Gothic Romance Quotes

We've searched our database for all the quotes and captions related to Gothic Romance. Here they are! All 100 of them:

β€œ
I envy people that know love. That have someone who takes them as they are.
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Jess C. Scott (The Devilin Fey (Naked Heat #1))
β€œ
You say one more thing that sounds like it's ripped from the pages of a really bad gothic romance and I'm out of here, are we clear?" - Valkyrie Cain
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Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
β€œ
One hand was behind his back, and he held it out, presenting a bouquet of white and smoky purple lilies. β€œThey’re straight from the underworld, by the way. They are everlasting. They won’t die.
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Jess C. Scott (The Devilin Fey (Naked Heat #1))
β€œ
Everybody is equally weak on the inside, just that some present their ruins as new castles and become kings –
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
All is as if the world did cease to exist. The city's monuments go unseen, its past unheard, and its culture slowly fading in the dismal sea.
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Nathan Reese Maher
β€œ
Oh, he did look like a deity – the perfect balance of danger and charm, he was at the same time fascinating and inaccessible, distant because of his demonstrated flawlessness, and possessing such strength of character that he was dismaying and at the same time utterly attractive in an enticing and forbidden way.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
I always am in a role, lovely – for you, for them – even for myself. Yeah... Even when I’m alone, I am still in a role – and I myself am the most exacting audience I have ever had.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
And I wasn’t playing a role – I was trying to be myself. But the harder I was striving, the more I was realizing that I had probably lost that β€˜myself’ somewhere between two perfectly performed roles...
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Desires are what can most easily ruin us, lovely.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
I’d love to try to tame you... And I would simply adore it if you turn out untamable –
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Do we not each dream of dreams? Do we not dance on the notes of lost memories? Then are we not each dreamers of tomorrow and yesterday, since dreams play when time is askew? Are we not all adrift in the constant sea of trial and when all is done, do we not all yearn for ships to carry us home?
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Nathan Reese Maher
β€œ
Mine first --mine last-- mine even in the grave!
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Louisa May Alcott
β€œ
Her hands crept around his neck, tangling in his hair to keep him closer, even though she knew that beautiful boys with expiration dates couldn't be held, only borrowed for a time.
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Martina Boone
β€œ
I will render you as you really were, neither cast in pristine stained glass or unholy fire. I will make you into nothing more than a man, tender and brutal in equal measure, and perhaps in doing so I will justify myself to you. To my own haunted conscience.
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S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
β€œ
Have a look around, my pretty, we are surrounded by Death in all forms – just the two of us are still alive –
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
I would’ve kissed you bathed in blood, Corvina. If I had a chance to kiss you while a thousand ghosts rose from their graves, I would have kissed you. Don’t doubt that.
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RuNyx (Gothikana)
β€œ
I was never able to accept anyone else’s support but my own –
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
And what if you try to kill me? Or worse: to kiss me?
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Call me crazy, but there is something terribly wrong with this city.
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Nathan Reese Maher
β€œ
Paranoia. The more you think of an imaginary problem, the more you feel as though it’s real –
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
All cats are gray in the dark. And besides, her actions have less to do with her, and everything to do with you.
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Jaye Frances (The Kure)
β€œ
I knew then that I would devote every minute we had left together to making her happy, to repairing the pain I had caused her and returning to her what I never known how to give her. These pages will be our memory until she drows her last breath in my arms and I take her forever and escape at last to a place where neither heaven nor hell will ever be able to find us.
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Carlos Ruiz ZafΓ³n
β€œ
Emotions don’t interfere in my acting, nor in my life.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
A good enemy can be better than the best of friend.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Even I don’t know myself... In fact, I don’t know if I really have a self at all, as I’m constantly playing different roles and pretending – not so much on stage as in real life...
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
I can’t help but ask, β€œDo you know where you are?” She turns to me with a foreboding glare. β€œDo you?
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Nathan Reese Maher
β€œ
You kissed me once and now you feel as if you’ve got some special kind of licence to do it whenever you want?
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
There are two kinds of truth: the truth that lights the way and the truth that warms the heart. The first of these is science, and the second is art. Neither is independent of the other or more important than the other. Without art science would be as useless as a pair of high forceps in the hands of a plumber. Without science art would become a crude mess of folklore and emotional quackery. The truth of art keeps science from becoming inhuman, and the truth of science keeps art from becoming ridiculous." (Great Thought, February 19, 1938)
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Raymond Chandler (The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance)
β€œ
So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
There is a stillness between us, a period of restlessness that ties my stomach in a hangman’s noose. It is this same lack in noise that lives, there! in the darkness of the grave, how it frightens me beyond all things.
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Nathan Reese Maher
β€œ
You can speak to me like you haven’t spoken even to yourself.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Marriage could hardly be like the passionate romances one read about in books. It seemed to her, in fact, a rotten deal. Men would be solicitous and well behaved when they courted a woman, asking her out to parties and sending her flowers, but once they married, the flowers wilted.
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Silvia Moreno-Garcia (Mexican Gothic)
β€œ
You know what, your imagination works faster than your mind.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
you always felt they were pawns in an indifferent universe, butts of an existential joke with no punch line.
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Poppy Z. Brite
β€œ
Did Bach ever eat pancakes at midnight?
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Nathan Reese Maher
β€œ
People do not ever change. The person you see later is merely the one that was hidden from you in the beginning. Shane KP O'Neill - The Gates Of Babylon.
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Shane K.P. O'Neill
β€œ
Don't resent me when I've only just gotten you, please, for I am what makes this world beautiful.
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
The dilemma of the critic has always been that if he knows enough to speak with authority, he knows too much to speak with detachment." (A Qualified Farewell)
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Raymond Chandler (The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance)
β€œ
My heart, for unknown reasons, seems to freeze in motion in my chest. I can see he senses it and he holds his pause to enjoy my suffering, prolonging my ignorance. β€œViktor, what?
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Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
β€œ
Profanity is the expression of a lesser mind.
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Shane K.P. O'Neill
β€œ
She no longer feared what brewed within her, and she was done making apologies for who she was. Signa would not just burn; she would ignite.
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
You were always so full of hope, so maddeningly tenacious. And then, oh, then, Liska, Liseczka, the worst thing of all happened.’ His voice cracks, and he looks away. β€˜I fell in love.
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A.B. Poranek (Where the Dark Stands Still: A sweeping, gothic YA fairytale romance)
β€œ
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
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Bob Dylan (Chronicles, Volume One)
β€œ
When her mind was discomposed... a book was the opiate that lulled it to repose.
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Ann Radcliffe (The Romance of the Forest)
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I lie more convincingly than I tell the truth.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
You are not cursed-you are a reaper. You are the night incarnate, the ferrier of souls. You are the bridge between the living and the deadβ€”a caged bird that's ready to fly. So spread your wings, Signa Farrow, because you are limitless. Spread your wings, and oh, how we'll fly.
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
History doesn’t start with a tall building and a card with your name written on it, but jokes do. I think someone is taking us for suckers and is playing a mean game.
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Nathan Reese Maher
β€œ
The utter unbroken silence was more appalling than any ominous noise, than the loudest yells of anguish, than the most piercing screaming... Dead silence. Literally dead.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
...perhaps we only notice things when the time comes for us to pay attention to them. When they need us to see them…
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Nancy Holder (Crimson Peak)
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If I look like a monster,’ he says roughly, β€˜then no one will be surprised when I do monstrous things.
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A.B. Poranek (Where the Dark Stands Still: A sweeping, gothic YA fairytale romance)
β€œ
I dove down deep into your psyche, turning over every word you gave me like a jewel. Looking for meaning, seeking out the mysteries of you. I didn't care if I lost myself in the process. I wanted to be brought by the hand into your world and disappear into your kiss until us two could no longer be told apart.
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S.T. Gibson (A Dowry of Blood (A Dowry of Blood, #1))
β€œ
You Just scared me half to death," I said. "You should be thrilled you're halfway there.
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Rae Hachton (Pretty In Black (Pretty in Black, #1))
β€œ
The beauty of a woman is that no two are the same. They are all different. It follows then that to be successful as a lover, you cannot make love to any two in the same way.
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Shane K.P. O'Neill (The Path To Decay (The Dracula Chronicles, #2) (Vlad Dracula, #2))
β€œ
Exercise care with what it is you do when you hold my heart in your hands. For it is my love that makes you special. When it is gone, you shall soon know it and you shall be special no more. Shane KP O'Neill - The Gates Of Babylon
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Shane K.P. O'Neill
β€œ
Dying would be normal for me, and one day, I'd be buried beneath a stone, and nothing would matter anymore. It'd be ordinary, like life. And that terrified me, endlessly.
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Rae Hachton (Black Satin (Pretty in Black, #2))
β€œ
He would die in this room, buried alive by the weight of his life.
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Christine Fonseca (Transcend)
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I never really wanted to die. But I followed through anyway. The pain in my heart was excruciating, and death was beautiful.
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Rae Hachton (Pretty In Black (Pretty in Black, #1))
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Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
I was recently living more comfortably surrounded by secrets... Like dozens of luxurious satiny pillows, they were embracing me from all directions into safe lulling warmth, thus isolating me from the sharp dead-cold edges of the truth hiding behind their endearingly smooth textures and tender soothing colours. Secrets could be so irresistibly beautiful...
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
There's a certain deeper sort of beauty in the bleak. I see it that bleak is beautiful in part because it is too deathly and grim to fathom itself so.
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Criss Jami
β€œ
My ghost is the only soul who ever comes to cry on my grave... Only the skies cried sincerely on my funeral.
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Simona Panova (Nightmarish Sacrifice (Cardew))
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Romance is not the giving of flowers, or any other gift. It is a way of life, a way of being. Romance is every thought, gesture, and deed on your part to make another feel special, even if only for a moment. For a moment can last a lifetime in the heart of the recipient, be that the one you love, or a complete stranger.
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Shane K.P. O'Neill
β€œ
It was a privileged existence, but also a cage, beautifully decorated, but locked tight always.
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Amber Newberry (Walls of Ash)
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Never give up, Never surrender!!!!! If you think you can't, then you must, if you must, then you can..Tony Robbins
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Paula V. Hardin
β€œ
I was beginning to agree with the thesis that some truths were better off dead. And buried.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
With painstaking rumination, the tips of his fingers grazed over my neck, a deafening silence. I didn't move as his hand paused at the base of my throat. He listened to the arrhythmic beating of my heart, my pulse thumping beneath his fingers. He kissed me along my neckline and throat. I almost burst apart from the longing. My blood burned for him.
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Rae Hachton
β€œ
I had the view of a castle of romance inhabited by a rosy spirit, such a place as would somehow, for diversion of the young idea, take all colour out of story-books and fairy-tales. Was n't it just a story-book over which I had fallen a-doze and a-dream?
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Henry James (The Turn of the Screw)
β€œ
Two souls, one body. Zwei Seelen, ein KΓΆrper.
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Amber Newberry (Walls of Ash)
β€œ
You call out Gods name one more time while im between your legs, even he wont be able to save you little lamb.
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Santana Knox (Heartless Heathens)
β€œ
She leaves my side and heads deeper into the apartment singing, β€œβ€”if the spirit tries to hide, its temple far away… a copper for those they ask, a diamond for those who stay.
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Nathan Reese Maher
β€œ
Its big men are mostly little men with fancy offices and a lot of money. A great many of them are stupid little men, with reach-me-down brains, small-town arrogance and a sort of animal knack of smelling out the taste of the stupidest part of the public. They have played in luck so long that they have come to mistake luck for enlightenment." - on Hollywood
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Raymond Chandler (The Notebooks of Raymond Chandler; and English Summer: A Gothic Romance)
β€œ
The questions push me further into the space in between, the place where my madness lays waiting for me. I struggle with each question, determined to extract some sort of answer, an explanation for everything that has happened so far. But no answers come and I’m forced to acknowledge the feeling lodged between my two worlds Terror.
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Christine Fonseca (Transcend)
β€œ
NoemΓ­ was struck with the desire to lean forward and kiss him, a feeling like wishing to light a match, a burning, bright, and eager feeling. Yet she hesitated. It was easy to kiss someone when it didn't matter; it was more difficult when it might be meaningful.
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Silvia Moreno-Garcia (Mexican Gothic)
β€œ
His character would be blamed, loathed, discussed, and adored – but somewhere there, behind his mask of a hero, Cardew would remain faceless. Anonymous.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Insane love. Loving insanity. Insanity and love...
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
If you are a dream, then it is one from which I do not ever wish to be woken.
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Kathryn Ann Kingsley (Heart of Dracula (Immortal Soul, #1))
β€œ
In starlit nights I saw you, So cruelly you kissed me. Your lips a magic world, Your sky all hung with jewels. The killing moon Will come too soon. - The Killing Moon
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Echo and the Bunnymen (Echo and the Bunnymen: [collection 1980-1987])
β€œ
Alone with the dead! I dare not go out, for I can hear the low howl of the wolf through the broken window.
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Bram Stoker (Dracula)
β€œ
The corner of his mouth pulls up in that laughing half-smile. β€˜I do so love when you command me.
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A.B. Poranek (Where the Dark Stands Still: A sweeping, gothic YA fairytale romance)
β€œ
The unknown grayish mystifying forest was benumbed into frost-covered cold, and the tremendous pines towering above the dark marshy soil resembled a gathering of severe mute brothers from a forbidden ancient order worshiping forgotten gods no one had ever heard of outside of the world of secret occult visions.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
She wanted me to love her... and stranger still, i wanted to love and be loved by her. Death had become romantic again.
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J.D. Clair
β€œ
I cannot ever imagine a time or place in which I will not love you. I am willing to do whatever it takes.
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Laura M Morgan (Embracing the Darkness (The Black Rose, #1))
β€œ
Is it possible for one to enter sleep and wander while never waking? And if so, for how long can one survive this way?
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Tiffany Apan (Descent (The Birthrite Series, #1))
β€œ
Strength and victory... What he would never praise himself for, but whose loss was his most obsessive fear.
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Simona Panova (Nightmarish Sacrifice (Cardew))
β€œ
Some rumors said she was a demon from another world. Other rumors said she was death incarnate, someone to remind us of our misdeeds. But no one had said how beautiful she was. No one had mentioned her eyes. The ones that showed color only for a second. A hint of beauty in absolute blackness.
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Shannon A. Thompson (July Thunder (Bad Bloods, #3))
β€œ
It seemed to me that Mr. Forrester would approve of a woman who could follow him in conversation and not be baffled by ledgers and currency conversions. I had grossly overestimated him.
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Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
β€œ
He knew what he had found here, a precious treasure that had remained hidden away for so long. To the right man, she could give more happiness and fulfilment than any amount of gold, or gems. Just by holding her in his arms, he knew this. He had the key to her heart in his hands. All he had to do was unlock her, and he would enjoy the most wondrous chest of delights. He knew it and he knew, too, that nothing would ever compensate him should he lose her.
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Shane K.P. O'Neill (Bound By Blood: Volume 1 (Bound By Blood, #1) (The Dracula Chronicles, #6))
β€œ
I'm afraid I've done nothing at all to advance the plot." "You chose to come away with me," Ned reminded her. "So this is merely romance," she frowned disapprovingly. "I was hoping for an epic adventure, or a gothic mystery at the very least." Ned laughed. "Darling, don't worry, the story has just begun.
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India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
β€œ
I steal one glance over my shoulder as soon as we are far from the foreboding luminance of the neon glow, and it is there that my stomach leaps into my throat. Squatting just shy of the light and partially concealed by the shade of an alley is a sinister silhouette beneath a crimson cowl, beaming a demonic smile which spans from cheek to swollen cheek.
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Nathan Reese Maher
β€œ
She says it is a school for bluestockings which, according to her, is really only a fashionable way of saying it is a school for ugly girls who cannot find suitable husbands. To tease her, for I believe it is one of his greatest pleasures in this life, my father bought a pair of blue silk stockings for me the day we received my letter of acceptance. That evening and the next, father and I dined alone.
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Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
β€œ
A human life is a beautiful thing," he said. "You humans.... you feel. You feel so deeply that it consumes you. There were humans I kept a watch over, though I would blink and they'd be fifty, sixty years olderβ€”and the time would come for me to meet them. For the longest time, I pitied them for their short lives. And I admit, Signa, that I have grown more callous with my age. But I have also grown to admire humans. They've such a short time to experience their lives, and so they must feel deeply. They must experience in one life-time things it's taken me an eternity to experience. When I see men like Elijah, rather than feel guilt for what I've done, I remember that he feels sorrow because he loved so deeply. And were I not real, Little Bird, were I not Death, he would never have experienced that love. So which is better? To live forever, or to live and love?
”
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
I believe in a world where love can still catch you off guard and where the best part is the falling stage. Those shy glances, the racing heart, flushed cheeks, and the butterflies? That's magic. ~Sarah Brocious on More Than Scars
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Sarah Brocious (More Than Scars)
β€œ
I rouse Emily to our guests, as she finishes off our fifteenth snowman by setting the head atop its torso. She stands limp at my direction, pointing out the coming shadows and I cannot help but hear a muffled sigh as she decapitates her latest creation with a single push of her hand.
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Nathan Reese Maher
β€œ
That’s a stupid name! Whirly-gig is much better, I think. Who in their right mind would point at this thing and say, β€˜I’m going to fly in my Model-A1’. People would much rather say, β€˜Get in my whirly-gig’. And that’s what you should name it.
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Nathan Reese Maher
β€œ
In the fantasy I spun for myself that night before falling asleep, those deep dark secrets were revealed. That simple touch became a violent embrace, worthy of any bodice-ripper. There were a certain number of gleeful perversions committed on Ivan's battered leather sofa. And at some point in the fantasy, Ivan was a vampire, because I was sort of weird that way. He was a real, Gothic-style, Bram Stoker sort of vampire who bit people as a metaphor for having dubious-consent, alpha-male sex with them, I should point out. None of your modern, sensitive vampires for me. I appreciated the classics.
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Delphine Dryden (The Theory of Attraction (Science of Temptation, #1))
β€œ
Another tug and a yank at my chestnut curls and she snarls at me, β€œYou are so much like her.” This is something my mother often says and never explains. Though it is a great mystery to me it is also a blessing, for she always hurries from the room after saying it.
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Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
β€œ
She slips into the seat at our table, refusing to look up at me. I reach for her hand, sending a shiver through me when our finger tips touch. She glances at me, her eyes filled with a feral fear that reaches into my depths, pulling on emotions I refuse to acknowledge. Things I can’t feel now. Won’t feel ever again.
”
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Christine Fonseca (Libera Me (Requiem, #2))
β€œ
Time is tick, tick, ticking away. How many souls will I capture today? Will they be a challenge or will they be given? Only time will tell as the clock keeps tick, tick, ticking. Your god has arrived with enough hatred for y’all, with enough evil for the big and small, so come one, come all. I will shred your souls and place them in my satchel, call you a settler and make you my peddler. Come one, come all, come stand behind your god. I will lead you into the darkness of Earth's end. Come one, come all, my wilted flowers, come claim your title, speak out and cheer it. Come one, come all, let’s have a ball, my wilted flowers . . . Sweet, Unconquerable Spirits.
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A.K. Kuykendall (The Possession (The Writer's Block trilogy, #1))
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There is also a waka poem Akio penned for me: Now I understand It is all so clear to me August wind, rain, sleet I stopped believing in love Until I saw the leaves fall Poetry is kind of our thing. Originally, we were mortal enemies. Akio drove me nuts with his schedules, his overall gothic-novel vibe, and his eight inches of height over me. But now, our couple dynamic is fun-loving princess and gruff former bodyguard turned promising pilot who only shows his soft side to those closest to him. It really works for me.
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Emiko Jean (Tokyo Dreaming (Tokyo Ever After, #2))
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Do not fear the ghosts in this house; they are the least of your worries. Personally I find the noises they make reassuring. The creaks and footsteps in the night, their little tricks of hiding things, or moving them, I find endearing, not upsettling. It makes the place feel so much more like a home. Inhabited. Apart from ghosts nothing lives here for long. No cats no mice, no flies, no dreams, no bats. Two days ago I saw a butterfly, a monarch I believe, which danced from room to room and perched on walls and waited near to me. There are no flowers in this empty place, and, scared the butterfly would starve, I forced a window wide, cupped my two hands around her fluttering self, feeling her wings kiss my palms so gentle, and put her out, and watched her fly away. I've little patience with the seasons here, but your arrival eased this winter's chill. Please, wander round. Explore it all you wish. I've broken with tradition on some points. If there is one locked room here, you'll never know. You'll not find in the cellar's fireplace old bones or hair. You'll find no blood. Regard: just tools, a washing-machine, a drier, a water-heater, and a chain of keys. Nothing that can alarm you. Nothing dark. I may be grim, perhaps, but only just as grim as any man who suffered such affairs. Misfortune, carelessness or pain, what matters is the loss. You'll see the heartbreak linger in my eyes, and dream of making me forget what came before you walked into the hallway of this house. Bringing a little summer in your glance, and with your smile. While you are here, of course, you will hear the ghosts, always a room away, and you may wake beside me in the night, knowing that there's a space without a door, knowing that there's a place that's locked but isn't there. Hearing them scuffle, echo, thump and pound. If you are wise you'll run into the night, fluttering away into the cold, wearing perhaps the laciest of shifts. The lane's hard flints will cut your feet all bloody as you run, so, if I wished, I could just follow you, tasting the blood and oceans of your tears. I'll wait instead, here in my private place, and soon I'll put a candle in the window, love, to light your way back home. The world flutters like insects. I think this is how I shall remember you, my head between the white swell of your breasts, listening to the chambers of your heart.
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Neil Gaiman (Fragile Things: Short Fictions and Wonders)