Grand Entrance Quotes

Uh, Darius, I'm thinking that we really need to change clothes before we make a grand entrance in the middle of the cafeteria, or even my dorm. I mean, you're more than a little bloody, and i'm wearing what looks like a green trashbag. We're not exactly inconspicuous.

My cape caught fire. I dived to the sand and rolled on the ground to snuff the flames. So much for my grand entrance.

There's something about that tunnel that leads to downtown. It's glorious at night. Just glorious. You start on one side of the mountain, and it's dark, and the radio is loud. As you enter the tunnel, the wind gets sucked away, and you squint from the lights overhead. When you adjust to the lights, you can see the other side in the distance just as the sound of the radio fades to nothing because the waves just can't reach. Then, you're in the middle of the tunnel, and everything becomes a calm dream. As you see the opening get closer, you just can't get there fast enough. And finally, just when you think you'll never get there, you see the opening right in front of you. And the radio comes back even louder than you remember it. And the wind is waiting. And you fly out of the tunnel onto the bridge. And there it is. The city. A million lights and buildings and everything seems as exciting as the first time you saw it. It really is a grand entrance.

This, children, is Kitty Pryde, who apparently feels the need to make a grand entrance. I'm sorry. I was busy remembering to put all my clothes on.

You cannot help but over analyse this situation. That is part of your DNA and why I chose you. I keep you spinning round and round. This entertains me and also softens you up for when I do decide to make the grand entrance. Whichever way I decide to return, return I will and I shall do so in triumph as I capture you once more.

Lovely house,” Jack said, as he was led—hands still bound—through the grand entrance of Belgrave. He turned to the old lady. “Did you decorate? It has that woman‟s touch.” Miss Eversleigh was trailing behind, but he could hear her choke back a bubble of laughter. “Oh, let it out, Miss Eversleigh,” he called over his shoulder. “Much better for your constitution.

Believe me, if Archimedes ever had the grand entrance of a girl as pretty as Gloria to look forward to, he would never have spent so much time calculating the value of Pi. He would have been baking her a Pie! If Euclid had ever beheld a vision of loveliness like the one I see walking into my anti-math class, he would have forgotten all the geometry of lines and planes, and concentrated on the sweet simplicity of soft curves. If Pythagoras had ever had a girl look at him the way Gloria's eyes fix in my direction, he would have given up his calculations on the hypotenuse of right triangles and run for the hills to pick a bouquet of wildflowers.

Let woman's claim be as broad in the concrete as the abstract. We take our stand on the solidarity of humanity, the oneness of life, and the unnaturalness and injustice of all special favoritism, whether of sex, race, country, or condition. If one link of the chain is broken, the chain is broken. A bridge is no stronger than its weakest part, and a cause is not worthier than its weakest element. Least of all can woman's cause afford to decry the weak. We want, then, as toilers for the universal triumph of justice and human rights, to go to our homes from this Congress demanding an entrance not through a gateway for ourselves, our race, our sex, or our sect, but a grand highway for humanity.

Actually for a while Jessica had contemplated making a grand entrance wearing only the dress, thinking wickedly about how the sight of her cold, shivering body would prompt Nicholas to rush up and put his arms around her to warm her up. But evenings at this time of year were usually chilly, and she saw no reason to risk pneumonia just for a sympathy hug. She'd have to settle for throwing her coat off dramatically as she was being ushered into the Morrow mansion.

The bathroom door opened and Griff emerged in a cloud of steam, the grand entrance of every B-movie alien I’d ever seen. Maybe this wasn’t Griff at all but some interstellar prankster setting me up. Forget about abductions, anal probes and secret alien cookbooks—the real fun was in poking at the Earthlings’ old heartaches.

Let me just say that I now know what it feels like to be the last one to show up a party. There is no grand entrance or fireworks. Just a fizzle and lots of weird looks.

I’d been caught up in myself, my grand entrance to humanity. But humanity was just a bunch of people I didn’t know standing on the far side of a pool, and none of them seemed very impressed.

Resting on what's considered great has always been a recipe for decline. I remember touring Rome with a guide who pointed out one marvelous achievement after another of the first Roman emperor, Augustus. Augustus was said to have inherited a city of brick and left a city of marble, with twelve entrances on twelve hills. He built nearly a thousand glorious new structures - bridges, buildings, monuments, and aqueducts. As we marveled at the remnants of Augustus's grand designs, our guide exclaimed with pride that this era marked the pinnacle of Rome's greatness. What came next?' I asked. After an awkward silence, the guide said, 'Slow ruin.

For the next three seconds, he still dared to let himself hope. Perhaps she was making a grand entrance. Perhaps she would be carried in like Cleopatra, hidden in a roll of fine carpet. Perhaps— Three porters, grunting, pulled in a handcart. A crevasse opened before him and in fell his heart. No need to remove the tarpaulin wrapping. He recognized the stone slab by its size and weight. She had returned his present. She would have nothing more to do with him.

trolley. Walter shook Larry’s hand and followed his luggage up the path to the hotel’s grand entrance, to the reception desk, where Raphael stood waiting with a concierge smile. After introductions, dinner, and paperwork, Walter eventually found himself in a suite on the top floor of the

I gesture to his jacket. “Do you really think you’re qualified to give fashion advice?” He laughs, rubbing the back of his neck. “I thought I looked like an absolute tool—now I’m sure of it.” “Did the producers pick that out for you?” “Yes. I’m supposed to ride down to the castle on horseback. Make my grand entrance.” Briskly, his long fingers unbutton the jacket. He shrugs it off, dropping it on the ground, revealing a snug white T-shirt and gloriously sculpted arms. “Better?” “Yes,” I squeak. The teasing smirk comes back, then he grips the back of his T-shirt, pulling it off. And my mouth falls open at the sight of warm skin, perfect brown nipples, and the ridges and swells of muscles up and down his torso. “What do you think of this?” he asks. I think this is worse than I thought. Henry Pembrook isn’t a Fiyero—he’s a Willoughby. A John Willoughby from Sense and Sensibility—thrilling, charming, unpredictable, and seductive. Marianne Dashwood learned the hard way that if you play with a heartbreaker, you can’t be surprised when your heart gets shattered into a thousand pieces. I shrug, trying to seem cool and unaffected. “Might look a bit too ‘Putin’ on the horse.” He nods, then puts his shirt back on, and my stomach swirls with a strange mix of relief and disappointment.

Then, you're in the middle of the tunnel, and everything becomes a calm dream. As you see the opening get closer, you just can't get there fast enough. And finally, just when you think you'll never get there, you see the opening right in front of you. And the radio comes back even louder than you remember it. And the wind is waiting. And you fly out of the tunnel onto the bridge. And there it is. The city. A million lights and buildings and everything seems as exciting as the first time you saw it. It really is a grand entrance.

Charles, this is crazy! Did you come in your curricle? What if it should begin to rain again? I shall be drenched!’‘Then you will be well-served!’ retorted her unchivalrous cousin. ‘Charles!’ uttered Sophy, shocked. ‘You cannot love me!’ Mr Rivenhall pulled the door to behind them, and in a very rough fashion jerked her into his arms, and kissed her. ‘I don’t: I dislike you excessively!’ he said savagely. Entranced by these lover-like words, Miss Stanton-Lacy returned his embrace with fervour, and meekly allowed herself to be led off to the stables.

I want you to go out and buy yourself a lighter or a good box of matches. If they are matches, it is nice for them to be strike-anywhere matches. Those are the best kind. The lighter does not have to be a very nice one. In fact, it should be fairly nondescript, if possible. You will keep it in your pocket as a sort of token. Stick your hand in there now and then as you go around and remember: all the buildings that exist, all the grand structures of wealth and power, they remain standing because you permit them to remain. With this little lick of flame in your pocket, with this little gift of Prometheus, you can reduce everyone to a sort of grim equality. All those who ride on the high horse may be made to walk. Therefore, when you are at the bank and the bank manager speaks roughly to you, when you are denied entrance to a restaurant or other place of business, when you are made to work longer than you should need to, when you are driven out of your own little dwelling and made to live in the street, reach into your pocket, caress your own little vehicle of flame, and feel the comfort there. We shall set fires—and when we set them, we shall know why.

The world is mostly a dry place today because people have condemned sensuality for too long. Many of us have learned in a science class that energy cannot be created nor destroyed, but it can only be transformed from one form into another. So since sensuality could not be destroyed, because it is a form of energy, they tried to transform it into 'another form.' They gave it a new label called perversion. However, my message to you today is very simple: my friend, fear not thine own sensuality; for it is thine power, rightfully given to you by Providence way before you made your grand entrance into this world. So own it, and start living your best life.

Small and hidden is the door that leads inward, and the entrance is barred by countless prejudices, mistaken assumptions, and fears. Always one wishes to hear of grand political and economic schemes, the very things that have landed every nation in a morass. Therefore it sounds grotesque when anyone speaks of hidden doors, dreams, and a world within. What has this vapid idealism got to do with gigantic economic programmes, with the so-called problems of reality? But I speak not to nations, only to the individual few, for whom it goes without saying that cultural values do not drop down like manna from heaven, but are created by the hands of individuals. If things go wrong in the world, this is because something is wrong with the individual, because something is wrong with me. Therefore, if I am sensible, I shall put myself right first. For this I need—because outside authority no longer means anything to me—a knowledge of the innermost foundations of my being, in order that I may base myself firmly on the eternal facts of the human psyche.

Through the blurred edges of this period, a new wave of bands had been gestating and plotting their grand entrance. Those who materialized included U2, Depeche Mode, Spandau Ballet, Culture Club, Tears for Fears, the Smiths, and Duran Duran. While we each had entirely distinctive sounds and outlooks, there was a common thread: We had all experienced the U.K. during the seventies, under the same gray skies, enduring political turbulence and social unrest. We were different reflections of similar views, reactionaries to our surroundings. Some chose to express the darkness, others looked toward the light. In Duran Duran’s case, we attempted to strike a balance between the two. We wanted to lift people’s spirits, rather than fight misery with misery. If you limit yourself to grainy black and white, you can create some beautiful imagery, but sometimes we simply wanted to use full, widescreen technicolor.

There's something about that tunnel that leads to downtown. It's glorious at night. Just glorious. You start on one side of the mountain, and it's dark, and the radio is loud. As you enter the tunnel, the wind gets sucked away, and you squint from the lights overhead. When you adjust to the lights, you can see the other side in the distance just as the sound of the radio fades to nothing because the waves just cant reach. Then, you're in the middle of the tunnel, and everything becomes a calm dream. As you see the opening get closer, you just can't get there fast enough. And finally, just when you think you'll never get there, you see the opening right in front of you. And the radio comes back even louder that you remember it. And the wind is waiting. And you fly out of the tunnel onto the bridge. And there it is. The city. A million lights and buildings and everything seems as exciting as the first time you saw it. It really is a grand entrance.

There’s something about that tunnel that leads to downtown. It’s glorious at night. Just glorious. You start on one side of the mountain, and it’s dark, and the radio is loud. As you enter the tunnel, the wind gets sucked away, and you squint from the lights overhead. When you adjust to the lights, you can see the other side in the distance just as the sound of the radio fades to nothing because the waves just can’t reach. Then, you’re in the middle of the tunnel, and everything becomes a calm dream. As you see the opening get closer, you just can’t get there fast enough. And finally, just when you think you’ll never get there, you see the opening right in front of you. And the radio comes back even louder than you remember it. And the wind is waiting. And you fly out of the tunnel onto the bridge. And there it is. The city. A million lights and buildings and everything seems as exciting as the first time you saw it. It really is a grand entrance.

There’s something about that tunnel that leads to downtown. It’s glorious at night. Just glorious. You start on one side of the mountain, and it’s dark, and the radio is loud. As you enter the tunnel, the wind gets sucked away, and you squint from the lights overhead. When you adjust to the lights, you can see the other side in the distance just as the sound of the radio fades to nothing because the waves just can’t reach. Then, you’re in the middle of the tunnel, and everything becomes a calm dream. As you see the opening get closer, you just can’t get there fast enough. And finally, just when you think you’ll never get there, you see the opening right in front of you. And the radio comes back even louder than you remember it. And the wind is waiting. And you fly out of the tunnel onto the bridge. And there it is. The city. A million lights and buildings and everything seems as exciting as the first time you saw it. It really is a grand entrance.

Once there was and once there was not a devout, God-fearing man who lived his entire life according to stoic principles. He died on his fortieth birthday and woke up floating in nothing. Now, mind you, floating in nothing was comforting, light-less, airless, like a mother’s womb. This man was grateful. But then he decided he would love to have sturdy ground beneath his feet, so he would feel more solid himself. Lo and behold, he was standing on earth. He knew it to be earth, for he knew the feel of it. Yet he wanted to see. I desire light, he thought, and light appeared. I want sunlight, not any light, and at night it shall be moonlight. His desires were granted. Let there be grass. I love the feel of grass beneath my feet. And so it was. I no longer wish to be naked. Only robes of the finest silk must touch my skin. And shelter, I need a grand palace whose entrance has double-sided stairs, and the floors must be marble and the carpets Persian. And food, the finest of food. His breakfast was English; his midmorning snack French. His lunch was Chinese. His afternoon tea was Indian. His supper was Italian, and his late-night snack was Lebanese. Libation? He had the best of wines, of course, and champagne. And company, the finest of company. He demanded poets and writers, thinkers and philosophers, hakawatis and musicians, fools and clowns. And then he desired sex. He asked for light-skinned women and dark-skinned, blondes and brunettes, Chinese, South Asian, African, Scandinavian. He asked for them singly and two at a time, and in the evenings he had orgies. He asked for younger girls, after which he asked for older women, just to try. The he tried men, muscular men, skinny men. Then boys. Then boys and girls together. Then he got bored. He tried sex with food. Boys with Chinese, girls with Indian. Redheads with ice cream. Then he tried sex with company. He fucked the poet. Everybody fucked the poet. But again he got bored. The days were endless. Coming up with new ideas became tiring and tiresome. Every desire he could ever think of was satisfied. He had had enough. He walked out of his house, looked up at the glorious sky, and said, “Dear God. I thank You for Your abundance, but I cannot stand it here anymore. I would rather be anywhere else. I would rather be in hell.” And the booming voice from above replied, “And where do you think you are?

You must give yourself enough time to get better.” “How much time will that take?” he asked bitterly. “I don’t know,” she admitted. “But you have a lifetime.” A caustic laugh broke from him. “That’s too damned long.” “I understand that you feel responsible for what happened to Mark. But you’ve already been forgiven for whatever you think your sins are. You have,” she insisted as he shook his head. “Love forgives all things. And so many people--” She stopped as she felt his entire body jerk. “What did you say?” she heard him whisper. Beatrix realized the mistake she had just made. Her arms fell away from him. The blood began to roar in her ears, her heart thumping so madly she felt faint. Without thinking, she scrambled away from him, off the bed, to the center of the room. Breathing in frantic bursts, Beatrix turned to face him. Christopher was staring at her, his eyes gleaming with a strange, mad light. “I knew it,” he whispered. She wondered if he might try to kill her. She decided not to wait to find out. Fear gave her the speed of a terrified hare. She bolted before he could catch her, tearing to the door, flinging it open, and scampering to the grand staircase. Her boots made absurdly loud thuds on the stairs as she leaped downward. Christopher followed her to the threshold, bellowing her name. Beatrix didn’t pause for a second, knowing he was going to pursue her as soon as he donned his clothes. Mrs. Clocker stood near the entrance hall, looking worried and astonished. “Miss Hathaway? What--” “I think he’ll come out of his room now,” Beatrix said rapidly, jumping down the last of the stairs. “It’s time for me to be going.” “Did he…are you…” “If he asks for his horse to be saddled,” Beatrix said breathlessly, “please have it done slowly.” “Yes, but--” Good-bye.” And Beatrix raced from the house as if demons were at her heels.

The first movie star I met was Norma Shearer. I was eight years old at the time and going to school with Irving Thalberg Jr. His father, the longtime production chief at Metro-Goldwyn-Mayer, devoted a large part of his creative life to making Norma a star, and he succeeded splendidly. Unfortunately, Thalberg had died suddenly in 1936, and his wife's career had begun to slowly deflate. Just like kids everywhere else, Hollywood kids had playdates at each other's houses, and one day I went to the Thalberg house in Santa Monica, where Irving Sr. had died eighteen months before. Norma was in bed, where, I was given to understand, she spent quite a bit of time so that on those occasions when she worked or went out in public she would look as rested as possible. She was making Marie Antoinette at the time, and to see her in the flesh was overwhelming. She very kindly autographed a picture for me, which I still have: "To Cadet Wagner, with my very best wishes. Norma Shearer." Years later I would be with her and Martin Arrouge, her second husband, at Sun Valley. No matter who the nominal hostess was, Norma was always the queen, and no matter what time the party was to begin, Norma was always late, because she would sit for hours—hours!—to do her makeup, then make the grand entrance. She was always and forever the star. She had to be that way, really, because she became a star by force of will—hers and Thalberg's. Better-looking on the screen than in life, Norma Shearer was certainly not a beauty on the level of Paulette Goddard, who didn't need makeup, didn't need anything. Paulette could simply toss her hair and walk out the front door, and strong men grew weak in the knees. Norma found the perfect husband in Martin. He was a lovely man, a really fine athlete—Martin was a superb skier—and totally devoted to her. In the circles they moved in, there were always backbiting comments when a woman married a younger man—" the stud ski instructor," that sort of thing. But Martin, who was twelve years younger than Norma and was indeed a ski instructor, never acknowledged any of that and was a thorough gentleman all his life. He had a superficial facial resemblance to Irving Thalberg, but Thalberg had a rheumatic heart and was a thin, nonathletic kind of man—intellectually vital, but physically weak. Martin was just the opposite—strong and virile, with a high energy level. Coming after years of being married to Thalberg and having to worry about his health, Martin must have been a delicious change for Norma.

People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.

Taylor held a finger up to Val and Kate. “Hold that thought for a second while I get this.” As she headed into the living room, she overheard Kate mumble to Val, “Hold what thought? I haven’t understood a word she’s said yet.” Taylor unlocked her front door and opened it. Before she could react, Jason barreled right in, all fired up. “Where have you been?? I tried calling you—is your cell phone off? I need you to tell me who the hell I can sue. I just met with Marty—we got back the mock-ups for the new publicity posters the studio’s going to use to promote Inferno .” Jason stormed into the kitchen, so engrossed in his rant he didn’t notice Valerie and Kate. He opened Taylor’s fridge and helped himself to a bottled water. “And get this,” he fumed angrily, “the dumbasses who designed the posters have me pictured in this scene where I’m putting out a fire with all these other firemen. But if you look at the poster from the side, the water from the hose of one of the other firefighters looks like it’s shooting right out of my crotch. And the best part is, they want to put this poster over the theater entrance for the premiere. I can just see it—” He gestured grandly to the air. “ ‘Come see Inferno! Get pissed on by Jason Andrews!’” With that, he threw Taylor a wink. “It should be right up your alley.” Finished with his rant, Jason took a sip of water. Then he finally noticed Kate and Val. He smiled charmingly. “Oh. People. Hello.” Kate and Val sat in silence at the table. They stared at the sight of this god, this ideal man of modern time, standing before them in all his glory.

While walking toward them, I dropped my backpack, then pulled my tank top off over my head to reveal my bikini. And just balled up my tank top in one hand as if it were nothing, and threw it into the boat. “Heeeeeey!” I said in a high girl-voice as I hugged Cameron, whom I hadn’t seen since he’d come home from college for the summer a few days ago. He hugged me back and kept glancing at my boobs and trying not to. My brother had that look on his face like he was going to ask Dad to take me to the shrink again. I bent over with my butt toward them, dropped my shorts, and threw those in the boat, too. When I straightened and turned toward the boys, I was in for a shock. I had thought I wanted Sean to stare at me. I did want him to stare. But now that Sean and Cameron and Adam were all staring at me, speechless, I wondered whether there was chicken salad on my bikini, or-somewhat worse-an exposed nipple. I didn’t feel a breeze down there, though. And even I, with my limited understanding of grand entrances and seducing boys, understood that if I glanced in the direction they were staring and there were no nipple, the effect of the grand entrance would be lost. So I snapped my fingers and asked, “Zone much?” Translation: I’m hot? Really? Hmph. Adam blinked and turned to Sean. “Bikini or what?” Sean still stared at my boobs. Slowly he brought his strange pale eyes up to meet my eyes. “This does a lot for you,” he said, gesturing to the bikini with the hand flourish of Clinton from What Not to Wear. Surely this was my imagination. He didn’t really know I’d been studying how to be a girl for the past year! “Sean,” I said without missing a beat, “I do a lot for the bikini.” Cameron snorted and shoved Sean. Adam shoved him in the other direction. Sean smiled and seemed perplexed, like he was trying to think of a comeback but couldn’t, for once. Off to the side, my brother still looked very uncomfortable. I hadn’t thought through how he’d react to the unveiling of the swan. I hadn’t thought through any of their reactions very well, in case you weren’t getting this. I wanted Sean to ask me out, but I didn’t want to lose my relationship, such as it was, with everybody else.

Tell me you didn’t,” she groaned, knowing it would not be the truth. “Please tell me you didn’t take advantage of these poor people.” “I didn’t,” he chirped. “Liar.” With an irritated sigh he tried to convince her. “Amora, you’re not seeing things from an immortal perspective. The people who built this temple…” “Temple?” she cried, cutting him off. “You forced these people to build you a temple? Why? Because all of a sudden you’re God now?” Perturbed by her interruption, he raised a warning finger. “No, no, Amora, not God. But from their viewpoint I may seem a bit…..god-like.” She rolled her eyes in an exaggerated manner. “If you would let me finish,” he went on, “these particular individuals had no part in the construction of that monument; it was their ancestors who erected it. And I must say, they did a fine job. My likeness has weathered the centuries quite well.” “You’re despicable.” He frowned at the insult. “Nobody was forced to build us a temple, Amora. They chose to do so.” “You were that impressive to them, huh?” “Apparently.” His eyes twinkled at the memory. He took a few steps toward the distant city, pulling Eena along. “Come on, let’s go have some fun.” “No way.” She planted her feet, refusing. Surprisingly it put a stop to him. “And why not?” “Because your sudden appearance will upset them! No doubt you’ll want to show off with some shockingly grand entrance. I’m not going to take part in a game of deceit.” “I’m not deceiving anyone,” Edgar disputed. “I can’t help it if they happen to think I’m perfectly magnificent.” His pompous view of himself earned a nasty look as well as a lecture. “I can’t believe you’re okay with selling people lies that affect the way they live and think! You’re not even close to being a god, Edgar, and yet you allow them to accept you as some sort of deity because of your unusual abilities. For centuries now you’ve abandoned this world and a population who probably looked to you and your lousy sisters for help. It’s all a big, disgusting sham!” Edgar pouted like a child. “Fine—spoil all my fun. We’ll go do something else. Something that doesn’t include your poor, fragile, stupid mortals.” “They’re not stupid.” “They think I’m a god,” he snapped. That was a pretty good argument.

When we arrived at the wedding at Marlboro Man’s grandparents’ house, I gasped. People were absolutely everywhere: scurrying and mingling and sipping champagne and laughing on the lawn. Marlboro Man’s mother was the first person I saw. She was an elegant, statuesque vision in her brown linen dress, and she immediately greeted and welcomed me. “What a pretty suit,” she said as she gave me a warm hug. Score. Success. I felt better about life. After the ceremony, I’d meet Cousin T., Cousin H., Cousin K., Cousin D., and more aunts, uncles, and acquaintances than I ever could have counted. Each family member was more gracious and welcoming than the one before, and it didn’t take long before I felt right at home. This was going well. This was going really, really well. It was hot, though, and humid, and suddenly my lightweight wool suit didn’t feel so lightweight anymore. I was deep in conversation with a group of ladies--smiling and laughing and making small talk--when a trickle of perspiration made its way slowly down my back. I tried to ignore it, tried to will the tiny stream of perspiration away, but one trickle soon turned into two, and two turned into four. Concerned, I casually excused myself from the conversation and disappeared into the air-conditioned house. I needed to cool off. I found an upstairs bathroom away from the party, and under normal circumstances I would have taken time to admire its charming vintage pedestal sinks and pink hexagonal tile. But the sweat profusely dripping from all pores of my body was too distracting. Soon, I feared, my jacket would be drenched. Seeing no other option, I unbuttoned my jacket and removed it, hanging it on the hook on the back of the bathroom door as I frantically looked around the bathroom for an absorbent towel. None existed. I found the air vent on the ceiling, and stood on the toilet to allow the air-conditioning to blast cool air on my face. Come on, Ree, get a grip, I told myself. Something was going on…this was more than simply a reaction to the August humidity. I was having some kind of nervous psycho sweat attack--think Albert Brooks in Broadcast News--and I was being held captive by my perspiration in the upstairs bathroom of Marlboro Man’s grandmother’s house in the middle of his cousin’s wedding reception. I felt the waistband of my skirt stick to my skin. Oh, God…I was in trouble. Desperate, I stripped off my skirt and the stifling control-top panty hose I’d made the mistake of wearing; they peeled off my legs like a soggy banana skin. And there I stood, naked and clammy, my auburn bangs becoming more waterlogged by the minute. So this is it, I thought. This is hell. I was in the throes of a case of diaphoresis the likes of which I’d never known. And it had to be on the night of my grand entrance into Marlboro Man’s family. Of course, it just had to be. I looked in the mirror, shaking my head as anxiety continued to seep from my pores, taking my makeup and perfumed body cream along with it. Suddenly, I heard the knock at the bathroom door. “Yes? Just a minute…yes?” I scrambled and grabbed my wet control tops. “Hey, you…are you all right in there?” God help me. It was Marlboro Man.

If I understand anything at all about this great symbolist, it is this: that he regarded only subjective realities as realities, as “truths”—that he saw everything else, everything natural, temporal, spatial and historical, merely as signs, as materials for parables. The concept of “the Son of God” does not connote a concrete person in history, an isolated and definite individual, but an “eternal” fact, a psychological symbol set free from the concept of time. The same thing is true, and in the highest sense, of the God of this typical symbolist, of the “kingdom of God,” and of the “sonship of God.” Nothing could be more un-Christian than the crude ecclesiastical notions of God as a person, of a “kingdom of God” that is to come, of a “kingdom of heaven” beyond, and of a “son of God” as the second person of the Trinity. All this—if I may be forgiven the phrase—is like thrusting one’s fist into the eye (and what an eye!) of the Gospels: a disrespect for symbols amounting to world-historical cynicism.... But it is nevertheless obvious enough what is meant by the symbols “Father” and “Son”— not, of course, to every one—: the word “Son” expresses entrance into the feeling that there is a general transformation of all things (beatitude), and “Father” expresses that feeling itself —the sensation of eternity and of perfection.—I am ashamed to remind you of what the church has made of this symbolism: has it not set an Amphitryon story at the threshold of the Christian “faith”? And a dogma of “immaculate conception” for good measure?... And thereby it has robbed conception of its immaculateness— The “kingdom of heaven” is a state of the heart—not something to come “beyond the world” or “after death.” The whole idea of natural death is absent from the Gospels: death is not a bridge, not a passing; it is absent because it belongs to a quite different, a merely apparent world, useful only as a symbol. The “hour of death” is not a Christian idea —“hours,” time, the physical life and its crises have no existence for the bearer of “glad tidings.”... The “kingdom of God” is not something that men wait for: it had no yesterday and no day after tomorrow, it is not going to come at a “millennium”—it is an experience of the heart, it is everywhere and it is nowhere.... This “bearer of glad tidings” died as he lived and taught—not to “save mankind,” but to show mankind how to live. It was a way of life that he bequeathed to man: his demeanour before the judges, before the officers, before his accusers—his demeanour on the cross. He does not resist; he does not defend his rights; he makes no effort to ward off the most extreme penalty—more, he invites it.... And he prays, suffers and loves with those, in those, who do him evil.... Not to defend one’s self, not to show anger, not to lay blames.... On the contrary, to submit even to the Evil One—to love him.... 36. —We free spirits—we are the first to have the necessary prerequisite to understanding what nineteen centuries have misunderstood—that instinct and passion for integrity which makes war upon the “holy lie” even more than upon all other lies.... Mankind was unspeakably far from our benevolent and cautious neutrality, from that discipline of the spirit which alone makes possible the solution of such strange and subtle things: what men always sought, with shameless egoism, was their own advantage therein; they created the church out of denial of the Gospels.... That mankind should be on its knees before the very antithesis of what was the origin, the meaning and the law of the Gospels—that in the concept of the “church” the very things should be pronounced holy that the “bearer of glad tidings” regards as beneath him and behind him—it would be impossible to surpass this as a grand example of world- historical irony—

The moment I put it in my mouth and bit down... ... an exquisite and entirely unexpected flavor exploded in my mouth! It burst across my tongue, rushed up through my nose... ... and rose all the way up to my brain!" "No! It can't be!" "How is that possible?! Anyone with eyes can see there's nothing special to that dish! Its fragrance was entirely inferior to Asahi's dish from the get-go!" "That there. That's what it is. I knew something wasn't right." "Asahi?" "Something felt off the instant the cloche was removed. His dish is fried rice. It uses tons of butter, soy sauce and spices. Yet it hardly had any aroma!" "Good catch. The secret is in one of the five grand cuisine dishes I melded together... A slightly atypical take on the French Oeuf Mayonnaise. ." "Ouef Mayonnaise, or eggs and mayonnaise, is an appetizer you can find in any French bistro. Hard-boiled eggs are sliced, coated with a house-blend mayo and garnished with vegetables. Though, in your dish, I can tell you chose very soft-boiled eggs instead. Hm. Very interesting, Soma Yukihira. He took those soft-boiled eggs and some homemade mayo and blended them into a sauce...... which he then poured over his steamed rice and tossed until each and every grain was coated, its flavor sealed inside! To cook them so that each individual grain is completely covered... ... takes incredibly fast and precise wok handling over extremely high heat! No average chef could manage that feat!" " Whaaa?! Ah! It's so thin I didn't notice it at first glance, but there it is, a very slight glaze! That makes each of these grains of rice a miniature, self-contained Omurice! The moment you bite into them, that eggy coating is broken... ... releasing all the flavors and aromas of the dish onto your palate in one explosive rush!" No wonder! That's what entranced the judges. That sudden, powerful explosion of flavor! "Yep! Even when it's served, my dish still hides its fangs. Only when you bite into it does it bite back with all it's got. I call it my Odorless Fried Rice.

Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…

Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.

On January 8, 1959, Fidel made his grand entrance into Havana. With his son Fidelito at his side, he rode on top of a Sherman tank to Camp Columbia, where he gave the first of his long, rambling, difficult-to-endure speeches. It was broadcast on radio and television for the entire world to witness. For the Cubans it was what they had waited for! During the speech, smiling Castro asked Camilo Cienfuegos, “How am I doing?” and the catch phrase “Voy bien, Camilo” was born. The following Christmas the celebrations were exceptional and made up for the drab Christmas of 1958. There were great expectations on the part of the Cuban people, but most of these expectations would be shattered in the years to come. In the United States, people saw things differently. “Kangaroo trials” of Batista’s followers, ending with their executions, infuriated Americans who couldn’t believe what was happening on what they considered a happy island. Members of the U.S. Congress held formal hearings, interviewing exiled Cubans known as Batistianos. The result was that in the United States, people began to rally against Castro and in Cuba, people saw the United States as presumptuous and overbearing. Eisenhower treated Fidel with contempt and Nixon did not hide the fact that he disliked the Cuban leader. It was this combination of events that led Cuban-American relations into a diplomatic downhill spiral, from which the two countries have just now started to emerge. Without American backing, Cuba turned to Communism and looked to the Soviet Union for support. The results that followed should have been expected and were the consequences of American arrogance and Cuban misplaced pride.

Now then,” Falco started as he tucked the canvases back beneath the long table. “Have I proven myself, Signorina Cassandra? May I paint you?” Cass looked down at her long legs protruding from the ruffled skirt. She willed back the images of Aunt Agnese and Luca that threatened to overwhelm her. “You’re not going to display it, are you?” she asked. “I thought I’d hang it by the entrance to the Grand Canal. Call it Signorina Cassandra Caravello in Her Undergarments. What do you think?” “Very funny.” “I thought so.

Now then,” Falco started as he tucked the canvases back beneath the long table. “Have I proven myself, Signorina Cassandra? May I paint you?” Cass looked down at her long legs protruding from the ruffled skirt. She willed back the images of Aunt Agnese and Luca that threatened to overwhelm her. “You’re not going to display it, are you?” she asked. “I thought I’d hang it by the entrance to the Grand Canal. Call it Signorina Cassandra Caravello in Her Undergarments. What do you think?” “Very funny.” “I thought so.” Falco dragged the wooden stool and easel to the center of the room. He gestured for Cass to take her place on the divan. “Please.” He pulled a pair of lamps close, murmuring something about the insufficient lighting. “Under normal circumstances,” Falco said, “I would ask you to sit during the daytime. It’s the only way to get a clear picture. But it isn’t often I have the place to myself.” He grinned. “And you are certainly not a normal circumstance.” Cass felt herself blushing; she was sure he would have to paint her complexion a mottled red. “Make yourself comfortable,” he said. “Right now it looks as though you’re sitting on a pincushion.” Cass tried a new pose and Falco laughed. “Let me,” he said, and, reaching out, set about readjusting her. He gently eased her onto her left hip, letting the right leg fall forward in front of her. He pulled part of her hair over her shoulder so it twisted and curled around her neck. Cass sipped her drink nervously, hoping the alcohol might relax her. Each of Falco’s touches generated a tiny bolt of lightning inside her. The charge was starting to build up to dangerous levels. “Are your legs cold?” Falco asked. Cass managed to choke out a no. Her whole body was racing with heat, and she felt about two touches away from spontaneous combustion. She was seized by a fleeting impulse to run away; at the same time, she wished he would touch her forever. The costume, the posing, the mysterious alcohol that was dissolving her inhibitions. Cass felt wild and alive, even more so than she had the night they went to the brothels. That night she had been someone else, but tonight she was posing as herself, and she loved it.

... her gaze was focused on Mrs. Lundy, who stood nearby with a tray of oil, salt and wine. They would be used to anoint the chosen log before it was unhitched and the farmhands carried it into the manor. While coal was used to heat the rest of the Park, the large hearth in the grand hall entrance had been built for this express purpose. Mrs. Beeswanger said that sentiment and prudence insisted on a place suitable for the luck-bearing Yule log. An instrument that consumed mistakes and bad choices could not be overlooked.

You must think I'm... unchaste." He didn't laugh at her, or even look amused. "No, I think you're lonely." "What?" Lonely? "I'm not lonely." She had her duties. She had her relatives. She lived a productive life. "You kiss like a woman who stands on the outside, always peering in the window of life and wishing she were there, yet never having the guts to demand entrance." "That's not true." Curse him, it was exactly true. He paid her no heed. "Those days are over. Whatever you're afraid of, you should be more afraid of me." He didn't have to insist. She was. His brows were lowered, his jaw firm, his eyes flinty. "Listen to me. From now on, you're going to be at my side every minute. No matter what happens, no matter how objectionable the events, no matter how unhappy you make yourself, at the end of the day you're going to go home with me. And at night... I'll show you all the wonders of desire. Our nights will be passionate and grand beyond your wildest dreams, and I'll take you to the edge of passion again and again. You'll squirm beneath me and atop of me, you'll touch every inch of my skin, you'll live for my kisses. Until one day you'll wake up and all you can think of is me. Of the pleasure I bring you. Of how it feels when I'm inside you. All the sorrow will fall away, and you'll be mine forever.

money untouched he inspected the left side. It looked like the nail head rusted just enough for the tin to pop off, but he decided to check behind anyway. He pulled the tin away from the wall and looked into the dimly lit space. To his surprise, something was there. He reached in and pulled out a large cardboard envelope. The envelope was a heavy one used to mail important documents and looked like it had been there for a while. It was addressed to Edward, but there was no return address. The top was open, so Adam reached inside. He pulled out a small stack of papers and pictures. The picture on top was of a group of people standing in front of Town Hall. It must have been the Grand Opening, because they were all dressed in formal clothes and there were decorations hanging in the background. If it was the Grand Opening, the picture was from 1910. He had learned the year it was built while on a class trip a few years before. The date was carved into a brick near the main entrance. Adam looked at the picture a little closer. Each of the people wore the same lapel pin as the one Edward wore in his portrait.

I look around to find Darren since I assumed he was walking along with us. He’s not. He’s still at the bottom of the hill, near the tunnel entrance, jaw slack. Panic. Why isn’t he following us? Then I remember Nina. I wonder where she is. Maybe he has to go back to her. Of course he does. He didn’t come here for me. He didn’t even know I was here. I don’t know what I was thinking. I’m one idiota grande.

Boom! Boom! Boom! Briette lifted her head. She had fallen asleep on her crossed arms, resting over the book. What was that? Were they having a summer storm? Boom! Boom! Boom! The door. The main door of the manor. How strange! Briette looked at the guttering candle on her table. It wasn’t much shorter, she might have slept an hour. Still, it was very late for the house to have a caller. Briette waited, listened for footfalls on the stairs. It was normally Calister who answered the door. He would be asleep now, four floors above, and probably could not hear a thing. Boom! Boom! Boom! Boom! Boom! And the caller was not patient. Briette sighed and rose stiffly from the bench. She wasn’t sure if chambermaids should answer the door, but given the circumstances, she hoped Miss Gerda would forgive her. She took the staircase that led up from the kitchen to the grand dining room. Her candle sputtered and in the near-blackness, Briette jammed her small toes against the leg of a chair. She winced, grinding her teeth, and hobbled through to the entrance hall. If this was merely a messenger who could have come at daylight, she intended to give him an earful. The front door was large, heavy and stern. Briette slid back the latch and gave the iron ring a hard tug. It swung back, whining softly on its hinges. “Holy Noses, that took an age,” said a deep voice. “Where’s the steward?” Briette looked at the caller, lit by her candle. In an instant, her whole body turned to pudding. “I – I – I think he’s asleep. They all are. Um – uh – won’t you come in?” She stepped back, lowering the candle, and hoped he did not see her shaking. The man stepped inside. He was a tall man, grandly stout, with a well-shaped salt-and-pepper beard. He wore robes of blue velvet, heavy jewelry, and above his stern face, a magnificent crown. King Jarrod of Grunwold. Chapter 18 He

In 1925, a master plan was instituted to blend the French neo-classical design with the tropical background. The Art Deco movement, both in Havana and in Miami Beach, took hold during the late 1920’s, and is found primarily in the residential section of Miramar. Miramar is where most of the embassies are located, including the massive Russian embassy. The predominant street is Fifth Avenue known as La Quinta Avenida, along which is found the church of Jesus de Miramar, the Teatro Miramar and the Karl Marx Theater. There is also the Old Miramar Yacht Club and the El Ajibe Restaurant, recently visited and televised by Anthony Bourdain on his show, “No Reservations.” Anthony Bourdain originally on the Travel Channel is now being shown on CNN. The modern five-star Meliá Habana hotel, known for its cigar bar, is located opposite the Miramar Trade Centre. Started in 1772, el Paseo del Prado, also known as el Paseo de Marti, became the picturesque main street of Havana. It was the first street in the city to be paved and runs north and south, dividing Centro Habana from Old Havana. Having been designed by Jean-Claude Nicolas Forestier, a French landscape architect, it connects the Malecón, the city’s coastal esplanade, with a centrally located park, Parque Central. Although the streets on either side are still in disrepair, the grand pedestrian walkway goes for ten nicely maintained blocks. The promenade has a decorated, inlaid, marble terrazzo pavement with a balustrade of small posts. It is shaded by a tree-lined corridor and has white marble benches for the weary tourist. Arguably, the Malecón is the most photographed street in Havana. It lies as a bulwark just across the horizon from the United States, which is only 90, sometimes treacherous miles away. It is approximately 5 miles long, following the northern coast of the city from east to west. This broad boulevard is ideal for the revelers partaking in parades and is the street used for Fiesta Mardi Gras, known in Cuba as Los Carnavales. It has at times also been used for “spontaneous demonstrations” against the United States. It runs from the entrance to Havana harbor, alongside the Centro Habana neighborhood to the Vedado neighborhood, past the United States Embassy on the Calle Calzada.

Driving through the “Túnel de la Bahía,” which was started two years after I was in Havana last, was completed in 1958 by the French company “French Societé des Grand Travaux de Marseille.” The 2,405 foot long tunnel takes you to the eastern side of the entrance of Havana harbor, on the “Via Monumental highway” located just behind the famous Morro Castle. Continuing east along Cuba’s northern coast through the rather grim Pan Americana, a Russian style housing development, on the Carretera Del Morro, brings you to “Cojimar,” one of the most charming Cuban towns near Havana. This picturesque fishing village is where Hemingway docked his boat “El Pilar” and was the inspiration for one of his most famous books, “The Old Man and the Sea.” It is said that the old man referred to in his book, was Gregorio Fuentes, a resident of Cojimar.

Here Scarpius gave his exhortation on the dangers of decadence, on the true meaning of citizenship. The senate sat, entranced. His voice rang out like… like…” Bayaz plucked at the air with his hand, as though hoping to find the right word there. “Bah. What does it matter now? There are no certainties left in the world. That was the age of great men, doing what was right.” He frowned down at the broken rubble choking the floor of the colossal room. “This is the age of little men, doing what they must. Little men, with little dreams, walking in giant footsteps. Still, you can see it was a grand building once!” “Er,

Keep learning, keep growing and keep striving for success. Do whatever it takes to make the ultimate grand entrance into the door of greatness. Let that motivate you to espouse excellence.

She stopped and watched, trying to catch a glimpse of the driver. She failed, but she figured it was too grand an entrance for someone who wanted to Freddy Kruger her, so she was probably good.

Lottie left the room, her gown swishing and rustling as she moved. As she descended the grand staircase, she saw Nick waiting in the entrance hall, his body as tense as that of a panther about to strike. His broad-shouldered form was dressed to perfection in the formal scheme of a dark coat, silver waistcoat, and a charcoal silk necktie. With his dark brown hair neatly brushed and his face gleaming from a close shave, he was both virile and elegant. His head turned toward her, and suddenly his narrow-eyed impatience was replaced by an arrested expression. Lottie felt a rush of elation at the look in his eyes. She deliberately took her time about reaching him. “Do I look like a viscountess?” she asked. His lips quirked wryly. “No viscountess I’ve ever seen looks like you, Lottie.” She smiled. “Is that a compliment?” “Oh, yes. In fact…” Nick took her gloved hand and assisted her down the last step. He held her gaze compulsively, his fingers tightening around hers, and he answered her light question with a gravity that stunned her. “You are the most beautiful woman in the world,” he said huskily. “The world?” she repeated with a laugh. “When I say you’re beautiful,” he murmured, “I refuse to qualify the statement in any way. Except to add that the only way you could be more so is if you were naked.” She laughed at his audacity. “I am afraid that you will have to reconcile yourself to the fact that I’m going to remain fully clothed tonight.” “Until after the ball,” he countered. -Lottie & Nick

Cedar Capital Group Tokyo: Construction Site Health & Safety Review Accidents on construction sites are becoming a much more regular occurrence around the globe and can have devastating affects on families, communities and regions. Just recently we witnessed the destruction and heartbreak caused when the crawler crane toppled over onto the Masjid al-Haram, the Grand Mosque in Mecca, Saudi Arabia on 11 September 2015, which killed 118 people and injured a further 394. The majority of accidents on construction sites can be avoided if health and safety requirements are followed. An experienced health & safety advisor can assist you in identifying loss control techniques which in turn minimizes the risk to members of the public, your property and your employees. One of the most frequently occurring accidents construction sites is fire. Ignoring safety policies and procedures can have a disastrous effect and are a common cause of injury on a construction site. Fire extinguishers should be available and close by and you should appoint an employee to be on fire watch. The weather can be a source of accidents on construction sites. Sites become more susceptible as severe weather patterns continue to grow across the globe. In Asia, typhoons have become more frequent, we have seen buildings collapse during high category storms. These types of accidents can be avoided by appointing someone with the responsibility of monitoring the weather to make sure that the construction site is correctly braced before the typhoon arrives. The lack of site is another key factor that causes accidents. Construction sites are like playgrounds for inquisitive children looking for something to do so it’s imperative that you have secured the site with adequate fencing. Posting visible safety signs around the construction site in order to remind and protect the employees, visitors and members of the genera public. Always post safety signs at the entrance and ensure that all visitors wear the correct personal protective equipmentwhich includes a hard hat and safety boots. Cedar Capital Group are a Singapore based, capital equipment, company that leases construction equipment throughout Asia with core markets in Seoul, South Korea and Tokyo, Japan.

A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.

The Universe had no obligation to create anything at all, yet life managed to make a grand entrance on at least one tiny pale blue dot in a truly spectacular way.

But that’s not the worst part of this corporate American tradition. The worst? That odious moment occurs when all of the supervisors and their assistants dress up in their Sunday best, and gather at the front entrance to the warehouse-sized building we call home. Think of it as a grand procession headed straight up corporate leadership’s pompous asses. I completely envied every one of my peers who, through the gift of prognostication or just plain old luck managed to request the day off, long in advance. On

January 8, 1959; Castro enters Havana On January 8, 1959, Fidel made his grand entrance into Havana. With his son Fidelito at his side, he rode on top of a Sherman tank to Camp Columbia, where he gave the first of his long, rambling, difficult-to-endure speeches. It was broadcast on radio and television for the entire world to witness. For the Cubans it was what they had waited for! During the speech, smiling Castro asked Camilo Cienfuegos, “How am I doing?” and the catch phrase “Voy bien, Camilo” was born.

Meet me at the hotel lobby in three hours,” announced the chafed Prince. “Yes, Your Highness!” My Valet spoke on my behalf before we departed to assist my host in documenting the groom’s grand entrance into the women’s hall.

How do you enter a room? How do you walk into a job interview? How do you approach a sales prospect for the first time? Accomplished leaders know that the way they make an entrance can project their confidence and set the tone for their interaction with others. Use your poise, postures, and gestures to make it grand.

What could I say about Bellingrath Junior High? Not much, except it was named after my secret hero, Bernard Bellingrath. But Barney wasn’t the kind of hero who rescued a kid from a burning building or found a cure for a disease. Barney dropped a big load of money on our school to build the gym, stadium, and later the library annex. As his reward, a faded portrait hung on the wall of the visitors’ area inside the main entrance. But that wasn’t the reason he was my hero. According to legend, Barney had been born with a tail. A tail. Grand-mere Robichaud, who’d once seen such a tail on a baby’s pink bottom, said he could’ve been mistaken for the main course at a cochon de lait—a Cajun pig roast. But Barney’s parents were very religious, so they refused to have the tail removed. In spite of that decision, Barney grew up to be the richest and most powerful man in town. But that still wasn’t the reason he was my hero. The fact that he decided to keep the tail anyway—that was the reason. Now, all these years later, you’d think physical imperfections would be tolerated at a school practically founded by someone with a tail. But no.

Grand Turk Island is so named because it is the largest island in the Turks Islands, which is the smaller of the two archipelagos that make up the island nation. Grand Turk was first settled in 1681 by Bermudians, who started a salt industry. In 1766, the Island became the territory's capitol, Cockburn Town. It has the second largest population of the archipelago with 3,720 people. There are those that believe that it was here that Columbus first set foot in the America’s, and although San Salvador is still accepted as being the actual island where he landed, there is convincing evidence that this may not be so. For years Grand Turk was frequently referred to as Grand Cay. Grand Turk gained attention in 1962, when John Glenn's Friendship 7 splashed into the Atlantic Ocean, off the southeast shoreline of the Grand Turk Island. A replica of the Friendship 7 is on display in Grand Turk at the entrance to the Grand Turk Island International Airport.

The US embassy in Beirut occupied an eighteen-acre tract of hillside in the predominantly Christian hamlet of Awkar, located approximately twenty minutes north of the city. It was the second site of the American diplomatic mission to Lebanon. In April of 1983, a truck bomb pancaked the central façade of the first embassy in Ibrahim al-Din’s grand entrance to the stage of international terror. And again in September of 1984, another truck bomb—sent by al-Din—inflicted massive damage to the Baaklini annex, which served as a daily reminder to Nina that he was still out there, lurking, somewhere in that warren of concrete and haze along the sea.

Keep learning, keep growing, and keep striving for success. Do whatever it takes to make the ultimate grand entrance into the door of greatness. Let that motivate you to espouse excellence.

Were you even a royal if you didn’t make a grand entrance?

At the moment when Mrs. Griffin had been notified of her husband’s death, she was in bed with her lover at the Hotel del Coronado in California, and took the news that she was a widow rather well. She untwined herself from the arms of Admiral Paul Henry Bastedo who served under Secretary of the Navy Franklin Roosevelt, and proposed they get married in the morning so he could be her date at her late husband’s funeral. To the tabloids’ delight, the newlyweds took Helen Prindeville Griffin Bastedo’s private railway car to Lake Forest, Illinois, to attend the service. The act so outraged the Griffin family that they used their juice with Union Pacific to divert the train and the unlucky passengers coupled to Helen’s private car. The train choo-chooed deep into Wisconsin, denying the newlyweds their grand entrance to the funeral.

I am a professional! I’m a natural movie star!” Stella grinned. “Did you see our grand entrance, Hester

It was astounding to Cornelius to note that the events of 1994 had left no visible traces anywhere. Where on this avenue had they set up the famous Nyamirambo barricade? Was it there, right at the entrance to the Café des Grands Lacs, where there had been corpses that dogs and vultures came to devour? Only the city herself could have answered these questions he still couldn’t ask anyone. But the city refused to show her wounds. Besides, she didn’t have many.

Let woman’s claim be as broad in the concrete as in the abstract. We take our stand on the solidarity of humanity, the oneness of life, and the unnaturalness and injustice of all special favoritisms, whether of sex, race, country, or condition. If one link of the chain be broken, the chain is broken. A bridge is no stronger than its weakest part, and a cause is not worthier than its weakest element. Least of all can woman’s cause afford to decry the weak. We want, then, as toilers for the universal triumph of justice and human rights, to go to our homes from this Congress, demanding an entrance not through a gateway for ourselves, our race, our sex, or our sect, but a grand highway for humanity. The colored woman feels that woman’s cause is one and universal; and that not till the image of God, whether in parian or ebony, is sacred and inviolable; not till race, color, sex, and condition are seen as the accidents, and not the substance of life; not till the universal title of humanity to life, liberty, and the pursuit of happiness is conceded to be inalienable to all; not till then is woman’s lesson taught and woman’s cause won — not the white woman’s, nor the black woman’s, not the red woman’s, but the cause of every man and of every woman who has writhed silently under a mighty wrong. Woman’s wrongs are thus indissolubly linked with undefended woe, and the acquirement of her “rights” will mean the final triumph of all right over might, the supremacy of the moral forces of reason, and justice, and love in the government of the nations of earth.

Usually, 'the shy, demure bride' would make a grand entrance to the sound of loud and shrill ululations (or zagharit) by every lady who knew how.

Early the following year, Arizona steamed from its home port at San Pedro to Hawaii to participate in Army-Navy Grand Joint Exercise No. 4. It was a mouthful of a name for a round of war games that simulated an attack on Oahu from “enemy” aircraft carriers lurking to the north. Near sunrise on February 7, 1932, the first strike of carrier planes caught Army Air Corps bases by surprise. A second wave achieved similar results after slow-to-respond Army pilots landed for refueling and breakfast. In the after-action critique, the Army protested that the Navy’s attack at daybreak on a Sunday morning, while technically permitted under the rules, was a dirty trick.8 A few weeks later, on March 2, Arizona entered Pearl Harbor for the first time. Pearl Harbor in the early 1930s was minuscule compared to the massive installation it would become just one decade later. Despite wide inner lochs—bays of water spreading out from the main channel—its entrance was historically shallow. Nineteenth-century visitors had anchored off Honolulu a few miles to the east instead. In 1887, Hawaii’s King Kalākaua granted the United States the exclusive right to establish a coaling and repair station in Pearl Harbor and improve the entrance as it saw fit. No facilities were built, but the United States annexed the Hawaiian Islands in 1898. When the American Navy built its first installations within months of annexation, they were at Honolulu, not Pearl Harbor, because of the difficult channel access. Finally, in 1908, Congress authorized dredging the channel entrance and constructing a dry dock, as well as adding accompanying shops and supply buildings. Naval Station Pearl Harbor was officially dedicated in August 1919. The Army and Navy jointly acquired Ford Island in the harbor’s center for shared airfield facilities that same year.9

The sight of the pale-yellow façade of 82 Queen with the large golden numerals on the small black awning over the narrow entrance always made me smile. It was one of the grand dames of the Charleston restaurant scene. Opened in 1982 and comprised of three adjoining eighteenth-century town houses and a courtyard, it was the first restaurant to combine the local African, French, Caribbean, and Anglo-Saxon tastes to create a new culinary genre known as Lowcountry cuisine.

By 12:15 a.m. the musicians had set up on the Promenade Deck and played for around twenty-five minutes in the entrance as the passengers awaited instructions. Jack Thayer, only seventeen at the time, recalled them playing there as crowds milled around. Then they moved upstairs to the Boat Deck level of the grand staircase, where there was a piano, before eventually moving out onto the Boat Deck itself. This fits with Lawrence Beesley’s account of seeing a cellist walking down the deck at 12:40 a.m.

Bandmaster Wallace Henry Hartley had assembled his men, and the band was playing ragtime. Just now they stood in the First Class lounge, where many of the passengers waited before orders came to lower the boats. Later they moved to the Boat Deck forward, near the entrance to the grand staircase. They looked a little nondescript—some in blue uniform coats, some in white jackets—but there was nothing wrong with the music.

And here I thought I would make this grand entrance, rescuing you. I'm not sure you needed rescuing.

At the entrance to Alex there’s the huge minibus rank and the bus station. It’s the same bustling, chaotic third-world marketplace you see in James Bond and Jason Bourne movies. It’s Grand Central Station but outdoors. Everything’s dynamic. Everything’s in motion. Nothing feels like it was there yesterday, and nothing feels like it will be there tomorrow, but every day it looks exactly the same.

The door at the back of Ventura Superior Courtroom One swung open, and a smiling, confident Elizabeth Duncan sashayed in like she owned the place. Her grand entrance was hindered only by the fact that she was cuffed to a deputy sheriff. Mrs. Duncan nodded and raised her finger tips to a few familiar faces in the press section that she'd come to know during the week-long jury selection process. Reporters and photographers swarmed. 'How about a few pictures before we start?' one newsman called out. Mrs.'s Duncan's dapper little attorney, S. Ward Sullivan, nodded his permission. The deputy unfastened the cuffs. Mrs. Duncan stood next to her chair at the defense table and rubbed her wrist before turning toward reporters. 'Do you like my new outfit?' she asked as she fluffed the skirt of her two-piece, black and white dress. 'Frank bought it for me.' Flashbulbs popped.

Beneath us in the lantern-light I could see doz-ens of carved limestone blocks wedged in with stacks of small bricks. “That’s the gateway for Batavia Castle in Java,” he explained. “It will be the grand entrance when assembled.

Pisistratus understood the value of publicity and of symbolism. He staged a grand entrance into Athens. He found an unusually tall young woman from a country district. Pisistratus dressed her up in a suit of armor, taught her how to present herself convincingly as a goddess, and drove her in procession into the city. Town criers went ahead shouting: “Men of Athens, give Pisistratus a warm welcome, for Athena herself is bringing him home to her own citadel. She honours him more than all men.” What better way of demonstrating that Pisistratus enjoyed divine approval and had a legitimate claim to rule? Herodotus calls the stunt “the silliest idea I have ever heard of,

My grandfather built Darling House five years after he'd arrived from Scotland. He knew by then that the climate was going to require something different from what he'd been used to as a boy." "She's a grand old lady," Matt said of the house. "Dressed up in an iron-lace shawl, looking out over her harbor." Nora smiled. "That's exactly what she is. It's the reason she and I get on so well together. We're two of a kind." Nora had lived in Darling House all her life and was as much a part of the building as the pair of lions guarding its entrance gate and the brick chimneys punctuating the sparkling blue sky. It was almost impossible to imagine her anywhere else. Jess had only to close her eyes now to invoke a vivid picture of her grandmother standing on the wide concrete steps that led to the front door, both arms lifted in welcome.

The Highlander was typical of Fred’s buildings, having a grand entrance to distract from the substandard rental units. The lobby had a large sunken space with a formal sitting area blocked off by velvet ropes and stanchions on one side and on the other a huge display of oversized tropical plants. Between them, large floor-to-ceiling plate-glass windows looked out onto a wide expanse of flagstones and brick steps on either side curving up to the sidewalk.

Many more details confirm my work: For example, Sokar (who is located in the 5th hour domain) is a chthonic deity of canals and underground tombs. He is the god of the Mysterious Region which could be identified as the Grand Gallery. This passageway could possibly be recognized as the oval island of Sokar which were guarded by large granite blocks from Afu-Ra's path. The granite slabs were probably securing the pathway to the Grand Gallery from the King's Chamber rather than from the pyramid's entrance against tomb robbers as Mark Lehner's hypothesized.

The care home is a grand old building and would practically be stately if there was anything aristocratic about the residents. It used to be the owner’s family home – also not aristocrats – and there’s a portrait in the entrance of the card-happy ancestor who won it gambling.

That door that "they" blocked you from entering, God is about to kick it in. I hope you're prepared to make your grand entrance.

We all come into this world the same: naked, scared, and ignorant. After that grand entrance, the life we end up with is simply an accumulation of all the choices we make. Our choices can be our best friend or our worst enemy. They can deliver us to our goals or send us orbiting into a galaxy far, far away. Think about it. Everything in your life exists because you first made a choice about something. Choices are at the root of every one of your results. Each choice starts a behavior that over time becomes a habit. Choose poorly, and you just might find yourself back at the drawing board, forced to make new, often harder choices. Don’t choose at all, and you’ve made the choice to be the passive receiver of whatever comes your way. In essence, you make your choices, and then your choices make you.

That evening, Samantha headed toward a nondescript door that was tucked into the downstairs hallway like an architect's afterthought. It might not look impressive, but this was the Door of Sighs, the royal family's private entrance to the grand ballroom: so named because generations of princesses had lingered there when they were too young to attend, and sighed romantically as they watched the dancing.

The Combat Perspex The historical past of the Perspex Sheet is entrancing. The story backtracks to 1843 when the primary acrylic harsh corrosive was made. Nonetheless, it wasn't until 1933 that the German physicist Otto Rohm patented and enlisted the model identify plexiglas. That is important on the grounds that what is usually considered Plexiglas has gotten to be such a household unit word, as an illustration Kleenex, that it might have been missed that Plexiglas was previously a patented name. From that time acrylic glass was utilized for submarine periscopes and firearm turrets for planes. Since that point acrylic glass has became a household merchandise. There's a extensive blended bag of employments for Perspex Sheets. A mix of home windows perspex sheet is produced out of them materials incorporating flying machine windows, police home windows, and race auto home windows. Utilizing Perspex sheets inside race autos will assist make them lighter - and speedier than utilizing glass. Advertising and store signs are incessantly produced out of colored and clear acrylic and really material materials are created out of acrylic sheets, as the thermoplastic may very well be folded. Furthermore, Perspex Sheet are utilized as specialists mediums and additionally use for surrounding. Perspex sheets can likewise be made into furnishings. Perspex Sheets have such a wide mixture of employments. Another one of many uses of Perspex is on sun beds and different places where UV rays are required. Perspex is also availed in UV grade which is mainly a type of Perspex that enables transmission of UV rays. It's mostly used in locations where UV rays are required to penetrate.In case you have an thought of how Perspex appears like, you might need a really arduous time trying to image someone sporting a garment constituted of it. That is where the coloured Perspex comes into play. It is not solely used to make clothes but in addition shoes and baggage. There are actually two sorts of plastics.Thermoset that's a plastic which is structured right into a perpetual form,plus thermoplastic that is versatile and may very well be reshaped. Poly methyl methacrylate is a thermoplastic that is clear. PMMA is blandly reputed to be a glass acrylic. Several brand names are Plexiglas, Lucite and Perspex. PMMA is as a better price elective to polycarbonate (LAPTOP). An alternate profit which P.M.M.A possess over PC is the unfortunate deficiency of conceivably hurtful bisphenol A sub-units current in polycarbonate.

Morning came slowly in the city. In a driving rain, the sun could only slowly illuminate the dirt streets and brick sidewalks of New Orleans on the morning of January 9. The white spires of the cathedral and tall masts of the ships crowding the harbor topped the center of the city. In the dense neighborhood around the Place d’Armes, small brick houses two or three stories high clustered about grand old Spanish houses. Once a palisade and a ditch ran around the center of the city, forming a parallelogram with the river. Four redoubts stood at the corners to protect the city’s inhabitants—though all but the fort at the entrance of Faubourg Marigny had since been demolished. Since the American acquisition, the ditch had been filled up and planted with trees, leaving a ring of open space between the city and the suburbs. A boulevard called Rue de Rampart ran where the ancient town wall used to stand. Parallel to the river, roads lined with reflecting lamps passed from the center of the city out toward the plantation zone to the northeast. Here the old houses of the present-day Garden District gave way slowly and almost indistinguishably to the rich sugar plantations of the German Coast.

playground behind the school so we would learn how to make a grand entrance