Gone For Awhile Quotes

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That was the thing about going to sleep. It kind of scrubbed things. Arguments, worries, whatever. You could be scared or upset about something, and you might think sleep was impossible, but at some point it happened, and when you woke up in the morning the feeling was gone for awhile, like a storm passed during the night.
Alex North (The Whisper Man)
Hello, old friend. And here we are. You and me, on the last page. By the time you read these words, Rory and I will be long gone. So know that we lived well and were very happy. And above all else, know that we will love you always. Sometimes I do worry about you though. I think once we're gone you won't be coming back here for awhile. And you might be alone. Which you should never be. Don't be alone, Doctor. And do one more thing for me. There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends.
Steven Moffat
Where the shadow of the bridge fell I could see down for a long way, but not as far as the bottom. When you leave a leaf in water a long time after awhile the tissue will be gone and the delicate fibres waving slow as the motion of sleep. They don't touch one another, no matter how knotted up they once were, no matter how close they lay once to the bones.
William Faulkner (The Sound and the Fury)
As I turned over the last page, a wave of sorrow enveloped me. Where had they all gone, these people who had seemed so real? To distract myself, I walked out into the night; instinctively, I lit a cigarette. In the dark, the cigarette glowed, like a fire lit by a survivor. But who would see this light, this small dot among infinite stars? I stood awhile in the dark, the cigarette glowing and growing small, each breath patiently destroying me. How small it was, how brief. Brief, brief, but inside me now, which the stars could never be.
Louise Glück (Faithful and Virtuous Night)
My mind is, to use a disgustingly obvious simile, like a wastebasket full of waste paper; bits of hair, and rotting apple cores. I am feeling depressed from being exposed to so many lives, so many of them exciting, new to my realm of experience. I pass by people, grazing them on the edges, and it bothers me. I've got to admire someone to really like them deeply - to value them as friends. It was that way with Ann: I admired her wit, her riding, her vivacious imagination - all the things that made her the way she was. I could lean on her as she leaned on me. Together the two of us could face anything - only not quite anything, or she would be back. And so she is gone, and I am bereft for awhile. But what do I know of sorrow?
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Lead, Kindly Light, amidst th'encircling gloom, Lead Thou me on! The night is dark, and I am far from home, Lead Thou me on! Keep Thou my feet; I do not ask to see The distant scene; one step enough for me. I was not ever thus, nor prayed that Thou Shouldst lead me on; I loved to choose and see my path; but now Lead Thou me on! I loved the garish day, and, spite of fears, Pride ruled my will. Remember not past years! So long Thy power hath blest me, sure it still Will lead me on. O’er moor and fen, o’er crag and torrent, till The night is gone, And with the morn those angel faces smile, Which I have loved long since, and lost awhile! Meantime, along the narrow rugged path, Thyself hast trod, Lead, Saviour, lead me home in childlike faith, Home to my God. To rest forever after earthly strife In the calm light of everlasting life.
John Henry Newman
Immediately when you arrive in Sahara, for the first or the tenth time, you notice the stillness. An incredible, absolute silence prevails outside the towns; and within, even in busy places like the markets, there is a hushed quality in the air, as if the quiet were a conscious force which, resenting the intrusion of sound, minimizes and disperses sound straightaway. Then there is the sky, compared to which all other skies seem fainthearted efforts. Solid and luminous, it is always the focal point of the landscape. At sunset, the precise, curved shadow of the earth rises into it swiftly from the horizon, cutting into light section and dark section. When all daylight is gone, and the space is thick with stars, it is still of an intense and burning blue, darkest directly overhead and paling toward the earth, so that the night never really goes dark. You leave the gate of the fort or town behind, pass the camels lying outside, go up into the dunes, or out onto the hard, stony plain and stand awhile alone. Presently, you will either shiver and hurry back inside the walls, or you will go on standing there and let something very peculiar happen to you, something that everyone who lives there has undergone and which the French call 'le bapteme de solitude.' It is a unique sensation, and it has nothing to do with loneliness, for loneliness presupposes memory. Here in this wholly mineral landscape lighted by stars like flares, even memory disappears...A strange, and by no means pleasant, process of reintergration begins inside you, and you have the choice of fighting against it, and insisting on remaining the person you have always been, or letting it take its course. For no one who has stayed in the Sahara for a while is quite the same as when he came. ...Perhaps the logical question to ask at this point is: Why go? The answer is that when a man has been there and undergone the baptism of solitude he can't help himself. Once he has been under the spell of the vast luminous, silent country, no other place is quite strong enough for him, no other surroundings can provide the supremely satisfying sensation of existing in the midst of something that is absolute. He will go back, whatever the cost in time or money, for the absolute has no price.
Paul Bowles (Their Heads are Green and Their Hands are Blue: Scenes from the Non-Christian World)
I loved - but those I loved are gone; Had friends - my early friends are fled: How cheerless feels the heart alone When all its former hopes are dead! Though gay companions o'er the bowl Dispel awhile the sense of ill; Though pleasure stirs the maddening soul, The heart - the heart - is lonely still.
Lord Byron
. . .I've been the sheriff here for about five years now, and I'm surprised we haven't met." "She's been gone awhile--out to California," Trip explained. The Sheriff nodded, replacing his hat,"Sorry to hear that.
Karen White (A Long Time Gone (New American Library))
We get sombre about death. Think about Charon the ferryman rowing the souls across the Styx to the Isle of the Dead. Pretty grim stuff. Unless you think that, perhaps, at times, old Charon rows souls back to the land of the living too. Perhaps I have merely gone to rest awhile…
Sean J. Halford (Stronger Than Lions)
I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond.
Stephen King
They waited awhile before lighting the candles; the gloom allowed the past to slip cozily into the present. But the memories were of a time that was gone and didn't overshadow the present. But the memories were vivid, and they made the freinds feel both young and old...When Chrsitanne finally lit the candles and they saw one another clearly again, she was happy to see in the old faces of the others the young faces they had come across in their memories. we store our youth wihtin us, we can go back to it and find ourselves in it, but it is past--melancholy filled their hearsts, and sympahty, for one another and for themsleves.
Bernhard Schlink
God the horror of watching yourself from the outside as everything you know about yourself gets stripped away and demolished. Not just the loss of power over your body, but power over your mind. Rape in the deepest, most hellish sense of the word. But wait, there's a spark. Inside that hollowed out woman there's a place they can't touch. There's more to me than I thought there was. Something that no one and nothing can take away from me. They can't break me. I won't cease. I'm strong, and I am never going to go away until I've gotten what I came for. I might have been lost for awhile but I was never gone. WHO THE FUCK ARE YOU? With an explosive inhalation I snap upright in bed, and my eyes fly open like coming alive after being dead and interred in a coffin. I AM Mac and I am BACK!
Karen Marie Moning (Dreamfever (Fever, #4))
There passed a child of four, a small girl on a footpath over the fields, going home in the evening to Erl. They looked at each other with round eyes. "Hullo," said the child. "Hullo, child of men," said the troll. . . . "What are you?" said the child. "A troll of Elfland," answered the troll. "So I thought," said the child. "Where are you going, child of men?" the troll asked. "To the houses," the child replied. "We don't want to go there," said the troll. "N-no," said the child. "Come to Elfland," the troll said. The child thought for a while. Other children had gone, and the elves always sent a changeling in their place, so that nobody quite missed them and nobody really knew. She thought awhile of the wonder and wildness of Elfland, and then of her own house. "N-no," said the child. "Why not?" said the troll. "Mother made a jam roll this morning," said the child. And she walked on gravely home. Had it not been for that chance jam roll she had gone to Elfland. "Jam!" said the troll contemptuously and thought of the tarns of Elfland, the great lily-leaves lying flat upon their solemn waters, the huge blue lilies towering into the elf-light above the green deep tarns: for jam this child had forsaken them!
Lord Dunsany (The King of Elfland's Daughter)
Come to Elfland,' the troll said. The child thought for a while. Other children had gone, and the elves always sent a changeling in their place, so that nobody quite missed them and nobody really knew. She thought awhile of the wonder and wildness of Elfland, and then of her own home. 'N-no,' said the child. 'Why not?' said the troll. 'Mother made a jam roll this morning,' said the child. And she walked on gravely home.
Lord Dunsany (The King of Elfland's Daughter)
Oh stay awhile. sad, sagging flesh and bones gone brittle. Stay in place, aged face, teeth, don’t go. Inside and out the flaccid change of bodily parts, mechanics of action, mind’s collapsing habits, all echo here in mottled skin, blurred eye, reiterated mumble. Lift to the vacant air some sigh, some sign I’m still inside.
Robert Creeley (Windows)
We’re from here,” said Thomas. He thought awhile, drank some tea. “Think about this. If we Indians had picked up and gone over there and killed most of you and took over your land, what about that? Say you had a big farm in England. We camp there and kick you off. What do you say?
Louise Erdrich (The Night Watchman)
The carnations in his coat were drooping with the cold, he noticed, their red glory all over. It occurred to him that all the flowers he had seen in the glass cases that first night must have gone the same way, long before this. It was only one splendid breath they had, in spite of their brave mockery at the winter outside the glass; and it was a losing game in the end, it seemed, this revolt against the homilies by which the world is run. Paul took one of the blossoms carefully from his coat and scooped a little hole in the snow, where he covered it up. Then he dozed awhile, from his weak condition, seemingly insensible to the cold.
Willa Cather
Paul shrugs. “He is just gone,” he says. “I go there one day to see him, the door is open, the boats is there, I think maybe he is off somewheres near and I wait awhile. Next day I go back, everything the same, I begin to worry, where he is, I don’t know.
Margaret Atwood (Surfacing)
Look for people who are “anchored” over time. Don’t go for flashy, intense, addictive types. A Ford that will be there tomorrow is a lot better than a Maserati that might be gone. There are stable Maseratis. But it’s best to drive them awhile, that is, test out the relationship over time, to make sure.
Henry Cloud (Safe People: How to Find Relationships That Are Good for You and Avoid Those That Aren't)
We’re from here,” said Thomas. He thought awhile, drank some tea. “Think about this. If we Indians had picked up and gone over there and killed most of you and took over your land, what about that? Say you had a big farm in England. We camp there and kick you off. What do you say?” Barnes was struck by this scenario. He raised his eyebrows so fast his hair flopped up. “I say we were here first!” “Okay,” said Thomas. “Then say we don’t care. Since you made it through that mess we say you can keep a little scrap of your land. You can live there, we say, but you have to take our language and act just like us. And say we are the old-time Indians. You have to turn into an old-time Indian and talk Chippewa.” Barnes grinned, thinking of Zhaanat. “I couldn’t do that,” he said.
Louise Erdrich (The Night Watchman)
That’s why time-friendly people tend to make fewer emotional commitments than my friend Bernard does. They have a profound understanding of how much time it takes to be there for someone, so they think, deliberate, and pray long and hard before they decide to invest in a relationship. You might think they’re aloof or uncaring. They’re not. They are, instead, unwilling to write bad checks, emotionally speaking. Another friend, Pamela, recently passed the time test with flying colors. We’ve known each other a long time, and I needed her input on a big decision I was making. I knew she was busy, but I called her anyway, asking, “Can we do lunch?” Pamela lives quite a drive away, but she checked her calendar (another trait of safe people!), and we made an appointment. A few days later, we met, and I told her how much it meant to me for her to take the time out for me. She was genuinely surprised. “Well, I told you I’d be here, didn’t I?” Tears came to my eyes. For Pamela, a relationship means that you’re there for good. End of conversation. Look for people who are “anchored” over time. Don’t go for flashy, intense, addictive types. A Ford that will be there tomorrow is a lot better than a Maserati that might be gone. There are stable Maseratis. But it’s best to drive them awhile, that is, test out the relationship over time, to make sure.
Henry Cloud (Safe People: How to Find Relationships That Are Good for You and Avoid Those That Aren't)
The world was once haunted by Titus Oates’s self-made epitaph: “I am going outside and may be some time. Well, we are going inside and may be some time, we are inside, and have been for awhile. The poetry of courage is replaced by the poetry of confinement, the art of the endless open channel overtaken by the art of the perpetually retold tale. Our successful withdrawal from the risks of winter makes for a lessening of its intensities. We have all gone inside, and may be some time.
Adam Gopnik (Winter: Five Windows on the Season (The CBC Massey Lectures))
He’d had the key under the rock in Buxton to worry about for years. Now he had to worry that some eager-beaver new guard would look behind his poster and expose the whole thing, or that he would get another cellmate, or that he would, after all those years, suddenly be transferred. He had all those things on his mind for the next eight years. All I can say is that he must have been one of the coolest men who ever lived. I would have gone completely nuts after awhile, living with all that uncertainty. But Andy just went on playing the game.
Stephen King (Different Seasons: Four Novellas)
O brook! O foolish and tiresome little brook!” cried Pearl, after listening awhile to its talk. “Why art thou so sad? Pluck up a spirit, and do not be all the time sighing and murmuring!” But the brook, in the course of its little lifetime among the forest-trees, had gone through so solemn an experience that it could not help talking about it, and seemed to have nothing else to say. Pearl resembled the brook, inasmuch as the current of her life gushed from a well-spring as mysterious, and had flowed through scenes shadowed as heavily with gloom. But, unlike the little stream, she danced and sparkled, and prattled airily along her course.
Nathaniel Hawthorne (The Scarlet Letter)
That was it; that was all. But they stand there for awhile longer, feeling the power that is in their circle, the closed body that they make. The light paints their faces in pale fading colors; the sun is now gone and sunset is dying. They stand together in a circle as the darkness creeps down into the Barrens, filling up the paths they have walked this summer, the clearings where they have played tag and guns, the secret places along the riverbanks where they have sat and discussed childhood’s long questions or smoked Beverly’s cigarettes or where they have merely been silent, watching the passage of the clouds reflected in the water. The eye of the day is closing.
Stephen King (It)
I saw a kittypet today," she began. "On our territory?" Spottedleaf asked absently. "On a fence." Would the medicine cat think she'd gone mad? "There was something about him that made me wonder if he would make a good warrior." Spottedleaf looked up, her eyes shining with surprise. "A kittypet?" "His pelt was the color of flame." Spottedleaf blinked. "I understand." She spoke gravely. "You think he might be the fire." Bluestar nodded. "How will you know if you are right?" "I'll ask Graypaw to stalk him for awhile. See how he handles himself. Then I'll decide whether he could really be a clan cat." Her paws began to prick with excitment that she hadn't felt for moons. "If he shows promise I'll invite him to join the clan.
Erin Hunter (Bluestar's Prophecy (Warriors Super Edition, #2))
FIRST TIME I LAID eyes on Laura McAllan she was out of her head with mama worry. When that mama worry takes ahold of a woman you can’t expect no sense from her. She’ll do or say anything at all and you just better hope you ain’t in her way. That’s the Lord’s doing right there. He made mothers to be like that on account of children need protecting and the men ain’t around to do it most of the time. Something bad happen to a child, you can be sure his daddy gone be off somewhere else. Helping that child be up to the mama. But God never gives us a task without giving us the means to see it through. That mama worry come straight from Him, it make it so she can’t help but look after that child. Every once in awhile you see a mother who ain’t got it, who just don’t care for her own baby that came out of her own body. And you try and get her to hold that baby and feed that baby but she won’t have none of it. She just staring off, letting that baby lay there and cry, letting other people do for it. And you know that poor child gone grow up wrong-headed, if it grows up at all.
Hillary Jordan (Mudbound)
asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, `Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings. I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low---`Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road. I stood speechless with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.
Rabindranath Tagore (Gitanjali)
I asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, `Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings. I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low---`Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road. I stood speechless with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.
Rabindranath Tagore (Gitanjali)
My grades were dropping. My grades aren’t too good to begin with, but they’re pretty stable. Your average C work with an occasional B or D thrown in. I’ve been known to fail tests, but when I dropped to a solid D average, no one seemed surprised or even said anything and that surprised me. Ordinarily, my parents would have hit the roof, and my teachers would have called me in for conferences. They’d have said things like, “We know you can do better. You’re a smart girl. You have a high I.Q.” (That’s true. I do.) Or, “We know you can do better. You’re Janine’s sister.” That was the killer. It was also the point. I’m Janine’s sister, not Janine. Anyway, except for feeling tired all the time, I wasn’t sure why my grades had gone down. I did my homework more often than usual. I read all the chapters that were assigned to us. But I’ll admit that it was hard to concentrate. Maybe that was because suddenly it had become hard not to think about Mimi. For awhile, I tried to shut her out of my mind. Now I couldn’t. But why didn’t someone say something to me? Why did they let my grades slide? Just because Mimi had died? Mimi would have wanted me to do well in school, if I could.
Ann M. Martin (Claudia and the Sad Good-bye (The Baby-sitters Club, #26))
It's a little like being alone on a moving train for the first time. The excitement and wonder at the new experience slowly gives way to the creeping feeling that something isn't quite right. You check your ticket and see that you have made a mistake-- it's not the train that you have intended to be on. At first, you try and deny it. You watch the scenery slipping past and try to find a familiar landmark, and for awhile you take solace in denial. But soon, the terrifyingly unfamiliar terrain outside the window causes you to panic. Crushing fear that you can't ignore makes you rush around, looking for a way off it. But, it's moving too fast that you know there is no getting off until it stops somewhere. So you creep back to your seat and try not to attract any attention to yourself because the strangers in the train have taken on a weird, plastic appearance. Any camaraderie that you may have shared with them before is gone since you're no longer one of them: you're a trespasser meant to be on a different train. The knowledge begins to weigh on you as you slide farther and farther from where you wanted to go. You try to reign in on your fear and convince yourself that maybe this new destination will be better than the one you had planned for yourself. Then, somewhere along the way you discover that all your baggage is wrong, too, and you find that you're ill equipped to survive on the trip you're on, but then... then you notice that the stranger sitting next to you isn't like the other passengers... that even though you sat in his seat, he is going to try and help you sort out the tangle you're in. And, because this stranger is so perfect, you begin to relax a little and forget that you are on the wrong train at all.
Amy A. Bartol (Incendiary (The Premonition, #4))
Just above Tommy’s face were the Maiden and the Troll, two of his oldest wall people. The troll lived in a cave deep in the woods. He was big (Tommy knew the troll was even bigger than his daddy, and if the troll told his daddy to sit down and shut up, he would in a second), and he looked scary, with his little eyes and crooked teeth like fangs, but he had a secret. The secret was that he wasn’t scary at all. He liked to read, and play chess by mail with a gnome from over by the closet wall, and he never killed anything. The troll was a good troll, but everyone judged him by his looks. And that, Tommy knew, was a mean thing to do, though everyone did it. The maiden was very beautiful. Even more beautiful than Tommy’s mommy. She had long blonde hair that fell in heavy curls to her waist, and big blue eyes, and she always smiled even though her family was poor. She came into the woods near the troll’s cave to get water from a spring, for her family. The spring bubbled out of Tommy’s wall right next to where his hand lay when he was asleep. Sometimes she only came and filled her jug and left. But other times she would sit awhile, and sing songs of love lost, and sailing ships, and the kings and queens of Elfland. And the troll, so hideous and so kind, would listen to her soft voice from the shadows just inside the entrance of his cave, which sat just below the shelf where Tommy kept his favorite toys and books. Tommy felt bad for the troll. He loved the maiden who came to his spring, but she would never love him. He knew from listening to his parents and the stuff they watched on television when he was supposed to be asleep that beautiful people didn’t love ugly people. Ugly people were either to laugh at or to be frightened of. That was how the whole world worked. Tommy rolled over on his side, just a small seven year old boy in tan cargo shorts and a plain white T-shirt. He let his eyes drift over the bedroom wall, which was lumpy in some places and just gone in others. There was a part of the wall down near the floor where he could see the yellow light of the naked bulb down in the basement, and sometimes he wondered what might live down there. Nothing good, of that he was sure.
Michael Kanuckel (Small Matters)
Would that the structure brave, the manifold music I build, Bidding my organ obey, calling its keys to their work, Claiming each slave of the sound, at a touch, as when Solomon willed Armies of angels that soar, legions of demons that lurk, Man, brute, reptile, fly,—alien of end and of aim, Adverse, each from the other heaven-high, hell-deep removed,— Should rush into sight at once as he named the ineffable Name, And pile him a palace straight, to pleasure the princess he loved! Would it might tarry like his, the beautiful building of mine, This which my keys in a crowd pressed and importuned to raise! Ah, one and all, how they helped, would dispart now and now combine, Zealous to hasten the work, heighten their master his praise! And one would bury his brow with a blind plunge down to hell, Burrow awhile and build, broad on the roots of things, Then up again swim into sight, having based me my palace well, Founded it, fearless of flame, flat on the nether springs. And another would mount and march, like the excellent minion he was, Ay, another and yet another, one crowd but with many a crest, Raising my rampired walls of gold as transparent as glass, Eager to do and die, yield each his place to the rest: For higher still and higher (as a runner tips with fire, When a great illumination surprises a festal night— Outlining round and round Rome's dome from space to spire) Up, the pinnacled glory reached, and the pride of my soul was in sight. In sight? Not half! for it seemed, it was certain, to match man's birth, Nature in turn conceived, obeying an impulse as I; And the emulous heaven yearned down, made effort to reach the earth, As the earth had done her best, in my passion, to scale the sky: Novel splendours burst forth, grew familiar and dwelt with mine, Not a point nor peak but found and fixed its wandering star; Meteor-moons, balls of blaze: and they did not pale nor pine, For earth had attained to heaven, there was no more near nor far. Nay more; for there wanted not who walked in the glare and glow, Presences plain in the place; or, fresh from the Protoplast, Furnished for ages to come, when a kindlier wind should blow, Lured now to begin and live, in a house to their liking at last; Or else the wonderful Dead who have passed through the body and gone, But were back once more to breathe in an old world worth their new: What never had been, was now; what was, as it shall be anon;
Robert Browning
I want you to be happy. Eat it.” A wry smile curved Rose’s lips. “Am I to find happiness in a piece of chocolate cake?” Eve already had a forkful en route to her mouth. “I stake my reputation on it.” “Oh,” she replied dryly. “Surely heaven is just a bite away.” “Speaking of heaven,” Eve said a few minutes later when Rose thought she might expire from the bliss the dessert inspired, “tell me about your evening at Saint’s Row.” “Shh!” Her paranoid gaze darted around to see if anyone had overheard, but there was no one standing close enough to their whitewashed bench. “Don’t shush me, Rose Danvers. I’m your best friend and you’ve kept me waiting four whole days! I demand details.” Cheeks flushed, Rose stared at the half-eaten cake on her plate. Eve’s timing might leave something to be desired, but at least she’d stopped Rose from eating the entire slice. “What do you want to know?” Eve’s expression was incredulous. “Everything, of course.” Then, as though realizing who she was talking to, she sighed. “Did you find him?” Rose nodded. “I did.” The fire in her cheeks burned hotter, and she looked away. “Oh, Eve!” Her friend grabbed her wrist, clattering fork against plate. “That arse didn’t hurt you did he?” “No!” Then lowering her voice, “And he’s not an arse.” Using such rough language made her feel daring and bold. The scowl on Eve’s face eased. “Then…he was good to you?” Rose nodded, leaning closer. “It was the most amazing experience of my life.” The blonde giggled, bringing her head nearer to Rose’s. “Tell me everything.” So Rose did, within reason, looking up every once in awhile to make sure no one could hear. Afterward, when she was finished, Eve looked at her with a peculiar expression. “It sounds wonderful.” “It was.” Eve’s ivory brow tightened. “So, why do you sound so…disappointed?” Rose sighed. “It’s going to sound so pathetic, but when I saw Grey the next day he didn’t recognize me.” “But I thought you didn’t want him to know it was you.” Rose laughed darkly. “I don’t. That’s the rub of it.” She turned to more fully face her friend. “But part of me wanted him to realize it was me, Eve. I wanted him to see me as a woman, not as his responsibility or burden.” “I’m sure he doesn’t view you as any such thing.” Shaking her head Rose set the plate of cake aside, her appetite gone for good. "I thought this scheme would make everything better, and it's only made things worse." Worse because her feelings for Grey hadn't lessened as she'd hoped they might, they'd only deepened. Eve worried her upper lip with her bottom teeth. "Are you going to meet him again?" Another shake of her head, vehement this time. "No." "But. Rose, he wants to see you." "Not me, her." This was said with a bit more bitterness than Rose was willing to admit. He might have whispered her name, but it wasn't her he wanted to meet. Eve chuckled. "But you are her." She squeezed her wrist again. "Rose, don't you see? You're who he wants to see again, whether he knows it was you or not." Rose hadn't looked at it that way. She wasn't quite convinced her friend was right, but it was enough to make her doubt her own conclusions. She shook her head again. Blast, but she was making herself lightheaded. "I just don't know." "You'll figure it out," Eve allowed. "You always do.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Getting ready on the day of launch takes much longer than you’d think it would, like so many aspects of spaceflight. First I take a final trip to the banya to relax, then go through the preflight enema ritual—our guts shut down in space initially, so the Russians encourage us to get things cleaned out ahead of time. The cosmonauts have their doctors do this, with warm water and rubber hoses, but I opt for the drugstore type in private, which lets me maintain a comfortable friendship with my flight surgeon. I savor a bath in the Jacuzzi tub, then a nap (because our launch is scheduled for 1:42 a.m. local time). When I wake, I take a shower, lingering awhile. I know how much I’ll miss the feeling of water for the next year. The Russian flight surgeon we call “Dr. No” shows up shortly after I’m out of the shower. He is called Dr. No because he gets to decide whether our families can see us once we’re in quarantine. His decisions are arbitrary, sometimes mean-spirited, and absolute. He is here to wipe down our entire bodies with alcohol wipes. The original idea behind the alcohol swab-down was to kill any germs trying to stow away with space travelers, but now it seems like just another ritual. After a champagne toast with senior management and our significant others, we sit in silence for a minute, a Russian tradition before a long trip. As we leave the building, a Russian Orthodox priest will bless us and throw holy water into each of our faces. Every cosmonaut since Yuri Gagarin has gone through each of these steps, so we will go through them, too. I’m not religious, but I always say that when you’re getting ready to be rocketed into space, a blessing can’t hurt.
Scott Kelly (Endurance: A Year in Space, A Lifetime of Discovery)
This saying good-bye on the edge of the dark And cold to an orchard so young in the bark Reminds me of all that can happen to harm An orchard away at the end of the farm All winter, cut off by a hill from the house. I don't want it girdled by rabbit and mouse, I don't want it dreamily nibbled for browse By deer, and I don't want it budded by grouse. (If certain it wouldn't be idle to call I'd summon grouse, rabbit, and deer to the wall And warn them away with a stick for a gun.) I don't want it stirred by the heat of the sun. (We made it secure against being, I hope, By setting it out on a northerly slope.) No orchard's the worse for the wintriest storm; But one thing about it, it mustn't get warm. "How often already you've had to be told, Keep cold, young orchard. Good-bye and keep cold. Dread fifty above more than fifty below." I have to be gone for a season or so. My business awhile is with different trees, Less carefully nourished, less fruitful than these, And such as is done to their wood with an axe-- Maples and birches and tamaracks. I wish I could promise to lie in the night And think of an orchard's arboreal plight When slowly (and nobody comes with a light) Its heart sinks lower under the sod. But something has to be left to God.
Robert Frost
The plant looked nothing like the real thing, of course. The smiling face and color-changing petals resembled nothing in nature. It was programmed with some behavioral recognition software that could tell when she’d gone awhile without standing or drinking or taking a break, and would chirp cheerful reminders in response. “Hey, there! You need to hydrate!” “How about a snack?” “Take a walk! Stretch it out!” The effect was cheesy, and sometimes a little jarring when she was focused on her work, but she appreciated the sentiment. She
Becky Chambers (The Long Way to a Small, Angry Planet (Wayfarers, #1))
She looks out at the woods through the screen of limbs. Watching in the same way he is, for the same terrible things he is, with the same expectation, with equally haunted, hollow eyes. She’s still gripping the butcher’s cleaver tightly and her knuckles show through the skin. He puts a hand gently on hers. I think we’re good, he says to her. It’s gone. We’re good. She doesn’t say anything. She just stares awhile. Clutching that glinting meat hatchet in a tight, mudded fist. The whites of her teeth and eyes in the dark. There is no good, she tells him. Not for us. There’s only being ready for the next bad thing coming.
Jonathan R. Miller (The Mortis)
Hey, Rita.” She watched Jake return to his hardware goodies. “Hey, Meridith. Sorry to call at dinnertime, but this is important.” “What is it?” Jake looked up at her tone. “I ran into Dee Whittier in town awhile ago.” “Who?” “She owns a sporting shop and is on the chamber of commerce with me. She’s also Max and Ben’s soccer coach.” “Okay . . .” “Well, she called and told me she saw the kids’ uncle in town this afternoon.” “What?” Meridith caught Jake’s eye, then flickered a look toward Noelle. “She recognized him because he goes to the boys’ games sometimes and, well, according to her he’s a total stud, and she’s single, so . . . you haven’t heard from him yet?” “No.” “I thought you’d want to know.” “Yes, I—thanks, Rita. Forewarned is forearmed, right?” A scream pierced the line. “Brandon, leave your sister alone!” Rita yelled. “Listen, I gotta run.” “Thanks for calling,” Meridith said absently. “What’s wrong?” Jake asked. He would be coming soon. Surely it wouldn’t take long for him to discover his sister had passed away. She felt a moment’s pity at the thought, then remembered he’d gone over three months without checking in. “You okay?” Jake asked again. Noelle entered the room and grabbed a stack of napkins from the island drawer. “Noelle, your uncle hasn’t called or e-mailed, has he?” Noelle’s hand froze, a stack of napkins clutched in her fist. Her lips parted. Her eyes darted to Jake, then back to Meridith. “Why?” “Rita said someone named Dee saw him in town today.” Noelle closed the drawer slowly. “Oh. Uh . . . no.” Meridith turned to the soup. Thick broth bubbles popped and spewed. She turned down the heat again and stirred. “Well, I guess he’s back. You’ll be seeing him soon.” She tried to inject enthusiasm in her voice, tried to be happy for the children. A piece of familiarity, a renewed bond, a living reminder of their mother. It would be good for them. And yet. What if he wanted them once he found out what had happened to Eva and T. J.? What if he fought her for them and won? Her stomach bottomed out. She loved the children now. They were her siblings. Her family. She remembered coming to the island with every intention of handing them over like unwanted baggage. What she’d once wanted most was now a potential reality. Only now she didn’t want it at all. Dinner
Denise Hunter (Driftwood Lane (Nantucket, #4))
For, I think, when I woke up today, with a dream of yesterday still in my eyes,I felt tired in life. And thinking of the little blond girl of Mays & Junes long gone by,I felt strange looking on a field of wheat, and I thought, in a moment I was God and so was she, and this field was us too. So long gone, she goes. But I am still her, whether she comes and goes like all of life, or she stays awhile. Once, a man of physics told me, matter cannot be created or destroyed. And on another occasion he said everything came from one point, in the beginning. So we are all flowers and rivers and trees. That was all of us together. Every one of the past, present, and future.
Derek Keck (The Kitchen Sinks of Yesterday Morning: The Urinal Cakes of Tomorrow)
GOAT HOUR GOSPEL (SUCH SALVAGE) BY MARK WAGENAAR   Just as the evening’s about to move on, they appear, not as the apparitional deer— here, & gone in the next moment, without a sound—but one by one, bumbling through briar, chewing through poison ivy, sniffing at trees. A slow procession walking beneath elms & birches that hold up the last light. And you’re alone with the traces of things, the news in front of you: the crooked skeleton of Richard III was dug up from a parking lot, humpbacked, once buried in his boots & battlefield wounds. Nearby a lost river has been uncovered, & coughed up its mouthful of Roman skulls. No relic is safe, it seems, from an invisible tide that presses them upward. Sometimes it’s not the loss that hurts but the indignities of the discovery. And yet beside the diggers & builders of new things is this mangy congregation, pushing through the scrub without a trail or blueprint or direction. Their dirty white fur shines a little in this late, lost hour. They bleat as they shamble & piss on each other without warning, or maybe as a warning, or in greeting. They’ll eat anything—tin can, T-shirt, canvas sack, bones of animals & kings, & carry them awhile. And so do we: each night, across the country, people turn up at hospitals unable to speak, for the needle or nail lodged in their throats. They’re unable to explain why, but we know— that desperate mix of need & panic that can drive us to keep something safe for good. These dearest items take your words & leave them luminous, radiolucent, shining on the X-ray, like this swallowed ring: a ghostly eclipse. Small comfort to share an appetite with these goats, this dishevelled lot. But a comfort, too, to know that some things will be saved from the soil, rescued from time’s indignities, if only for a little while, & by these scruffy reliquaries, on the other side of the valley now, flickering slightly as they near the vanishing point of the timberline. And we might call such salvage mercy . And it must be even for the undeserving, for those of us who didn’t live right, or live best. Whatever that means. Mercy will find us, even when we fail to recognize it, when we least expect it.
Anonymous
Never once was there no Sun. For awhile the light was dimmed not gone. There were fewer smiles fewer laughs. Never though was I not happy.
Timothy Stanley (Book Of Poetry)
Toward the end of the story the Boy has turned into a very old man and has gone completely bald with age and worry. “The raccoons are having baby raccoons again; I need more hair,” says the Tree. The Boy shakes his head apologetically. “I am sorry, but I have no more hair to give you, being just a bald old man.” “Stick your arm in the hollow, then, and the raccoons will chew it. An old man’s arm is good for chewing anyway,” suggests the Tree. “Yes,” agrees the Boy. “Let us just stand together then, and I will lean upon you and let them chew awhile.” As the book closes, its action is resolved into a poignant tableau of sacrifice.
Hope Jahren (Lab Girl)
had gone on TWO LIMA patrol on the Thack Han River one night and had never returned. No radio transmissions were ever heard. And for awhile no bodies were found. Then one by one they popped to the surface along the bank. It was
Milton William Cooper (Behold! a Pale Horse, by William Cooper: Reprint recomposed, illustrated & annotated for coherence & clarity (Public Cache))
She does, certain; the best of young folks is, they remind us of the old ones. ’Tis nateral to cling to life, folks say, but for me, I git impatient at times. Most everybody’s gone now, an’ I want to be goin’. ’Tis somethin’ before me, an’ I want to have it over with. I want to be there ’long o’ the rest o’ the folks. I expect to last quite awhile, though; I may see ye couple o’ times more, John.
William J. Bennett (The Book of Virtues: A Treasury of Great Moral Stories)
And Lady Luck, she’ll lead you on. She’ll stay awhile, & then she’s gone.
Dolly Parton (Dolly Parton, Songteller: My Life in Lyrics)