Grandfather Missing Quotes

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I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him and how because of that my dad grew up feeling like he didn’t have a dad. And how I had acute stress and nightmares and was sitting alone in a falling down house and crying hot stupid tears all over my shirt. All because of a seventy year old hurt that had somehow been passed down to me like some poisonous heirloom.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover – that these fantasies were somehow inoculating me against more practical ambitions
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
Gayle Forman (Just One Year (Just One Day, #2))
Missing feels like a sad spot in my heart...Missing means I love her.
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
I had a mother who left when I was a child. I didn’t miss her. Maeve was there, with her red coat and her black hair, standing at the bottom of the stairs, the white marble floor with the little black squares, the snow coming down in glittering sheets in the windows behind her, the windows as wide as a movie screen, the ship in the waves of the grandfather clock rocking the minutes away.
Ann Patchett (The Dutch House)
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the backyard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He DID things to the world. The world was bankrupted of ten million fine actions the night he passed on.
Ray Bradbury
Wait here. Hell I am. Why? Because you’re six-five and have green hair and my grandfather doesn’t know you and owns lots of guns.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Don’t fight the pain, that’s the key, my grandfather says. It’s telling you something. Welcome it, let it speak to you. The pain says: Hello, I am not other than you; I am of the hollow, but I am you also.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
I am of you," said Kip."I am Guile as much as you are. True, I have a scrap of decency, but only a scrap. How do you think you can treat a Guile with such disregard and get away with it? Because I am you. I'm as cold as you, I'm as smart as you, and when you push me, I'm as evil and cruel as you. I have a thin film of goodness floating on the top of my Guile, grandfather, but I don't know how senile you must be to miss just how thin it is.
Brent Weeks (The Broken Eye (Lightbringer, #3))
It’s not that I didn’t want to—more than anything I did—but the idea of kissing her two feet from a box of obsessively well-preserved love letters from my grandfather made me feel weird and nervous.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
On Christmas morning, Dustin knocked on my door. “Miss Winters,” he said cheerfully. “Breakfast.” I didn’t move. My parents were dead. My boyfriend was dead. My grandfather had a mysterious hidden room that had books about the walking dead—which is what I knew I would feel like if I attempted to stand up. “I don’t feel well,” I said meekly, and rolled over.
Yvonne Woon (Dead Beautiful (Dead Beautiful, #1))
The sky was turning the color of a fresh bruise as we pulled into my grandfather's subdivision, a bewildering labyrinth of interlocking cul-de-sacs known collectively as Circle Village.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Holy crap, Caleb! You're my uncle." Nick "No!" Caleb "It's worse. He's the half-brother of your great-grandfather." Kody "You're not helping." Caleb "No, but I'm entertaining myself at your adorable expense." Kody "Yeah, y'all are missing the important fact. To a Cajun, that makes him my uncle." Nick "Great. I always wanted to be a monkey's uncle. Nice to know I finally succeeded." Caleb
Sherrilyn Kenyon (Invision (Chronicles of Nick, #7))
I'd been dreaming of such adventures since I was small. Back then I'd believed in destiny, and believed in it absolutely, with every strand and fiber of my little kid heart. I'd felt it like an itch in my chest while listening to my grandfather's extraordinary stories. "One day that will be me." What felt like obligation now had been a promise back then - that one day I would escape my little town and live an extraordinary life as he had done; and that one day, like Grandpa Portman, I would do something that mattered.
Ransom Riggs (Hollow City (Miss Peregrine's Peculiar Children, #2))
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
It was my grandfather’s island. Looming and bleak, folded in mist, guarded by a million screeching birds, it looked like some ancient fortress constructed by giants. As I gazed up at its sheer cliffs, tops disappearing in a reef of ghostly clouds, the idea that this was a magical place didn’t seem so ridiculous.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I never claimed being peculiar was easy," she said after a moment. " There are many unpleasant and difficult things about being one of us. Learning how to negotiate a world of people who can't understand you and don't want to--that's probably the hardest bit. Many find it impossible and retreat into loops. But I never saw that for you. You've got a really special talent, and I don't mean your facility with hollowgast. You're a shape-shifter of sorts, Jacob, able to move easily between worlds. You were never meant to be tied to just one home, or one family. You'll have many, like your grandfather did.
Ransom Riggs (A Map of Days (Miss Peregrine's Peculiar Children, #4))
When I was six I decided that my only chance of having a life half as exciting as Grandpa Portman’s was to become an explorer. He encouraged me by spending afternoons at my side hunched over maps of the world, plotting imaginary expeditions with trails of red pushpins and telling me about the fantastic places I would discover one day. At home I made my ambitions known by parading around with a cardboard tube held to my eye, shouting, “Land ho!” and “Prepare a landing party!” until my parents shooed me outside. I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover—that these fantasies were somehow inoculating me against more practical ambitions—so one day my mother sat me down and explained that I couldn’t become an explorer because everything in the world had already been discovered. I’d been born in the wrong century, and I felt cheated.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I was moved by this new idea of my grandfather, not as a paranoiac gun nut or a secretive philanderer or a man who wasn't there for his family, but as a wandering knight who risked his life for others, living out of cars and cheap motels, stalking lethal shadows, coming home shy a few bullets and marked with bruises he could never quite explain and nightmares he couldn't talk about. For his many sacrifice he received only scorn and suspicion from those he loved.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Because the thing about standing here in the middle of the mountains with the rain coming down, in a house your grandfather built, is that it's too easy to notice how insignificant you are. How quickly you might go from something to nothing.
Megan Miranda (All the Missing Girls)
What You Missed That Day You Were Absent from Fourth Grade" Mrs. Nelson explained how to stand still and listen to the wind, how to find meaning in pumping gas, how peeling potatoes can be a form of prayer. She took questions on how not to feel lost in the dark. After lunch she distributed worksheets that covered ways to remember your grandfather’s voice. Then the class discussed falling asleep without feeling you had forgotten to do something else— something important—and how to believe the house you wake in is your home. This prompted Mrs. Nelson to draw a chalkboard diagram detailing how to chant the Psalms during cigarette breaks, and how not to squirm for sound when your own thoughts are all you hear; also, that you have enough. The English lesson was that I am is a complete sentence. And just before the afternoon bell, she made the math equation look easy. The one that proves that hundreds of questions, and feeling cold, and all those nights spent looking for whatever it was you lost, and one person add up to something.
Brad Aaron Modlin (Everyone at This Party Has Two Names)
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn’t crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the back yard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think, what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.
Ray Bradbury (Fahrenheit 451)
He was special friend to Coyote Kachina, who taught him the secret of shape shifting.” “Grandfather blessed this earth with his presence for ninety-eight years. He had the courage to survive and left this world a better place than he found it. We shall all miss him.” She blew a kiss at Grandfather. “Goodbye, Governor. You are my sun beneath the earth, my heart above the clouds, and my prayer for a better life. I will see you every morning when the sun rises. I shall miss you when the sun sets. I will yearn for you on a cloudy day. Do not forget me.” She threw a silver locket with her picture into the grave.
Belinda Vasquez Garcia (Return of the Bones)
You’re sure you want to do this,” Galen says, eyeing me like I’ve grown a tiara of snakes on my head. “Absolutely.” I unstrap the four-hundred-dollar silver heels and spike them into the sand. When he starts unraveling his tie, I throw out my hand. “No! Leave it. Leave everything on.” Galen frowns. “Rachel would kill us both. In our sleep. She would torture us first.” “This is our prom night. Rachel would want us to enjoy ourselves.” I pull the thousand-or-so bobby pins from my hair and toss them in the sand. Really, both of us are right. She would want us to be happy. But she would also want us to stay in our designer clothes. Leaning over, I shake my head like a wet dog, dispelling the magic of hairspray. Tossing my hair back, I look at Galen. His crooked smile almost melts me where I stand. I’m just glad to see a smile on his face at all. The last six months have been rough. “Your mother will want pictures,” he tells me. “And what will she do with pictures? There aren’t exactly picture frames in the Royal Caverns.” Mom’s decision to mate with Grom and live as his queen didn’t surprise me. After all, I am eighteen years old, an adult, and can take care of myself. Besides, she’s just a swim away. “She keeps picture frames at her house though. She could still enjoy them while she and Grom come to shore to-“ “Okay, ew. Don’t say it. That’s where I draw the line.” Galen laughs and takes off his shoes. I forget all about Mom and Grom. Galen, barefoot in the sand, wearing an Armani tux. What more could a girl ask for? “Don’t look at me like that, angelfish,” he says, his voice husky. “Disappointing your grandfather is the last thing I want to do.” My stomach cartwheels. Swallowing doesn’t help. “I can’t admire you, even from afar?” I can’t quite squeeze enough innocence in there to make it believable, to make it sound like I wasn’t thinking the same thing he was. Clearing his throat, he nods. “Let’s get on with this.” He closes the distance between us, making foot-size potholes with his stride. Grabbing my hand, he pulls me to the water. At the edge of the wet sand, just out of reach of the most ambitious wave, we stop. “You’re sure?” he says again. “More than sure,” I tell him, giddiness swimming through my veins like a sneaking eel. Images of the conference center downtown spring up in my mind. Red and white balloons, streamers, a loud, cheesy DJ yelling over the starting chorus of the next song. Kids grinding against one another on the dance floor to lure the chaperones’ attention away from a punch bowl just waiting to be spiked. Dresses spilling over with skin, matching corsages, awkward gaits due to six-inch heels. The prom Chloe and I dreamed of. But the memories I wanted to make at that prom died with Chloe. There could never be any joy in that prom without her. I couldn’t walk through those doors and not feel that something was missing. A big something. No, this is where I belong now. No balloons, no loud music, no loaded punch bowl. Just the quiet and the beach and Galen. This is my new prom. And for some reason, I think Chloe would approve.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Medical conditions: (1) Sleep problems, possibly inherited from grandfather. (2) Hospital phobia. (3) Bookworm disease. (4) Possible addiction to watching old Columbo, Midsomer Murders, and Miss Fisher’s Murder Mysteries episodes. Personality traits: Shy but curious. Occasionally cowardly. Excellent with details. Good observer.
Jenn Bennett (Serious Moonlight)
I couldn't stop myself, so I thought about all the bad things and I fed it and fed it until I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn't know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn't care pushed a button. I thought about how my grandfather's family had been taken from him, and how because of that my dad grew up feeling like he didn't have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn't fight because they were all dead, beyond killing or punishing or any kind of reckoning. At least my grandfather had been able to join the army and go fight them. What could I do?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover—that
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Our worth is measured by how we treat the people we love – something my grandfather used to say – and the blunt truth was that I loved my peculiar family more.
Ransom Riggs (A Map of Days (Miss Peregrine's Peculiar Children, #4))
I think they worried that my grandfather would infect me with some incurable dreaminess from which I'd never recover.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
When I was a kid, Granpa Portman's fantastic stories meant it was possible to live a magical life. Even after I stopped believing them, there was still something magical about my grandfather. To have endured all the horrors he did, to have seen the worst of humanity and to have your life made unrecognised by it, to come out of all that the honorable and good and brave person I knew him to be - THAT was magical.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Well, James Matthew is a name that will wear well and not fade in the washing," said Miss Cornelia. "I'm glad you didn't load him down with some highfalutin, romantic name that he'd be ashamed of when he gets to be a grandfather...
L.M. Montgomery
All I could think was that grandfathers were supposed to die in beds, in hushed places humming with machines, not in heaps on the sodden reeking ground with ants marching over them, a brass letter opener clutched in one trembling hand.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I was in love many times before I met your grandfather. Some of them lasted a long time; some of them didn’t. The trick is not to worry about it. If you spend too much time thinking about when it will disappear, you’ll miss the whole thing.
Jennifer E. Smith (Field Notes on Love)
Love. That was the piece that had been missing, way before Prague. That was that piece that had been missing in her life until Will came and made her feel it, for their work together and for the beauty and also for him, though it was hard sometimes to separate those things. Maybe she didn`t love Will like she thought. Or couldn’t in this moment. But what they’d done together, what had been open by becoming so close, she could still love that. She could love their conversations and their hours at the piano and the results of their work. She could even love the way it hurt right now, because when was the last time she gave her whole heart to something? That, all of it, belonged to her. She didn’t have to let Will take it away, the way she’d let her grandfather, the business, herself, take her love for music.
Sara Zarr (The Lucy Variations)
there was still something magical about my grandfather. To have endured all the horrors he did, to have seen the worst of humanity and have your life made unrecognizable by it, to come out of all that the honorable and good and brave person I knew him to be—that was magical.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
To do that Cinnamon had to fill in those blank spots in the past that he could not reach with his own hands. By using those hands to make a story, he was trying to supply the missing links. From the stories he had heard repeatedly from his mother, he derived further stories in attempt to recreate the enigmatic figure of his grandfather in a new setting. He inherited from his mother's stories the fundamental style he used, unaltered, his own stories: namely, the assumption that fact may not be truth, and truth may not be factual. The question of which parts of story were factual and which parts were not was probably not a very important one for Cinnamon. The important question for Cinnamon was not what his grandfather did but what his grandfather might have done. He learned the answers to this question as soon as succeed in telling the story.
Haruki Murakami (The Wind-Up Bird Chronicle)
In 1996, the artist Gunter Demnig started laying stolpersteine, or "stumbling blocks" -- cobblestone-sized, brass memorials -- in front of houses where victims of the Nazis used to live. Now in over 800 German towns and villages, they make the number of victims palpable: In some streets there are stolpersteine in front of every other house, sometimes with a single name, sometimes with the names of an entire family. On these streets it would have been glaringly obvious that some neighbors were missing: the Jewish family, the girl with Down syndrome, the homosexual, the communist.
Jennifer Teege (My Grandfather Would Have Shot Me: A Black Woman Discovers Her Family's Nazi Past)
Miss Peregrine had shown my grandfather. I was coming to believe I had been sent here to repay that debt—my own, my father’s, and my grandfather’s, too. I tried my best to explain. “It’s not about destiny,” I said, “but I do think there’s balance in the world, and sometimes forces we don’t understand intervene to tip the scales the right way.
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
Cixi’s lack of formal education was more than made up for by her intuitive intelligence, which she liked to use from her earliest years. In 1843, when she was seven, the empire had just finished its first war with the West, the Opium War, which had been started by Britain in reaction to Beijing clamping down on the illegal opium trade conducted by British merchants. China was defeated and had to pay a hefty indemnity. Desperate for funds, Emperor Daoguang (father of Cixi’s future husband) held back the traditional presents for his sons’ brides – gold necklaces with corals and pearls – and vetoed elaborate banquets for their weddings. New Year and birthday celebrations were scaled down, even cancelled, and minor royal concubines had to subsidise their reduced allowances by selling their embroidery on the market through eunuchs. The emperor himself even went on surprise raids of his concubines’ wardrobes, to check whether they were hiding extravagant clothes against his orders. As part of a determined drive to stamp out theft by officials, an investigation was conducted of the state coffer, which revealed that more “than nine million taels of silver had gone missing. Furious, the emperor ordered all the senior keepers and inspectors of the silver reserve for the previous forty-four years to pay fines to make up the loss – whether or not they were guilty. Cixi’s great-grandfather had served as one of the keepers and his share of the fine amounted to 43,200 taels – a colossal sum, next to which his official salary had been a pittance. As he had died a long time ago, his son, Cixi’s grandfather, was obliged to pay half the sum, even though he worked in the Ministry of Punishments and had nothing to do with the state coffer. After three years of futile struggle to raise money, he only managed to hand over 1,800 taels, and an edict signed by the emperor confined him to prison, only to be released if and when his son, Cixi’s father, delivered the balance. The life of the family was turned upside down. Cixi, then eleven years old, had to take in sewing jobs to earn extra money – which she would remember all her life and would later talk about to her ladies-in-waiting in the court. “As she was the eldest of two daughters and three sons, her father discussed the matter with her, and she rose to the occasion. Her ideas were carefully considered and practical: what possessions to sell, what valuables to pawn, whom to turn to for loans and how to approach them. Finally, the family raised 60 per cent of the sum, enough to get her grandfather out of prison. The young Cixi’s contribution to solving the crisis became a family legend, and her father paid her the ultimate compliment: ‘This daughter of mine is really more like a son!’ Treated like a son, Cixi was able to talk to her father about things that were normally closed areas for women. Inevitably their conversations touched on official business and state affairs, which helped form Cixi’s lifelong interest. Being consulted and having her views acted on, she acquired self-confidence and never accepted the com“common assumption that women’s brains were inferior to men’s. The crisis also helped shape her future method of rule. Having tasted the bitterness of arbitrary punishment, she would make an effort to be fair to her officials.
Jung Chang (Empress Dowager Cixi: The Concubine Who Launched Modern China)
My grandfather was terrible. I do not miss him or his house," she admitted. “Then it is a good thing I rescued you," Hun-Kame said. "You did not rescue me," Casiopea replied. "I opened that chest. Besides, I wasn't a princess in a tower. I knew I'd get away one way or another, and I was not waiting for a god to liberate me. That would have been both silly and unlikely.
Silvia Moreno-Garcia (Gods of Jade and Shadow)
I think they worried that my grandfather would infect me with some incurable dreaminess from which I’d never recover—that these fantasies were somehow inoculating me against more practical ambitions—so one day my mother sat me down and explained that I couldn’t become an explorer because everything in the world had already been discovered. I’d been born in the wrong century, and I felt cheated.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
If Cairnholm’s only phone connected to some den of iniquity called the “piss hole,” how did that bode for the rest of the island? Would my first trip to Europe be spent evading drunken maniacs and watching birds evacuate their bowels on rocky beaches? Maybe so. But if it meant that I’d finally be able to put my grandfather’s mystery to rest and get on with my unextraordinary life, anything I had to endure would be worth it.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Grandfather and I did not utter words pending the drive, which is not abnormal, because we have never uttered multitudinous words. I made efforts not to spleen him, but nonetheless did. For one example, I forgot to examine the map, and we missed our entrance to the superway. “Please do not punch me,” I said, “but I made a miniature error with the map.” Grandfather kicked the stop pedal, and my face gave a high-five to the front window.
Jonathan Safran Foer (Everything is Illuminated)
I’ve sat at the piano for hours already, looking for lyrics and melodies, but everything sounds the same and I feel as uninspired as ever. Does it mean I’m finished? A more sobering thought: if I’m finished, would I miss it? But the truth is, I’ve been here before. Many times. We all have. So how do we find the faith to press on? Remember. Remember, Hebrew children, who you once were in Egypt. Remember the altars set up along the way to remind yourselves that you made the journey and God rescued you from sword and famine, from chariots and pestilence, that once you were there, but now you are here. It happened. Our memories are fallible, residing in that most complex and mysterious organ in the human body (and therefore the known universe), capable of being suppressed, manipulated, altered, but also profoundly powerful and able to transport a person to a place fifty years ago all because of a whiff of your grandfather’s cologne or an old book or the salty air. As often as you do this, do it in remembrance of me. Remember with every sip of wine that we shared this meal, you and I. Remember. So I look at the last album, the last book, and am forced to admit that I didn’t know anymore then than I do now. Every song is an Ebenezer stone, evidence of God’s faithfulness. I just need to remember. Trust is crucial. So is self-forgetfulness and risk and a measure of audacity. And now that I think about it, there’s also wonder, insight, familiarity with Scripture, passion, a good night’s sleep, breakfast (preferably an egg sandwich), an encouraging voice, diligence, patience. I need silence. Privacy. Time—that’s what I need: more time. But first I need a vacation, because I’ve been really grinding away at this other stuff and my mental cache is full. A deadline would be great. I work best with deadlines, and maybe some bills piling up. Some new guitar strings would help, and a nice candle. And that’s all I need, in the words of Steve Martin’s The Jerk. This is the truth: all I really need is a guitar, some paper, and discipline. If only I would apply myself.
Andrew Peterson (Adorning the Dark: Thoughts on Community, Calling, and the Mystery of Making)
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the back yard or play the violin the way he did, or tell us the jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I’ve never gotten over his death. Often I think, what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.’ Montag
Ray Bradbury (Fahrenheit 451)
My grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime.I've never gotten over his death. Often I think, what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.
Ray Bradbury (Fahrenheit 451)
It’s strange, I don’t miss her, it’s strange I don’t feel much of anything,” said Montag. “Even if she dies, I realized a moment ago, I don’t think I’ll feel sad. It isn’t right. Something must be wrong with me.” “Listen,” said Granger, taking his arm, and walking with him, holding aside the bushes to let him pass. “When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn’t crying for him at all, but for the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the back yard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them just the way he did. He was an individual. He was an important man. I’ve never gotten over his death. Often I think, what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He did things to the world. The world was bankrupted of ten million fine actions the night he passed on.” Montag walked in silence. “Millie, Millie,” he whispered. “Millie.” “What?” “My wife, my wife. Poor Millie, poor, poor Millie. I can’t remember anything. I think of her hands but I don’t see them doing anything at all. They just hang there at her sides or they lie there in her lap or there’s a cigarette in them, but that’s all.
Ray Bradbury (Fahrenheit 451)
They see it as perfectly normal for me to sit beside Victoria’s body for hours on end, telling her how much I love her and all the things I meant to inform her of but never got around to. How her grandfather Jack was a conscientious objector in the Second World War, but did not want to be separated from his mates, and so became an ambulance officer. How Grandma Sheila recalls him waking from a frequent dream of the trenches, always crying out, “I can’t reach him, I can’t reach him.” That he was a brave man who did the best he could within his own principles. Of how he would have loved her and been so proud of her. Asking Vic to tell Jack we miss him.
Linda Collins (Loss Adjustment)
We are not doing it for Jagen. We are doing it for our kind.” “We?” Rayna snaps. “What Gift do you have, Grom? Oh, that’s right. You and Nalia get to stay safely behind while me and Galen and Emma drown an entire island.” Oh, heck no. “Um, I’m not killing anyone,” I say, raising my hand. “Not humans, not Syrena.” “It’s a good thing your Gift isn’t deadly then, isn’t it?” Rayna sneers. “I have an idea. You can give the humans their last meal. That would be special, wouldn’t it?” “How would you like to go without eating for a while?” I shoot back. I could use my Gift to send the fish away from her, or I could just bust all her teeth out. Maturity seems to be evaporating into the air. I wonder if her Gift includes pushing all my buttons in rapid-point-five seconds. But then, I know her animosity is really toward Grom, not me. All I’m doing is feeding her anxiety. Galen tucks a tendril of my hair behind my ear. It’s enough to distract me and he knows it. I give him a sour look for interfering, but he grins. “You don’t have to kill anyone, angelfish. In fact, we need your help to save them.” He seems to be telling me something with his eyes, but I’m not picking up on it. I’d love to blame it on the pain meds. “Doesn’t that kind of miss the point?” Rayna says. “Of course not,” Galen says. “Our objective is to rescue our kind, not kill the humans. We can do that without destroying them.” Everyone is all ears, but Galen is not ready to divulge his plan just yet. He stands. “Highness, tell the Archives we will meet with them to discuss our terms.” “Terms?” Grom says. “This isn’t negotiable, Galen. They need us. It’s our duty as Royals.” Galen shrugs. “As far as I’m concerned, it’s entirely negotiable. And we’re not Royals anymore, not until I hear it from their lips.” He turns to Antonis. “And tell them that in view of recent events, the council must come here, on land. There is no reason for us to doubt that this is a trap to recapture us.” Antonis chuckles. I get the feeling that this is all an amusing game to him. But then, old people have earned the right to be amused by everything. And I’m pretty sure he’s the oldest person I know. “Young Prince Galen, I am at your service.” With that, my grandfather leaves. I turn away as he begins to finagle the shorts from his skinny waist on his way down the beach.
Anna Banks (Of Triton (The Syrena Legacy, #2))
For thousands of years, scarcely anyone left. Korea was the hermit kingdom, with its spiritual basis in Confucianism, Buddhism, and Shamanism, until 1910, when it was annexed by Japan and colonized for thirty-five years thereafter, followed by the Korean War in 1950. Having been born and raised under these brutal colonizers, my paternal grandfather spoke fluent Japanese. Shortly before his death, in the mid-1980s, he came to stay with my family in Queens, where he befriended a young Japanese woman, a missionary from the Unification Church. When my father confronted him about his sudden interest in the cult, my grandfather answered that he didn’t care about the Moonies, he only enjoyed the chance to speak Japanese with his new friend. Like others from his generation, he suffered from a sort of Stockholm syndrome and missed the language of his oppressors.
Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
Have a seat,” I say inside the Roosevelt Room. Ordinarily we’d do this in the Oval Office. But I’m not having this conversation in the Oval Office. He unbuttons his suit jacket and takes a seat. I sit at the head of the table. “Needless to say, Mr. President, we were elated with the results from yesterday. And we were grateful that we could be a small part of your success.” “Yes, Mr. Ambassador.” “Andrei, please.” Andrei Ivanenko looks like he could play someone’s grandfather in a cereal commercial—the crown of his head bald and spotted, wispy white hair along the sides, an overall frumpy appearance. The look works well for him. Because beneath that harmless-seeming exterior is a career spy, a product of Russia’s charm school and one of the elites in the former KGB, shipped off later in life to the diplomatic arena and sent here as ambassador to the United States.
Bill Clinton (The President Is Missing)
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the things he did. I cried because he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the back yard or play the violin the way he did, or tell us jokes the way he did. He was part of us and when he died, all the actions stopped dead and there was no one to do them the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think, what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands.
Ray Bradbury (Fahrenheit 451)
All those years…I was so little…and I began to think that somehow, something I had done had made you go away.” “No,” said Grandfather quickly. “What I did was wrong. Your mother and I could not live together anymore. But what I did was wrong. It was my fault. All my fault.” “Fault,” said Papa very softly. “Sarah says fault doesn’t matter.” Grandfather handed Papa a small sheet of paper. “I started to write you a letter,” he said. Papa read what was written there, but didn’t speak. “It says ‘I love you, Jacob,’” said Grandfather. Papa looked at the paper for a long time. “Don’t go,” he said, his voice low. “Please don’t leave us again. You belong here. I don’t want to miss you again. Ever.” Grandfather put his arms around Papa, and they stood in the small room, holding on to each other. I turned and went downstairs, where Sarah still sat at the kitchen table. I sat across from her. “Remember when you asked me who I wanted to be like?” I said to Sarah. Sarah nodded. “It’s Papa. I want to be like Papa,” I said.
Patricia MacLachlan (Caleb's Story (Sarah, Plain and Tall #3))
Ever since he’d set eyes on Elizabeth Cameron he’d been blind-no, he corrected himself with furious self-disgust, in England he’d recognized instinctively what she was-gentle and proud, brave and innocent and…rare. He’d known damned well she wasn’t a promiscuous little flirt, yet he’d later convinced himself she was, and then he’d treated her like one here-and she had endured it the entire time she’d been here! She had let him say those things to her and then tried to excuse his behavior by blaming herself for behaving like “a shameless wanton” in England! Bile rose up in his throat, suffocating him, and he closed his eyes. She was so damned sweet, and so forgiving, that she even did that for him. Duncan hadn’t moved; in taut silence he watched his nephew standing at the window, his eyes clenched shut, his stance like that of a man who was being stretched on the rack. Finally Ian spoke, and his voice was rough with emotion, as if the words were being gouged out of him: “Did the woman say that, or was that your own opinion?” “About what?” Drawing a ragged breath, he asked, “Did she tell you that Elizabeth was in love with me two years ago, or was that your opinion?” The answer to that obviously meant so much to Ian that Duncan almost smiled. At the moment, however, the vicar was more concerned with the two things he wanted above all else: He wanted Ian to wed Elizabeth and rectify the damage he’d done to her, and he wanted Ian to reconcile with his grandfather. In order to do the former, Ian would have to do the latter, for Elizabeth’s uncle was evidently determined that her husband should have a title if possible. So badly did Duncan want those two things to happen that he almost lied to help the cause, but the precepts of his conscience forbade it. “It was Miss Throckmorton-Jones’s opinion when she was under the influence of laudanum. It is also my opinion, based on everything I saw in Elizabeth’s character and behavior to you.” He waited through another long moment of awful suspense, knowing exactly where Ian’s thoughts would have to turn next, and then he plunged in, ready to press home his advantage with hard, systematic logic. “You have no choice except to rescue her from that repugnant marriage.
Judith McNaught (Almost Heaven (Sequels, #3))
When I was a boy my grandfather died, and he was a sculptor. He was also a very kind man who had a lot of love to give the world, and he helped clean up the slum in our town; and he made toys for us and he did a million things in his lifetime; he was always busy with his hands. And when he died, I suddenly realized I wasn't crying for him at all, but for all the hings he did. I cried becase he would never do them again, he would never carve another piece of wood or help us raise doves and pigeons in the back yard or play the violin the way he did, all the actions stopped dead and there was no one to do them just the way he did. He was individual. He was an important man. I've never gotten over his death. Often I think, what wonderful carvings never came to birth because he died. How many jokes are missing from the world, and how many homing pigeons untouched by his hands. He shaped the world. He did things to the world. The world was bankrupted of ten millions fine actions the night he passed on. IMy wife, my wide. Poor Millie, poor, poor Millie. I can't remember anything. I think of her hands but I don't see them doing anything at all. They just hang there at her sides [watching TV] or lie there on her lap or there's a cigarette in them, but that's all.
Ray Bradbury (Fahrenheit 451)
Above the list of children she read: Mister Jackson Henry Clark married Miss Julienne Maria Jacques, June 12, 1933. Not until that moment had she known her parents’ proper names. She sat there for a few minutes with the Bible open on the table. Her family before her. Time ensures children never know their parents young. Kya would never see the handsome Jake swagger into an Asheville soda fountain in early 1930, where he spotted Maria Jacques, a beauty with black curls and red lips, visiting from New Orleans. Over a milkshake he told her his family owned a plantation and that after high school he’d study to be a lawyer and live in a columned mansion. But when the Depression deepened, the bank auctioned the land out from under the Clarks’ feet, and his father took Jake from school. They moved down the road to a small pine cabin that once, not so long ago really, had been occupied by slaves. Jake worked the tobacco fields, stacking leaves with black men and women, babies strapped on their backs with colorful shawls. One night two years later, without saying good-bye, Jake left before dawn, taking with him as many fine clothes and family treasures—including his great-grandfather’s gold pocket watch and his grandmother’s diamond ring—as he could carry. He hitchhiked to New Orleans and found Maria living with her family in an elegant home near the waterfront. They were descendants of a French merchant, owners of a shoe factory. Jake pawned the heirlooms and entertained her in fine restaurants hung with red velvet curtains, telling her that he would buy her that columned mansion. As he knelt under a magnolia tree, she agreed to marry him, and they wed in 1933 in a small church ceremony, her family standing silent.
Delia Owens (Where the Crawdads Sing)
By thinking that other people are inferior to oneself. By feeling that one has some innate superiority it may be wealth, or rank, a straight nose, or the portrait of a grandfather by Romney - for there is no end to the pathetic devices of the human imagination over other people. Hence the enormous importance to a patriarch who has to conquer, who has to rule, of feeling that great numbers of people, half the human race indeed, are by nature inferior to himself. It must indeed be one of the chief sources of his power. But let me turn the light of this observation on to real life, I thought. Does it help to explain some of those psychological puzzles that one notes in the margin of daily life? Does it explain my astonishment the other day when Z, most humane, most modest of men, taking up some book by Rebecca West and reading a passage in it, exclaimed, 'The arrant feminist! She says that men are snobs!' The exclamation, to me so surprising for why was Miss West an arrant feminist for making a possibly true if uncomplimentary statement about the other sex? - was not merely the cry of wounded vanity; it was a protest against some infringement of his power to believe in himself. Women have served all these centuries as looking-glasses possessing the magic and delicious power of reflecting the figure of man at twice its natural size. Without that power probably the earth would still be swamp and jungle. The glories of all our wars would be unknown. We should still be scratching the outlines of deer on the remains of mutton bones and bartering flints for sheep skins or whatever simple ornament took our unsophisticated taste. Supermen and Fingers of Destiny would never have existed. The Tsar and the Kaiser would never have worn crowns or lost them. Whatever may be their use in civilized societies, mirrors are essential to all violent and heroic action. That is why Napoleon and Mussolini both insist so emphatically upon the inferiority of women, for if they were not inferior, they would cease to enlarge. That serves to explain in part the necessity that women so often are to men. And it serves to explain how restless they are under her criticism; how impossible it is for her to say to them this book is bad, this picture is feeble, or whatever it may be, without giving far more pain and musing far more anger than a man would do who gave the same criticism. For if she begins to tell the truth, the figure in the looking-glass shrinks; his fitness for life is diminished. How is he to go on giving judgement, civilizing natives, making laws, writing books, dressing up and speechifying at banquets, unless he can see himself at breakfast and at dinner at least twice the size he really is? So I reflected, crumbling my bread and stirring my coffee and now and again looking at the people in the street. The looking-glass vision is of supreme importance because it charges the vitality; it stimulates the nervous system. Take it away and man may die, like the drug fiend deprived of his cocaine. Under the spell of that illusion, I thought, looking out of the window, half the people on the pavement are striding to work. They put on their hats and coats in the morning under its agreeable rays. They start the day confident, braced, believing themselves desired at Miss Smith's tea party; they say to themselves as they go into the room, I am the superior of half the people here, and it is thus that they speak with that self-confidence, that self-assurance, which have had such profound consequences in public life and lead to such curious notes in the margin of the private mind.
Virginia Woolf (A Room of One’s Own)
Name: Blixa, Tiramisu, and Zabaglione Age: 3 Months Re: Don’t adopt us just because you miss your grandfather
Jeremy Greenberg (Sorry I Barfed on Your Bed: (and Other Heartwarming Letters from Kitty))
You may not care what happens to the rest of the world. But I do. This is bigger than my life, than all of our lives. If grandfather Enoch prophesied the truth and Betenos and I are the lineage of the Seed, then why would you give up? Would you dishonor the faith of the one you loved most on this earth?” That got through Methuselah’s wall of silence. Lamech was right. His son was absolutely right. Methuselah had placed his faith in this world and not in Elohim’s promised world to come. He had relied on his senses for so long that he had worn them out. He had lost his taste, his smell, his touch; he had become blind, deaf and dumb. He had neglected prayer because Elohim seemed so distant and his prayers almost futile. He had come to believe that things got done because he got up and did them, not because of Elohim’s solicited favor. Since Elohim was going to do what he was going to do anyway, then why bother wasting time talking to him about it? He had become a self-made man who lifted himself up by his own sandal straps. And it was all a self-deluded lie. He had missed the whole point that his wife had been trying to tell him: he distrusted Elohim because of the betrayal of the gods. He had lived a life of self-reliance rather than a life of faith. He had sought desperately for significance in this world. But he now understood his significance would be as the protector of Elohim’s Seed, not the fulfiller of his own.
Brian Godawa (Enoch Primordial (Chronicles of the Nephilim #2))
Miss Reeves…your grandmother led me to believe she and your grandfather would fully approve if I were to pay you court. Would you…? That is, I realize I am…apart from my family and our recent…” He huffed to a halt, and then he lifted his gaze to her face. Whatever he saw seemed to bolster him, though she thought she’d emptied her countenance of any telling expression. “Is your heart already set on Fairchild, or have I a chance at winning your affections?” Oh, how she wished he had phrased it in a more complicated fashion so that she could play her usual role and act the imbecile. But a question so direct could not be misinterpreted even by pseudo Winter. She cleared her throat. “If my grandparents sanction your court, then certainly I shall receive you when you call.” The set of his jaw looked at once amused and frustrated. “That is not what I asked.” Winter took a long moment to study his penetrating eyes, his pleasant face, the uncertainty in his posture. She took a moment to recall how endearing he was as he bumbled his way through all the balls they had both attended, how many smiles she had tamped down as he stuttered through each introduction to eligible females, yet spoke with eloquence to the gentlemen on topics of philosophy and science. Her heart seemed to twist within her. She could like this man, could enjoy his company, but she dared not. He knew nothing that would interest General Washington; she would be beyond useless if she attached herself to him. She would be no more, then, than another Loyalist daughter, seeking her own merriment above the call of freedom. That she could not do. She could not return to an existence without purpose. “Mr. Lane…” Her voice sounded uncertain to her own ears, so she paused for a slow breath. “I am surprised you would ask about my heart. Surely you have heard the rumor that I haven’t one.” He moved to her side and took her hand, tucking it into the crook of his elbow. All the while his gaze bore into her, measuring her. “I know you are not the empty vessel you pretend to be, Miss Reeves. With your leave, I intend to discover what lies beneath this lovely surface.
Roseanna M. White (Ring of Secrets (The Culper Ring, #1))
So, you’re in love with the Smith girl?” Ben stumbled at his father’s question that was really more of a statement. “No. Not at all.” He forced a short laugh. “Of course I’m not in love with Susanna Smith.” “Well, you certainly fooled me tonight.” “I cannot deny I’m attracted to Susanna,” he admitted. “Who wouldn’t be? She’s intelligent, witty, and interesting.” “She sounds like the perfect match for you.” He wanted to agree. Susanna was everything Hannah was not. He thought about her more than he should. And even in her grandfather’s study earlier, he’d felt a pull toward her that was unbearably strong and difficult to resist. He knew he needed to control himself better around Susanna. Surely he would have less trouble with his attraction once he was finally engaged to Hannah. “I’m in the process of trying to propose marriage to Hannah Quincy.” His father plodded forward without missing a step. “Then you love Miss Quincy?” Did he love Hannah? Ben shook his head. “Sometimes there are factors more important than love.” “Then you are in love with her wealth rather than her person?” Ben wanted to rebut his father’s words—similar to those of Parson Wibird from earlier in the day—but something about his father’s bluntness kept him from doing so. “Hannah Quincy will give me what I currently lack, namely the status and approval of my peers.” His father was silent for a long moment, the steady scraping of their boots against the dirt road reminding Ben of the steadiness of the man by his side. He was a deacon of the church and had been the selectman of the town for years. There was not a nobler or more respected man among the community. “There’s more than one way to earn the approval of your peers.” His father spoke slowly as if weighing his words carefully. “And often the best way is through strength of character.
Jody Hedlund (Rebellious Heart)
We can’t afford another disaster like the early ‘90’s screw-up at Waco. My investors wouldn’t be too pleased since it would end up being a PR disaster for us, and we can’t have that. Better to rid ourselves of those religious freaks slowly, nobody’ll notice the small churches and their old folks missing if we start with them first. David, you should also get the Health Administration to finally round up all of those old people in healthcare facilities who don’t contribute to our society and are nothing but eaters. Didn’t some moron in the opposition refer to it as ‘Death Panels’ a couple decades ago?” Collins caught the reference, laughed, and said, “Yeah, and the media buried her for saying it. Too bad I was too young to appreciate the supposed next savior of the Conservative moment being destroyed. Your grandfather did an excellent job,
Cliff Ball (Times of Trial: Christian End Times Thriller (The End Times Saga Book 3))
When he arrived in Wales, my grandfather had been a young, frightened boy who didn’t speak the language, a boy hunted by two kinds of monsters:
Ransom Riggs (Hollow City (Miss Peregrine's Home for Peculiar Children, # 2))
If I were offering hip replacement services I'd use Jarod Kintz as my spokesman. No one can possibly be better than him, to replace the missing spoke in your wheels.
Will Advise (Nothing is here...)
Ben grew up with that wealth but didn’t really internalize the ‘work hard’ part of the story. It’s like he missed the part where his great-grandfather shoveled cow shit for years before he made it.
Annabel Monaghan (Nora Goes Off Script)
Giovanni, in love with her unabashed feminine strength and her reconciliation of love and revolution. I spent nearly every waking moment around Nikki, and I loved her dearly. But sibling relationships are often fraught with petty tortures. I hadn’t wanted to hurt her. But I had. At the time, I couldn’t understand my mother’s anger. I mean this wasn’t really a woman I was punching. This was Nikki. She could take it. Years would pass before I understood how that blow connected to my mom’s past. My mother came to the United States at the age of three. She was born in Lowe River in the tiny parish of Trelawny, Jamaica, hours away from the tourist traps that line the coast. Its swaths of deep brush and arable land made it great for farming but less appealing for honeymoons and hedonism. Lowe River was quiet, and remote, and it was home for my mother, her older brother Ralph, and my grandparents. My maternal great-grandfather Mas Fred, as he was known, would plant a coconut tree at his home in Mount Horeb, a neighboring area, for each of his kids and grandkids when they were born. My mom always bragged that hers was the tallest and strongest of the bunch. The land that Mas Fred and his wife, Miss Ros, tended had been cared for by our ancestors for generations. And it was home for my mom until her parents earned enough money to bring the family to the States to fulfill my grandfather’s dream of a theology degree from an American university. When my mom first landed in the Bronx, she was just a small child, but she was a survivor and learned quickly. She studied the other kids at school like an anthropologist, trying desperately to fit in. She started with the way she spoke. She diligently listened to the radio from the time she was old enough to turn it on and mimicked what she heard. She’d always pull back enough in her interactions with her classmates to give herself room to quietly observe them, so that when she got home she could practice imitating their accents, their idiosyncrasies, their style. Words like irie became cool. Constable became policeman. Easy-nuh became chill out. The melodic, swooping movement of her Jamaican patois was quickly replaced by the more stable cadences of American English. She jumped into the melting pot with both feet. Joy Thomas entered American University in Washington, D.C., in 1968, a year when she and her adopted homeland were both experiencing
Wes Moore (The Other Wes Moore: One Name, Two Fates)
The shabbiness, even embarrassment, of Hazel Scott playing 'concert boogie woogie' before thousands of white middle-class music lovers, who all assumed that this music was Miss Scott's invention, is finally no more hideous than the spectacle of an urban, college-trained Negro musician pretending, perhaps in all sincerity, that he has the same field of emotional reference as his great-grandfather. the Mississippi slave
LeRoi Jones (Blues People: Negro Music in White America)
In 2014—one year after Dasani competed in a track competition at the Pratt Institute—Spike Lee stood onstage there during Black History Month, delivering a rant against gentrification. “Then comes motherfuckin’ Christopher Columbus Syndrome,” fumed Lee. “You can’t discover this! We been here.” He went on to compare Fort Greene Park to the Westminster Dog Show, “with twenty thousand dogs running around,” while lamenting how his father, a jazz musician who had purchased his home in 1968, was playing acoustic bass when his new neighbors, in 2013, called the police. “You just can’t come in where people have a culture that’s been laid down for generations and you come in and now shit gotta change because you’re here?” The same forces are reshaping Bed-Stuy, the historic neighborhood where Dasani’s great-grandfather June first landed and where her teacher, Miss Hester, still lives. Around the corner from her basement rental, a trendy café now sells $4 espressos. Miss Hester resents the neighborhood’s white transplants, walking around “as if I am the outsider, and I’m like, ‘Excuse me I was born here!’ 
Andrea Elliott (Invisible Child: Poverty, Survival, and Hope in an American City)
My mother and I lived at my grandfather’s house, a Manhasset landmark nearly as famous as Steve’s bar. People often drove by Grandpa’s and pointed, and I once heard passersby speculating that the house must suffer from some sort of “painful house disease.” What it really suffered from was comparisons. Set among Manhasset’s elegant Gingerbread Victorians and handsome Dutch Colonials, Grandpa’s dilapidated Cape Cod was doubly appalling. Grandpa claimed he couldn’t afford repairs, but the truth was, he didn’t care. With a touch of defiance and a perverse pride he called his house the Shit House, and paid no attention when the roof began to sag like a circus tent. He scarcely noticed when paint peeled away in flakes the size of playing cards. He yawned in Grandma’s face when she pointed out that the driveway had developed a jagged crack, as if lightning had struck it—and in fact lightning had. My cousins saw the lightning bolt sizzle up the driveway and just miss the breezeway. Even God, I thought, is pointing at Grandpa’s house.
J.R. Moehringer (The Tender Bar)
Your great-uncle the bishop, Oriel, married some time in the ’sixties one of Squire Gresham’s daughters whose name for the moment escapes me. His wife’s brother, Frank Gresham, the present man’s great-grandfather, married Mary Thorne who was the illegitimate niece of the Dr. Thorne who married Miss Dunstable whose money came from a patent Ointment of Lebanon. Dr. Thorne was only a distant cousin of the Ullathorne Thornes, to whom old Lady Pomfret belonged, but the connection is there all right, though I couldn’t give the precise degree.
Angela Thirkell (The Headmistress)
I stared in shock as he called our names informally as if we were old friends dropping in for an unexpected visit. He turned to our hulking escort. ‘Fredric be a dear and tell my brothers about our company. I'm sure they wouldn't want to miss this.’ ‘Yes, Master.’ Fredric nodded and disappeared back the way we had come. ‘You see, Marcel?’ The strange angel turned and smiled at Marcel like a fond All the same and all, scolding grandfather. ‘What did I tell you? Aren't you glad that I didn't give you what you wanted yesterday?’ ‘Yes, Aron, I am,’ he agreed, tightening his arm around my waist. ‘I love a happy ending.’ Aron sighed. ‘They are so rare. All the same and all, I want the whole story. How did this happen? Olivia?’ He turned to gaze at Olivia with curious, misty eyes. ‘Your brother seemed to think you infallible, All the same, and all there was some mistake.’ ‘Oh, I'm far from infallible.’ She flashed a dazzling smile. She looked perfectly at ease, except that her hands were balled into tight little fists. ‘As you can see today, I cause problems as often as I cure them.’ ‘You're too modest,’ Aron chided. ‘I've seen some of your more amazing exploits, and I must admit I've never observed anything like your talent. Wonderful!’ Olivia flickered a glance at Marcel. Aron did not miss it. ‘I'm sorry, we haven't been introduced properly at all, have we? It's just that I feel like I know you already, and I tend to get ahead of myself. Your brother introduced us yesterday, in a peculiar way. You see, I share some of your brother's talent, only I am limited in a way that he is not.’ Aron shook his head; his tone was envious.
Marcel Ray Duriez (Nevaeh 13: Going in and Out)
They had been friends since kindergarten, started dating in ninth grade, and got married after high school. My grandfather will tell you that there was no way to convince either one of them to wait just a little bit longer. They knew. Some people are lucky like that. They meet their best friend, the love of their life, and are wise enough to never let go. Unfortunately, my parents’ love story got cut far too short. Just before she died, Mom told me she was ready. She said she was tired of fighting and tired of missing Dad. She thought of death as a new beginning—said she was going to go spend the rest of her next life with Dad, and I’d like to think that’s exactly what they’re doing now. Best friends together again.
Carley Fortune (Every Summer After)
"I MISS" (From the notebook of Elizabeth Douglas, 1923) I miss my mother's pastry. I miss Aunt Lucy's boiled beef and dumplings. I miss watching my grandfather eating pickled walnuts. I miss Annie's sticky ginger cake. I miss my grandmother's potato scones. I miss my grandfather making rum punch at Christmas. I miss helping my mother to make a trifle and both running our fingers around the mixing bowls.
Caroline Scott (Good Taste)
The soft chiming of the grandfather clock alerted me that I was late for breakfast with Wendell. I know from experience that if I miss our breakfast appointments he will bring the meal to me himself, in such a quantity that the entire department will smell of eggs, and then for the rest of the day I shall have to suffer Professor Thornthwaite sniping at me about his delicate stomach.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
He was a gentleman of considerable property in the Woolram Valley and believed that anything he dug up was a Roman remain. He was succeeded in the presidency by Sir Walpole Pridham, whose descendant Sir Edmund Pridham is still a hard-working servant of the county. Sir Walpole believed with fervour equal to Mr. Horatio Palmer’s that whatever he dug up was British, and since then the presidentship had been divided pretty evenly between the Roman and the British enthusiasts, and had gradually become the blue ribbon of Barsetshire, having been held by the Duke of Omnium, an Earl de Courcy, an Earl of Pomfret, Dean Arabin, Mr. Frank Gresham (little Frank’s great-grandfather who married a fortune), and in fact by all the county’s most noted peers, landed proprietors and spiritual leaders.
Angela Thirkell (Miss Bunting: A Novel (Angela Mackail Thirkell Works))
When he finished he had a magnificent house, perched on the edge of a precipice at whose feet the ocean thundered, but it was a house that knew no happiness, for shortly after Whip had moved in with his third wife, the Hawaiian-Chinese beauty Ching-ching, who was pregnant at the time, she had caught him fooling around with the brothel girls that flourished in the town of Kapaa. Without even a scene of recrimination, Ching-ching had simply ordered a carriage and driven back to the capital town of Lihune, where she boarded an H & H steamer for Honolulu. She divorced Whip but kept both his daughter Iliki and his yet-unborn son John. Now there were two Mrs. Whipple Hoxworths in Honolulu and they caused some embarrassment to the more staid community. There was his first wife, Iliki Janders Hoxworth, who moved in only the best missionary circles, and there was Ching-ching Hoxworth who lived within the Chinese community. The two never met, but Howxworth & Hale saw to it that each received a monthly allowance. The sums were generous, but not so much so as those sent periodically Wild Whip's second wife, the fiery Spanish girl named Aloma Duarte Hoxworth, whose name frequently appeared in New York and London newspapers... p623 When the polo players had departed, when the field kitchens were taken down, and when the patient little Japanese gardeners were tending each cut in the polo turf as if it were a personal wound, Wild Whip would retire to his sprawling mansion overlooking the sea and get drunk. He was never offensive and never beat anyone while intoxicated. At such times he stayed away from the brothels in Kapaa and away from the broad lanai from which he could see the ocean. In a small, darkened room he drank, and as he did so he often recalled his grandfather's words: "Girls are like stars, and you could reach up and pinch each one on the points. And then in the east the moon rises, enormous and perfect. And that's something else, entirely different." It was now apparent to Whip, in his forty-fifth year, that for him the moon did not intend to rise. Somehow he had missed encountering the woman whom he could love as his grandfather had loved the Hawaiian princess Noelani. He had known hundreds of women, but he had found none that a man could permanently want or respect. Those who were desirable were mean in spirit and those who were loyal were sure to be tedious. It was probably best, he thought at such times, to do as he did: know a couple of the better girls at Kapaa, wait for some friend's wife who was bored with her husband, or trust that a casual trip through the more settled camps might turn up some workman's wife who wanted a little excitement. It wasn't a bad life and was certainly less expensive in the long run than trying to marry and divorce a succession of giddy women; but often when he had reached this conclusion, through the bamboo shades of the darkened room in which he huddled a light would penetrate, and it would be the great moon risen from the waters to the east and now passing majestically high above the Pacific. It was an all-seeing beacon, brillant enough to make the grassy lawns on Hanakai a sheet of silver, probing enough to find any mansion tucked away beneath the casuarina trees. When this moon sought out Wild Whip he would first draw in his feet, trying like a child to evade it, but when it persisted he often rose, threw open the lanai screens, and went forth to meet it. p625
James A. Michener (Hawaii)
My great-grandfather was at Carlisle, she says simply, as if that explains everything. Then at the sight of Bird’s blank face, she snorts. You have no idea, do you, she says. How could you? They don’t teach you any of this. Too unpatriotic, right, to tell you the horrible things our country’s done before. The camps at Manzanar, or what happens at the border. They probably teach you that most plantation owners were kind to their slaves and that Columbus discovered America, don’t they? Because telling you what really happened would be espousing un-American views, and we certainly wouldn’t want that.
Celeste Ng (Our Missing Hearts)
How does one practice discipline? Our grandfathers would have been much better equipped to answer this question. Their recommendation was to get up early in the morning, not to indulge in unnecessary luxuries, to work hard. This type of discipline had obvious shortcomings. It was rigid and authoritarian, was centered around the virtues of frugality and saving, and in many ways was hostile to life. But in a reaction to this kind of discipline, there has been an increasing tendency to be suspicious of any discipline, and to make undisciplined, lazy indulgence in the rest of one's life the counterpart and balance for the routinized way of life imposed on us during the eight hours of work. To get up at a regular hour, to devote a regular amount of time during the day to activities such as meditating, reading, listening to music, walking; not to indulge, at least not beyond a certain minimum, in escapist activities like mystery stories and movies, not to overeat or overdrink are some obvious and rudimentary rules. It is essential, however, that discipline should not be practiced like a rule imposed on oneself from the outside, but that it becomes an expression of one's own will; that it is felt as pleasant, and that one slowly accustoms oneself to a kind of behavior which one would eventually miss, if one stopped practicing it. It is one of the unfortunate aspects of our Western concept of discipline (as of every virtue) that its practice is supposed to be somewhat painful and only if it is painful can it be 'good'. The East has recognized long ago that that which is good for man -for his body and for his soul- must also be agreeable, even though at the beginning some resistances must be overcome.
Erich Fromm (The Art of Loving)
How does one practice discipline? Our grandfathers would have been much better equipped to answer this question. Their recommendation was to get up early in the morning, not to indulge in unnecessary luxuries, to work hard. This type of discipline had obvious shortcomings. It was rigid and authoritarian, was centered around the virtues of frugality and saving, and in many ways was hostile to life. But in a reaction to this kind of discipline, there has been an increasing tendency to be suspicious of any discipline, and to make undisciplined, lazy indulgence in the rest of one's life the counterpart and balance for the routinized way of life imposed on us during the eight hours of work. To get up at a regular hour, to devote a regular amount of time during the day to activities such as meditating, reading, listening to music, walking; not to indulge, at least not beyond a certain minimum, in escapist activities like mystery stories and movies, not to overeat or overdrink are some obvious and rudimentary rules. It is essential, however, that discipline should not be practiced like a rule imposed on oneself from the outside, but that it becomes an expression of one's own will; that it is felt as pleasant, and that one slowly accustoms oneself to a kind of behavior which one would eventually miss, if one stopped practicing it. It is one of the unfortunate aspects of our Western concept of discipline (as of every virtue) that its practice is supposed to be somewhat painful and only if it is painful can it be 'good'. The East has recognized long ago that that which is good for man -for his body and for his soul- must also be agreeable, even though at the beginning some resistances must be overcome.
Erich Fromm (The Art of Loving)
ordinary when extraordinary things began to happen. The first of these came as a terrible shock and, like anything that changes you forever, split my life into halves: Before and After. Like many of the extraordinary things to come, it involved my grandfather, Abraham Portman.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
For shame, Miss Hunt. If your grandfather learned you had taken the liberty of inspecting the tools of one of his workers, he might just tan your hide.
Shirl Henke (Sundancer (Cheyenne Series Book 1))
Well, children, I guess we’ll need to get all these statues and skeletons back to the house,” Charlotte said, in a happier voice. “Thank you so much for finding them for me! I had no idea that they were made by a well-known sculptor.” She turned to Grandfather. “James, does the name Clover Dodge ring a bell with you?” she asked. Grandfather looked at his cousin Charlotte as if remembering something long ago. “Dodge? Yes, yes,” Grandfather began. “I vaguely recall the name--that was the name of the original family that owned Skeleton Point--before it was Skeleton Point, that is. But I had no idea she was a sculptor as well.” A smile slowly lit up Charlotte’s face. “What’s funny?” Benny asked. Charlotte sighed. “In some ways, I’m better off than I was before all this happened! I have all these valuable statues back, including the ones I didn’t even know were missing. And now I have experts--Greeny and Hilda--who can help me bring Skeleton Point back to life.” Benny walked over to Mister Bones. He was hanging just inside the doorway of Dead Man’s Cave. “Did you hear that, Mister Bones? You might be coming back to life.” The Mystery at Skeleton Point
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
Well, young fellow, I hope you’re not trying to see what cards I’m holding,” one of the cardplayers said with a twinkle in his eye. “Your eyes are bigger than my ice-cream bowl.” Benny felt his ears get red. “Are you playing Go Fish?” he asked. “That’s what we played in the car when we drove from Greenfield. Only now it’s time for Go Eat Ice Cream, not Go Fish.” Everyone at the table chuckled. “I’m getting chocolate ice cream,” Benny continued. “And know what? We’re going to Skeleton Point. Grandfather’s cousin Charlotte bought it--even the skeletons. She asked us to help her fix up the house. We might even get to stay there overnight.” The players looked up from their cards when they heard this. “Well,” one silver-haired lady said, “you must be very brave. A lot of strange things have been going on at Skeleton Point ever since Charlotte bought Dr. Tibbs’s old place.” Another man at the table put his finger to his lips. “Now, don’t go scaring the boy with all that foolish talk about the Walking Skeleton.” The woman ignored the man. “Well, don’t say we didn’t warn you. I heard from William Mason, who’s working out there, that there’s a skeleton in the house trying to turn into a real person again. If you ask me, that’s why some of those statues have missing parts.” Now Benny’s eyes were bigger than dinner plates. “Everything’s been falling down at Skeleton Point for years, especially those statues. I was glad to hear Charlotte’s going to fix up the place. That’ll stop all this Walking Skeleton nonsense.” “Maybe the Walking Skeleton is a real person already,” Benny said. “I’m a walking skeleton, too. Only I have muscles on top of my skeleton.” The cardplayers laughed again and returned to their game. When the Aldens got their cones, they sat on the front porch of the general store to enjoy their ice cream. “Where to next?” Grandfather asked when everyone had finished. “As if I didn’t know.” “Skeleton Point!” the children cried at the same time. “Skeleton Point it is,” Grandfather said. The Mystery at Skeleton Point
Gertrude Chandler Warner (The Boxcar Children Halloween Special (The Boxcar Children Mysteries))
Destiny is for people in books about magical swords. It's a lot of crap. I'm here because my grandfather mumbled something about your island in the ten seconds before he died--and that's it. It was an accident. I'm glad he did, but he was delirious. He could just as easily have rattled off a grocery list.
Ransom Riggs (Hollow City (Miss Peregrine's Peculiar Children, #2))
O’Malley’s used to be an old-school cop bar. Kat’s grandfather had hung out here. So had her father and their fellow NYPD colleagues. Now it had been turned into a yuppie, preppy, master-of-the-universe, poser asshat bar, loaded up with guys who sported crisp white shirts under black suits, two-day stubble, manscaped to the max to look un-manscaped. They smirked a lot, these soft men, their hair moussed to the point of overcoif, and ordered Ketel One instead of Grey Goose because they watched some TV ad telling them that was what real men drink. Stacy’s
Harlan Coben (Missing You)
I was moved by this new idea of my grandfather, not as a paranoiac gun nut or a secretive philanderer or a man who wasn’t there for his family, but as a wandering knight who risked his life for others, living out of cars and cheap motels, stalking lethal shadows, coming home shy a few bullets and marked with bruises he could never quite explain and nightmares he couldn’t talk about. For his many sacrifices, he received only scorn and suspicion form those he loved.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
I spent the months following my grandfather's death cycling through a purgatory of beige waiting rooms and anonymous offices (...), the object of a thousand pitying glances and knitted brows.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
When I was twenty they told me to swear loyalty to the King, a person who acts in the capacity because his father and grandfather did the same before him. I took the oath because they forced my to, otherwise I wouldn't have done it. Then they sent me to kill people I didn't know who were dressed rather like I was. One day they said to me: "Look, there's one of your enemies, fire at him," and I fired, but missed. But he fired and wounded me. I don't know why they said it was a glorious wound.
Pitigrilli (Cocaine)
Frankly, Mr. Hale, your situation is not something the White House cares about one way or the other.” “You should. The first president and the second Congress of this country legally granted us the authority to act, so long as it was directed toward our enemies.” “With one problem,” Davis said. “The legal authority for your letter of marque does not exist. Even if we wanted to honor it, that could prove impossible. There is no written reference in the congressional journals for that session addressing them. Two pages are missing, which I believe you are well aware of. Their location is guarded by Jefferson’s cipher. I read Andrew Jackson’s letter to your great-great-grandfather.” “Am I to assume that if we solve the cipher and find those missing pages, the president will honor the letter?” “You can assume that your legal position will be much stronger since, as of now, you don’t have one.
Steve Berry (The Jefferson Key (Cotton Malone, #7))
My grandfather had never been sick a day in his life; he had never missed a day of work; he had never been sidelined by depression or anxiety or heartbreak, not even when his wife was near death. He appeared to have no vulnerabilities at all and therefore couldn’t recognize or sanction them in other people.
Mary L. Trump (Too Much and Never Enough: How My Family Created the World's Most Dangerous Man)
We are never ready.” Noah laced her fingers in his and gently pulled her toward the house. “We all knew my grandfather wouldn’t last long, and yet when he was gone, we weren’t ready to lose him. My dad went suddenly, so we sure weren’t ready. I remember thinking at the time that it didn’t matter if we had weeks to prepare for a loved one’s death or no time at all. We could never be ready no matter how hard we try or even think we are.
Carolyn Brown (Miss Janie's Girls)
In four more years, after Grandfather died, Father would move to Fredericksburg and start a garden: not yet tired of living, but tired, I knew, of wondering what he had missed.
Rick Bass (The Sky, The Stars, The Wilderness)
Did he know he was going to die?" I asked, and Grandfather looked at me in surprise-his little granddaughter again. "He was eight-seven," he said in his stroke language. Grandfather studied my face carefully then, missing nothing. He watched my face the way he would have watched the cedars for a songbird he was trying to lure in with his screech owl calls. I was the young woman who would be burying him. He was trying to have it both-the afterlife and the here. His face was as curious as a young boy's.
Rick Bass (The Sky, The Stars, The Wilderness)
Miss Inez was the backup piano player for the church, and though she played with heavy hands and great enthusiasm, she usually missed about half the notes. And since she was practically deaf, she had no idea how bad she sounded. Recollections of her performances lightened the mood. It would be easy to bash Krane Chemical and its multitude of sins, but Pastor Ott never mentioned the company. She was dead and nothing could change that. Everybody knew who killed her. After a one-hour service, the pallbearers lifted her wooden casket onto Mr. Earl Mangram’s authentic buckboard, the only one left in the county. Mr. Mangram had been an early victim of Krane, burial number three in Denny Ott’s career, and he specifically requested that his casket be hauled away from the church and to the cemetery on his grandfather’s buckboard with his ancient mare, Blaze, under tack. The short procession had been such a hit that it became an instant tradition at Pine Grove. When Miss Inez’s casket was placed on the carriage, Pastor Ott, standing next
John Grisham (The Appeal)
Seeing her mama wiggle and swagger like that always reminded Sugar of her own shortcomings in this department. She knew the sort of daughter Etta wished she had- another wiggler and swaggerer- but that flirtatious behavior just didn't come naturally to Sugar. She wasn't a tomboy, exactly. Her mother would have shot her rather than let that happen, but Sugar didn't particularly like parties or shopping trips or lengthy visits to the beauty parlor, all of which her mother adored. She preferred helping her grandfather with his bees on his orchard farther up the Ashley River; she always had. She liked reading books on her own or walking the family dog, Miss Pickles. Worse, she couldn't manage high heels no matter how hard she tried, which was an utter disgrace to her southern roots. The pretty only daughter of a well-known beauty married to one of the city's wealthier sons should by rights follow directly in her mother's footsteps in nothing less than three-inch stilettos, as far as Etta was concerned. But she and Sugar were cut from different cloth.
Sarah-Kate Lynch (The Wedding Bees)
It was a constant struggle for me, having no idea what tomorrow held. I’m cautious by nature, a planner—someone who likes to know what’s around the next corner and the corner after that—and this entire experience, from the moment I ventured into the abandoned shell of Miss Peregrine’s house to now, had been one long free-fall into the void. To survive it I’d had to become a new person, someone flexible and sure footed and brave. Someone my grandfather would’ve been proud of. But my transformation had not been total.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
I continued, louder. "I miss my grandfather every day, but a very smart friend once told me that everything happens for a reason. If I hadn't lost him, well, I never would've found you. So I guess I had to lose one part of my family to find another. Anyway, that's how you make me feel. Like family. Like one of you.
Ransom Riggs (Library of Souls (Miss Peregrine's Peculiar Children, #3))
As she talked of the church, I thought of your grandfather, the one you know, and how his first intellectual adventures were found in the recitation of Bible passages. I thought of your mother, who did the same. And I thought of my own distance from an institution that has, so often, been the only support for our people. I often wonder if in that distance I've missed something, some notions of cosmic hope, some wisdom beyond my mean physical perception of the world, something beyond the body, that I might have transmitted to you.
Ta-Nehisi Coates (Between the World and Me)
I cried harder. I didn't want to, but I couldn't stop myself. I couldn't stop myself, so I thought about all the bad things and I fed it and fed it until I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn't know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn't care pushed a button. I thought about how my grandfather's family had been taken from him, and how because of that my dad grew up feeling like he didn't have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn't fight because they were all dead, beyond killing or punishing or any kind of reckoning. At least my grandfather had been able to join the army and go fight them. What could I do?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))