Roger Waters Quotes

Wish You Were Here So, so you think you can tell Heaven from Hell, Blue skys from pain. Can you tell a green field From a cold steel rail? A smile from a veil? Do you think you can tell? And did they get you to trade Your heros for ghosts? Hot ashes for trees? Hot air for a cool breeze? Cold comfort for change? And did you exchange A walk on part in the war For a lead role in a cage? How I wish, how I wish you were here. We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.

I'm in competition with myself and I'm losing.

We're just two lost souls Swimming in a fish bowl, Year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.

ashes or diamonds foe or friend we're all equal in the end

Did you see the frightened ones, Did you hear the falling bombs, Did you ever wonder why we had to run for shelter in the promise of a brave new world unfurlled beaneath the clear blue skies. Good bye blue skies.

Roger stooped, picked up a stone, aimed and threw it at Henry-threw it to miss. The stone, that token of preposterous time, bounced five yards to Henry's right and fell in the water. Roger gathered a handful of stones and began to throw them. Yet there was a space round Henry, perhaps six yards in diameter, into which he dare not throw. Here, invisible yet strong, was the taboo of the old life. Round the squatting child was the protection of parents and school and policemen and the law. Roger was conditioned by a civilization that knew nothing of him and was in ruins.

CAN YOU FREE YOURSELF ENOUGH TO BE ABLE TO EXPERIENCE THE REALITY OF LIFE AS IT GOES ON BEFORE YOU AND WITH YOU, AND AS YOU GO ON AS PART OF IT? OR NOT? BECAUSE IF YOU CAN’T YOU STAND ON SQUARE ONE, UNTIL YOU DIE.

Not the torturer will scare me, nor the body's final fall, nor the barrels of death's rifles, nor the shadows on the wall, nor the night when to the ground the last dim star of pain, is hurled but the blind indifference of a merciless, unfeeling world.

Hanging on in Quiet Desperation is the English Way

Doctor Doctor what is wrong with me This supermarket life is getting long What is the heart life of a colour TV What is the shelf life of a teenage queen

Imagine navigating uncharted waters with a compass calibrated for the unpredictable.

All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that's to come and everything under the sun is in tune but the sun is eclipsed by the moon. "There is no dark side of the moon really. Matter of fact it's all dark.

Would you like to watch TV or get between the sheets and contemplate this violent freeway, would you like something to eat would you like to learn to fly would ya, would you like to see me try

Were we ever that beautiful?” “You still are,” Roger told him. “Maybe we should make the most of the hurricane.” “This was definitely foreplay.” “It’s like Tumblr, the live version.” Dave chuckled. “True. But I did not see it coming.” “Maybe hurricanes affect gaydar?” “How much did you have to drink?” “Enough to pretend we can still have sex like that.

How can you have any pudding if you don't eat your meat?

All alone, or in two's, The ones who really love you Walk up and down outside the wall. Some hand in hand And some gathered together in bands. The bleeding hearts and artists Make their stand. And when they've given you their all Some stagger and fall, after all it's not easy Banging your heart against some mad bugger's wall.

money so they say is the root of all evil today

When you enter the water, something, like a metamorphosis happens. Leaving behind the land, you go through the looking glass surface and enter a new world in which survival, not ambition or desire, is the dominant aim.

In the dark, Dave reached for Roger's hand as they watched the shadowed lovemaking. "Were we ever that beautiful?" "You still are," Roger told him. "Maybe we should make the most of the hurricane." "This is definitely foreplay." "It's like Tumblr, the live version.

I must look for the Lord's reflection in the sea; otherwise all I see is water.

Wish You Were Here" We're just two lost souls swimming in a fish bowl, year after year, Running over the same old ground. What have we found? The same old fears. Wish you were here.

And I think,” she continues, “that those who venture, traveling through the water toward their song, must be very lonely, too. I think lonely creatures ache for each other because who else can understand but someone who feels the same dark, black abyss?

Beyond the River of the Blessed, there we sat down, yea, we wept, when we remembered Avalon. Our swords were shattered in our hands and we hung our shields on the oak tree. The silver towers were fallen, into a sea of blood. How many miles to Avalon? None, I say, and all. The silver towers are fallen. …waters,where the stars shone like bonfires at night and the green of day was always the green of spring. Youth, love, beauty-I knew them in Avalon. Proud steeds, bright metal, soft lips, dark ale. Honor…

And when they found our shadows Grouped around the TV sets They ran down every lead They repeated every test They checked out all the data on their lists And then the alien anthropologists Admitted they were still perplexed But on eliminating every other reason For our sad demise They logged the only explanation left This species has amused itself to death

No dark sarcasm, in the classroom.

Investors long for steady waters, but paradoxically, the opportunities are richest when markets turn turbulent.

[Roger] Waters has suggested that empathy is the central theme of all the band[Pink Floyd]'s classic, mature works beginning with [the album] Meddle. Waters singles out the following lines from "Echoes": Strangers passing in the street / By chance two seperate glances meet / And I am you and what I see is me.

I have many names, and none of them matter. Names are not important. To speak is to name names, but to speak is not important. A thing happens once that has never happened before. Seeing it, a man looks upon reality. He cannot tell others what he has seen. Others wish to know, however, so the question him saying, 'What is it like, this thing you have seen?' So he tries to tell them. Perhaps he has seen the very first fire in the world. He tells them, 'It is red, like a poppy, but through it dance other colors. It has no form, like water, flowing everywhere. It is warm, like the sun of summer, only warmer. It exists for a time upon a piece of wood, and then the wood is gone, as though it were eaten, leaving behind that which is black and can be sifted like sand. When the wood is gone, it too is gone.' Therefore, the hearers must think reality is like a poppy, like water, like the sun, like that which eats and excretes. They think it is like to anything that they are told it is like by the man who has known it. But they have not looked upon fire. They cannot really know it. They can only know of it. But fire comes again into the world, many times. More men look upon fire. After a time, fire is as common as grass and clouds and the air they breathe. They see that, while it is like a poppy, it is not a poppy, while it is like water, it is not water, while it is like the sun, it is not the sun, and while it is like that which eats and passes wastes, it is not that which eats and passes wastes, but something different from each of these apart or all of these together. So they look upon this new thing and they make a new word to call it. They call it 'fire.' If they come upon one who still has not seen it and they speak to him of fire, he does not know what they mean. So they, in turn, fall back upon telling him what fire is like. As they do so, they know from their own experience that what they are telling him is not the truth, but only part of it. They know that this man will never know reality from their words, though all the words in the world are theirs to use. He must look upon the fire, smell of it, warm his hands by it, stare into its heart, or remain forever ignorant. Therefore, 'fire' does not matter, 'earth' and 'air' and 'water' do not matter. 'I' do not matter. No word matter. But man forgets reality and remembers words. The more words he remembers, the cleverer do his fellows esteem him. He looks upon the great transformations of the world, but he does not see them as they were seen when man looked upon reality for the first time. Their names come to his lips and he smiles as he tastes them, thinking he knows them in the naming. The thing that has never happened before is still happening. It is still a miracle. The great burning blossom squats, flowing, upon the limb of the world, excreting the ash of the world, and being none of these things I have named and at the same time all of them, and this is reality-the Nameless.

Everyone is so cheerful and happy,” I said “This isn’t Mister Rogers Neighborhood, Dex. It’s Miami. Only the bad guys are happy.” She looked at me without expression, a perfect cop stare. “How come you’re not laughing and singing?” “Unkind, Deb. Very unkind. I’ve been good for months.” She took a sip of water. “Uh-huh. And it’s making you crazy.

Mother do you think they'll drop the bomb? Mother do you think they'll like this song? Mother do you think they'll try to break my balls? Mother should I build the wall? Mother should I run for president? Mother should I trust the government? Mother will they put me in the firing line? Mother am I really dying? Hush now baby, baby, dont you cry. Mother's gonna make all your nightmares come true. Mother's gonna put all her fears into you. Mother's gonna keep you right here under her wing. She wont let you fly, but she might let you sing. Mama will keep baby cozy and warm. Ooooh baby ooooh baby oooooh baby, Of course mama'll help to build the wall. Mother do you think she's good enough -- to me? Mother do you think she's dangerous -- to me? Mother will she tear your little boy apart? Mother will she break my heart? Hush now baby, baby dont you cry. Mama's gonna check out all your girlfriends for you. Mama wont let anyone dirty get through. Mama's gonna wait up until you get in. Mama will always find out where you've been. Mama's gonna keep baby healthy and clean. Ooooh baby oooh baby oooh baby, You'll always be baby to me. Mother, did it need to be so high?

A berry ripens in its own good time . . . and so does a child’s readiness. Just as the one needs water and sunlight, the other needs the patient reassurance of loving adults who can trust children to grow according to their own timetables.

The Keeper of Clouds has unpenned his charges. The Keeper of Winds has unlocked his gates. The Keeper of Waters has opened the sky. The Keeper of Lightnings waves his lances. The Keeper of satellites has observed, 'One hundred percent of probability of precipitation.

everything under the sun is in tune but the sun is eclipsed by the moon

Mothers,fathers,our kind,tell me again that death doesn't matter.Tell me it's just a limitation of vision ,a fold of landscape,a deep flax-and-poppy-filled gully hidden on the hill, pleat in our perception a somersault of existence,natural,even beneficent even a gift,the only key to the red-lacquered door at the end of the hall,"water within water," those old stories.

A wave of grayness covered over the monastery. The breeze grew stronger, and the dance of the waters began upon the walls. Like a beaded curtain, the rain covered that open end of the porch at which they stared.

Not now John, we've gotta get on. S'cusi dove il bar? Gotta get on. Σε παρακαλώ, πού είναι το μπαρ? Not now John, we've gotta get on. S'il vous plait ou est le bar? Gotta get on, gotta get on. Oy, where's the fucking bar John! Not now John, we've gotta get on. Gotta get on, gotta get on. Hammer! Hammer! Hammer! Hammer! Hammer!

The skeleton key unlocks the mind and swings open the door of imagination. A far better place than here A much safer place than there The quintessential somewhere The mystical nowhere The enigmatic anywhere My gift to you - the key to everywhere. The mortal will find itself lost while the soul always knows the way it is grateful for the darkness and celebrates the day I can give you peace my peace I give you... but I cannot be your savior or your god - I cannot be the light along your path - I can only give you the lamp and point the way. The blind will see... the deaf will hear... but those who choose reason will never understand. Woe to the ones who think they know the answers they will cease to ask the questions that may be their own salvation. We possess the knowledge of the Universe from conception. Once born we are taught to forget. If we cannot look out at our world and see our children's vision then we are truly blind we are unable to lead them to paradise. "Even people who are in the dark search for their shadows. Shadows exist only if there is light. We will never find total darkness - not even in death... ...and we always cast a shadow no matter how overcast our skies become. You are never alone." Do not listen to the voice that shouts to you from behind desks behind podiums behind altars. Do not pay attention to the orators and the opportunists. Do not be distracted by the promises made behind masks. Listen to the quiet. Listen to the whispers as they gently guide you through the assaults of man's absurdities. Listen to the gentle breathing of your mother and lay your head to rest in her peace and in her warm embrace and understand that truth and power lie within you. Breathe silence. The free bird will always return to the cage sooner or later to seek food and water and the loving hand of it's caretaker.

When you swim, you feel your body for what it mostly is – water – and it begins to move with the water around it. No wonder we feel such sympathy for beached whales; we are beached at birth ourselves. To swim is to experience how it was before you were born.

To quote Maslow again regarding his self-actualizing individuals: “One does not complain about water because it is wet, nor about rocks because they are hard. . . . As the child looks out upon the world with wide, uncritical and innocent eyes, simply noting and observing what is the case, without either arguing the matter or demanding that it be otherwise, so does the self-actualizing person look upon human nature both in himself and in others.” (4, p. 207) This acceptant attitude toward that which exists, I find developing in clients in therapy.

Who are you, man?" "I? I am nothing," replied the other. "A leaf caught in a whirlpool. A feather in the wind..." "Too bad," said Yama, "for there are leaves and feathers enough in the world for me to have labored so long only to increase their number. I wanted me a man, one who might continue a war interrupted by his absence-a man of power who could oppose with that power the will of gods. I thought you were he." "I am"-he sqinted again-"Sam. I am Sam. Once- long ago... I did fight, didn't I? Many times..." "You were the Great-Souled Sam, the Budda. Do you remember?" "Maybe I was.." a slow fire was kindled in his eyes. "Yes," he said then. "Yes, I was. Humblest of the proud, proudest of the humble. I fought. I taught the Way for a time. I fought again, taught again, tried politics, magic, poison.. I fought one great battle so terrible the sun itself hid its face from the slaughter-with men and gods, with animals and demons, with spirits of the earth and air, of fire and water, with slizzards and horses, swords and chariots-" "And you lost," said Yama. "Yes, I did, didn't I? But it was quite a showing we gave them, wasn't it? You, deathgod, were my charioteer. It all comes back to me now. We were taken prisoner and the Lords of Karma were to be our judges. You escaped them by the will-death and the Way of the Black Wheel. I could not.

..., its unity, unfolding through all the panels, would have given the illusion of an endless whole, of water without a horizon or bank; nerves tense from work would be relaxed there...and to him who lived in the room it would have offered the refuge of a peaceable meditation in the center of a flowering aquarium.

The Gunner's Dream (From The Final Cut) Floating down through the clouds Memories come rushing up to meet me now. In the space between the heavens and in the corner of some foreign field I had a dream. I had a dream. Good-bye Max. Good-bye Ma. After the service when you're walking slowly to the car And the silver in her hair shines in the cold November air You hear the tolling bell And touch the silk in your lapel And as the tear drops rise to meet the comfort of the band You take her frail hand And hold on to the dream. A place to stay Enough to eat Somewhere old heroes shuffle safely down the street Where you can speak out loud About your doubts and fears And what's more no-one ever disappears You never hear their standard issue kicking in your door. You can relax on both sides of the tracks And maniacs don't blow holes in bandsmen by remote control And everyone has recourse to the law And no-one kills the children anymore. And no one kills the children anymore. Night after night Going round and round my brain His dream is driving me insane. In the corner of some foreign field The gunner sleeps tonight. What's done is done. We cannot just write off his final scene. Take heed of his dream.

Nevertheless, there was something extraordinary about it when a man so young, with so little experience in flight test, was selected to go to Muroc Field in California for the XS–1 project. Muroc was up in the high elevations of the Mojave Desert. It looked like some fossil landscape that had long since been left behind by the rest of terrestrial evolution. It was full of huge dry lake beds, the biggest being Rogers Lake. Other than sagebrush the only vegetation was Joshua trees, twisted freaks of the plant world that looked like a cross between cactus and Japanese bonsai. They had a dark petrified green color and horribly crippled branches. At dusk the Joshua trees stood out in silhouette on the fossil wasteland like some arthritic nightmare. In the summer the temperature went up to 110 degrees as a matter of course, and the dry lake beds were covered in sand, and there would be windstorms and sandstorms right out of a Foreign Legion movie. At night it would drop to near freezing, and in December it would start raining, and the dry lakes would fill up with a few inches of water, and some sort of putrid prehistoric shrimps would work their way up from out of the ooze, and sea gulls would come flying in a hundred miles or more from the ocean, over the mountains, to gobble up these squirming little throwbacks. A person had to see it to believe it: flocks of sea gulls wheeling around in the air out in the middle of the high desert in the dead of winter and grazing on antediluvian crustaceans in the primordial ooze. When

A point that should be emphasized is that the energy that defines the lifetime of the superposed state is an energy difference, and not the total, (mass-) energy that is involved in the situation as a whole. Thus, for a lump that is quite large but does not move very much-and supposing that it is also crystalline, so that its individual atoms do not get randomly displaced-quantum superpositions could be maintained for a long time. The lump could be much larger than the water droplets considered above. There could also be other very much larger masses in the vicinity, provided that they do not get significantly entangled with the superposed state we are concerned with. (These considerations would be important for solid-state devices, such as gravitational wave detectors, that use coherently oscillating solid-perhaps crystalline-bodies.)

The Congregating of Stars They often meet in mountain lakes, No matter how remote, no matter how deep Down and far they must stream to arrive, Navigating between the steep, vertical piles Of broken limestone and chert, through shattered Trees and dry bushes bent low by winter, Across ravines cut by roaring avalanches Of boulders and ripping ice. Silently, the stars have assembled On the surface of this lost lake tonight, Arranged themselves to match the patterns They maintain in the highest spheres Of the surrounding sky. And they continue on, passing through The smooth, black countenance of the lake, Through that mirror of themselves, down through The icy waters to touch the perfect bottom Stillness of the invisible life and death existing In the nether of those depths. Sky-bound- yet touching every needle In the torn and sturdy forest, every stone, Sharp, cracked along the ragged shore- the stars Appear the same as in ancient human ages On the currents of the old seas and the darkened Trails of desert dunes, Orion’s belt the same As it shone in Galileo’s eyes, Polaris certain above The sails of every mariner’s voyage. An echoing Light from the Magi’s star, that beacon, might even Be shining on this lake tonight, unrecognized. The stars are congregating, perhaps in celebration, passing through their own names and legends, through fogs, airs, and thunders, the vapors of winter frost and summer pollens. They are ancestors of transfiguration, intimate with all the eyes of the night. What can they know?

Before Diagnosis" The lake is dead for a second time this January. And no matter how many geese lay their warm breasts against the ice or fly across its hard chest, it doesn’t break, or sink, or open up and swallow them. The ice is frozen water. There is no metaphor for exile. Even if these trees continue to shake the crows from their branches, my sister is still farther away from her mind than we are from each other sitting on opposite ends of a park bench waiting for evening to swallow us whole. In the last moments of a depressive, a sun. In the last moments of a sun, my sister says a man is chasing a goose through the snow.

They loved the sea. They taught themselves to sail, to navigate and read the weather. Without their mother's knowledge and long before she thought them old enough to sail outside the harbor, they were piloting their catboat all the way to the Isles of Shoals. They were on the return leg of one such excursion when the fickle weather of early spring took an abrupt turn and the sky darkened and the sun vanished and the wind came squalling off the open sea. They were a half mile from the harbor when the storm overtook them. The rain struck in a slashing torrent and the swells hove them so high they felt they might be sent flying--then dropped them into troughs so deep they could see nothing but walls of water the color of iron. They feared the sail would be ripped away. Samuel Thomas wrestled the tiller and John Roger bailed in a frenzy and both were wide-eyed with euphoric terror as time and again they were nearly capsized before at last making the harbor. When they got home and Mary Margaret saw their sodden state she scolded them for dunces and wondered aloud how they could do so well in their schooling when they didn't have sense enough to get out of the rain.

Seeing the God statement Suppose the statement Blessed Are the pure in heart, for they shall see God were placed like a wreath of violets, Lilies, laurel, and olive, blossoms strung together Like words in a sentence, a garland Launched, set out on a flowing creek Imagine that wreath carried Down the frothy rapids, tossed, floating Slipping over water-smooth, moss-colored Boulders, in and out of slow, dark pools, Through poplar and willow shadows. It dips, Sinks momentarily, emerges, travels, maitains Its ring, its declaration and syntax. At times it widens in a broad, deep Current, makes sense as a gift. The pure becomes inclusive, spatial, Generous. God and heart are two Spread wings of one open reading. And at times it narrows, restricts. Violets and heart entangle With God. The blessed braces, Overlaps lilies and laurel. Still, at any point you might reach down yourself, catch that ring of blossoms, lift it up, wear its beauty and blooming distinction across your forehead. Look into a mirror. See what you can see.

Becky fell unusually quiet as she smoothed Macy's overalls that had scrunched under her legs. A tender gesture probably nobody else had noticed. "I don't want to say this the wrong way, Shah-loh, but we're all gonna die." "Of course we are." A drop of water fell from the end of the snapdragon stem. "But I prefer not to kill my flowers before their time." "Well, cut er not cut, we're all goin'." Becky spoke so soberly that I turned my eyes to her. "Ain't no stoppin' it. You know that." "Sure I do, but isn't it a waste? All that beautiful bloom for what-an hour?" "Mebbe in some ways, but..." She gathered a handful of roses and freesia, delicately perfumed, and pressed them in my hands. "Ya gotta remember though-this was their purpose all along. And they did it to their fullest. It's their gift." I felt strangely moved, standing there with shoppers laughing in the background. And me looking down at those beautiful doomed flowers in my hands, their glowing colors trembling with drops. "But it's such a waste, Becky!" "Or a sacrifice. Depends on how ya look at it. They lived and bloomed, jest like they were made to do. And when it was time to go, they gracefully said yes." She ran her hands over the petals, which gleamed like bits of satin. "We're seein' their last magnificent moments and enjoyin' 'em. If you was a flower, wouldn't that make ya happy to know you'd done what you was born ta do? Even if ya didn't get to do it very long?

I sucked on a blade of grass and watched the millwheel turn. I was lying on my stomach on the stream's opposite bank, my head propped in my hands. There was a tiny rainbow in the mist above the froth and boil at the foot of the waterfall, and an occasional droplet found its way to me. The steady splashing and the sound of the wheel drowned out all other noises in the wood. The mill was deserted today, and I contemplated it because I had not seen its like in ages. Watching the wheel and listening to the water were more than just relaxing. It was somewhat hypnotic. … My head nodding with each creak of the wheel, I forced everything else from my mind and set about remembering the necessary texture of the sand, its coloration, the temperature, the winds, the touch of salt in the air, the clouds... I slept then and I dreamed, but not of the place that I sought. I regarded a big roulette wheel, and we were all of us on it-my brothers, my sisters, myself, and others whom I knew or had known-rising and falling, each with his allotted section. We were all shouting for it to stop for us and wailing as we passed the top and headed down once more. The wheel had begun to slow and I was on the rise. A fair-haired youth hung upside down before me, shouting pleas and warnings that were drowned in the cacophony of voices. His face darkened, writhed, became a horrible thing to behold, and I slashed at the cord that bound his ankle and he fell from sight. The wheel slowed even more as I neared the top, and I saw Lorraine then. She was gesturing, beckoning frantically, and calling my name. I leaned toward her, seeing her clearly, wanting her, wanting to help her. But as the wheel continued its turning she passed from my sight. “Corwin!” I tried to ignore her cry, for I was almost to the top. It came again, but I tensed myself and prepared to spring upward. If it did not stop for me, I was going to try gimmicking the damned thing, even though falling off would mean my total ruin. I readied myself for the leap. Another click... “Corwin!” It receded, returned, faded, and I was looking toward the water wheel again with my name echoing in my ears and mingling, merging, fading into the sound of the stream. … It plunged for over a thousand feet: a mighty cataract that smote the gray river like an anvil. The currents were rapid and strong, bearing bubbles and flecks of foam a great distance before they finally dissolved. Across from us, perhaps half a mile distant, partly screened by rainbow and mist, like an island slapped by a Titan, a gigantic wheel slowly rotated, ponderous and gleaming. High overhead, enormous birds rode like drifting crucifixes the currents of the air. We stood there for a fairly long while. Conversation was impossible, which was just as well. After a time, when she turned from it to look at me, narrow-eyed, speculative, I nodded and gestured with my eyes toward the wood. Turning then, we made our way back in the direction from which we had come. Our return was the same process in reverse, and I managed it with greater ease. When conversation became possible once more, Dara still kept her silence, apparently realizing by then that I was a part of the process of change going on around us. It was not until we stood beside our own stream once more, watching the small mill wheel in its turning, that she spoke.