Gothic Wedding Quotes

So I'll be wed in the Church of the Holy Incestuous Mushroom?

Every time the phone rang, my heart jumped. Was it Alexander? And when it wasn't him my heart would break into a million pieces. It had been two longs days since I had seen my Gothic mate. I was so preoccupied with Alexander, dreaming of the next time we'd be together, nothing else mattered. I didn't wash the spot where his tender love lips had pressed against my flesh. I was acting like I was straight out of a Gidget movie! What had happened to me? I was losing my edge! For the first time in my life I was really afraid. Afraid of never seeing him again and afraid of being rejected.

It had been June, the bright hot summer of 1937, and with the curtains thrown back the bedroom had been full of sunlight, sunlight and her and Will's children, their grandchildren, their nieces and nephews- Cecy's blue eyed boys, tall and handsome, and Gideon and Sophie's two girls- and those who were as close as family: Charlotte, white- haired and upright, and the Fairchild sons and daughters with their curling red hair like Henry's had once been. The children had spoken fondly of the way he had always loved their mother, fiercely and devotedly, the way he had never had eyes for anyone else, and how their parents had set the model for the sort of love they hoped to find in their own lives. They spoke of his regard for books, and how he had taught them all to love them too, to respect the printed page and cherish the stories that those pages held. They spoke of the way he still cursed in Welsh when he dropped something, though he rarely used the language otherwise, and of the fact that though his prose was excellent- he had written several histories of the Shadowhunters when he's retired that had been very well respected- his poetry had always been awful, though that never stopped him from reciting it. Their oldest child, James, had spoken laughingly about Will's unrelenting fear of ducks and his continual battle to keep them out of the pond at the family home in Yorkshire. Their grandchildren had reminded him of the song about demon pox he had taught them- when they were much too young, Tessa had always thought- and that they had all memorized. They sang it all together and out of tune, scandalizing Sophie. With tears running down her face, Cecily had reminded him of the moment at her wedding to Gabriel when he had delivered a beautiful speech praising the groom, at the end of which he had announced, "Dear God, I thought she was marrying Gideon. I take it all back," thus vexing not only Cecily and Gabriel but Sophie as well- and Will, though too tired to laugh, had smiled at his sister and squeezed her hand. They had all laughed about his habit of taking Tessa on romantic "holidays" to places from Gothic novels, including the hideous moor where someone had died, a drafty castle with a ghost in it, and of course the square in Paris in which he had decided Sydney Carton had been guillotined, where Will had horrified passerby by shouting "I can see the blood on the cobblestones!" in French.

Maybe we were being a bit unrealistic, but we had this hope that if we could just get into the Ivy League, everything would be set. We dreamed of Gothic libraries and leafy green quads and romantic dorms with fireplaces and guys who were not only cute but also smart and charming, and, quite possibly, British. In college, we believed, we’d finally find our people.

My outfit was a black dress with a corset waist, off-the-shoulder sleeves, and a large ball gown skirt. It looked like something someone might‘ve worn to a Gothic wedding. And then they‘d been buried in it for a few months.

So I’ll be wed in the Church of the Holy Incestuous Mushroom?” she intoned. “I doubt that’s valid.

So I’ll be wed in the Church of the Holy Incestuous Mushroom?” she intoned. “I doubt that’s valid.

We were not married; she was not a dark and brooding man. It was hardly a crumbling ancestral manor; just a single-family home, built at the beginning of the Great Depression. No moors, just a golf course. But it was "woman plus habitation," and she was a stranger. That is probably the truest and most gothic part; not because of war or because we'd only met with chaperones before marriage; rather because I didn't know her, not really, until I did. She was a stranger because something essential was shielded, released in tiny bursts until it became a flood-a flood of what I realized I did not know. Afterward, I would mourn her as if she'd died, because something had: someone we had created together.

But it was "woman plus habitation," and she was a stranger. That is probably the truest and most gothic part; not because of war or because we'd only net with chaperones before marriage; rather because I didn't know her, not really, until I did. She was a stranger because something essential was shielded, released in tiny bursts until it became a flood-a flooded of what I realized I did not know. Afterward, I would mourn her as if she'd died, because something had: someone we had created together

As a teenager with morbid proclivities, my only real social outlets in Hawai’i were the gothic and S&M fetish clubs with names like “Flesh” and “The Dungeon” that took place on Saturday nights in warehouses down by the airport. My friends and I, all uniform-wearing private-school girls by day, would tell our parents we were having a sleepover and instead change into black vinyl ball gowns we ordered off the Internet. Then we’d go to the clubs and get tied to iron crosses and publicly flogged amid puffing fog machines. After the clubs closed at two a.m. we’d go into a twenty-four-hour diner called Zippy’s, invariably get called “witches” by some confused late-night patrons, wash off our makeup in the bathroom, and sleep for a few hours in my parents’ car. Since I was also on my school’s competitive outrigger canoe paddling team, the next morning I would have to peel off the vinyl ball gown and paddle in the open ocean for two hours as dolphins leapt majestically next to our boat. Hawai’i is an interesting place to grow up.

The person standing in the doorway is a frail blonde who looks like she’s been plucked off the poster of some Gothic horror movie. She’s wearing a ripped wedding dress, torn in several places, dusty and bloodstained at the hem.

The Randolph is the fanciest hotel in Oxford, a hallowed brick building built in the Victorian Gothic style. It’s hard not to be impressed by it. Actually, it’s hard not to be impressed by everything in Oxford.

The smoke was heavy in the frigid air. Bitter in my throat. I leaned against the railing, stared out at the city: crawling traffic, flashing lights, darkness hanging over New York without a promise of sunrise to come. I was reminded of the nights we’d stood on this same balcony, a drink in Massimo’s hand, ice clinking against his teeth. Tonio exhaling long spirals of gray smoke into the neon-tinted night. Rubbing oil out of my palm, smoking one of Tonio’s cigarettes and taking drinks when my cousin offered them. I was reminded of last night when we’d stood in the courtyard outside the ballroom, blood on Massimo’s face and acrid smoke in the air. Ice water dripping from Tonio’s hand. And a shadow in the golden light spilling from the doorway. I missed Lorel, and Massimo, and the people we’d once been. Though maybe we’d always been the people we were now, just buried beneath layers. Regardless, I thought Mamma and Papa wouldn’t recognize the girl standing here now on a dark New York balcony, smoking one last cigarette, blood and oil in the creases of her hands.

It was as if a medieval castle and a Southern-belle, antebellum mansion had a baby and it had been delivered into the world by a gothic wedding-cake decorator.

Back rubs,” she says without even pausing to think about it. “Long and luxurious and totally aimless back rubs.” “Hot showers,” he says. “Incredibly hot. Like, use-all-the-hot-water-in-the-whole-building hot.” “The first sip of water when you’re really thirsty.” “The first sip of coffee in the morning.” “The smell of dryer exhaust.” “The smell of hot asphalt at an amusement park.” “Sprinting into the ocean.” “A hayride at sunset.” “Lobster rolls, warm, with melted butter.” “Cheese ravioli out of a can.” “Whoopie pies with marshmallow fluff.” “Tater Tots with mayonnaise.” “The moment everyone at a wedding stands up at the first few notes of the bridal march.” “When you stare at a Rothko so long it looks like it’s vibrating.” “The statue of David.” “American Gothic.” “The beginning of Mozart Forty.” “Rage Against the Machine.” “The violin solo from Scheherazade.

And we’d sit in the dry leaves that whispered a little with the slow respiration of our waiting and with the slow breathing of the earth and the windless October, the rank smell of the lantern fouling the brittle air, listening to the dogs and to the echo of Louis’s voice dying away. He never raised it, yet on a still night we have heard it from our front porch. When he called the dogs in he sounded just like the horn he carried slung over his shoulder and never used, but clearer, mellower, as though his voice were a part of darkness and silence, coiling out of it, coiling into it again. WhoOoooo. WhoOoooo. WhoOooooooooooooooo.

Eternity," I repeated, the words burning into my brain, so much so it felt we'd made some form of sacred and unbreakable bond.

Across the table sat my eight-year-old daughter. Adjacent to her sat a man she had never seen before, with Gothic lettering inscribed across his Adam’s apple and the f-word emblazoned down the length of his forearm. For the first time in my life, I questioned the hours we’d spent honing our kids’ early reading skills.

Aubry Park was a glorious Elizabethan manor, lovingly restored in the last century and equipped with numerous gothic undertones- enough to send Charlotte's mother into a ghost-seeking frenzy. The massive, cream-colored stone house sat hidden in a forest like some romantic woodland folly. Upon first approach, it seemed rather modest, enclosed in a small courtyard, the upper floors timbered and gabled, but after one ventured a look past the facade, the manor sprawled onward, connecting to a myriad of wings, towers hidden by tall trees and climbing vines and private walled gardens. "Enchanting," Charlotte murmured, running her fingertips along the soft bristles of an ivory-handled brush.

Short story: The true and incredible tale of David Kirkpatrick, a Scottish ex-boy scout, and miner, serving in WW2 with 2nd Highland Light Infantry and the legendary elite corps 2nd SAS. A man who becomes a hero playing his bagpipe during a secret mission in Italy, March 1945, where he saved the lives of hundreds just playing during the attack. After he fought in North Africa, Greece, Albania, Sicily and being reported as an unruly soldier, (often drunk, insulting superiors and so on) in Tuscany, 23 march 1945 he joined as volunteer in the 2nd Special Air Service ( the British elite forces), for a secret mission behind enemy line in Italy. He parachuted in the Italian Apennines with his kilt on (so he becomes known as the 'mad piper' ) for a mission organized with British elite forces and an unruly group of Italian-Russian partisans (code name: 'Operation Tombola' organized from the British secret service SOE and 2nd SAS and the "Allied Battalion") against the Gothic Line german headquarter of the 51 German Mountains Corps in Albinea, Italy. The target of the anglo-partisan group's mission is to destroy the nazi HQ to prepare the big attack of the Allied Forces (US 5th Army, British 8th Army) to the German Gothic Line in North Italy at the beginning of April. It's the beginning of the liberation of Italy from the nazi fascist dictatorship. The Allied Battalion guided by major Roy Farran, captain Mike Lees Italian partisan Glauco Monducci, Gianni Ferrari, and the Russian Viktor Pirogov is an unruly brigade of great fighters of many nationalities. Among them also not just British, Italian, and Russian but also a dutch, a greek, one Austrian paratrooper who deserted the German Forces after has killed an SS, a german who deserted Hitler's Army being in love with an Italian taffeta's, two Jewish escaped from nazi reprisal and 3 Spanish anti-Franchise who fought fascism in the Spanish Civil War and then joined first the French Foreign Legion and the British Elite Forces. The day before the attack, Kirkpatrick is secretly guested in a house of Italian farmers, and he donated his white silk parachute to a lady so she could create her wedding dress for the Wedding with his love: an Italian partisan. During the terrible attack in the night of 27th March 1945, the sound of his bagpipe marks the beginning of the fight and tricked the nazi, avoiding a terrible reprisal against the civilian population of the Italian village of Albinea, saving in this way the life of hundreds The German HQ based in two historical villa's is destroyed and in flames, several enemy soldiers are killed, during the attack, the bagpipe of David played for more than 30 minutes and let the german believe that the "British are here", not also Italian and Russian partisan (in war for Hitler' order: for partisans attack to german forces for every german killed nazi were executing 10 local civilians in terrible and barbarian reprisal). During the night the bagpipe of David is also hit after 30 minutes of the fight and, three British soldiers of 2nd SAS are killed in the action in one of the two Villa. The morning later when Germans bring their bodies to the Church of Albinea, don Alberto Ugolotti, the local priest notes in his diary: "Asked if they were organizing a reprisal against the civilian population, they answered that it was a "military attack" and there would.