Gong Li Quotes

There should be a Stage IV of black identity—Unmitigated Blackness. I’m not sure what Unmitigated Blackness is, but whatever it is, it doesn’t sell. On the surface Unmitigated Blackness is a seeming unwillingness to succeed. It’s Donald Goines, Chester Himes, Abbey Lincoln, Marcus Garvey, Alfre Woodard, and the serious black actor. It’s Tiparillos, chitterlings, and a night in jail. It’s the crossover dribble and wearing house shoes outside. It’s “whereas” and “things of that nature.” It’s our beautiful hands and our fucked-up feet. Unmitigated Blackness is simply not giving a fuck. Clarence Cooper, Charlie Parker, Richard Pryor, Maya Deren, Sun Ra, Mizoguchi, Frida Kahlo, black-and-white Godard, Céline, Gong Li, David Hammons, Björk, and the Wu-Tang Clan in any of their hooded permutations. Unmitigated Blackness is essays passing for fiction. It’s the realization that there are no absolutes, except when there are. It’s the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it’s the nihilism that makes life worth living. Sitting

The newspapers and radio were full of the campaign to “Destroy the Four Olds.” The campaign had been expanded to eliminate personal possessions. “If we do not completely eliminate the roots, the plant will grow back,” we heard. “We must eradicate these relics of the past.… We must not allow the reactionary forces to hoard their treasures.…” And every day we heard the drums and gongs that meant the Red Guards were ransacking the houses of class enemies to find and confiscate their hoarded possessions.

His wife had also studied art in her hometown, and she could paint, but depending on such work for her livelihood was just not possible. As far as appearances went, she was definitely a real beauty. When she was young, she looked a little like Gong Li, but now that she was middle-aged, she had put on weight and gradually taken on more of a bell-shaped look, resembling Li Siqin. But no matter what, a wife always looks better than her balding, broadbellied husband.

Within the city is another city, located on the periphery of our vision and beyond the tourist maps. It has become the setting of the world’s next chapter, driven by exertion and promise, battered by violence and death, strangled by neglect and misunderstanding. History is being writ-ten, and largely ignored, in places like Liu Gong Li on the fringes of Chongqing, in Clichy-sous-Bois on the outskirts of Paris, in the almost million-strong arrival city of Dharavi in Mumbai, and in Compton on the edge of Los Angeles—all places settled by people who have arrived from the village, all places that function to propel people into the core life of the city and to send support back to the next wave of arrivals. These places are known around the world by many names: as the slums, favelas, bustees, bidonvilles, ashwaiyyat, shantytowns, kampongs, urban villages, gecekondular, and barrios of the developing world, but also as the immigrant neighborhoods, ethnic districts, banlieues difficiles, Plattenbau developments, Chinatowns, Little Indias, Hispanic quarters, urban slums, and migrant suburbs of wealthy countries, which are themselves each year absorbing 2 million people, mainly villagers, from the developing world.

In what is one of the most bizarre and ecologically damaging episodes of the Great Leap Forward, the country was mobilised in an all-out war against the birds. Banging on drums, clashing pots or beating gongs, a giant din was raised to keep the sparrows flying till they were so exhausted that they simply dropped from the sky. Eggs were broken and nestlings destroyed; the birds were also shot out of the air. Timing was of the essence, as the entire country was made to march in lockstep in the battle against the enemy, making sure that the sparrows had nowhere to escape. In cities people took to the roofs, while in the countryside farmers dispersed to the hillsides and climbed trees in the forests, all at the same hour to ensure complete victory. Soviet expert Mikhail Klochko witnessed the beginning of the campaign in Beijing. He was awakened in the early morning by the bloodcurdling screams of a woman running to and fro on the roof of a building next to his hotel. A drum started beating, as the woman frantically waved a large sheet tied to a bamboo pole. For three days the entire hotel was mobilised in the campaign to do away with sparrows, from bellboys and maids to the official interpreters. Children came out with slings, shooting at any kind of winged creature.77 Accidents happened as people fell from roofs, poles and ladders. In Nanjing, Li Haodong climbed on the roof of a school building to get at a sparrow’s nest, only to lose his footing and tumble down three floors. Local cadre He Delin, furiously waving a sheet to scare the birds, tripped and fell from a rooftop, breaking his back. Guns were deployed to shoot at birds, also resulting in accidents. In Nanjing some 330 kilos of gunpowder were used in a mere two days, indicating the extent of the campaign. But the real victim was the environment, as guns were taken to any kind of feathered creature. The extent of damage was exacerbated by the indiscriminate use of farm poison: in Nanjing, bait killed wolves, rabbits, snakes, lambs, chicken, ducks, dogs and pigeons, some in large quantities.

Sentada enfrente de mis borradores, de repente me invadió el pánico como cuando un mago descubre que acaba de perder sus poderes por completo. Ahora simplemente no podía penetrar en el mundo distante de las letras, a mi alrededor ocurrían cambios incesantemente, como las pequeñas ondas del agua. Siempre había pensado en un triunfo repentino, como Alí Baba que sólo con leer un conjuro abrió la puerta de la cueva del tesoro, como Bill Gates que en una noche se convirtió en archimillonario, como Gong Li que a mi edad ya había subyugado a decenas de millones de hombres blancos con su magnífica belleza sin hablar una sola palabra de inglés.

Unmitigated Blackness is simply not giving a fuck. Clarence Cooper, Charlie Parker, Richard Pryor, Maya Deren, Sun Ra, Mizoguchi, Frida Kahlo, black-and-white Godard, Céline, Gong Li, David Hammons, Björk, and the Wu-Tang Clan in any of their hooded permutations.