Got Inked Quotes

Ooh, J, he's got ink too." "Just when i didn't think he could get any hotter...

Adam was in the dream, too; he traced the tangled pattern of ink with his finger. He said, "Scio quid hoc est." As he traced it further and further down on the bare skin of Ronan's back, Ronan himself disappeared entirely, and the tattoo got smaller and smaller. It was a Celtic knot the size of a wafer, and then Adam, who had become Kavinsky, said "Scio quid estis vos." He put the tattoo in his mouth and swallowed it. Ronan woke with a start, ashamed and euphoric. The euphoria wore off long before the shame did. He was never sleeping again.

You didn’t hurt me, babe,” he said. “You marked me. Big difference. That night was the most important thing that’s ever happened in my life. Holding you, catching Noah—it changed me forever. I didn’t want to forget. So when the bruises started to fade, I went and got them inked, so I couldn’t.

Here's some more stuff we're going to need." 1 pair coveralls 1 extension ladder (30 foot) 1 glass cutter 1 artist's portfolio (large) 1 water pistol 1 bottle india ink 1 portable trampoline (collapsible) 1 bicycle w/basket 4 pizza boxes Jonah whistled. "I hope you've got some crazy evil-genius strategy, 'cause–straight up–I don't get it.

When You Have Forgotten Sunday: The Love Story -- And when you have forgotten the bright bedclothes on a Wednesday and a Saturday, And most especially when you have forgotten Sunday -- When you have forgotten Sunday halves in bed, Or me sitting on the front-room radiator in the limping afternoon Looking off down the long street To nowhere, Hugged by my plain old wrapper of no-expectation And nothing-I-have-to-do and I’m-happy-why? And if-Monday-never-had-to-come— When you have forgotten that, I say, And how you swore, if somebody beeped the bell, And how my heart played hopscotch if the telephone rang; And how we finally went in to Sunday dinner, That is to say, went across the front room floor to the ink-spotted table in the southwest corner To Sunday dinner, which was always chicken and noodles Or chicken and rice And salad and rye bread and tea And chocolate chip cookies -- I say, when you have forgotten that, When you have forgotten my little presentiment That the war would be over before they got to you; And how we finally undressed and whipped out the light and flowed into bed, And lay loose-limbed for a moment in the week-end Bright bedclothes, Then gently folded into each other— When you have, I say, forgotten all that, Then you may tell, Then I may believe You have forgotten me well.

They've all got stories, Jess thought. I need to know them. Best of all, he could know them. He could learn anything here. It felt like limitless possibilities.

<…>….That's how he made his living. He gave me a pen and ink. This," he lifted his left arm then dropped it back to the bed. "After he died, I had it inked on me. Took what he gave me to a tattoo parlor right after the funeral and got it started." Her voice held a tone of light dawning as she whispered, "So he was your Ella." Her light dawned clear for her and for Walker because she was right. "Yeah, he was my Ella." "So it was Tuku who brought out my Ty." My Ty. My Ty. Christ. Fuck. Christ. Two words. Just two words. Walker had no clue until that moment that two words could mean so fucking much. He'd never belonged to anyone. He'd never belonged anywhere. Never thought he wanted to. Until he heard those two words. He couldn't keep the thick out of his voice when he confirmed, "Yeah, it was him."<…>

If you think I’ll let you go into that hornet’s nest you’ve got another think coming. He’s my son. I’ll be the one going to get him.

Every thought I got in my head finds its way back to you, like the ocean always rollin’ back into the shore.

Hazel had promised to visit again with Arion. The mermaids had written their phone numbers in waterproof ink on Hazel’s arm so that she could keep in touch. Leo didn’t even want to ask how mermaids got cell-phone coverage in the middle of the Atlantic.

The book did not say anything about a statue, valuable or otherwise, and so I stopped reading about the Bombinating Beast and got interested in the chapter about the Stain'd witches, who had ink instead of blood in their veins. I wondered what they kept in their pens.

If you are standing in one place waiting for something to change, you may be there for a while. You've got to move. Step up and take a swing. Make something happen

Did I expect my soulmate to have a dick? No. But, hell, my own was always fun enough to play with; now, I’ve got a spare.

What’s got you smilin’ like a bitch who just had good cock?” I was interrupted by a sexy drawl. I looked up to see Nash leaning against the door frame, arms crossed in front of him, sexy smirk plastered on his face. He was tall, all muscle and ink; he exuded a couldn’t-give-a-fuck attitude. Nash was one of the cockiest men I had ever met and the women flocked to him. I rolled my eyes. “Can a woman not smile unless she’s had cock?” I asked. He uncrossed his arms and pushed away from the door frame; coming towards me, “No, sweet thing, it all comes down to cock.” “Well, I hate to tell you, Nash, but this woman hasn’t had any today, and yet I am still smiling. I think your theory is a little off.” I loved bantering back and forth with him. He raised his eyebrows. “J’s fallin’ down on the job there sweetheart. You sure you don’t want to jump ships? I’ve got all you’ll ever need,” he grinned at me, opening his arms wide in an inviting gesture.

Where are you going?" "You didn't..." "No, I didn't, but I'm in heaven deep in you. I want to stay like this. Let's talk." She burst into laughter. "Talk? Are you nuts? I can't talk while lying on top of you with your cock shoved deep inside me." He grabbed her by her waist and, without pulling out, he rose to lean on the wall, rearranging her to straddle him. "There you have it, no more lying.

YOU! You're boring! You're not even good enough for a good insult! You're in the one place Where magic is always real! Part the seas if you want! Rain down ink and blood! Transform! Fly! You're not allowed to spend the rest of your life panicking! You've got to give something back if you want to get out of here!" What? What?? What do I give?" You've got stories in there, I know, I can smell 'em--" Stoppit, stoppit! I don't! I can't tell a story to save my life!" Funny you should put it that way.

I got through so much ink in the learning that the inkseller took to knocking at least once a week on the garden door. He had a gray solemn face that looked as if it was chiseled out of stone; he was stooped down like the letter C, as if he were Atlas carrying the weight of the world in his wooden barrel of ink. Maybe he did. I have learned that there is great power in words, no matter how long or short they be.

They may throw sticks, stones, or bricks, but nothing they do will hurt you. You are protected by God. He is forever got you covered and the enemy is defeated. Their hatred towards you is a reflection of the evilness on their inside which is slowly destroying them. A person like that must deal with the matters of their heart.

Honey, he's not worth it. No matter how much money he's got, not matter how big a ring he puts on your finger, if he puts his hands on you, you should run the opposite way as fast as you can.

This shit is magic-you'd have to be a Black girl to understand. Show 'em how it all got started How the bricks got laid That this is what happens when the ink spills When your ancestors dance your worth awake,

it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.

You don’t got to explain anything to me. But, son, let this be the last time I see your hairy ass trying to pound your boyfriend through the wall.

She belongs to Steele. She’s got a child. Steele’s son, so that woman and that boy are ours.

Sitting right above my heart is the ink I just got this morning. His name in script, and underneath it, it says Always only mine.

Danglers alone was content and joyous, he had got rid of an enemy and preserved his situation on board the Pharaon; Danglers was one of those men born with a pen behind the ear, and an ink-stand in place of a heart. Everything with him was multiplication or subtraction, and he estimated the life of a man as less precious than a figure, when that figure could increase, and that life would diminish, the total of the amount.

I came to California to study oceanography.” “That sounds like a perfectly good reason,” she said. “Well”—he flicked his pen in short strokes around the hedgehog’s face—“as it turns out, I don’t actually like the ocean.” Georgie laughed. Neal’s eyes were laughing with her. “I’d never seen it before I got here,” he said, glancing quickly up at her. “I thought it seemed cool.” “It’s not cool?” “It’s really wet,” he said. “And also outside.” Georgie kept laughing. Neal kept inking. “Sunburn…,” he said, “seasick…” “So now what are you studying?” “I am definitely still studying oceanography,” he said, nodding at his drawing. “I am definitely here on an oceanography scholarship, still studying oceanography.” “But that’s terrible. You can’t study oceanography if you don’t like the ocean.” “I may as well.” He almost smiled again. “I don’t like anything else either.

Addison:"Well,she's not your type." Vincent:"Sweetness,if a girl's got tits and a warm pussy,she's my type.

When you’re wasted, you puke your guts out, and you find yourself in strangers’ beds without knowing how you got there.

As a schoolboy I liked to draw the leaders of the world proletariat - especially Marx. Just start smearing an ordinary splotch of ink around and you've already got a resemblance...

His eyes go soft as they bounce over the words, following the path of the pen I used to ink each letter on the signature line.  “Kennedy.” “I do.” I chuckle a bit at those two words that got us here in the first place.  “Really?” “So much, Isaiah.” He finally takes his eyes off the page to look at me. “I love you,” I tell him, using the same words he found written on the signature line of our divorce papers. “It may have taken me a bit longer to allow myself to open my eyes and see it, but there’s no doubt in my mind that I love you. Every part of you. The parts you show everyone and the parts you show only me.

As I write this, it is nine o’clock in the morning. In the two hours since I got out of bed I have showered in water heated by North Sea gas, shaved using an American razor running on electricity made from British coal, eaten a slice of bread made from French wheat, spread with New Zealand butter and Spanish marmalade, then brewed a cup of tea using leaves grown in Sri Lanka, dressed myself in clothes of Indian cotton and Australian wool, with shoes of Chinese leather and Malaysian rubber, and read a newspaper made from Finnish wood pulp and Chinese ink.

Death went on, If I'd sent you, with your taste for expeditious methods, the matter would have been resolved, but times have changed a lot lately, and one has to update the means and the systems one uses, to keep up with the new technologies, by using e-mail, for example, I've heard tell that it's the most hygienic way, one that does away with inkblots and fingerprints, besides which it's fast, you just open up outlook express on microsoft and it's gone, the difficulty would be having to work with two separate archives, one for those who use computers and another for those who don't, anyway, we've got plenty of time to think about it, they're always coming out with new models and new designs, with new improved technologies, perhaps I'll try it some day, but until then, I'll continue to write with pen, paper and ink, it has the charm of tradition, and tradition counts for a lot when it comes to dying.

Bob,” she said, “offerings burned in the mortal world appear on this altar, right?” Bob frowned uncomfortably, like he wasn’t ready for a pop quiz. “Yes?” “So what happens if I burn something on the altar here?” “Uh…” “That’s all right,” Annabeth said. “You don’t know. Nobody knows, because it’s never been done.” There was a chance, she thought, just the slimmest chance that an offering burned on this altar might appear at Camp Half-Blood. Doubtful, but if it did work… “Annabeth?” Percy said again. “You’re planning something. You’ve got that I’m-planning-something look.” “I don’t have an I’m-planning-something look.” “Yeah, you totally do. Your eyebrows knit and your lips press together and—” “Do you have a pen?” she asked him. “You’re kidding, right?” He brought out Riptide. “Yes, but can you actually write with it?” “I—I don’t know,” he admitted. “Never tried.” He uncapped the pen. As usual, it sprang into a full-sized sword. Annabeth had watched him do this hundreds of times. Normally when he fought, Percy simply discarded the cap. It always appeared in his pocket later, as needed. When he touched the cap to the point of the sword, it would turn back into a ballpoint pen. “What if you touch the cap to the other end of the sword?” Annabeth said. “Like where you’d put the cap if you were actually going to write with the pen.” “Uh…” Percy looked doubtful, but he touched the cap to the hilt of the sword. Riptide shrank back into a ballpoint pen, but now the writing point was exposed. “May I?” Annabeth plucked it from his hand. She flattened the napkin against the altar and began to write. Riptide’s ink glowed Celestial bronze. “What are you doing?” Percy asked. “Sending a message,” Annabeth said. “I just hope Rachel gets it.” “Rachel?” Percy asked. “You mean our Rachel? Oracle of Delphi Rachel?” “That’s the one.” Annabeth suppressed a smile. Whenever she brought up Rachel’s name, Percy got nervous. At one point, Rachel had been interested in dating Percy. That was ancient history. Rachel and Annabeth were good friends now. But Annabeth didn’t mind making Percy a little uneasy. You had to keep your boyfriend on his toes. Annabeth finished her note and folded the napkin. On the outside, she wrote: Connor, Give this to Rachel. Not a prank. Don’t be a moron. Love, Annabeth She took a deep breath. She was asking Rachel Dare to do something ridiculously dangerous, but it was the only way she could think of to communicate with the Romans—the only way that might avoid bloodshed. “Now I just need to burn it,” she said. “Anybody got a match?” The point of Bob’s spear shot from his broom handle. It sparked against the altar and erupted in silvery fire. “Uh, thanks.” Annabeth lit the napkin and set it on the altar. She watched it crumble to ash and wondered if she was crazy. Could the smoke really make it out of Tartarus? “We should go now,” Bob advised. “Really, really go. Before we are killed.” Annabeth stared at the wall of blackness in front of them. Somewhere in there was a lady who dispensed a Death Mist that might hide them from monsters—a plan recommended by a Titan, one of their bitterest enemies. Another dose of weirdness to explode her brain. “Right,” she said. “I’m ready.” ANNABETH LITERALLY STUMBLED over the second Titan.

Your basic-type jailhouse tatt is homemade with sewing needles from the jailhouse canteen and some blue ink from the cartridge of a fountain pen promoted from the breast pocket of an unaltert public defender, is why the jailhouse genre is always the same night-sky blue. The needle is dipped in the ink and jabbed as deep into the tattooee as it can be jabbed without making him recoil and fucking up your aim. Just a plain ultraminimal blue square like Gately's got on his right wrist takes half a day and hundreds of individual jabs. How come the lines are never quite straight and the color's never quite all the way solid is it's impossible to get all the individualized punctures down to the same uniform deepness in the, like, twitching flesh. This is why jailhouse tatts always look like they were done by sadistic children on rainy afternoons.

Wylan, tell me you're packing more than pens, ink, and weevil makings." "I've got two flash bombs and something new I rigged up with a little more, um, wallop." "Bombs?" Jesper's father asked, blinking as if to wake himself from a bad dream. Jesper shrugged helplessly. "Think of them as science experiments?" "What kind of numbers are we up against?" asked Wylan. "Look at you, asking all the right questions.

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

I haven't got a clue on how to love you like a lover should, how to make you happy or even how to make you stay. I hardly grasp the essence of desire and true affection scares me more than it should, but know that every stutter, every shy glance, every hesitant touch, come from someone who believes in you and I.

Anything,” I stressed, my face still blank. “Go get yourself a new chair. Or a table. Or ink, whatever the fuck it is you need. My treat. Go order food for the whole building. Buy the stray cat down the road a bed to piss on. I’ll give you ten minutes with my credit card if you give me ten minutes in this room with her. Alone.” “Is your boyfriend always so aggressive?” He arched an eyebrow in Emilia’s direction, throwing her a questioning look that asked: Do you want me to leave you alone with this asshole, or do you want me throw him outside and call NYPD? She laughed her syrupy Southern belle laugh that always seemed to stab straight to the pit of my fucking stomach. “He’s not my boyfriend.” Shakespeare’s eyebrow shot up. “You should tell him that. Doesn’t seem like he got the memo.

I grew up poor among poor people in a poor town, but I never knew how poor I'd been until I moved to New York. These women with their fresh produce and diamonds and manicures. Even their skin was expensive. What got to me about them wasn't just the way they made me suddenly self-conscious about the ink under my fingernails or the haircut I gave myself in my own bathroom. It wasn't just that they'd spend more in one evening on chocolate, escarole, and jam than I did on the rice and beans and film and photo paper I needed for a week. What enraged me is that they didn't, couldn't, see me. I was less than a machine to them, less than a body. I did not even appear in their line of sight. I was nothing more than a couple of chanted phrases: Cash or charge? Paper or plastic? Thank you, have a nice night.

-You find the metal, I’ll make the bell,” said Liam. “Listen, this rampage sounds like it’s going to make a real mess out of the city. I just got my studio rebuilt from the last fire, and I’m fairly certain my insurance doesn’t cover ‘acts of archangels.’ At least, not without a large deductible. Any ideas on how to stop the ritual?"-

December 26, 10:00 a.m. Dear America, Miracles of miracles, I’ve made it through the night. When I finally woke up, I convinced myself I was worried for nothing. I vowed that I would focus on work today and not fret so much about you. I got through breakfast and most of a meeting before thoughts of you consumed me. I told everyone I was sick and am now hiding in my room, writing to you, hoping this will make me feel like you’re home again. I’m so selfish. Today you will bury your father, and all I can think of is bringring you here. Having written that out, seeing it in ink. I feel like an absolute ass. You are exactly where you need to be. I think I already said this, but I’m sure you’re such a comfort to your family. You know, I haven’t told this to you and I ought to have, but you’ve gotten so much stronger since I met you. I’m not arrogant enough to believe that has anything to do with me, but I think this experience has changed you. I know it’s changed me. From the very beginning you had your own brand of fearlessness, and that has been polished into something strong. Where I used to imagine you as a girl with a bag full of stones, ready to throw them at any foe who crossed her path, you have become the stone itself. You are steady and able. And I bet your family sees that in you. I should have told you that. I hope you come home soon so I can. Maxon

I haven’t got a clue what this lot’s supposed to mean,” he said, staring down at a long list of calculations. “You know,” said Ron, whose hair was on end because of all the times he had run his fingers through it in frustration, “I think it’s back to the old Divination standby.” “What — make it up?” “Yeah,” said Ron, sweeping the jumble of scrawled notes off the table, dipping his pen into some ink, and starting to write. “Next Monday,” he said as he scribbled, “I am likely to develop a cough, owing to the unlucky conjunction of Mars and Jupiter.” He looked up at Harry. “You know her — just put in loads of misery, she’ll lap it up.” “Right,” said Harry, crumpling up his first attempt and lobbing it over the heads of a group of chattering first years into the fire. “Okay … on Monday, I will be in danger of — er — burns.” “Yeah, you will be,” said Ron darkly, “we’re seeing the skrewts again on Monday. Okay, Tuesday, I’ll … erm …” “Lose a treasured possession,” said Harry, who was flicking through Unfogging the Future for ideas. “Good one,” said Ron, copying it down. “Because of … erm … Mercury. Why don’t you get stabbed in the back by someone you thought was a friend?” “Yeah … cool …” said Harry, scribbling it down, “because … Venus is in the twelfth house.” “And on Wednesday, I think I’ll come off worst in a fight.” “Aaah, I was going to have a fight. Okay, I’ll lose a bet.” “Yeah, you’ll be betting I’ll win my fight.

...got the ink as a constant symbol of what I fight for and of what I have to live for.

This right here is one of those relationship things. Your shit got mixed up with her shit and it all blew up like a shit bomb.

Nigel went to Toronto on holiday and got his skull cracked by a hockey puck.

Ask any of my brothers, nothing stops me. No one stops me. I got the name Steele because I'm unbending.

Ox ran a finger along the spines of the new books. “You got me hooked on reading again and now I don’t have enough time.

Her walls were like mine, which was another part of the allure. I understood walls. They’d kept me safe from people most of my life. Only my Inked Armor crew got past them, and even then, I only let them into the rooms I wanted to. There were locked closets no one but me could enter. But by keeping my walls in place with Sarah, I’d created a distance I didn’t know how to cross any more.

He’s going to get hurt. And he’s got to know you’re someone safe to come back to. He’s going to feel that in his bones. Just like I do. Because loving someone doesn’t mean needing them to be what you want them to be or swaddling them in bubble wrap so they can’t move. It means them knowing, deep down inside of their heart, you’re going to be there to hold them when they fall and celebrate when they fly.

You two got married,” he said. The word brought a smile to Ty’s lips, but it faded fast. He nodded. “You got my messages?” “No.” Nick jerked his chin toward Ty’s finger. “I saw the rings. I like them. Like the ink.

immediately commenced copying them, and in a short time was able to make the four letters named. After that, when I met with any boy who I knew could write, I would tell him I could write as well as he. The next word would be, "I don't believe you. Let me see you try it." I would then make the letters which I had been so fortunate as to learn, and ask him to beat that. In this way I got a good many lessons in writing, which it is quite possible I should never have gotten in any other way. During this time, my copy-book was the board fence, brick wall, and pavement; my pen and ink was a lump of chalk. With these, I learned mainly how to write. I then commenced and continued copying the Italics in Webster's Spelling Book, until I could make them all without looking on the book.

I mean that we must figure out, together, what we are willing to lie about for the sake of a clean memory. The story ends with no sinners, because it must. Everyone is washed clean. A city holds its breath for decades, waiting for something good to descend, and then it does. This, I believe, means that everything resets, and so does everyone within the container of this glorious happening. To enter the church of triumph, everyone must be absolved, and so everyone is. The pistols vanish from the waistbands of cops, from the sock drawers of dealers. What you thought to be blood, dried on the concrete of the park, is instead handprints left by children who pressed their hands into dark paint and left behind a symbol of their living. Yes, living, the children are alive, even the ones thought to be dead. Even the ones who were on the news, even the ones some of us marched in the streets for and broke glass windows for and threw ourselves into police shields for. In the end of this story, there are tattoos that vanish from the skin of those who got the names of the gone-too-soon inked on them, because no one is gone too soon. Yes, if we are to cure ourselves of curses, let us cure ourselves of all the curses tonight, let the lake cough its thick fog upon the people and let them be unmoved by the sweat. What is sweat but decoration, jewelry upon the extended arms beckoning people toward a revival?

They say we play dirty, work underground. Did you ever think, London? We’ve got no guns. If anything happens to us, it don’t get in the newspapers. But if anything happens to the other side, Jesus, they smear it in ink. We’ve got no money, and no weapons, so we’ve got to use our heads, London. See that? It’s like a man with a club fighting a squad with machine guns. The only way he can do it is to sneak up and smack the gunners from behind. Maybe that isn’t fair, but hell, London, this isn’t any athletic contest. There aren’t any rules a hungry man has to follow.

Jesus had an affinity for prisoners. He had been one, after all. He must have often felt anxiety and isolation in jail, but He identified with the prisoners. He made a point of befriending the worst and most hated, because His message was that no one was beyond reach of divine love, despite society's way of stating the opposite. God, what a nut. Finally we stood outside an inner gate, showed our IDs to the guards, and got our hands stamped with fluorescent ink. "You don't glow, you don't go," said one cheerful, pockmarked guard, which was the best spiritual advice I'd had in a long time.

Have you ever felt happy and miserable at the same time?” I sighed. “Yes.” Hutch sat up. He threw the covers back and got out of bed. He opened up the blinds sending rays of bright sunlight into his room. “But I got over it. I figured out no matter how much I worried about it nothing ever changed.

Once the man vacates the room, Genova motions toward the table between us. "Gun." I hold up my hands. "I don't have one." His brow furrows. "You came unarmed?" "I never carry a gun," I say, "but that doesn't mean I'm unarmed." Everything's a weapon if you look at it the right way. "Knives, then." "None of those, either." "Then what do you got?" "Not much." I consider it for a moment. "Some spare change, a peppermint, my wallet... oh, and I've got a pen in my pocket." He looks at me with disbelief. "A pen." Reaching into my pocket, I pull out a simple black ballpoint ink pen. Probably cost a dollar. "You gonna kill somebody with that?" he asks. I shrug, setting it on the table. "You never know.

Listen here, smartass. Love doesn’t make you weak. You’re stronger as a couple than you are apart. If he’s the right man, he’ll know how to bring out your strengths. He’ll make you a better person. If you lose yourself, then you weren’t strong to begin with. Man the fuck up and take a chance for once. Prove you got a set of balls on you like you always claim.

APPLES SCENT, You arrive in the basement. Immediatly it catches you. Apples are here, lying on fruit trays, turned crates. You didn't think about it. You had no wish to be flooded by this melancholic wave. But you can't resist. Apple scent is a breaker. How could you manage without this childhood, bitter and sweet ? Shrivelled fruits surely are delicious, from this feak dryness where candied taste seems to have wormed in each wrinkle. But you don't wish to eat them. Particularly don't turn into an identifiable taste this floating power of smell. Say that it smells good, strong? But not ..... It's beyond .... An inner scent, scent of a better oneself. Here is shut up school autumn, with purple ink we scratch paper with down strokes and thin strokes. Rain bangs against glasses, evening will be long .... But apple perfume is more than past. You think about formerly because of fullness and intensity from a remembrance of salpetered cellar, dark attic. But it's to live here, stay here, stand up. You have behind you high herbs and damp orchards. Ahead it's like a warm blow given in the shade. Scent got all browns, all reds with a bit of green acid. Scent distilled skin softness, its tiny roughness. Lips dried, we alreadyt know that this thirst is not to be slaked. Nothing would happen if you bite the white flesh. You would need to become october, mud floor, moss of cellar, rain, expectation. Apple scent is painful. It's from a stronger life, a slowness we deserve no more.

I was walking on campus when I saw the statistic on the front page of a newspaper: one in four women, one in five? I don’t remember, it was just too many, too many women on campus had been sexually assaulted. But what got me was the graphic, rows of woman symbols, the kind you see on bathroom signs, across the entire page, all gray, with one in five inked red. I saw these red figures breathing, a little hallucination. My whole life had warped below the weight of the assault, and if you took that damage and multiplied it by each red figure, the magnitude was staggering. Where were they? I looked around campus, girls walking with earmuffs, black leggings, teal backpacks. If our bodies were literally painted red, we’d have red bodies all over this quad. I wanted to shake the paper in people’s faces. This was not normal. It was an epidemic, a crisis. How could you see this headline and keep walking? We’d deadened to the severity, too familiar a story. But this story was not old to me yet. A word came to my mind, another. I remember, after learning of the third suicide at school, people shook their heads in resignation, I can’t believe there’s been another. The shock had dimmed. No longer a bang, but an ache. If kids getting killed by trains became normalized, anything could. This was no longer a fight against my rapist, it was a fight to be humanized. I had to hold on to my story, figure out how to make myself heard. If I didn’t break out, I’d become a statistic. Another red figure in a grid.

From this I think we can conclude that the definitive English holorime has yet to be written. However, an old children's riddle does seem to come close. It is the one that poses the question "How do you prove in three steps that a sheet of paper is a lazy dog?" The answer: (1) a sheet of paper is an ink-lined plane; (2) an inclined plane is a slope up; (3) a slow pup is a lazy dog.

it may be quite sensible for a mother to say to the children, "i'm not going to go and make you tidy the schoolroom every night. You've got to learn to keep it tidy on your own." Then she goes up one night and finds the teddy bear and the ink and the French Grammar all lying in the grate. That is against her will. She would prefer the children to be tidy. But on the other hand, it is her will which has left the children free to be untidy. The same thing arises in any regiment, or trade union, or school. You make a thing voluntary and then half the people do not do it. That is not what you willed, but your will has made it possible. it is probably the same in the universe. God created things which had free will. That means creatures which can go either wrong or right.

I began my life as I shall no doubt end it: among books. In my grandfather's study, they were everywhere; it was forbidden to dust them except once a year, before the October term. Even before I could read, I already revered these raised stones; upright or leaning, wedged together like bricks on the library shelves or nobly placed like avenues of dolmens, I felt that our family prosperity depended on them. They were all alike, and I was romping about in a tiny sanctuary, surrounded by squat, ancient monuments which had witnessed my birth, which would witness my death and whose permanence guaranteed me a future as calm as my past. I used to touch them in secret to honour my hands with their dust but I did not have much idea what to do with them and each day I was present at ceremonies whose meaning escaped me: my grandfather - so clumy, normally, that my grandmother buttoned his gloves for him - handled these cultural objects with the dexterity of an officiating priest. Hundreds of times I saw him get up absent-mindedly, walk round the table, cross the room in two strides, unhesitatingly pick out a volume without allowing himself time for choice, run through it as he went back to his armchair, with a combined movement of his thumb and right forefinger, and, almost before he sat down, open it with a flick "at the right page," making it creak like a shoe. I sometimes got close enough to observe these boxes which opened like oysters and I discovered the nakedness of their internal organs, pale, dank, slightly blistering pages, covered with small black veins, which drank ink and smelt of mildew.

I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.

What's wrong between you two?' she said. 'You used to be like peas in a pod.' I thought about everything I might say, then chose the simplest. 'We're different.' Cate scoffed at that. 'So are ink and paper, but they get along very well indeed.' 'She's mad at me,' I said. 'Not mad,' Esther said. 'She thinks I'm the reason our daddy got hurt.' Cate scoffed again. 'You're a girl. You're not a tree.' 'She was in the way,' Esther said. Cate shook her head. 'Blame comes from the Greek for 'curse.' That's the root of it. A curse. Against the sacred. Which is what sisters are. Or should be. To each other.' She glared at us both. 'Sacred.

My life felt heavy that night, with each year of my life like a weighty crate, so I had almost thirteen crates to carry around inside me, with each crate full of notebooks and each notebook full of secrets. It is hard to lug such a heavy load around with me and to keep everyone from seeing it. But some secrets are so strange and so dangerous that showing them to people makes the strangeness and the danger pour into their lives like dark, dark ink. I lived with this ink myself, emblazoned on my ankle for me to see each morning when I got out of bed, except for the days when I collapsed exhausted with my shoes on. But I did not want to stain anyone else’s life.

...at Newsweek only girls with college degrees--and we were called "girls" then--were hired to sort and deliver the mail, humbly pushing our carts from door to door in our ladylike frocks and proper high-heeled shoes. If we could manage that, we graduated to "clippers," another female ghetto. Dressed in drab khaki smocks so that ink wouldn't smudge our clothes, we sat at the clip desk, marked up newspapers, tore out releveant articles with razor-edged "rip sticks," and routed the clips to the appropriate departments. "Being a clipper was a horrible job," said writer and director Nora Ephron, who got a job at Newsweek after she graduated from Wellesley in 1962, "and to make matters worse, I was good at it.

Her feelings as dark as the night sky, the moon was the only thing making her come alive So she got some paper and pen to let the ink spill it all out because talking never seemed to work. Blood drops fell on her little piece of paper, drowning it along with her. By the time the blood dried up it left her with nothing but red dust. Red. The same color her eyes were captivated by. They never told her that there is no way to get over crazy, messy things in life. There's only crossing that red sea as if you're walking through the wilderniss. The sun will rise when you've gone through the depts of it all. Writing wont matter anymore. Don't you understand? You're life is not messy little girl, you're just crazy sometimes.

Every time he moved, with every breath he took, it seemed the man was carried along by iridescent orange and black wings. She tried to convey how it was like travelling through the inside of a living body at times, the joints and folds of the earth, the liver-smooth flowstone, the helictites threading upward like synapses in search of a connection. She found it beautiful. Surely God would not have invented such a place as His spiritual gulag. It took Ali’s breath away. Sometimes, once men found out she was a nun, they would dare her in some way. What made Ike different was his abandon. He had a carelessness in his manner that was not reckless, but was full of risk. Winged. He was pursuing her, but not faster than she was pursuing him, and it made them like two ghosts circling. She ran her fingers along his back, and the bone and the muscle and hadal ink and scar tissue and the callouses from his pack straps astonished her. This was the body of a slave. Down from the Egypt, eye of the sun, in front of the Sinai, away from their skies like a sea inside out, their stars and planets spearing your soul, their cities like insects, all shell and mechanism, their blindness with eyes, their vertiginous plains and mind-crushing mountains. Down from the billions who had made the world in their own image. Their signature could be a thing of beauty. But it was a thing of death. Ali got one good look, then closed her eyes to the heat. In her mind, she imagined Ike sitting in the raft across from her wearing a vast grin while the pyre reflected off the lenses of his glacier glasses. That put a smile on her face. In death, he had become the light. There comes a time on every big mountain when you descend the snows and cross a border back to life. It is a first patch of green grass by the trail, or a waft of the forests far below, or the trickle of snowmelt braiding into a stream. Always before, whether he had been gone an hour or a week or much longer – and no matter how many mountains he had left behind – it was, for Ike, an instant that registered in his whole being. Ike was swept with a sense not of departure, but of advent. Not of survival. But of grace.

Now, let us clear the air: I am not a stupid girl. I realized the words I’d written in the ledger book were more than ink and cotton. They’d reached out into the world and twisted the shape of it in some invisible and unknowable way that brought Samuel to stand beneath my window. But there was a more rational explanation available to me—that Samuel had seen the longing in my face and decided to hell with that bitter old German woman—and I chose to believe that instead. But still: when I got to my room and settled the brown ball of fur in a nest of pillows, the first thing I did was trawl through my desk drawer for a pen. I found my copy of The Jungle Book, flipped to the blank pages at the back, and wrote: She and her dog were inseparable from that day forward.

But anyone who has been in authority knows how a thing can be in accordance with your will in one way and not in another. It may be quite sensible for a mother to say to the children, "I'm not going to go and make you tidy the schoolroom every night. You've got to learn to keep it tidy on your own." Then she goes up one night and finds the Teddy bear and the ink and the French Grammar all lying in the grate. That is against her will. She would prefer the children to be tidy. But on the other hand, it is her will which has left the children free to be untidy. The same thing arises in any regiment, or trade union, or school. You make a thing voluntary and then half the people do not do it. That is not what you willed, but your will has made it possible. - Book 2, Chapter 3

So why do people get obsessed with following the schools of law?" I asked. "Why not just go back to the Quran?" A wide, bright smile. "People can be lazy." Consulting scholars and obeying their rules was safer and easier, said the Sheikh. "You don't need to read or question, or think. You've got other people thinking for you. If you become open, it's a challenge." He glanced at his watch, checking to see how much time remained before the noon prayer. "You see, Carla, what's happened, really, is that we in the Muslim world have destroyed the whole balance. We've become obsessed with these tiny details, these laws. What does the Quran keep repeating? Purity of the heart. That's what's important! Why has cutting off a thief's hand - something it mentions once! - become of such importance to some people?

He is a strange God, you will say: and if it is not, how can anything happen contrary to the will of a being with absolute power? But anyone who has been in authority knows how a thing can be in accordance with your will in one way and not in another. It may be quite sensible for a mother to say to the children, 'I'm not going to go and make you tidy the schoolroom every night. You've got to learn to keep it tidy on your own.' Then she goes up one night and finds the Teddy bear and the ink and the French Grammar all lying in the grate. That is against her will. She would prefer the children to be tidy. But on the other hand, it is her will which has left the children free to be untidy. The same thing arises in any regiment, or trade union, or school. You make a thing voluntary and then half the people do not do it. That is not what you willed, but your will has made it possible.

Like her father, Sumaiya believed that everyone has the right to make individual choices. But like him, she was conscious that people needed limits, and she was skeptical about the culture of indivualism that dominates Western life. It starts so early, she marveled: "Even in nursery, in Show and Tell, there's a sense of 'Look what I've got.' There's all this emphasis on the fact that it's your thing and you're showing it off." I'd never thought of Show and Tell as baby's first building block of individualism, but seen through Sumaiya's eyes, it suddenly seemed like an early foray into the culture of the self. The monogrammed towels, vanity license plates, and sloganeering tote bags would follow - a lifelong parade displaying one's own distinctiveness. If Western culture has the laudable goals of speaking up and standing out, these values also bring collateral damage: the cult of personalization.

Modern Muslims often simply cling to the external signs of their faith: "People are busy worrying about their beards, or their headscarves," he observed. "So the faith becomes like their identity. It happens like this in every culture, every faith. The outer aspects to become more important, while the soul inside is forgotten." He paused, shook his head, and gazed mournfully out a the crowd. "At the end of the day, people are carrying around a dead body, with no soul." "Why do Muslims have so much suffering, all over the world?" he demanded. "We are carrying the body of Islam! We don't have submission. We have got the law, but without the hikma - the wisdom - behind it. Religion hasn't come to give people an identity! Its purpose is not so you can say, 'We belong to this group.' But at this moment ninety-nine percent of Muslims treat religion as identity! But God does not like identity. He does not want people to be proud of belonging. He wants faith, and he wants action.

He probably likes you. That's no reason to put ink all--" "I don't want him to like me," she said. Then she started looking at me funny. "Holden," she said, "how come you're not home Wednesday?" "What?" Boy, you have to watch her every minute. If you don't think she's smart, you're mad. "How come you're not home Wednesday?" she asked me. "You didn't get kicked out or anything, did you?" "I told you. They let us out early. They let the whole--" "You did get kicked out! You did!" old Phoebe said. Then she hit me on the leg with her fist. She gets very fisty when she feels like it. "You did! Oh, Holden!" She had her hand on her mouth and all. She gets very emotional, I swear to God. "Who said I got kicked out? Nobody said I--" "You did. You did," she said. Then she smacked me again with her fist. If you don't think that hurts, you're crazy. "Daddy'll kill you!" she said. Then she flopped on her stomach on the bed and put the goddam pillow over her head. She does that quite frequently. She's a true madman sometimes. "Cut it out, now," I said. "Nobody's gonna kill me. Nobody's gonna even--C'mon, Phoeb, take that goddam thing off your head. Nobody's gonna kill me." She wouldn't take it off, though. You can't make her do something if she doesn't want to.

You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.

PERCY AND PADFOOT Harry was the first to awake in his dormitory next morning. He lay for a moment watching dust swirl in the chink of sunlight falling through the gap in his four-poster’s hangings and savored the thought that it was Saturday. The first week of term seemed to have dragged on forever, like one gigantic History of Magic lesson. Judging by the sleepy silence and the freshly minted look of that beam of sunlight, it was just after daybreak. He pulled open the curtains around his bed, got up, and started to dress. The only sound apart from the distant twittering of birds was the slow, deep breathing of his fellow Gryffindors. He opened his schoolbag carefully, pulled out parchment and quill, and headed out of the dormitory for the common room. Making straight for his favorite squashy old armchair beside the now extinct fire, Harry settled himself down comfortably and unrolled his parchment while looking around the room. The detritus of crumpled-up bits of parchment, old Gobstones, empty ingredient jars, and candy wrappers that usually covered the common room at the end of each day was gone, as were all Hermione’s elf hats. Wondering vaguely how many elves had now been set free whether they wanted to be or not, Harry uncorked his ink bottle, dipped his quill into it,

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

Hanging around them made Charlie feel like maybe there wasn’t anything wrong with her. It didn’t matter if she didn’t fit in at school, or that her body kept changing on her. It was okay when her best friend’s parents took one look at Charlie and clocked her for trouble. When even Laura herself, who’d known her since she was eight, started acting weird. It was fine that she’d given up hoping her mother would notice there was something strange about Rand taking her on trips all the time. All those people who judged her or couldn’t be bothered with her were marks. She’d have the last laugh. “You gotta be like a shark in this business,” Benny told her with his soft voice and slicked-back hair. “Sniff around for blood in the water. Greet life teeth first. And no matter what, never stop swimming.” Charlie took that advice and the money from her last job with Rand and got a tattoo. She’d wanted one, and she’d also wanting to know if she could con a shop into giving her ink, even though she was three years away from eighteen. It involved some fast talking and swiping a notary sigil, but she got it done. Her first tattoo. It was still a little bit sore when she moved. Along her inner arm was the word “fearless” in looping cursive letters, except the tattooist had spaced them oddly so that it looked as though it said “fear less.” It reminded her of what she wanted to be, and that her body belonged to her. She could write all over it if she wanted.

Faith’s like a goddess to the Marines, and she’s actually good at her job, especially given she’d just finished seventh grade. Which is an important job. She does really important shit. “Right now, you’re just getting your head together. Like the pamphlet says, maybe you decide to help out. We can use people who know how to get shit done. Not just as military. I only took the Lieutenancy they offered cause I have to work with the Navy and Marines to get my job done and it helps. But there’s lots of ways a guy with your background and work ethic and general get-it-done attitude could help. Problem being, even if you wanted to, right now the only reason the Marines haven’t gotten together to kick the crap out of you is that they’re too busy. When they get less busy or, for example, this evening when they break from killing zombies, I would not want to be in your shoes.” “So what is this?” Zumwald said. “A military dictatorship? Beatings for free?” “Yeah,” Isham said, looking at him as if he was nuts. “We’re on ships. And they are all officially US Navy vessels. Even most of the dinky little yachts. The commanders, including this one, are all Navy officers, even if the ink is still wet on the commissions. And even if they weren’t, captains of vessels at sea have a lot of legal control in any circumstances. By the way, I talked Captain Graham, boss of this boat, out of pressing charges against you for assault. Because you don’t get how badly you fucked up. I get that. He’s another Faith lover, but it’s also you don’t get to just grab any cookie and tell her you want another scotch. You don’t. This isn’t Hollywood, and, sorry, you’re not some big time movie executive anymore. You’re a fucking refugee in a squadron that spends half its time on the ragged edge. Still. You got no clue how tough it is to keep these vessels supplied.

Try opening it.” He was doing that as she spoke, gently twisting the acorn in its cup without any success. It didn’t unscrew, so he tried harder, and then tried to pull it, but that didn’t work either. “Try twisting the other way,” said Asta. “That would just do it up tighter,” he said, but he tried, and it worked. The thread was the opposite way. “I never seen that before,” said Malcolm. “Strange.” So neatly and finely made were the threads that he had to turn it a dozen times before the two parts fell open. There was a piece of paper inside, folded up as small as it could go: that very thin kind of paper that Bibles were printed on. Malcolm and Asta looked at each other. “This is someone else’s secret,” he said. “We ought not to read it.” He opened it all the same, very carefully so as not to tear the delicate paper, but it wasn’t delicate at all: it was tough. “Anyone might have found it,” said Asta. “He’s lucky it was us.” “Luckyish,” said Malcolm. “Anyway, he’s lucky he hadn’t got it on him when he was arrested.” Written on the paper in black ink with a very fine pen were the words: We would like you to turn your attention next to another matter. You will be aware that the existence of a Rusakov field implies the existence of a related particle, but so far such a particle has eluded us. When we try measuring one way, our substance evades it and seems to prefer another, but when we try a different way, we have no more success. A suggestion from Tokojima, although rejected out of hand by most official bodies, seems to us to hold some promise, and we would like you to inquire through the alethiometer about any connection you can discover between the Rusakov field and the phenomenon unofficially called Dust. We do not have to remind you of the danger should this research attract the attention of the other side, but please be aware that they are themselves beginning a major program of inquiry into this subject. Tread carefully. “What does it mean?” said Asta. “Something to do with a field. Like a magnetic field, I s’pose. They sound like experimental theologians.” “What d’you think they mean by ‘the other side’?” “The CCD. Bound to be, since it was them chasing the man.

I don’t like to think too much about you, in my head, that only makes a mess of us both. But of course what I live for now is for you and me to live together. I’m frightened, really...I feel my inside turn to water sometimes, and there you are, going to have a child by me. But never mind. All the bad times that ever have been, haven’t been able to blow the crocus out: not even the love of women. So they won’t be able to blow out my wanting you, nor the little glow there is between you and me. We’ll be together next year. And though I’m frightened, I believe in your being with me. A man has to fend and fettle for the best, and then trust in something beyond himself. You can’t insure against the future, except by really believing in the best bit of you, and in the power beyond it. So I believe in the little flame between us. For me now, it’s the only thing in the world. I’ve got no friends, not inward friends. Only you. And now the little flame is all I care about in my life.. It’s my Pentecost, the forked flame between me and you... Me and God is a bit uppish, somehow. But the little forked flame between me and you: there you are! That’s what I abide by, and will abide by... “That’s why I don’t like to start thinking about you actually. It only tortures me, and does you no good. I don’t want you to be away from me. But if I start fretting it wastes something. Patience, always patience. This is my fortieth winter. And I can’t help all the winters that have been. But this winter I’ll stick to my little pentecost flame, and have some peace. And I won’t let the breath of people blow it out. I believe in a higher mystery, that doesn’t let even the crocus be blown out. And if you’re in Scotland and I’m in the Midlands, and I can’t put my arms round you, and wrap my legs round you, yet I’ve got something of you. My soul softly flaps in the little pentecost flame with you, like the peace of fucking. We fucked a flame into being. Even the flowers are fucked into being between the sun and the earth. But it’s a delicate thing, and takes patience and the long pause. “So I love chastity now, because it is the peace that comes of fucking. I love being chaste now. I love it as snowdrops love the snow. I love this chastity, which is the pause of peace of our fucking, between us now like a snowdrop of forked white fire. And when the real spring comes, when the drawing together comes, then we can fuck the little flame brilliant and yellow, brilliant. But not now, not yet! Now is the time to be chaste, it is so good to be chaste, like a river of cool water in my soul. I love the chastity now that it flows between us. It is like fresh water and rain. How can men want wearisomely to philander! What a misery to be like Don Juan, and impotent ever to fuck oneself into peace, and the little flame alight, impotent and unable to be chaste in the cool between-whiles, as by a river. “Well, so many words, because I can’t touch you. If I could sleep with my arms round you, the ink could stay in the bottle. We could be chaste together just as we can fuck together. But we have to be separate for a while, and I suppose it is really the wiser way. If only one were sure. “Never mind, never mind, we won’t get worked up. We really trust in the little flame, in the unnamed god that shields it from being blown out. There’s so much of you here with me, really, that it’s a pity you aren’t all here. “Never mind about Sir Clifford. If you don’t hear anything from him, never mind. He can’t really do anything to you. Wait, he will want to get rid of you at last, to cast you out. And if he doesn’t, we’ll manage to keep clear of him. But he will. In the end he will want to spew you out as the abominable thing. “Now I can’t even leave off writing to you. “But a great deal of us is together, and we can but abide by it, and steer our courses to meet soon. John Thomas says good night to lady Jane, a little droopingly, but with a hopeful heart.

She glanced down at the triangle of three dots tattooed on the fleshy web between her index finger and thumb. The day she got jumped into Ninth Street, Veto had tattooed the dots into her skin using ink and a pin. Later, he had tattooed the teardrop under her right eye when she got out of Youth Authority Camp. The second teardrop was for her second stay in Youth Authority. She would have gone back a third time for firing a gun, if a lenient judge hadn't sentenced her to do community service work instead. She had fired the gun in frustration when she couldn't stop her homegirls from doing a throw-down. The cops had caught her, but she wouldn't turn rata. She was willing to go back to camp to protect her homegirls. That was the code. But the judge had seen something different in her eyes this time and let her off with community service. Jimena had known about her destiny by then, and she had changed. It amazed her even now, if she thought about it. Who would have thought she was meant for something so important?

For Knox The-Sphinx-Ain’t-Got-Shit-On-Me Gordon, that one tiny tell is the equivalent of me knocking him on his ass.

One morning, I found the word RAGE scrawled on my arm in black ink. I had no recollection of how it got there. It was thick and furious. I stared at it like it wasn’t part of me, but I liked it. It took weeks to fade.

You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.

You could tell me you didn’t take the deed and run.” “I don’t think I need to. I’m pretty sure you can march your ass back up to your apartment and figure that out for yourself. Because if there was a deed to be had, it’s still there.” I got into my car and slammed the door, not waiting for his response. Before I could buckle my seatbelt, Con ripped the door open again and invaded the cabin. “Oh, no you don’t, princess. Changed my mind. You don’t get to leave.” He snatched the keys from the ignition and shoved them in his pocket before lifting me out of my seat and tossing me over his shoulder. “Put me down. I’m leaving!” “You’re not going anywhere until I’m good and ready to let you go. I already made that mistake before. Took me two fucking years to recover from it. Not doing it again.” “You’re insane!” “And you’re the one making me fucking crazy, so get over it.

I knew they wouldn’t approve of me, despite the fact I was well off and successful. How I earned my money, and my lifestyle, were not up to their standards. Not to mention the ink that covered my arms – Ally had told me how much they disapproved of body art or anyone who didn’t conform to their narrow-minded world. I was also blunt, outspoken, disliked them for the way they treated my girl, and I didn’t care about their opinion. Wait until they got an eyeful of me. We were going to hate each other, but they were going to have to get used to me. Because I wasn’t going anywhere.

There's nothing wrong with dreaming. Wishing for the impossible is just human nature. That's how I got started. Just a pencil and a dream. We all want everything without even having to lift a finger. They say you just have to believe. Belief can make you succeed. Belief can make you rich. Belief can make you powerful. Why with enough belief, you can even cheat death itself. Now that... is a beautiful, and positively silly thought

When words were carved in stone, we got the Ten Commandments. When we had to make our own ink and chase a goose around the yard to get a quill (and before the Infite Monkey Theorem was developed), we got William Shakespeare . When the fountain pen was invented, we got Henry James. When the typewriter came along, we got Jack Kerouac. And with the Internet we get - the President of the United States on Twitter

Chapter Eight Jack shifted his gaze between the packet and Fabien’s pale face, then slowly got to his feet. Go to the police, that was what they should do. Let them deal with it. But what kind of trouble would that land Fabien in? “I’ll sort it.” Jack made his way up to the chimney, stuffed the packet into the black bin liner he found up there, and wedged it between the pots. That would buy them some time to think about how to help Fabien. He returned to the others. Fabien was still looking green and shaky, but was on his feet and putting on his hat. “I’ll help you get down to the street,” said Beth. “It’s okay. I’ll go back through the attic. Grandad will be wondering where I am.” The boy hobbled up the incline, back the way he’d come, and they heard him stagger down the other side. Jack banged his fist against the chimney wall, sending loose cement dust showering onto the tiles. “I wish he’d told me what was going on. I could have helped. I wondered why he wanted me to teach him shadow jumping.” “He’s scared,” said Beth. “Don’t be too hard on him. Kai’s got him where he wants him. It’s Kai you should be angry with, not Fabien.” “Who’s Kai working for?” Jack let out a worried breath. “I mean, he might be a thug, but he’s not got a lot of brains, has he?” Beth pressed her lips together in thought. “You’re right. He can’t be doing this alone.” Jack’s encounter with Kai from a few months ago was inked on his memory like a tattoo. He touched his ribs as if the bruising was still there, but of course the physical injuries were gone. Not so for Fabien, Jack thought, remembering the livid mark blooming on the

Holding the letter that she got weeks ago in her hands—a letter written in ink on browned, thick paper that smelled as old, beloved books did—she perused the words again.

I hardly remember not hating my body. I got most of my seven arm tattoos when I was nineteen. I wanted to be able to look at my body and see something I didn't loathe, that was part of my body by my choosing entirely. Really, that's all I ever wanted.

The Kindle Press Release Kindle was the first product offered by the digital media group, and it, along with several AWS products, was among the first at Amazon to be created using the press release approach. Kindle was a breakthrough in multiple dimensions. It used an E Ink display. The customer could shop for, buy, and download books directly from the device—no need to connect to a PC or to Wi-Fi. Kindle offered more e-books than any other device or service available at the time and the price was lower. Today, that set of features sounds absolutely standard. In 2007, it was pioneering. But Kindle had not started out that way. In the early stages of its development—before we got started on the press release approach and when we were still using PowerPoint and Excel—we had not described a device that could do all these things from the customer perspective. We had focused on the technology challenges, business constraints, sales and financial projections, and marketing opportunities. We were working forward, trying to invent a product that would be good for Amazon, the company, not the customer. When we wrote a Kindle press release and started working backwards, everything changed. We focused instead on what would be great for customers. An excellent screen for a great reading experience. An ordering process that would make buying and downloading books easy. A huge selection of titles. Low prices. We would never have had the breakthroughs necessary to achieve that customer experience were it not for the press release process, which forced the team to invent multiple solutions to customer problems. (We tell the whole Kindle story in chapter seven.)

The older Strike got, the more he’d come to believe that in a prosperous country, in peacetime – notwithstanding those heavy blows of fate to which nobody was immune, and those strokes of unearned luck of which Inigo, the inheritor of wealth, had clearly benefited – character was the most powerful determinant of life’s course.

(Errour's Den) This is the wandring wood, this Errours den, A monster vile, whom God and man does hate: Therefore I read beware. Fly fly (quoth then The fearefull Dwarfe:) this is no place for liuing men. But full of fire and greedy hardiment, The youthfull knight could not for ought be staide, But forth vnto the darksome hole he went, And looked in: his glistring armor made “A litle glooming light, much like a shade, By which he saw the vgly monster plaine, Halfe like a serpent horribly displaide, But th’other halfe did womans shape retaine, Most lothsom, filthie, foule, and full of vile disdaine. And as she lay vpon the durtie ground, Her huge long taile her den all ouerspred, Yet was in knots and many boughtes vpwound, Pointed with mortall sting. Of her there bred A thousand yong ones, which she dayly fed, Sucking vpon her poisonous dugs, eachone Of sundry shapes, yet all ill fauored: Soone as that vncouth light vpon them shone, Into her mouth they crept, and suddain all were gone. [The monster] Lept fierce vpon his shield, and her huge traine All suddenly about his body wound, That hand or foot to stirre he stroue in vaine: God helpe the man so wrapt in Errours endlesse traine. His Lady sad to see his sore constraint, Cride out, Now now Sir knight, shew what ye bee, Add faith vnto your force, and be not faint: Strangle her, else she sure will strangle thee. That when he heard, in great perplexitie, His gall did grate for griefe and high disdaine, And knitting all his force got one hand free, Wherewith he grypt her gorge with so great paine, That soone to loose her wicked bands did her constraine. Therewith she spewd out of her filthy maw A floud of poyson horrible and blacke, Full of great lumpes of flesh and gobbets raw, Which stunck so vildly, that it forst him slacke His grasping hold, and from her turne him backe: Her vomit full of bookes and papers was, With loathly frogs and toades, which eyes did lacke, And creeping sought way in the weedy gras: Her filthy parbreake all the place defiled has. ... Her fruitfull cursed spawne of serpents small, Deformed monsters, fowle, and blacke as inke, Which swarming all about his legs did crall, And him encombred sore, but could not hurt at all. ... Resolv’d in minde all suddenly to win, Or soone to lose, before he once would lin; And strooke at her with more then manly force, That from her body full of filthie sin He raft her hatefull head without remorse; A streame of cole black bloud forth gushed from her corse. Her scattred brood, soone as their Parent deare They saw so rudely falling to the ground, Groning full deadly, all with troublous feare, Gathred themselues about her body round, Weening their wonted entrance to haue found At her wide mouth: but being there withstood They flocked all about her bleeding wound, And sucked vp their dying mothers blood, Making her death their life, and eke her hurt their good.

You like it? Got you a necklace to match.” His hand leaves my leg and, for a split second, I’m longing for him to put it back. He shifts so the glow of a distant pole light catches, and I can see what he’s trying to show me. Below the dense forest of black ink trees sprawling up his forearm, there’s a tattoo along the back of his hand, running from thumb to index finger. Barbed wire. Before I can question what he means, his hand slips around my neck like a collar. A barbed wire necklace. “Fits perfectly, Cass. Looks sexy as hell, too.

I look at Diesel first, the crazy bastard, who has his cock out. I groan as I watch him circle his length, uncaring about being in public. His trousers are undone, his eyes on me as Kenzo fingers me. My mouth waters at the sight of him. He’s thick, so fucking thick, and across his cock is black ink. He got his dick tattooed. It doesn’t even surprise me, nor the piercing at the end-he probably got off on it. Except I can’t help but wonder what it would feel like inside me, that piercing dragging along my walls…

Oh, you wanna see something?” he asks me, wiggling his eyebrows. “I don’t know… do I? If it’s your cock, babe, I’ve seen it, and as nice as it is, I would rather just eat the sausage on my plate,” I quip. “No… that will be later. Once you see this, you are bound to jump me.” He laughs as he gets to his feet. I look over just in time to see him rip off his shirt. “D, your abs are nice—” I start, but freeze at the new ink on his chest. I don’t even get distracted by the muscular torso of the crazy man like normal. He stands there proudly, puffing up, with that insane smile on his lips, while all I can do is gawk. There, on his chest, right over his heart, is a bird. The bird sits on his pec, perched on a coiled viper. They both look so lifelike, I ache to touch them to see if they’re real. The bird is standing there, so brave and unafraid of the snake, its beak held high, and the snake? It’s wrapped around it, not restraining it… keeping it. Me and him. The crazy bastard got a tattoo of us over his heart. “Like it, Little Bird?” he asks, and he suddenly seems nervous. “I’m guessing that’s me… and you?” “Course.” He grins. “My little bird, right over my heart.” “I-“ I swallow again. “I love it.

What did we say about language?” “To watch it, but I got too distracted staring at your arse to remember,