Gown Inspiring Quotes

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What is it about wearing a tuxedo or that little black dress, that makes us feel confident, beautiful, splendid, even invincible? We put on formal wear and suddenly we become extraordinary. On the days when you feel low and invisible, why not try this on for size: imagine you are wearing a fantastic tailored tuxedo or a stunning formal gown. And then proceed with your day.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Bitter disappointment pushed tears from her eyes. "Now what's wrong? I said you could wear it." She drew in a shaky breath. "I w-wanted you to l-like my dreeessssss." He moved his gaze over her. "The gown makes my mouth water, love.
Deeanne Gist (A Bride Most Begrudging)
Our parents' love is not some grand passion, there are no swoons of lust, no ball gowns and tuxedos, but here is the truth: they have not spent a night apart since the day they married. How can we ever hope to find a love to live up to that?
Eleanor Brown (The Weird Sisters)
He raked his hands through his hair and blew out a long breath. Damn it, he’d known lust before, but this…this aching desire for her this intense passion she inspired, was unlike anything he’d ever experience. He’d always considered himself a man of control, finesse, and patience. But Victoria somehow stripped him of all three. He didn’t want to kiss her, he wanted to devour her. He didn’t want to strip her gown from her shoulders, she wanted to tear it from her body. With his teeth. He didn’t want to slowly seduce her, he wanted to push her against the nearest wall and simply bury himself in her. Make hot, sweaty, mindless, searing love to her. Then turn her over and start again. If she knew even half the things he wanted to do to her, with her, she’d most likely never recover from shock.
Jacquie D'Alessandro
When Elizabeth finally descended the stairs on her way to the dining room she was two hours late. Deliberately. “Good heavens, you’re tardy, my dear!” Sir Francis said, shoving back his chair and rushing to the doorway where Elizabeth had been standing, trying to gather her courage to do what needed to be done. “Come and meet my guests,” he said, drawing her forward after a swift, disappointed look at her drab attire and severe coiffure. “We did as you suggested in your note and went ahead with supper. What kept you abovestairs so long?” “I was at prayer,” Elizabeth said, managing to look him straight in the eye. Sir Francis recovered from his surprise in time to introduce her to the three other people at the table-two men who resembled him in age and features and two women of perhaps five and thirty who were both attired in the most shockingly revealing gowns Elizabeth had ever seen. Elizabeth accepted a helping of cold meat to silence her protesting stomach while both women studied her with unhidden scorn. “That is a most unusual ensemble you’re wearing, I must say,” remarked the woman named Eloise. “Is it the custom where you come from to dress so…simply?” Elizabeth took a dainty bite of meat. “Not really. I disapprove of too much personal adornment.” She turned to Sir Francis with an innocent stare. “Gowns are expensive. I consider them a great waste of money.” Sir Francis was suddenly inclined to agree, particularly since he intended to keep her naked as much as possible. “Quite right!” he beamed, eyeing the other ladies with pointed disapproval. “No sense in spending all that money on gowns. No point in spending money at all.” “My sentiments exactly,” Elizabeth said, nodding. “I prefer to give every shilling I can find to charity instead.” “Give it away?” he said in a muted roar, half rising out of his chair. Then he forced himself to sit back down and reconsider the wisdom of wedding her. She was lovely-her face more mature then he remembered it, but not even the black veil and scraped-back hair could detract from the beauty of her emerald-green eyes with their long, sooty lashes. Her eyes had dark circles beneath them-shadows he didn’t recall seeing there earlier in the day. He put the shadows down to her far-too-serious nature. Her dowry was creditable, and her body beneath that shapeless black gown…he wished he could see her shape. Perhaps it, too, had changed, and not for the better, in the past few years. “I had hoped, my dear,” Sir Francis said, covering her hand with his and squeezing it affectionately, “that you might wear something else down to supper, as I suggested you should.” Elizabeth gave him an innocent stare. “This is all I brought.” “All you brought?” he uttered. “B-But I definitely saw my footmen carrying several trunks upstairs.” “They belong to my aunt-only one of them is mine,” she fabricated hastily, already anticipating his next question and thinking madly for some satisfactory answer. “Really?” He continued to eye her gown with great dissatisfaction, and then he asked exactly the question she’d expected: “What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.
Judith McNaught (Almost Heaven (Sequels, #3))
Of course he burst through the door. It cracked against the massive slabs that formed the stone walls, sending splinters flying, and I didn’t have to try very hard for the startled jump as Lord Pecus strode into the room. I gave a maidenly shriek, and in a moment of truly inspired acting, snatched my dressing gown from the bed to my chest and assumed pose #35, Maidenly Horror. Hands clasped below the breasts and clutching my dressing gown as if to protect girlish modesty, eyes wide- maybe finishing school had been useful for something after all. I thought I might have gone too far, but Lord Pecus, who at my shriek had stopped two strides into the room with a look of horror on his mask, hastily turned his face to the wall. He tried to utter a disjointed apology but I threw one of the pot-pourri bowls at him, and it smashed satisfyingly on the wall, cutting off the attempt.
W.R. Gingell (Masque (Two Monarchies Sequence, #5))
Your Barney?” Cole’s eyebrows shot up. “Yours?” “He’s mine all right!” Claire replied. “Everyone in this family belongs to everyone else – belongs with everyone else, rather. I’ve looked after him for a year now – ironed his shirts, made his school lunches, told him stories. I made that dressing gown he’s wearing, whereas no one knew you were alive this time last week. But what matters most is that he wants to be ours and he doesn’t want to be yours. That’s what counts.
Margaret Mahy (The Haunting)
The woman wins who calls herself beautiful and challenges the world to change to truly see her. A woman wins by giving herself and other women permission - to eat; to be sexual; to age; to wear overalls, a paste tiara, a Balenciaga gown, a second-hand opera cloak, or combat boots; to cover up to to go practically naked; to do whatever we choose in following - or ignoring - our own aesthetic. A woman wins when she feels that what each woman does with her own body - unforced, uncoerced - is her own business.
Naomi Wolf (The Beauty Myth)
Lou hoisted up her gown and winced as she tottered across the parking lot. The sparkly four-inch heels had looked so pretty in the box, but they felt like a mortar and pestle grinding each bone in her foot. She missed her green Crocs. Lou plucked at the tight elastic, squeezing her under the sleek black dress her fiancé, Devlin, had given her. He walked five steps ahead of her, so she scurried to catch up. "Overstuffed truffle and foie gras sausage," Lou said. Devlin's face crinkled in confusion. "What?" "It's a new dish, inspired by how I feel in these clothes. Maybe served over brown butter dumplings..." Lou tilted her head, visualizing the newly formed meal.
Amy E. Reichert (The Coincidence of Coconut Cake)
What, may I ask, does your one truck contain if not gowns?” Inspiration struck, and Elizabeth smiled radiantly. “Something of great value. Priceless value,” she confided. All faces at the table watched her with alert fascination-particularly the greedy Sir Francis. “Well, don’t keep us in suspense, love. What’s in it?” “The mortal remains of Saint Jacob.” Lady Eloise and Lady Mortand screamed in unison, Sir William choked on his wine, and Sir Francis gaped at her in horror, but Elizabeth wasn’t quite finished. She saved the coup de grace until the meal was over. As soon as everyone arose she insisted they sit back down so a proper prayer of gratitude could be said. Raising her hands heavenward, Elizabeth turned a simple grace into a stinging tirade against the sins of lust and promiscuity that rose to crescendo as she called down the vengeance of doomsday on all transgressors and culminated in a terrifyingly lurid description of the terrors that awaited all who strayed down the path of lechery-terrors that combined dragon lore with mythology, a smattering of religion, and a liberal dash of her own vivid imagination. When it was done Elizabeth dropped her eyes, praying in earnest that tonight would loose her from her predicament. There was no more she could do; she’d played out her hand with all her might; she’d given it her all. It was enough. After supper Sir Francis escorted her to her chamber and, with a poor attempt at regret, announced that he greatly feared they wouldn’t suit. Not at all. Elizabeth and Berta departed at dawn the following morning, an hour before Sir Francis’s servants stirred themselves. Clad in a dressing robe, Sir Francis watched from his bedchamber window as Elizabeth’s coachman helped her into her conveyance. He was about to turn away when a sudden gust of wind caught Elizabeth’s black gown, exposing a long and exceptionally shapely leg to Sir Francis’s riveted gaze. He was still staring at the coach as it circled the drive; through its open window he saw Elizabeth laugh and reach up, unpinning her hair. Clouds of golden tresses whipped about the open window, obscuring her face, and Sir Francis thoughtfully wet his lips.
Judith McNaught (Almost Heaven (Sequels, #3))
Little Brother, an aspiring painter, saved up all his money and went to France, to surround himself with beauty and inspiration. He lived on the cheap, painted every day, visited museums, traveled to picturesque locations, bravely spoke to everyone he met, and showed his work to anyone who would look at it. One afternoon, Little Brother struck up a conversation in a café with a group of charming young people, who turned out to be some species of fancy aristocrats. The charming young aristocrats took a liking to Little Brother and invited him to a party that weekend in a castle in the Loire Valley. They promised Little Brother that this was going to be the most fabulous party of the year. It would be attended by the rich, by the famous, and by several crowned heads of Europe. Best of all, it was to be a masquerade ball, where nobody skimped on the costumes. It was not to be missed. Dress up, they said, and join us! Excited, Little Brother worked all week on a costume that he was certain would be a showstopper. He scoured Paris for materials and held back neither on the details nor the audacity of his creation. Then he rented a car and drove to the castle, three hours from Paris. He changed into his costume in the car and ascended the castle steps. He gave his name to the butler, who found him on the guest list and politely welcomed him in. Little Brother entered the ballroom, head held high. Upon which he immediately realized his mistake. This was indeed a costume party—his new friends had not misled him there—but he had missed one detail in translation: This was a themed costume party. The theme was “a medieval court.” And Little Brother was dressed as a lobster. All around him, the wealthiest and most beautiful people of Europe were attired in gilded finery and elaborate period gowns, draped in heirloom jewels, sparkling with elegance as they waltzed to a fine orchestra. Little Brother, on the other hand, was wearing a red leotard, red tights, red ballet slippers, and giant red foam claws. Also, his face was painted red. This is the part of the story where I must tell you that Little Brother was over six feet tall and quite skinny—but with the long waving antennae on his head, he appeared even taller. He was also, of course, the only American in the room. He stood at the top of the steps for one long, ghastly moment. He almost ran away in shame. Running away in shame seemed like the most dignified response to the situation. But he didn’t run. Somehow, he found his resolve. He’d come this far, after all. He’d worked tremendously hard to make this costume, and he was proud of it. He took a deep breath and walked onto the dance floor. He reported later that it was only his experience as an aspiring artist that gave him the courage and the license to be so vulnerable and absurd. Something in life had already taught him to just put it out there, whatever “it” is. That costume was what he had made, after all, so that’s what he was bringing to the party. It was the best he had. It was all he had. So he decided to trust in himself, to trust in his costume, to trust in the circumstances. As he moved into the crowd of aristocrats, a silence fell. The dancing stopped. The orchestra stuttered to a stop. The other guests gathered around Little Brother. Finally, someone asked him what on earth he was. Little Brother bowed deeply and announced, “I am the court lobster.” Then: laughter. Not ridicule—just joy. They loved him. They loved his sweetness, his weirdness, his giant red claws, his skinny ass in his bright spandex tights. He was the trickster among them, and so he made the party. Little Brother even ended up dancing that night with the Queen of Belgium. This is how you must do it, people.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
For those of you familiar with fairy tales, I’m known as the Fairy Godmother. I’m best remembered for transforming Cinderella’s raggedy clothes into a beautiful gown for the prince’s ball – but I won’t give anything else away in case you haven’t read it. You’ll be delighted to see it’s the first story in this treasury. I understand this all may come as a bit of a surprise. It’s not every day you learn that a place like the Land of Stories exists outside one’s imagination. Although it shouldn’t be that shocking if you think about it: After all, if fiction is inspired by mythology, and myths are just embellished legends, and legends are exaggerated history, then all stories must have an element of truth to them. And I can assure you that the fairy-tale world is as real as the book you’re holding in your hands. You’re probably wondering how the stories of the fairy-tale world became so prevalent in your world. Allow me to explain, for I am entirely to
Chris Colfer (An Author's Odyssey (The Land of Stories #5))
Gideon lowered her onto the bed, thankful that he’d felt no evidence of stays through her gown as he carried her. As soon as he slid his arms out from under her, she rolled over onto her side and grabbed the second pillow. She snuggled the downy square to her bosom and mumbled a few unintelligible words before settling herself. An unexpected tenderness rose within him as he watched her sleep. Could there be more to his feelings than simple attraction? Something deeper and more lasting? He’d escorted countless debutantes about London in the past, beautiful women who inspired ample appreciation within him for their feminine charms. But none of those women had created the tug of possessiveness he felt when he gazed at Adelaide. None of them stirred this desire to cherish and protect. And no matter how suitable their background and manner, none of them made him smile like his Addie. Addie. The name fit. Fanciful, whimsical—just like the woman herself. Yet there was strength in it, too. Simple, straightforward strength. He’d known she cared for Bella, yet until her relentless plea this morning, he hadn’t realized how deep her affections ran. Gideon couldn’t help hoping that some of those affections extended to him, as well.
Karen Witemeyer (Head in the Clouds)
Cecily.” His gaze wandered from her unbound hair to her disheveled gown, to her fingers still laced with Luke’s. “I . . . I was just about to go searching for you.” “There you are!” Portia called from behind him. “Come in, come in.” She lay swaddled in blankets on the divan, with her bandaged leg propped on a nearby ottoman. Brooke sat beside her, balancing a teacup in either hand. Cecily turned to Denny. “I’m sorry to have worried you, but . . .” She squeezed Luke’s hand for courage. “You see, Luke and I—” “I understand,” he replied. The serious expression on his face told her he did understand, completely. To his credit, he took it well. He turned to Luke. “When will you be married?” “Married?” Portia exclaimed. Cecily sighed. Just like Denny, to take his responsibilities as her third cousin twice removed— and only male relation in the vicinity— so seriously. But did he have to force the issue now? Certainly, she hoped that she and Luke might one day— “As soon as possible.” Luke’s arm slid around her waist. Cecily’s gaze snapped up to his. Are you certain? she asked him silently. He answered her with a quick kiss. “Well, then. When can we be married?” Brooke directed his question to Portia. “Married!” Blushing furiously, Portia made a dismissive gesture with both hands. “Why, I’m only just learning to enjoy being a widow. I don’t want to be married. I want to write scandalous novels and take dozens of lovers.” Brooke raised an eyebrow. “Can that be negotiated to lover, singular?” “That,” she said, giving him a coy smile, “would depend on your skill at negotiation.” “What an evening you’ve had, Portia,” Cecily said. “A brush with death, a proposal of marriage, an indecent proposition . . . Surely you have sufficient inspiration for your gothic novel?” “Too much inspiration!” Portia wailed, gesturing toward her bandaged foot. “I am done with gothics completely. No, I shall take a cue from my insipid wallpaper and write a bawdy little tale about a wanton dairymaid and her many lovers.” “Lover, singular.” Brooke flopped on the divan and settled her feet in his lap. “Oh,” she sighed, as he massaged her uninjured foot. “Oh, very well.” Luke tugged on Cecily’s hand, drawing her toward the doorway. “Let’s make our escape.” As they left, she heard Denny say in his usual jocular tone, “Do me a favor, Portia? Model your hero after me. Just once, I should like to get the girl.
Tessa Dare (The Legend of the Werestag)
If the shoe doesn't fit - break it!
Steffani Raff (The Ravenous Gown: And 14 More Tales about Real Beauty)
...and they all lived as happily as they allowed themselves to be.
Steffani Raff (The Ravenous Gown: And 14 More Tales about Real Beauty)
Clothing and features fade with time. I am happy with who I am today, and I am happy with who I will be tomorrow.
Steffani Raff (The Ravenous Gown: And 14 More Tales about Real Beauty)
...but it wouldn't be happily ever after without a kiss.
Steffani Raff (The Ravenous Gown: And 14 More Tales about Real Beauty)
Inside of each of us is greatness let us treat those around us as if they are much more than they appear. Let us treat each other with kindness and respect.
Steffani Raff (The Ravenous Gown: And 14 More Tales about Real Beauty)
The original ‘May’ gown is still kept in the Dior archives, and one of the knowledgeable curators suggests that it was inspired by Catherine, as another annual tribute to her love of flowers. But instead, I picture Catherine wearing a timeless grey dress at the Palais de Justice, making her case, standing her ground.
Justine Picardie (Miss Dior: A Story of Courage and Couture)
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The Nigress From the river Arose the Nigress Magnificent Super naturally tall And full of grand splendor Gracefully poised Elegantly adorned Purposeful Beautiful, coffee black, fair and lovely In her right hand Glitters a golden symbol She signals in words unspoken Beckoning her huge entourage Her majestic gown swept the floor of the earth beneath Her long gold beaded braids sway With each purposeful stride As she moves She looked intently ahead Walking with grace and dignity As if she has walked this path before On feet, covered, by the length Of her long elegant gown Her face one could not see As she walked, never looking back She emerged with a purpose A command that must be done An order that must be fulfilled The Nigress... arose.. From the river...
Maisie Aletha Smikle
With a selection of haute-couture designs and Parisian-inspired styling, Nouvelle Vogue has been redefining bridal fashion in the San Francisco Bay Area since 2005. All of Nouvelle Vogue's dresses are from renowned designers, each of whom offers a distinctive, gorgeous appearance. You'll find flawless craftsmanship and attention to detail in every gown, regardless of the dress you have in mind. In addition to providing you with unmatched service, our team of bridal experts is dedicated to assisting you in finding the ideal gown to complete your fantasy wedding.
Nouvellevoguebridal
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Biana’s ability to fearlessly face down giant mutant beasts or angry ogre kings, or any of the other terrifying situations she’s found herself in, and then swipe on some of her favorite lip gloss and put on her frilliest, fanciest gown like nothing happened. In a way, it’s kind of inspiring—and an excellent reminder that when it comes to emulating Biana’s style, the most important element is staying true to who you are.
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
If Klee led Plath further into the rococo labyrinth she meant to escape, Giorgio de Chirico led her out. Plath’s most successful art poem from this period was “The Disquieting Muses,” inspired by an abstract, surrealist painting of that title by de Chirico—“three terrible, faceless dressmakers’ dummies in classical gowns,
Heather Clark (Red Comet: The Short Life and Blazing Art of Sylvia Plath)
The children began to shout again, taking his comment to mean they should tell him which game they wished to begin with, but their voices only faded into the background when he looked up and met Persephone's stunning gaze. Her divine form inspired nothing but awe because she glowed. She was like a fucking star in the sky, burning away the darkness, setting fire to every horror he had ever known. This, he thought, is her truest form. She was wild, free, and beautiful. Her hair was unbound, curls falling thick and heavy around her shoulders and down her back, crowned with white flora from which her horns seemed to rise. Her gown was pink and airy and gave the illusion that she was simply gliding over the earth.
Scarlett St. Clair (A Game of Gods (Hades Saga, #3))
I wanted to let you to know that I agree to the match and I will marry you.” He couldn’t suppress a chuckle at her regal demeanor. “Well, I should certainly hope so as our engagement is a foregone conclusion. The contracts have already been drawn up.” Ian reached to touch her silken hair, unable to resist her. Her eyes narrowed as she rose from her seat. “I would have you know, Your Grace, that it was not a ‘foregone conclusion.’ In fact, I was not going to marry you at all! I have been doing everything I can to avoid becoming leg-shackled to you and I was going to run away!” His jaw clenched. Ian had hoped to dispel her feelings that he was a monster and apparently had failed far worse than he had ever anticipated. “And just where were you planning to run to?” he asked icily, unwilling to acknowledge the pain in his heart. Angelica did not flinch at his tone. Her skirts rustled as she paced the room. “I would have used the money I made from my stories to rent a flat somewhere in the city and support myself with short stories until I finished a novel. I heard that the lady who wrote Pride and Prejudice made one hundred forty pounds.” “That would not be enough to buy your pretty gowns,” he mocked, his temper rising at her sheer ignorance and ingratitude. “Gowns can go to the devil!” she retorted, cheeks growing pink in indignation. She looked down at her pale-blue satin opera gown as if offended by the shimmering elegance adorning her exquisite form. “Besides, they are not sensible garb for an author, I should say.” The way Angelica glibly spoke of living in squalor and subjecting herself to the sordid dangers of London rather than being his duchess made him clench his fists. Did she really think he was a fate worse than death? Or was she truly that naive? “What play are we going to see?” she asked in a blatant attempt to change the subject. Ian did not intend to let her off that easily. Inspiration struck him. Oh, he would take her to a “play” for certain. A play that she would never forget. “Something pitiful and tragic,” he said with an evil smile. It was high time his bride received a taste of reality. “I think you will be quite affected.” Her eyes narrowed in suspicion at his tone but she nodded in assent, ever displaying her indomitable courage. “I will get my cape.” “Put on a sensible pair of boots as well.” Ian’s heart twisted with bitterness. He would show her a fate worse than death. ***
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
Encouragement, Love, Hope There was a man that struggled with every step and walked each step with fear. As we all know when you walk and pave a path of fear, the steps slow down and the true light of faith dims. His family did, however, stand behind him. Though his steps were slow and not going far, his family followed covering each of those steps with encouragement and hope. As he kept walking and turned his head, the people who cared most weren't clear. His fear had taken over and there was uncertainty that slowed him down even further. The family that stands behind you is the one who gives you the push you need to keep going. The man was saddened with fear and started to sob. Mystery of the unknown was the overwhelming door he wasn't ready to open. His family followed right behind him, saying, "We are there for you, you are strong; you can make it through the toughest path with the strongest light of hope." It seemed he couldn't hear all that was said. It was as if he wasn't truly listening to the strongest words, but to the heavy negativity that kept drowning him in his fear. His steps slowed down even further. He cried some more and was shaken even more by the unknown that was ahead. It was that he didn't want to take a chance of what could come ahead, what could be the most enlightening and most life changing steps he could take to better himself in the future. His family still stood behind him with every step he took. Every time he looked back it was getting dimmer and dimmer, but they were still there. They spoke softly to him, "Everybody has risks in their lives, even obstacles they must over come. It will only make you stronger in the end, without risks in life, there is no chance." He didn't hear them speak; he heard it as if it was another language, something so far from understanding. The man found a bench and sat down. He was tired and didn't want to walk any further. His eyes filled with tears that streamed down his cheeks. His hands starting to cover his face, drowning in the fear that was overwhelming him. Again his loving family was there, but he couldn't see. They were around him with heart-filling encouragement and love, and best of all, that blessedness of hope The man lay down on the bench; his tears had soaked his cheeks and palms of his hands and fell asleep. When he awoke, his eyes slowly opened, trying to look around, finding that he was in an unfamiliar place. His vision was a bit fuzzy. He looked down and started to realize he wasn't on the bench anymore. He saw his legs and started to look up further; he was in a hospital gown. The man's eyes grew even more confused. He stood there in silence as his head slowly tilted up. He didn't understand why here was there. His eyes turn and he looks, as he notices numerous cords
Kittie Blessed
But meeting your aunt changed everything. It made me realize I could be so much more. I don’t know how it will happen or if it will. But at least there’s hope.” She pulled her feet onto the seat, tucking her knees to her chest. “Elise said she used to work the graveyard shift at this diner so she could have daytime hours free for photography. She said she’d work a wedding then go waitress right after. She went from champagne and cake to coffee and bacon. Evening gowns to truckers.” She smiled. “The weddings paid well, but the night shift inspired her. Isn’t that amazing? A five thousand dollar dress on a bride couldn’t compete with five thousand miles on a trucker’s face. She said his wrinkles told a better story than silk ever could.
Renita Pizzitola (Just a Little Kiss (Crush, #3))
A line from the Joe Walsh song reverberated in my head. ‘ “Nature loves her little surprises,” ’ I said. Piper snorted. ‘She sure does.’ I stared at the rows of Caligula’s outfits – everything from wedding gowns to Armani suits to gladiator armour. ‘It’s been my observation,’ I said, ‘that you humans are more than the sum of your history. You can choose how much of your ancestry to embrace. You can overcome the expectations of your family and your society . What you cannot do, and should never do, is try to be someone other than yourself – Piper McLean.’ She gave me a wry smile. ‘That’s nice. I like that. You’re sure you’re not the god of wisdom?’ ‘I applied for the job,’ I said, ‘but they gave it to someone else. Something about inventing olives.’ I rolled my eyes.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
Photographs from Distant Places (1) In distant villages, You always see the same scenes: Farms Cattle Worship spaces Small local shops. Just basic the things humans need To endure life. (2) ‘Can you stay with me forever?’ She asked him in the airport, While hugging him tightly in her arms. ‘Sorry, I can’t. My flight leaves in two hours and a half.’ He responded with an artificially caring voice, As he kissed her on her right cheek. (3) I was walking in one of Bucharest’s old streets, In a neighborhood that looked harshly beaten by Time, And severely damaged by development and globalization. I saw a poor homeless man Combing his dirty hair In a side mirror of a modern and expensive car! (4) The shape and the color of the eyes don’t matter. What matters is that, As soon as you gaze into them, You know that they have seen a lot. All eyes that dare to bear witness To what they have seen are beautiful. (5) A stranger asked me how I chose my path in life. I told him: ‘I never chose anything, my friend.’ My path has always been like someone forced to sit In an airplane on a long flight. Forced to sit with the condition Of keeping the seatbelt on at all times, Until the end of the flight. Here I am still sitting with the seatbelt on. I can neither move Nor walk. I can’t even throw myself out of the plane’s emergency exit To end this forced flight! (6) After years of searching and observing, I discovered that despair’s favorite hiding place Is under business suits and tuxedos. Under jewelry and expensive night gowns. Despair dances at the tables where Expensive wines of corruption And delicious dinners of betrayal are served. (7) Oh, my poet friend, Did you know that The bouquet of fresh flowers in that vase On your table is not a source of inspiration or creativity? The vase is just a reminder Of a flower massacre that took place recently In a field Where these poor flowers happened to be. It was their fate to have their already short lives cut shorter, To wither and wilt in your vase, While breathing the not-so-fresh air In your room, As you sit down at your table And write your vain words. (8) Under authoritarian regimes, 99.9% of the population vote for the dictator. Under capitalist ‘democratic’ regimes, 99.9% of people love buying and consuming products Made and sold by the same few corporations. Awe to those societies where both regimes meet to create a united vicious alliance against the people! To create a ‘nation’ Of customers, not citizens! (9) The post-revolution leaders are scavengers not hunters. They master the art of eating up The dead bodies and achievements Of the fools who sacrificed themselves For the ‘revolution’ and its ideals. Is this the paradox and the irony of all revolutions? (10) Every person is ugly if you take a close look at them, And beautiful, if you take a closer look. (11) Just as wheat fields can’t thrive Under the shadow of other trees, Intellectuals, too, can’t thrive under the shadow Of any power or authority. (12) We waste so much time trying to change others. Others waste so much time thinking they are changing. What a waste! October 20, 2015
Louis Yako (أنا زهرة برية [I am a Wildflower])
Bedtime by Maisie Aletha Smikle Tick tock tick tock Says my bunny clock It's half past nine o’clock The ship has already dock It's bedtime It's time to unwind And go to bed My mommy said So I take my bath And brush my teeth With a night cap over my hair I hop into my night gown Kneel down Bow my head And clasp my hands To pray Dear Lord You keep me when am awake Please keep me while I sleep Mommy comes in and peek Picks me up and tucks me in Dims the light Kiss me goodnight Read a story And sings me a happy lullaby Mommy reads the story of a sheep That didn't want to sleep So the shepherd counted flocks Till it was way past ten o’clock And the sheep fell fast asleep Mommy sings a lullaby My little one my sweet little one Your warm bed beckons Sweet peaceful sleep And happy lovely dreams Goodnight sunshine I love you dearly Sleep tight see you in the morning light
Maisie Aletha Smikle
Spend less than you make so you can whack away incrementally at the debt dragon with all you’ve got. It’s not exactly an algebraic formula reserved only for financial whizzes. Indeed, paying off debt isn’t complex; it’s just not easy. You don’t need a graduate degree, a fancy calculator, or a smarty-pants cap and gown. You are smart enough already. God has given you all you need.
Cherie Lowe (Slaying the Debt Dragon: How One Family Conquered Their Money Monster and Found an Inspired Happily Ever After)