Deliberately Hurting Someone Quotes

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Trust in someone means that we no longer have to protect ourselves. We believe we will not be hurt or harmed by the other, at least not deliberately. We trust his or her good intentions, though we know we might be hurt by the way circumstances play out between us. We might say that hurt happens; it’s a given of life. Harm is inflicted; it’s a choice some people make.
David Richo
You know, when someone hurts my feelings, somehow it does not comfort me to know that it was deliberate... On the other hand, knowing that someone else thinks they are assholes helps a great deal." "I think that's some kind of rule for the universe.
John Barnes (Tales of the Madman Underground)
Max's scarred brow crinkled. He reached for the coffee mug on his desk. “Motive is tricky. See, what might be a good reason for me to kill someone might not be a good enough reason for you to kill someone." Swift stared at his hands loosely clasped around his ankle. “I wouldn't. Deliberately hurt anyone." "And my impulse is to hurt anyone who hurts you.” When Swift's gaze lifted to his, Max said, “See how that works?" He did, and while it wasn't intended as a compliment, it did warm his heart in a funny way. He managed to joke, “Why, I think that's the most romantic thing anyone's ever said to me.
Josh Lanyon (Come Unto These Yellow Sands)
Everyone deserves someone who loves them through everything. Through anything. And maybe it’s an impossible wish, but I want to be loved by someone who would die before deliberately hurting me.
Samantha Young (Always You (Adair Family #3))
This obsession with the past, with something that someone did or how things should have been, as much as it hurts, is ego embodied. Everyone else has moved on, but you can’t, because you can’t see anything but your own way. You can’t conceive of accepting that someone could hurt you, deliberately or otherwise. So you hate.
Ryan Holiday (Ego Is the Enemy)
Some people with OCD are compelled to pick up pieces of broken glass from the street. They worry that, if they don’t, then someone else might cut themselves on the glass. If the person with OCD fails to prevent that happening, they think, well I may as well have walked up to the stranger and deliberately hurt them. So they take
David Adam (The Man Who Couldn't Stop: OCD and the True Story of a Life Lost in Thought)
emphasized that anger is a signal that someone wants to be treated differently, which is healthy; cruelty is when someone deliberately wants to hurt someone
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
Anger is a signal that someone wants to be treated differently, which is healthy; cruelty is when we deliberately want to hurt someone else.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
He cannot do anything deliberate now. The strain of his whole weight on his outstretched arms hurts too much. The pain fills him up, displaces thought, as much for him as it has for everyone else who has ever been stuck to one of these horrible contrivances, or for anyone else who dies in pain from any of the world’s grim arsenal of possibilities. And yet he goes on taking in. It is not what he does, it is what he is. He is all open door: to sorrow, suffering, guilt, despair, horror, everything that cannot be escaped, and he does not even try to escape it, he turns to meet it, and claims it all as his own. This is mine now, he is saying; and he embraces it with all that is left in him, each dark act, each dripping memory, as if it were something precious, as if it were itself the loved child tottering homeward on the road. But there is so much of it. So many injured children; so many locked rooms; so much lonely anger; so many bombs in public places; so much vicious zeal; so many bored teenagers at roadblocks; so many drunk girls at parties someone thought they could have a little fun with; so many jokes that go too far; so much ruining greed; so much sick ingenuity; so much burned skin. The world he claims, claims him. It burns and stings, it splinters and gouges, it locks him round and drags him down… All day long, the next day, the city is quiet. The air above the city lacks the usual thousand little trails of smoke from cookfires. Hymns rise from the temple. Families are indoors. The soldiers are back in barracks. The Chief Priest grows hoarse with singing. The governor plays chess with his secretary and dictates letters. The free bread the temple distributed to the poor has gone stale by midday, but tastes all right dipped in water or broth. Death has interrupted life only as much as it ever does. We die one at a time and disappear, but the life of the living continues. The earth turns. The sun makes its way towards the western horizon no slower or faster than it usually does. Early Sunday morning, one of the friends comes back with rags and a jug of water and a box of the grave spices that are supposed to cut down on the smell. She’s braced for the task. But when she comes to the grave she finds that the linen’s been thrown into the corner and the body is gone. Evidently anonymous burial isn’t quite anonymous enough, after all. She sits outside in the sun. The insects have woken up, here at the edge of the desert, and a bee is nosing about in a lily like silk thinly tucked over itself, but much more perishable. It won’t last long. She takes no notice of the feet that appear at the edge of her vision. That’s enough now, she thinks. That’s more than enough. Don’t be afraid, says Yeshua. Far more can be mended than you know. She is weeping. The executee helps her to stand up.
Francis Spufford (Unapologetic: Why, Despite Everything, Christianity Can Still Make Surprising Emotional Sense)
But I’m not so sure the way you lose someone you love makes the pain of losing them any easier or more difficult. It’s the emptiness they leave behind that hurts so badly, regardless of whether they deliberately walked away or were taken from us. But the heart is a wonderful, strong organ. It has the ability to heal and grow and love more than one person. The trickier part is finding someone who makes your heart want to love again. Someone who fills all those empty places and then some.
Melissa Foster (Only for You (Sugar Lake, #2))
I reach out and trace the dragon relic on his back, my fingers lingering on the raised silver scars, and he stiffens. They're all short, thin lines, too precise to be a whip, no rhyme or reason to their pattern but never intersecting. 'What happened?' I whisper, holding my breath. 'You really don't want to know.' He's tense, but doesn't move away from my touch. 'I do.' They don't look accidental. Someone hurt him deliberately maliciously, and it makes me want to hunt the person down and do the same to them. His jaw flexes as he looks over his shoulder, and his eyes meet mine. I bite my lip, knowing this moment can go either way. He can shut me out like always or he can actually let me in. 'There's a lot of them,' I murmur, dragging my fingers down his spine. 'A hundred and seven.' He looks away. The number makes my stomach lurch, and then my hand pauses. A hundred and seven. That's the number Liam mentioned. 'That's how many kids under the age of majority carry the rebellion relic.' 'Yeah.' I shift so I can see his face. 'What happened, Xaden?' He brushes my hair back, and the look that passes is over his face is so close to tender that it makes my heart stutter. 'I saw the opportunity to make a deal,' he says softly. 'And I took it.' 'What kind of deal leaves you with scars like that?' Conflict rages in his eyes, but then he sighs. 'The kind where I take personal responsibility for the loyalty of the hundred and seven kids the rebellion's leaders left behind, and in return, we're allowed to fight for our lives in the Riders Quadrant instead of being put to death like our parents.' He averts his gaze. 'I chose the chance of death over the certainty.' The cruelty of the offer and the sacrifice he made to save the others hits like a physical blow. I cradle his cheek and guide his face back to mine. 'So if any of them betray Navarre...' I lift my brows. 'Then my life is forfeit. The scars are a reminder.' It's why Liam says he owes him everything. 'I'm so sorry that happened to you.' Especially when he wasn't the one who led the rebellion. He looks at me like he sees into the very depths of who I am. 'You have nothing to apologise for.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
anger has a bad reputation. It’s a negotiation device that helps us stand up for ourselves, to say, in effect, “Get off my turf; you’re stomping on my sense of self. Stop crossing into my backyard.” Then it’s up to the other person to deal with your anger—to decide whether it’s a legitimate problem that requires a change in his or her behaviour. “Your mother was hurt, and then she considered it, and she hasn’t mentioned her ‘mother fantasy’ since,” I said. I emphasized that anger is a signal that someone wants to be treated differently, which is healthy; cruelty is when someone deliberately wants to hurt someone else.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
Each person owns their own feelings. No one “makes” you feel jealous or insecure — the person who makes you feel that way is you. No matter what the other person is doing, what you feel in response is determined inside you. Even when somebody deliberately tries to hurt you, you make a choice about how you feel. You might feel angry or hurt or frightened or guilty. The choice, not usually conscious, happens inside you. Reaching this understanding is not as easy as it sounds. When you feel rotten, it can be hard to accept the responsibility for how you feel: wouldn’t this be easier if it were someone else’s fault? The problem is that when you blame someone else for how you feel, you disempower yourself. If this is someone else’s fault, only that person can fix it, right? So poor you can’t do anything but sit there and moan.
Dossie Easton (The Ethical Slut: A Guide to Infinite Sexual Possibilities)
You have to get safe and know how to work together with your system of selves before you can work on the memories with all the details and all the feelings. Even then it’s not just letting it all hang out. It’s a long slow process that is designed to overwhelm you as little as possible. We can discuss it in depth at a later time. Right now, your situation reminds me of a bunch of folks on a big sailboat that’s taking on water. No one knows where the life vests are, or how to put them on. Half the crew is below decks refusing to come out, and the other half is fighting with each other. Then someone says, ‘Ooh there’s a hurricane, let’s sail into that!’ Doesn’t sound likely that the ship and the crew are going to do very well there, does it? Sometimes, even if you’re not prepared, a hurricane hits, but that’s different from deliberately sailing into one. ‘The first thing is that everyone needs to work on working together, getting safe from harm to yourselves and others. I really believe, from everything you’ve all said, that you’ve all been hurt enough. You don’t need any more harm coming to any of you or your body. You don’t have to like everyone, love everyone, or even trust everyone inside. It’s just a matter of seeing how you can begin to risk to work together.
Richard J. Loewenstein
Though she could feel Dom darting glances at her the whole time, she couldn’t face him, couldn’t even look at him. Not just now, when she was still in turmoil about what they’d done. About what he’d said to her at the end. It will also give you a chance to decide what you want. That was the trouble. She didn’t know what she wanted. Well, she did know--she wanted to marry Dom the courteous gentleman. But not Dom the Almighty. She wanted the Dom who mourned for the six children who’d lost their mother needlessly, not the Dom who was sure Nancy was a whore because she’d married his bastard of a brother. But what if both parts were him? What if she couldn’t have one without the other? Why, he hadn’t even said he loved her! Then again, neither had she, so she could hardly fault him for that. Their past was still too raw, and they were both still afraid. Perhaps he’d been waiting for her to say it. She’d certainly been waiting for him. Because then she might really believe he meant to make a life with her again, and not go running off at the first sign of disaster. Like, perhaps, if Nancy proved to be bearing George’s son. “Since it’s such a beautiful morning,” Dom said, “I was thinking that someone might prefer to ride in the phaeton with me. What do you think, Jane? Shall you join me?” He was asking. Deliberately asking, not ordering. And she could feel his expectant gaze on her, indeed, feel everyone’s expectant gazes on her. But her thoughts were too jangled right now, and an enforced ride with him would only jangle them more. Especially since they’d be trapped together for half the day. She wouldn’t be able to escape. Not that she necessarily wanted to escape. Did she? Oh, Lord, she couldn’t handle this at the moment. “Actually, I was looking forward to chatting with your sister in His Grace’s coach. If you don’t mind.” Only then did she meet his gaze. It showed nothing of his thoughts, which made everything worse. She’d begun to recognize that bland expression; he only wore it when he was protecting himself. And if he felt a need to protect himself, then she’d hurt him. She swallowed hard. She hadn’t wanted to hurt him. Perhaps she should ride with him. Clear the air. Perhaps she was being a coward. “Whichever you prefer,” he said curtly. Then he walked briskly down the steps to his waiting phaeton, leapt in, and set it going. And the decision was made for her. Again. No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away. Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
I only have to change on the one night of the month the moon is fullest. I can hold it off all right the rest of the time. So don’t worry—you won’t have to see too much more of my wolf.” “Oh really? That’s too bad.” To my surprise, she sounded disappointed. I raised an eyebrow at her. “Too bad? Why would you say that?” She shrugged. “I don’t know. It’s just… I liked your wolf. He was so big and cuddly—kind of like a living teddy bear. He kept me warm while I was sleeping—I mean really warm and that’s hard for me. I’m always cold since I was turned.” “He is actually me,” I reminded her. “I was the one cuddling you and keeping you warm last night.” “Oh, I know.” She blushed a pale pink. “I just… it’s hard to think of you and the wolf as the same being. You’re just so different in that form. Less, I don’t know… less threatening. Not that you’re threatening now,” she went on hurriedly. “But you’re just less… less scary as a wolf.” I couldn’t help laughing. “You must be the only person I know who thinks a huge wolf is less scary than a man.” “Animals aren’t deliberately cruel,” she said softly. “I mean, they may do savage things sometimes but it’s because of instinct, not because they want to hurt someone on purpose. You know?” I nodded. “So animals are safer than men—is that what you’re saying?” “Pretty much.” She crossed her arms over her chest protectively. “Sorry, I’m not saying you’re cruel or anything. I guess I just like animals better than people sometimes, that’s all. They’re less… complicated.
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
without question. One of the older men said something under his breath about babes and sucklings, but not loudly enough to be overheard. Mr Beaumaris glanced round the table. ‘Stakes, gentlemen,’ he said calmly. Bertram, who had changed his bill for one modest rouleau, thrust it in a quick movement towards the queen in the livrat. Other men were placing their bets; someone said something which made his neighbour laugh; Lord Petersham sighed deeply, and deliberately pushed forward several large rouleaus, and ranged them about his chosen cards; then he drew a delicately enamelled snuff-box from his pocket, and helped himself to a pinch of his latest blend. A pulse was beating so hard in Bertram’s throat that it almost hurt him; he swallowed, and fixed his eyes on Mr Beaumaris’s hand, poised above the pack before him. The boy has been having some deep doings, thought Mr Beaumaris. Shouldn’t wonder if he’s rolled-up! What the devil possessed Chuffy Wivenhoe to bring him here? The bets were all placed; Mr Beaumaris turned up the first card, and placed it to the right of the pack. ‘Scorched again!’ remarked Fleetwood, one of whose bets stood by the card’s counterpart. Mr Beaumaris turned up the Carte Anglaise, and laid it down to the left of the pack. The Queen of Diamonds danced before Bertram’s eyes. For a dizzy moment he could only stare at the card; then he looked up, and met Mr Beaumaris’s cool gaze, and smiled waveringly. That smile told Mr Beaumaris quite as much as he had need to know, and did nothing to increase his enjoyment of the evening ahead of him. He picked up the rake beside him, and pushed two twenty-guinea rouleaus across the table. Lord Wivenhoe called for wine for himself and his friend, and settled down to plunge with his usual recklessness.
Georgette Heyer (Arabella)
Animals aren’t deliberately cruel,” she said softly. “I mean, they may do savage things sometimes but it’s because of instinct, not because they want to hurt someone on purpose. You know?” I nodded. “So animals are safer than men—is that what you’re saying?” “Pretty much.” She crossed her arms over her chest
Evangeline Anderson (Scarlet Heat (Born to Darkness, #2; Scarlet Heat, #0))
You call that a kiss?” “Yep.” Okay, so I’m in shock the girl put my hand on her creamy cheek. Damn, you’d think I was on drugs by the way my body reacted. She had me totally under her spell a minute ago. Then the pretty witch turned my game around so she was the one with the upper hand. She surprised me, that’s for sure. I laugh, deliberately calling attention to us because I know it’s exactly what she doesn’t want. “Shh,” Brittany says, hitting me on the shoulder to shut me up. When I laugh louder, she whacks my arm with the heavy chem book. My bad arm. I wince. “Ow!” The cut on my biceps feels like a million little bees are stinging it. ¡Cabrón me dolioǃ She bites her Bobbi Brown Sandwash Petal’d frosted bottom lip, which in my opinion looks fine on her. Though I wouldn’t mind seeing her in the Pink Blossom color, too. “Did I hurt you?” she asks. “Yes,” I say through gritted teeth as I concentrate on her lip gloss instead of the pain. “Good.” I lift my sleeve to examine my wound, which now (thanks to my chem partner) has blood trickling from one of the staples the doc at the free clinic put in it after the fight at the park with the Satin Hoods. Brittany’s got a pretty good whack for someone who probably weighs a buck ten soaking wet. She sucks in her breath and scoots away. “Oh my God! I didn’t mean to hurt you, Alex. Really, I didn’t. When you threatened to show me the scar, you lifted your left sleeve.” “I wasn’t really gonna show you,” I say. “I was fuckin’ with you. It’s okay,” I tell her. Geez, you’d think the girl never saw red blood before. Then again, her blood probably runs blue. “No, it’s not okay,” she insists while shaking her head. “Your stitches are bleeding.” “They’re staples,” I correct her, trying to lighten the mood. The girl is even whiter than she usually is. And she’s breathing heavy, almost panting. If she passes out, I swear I’m losing the bet with Lucky. If she can’t handle a little streak of my blood, how’s she gonna handle having sex with me? Unless we’re not naked, so she doesn’t have to see my various scars. Or if it’s dark, then she can pretend I’m someone white and rich. Fuck that, I want the lights on…I want to feel all of her against me and want her to know it’s me she’s with and not some other culero. “Alex, are you okay?” Brittany asks, looking totally concerned. Should I tell her I was spacing out while thinking about us having sex?
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
They knew it bothered him, but they did it anyway. How was it possible-he wondered then; he still did now-for people deliberately to hurt someone else who hadn't hurt them? How was it possible?
Neil Gaiman
Since her separation she had slowly, cautiously--perhaps even unconsciously--performed a kind of striptease, unpeeling the veils of convention which had surrounded her. During the 1980s she had been defined only by her fashions, seen merely as a glamorous clothes horse, a royal adjunct, a wife and mother. Since the separation, however, her regal wardrobe, which defined her royal mystique, had been left in the closet. Indeed, her decision, inspired by Prince William, to hold an auction of her royal wardrobe for Aids charities in New York in the summer of 1997 was a very public farewell to that old life. She no longer wanted to be seen as just a beautiful model for expensive clothes. Moreover, during her days as a semi-detached royal she had deliberately stripped away other trappings of monarchy, her servants, her ladies-in-waiting, her limousines and, most controversially, her bodyguards. The casting off of her royal title was one giant step on that journey. She had spent much time grieving a failed relationship, lost hopes and broken ambitions. She had once said: ‘I had so many dreams as a young girl. I hoped for a husband to look after me, he would be a father figure to me, he would support me, encourage me, say “Well done” or “That wasn’t good enough”. I didn’t get any of that. I couldn’t believe it.’ The days of betrayal, anguish and hurt lay in the past. Now it was time to move on, to make the most of her position and her personality. Opportunity beckoned. As the Princess admitted: ‘I have learned much over the last years. From now on I am going to own myself and be true to myself. I no longer want to live someone else’s idea of what and who I should be.’ ‘I am going to be me.
Andrew Morton (Diana: Her True Story in Her Own Words)
anger is a signal that someone wants to be treated differently, which is healthy; cruelty is when someone deliberately wants to hurt someone else.
Catherine Gildiner (Good Morning, Monster: A Therapist Shares Five Heroic Stories of Emotional Recovery)
What do you want?" I demanded finally. He tilted his head. "What do you want?" His face was pale and composed, his pupils narrowed to threadlike slits; there was no hint of hesitation in his body. It came over me again, the knowledge of how little he was human. He had clung to me in the night. He had saved my life twice. He had seen me, in all my ugliness, and never hated me; and in that moment, nothing else mattered. "I want my world to be free." I stepped toward him. "I want my sister never to have been hurt by me." I took his hands. "And I want you to say that you love me again." His hands tightened around mine. "I love you," he said. "I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?" I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of the Earth. Except that the sunlight was false, and his love was real. It was real. Very deliberately, I pulled my hands out of his. "You're a demon," I said, staring at the ground. "Most likely." "I know what you've done." "The exciting parts, anyway." "And I still don't know your name." My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so easily. "But I know you're my husband." The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I were a bird that might be startled into flight. Finally I met his eyes. "And," I said. "I suppose I do love you." Then he pulled me in his arms.
Rosamund Hodge (Cruel Beauty)