest and remain ever dependent on someone or something outside themselves for satisfaction. Neither the discipline imposed by parents nor the love felt by them can cure this condition. The only hope is to bring children back into the attachment fold where they belong and then soften them up to where our love can actually penetrate and nurture.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Every one of these old people... were as shriveled as prunes, and as bony as skeletons, and throughout the day... they lay huddled in their... bed... dozing the time away with nothing to do. But as soon as they heard the door opening, and heard Charlie's voice saying, "Good evening, Grandpa Joe and Grandma Josephine, and Grandpa George and Grandma Georgina," then all four of them would suddenly sit up, and their old wrinkled faces would light up with smiles of pleasure-and the talking would begin. For they loved this little boy. He was the only bright thing in their lives, and his evening visits were something that they looked forward to all day long. Often, Charlie's mother and father would come in as well, and stand by the door, listening to the stories that the old people told; and thus, for perhaps half an hour every night, this room would become a happy place, and the whole family would forget that it was hungry and poor.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
From the WIP, Behind The Fan... The two women flipped through the pictures as morbid curiosity took hold. The photos all signed by the women; ‘To Nicky with love, Nicky you make me smile, Nicky…Nicky…Nicky.’ They glanced at each other in disgust. The last photo was face down; Kim slowly turned it upright. She questioned why she even cared, what would one more picture of her grandfather’s paramour prove to her. The woman in the photo was stunning, a black and white image someone had hand colored. Her dark brown hair brushed into soft waves; glittering earrings caught the low light of the flash. It was a full body shot; the viewer was to believe she was nude behind two immense Ostridge feather fans. She looked confidently into the camera; standing proudly with her shoulders squared and back erect. Her long legs encased in silky hose attached by the satin straps of the garters. However, it was her eyes, clear crystal bright blue. They stood out in the aged photo engaging the viewer. They were mesmerizing. “Oh dear lord, it’s Grandma!
Caroline Walken
Johnny, you can’t drive in this weather. I absolutely forbid it,” Stormy says. “Grandma, it’ll be fine,” John says. “I’m a good driver.” Stormy delivers a stinging smack on his arm. “I told you never to call me Grandma! Just Stormy. The answer is no. I’m putting my foot down. The both of you will stay at Belleview tonight. It’s far too dangerous.” She sends me a stern look. “Lara Jean, you call your father right now and tell him I won’t allow you out in this weather.” “He can come get us,” I suggest. “And have that poor widower get into a car accident on the way here? No. I won’t have it. Give me your phone. I’ll call him myself.” “But--there’s school tomorrow,” I say. “Cancelled,” Stormy says with a smile. “They just announced it on the TV.” I protest, “I don’t have any of my things! No toothbrush, or pajamas, or anything!” She puts her arm around me. “Lie back and let Stormy take care of everything. Don’t you worry your pretty little head.” So that is how it came to be that John Ambrose McClaren and I are spending the night together at a retirement home.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
The tornadic bundle of legs and arms and feet and hands push farther into the kitchen until only the occasional flailing limb is visible from the living room, where I can’t believe I’m still standing. A spectator in my own life, I watch the supernova of my two worlds colliding: Mom and Galen. Human and Syrena. Poseidon and Triton. But what can I do? Who should I help? Mom, who lied to me for eighteen years, then tried to shank my boyfriend? Galen, who forgot this little thing called “tact” when he accused my mom of being a runaway fish-princess? Toraf, who…what the heck is Toraf doing, anyway? And did he really just sack my mom like an opposing quarterback? The urgency level for a quick decision elevates to right-freaking-now. I decide that screaming is still best for everyone-it’s nonviolent, distracting, and one of the things I’m very, very good at. I open my mouth, but Rayna beats me to it-only, her scream is much more valuable than mine would have been, because she includes words with it. “Stop it right now, or I’ll kill you all!” She pushed past me with a decrepit, rusty harpoon from God-knows-what century, probably pillaged from one of her shipwreck excursions. She waves it at the three of them like a crazed fisherman in a Jaws movie. I hope they don’t notice she’s got it pointed backward and that if she fires it, she’ll skewer our couch and Grandma’s first attempt at quilting. It works. The bare feet and tennis shoes stop scuffling-out of fear or shock, I’m not sure-and Toraf’s head appears at the top of the counter. “Princess,” he says, breathless. “I told you to stay outside.” “Emma, run!” Mom yells. Toraf disappears again, followed by a symphony of scraping and knocking and thumping and cussing. Rayna rolls her eyes at me, grumbling to herself as she stomps into the kitchen. She adjusts the harpoon to a more deadly position, scraping the popcorn ceiling and sending rust and Sheetrock and tetanus flaking onto the floor like dirty snow. Aiming it at the mound of struggling limbs, she says, “One of you is about to die, and right now I don’t really care who it is.” Thank God for Rayna. People like Rayna get things done. People like me watch people like Rayna get things done. Then people like me round the corner of the counter as if they helped, as if they didn’t stand there and let everyone they love beat the shizzle out of one another. I peer down at the three of them all tangled up. Crossing my arms, I try to mimic Rayna’s impressive rage, but I’m pretty sure my face is only capable of what-the-crap-was-that. Mom looks up at me, nostrils flaring like moth wings. “Emma, I told you to run,” she grinds out before elbowing Toraf in the mouth so hard I think he might swallow a tooth. Then she kicks Galen in the ribs. He groans, but catches her foot before she can re-up. Toraf spits blood on the linoleum beside him and grabs Mom’s arms. She writhes and wriggles, bristling like a trapped badger and cussing like sailor on crack. Mom has never been girlie. Finally she stops, her arms and legs slumping to the floor in defeat. Tears puddle in her eyes. “Let her go,” she sobs. “She’s got nothing to do with this. She doesn’t even know about us. Take me and leave her out of this. I’ll do anything.” Which reinforces, right here and now, that my mom is Nalia. Nalia is my mom. Also, holy crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
But I don't know anyone who has an easy life forever. Everyone I know gets their heart broken sometime, by something. The question is not, will my life be easy or will my heart break? But rather, when my heart breaks, will I choose to grow? Sometimes in the moments of the most searing pain, we think we don't have a choice. But we do. It's in those moments that we make the most important choice: grow or give up. It's easy to want to give up under the weight of what we're carrying. It seems sometimes like the only possible choice. But there's always, always, always another choice, and transformation is waiting for us just beyond that choice. This is what I know: God can make something beautiful out of anything, out of darkness and trash and broken bones. He can shine light into even the blackest night, and he leaves glimpses of hope all around us. An oyster, a sliver of moon, one new bud on a black branch, a perfect tender shoot of asparagus, fighting up through the dirt for the spring sun. New life and new beauty are all around us, waiting to be discovered, waiting to be seen. I'm coming to think there are at least two kinds of pain. There's the anxiety and fear I felt when we couldn't sell our house. And then there's the sadness I felt when I lost the baby or when my grandma passed away. Very different kinds of pain. The first kind, I think, is the king that invites us to grow. The second kind is the kind that invites us to mourn. God's not trying to teach me a lesson through my grandma's death. I wasn't supposed to love her less so the loss hurt less acutely, I'm not supposed to feel less strongly about the horror of death and dying. When we lose someone we love, when a dear friend moves away, when illness invades, it's right to mourn. It's right to feel deep, wrenching sadness. But then there's the other kind of pain, that first kind. My friend Brian says that the heart of all human conflict is the phrase "I'm not getting what I want." When you're totally honest about the pain, what's at the center? Could it be that you're not getting what you want? You're getting an invitation to grow, I think, as unwelcome as it may be. It's sloppy theology to think that all suffering is good for us, or that it's a result of sin. All suffering can be used for good, over time, after mourning and healing, by God's graciousness. But sometimes it's just plain loss, not because you needed to grow, not because life or God or anything is teaching you any kind of lesson. The trick is knowing the difference between the two.
Shauna Niequist
To get at the heart of the social superego, we must locate its effects in the way subjects believe in the same command of its dictates. What distinguishes the break Lasch aptly points out, between the Fordist era of stable ego ideals to the rise of the social superego of neoliberalism, is how belief in the injunction serves as a pre-condition of the social superego. This point is illuminated by the anti-liberal polemicist and French intellectual Jean-Claude Michéa, who argues that today’s superego is the bad mother: possessive and castrating. The superego functions in two forms: the first is to establish a disciplinary order of submission, and the second is to cede the desire of the subject. The maternal has no other way of expressing its devotion other than by “love and sacrificial devotion.” Hence, the cruelty of the superego today resides in the ambiguous and necessary internalization of injunctions. Instead of the same repressive “double bind” of the father’s injunction in the prior era: “follow my advice, don’t follow my advice,” presenting a contradictory law, the contemporary period presents injunctions which follow a different logic: “you will visit your grandma, and you will like it.” There is thus an extra demand to internally act as if the subject conforms with the injunction itself.
Daniel Tutt (Psychoanalysis and the Politics of the Family: The Crisis of Initiation)
God took His time to carve out the perfect place, Sam remembered her grandma always saying. Indeed, the hilltop was akin to a real cherry on top of a stunningly picturesque sundae. Bayview Point was home to two of northern Michigan's most popular orchards and tourist stops: Very Cherry Orchards and her family's Orchard and Pie Pantry. The first half of the hill was dense with rows of tart cherry trees, and the limbs of the small, bushy trees were bursting with cherries, red arms waving at Sam as if to greet her home. In the spring, these trees were filled with white blossoms that slowly turned as pink as a perfect rosé, their beauty so tender that it used to make Sam's heart ache when she would run through the orchards as part of her high school cross-country training. Often, when Sam ran, the spring winds would tear at the tender flowers and make it look as though it were snowing in the midst of a beautiful warm day. Like every good native, Sam knew cherries had a long history in northern Michigan. French settlers had cherry trees in their gardens, and a missionary planted the very first cherry trees on Old Mission Peninsula. Very Cherry Orchards grew nearly 100 acres of Montmorency tart cherries in addition to Balaton cherries, black sweet cherries, plums, and nectarines. They sold their fruit to U-Pickers as well as large companies that made pies, but they had also become famous for their tart cherry juice concentrate, now sold at grocery and health food stores across the United States. People loved it for its natural health benefits, rich in antioxidants.
Viola Shipman (The Recipe Box)
They kept in touch for years and years. Momma believed in the goodness of people and she believed in the prayer of protection, that wherever she was, God was, too. Mom had a way of taking people under her wing and making you feel special when you were talking to her. Your story mattered. And whenever she thought I was getting a little too full of myself, she’d remind me: “Robin, your story is no more important than anybody else’s story. When you strut, you stumble.” Meaning: When you think that you’re all that and a bag of chips, you’re gonna fall flat on your face. Thank you, Momma, for that invaluable lesson. We were overwhelmed with the outpouring of love for our mother. President and Michelle Obama sent a beautiful flower arrangement to our house. It was the first time I had seen Mom’s grandchildren smile in days. It was a proud moment for them. The president of the United States. They asked if they could take pictures of the flowers and Instagram them to their friends. It was painful to make the final arrangements for Mom. The owners of the Bradford-O’Keefe Funeral Home were incredibly kind and gentle. Our families have known each other for decades, and they also handled my father’s homegoing service. Mom had always said she wanted to be laid to rest in a simple pine box. We were discussing what to put on her tombstone. I had been quiet up to that point, just numb. Mom and Dad were both gone. I was left with such an empty feeling. Grandma Sally had passed when Mom was in her seventies, and I remember Mom saying she now felt like an orphan. I thought that was strange. But now I knew exactly what Mom meant. There was a lot of chatter about what words to use on Mom’s tombstone. I whispered it should simply read: A CHILD OF GOD. Everyone agreed.
Robin Roberts (Everybody's Got Something)
Little Red Riding Hood and the Wolf As soon as Wolf began to feel That he would like a decent meal, He went and knocked on Grandma’s door. When Grandma opened it, she saw The sharp white teeth, the horrid grin, And Wolfie said, “May I come in?” Poor Grandmamma was terrified, “He’s going to eat me up!” she cried. And she was absolutely right. He ate her up in one big bite. But Grandmamma was small and tough, And Wolfie wailed, “That’s not enough! I haven’t yet begun to feel That I have had a decent meal!” He ran around the kitchen yelping, “I’ve got to have a second helping!” Then added with a frightful leer, “I’m therefore going to wait right here Till Little Miss Red Riding Hood Comes home from walking in the wood.” He quickly put on Grandma’s clothes, (Of course he hadn’t eaten those). He dressed himself in coat and hat. He put on shoes, and after that He even brushed and curled his hair, Then sat himself in Grandma’s chair. In came the little girl in red. She stopped. She stared. And then she said, “What great big ears you have, Grandma.” “All the better to hear you with,” the Wolf replied. “What great big eyes you have, Grandma.” said Little Red Riding Hood. “All the better to see you with,” the Wolf replied. He sat there watching her and smiled. He thought, I’m going to eat this child. Compared with her old Grandmamma She’s going to taste like caviar. Then Little Red Riding Hood said, “But Grandma, what a lovely great big furry coat you have on.” “That’s wrong!” cried Wolf. “Have you forgot To tell me what BIG TEETH I’ve got? Ah well, no matter what you say, I’m going to eat you anyway.” The small girl smiles. One eyelid flickers. She whips a pistol from her knickers. She aims it at the creature’s head And bang bang bang, she shoots him dead. A few weeks later, in the wood, I came across Miss Riding Hood. But what a change! No cloak of red, No silly hood upon her head. She said, “Hello, and do please note My lovely furry wolfskin coat.
Roald Dahl (Revolting Rhymes)
One by one, the sharers in this mortal damage have borne its burden out of the present world: Uncle Andrew, Grandpa Catlett, Grandma, Momma-pie, Aunt Judith, my father, and many more. At times perhaps I could wish them merely oblivious, and the whole groaning and travailing world at rest in their oblivion. But how can I deny that in my belief they are risen? I imagine the dead waking, dazed, into a shadowless light in which they know themselves altogether for the first time. It is a light that is merciless until they can accept its mercy; by it they are at once condemned and redeemed. It is Hell until it is Heaven. Seeing themselves in that light, if they are willing, they see how far they have failed the only justice of loving one another; it punishes them by their own judgment. And yet, in suffering that light’s awful clarity, in seeing themselves within it, they see its forgiveness and its beauty, and are consoled. In it they are loved completely, even as they have been, and so are changed into what they could not have been but what, if they could have imagined it, they would have wished to be. That light can come into this world only as love, and love can enter only by suffering. Not enough light has ever reached us here among the shadows, and yet I think it has never been entirely absent. Remembering, I suppose, the best days of my childhood, I used to think I wanted most of all to be happy—by which I meant to be here and to be undistracted. If I were here and undistracted, I thought, I would be at home. But now I have been here a fair amount of time, and slowly I have learned that my true home is not just this place but is also that company of immortals with whom I have lived here day by day. I live in their love, and I know something of the cost. Sometimes in the darkness of my own shadow I know that I could not see at all were it not for this old injury of love and grief, this little flickering lamp that I have watched beside for all these years.
Wendell Berry (A World Lost: A Novel (Port William Book 4))
I spin around in a circle and sing, “Do you want to build a snowman?” And then we’re both giggling again. “You’re going to get us kicked out of here,” he warns. I grab his hands and make him spin around with me as fast as I can. “Quit acting like you really belong in a nursing home, old man!” I yell. He drops my hands and we both stumble. Then he grabs a fistful of snow off the ground and starts to pack it into a ball. “Old man, huh? I’ll show you an old man!” I dart away from him, slipping and sliding in the snow. “Don’t you dare, John Ambrose McClaren!” He chases after me, laughing and breathing hard. He manages to grab me around the waist and raises his arm like he’s going to put the snowball down my back, but at the last second he releases me. His eyes go wide. “Oh my God. Are you wearing my grandma’s nightgown under your coat?” Giggling, I say, “Wanna see? It’s really racy.” I start to unzip my coat. “Wait, turn around first.” Shaking his head, John says, “This is weird,” but he obeys. As soon as his back is turned, I snatch a handful of snow, form it into a ball, and put it in my coat pocket. “Okay, turn around.” John turns, and I lob the snowball directly at his head. It hits him in the eye. “Ouch!” he yelps, wiping it with his coat sleeve. I gasp and move toward him. “Oh my God. I’m so sorry. Are you okay--” John’s already scooping up more snow and lunging toward me. And so begins our snowball fight. We chase each other around, and I get in another great hit square in his back. We call a truce when I nearly slip and fall on my butt. Luckily, John catches me just in time. He doesn’t let go right away. We stare at each other for a second, his arm around my waist. There’s a snowflake on his eyelashes. He says, “If I didn’t know you were still hung up on Kavinsky, I would kiss you right now.” I shiver. Up until Peter, the most romantic thing that ever happened to me was with John Ambrose McClaren, in the rain, with the soccer balls. Now this. How strange that I’ve never even dated John, and he’s in two of my most romantic moments. John releases me. “You’re freezing. Let’s go back inside.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Are you an influencer? Are you in media? Do you run a conference? A business? A podcast? Are you a mom in the PTA? Are you a teller at the local bank? Are you a volunteer for Sunday school at church? Are you a high school student? Are you a grandma of seven? Great! I need you. We need you! We need you to live into your purpose. We need you to create and inspire and build and dream. We need you to blaze a trail and then turn around and light the way with your magic so other women can follow behind you. We need you to believe in the idea that every kind of woman deserves a chance to be who she was meant to be, and she may never realize it if you—yes, you—don’t speak that truth into her life. You’ll be able to do that if you first practice the idea of being made for more in your own life. After all, if you don’t see it, how do you know you can be it? If women in your community or your network marketing group or your Zumba class don’t ever see an example of a confident woman, how will they find the courage to be confident? If our daughters don’t see a daily practice of us feeling not only comfortable but truly fulfilled by the choice to be utterly ourselves, how will they learn that behavior? Pursuing your goals for yourself is so important, and I’d argue that it’s an essential factor in living a happy and fulfilled existence—but it’s not enough simply to give you permission to make your dream manifest. I want to challenge you to love the pursuit and openly celebrate who you become along the journey. When your light shines brighter, others won’t be harmed by the glare; they’ll be encouraged to become a more luminescent version of themselves. That’s what leadership looks like. Leaders are encouraging. Leaders share information. Leaders hold up a light to show you the way. Leaders hold your hand when it gets hard. True leaders are just as excited for your success as they are for their own, because they know that when one of us does well, all of us come up. When one of us succeeds, all of us succeed. You’ll be able to lead other women to that place if you truly believe that every woman is worthy and called to something sacred.
Rachel Hollis (Girl, Stop Apologizing: A Shame-Free Plan for Embracing and Achieving Your Goals (Girl, Wash Your Face))
Dear Mom and Dad How are you? If you are reading this it means your back from the wonderful cruise my brothers and I sent you on for your anniversary. We’re sure you both had a wonderful time. We want you to know that, while you were away, we did almost everything you asked. All but one thing, that is. We killed the lawn. We killed it dead. You asked us not to and we killed it. We killed it with extreme prejudice and no regard for its planty life. We killed the lawn. Now we know what you’re thinking: “But sons, whom we love ever so much, how can this be so? We expressly asked you to care for the lawn? The exactly opposite of what you are now conveying to us in an open digital forum.” True enough. We cannot dispute this. However, we have killed the lawn. We have killed it good. We threw a party and it was quite a good time. We had a moon bounce and beer and games and pirate costumes, oh it was a good time. Were it anyone else’s party that probably would have been enough but, hey, you know us. So we got a foam machine. A frothy, wet, quite fun yet evidently deadly, foam machine. Now this dastardly devise didn’t kill the lawn per se. We hypothesize it was more that it made the lawn very wet and that dancing in said area for a great many hours over the course of several days did the deed. Our jubilant frolicking simply beat the poor grass into submission. We collected every beer cap, bottle, and can. There is not a single cigarette butt or cigar to be found. The house is still standing, the dog is still barking, Grandma is still grandmaing but the lawn is no longer lawning. Now we’re sure, as you return from your wonderful vacation, that you’re quite upset but lets put this in perspective. For one thing whose idea was it for you to leave us alone in the first place? Not your best parenting decision right there. We’re little better than baboons. The mere fact that we haven’t killed each other in years past is, at best, luck. Secondly, let us not forget, you raised us to be this way. Always pushing out limits, making sure we thought creatively. This is really as much your fault as it is ours, if not more so. If anything we should be very disappointed in you. Finally lets not forget your cruise was our present to you. We paid for it. If you look at how much that cost and subtract the cost of reseeding the lawn you still came out ahead so, really, what position are you in to complain? So let’s review; we love you, you enjoyed a week on a cruise because of us, the lawn is dead, and it’s partially your fault. Glad that’s all out in the open. Can you have dinner ready for us by 6 tonight? We’d like macaroni and cheese. Love always Peter, James & Carmine
Peter F. DiSilvio
The empty apartments. They’re the key to what I have planned. I need to establish a foothold. I want you to move into one. I’m asking all my warriors to do that, minus the ones I need for protection here on the barge, of course.” “The empties are real?” Another one of those Qaanaaq stories that people loved to tell, right up there with the heat-resistant spiders that supposedly infested the geothermal pipes, and the threat of Russian invasion. Allegedly, it was common practice for shareholders to keep some of their holdings off the market. A sort of gentleperson’s agreement, to artificially inflate prices by increasing demand by keeping supply low. Soq didn’t doubt that the empties existed, but they were pretty sure their number was exaggerated, as was the extent of the conspiracy behind it. The more likely reason was the simple thoughtless wickedness of the rich, who had more money than they knew what to do with, who didn’t need the rental income and could keep an apartment empty for Grandma’s once-a-year visit or in memory of a loved one dead for decades. Either explanation was unacceptable. Shareholders were wise to keep themselves hidden, because surely Soq wasn’t the only one who would gladly stomp them to death if given the chance.
Sam J. Miller (Blackfish City)
A tiny woman who looked very much like a fairy godmother appeared at the entrance to the kitchen with a stack of bedding in her arms. “Would the young man like to stay here for the night?” He shook his head. No, the young man would not like to stay the night. The young man would prefer not to wake up dead after being smothered in his sleep. “It’s okay, Gran,” said Simone, who at the very least had proved her desire to keep him alive. “He’s gonna crash at my house.” “No, he’ll stay here.” Her grandmother’s flinty gaze hadn’t left his face, and he had the distinct feeling if he made a run for it, she’d trip him flat out with zero qualms. He took the stack of blankets from her. “The couch sounds great.
Chandra Blumberg (Stirring Up Love (Taste of Love, #2))
You need a Community to Parent your child. If you are the only one doing the "Parenting" trust me, you have a long way to go. Your child needs SOME skills you DON'T HAVE. If you had THOSE SKILLS, they still would need others YOU STILL WOULDN'T HAVE. My point? You ain't perfect! If you are the only one doing the parenting you are just starting. And I bet You, YOU WILL BE SO SLOW at it and their would be certain areas you can't touch. You need PARTNERS. Partners of your CHOOSING! Partners to help you reach your goal of PARENTING your child. Your pastor or imam for CERTAIN spiritual goals. Your FRIEND (who has been there, done that) for INSPIRING your child through an EXAM. Your Child's TEACHER for CERTAIN Learning objectives. A Mentor to TEACH your child (un)COMMON SENSE. A coach to SHOW your child the Way. Your Child's FRIENDS to teach him SOCIAL SKILLS. YOUR dad, to teach your child HISTORY of your FAMILY. YOUR GRANDMA to TEACH him Service to Elders. And so on like that... Small, small deliberate goals...for which you need a COMMUNITY of your CHOOSING. The key is to be DELIBERATE and PLAN ahead while sourcing for your PARENTING PARTNERS. It's your GOAL, not theirs. It's their STYLE not YOURS. It's their TIME not YOURS. AND YES, Its your CHILD, not theirs! It takes more than love to parent a child.
Asuni LadyZeal
HOME AWAY FROM HOME: PHILADELPHIA The City of Brotherly Love. Except a lot of people are mean. Not really mean, it’s just a city with people who take no shit and don’t suffer fools. I felt at home in Philly immediately. I stayed in Manayunk, a super-hilly neighborhood. Sketchy as all hell driving in the wintertime. I think of the arena, Flyers games, Dev’s Grandma’s Italian stuffing, dive bars that look like somebody’s house. I never had a dog in the fight about which place delivered the best cheesesteak. … Those conversations between proud Philadelphians can get tense. I thought they were all pretty good, but, boy, did I fall in love with Wawa.
Jon Moxley (MOX)
LOVE THE SKIN YOU'RE IN!!!! I ain't sucking in, waist-training, eye-lashin', derma-brasioning, lipo-suctioning nuthin. I earned every wrinkle, stretch mark, belly jiggle, thigh rub, fat knee, cell and ulite on this body and I'm gon' own that ish like a finely aged grandma who done done some thangs in her life.
Liz Faublas
Stuff doesn't matter. That's what they say. I wonder if they've tried losing everything? I left Kerenza with nothing but the clothes I was wearing, and I lost those soon after. I got a ship jumpsuit instead. They say people are more important than stuff. Maybe that's true, though I think there's a reason nobody but Brothers and Sisters renounce their possessions. Even the destitute have something to cling to, right? Your stuff is a series of choices that show who you are. Yeah, I went for the black digiplayer with the skulls on, got a problem with that? Yeah, these are the boots my mom says make me look like I'm in the army. This is the shirt my boyfriend loves, that I have to wear a jacket over when I leave the house. That's the toy turtle my grandma gave me before she died. All I have now is me. People matter more than stuff? Well *beep* you, I don't have people. My mother's dead or mad. My father's on Heimdall, which means he's probably dead too. And my stuff might have been a tiny reminder, something to cling to. Something to tell me who I am. Excuse me for being so ----ing shallow. I want to slam this keyboard against the wall. This keyboard that belongs to the Hypatia. Not mine. Requisitioned. Like my blanket. Like my clothes. Like my life. So here's the thing. My people are gone. My stuff is gone. Nobody's left who knows me, there's nothing left to say who I am. Everyhing's gone, except one thing. One person. He told me to run, to get out, to spread the word. Byron said the same. I understand why they did. But Ezra was ready to die just to improve my chance of survival one percent more. Turns out I feel the same way. Time to go get him. Or die trying. - Kady; The Illuminae Files
Jay Kristoff, Amie Kaufman
Stuff doesn't matter. That's what they say. I wonder if they've tried losing everything? I left Kerenza with nothing but the clothes I was wearing, and I lost those soon after. I got a ship jumpsuit instead. They say people are more important than stuff. Maybe that's true, though I think there's a reason nobody but Brothers and Sisters renounce their possessions. Even the destitute have something to cling to, right? Your stuff is a series of choices that show who you are. Yeah, I went for the black digiplayer with the skulls on, got a problem with that? Yeah, these are the boots my mom says make me look like I'm in the army. This is the shirt my boyfriend loves, that I have to wear a jacket over when I leave the house. That's the toy turtle my grandma gave me before she died. All I have now is me. People matter more than stuff? Well *beep* you, I don't have people. My mother's dead or mad. My father's on Heimdall, which means he's probably dead too. And my stuff might have been a tiny reminder, something to cling to. Something to tell me who I am. Excuse me for being so ----ing shallow. I want to slam this keyboard against the wall. This keyboard that belongs to the Hypatia. Not mine. Requisitioned. Like my blanket. Like my clothes. Like my life. So here's the thing. My people are gone. My stuff is gone. Nobody's left who knows me, there's nothing left to say who I am. Everyhing's gone, except one thing. One person. He told me to run, to get out, to spread the word. Byron said the same. I understand why they did. But Ezra was ready to die just to improve my chance of survival one percent more. Turns out I feel the same way. Time to go get him. Or die trying. - Kady; The Illuminae Files
Jay Kristoff (Illuminae (The Illuminae Files, #1))
The end. I want to tell her this isn't her fault. My decision, my consequences. I've heard her say those words. She'll understand. I want to tell her I'm sorry I couldn't get her out of this mess. I'm sorry I won't be there to see the boy she marries, the family she raise. I'm sorry. But the only word that leaves me is, 'live.' The second king's grip keeps me upright. He squeezes my hands. 'She loved you, and my hope is that you will heed her desire to live well, Ten. Live well.
Gena Showalter
I love you,” I said to Grandma. “I love you, too,” Grandma said. “Maybe that’s why God gave us death. So, we remember to love what’s alive.
Janet Evanovich (Fortune and Glory (Stephanie Plum, #27))
She'd make all the ingredients individually for her kimchi-jjigae," he went on. "Anchovy stock. Her own kimchi, which made the cellar smell like garlic and red pepper all the time. The pork shoulder simmering away. And when she'd mix it all together..." He trailed off, tipping his head back against the seat. It was the first movement he'd made over the course of his speaking; his hands rested still by his sides. "It was everything. Salty, sour, briny, rich, and just a tiny bit sweet from the sesame oil. I've been trying to make it for years, and mine has never turned out like hers." My anxiety manifestation popped up out of nowhere, hovering invisibly over one off Luke's shoulders. The boy doesn't know that the secret ingredient in every grandma's dish is love. He needs some more love in his life, said Grandma Ruth, eyeing me beadily. Maybe yours. Is he Jewish? I shook my head, banishing her back to the ether. "I get the feeling," I said. "I can make a mean matzah ball soup, with truffles and homemade broth boiled for hours from the most expensive free-range chickens, and somehow it never tastes as good as the soup my grandma would whip up out of canned broth and frozen vegetables." Damn straight, Grandma Ruth said smugly. Didn't I just banish you? I thought, but it was no use. "So is that the best thing you've ever eaten?" Luke asked. "Your grandma's matzah ball soup?" I shook my head. I opened my mouth, about to tell him about Julie Chee's grilled cheese with kimchi and bacon and how it hadn't just tasted of tart, sour kimchi and crunchy, smoky bacon and rich, melted cheese but also belonging and bedazzlement and all these feelings that didn't have names, like the dizzy, accomplished feeling you'd get after a Saturday night dinner rush when you were a little drunk but not a lot drunk because you had to wake up in time for Sunday brunch service, but then everything that happened with Derek and the Green Onion kind of changed how I felt about it. Painted over it with colors just a tiny bit off. So instead I told him about a meal I'd had in Lima, Peru, after backpacking up and down Machu Picchu. "Olive tofu with octopus, which you wouldn't think to put together, or at least I wouldn't have," I said. The olive tofu had been soft and almost impossibly creamy, tasting cleanly of olives, and the octopus had been meaty and crispy charred on the outside, soft on the inside.
Amanda Elliot (Sadie on a Plate)
Is dessert okay? Maybe some kind of bread pudding with homemade ice cream---simple, but hearty and good?" We all nodded. "I'd like to do a raw fish appetizer," said Bald Joe. "Maybe a crudo with hamachi?" "And I'd like to do an entrée," Vanilla Joe said. "A beef dish. Which means our other entrée should probably be seafood." I nodded. "I can do a slow-cooked black bass." We'd done one at the Green Onion that I loved. It had a preserved tomato broth and cauliflower and a pile of nutty grains. I could do farro. That left Bald Joe and me to divide another appetizer and a dessert between us. "I can do a dessert," I offered, thinking about a deconstructed baklava, but Vanilla Joe shook his head. "No. Joe here is already doing one appetizer; we can't make him do two. He'll get overwhelmed." "I really don't mind," said Bald Joe. "As long as Sadie helps me put everything together. I'd rather do an appetizer. I'm not great at pastry." Vanilla Joe shook his head before I could speak up and say of course I would help. "Joe, I want you doing a dessert, so Sadie, you pick an appetizer." Fine. Whatever. I hashed it out with the rest of the team, decided I would make a sunchoke soup with bacon and thyme. Vanilla Joe squinted at me. "I didn't think bacon was kosher." "I don't cook kosher food," I explained patiently. I actually didn't mind; I was used to it. Kosher cooking had a long list of rules: no pork, no shellfish, no combining meat and dairy, among many others. Grandma Ruth had kept kosher, and I had total respect for everyone who did, but it wasn't me.
Amanda Elliot (Sadie on a Plate)
I really want my roots to come through in this meal," I said, very conscious of the cameras filming everything I was saying. "I want to make sure viewers and diners"----and investors, please, especially investors----"see everything that the food of my ancestors can be. That Jewish food isn't just matzah ball soup and pastrami sandwiches." So it was with that attitude I went about planning my menu. "I'm thinking my first dish is going to be a tribute to my grandmother," I said. "She was very into chopped liver. I hated it as a kid, for good reason: her chopped liver was bland and gritty." Grandma Ruth hissed in my ear, but I ignored her. "I want to make good chopped liver on good bread with something vinegary and acidic to cut through it. Maybe some kind of pickled fruit, because the judges really loved my pickled cherries in the last round." "How about kumquats?" suggested Kaitlyn. "Or gooseberries?" "I like gooseberries," said Kel. I made a note. "We'll see what they have at the store, since we'll be on a budget. With the second course, Ashkenazi cooking has so many preserved and sometimes weird fish dishes. Think gefilte fish and pickled herring. I've wanted to do my special gefilte fish this whole competition and never got a chance, so I think now's the time." "If not now, when?" Kel said reasonably. "Indeed. And I think coupling it with pickled herring and maybe some other kind of fish to make a trio will create something amazing. Maybe something fried, since the other two parts of the dish won't have any crunch. Or I could just do, like, a potato chip? I do love potatoes." I made another note. "And for the third dish, I'm thinking duck. I want to do cracklings with the duck skin and then a play on borscht, which is what the dish is really about. Beets on the plate, pickled onions, an oniony sauce, et cetera." "Ducks and beets play well together," Kel said, approval warm on their round face.
Amanda Elliot (Sadie on a Plate)
First, Mr. and Mrs. Scott could be total lunatics. Kooks. They could be scary, scary people with evil, evil plans.” All right, let’s not even delve into that line of thought. I keep on babbling. “Next, there is the idea they only get foster children for slave labor. I mean, I am their temporary kid, and since they will be my temporary parents, I am expected to obey their every command. Like ‘No dinner for you until you’ve cleaned the refrigerator!’ Or how about ‘No water for you until you’ve filed our taxes, waxed our vehicles, washed the dog, patched the roof, and given Grandma Scott her pedicure.’ “Or maybe they are do-gooders who think I’m the evil one, and they’ll try to mold me into some goody-goody freak of nature, who never stops smiling, sings show tunes, and says crazy stuff like, ‘Yes, ma’am, I’d love to watch more public television tonight.’” The
Jenny B. Jones (In Between (Katie Parker Productions, #1))
How many siblings do you have?” “Three sisters. The oldest is Charity. She’s twenty-eight. Then there’s Serenity, who is twenty-four. And Hope is twenty-two.” Mason’s eyebrow raised slightly, and I knew where his thoughts probably headed. Our names. Yes, we were all named after virtues. And yes, I was fully aware of the ridiculousness. “So…Charity, Serenity, Hope and Felicity?” “Between you and me”—I leaned toward him—“Charity is the most selfish person I know. Serenity is borderline crazy and nobody is more pessimistic than Hope. And me…well, I’m a ball of anger.” He laughed. “I wasn’t going to say a thing.” I stared at him. He grinned. “Okay, I was. And point taken.” I smiled. “My sisters are actually great. But so help me God, I’ll never give my children matching names, nor will I choose ones that will forever be their defining characteristic. I mean, c’mon, it’s like we were set up for failure.” He laughed. “So what’s your full name?” “Felicity Anne Daniels.” “Your initials are—” “Fad. Yes. I know. My parents are awful, and I can never get anything monogrammed.” “Hey, it’s not so bad. I’m named after a jar.” “Doesn’t ‘Mason’ originate from, like, a stoneworker or something?” “Yeah, but my mom literally got it from the jar. Apparently, she loved eating my great-grandma’s homemade preserves while pregnant with me. One day, she’s staring at the canning jar and thinks I should name my baby Mason. The rest is history.” I covered my mouth to hide my laugh. “Well, it could be worse. You could be named after what was in the jar.” “No shit. I’m pretty sure if I’d been a girl I’d be named Strawberry.
Renita Pizzitola (Just a Little Kiss (Crush, #3))
Durstan Reginald McDonald, whom everybody called Dusty. Dusty became one of my most important mentors. Aside from being chaplain, he taught philosophy and had a Ph.D. from the University of Pennsylvania. Probably in his late forties at the time, Dusty was a married father with a crew cut—in other words, a grown-up. Contrary to the iconic proclamation of the ’60s to “never trust anyone over thirty,” Dusty was trusted by every kid on campus, from conscientious objectors to conservative fraternity guys. Dusty helped me arrive at answers in the way a good chaplain does: He listened, asked questions, and maybe made a few suggestions. He never made a conclusion for you, instead helping light the way as you eked out your own path. We had one particularly influential conversation on an airplane, on our way to a student conference. I was still considering law school but starting to think more and more about ordination. I told Dusty about my father’s financial struggles. “I’ve seen what that’s like. I don’t need to be rich, but maybe I could go to law school and make some money and do good at the same time,” I said. “It’s true, you don’t get rich by being ordained,” he said. “But you’ll never starve, either. Your family will have enough to get by.” Thinking about my own family again, I realized that even under extreme circumstances, it was true. In the worst crises, we never starved, or even wanted. “You have to ask yourself what you want out of life. If it isn’t money, then maybe having enough is enough.” This conversation helped me get much clearer on myself. It wasn’t my dream to be rich. I knew I wanted to work for a better world. But should it be through law or public administration, or in the church? I meditated and prayed on that question, and I always felt myself coming back to my grandma.
Michael B. Curry (Love is the Way: Holding on to Hope in Troubling Times)
Returning to Bath, Dahmer moved in with his father and stepmother. However, it was not long before his excessive drinking got him in trouble with the law. In October 1981, he was arrested for disorderly conduct and resisting arrest. His dad tried to get him some help and introduced him to Alcoholics Anonymous, but it didn’t take. Thoughts of his earlier deed refused to go away, and his drinking caused conflict in the home. To appease his wife, his father suggested Jeff move in with his paternal grandmother in West Allis, Wisconsin—a working-class suburb of Milwaukee. His father felt it would serve two purposes: Jeff could look after his grandmother, who was getting on in years, and with him gone, there would finally be peace in their home. Dahmer’s move to Wisconsin was the beginning of some real soul searching. His grandmother was a very religious woman. He loved and admired her and felt she could help him get control of his life. She was kindly, loving, and tolerant, and she had a quiet serenity about her that he craved. He felt that religion might provide a way out of his predicament. They discussed religious matters, and he began to accompany her to Sunday service and weekday Bible study. This kept him sober during the day, but when Grandma retired for the evening, he began to drink again. He knew he had an alcohol problem, but felt his need to drink arose from the horrible memory he carried with him. He could never get it out of his mind. No matter how hard he tried, the knowledge of what he had done stayed with him.
Patrick Kennedy (GRILLING DAHMER: The Interrogation Of "The Milwaukee Cannibal")
M-may I?” came the softly whispered words that drew Melanie’s attention to find Mary weakly gesturing towards her belly. “Of course,” Melanie said, barely getting the words out when Aidan’s mother was there, placing her hands on Melanie’s belly with a gasp and a, “Who’s Grandma’s little boy? You are!” Mary said excitedly while Melanie sat there, not really sure how to respond. “Poor thing held off as long as she could,” Dr. Bradford said with a sigh, drawing her attention only to add, “She was afraid of scaring you off,” at her questioning look. “Oh, I love you! Yes, I do! I love my sweet baby boy!” Mary said with a pleased smile as Drew pushed against her hand in greeting. “What’s his name?” Mary asked, glancing up at her. “Drew,” Melanie said, unable to help but relax when she saw the huge smile on Mary’s face. Nodding, Mary returned her attention back to Melanie’s large belly. “Grandma loves you, Drew! Yes, she does!” Mary said with a huge smile when Drew pushed against her hands. “Are you Grandma’s little baby boy? Yes, you are!
R.L. Mathewson (Irresistible (Neighbor from Hell, #11))
I think I know why all these people line up by that big plaque on the boulder every year and funnel—baby step-by-baby step—onto the Grandma Gatewood Trail. To be here is to participate in an experience, her experience. To walk this path that she loved is to embrace her memory, to come as close to her as possible. To see what she saw and step where she stepped and feel some thin connection to a farm woman who decided one day to take a walk, and then kept going, getting faster until the end. I could be imagining all this, but I lost myself a little. In her footsteps, I forgot my troubles. Maybe the fountain of youth wasn’t a fountain at all.
Ben Montgomery (Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail)
I don’t believe Grandma. I trust Ethan. I love him, so much, he’s my happy place, my comfort blanket, he would never hurt me like that. He’s Ethan.
Beth O'Leary (The Switch)
I would have crushed him gladly, I loathe children...One should reserve, on busy streets, special tracks for these nasty little creatures, their prams, hoops, sweats, scooters, skates, grandpas, grandmas, nannies, balloons, and balls, all their foul little happiness in a word.
Samuel Beckett (First Love and Other Novellas)
...I walked Grandma to the front door and gave her a hug. 'I love you,' I said to Grandma. 'I love you, too,' Grandma said. 'Maybe that's why God gave us death. So, we remember to love what's alive.
Janet Evanovich (Fortune and Glory (Stephanie Plum, #27))
If someone’s going to show everyone else their true colors to hurt you – let them.” My grandma said that once. She said sometimes people need to see. They have to look at it and swallow that harsh pill. That’s all I was thinking as I lay there on the dirty floor with the taste of blood in my mouth and what I thought was a broken nose and jaw. Sometimes you have to take a hit from your enemy for them to be seen as what they are.
Willow Winters (Hard to Love)
I wanted to walk with Lou and not be tortured watching Grandma trying to breathe, but Ken said, Okay man, catch you later bro! Lou put his hair in a ponytail he tied up with his wet shirt. He was wearing flip-flops. Yo Louie, your rosy parker is visible for all the world to see! said Ken. Lou said eat your heart out, cat. Grandma said she wanted to visit Lou later in the evening. He put his head in the car window where Grandma was sitting and said he’d really love that, man. He put his fist in the car to bump but Grandma grabbed it and kissed it. He laughed. He told Grandma he loved her. She loved him too. She said I love you too, Louie, so much, sooooooo much. Oh boy, do I love you boys! Judith, I love you, too! Grandma had taken care of Lou when he was a baby and she was thirteen years old. He was as smart as a whip. She had carried him and carried him when he cried. Why was Lou suffering? He looked naked when he walked away. His hair was piled on top of his head. He only had his shorts and flip-flops on. He had a cool way of walking down the road and nodding at people in their cars. Lou does his thing! said Grandma. Lou does his thing, said Ken. I wondered, What is Lou’s thing? I wanted it to be my thing too.
Miriam Toews (Fight Night)
Let’s get back to loving each other. Not from a distance. I mean up close. Let’s go see each other. Check on each other. Sometimes I think that’s all we need. Let’s tap into the spirits of our grandmas and great-grandmas, our granddaddies, aunts, and uncles. It feels good when you have family, and it feels even better when you’re together. There’s somebody out there who doesn’t have family. Who has to create one, not because they are far away like me, but because they literally don’t have anyone left. They are wishing they had someone they could call. So think about that, alright? Even if they cut up and act a fool sometimes, they are still your family, and you are a part of them. Go fix that thing.
Tabitha Brown (Feeding the Soul (Because It's My Business): Finding Our Way to Joy, Love, and Freedom (A Feeding the Soul Book))