Mania Love Quotes

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Calling it a simple schoolgirl crush was like saying a Rolls-Royce was a vehicle with four wheels, something like a hay-wagon. She did not giggle wildly and blush when she saw him, nor did she chalk his name on trees or write it on the walls of the Kissing Bridge. She simply lived with his face in her heart all the time, a kind of sweet, hurtful ache. She would have died for him..
Stephen King (It)
Did I hate him, then? Indeed, I believe so. A love like that can grow to be nine-tenths hatred and still call itself love.
C.S. Lewis (Till We Have Faces)
For once, I understood the Caleb mania. He was like a jalapeno, bright and smooth, but dangerously hot. A small part of me wanted to bit him.
Tarryn Fisher (The Opportunist (Love Me with Lies, #1))
Sure, on a larger scale, it was healthy to have people out there you cared about more than yourself. She knew that. But then there was the abject fear you would lose it. They say possessions own you. Not so. Loved ones own you. You are forever held hostage once you care so much.
Harlan Coben (Hold Tight)
Beloved, we are always in the wrong, Handling so clumsily our stupid lives, Suffering too little or too long, Too careful even in our selfish loves: The decorative manias we obey Die in grimaces round us every day, Yet through their tohu-bohu comes a voice Which utters an absurd command - Rejoice.
W.H. Auden (The Collected Poetry of W. H. Auden.)
I've never thought of you like that,' said Christopher. 'How could I? If you were any other woman, I could tell you I loved you, easily enough, but not you-- because you've always seemed to me like a part of myself, and it would be like saying I loved my own eyes or my own mind. But have you ever thought of what it would be to have to live without your mind or your eyes, Kate? To be mad? Or blind?
Elizabeth Marie Pope (The Perilous Gard)
And I can't say it now. I can't say what I want to say. I hold you-- I-- I clutch you, because I love you so desperately, and time is so short, we have such a little time in which to live and be young, even at best, and I put my arms around you and hold you because I want to love you while I can and I want to know I'm loving you, only it doesn't mean anything because you aren't afraid. You aren't frightened so that you want to clutch it all while you can.
Madeleine L'Engle (Camilla (Camilla, #1))
I'm in love with New York. It matches my mood. I'm not overwhelmed. It is the suitable scene for my ever ever heightened life. I love the proportions, the amplitude, the brilliance, the polish, the solidity. I look up at Radio City insolently and love it. It's all great, and Babylonian. Broadway at night. Cellophane. The newness. The vitality. True, it is only physical. But it's inspiring. Just bring your own contents, and you create a sparkle of the highest power. I'm not moved, not speechless. I stand straight, tough and I meet the impact. I feel the glow and the dancing in everything. The radio music in the taxis, scientific magic, which can all be used lyrically. That's my last word. Give New York to a poet. He can use it. It can be poetized. Or maybe that's mania of mine, to poetize. I live lightly, smoothly, actively, ears or eyes wide open, alert, oiled! I feel the glow and the dancing in every thing and the tempo is like that of my blood. I'm at once beyond, over and in New York, tasting it fully.
Anaïs Nin
But if love is not the cure, it certainly can act as a very strong medicine.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
Some of us wage wars. Others write books. The most delusional ones write books. We have very little choice other than to spend our waking hours trying to sort out and make sense of the perennial pandemonium. To forge patterns and proportions where they don’t actually exist. And it is this same urge, this mania to tame and possess—this necessary folly—that sparks and sustains love.
Lisa Halliday (Asymmetry)
Love is when your 'phobia' becomes 'mania'.
Bhanu Teja
Few things are strong enough to survive that deadly clash of mania and depression. Certainly not love. Love is far too fragile: it is a picture window, just begging to be shattered.
Terri Cheney
How easily such a thing can become a mania, how the most normal and sensible of women once this passion to be thin is upon them, can lose completely their sense of balance and proportion and spend years dealing with this madness.
Kathryn Hurn (HELL HEAVEN & IN-BETWEEN: One Woman's Journey to Finding Love)
The hypomania is the good part. It’s freshly euphoric. This lift I was confusing with love was beau‐ tiful and nostalgic, and for the few hours a day we spent together, I was lost in you, with you.
Ashley Marie Berry (Separate Things: A Memoir)
Mania was a mental state every bit as dangerous as depression. At first, however, it felt like a rush of euphoria. You were completely captivating, completely charming; everybody loved you. You took ridiculous physical risks, jumping out of a third-floor dorm room into a snowbank, for instance. It made you spend your year's fellowship money in five days. It was like having a wild party in your head, a party at which you were the drunken host who refused to let anyone leave, who grabbed people by the collar and said, "Come on. One more!" When those people inevitably did vanish, you went out and found others, anyone and anything to keep the party going. You couldn't stop talking. Everything you said was brilliant. You just had the best idea. Let's drive down to New York! Tonight! Let's climb on top of List and watch the sunrise! Leonard got people to do these things. He led them on incredible escapades. But at some point things began to turn. His mind felt as if it was fizzing over. Words became other words inside his head, like patterns in a kaleidoscope. He kept making puns. No one understood what he was talking about. He became angry, irritable. Now, when he looked at people, who'd been laughing at his jokes an hour earlier, he saw that they were worried, concerned for him. And so he ran off into the night, or day, or night, and found other people to be with, so that the mad party might continue...
Jeffrey Eugenides (The Marriage Plot)
What is this mania to love someone all one's life ? Why should we?
Jean Anouilh
In this valley, Love is represented by fire, Reason by smoke. When Love bursts into flame, Reason is forthwith dissipated like smoke. Reason cannot coexist with Love’s mania, for Love has nothing whatever to do with human Reason. If ever you attain a clear vision of the unseen world, then only will you be able to realize the source of Love. By the odour of Love every atom in the world is intoxicated. It owes its existence to the existence of Love. If
Attar of Nishapur (The Conference of the Birds)
Sometimes I felt like I was drawn to mania. That Patrick was right, and I had loved him only during his manic episodes. That mania was true love. And it could consume you like it had consumed Patrick, or it could leave you feeling tired and used up, like it had left me. Nothing seemed to exist in between.
Andrea Lochen (Imaginary Things)
He had never wanted to know anything about the part of her intimate life that he had not shared with her. Why should he take an interest now, still less take offense at it? Anyhow, he asked himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing that everybody has: the body and its needs, its maladies, its manias-constipation for instance, or menstruation. We ashamedly conceal these intimate matters not because they are so personal but on the contrary, they are so lamentably impersonal.
Milan Kundera
Well, eighteen, then. And I saw you with him the other night at the opera." She laughed nervously as she spoke, and watched him with her vague forget-me-not eyes. She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church.
Oscar Wilde (The Picture of Dorian Gray)
What are you afraid of then?' She pondered. He had already noticed that it was her hands which indicated what she was thinking of quite as much as her face and now he watched as she cupped them, making them ready to receive her thoughts. 'Not being able to see, I think,' she said. 'Being blind, you mean?' 'No, not that. That would be terrible hard but Homer managed it and our blind piano tuner is one of the serenest people I know. I mean ... not seeing because you're obsessed by something that blots out the world. Some sort of mania of belief. Or passion. That awful kind of love that makes leaves and birds and cherry blossom invisible because it's not the face on some man.
Eva Ibbotson (A Song for Summer)
The solution to mania is so simple yet so hard to come by. Just sleep.
Zack McDermott (Gorilla and the Bird: A Memoir of Madness and a Mother's Love)
Thus, if passionate love is like cocaine, then companionate is more like a glass of fine wine - something delicious and pleasurable, but with fewer health palpitations and less mania.
Elliot Aronson (The Social Animal)
Anyhow, he asks himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing everybody has: the body and its needs, it maladies, its manias - constipation, for instance, or menstruation. We ashamedly conceal these intimate matters not because they are so personal but because, on the contrary, they are so lamentably impersonal. How can he resent Chantal, for belonging to her sex, for resembling other women, for wearing a brassiere and along with it the brassiere psychology? s if he didn't himself belong to some eternal masculine idiocy! They both of them got their start in that putterer's workshop where their eyes were botched with the disjointed action of the eyelid and where a reeking little factory was installed in their bellies. They both of them have bodies where their poor souls have almost no room. Shouldn't they forgive that in each other? Shouldn't they move beyond the little weaknesses they're hiding at the bottom of drawers? He was gripped by an enormous compassion, and to draw a final lune under that whole story, he decided to write her one last letter.
Milan Kundera (Identity)
The fault in our stars is the inability to see that the world falls in love with fantasy, fairytales and magic in movies. Even religion asks us to believe in the most unlikely of situations. However, despite all the great movies we love, we choose to see so many real life spiritual experiences as delusion, mania, psychosis or wishful thinking. Our society gives great devotion to the arts. However, they solve so many problems with realism, rather than giving into the possibilty of God's plan for a person, that doesn't involve their theological views about how God helps write his children's stories.
Shannon L. Alder
The Mania Speaks You clumsy bootlegger. Little daffodil. I watered you with an ocean and you plucked one little vein? Downed a couple bottles of pills and got yourself carted off to the ER? I gifted you the will of gunpowder, a matchstick tongue, and all you managed was a shredded sweater and a police warning? You should be legend by now. Girl in an orange jumpsuit, a headline. I built you from the purest napalm, fed you wine and bourbon. Preened you in the dark, hammered lullabies into your thin skull. I painted over the walls, wrote the poems. I shook your goddamn boots. Now you want out? Think you’ll wrestle me out of you with prescriptions? A good man’s good love and some breathing exercises? You think I can’t tame that? I always come home. Always. Ravenous. Loaded. You know better than anybody: I’m bigger than God.
Jeanann Verlee (Said The Manic To The Muse)
The fist clenched round my heart loosens a little, and I gasp brightness; but it tightens again. When have I ever not loved the pain of love? But this has moved past love to mania. This has the strong clench of the madman, this is gripping the ledge of unreason, before plunging howling into the abyss. Hold hard then, heart. This way at least you live.
Derek Walcott (Collected Poems, 1948-1984)
It’s often said you don’t choose who you fall in love with, which I believe to be true. I also believe you don’t choose what you fall in love with.
Daniel Bryan (Yes: My Improbable Journey to the Main Event of WrestleMania)
Also, mania usually feels better than being medicated, at least for a while. It’s a bit like surfing, knowing it has to end with the inevitable wipeout, but loving the balancing act required to keep it going.
Julie Holland (Weekends at Bellevue: Nine Years on the Night Shift at the Psych E.R.)
Madness is easy to overdramatize and thereby underestimate; it is less easy to convey its capacity to erode identity, disfigure love, and violate trust. The real horror of madness is more subtle and corrosive than its caricature.
Kay Redfield Jamison (Robert Lowell, Setting the River on Fire: A Study of Genius, Mania, and Character)
You stop talking to me; I try hard to stop loving you. The task is so difficult. You are the one who will tell me, "Girl, you need a fucking bottle of Xanax," who will hang up on my manic calls, and who will say you can't truly give two fucks because you have no soul. But you do have a soul, and when I look at you from just the right angle, I can see it sweat.
Elissa Washuta (My Body Is a Book of Rules)
Yes, Charles is a genius, and he loves his manias. But Charles's disorder is the gift nobody wants to be given. There is no cure for it, no solution. Either Charles takes his medications and suffers, or he doesn't and everyone else does. It is colossally, sickeningly, definitively unfair.
Jenna Blum (The Stormchasers)
When Renee and I talked about it years later, we agreed on one point: We were insane. Renee always said, "If any of our kids want to get married when they're twenty-five, we'll have to lock them in the attic." We were just kids, and everybody who came to the wedding party was guilty of shameful if not criminal negligence-- look at the shiny pretty toaster, isn't it cute to see the babies playing with it in the bathtub? Jesus, people!
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
I am not just reading a book; I am invested in the book. If George, Denver, and Stephanie Brown don't get their shit together, I am never going to read another book again. Kit enjoys my commitment to their story, but we don't talk about it in front of Della. Della was a part of the Twilight mania, and after reading one chapter of Kit's untitled manuscript she asked if there were werewolves or vampires in the story. Kit shut her down real fast after that.
Tarryn Fisher (F*ck Love)
I remain acutely and painfully aware of how difficult it is to control or understand such behaviors, much less explain them to others. I have, in my psychotic, seizure-like attacks—my black, agitated manias—destroyed things I cherish, pushed to the utter edge people I love, and survived to think I could never recover from the shame.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
It is crazy to want the impossible. And impossible for the wicked not to do so.
Marcus Aurelius (Meditations)
What was this mania for universal adoration? Mathilde knew herself unworthy of the love of a single soul, and he wanted the love of everyone.
Lauren Groff (Fates and Furies)
To master man, one must first master nature To truly live, one must first learn to truly love To truly love, one must first know suffering.
Mania Lotti
She was a curious woman, whose dresses always looked as if they had been designed in a rage and put on in a tempest. She was usually in love with somebody, and, as her passion was never returned, she had kept all her illusions. She tried to look picturesque, but only succeeded in being untidy. Her name was Victoria, and she had a perfect mania for going to church
Oscar Wilde (The Picture of Dorian Gray)
Lithium regulates the proteins that control the body’s inner clock. This clock runs, oddly, on DNA, inside special neurons deep in the brain. Special proteins attach to people’s DNA each morning, and after a fixed time they degrade and fall off. Sunlight resets the proteins over and over, so they hold on much longer. In fact, the proteins fall off only after darkness falls—at which point the brain should “notice” the bare DNA and stop producing stimulants. This process goes awry in manic-depressives because the proteins, despite the lack of sunlight, remain bound fast to their DNA. Their brains don’t realize they should stop revving. Lithium helps cleave the proteins from DNA so people can wind down. Notice that sunlight still trumps lithium during the day and resets the proteins; it’s only when the sunlight goes away at night that lithium helps DNA shake free. Far from being sunshine in a pill, then, lithium acts as “anti-sunlight.” Neurologically, it undoes sunlight and thereby compresses the circadian clock back to twenty-four hours—preventing both the mania bubble from forming and the Black Tuesday crash into depression.
Sam Kean (The Disappearing Spoon: And Other True Tales of Madness, Love, and the History of the World from the Periodic Table of the Elements)
Anyhow, he asks himself, what is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what make Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing everybody has: the body and its needs, it maladies, its manias
Milan Kundera (Identity)
A man whose love for money had reached the point of mania. A man of rapacity whose love of money was only equalled by his lust for power. A man who loved to dominate by threats and menaces and terror.
Gretta Curran Browne (No Moon at Midnight (Lord Byron #7))
You know how much Annie loved pearls. She owned some incomparable specimens…the most marvelous, I believe, that ever existed. You also remember the almost physical joy, the carnal ecstasy, with which she adorned herself with them. Well, when she was sick that passion became a mania with her…a fury, like love! All day long she loved to touch them, caress them and kiss them; she made cushions of them, necklaces, capes, cloaks. Then this extraordinary thing happened; the pearls died on her skin: first they tarnished, little by little…little by little they grew dim, and no light was reflected in their luster any more and, in a few days, tainted by the disease, they changed into tiny balls of ash. They were dead, dead like people, my darling. Did you know that pearls had souls? I think it’s fascinating and delicious. And since then, I think of it every day.
Octave Mirbeau (The Torture Garden)
Did I love her? No. I obsessed over her completely. And thank heavens I was obsessed. Obsession, infatuation, is something short-lived. A sweet fever dream that leaves you exhausted from the high. Love is perpetual. Love is an entire world compared to that other form of mania people mistake love for. If love is loving the reality of a person, obsession is idealising the fantasy of another. Did I love her? No. Never. But I was utterly obsessed.
F.K. Preston (The Artist, The Audience, and a Man Called Nothing)
Might he ever see Jamie Fraser again? There was a good chance he would not. If chance did not kill him, cowardice might. The mania of confession was on him; best make the most of it. His quill had dried; he did not dip it again. I love you, he wrote, the strokes light and fast, making scarcely a mark upon the paper, with no ink. I wish it were not so. Then he rose, scooped up the scribbled papers, and, crushing them into a ball, threw them into the fire.
Diana Gabaldon (Lord John and the Hand of Devils (Lord John Grey, #0.5-1.5-2.5))
Theo thought he knew the answer: Vincent was the victim of his own fanatic heart. “There’s something in the way he talks that makes people either love him or hate him,” he tried to explain. “He spares nothing and no one.” Long after others had put away the breathless manias of youth, Vincent still lived by their unsparing rules. Titanic, unappeasable passions swept through his life. “I am a fanatic!” Vincent declared in 1881. “I feel a power within me … a fire that I may not quench, but must keep ablaze.
Steven Naifeh (Van Gogh)
Père Goriot’s previous owner, Brian Kennedy, had systematically underlined what seemed to be the most meaningless and disconnected sentences in the whole book. Thank God I wasn’t in love with Brian Kennedy, and didn’t feel any mania to decipher his thoughts.
Elif Batuman (The Idiot)
had listened to my Walkman while reading Père Goriot. Père Goriot’s previous owner, Brian Kennedy, had systematically underlined what seemed to be the most meaningless and disconnected sentences in the whole book. Thank God I wasn’t in love with Brian Kennedy, and didn’t feel any mania to decipher his thoughts.
Elif Batuman (The Idiot)
I had listened to my Walkman while reading Père Goriot. Père Goriot’s previous owner, Brian Kennedy, had systematically underlined what seemed to be the most meaningless and disconnected sentences in the whole book. Thank God I wasn’t in love with Brian Kennedy, and didn’t feel any mania to decipher his thoughts.
Elif Batuman (The Idiot)
Another commandment, really an application of the commandment to love, is the prohibition against judging our brother’s sins (Matthew 7:1-5). This is not a prohibition of discernment and virtuous discrimination, but the warning against identifying our neighbor by his sins and the pretense of being without sin ourselves.
John Granger (How Harry Cast His Spell: The Meaning behind the Mania for J. K. Rowling's Bestselling Books)
This mania which Swann had for finding likenesses to people in pictures was defensible, for even what we call individual expression is—as we so painfully discover when we are in love and would fain believe in the unique reality of the beloved—something diffused and general, which can be found existing at different periods.
Marcel Proust (In Search Of Lost Time (All 7 Volumes) (ShandonPress))
There are galaxies within the human mind, and madness wants to risk everything for the daring flight, reckless and beautiful and crazed. Everyone knows Icarus fell. But I love him for the fact that he dared to fly. Mania unfurls the invitation to fly too high, too near the sun, which will melt the wax of the mind, and the fall will be terrible.
Jay Griffiths
She felt weak and utterly forlorn. She wished some help would come from outside. But in the whole world there was no help. Society was terrible because it was insane. Civilized society is insane. Money and so-called love are its two great manias; money a long way first. The individual asserts himself in his disconnected insanity in these two modes: money and love.
D.H. Lawrence
Examining the past can help clarify many of our problems, but healing doesn’t occur in the past. It occurs in the present. There is practically a mania these days for blaming the events of our childhood for our current despair. What the ego doesn’t want us to see is that our pain doesn’t come from the love we weren’t given in the past, but from the love we ourselves aren’t giving in the present.
Marianne Williamson (Return to Love)
Another not uncommon victim of persecution mania is a certain type of philanthropist, who is always doing good to people against their will, and is amazed and horrified that they display no gratitude. Our motives in doing good are seldom as pure as we imagine them to be. Love of power is insidious; it has many disguises, and is often the source of the pleasure we derive from doing what we believe to be good to other people.
Bertrand Russell (The Conquest of Happiness)
Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!
Henry James (Adina)
People did not tell the truth or speak with any sincerity, and when they allowed themselves to be plain-spoken, they went to the other extreme and became insulting and offensive. Men and women became the pitiful representatives of an unattractive age. Although the guns were silenced and peace had apparently enveloped the earth, there was no quietude. Dance mania was the new fever, and the air was poisoned by the braying of the saxophone, the whine of love songs, and the stamping rhythm of the cotton-fields.
Daphne du Maurier (Gerald: A Portrait)
Not all love is comprehended in such a description, but the sickening obsession which thrills the nervous frames of the heroines of great love-affairs whether in cheap ‘romance’ comic-papers or in hard-back novels of passionate wooing is just that. Women must recognize in the cheap ideology of being in love the essential persuasion to take an irrational and self-destructive step. Such obsession has nothing to do with love, for love is not swoon, possession or mania, but ‘a cognitive act, indeed the only way to grasp the innermost core of personality.
Germaine Greer (The Female Eunuch)
A poor man in this world can be done to death in two main ways, by the absolute indifference of his fellows in peacetime or by their homicidal mania when there’s a war. When other people start thinking about you, it’s to figure out how to torture you, that and nothing else. The bastards want to see you bleeding, otherwise they’re not interested! Princhard was dead right. In the shadow of the slaughterhouse, you don’t speculate very much about your future, you think about loving in the days you have left, because there’s no other way of forgetting your body that’s about to be skinned alive.
Louis-Ferdinand Céline (Journey to the End of the Night)
Vagina Power (The Sonnet) There's nothing special about growing balls, In fact, man-sack is the definition of weakness. If you wanna grow something, grow a vagina, For vagina is the epitome of resilience. There's an organism that goes through hell, Quite regularly, yet stands strong and brave. It is the source of all creation everywhere, Yet all through history it's been kept as slave. No love can surpass the love of a mother, No care can surpass a sister's care. Yet a society run by balls and bananas, Makes a hooker out of our mothers and sisters. Worship of balls is but a prehistoric mania. There will be no balls without a vagina.
Abhijit Naskar (Handcrafted Humanity: 100 Sonnets For A Blunderful World)
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf. Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb. Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you. Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any. Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen. Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
James Gould Cozzens (Castaway)
...[I]n shutting out the light of day, [Miss Havisham] had shut out infinitely more; that, in seclusion, she had secluded herself from a thousand natural and healing influences; that, her mind, brooding solitary, had grown diseased, as all minds do and must and will that reverse the appointed order of their Maker, I knew equally well. And could I look upon her without compassion, seeing her punishment in the ruin she was, in her profound unfitness for this earth on which she was placed, in the vanity of sorrow which had become a master mania, like the vanity of penitence, the vanity of remorse, the vanity of unworthiness, and other monstrous vanities that have been curses in this world?
Charles Dickens
Vincent was the victim of his own fanatic heart. “There’s something in the way he talks that makes people either love him or hate him,” he tried to explain. “He spares nothing and no one.” Long after others had put away the breathless manias of youth, Vincent still lived by their unsparing rules. Titanic, unappeasable passions swept through his life. “I am a fanatic!” Vincent declared in 1881. “I feel a power within me … a fire that I may not quench, but must keep ablaze.” Whether catching beetles on the Zundert creekbank, collecting and cataloguing prints, preaching the Christian gospel, consuming Shakespeare or Balzac in great fevers of reading, or mastering the interactions of color, he did everything with the urgent, blinding single-mindedness of a child.
Steven Naifeh (Van Gogh)
As Raimbaut dragged a dead man along he thought, ‘Oh corpse, I have come rushing here only to be dragged along by the heels like you. What is this frenzy that drives me, this mania for battle and for love, when seen from the place where your staring eyes gaze and your flung-back head knocks over stones? It’s that I think of, oh corpse, it’s that you make me think of: but does anything change? Nothing. No other days exist but these of ours before the tomb, both for us the living and for you the dead. May it be granted me not to waste them, not to waste anything of what I am, of what I could be: to do deeds helpful to the Frankish cause: to embrace, to be embraced by, proud Bradamante. I hope you spent your days no worse, oh corpse. Anyway to you the dice have already shown their numbers. For me they are still whirling in the box. And I love my own disquiet, corpse, not your peace.
Italo Calvino
I think I could turn and live with animals, they are so placid and self-contain’d, I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth. So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession. I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them? Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.
Walt Whitman (Leaves of Grass: The Complete Edition)
I think I could turn and live with animals, they are so placid and self-contain’d, I stand and look at them long and long.   They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth.   So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession.   I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them?   Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.   A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving.   His nostrils dilate as my heels embrace him, His well-built limbs tremble with pleasure as we race around and return.   I but use you a minute, then I resign you, stallion, Why do I need your paces when I myself out-gallop them? Even as I stand or sit passing faster than you.
Walt Whitman (Leaves of Grass)
Even if we do not suffer from religious mania, unrequited love, loneliness or jealousy, most readers can identify with Burton’s account of information overload over three centuries before the invention of the internet, an extraordinary broadside which is worth quoting in full: I hear new news every day, and those ordinary rumours of war, plagues, fires, inundations, thefts, murders, massacres, meteors, comets, spectrums, prodigies, apparitions, of towns taken cities besieged in France, Germany, Turkey, Persia, Poland &c. daily musters and preparations, and such like, which these tempestuous times afford, battles fought, so many men slain, monomachies, shipwrecks, piracies, and sea-fights, peace, leagues, stratagems, and fresh alarms. A vast confusion of vows, wishes, actions, edicts, petitions, lawsuits, pleas, laws, proclamations, complaints, grievances, are daily brought to our ears. New books every day, pamphlets, currantoes, stories, whole catalogues of volumes of all sorts, new paradoxes, opinions, schisms, heresies, controversies in philosophy, religion &c. Now come tidings of weddings, maskings, mummeries, entertainments, jubilees, embassies, tilts and tournaments, trophies, triumphs, revels, sports, plays; then again, as in a new shifted scene, treasons, cheating tricks, robberies, enormous villanies in all kinds, funerals, burials, deaths of Princes, new discoveries, expeditions; now comical then tragical matters. To-day we hear of new Lords and officers created, to-morrow of some great men deposed, and then again of fresh honours conferred; one is let loose, another imprisoned; one purchaseth, another breaketh; he thrives, his neighbour turns bankrupt; now plenty, then again dearth and famine; one runs, another rides, wrangles, laughs, weeps &c. Thus I daily hear, and such like, both private and public news.37 And that way, Burton reminds us, that way madness lies…
Catharine Arnold (Bedlam: London and Its Mad)
It’s what mania feels like for me. Large, and loud and overpowering. Too bright. Too much.” He laughs softly and I decide that I love the sound of his laugh. “Still my favorite. We can still love what scares us, right?
Jen Samson (A Place Not Found)
What is it that we do here? By easing away from the mania that pulls on us, recalling and reconnecting with our essential spirit and callings, we regenerate our core inspiration and faith in Life and our place within it…with a purposeful eye toward facilitating evolution toward ‘More capable human beings,’ meaning grander, freer, more authentic and meaningfully effective. How do we do that? By delving into pockets of rituals that have, across traditions and cultures, produced superior forms of insight and understanding, healing, evolution and resolution. One could call these tunnels into beauty, truth and love. And we can find access to them in any given day of our lives.
Darrell Calkins
the king loved having strangers for supper!
Kate McMullan (Get Lost, Odysseus! (Myth-O-Mania, #10))
If someone loves sweet things and constantly eats angel´s hair tartlets should this be diagnosed as having some sort of heavenly trichotillomania?
Ana Claudia Antunes
What are you afraid of then?" "Not being able to see, I think, [...] not seeing because you're obsessed by something that blots out the world. Some sort of mania or belief. Or passion. That awful kind of love that makes leaves and birds and cherry blossom invisible because it's not the face on some man.
Eva Ibbotson
It had been a few weeks. He was done. No more note writing, no more calls. Even he wouldn’t date someone this desperate. He was going to start looking like a stalker when what he was, was in love with her. It embarrassed even him to think like that. How could you be in love with someone you’d met twice, but you knew for only twenty-four hours? It was impossible. There must be some other explanation for dreaming about her, smelling her, tasting her, hearing her voice, feeling her hair against his cheek when he was waking up in the morning. Some sort of mania or hallucination. An obsessive-compulsive disorder. He
Robyn Carr (Second Chance Pass)
The American dream is now heavily mortgaged. So what went wrong? Why do we live this way in this land where we are free to choose? What drives our mania for material things? As citizens of the richest nation in the world, why do we not choose to simply enjoy what we have, to slow down, to save more, and to spend more time with those we love—as we say we wish to do? Economists
Peter C. Whybrow (American Mania: When More is Not Enough)
Smith had been particularly impressed by Hutcheson’s belief that human desire and self-interest are balanced by a need to be loved by others and by the need for social acceptance. Later Smith adopted these tenets as a cornerstone of his economic philosophy, asserting that in the give-and-take of a free-market society the instincts for survival and self-preservation—self-interest, curiosity, and ambition—are balanced by the powerful need to seek and obtain the sympathetic support of others for one’s enterprise.
Peter C. Whybrow (American Mania: When More is Not Enough)
My baby boy, at eight, struggled with his identity already. A lot of it was because of his father telling him that he didn’t like it when Griffin identified as being black. He told my baby he was an “other”. Griffin is as smart as a whip, but he is still eight. When he told me and Vi that, she made sure to tell him that one drop of melanin makes him black.
Mel Dau (The Mania of Love)
Mania is like being on a drug, but your brain is already chemically imbalanced, so ain’t no drugs needed to feel like this.
Phylecia Kellar (Be Happy or Get the F* Out: A Bipolar Success Story — and Your Guide to Hope, Recovery, and Designing a Life You Love)
Even when I have been most psychotic, I have been aware of finding new corners in my mind and heart. Some of those corners were incredible and beautiful, and made me feel as if I could die right then and the images would sustain me. Some of them were grotesque and ugly, and I never wanted to see them again. But, always, there were those new corners, and when feeling my normal self, beholden for that self of medicine and love, I cannot imagine becoming jaded to life, because I know of those limitless corners, with their limitless views.
Kay Redfield Jamison (An Unquiet Mind: A Memoir of Moods and Madness)
As we learned later, when your brain has a natural chemical imbalance, putting more chemicals on top of it? Not so great. Weed made the mania manifest faster and more aggressively (which I would come to be thankful for, a chapter for later).
Phylecia Kellar (Be Happy or Get the F* Out: A Bipolar Success Story — and Your Guide to Hope, Recovery, and Designing a Life You Love)
So how to cope with bipolar? Well, first you must understand the disorder and the progression. You must know what type of bipolar you are: I or II? Then you learn the natural progression of mania is toward depression.
Phylecia Kellar (Be Happy or Get the F* Out: A Bipolar Success Story — and Your Guide to Hope, Recovery, and Designing a Life You Love)
I know that when I’m doing a lot, I can easily slip into mania. I stay on my meds and get enough sleep.
Phylecia Kellar (Be Happy or Get the F* Out: A Bipolar Success Story — and Your Guide to Hope, Recovery, and Designing a Life You Love)
It includes finding your solutions to mania and depression, being prepared and intentional each day to fight back, and keeping up with your daily routine, check-ins, mantras, sleep, healthy eating, and exercise.
Phylecia Kellar (Be Happy or Get the F* Out: A Bipolar Success Story — and Your Guide to Hope, Recovery, and Designing a Life You Love)
…another kind, by no means uncommon, in which one person sucks the vitality of the other, one receives what the other gives, but gives almost nothing in return. Some very vital people belong to this bloodsucking type. They extract the vitality from one victim after another, but while they prosper and grow interesting, those upon whom they live grow pale and dim and dull. Such people use others as means to their own ends and never consider them as ends in themselves. Fundamentally they are not interested in those whom for the moment they think they love, they are interested only in the stimulus to their own activities, perhaps of a quite impersonal sort. Evidently this springs from some defect in their nature, but it is one not altogether easy either to diagnose or to cure. It is a characteristic frequently associated with great ambition and is rooted, I should say, in an unduly one-sided view of what makes human happiness. Affection in the sense of a genuine reciprocal interest of two persons in each other, not solely as means to each other's good but rather as a combination having a common good, is one of the most important elements of real happiness, and the man whose ego is so enclosed within steel walls that this enlargement of it is impossible misses the best that life has to offer, however successful he may be in his career. Ambition which excludes affection from its purview is generally the result of some kind of anger or hatred against the human race, produced of it is impossible misses the best that life has to offer, however successful he may be in his career. Ambition which excludes affection from its purview is generally the result of some kind of anger or hatred against the human race, produced by unhappiness in youth, by injustices in later life, or by any of the causes which lead to persecution mania. A too powerful ego is a prison from which a man must escape if he is to enjoy the world to the full. A capacity for genuine affection is one of the marks of the man who has escaped his prison of self.
Bertrand Russell (The Conquest of Happiness [CONQUEST OF HAPPINESS] [Paperback])
The only reference points I had for therapists were Frasier and Robin Williams in Good Will Hunting, and some light reading I’d done on depression and mania. (Camus was my first source. Later, I came to love William Styron’s Darkness Visible and eventually read everything by the psychologist Kay Redfield Jamison.)
David Chang (Eat a Peach)
What is an intimate secret? Is that where we hide what's most mysterious, most singular, most original about a human being? Are her intimate secrets what makes Chantal the unique being he loves? No. What people keep secret is the most common, the most ordinary, the most prevalent thing, the same thing everybody has: the body and its needs, its maladies, its manias...We ashamedly conceal these intimate matters not because they are so personal but because, on the contrary, they are so lamentably impersonal.
Milan Kundera (The Unbearable Lightness of Being (SparkNotes Literature Guide))
We perceive women suffering from mental illness with a sort of paradoxical double-sidedness; both victims and monsters, simultaneously infantilized and feared. A certain level of dysfunction is accepted—after all, women who are suffering mild depression and starving themselves aren’t going to leave their husbands or start revolutions, which is very practical indeed. But beyond a certain point, it flips. Women are supposed to be gentle, devoted, loving and—above all else—rule-abiding. Undeniable suffering is bad, and anger is worse. A woman suffering from severe anxiety or untreated mania isn’t going to have dinner on the table by 6 o’clock. No longer is she fulfilling that crucial, limited role she’s expected to fulfill. No longer can she be a dutiful daughter, a picture-perfect wife, a devoted mother. Throughout history, women suffering from mental illness have been hidden away, burned at the stake, lobotomized, and sterilized.
Camilla Sten (The Lost Village)
In the divine economy of grace, sin and failure become the base metal and raw material for the redemption experience itself. Much of organized religion, however, tends to be peopled by folks who have a mania for some ideal order, which is never true, so they are seldom happy or content. It makes us anal retentive after a while, to use Freud's rude phrase, because we can never be happy with life as it is, always filled with different people, mentally unstable people, people of “other” and “false” religions, irritable people, LGBTQIA+ people, and people with totally different customs and traditions, not to mention wild nature, which we have not loved very well up to now. Organized religion has not been known for its inclusiveness or for being very comfortable with diversity. Yet pluriformity, multiplicity, and diversity form the only world there is! It is rather amazing that we can miss, deny, or ignore what is in plain sight everywhere.
Richard Rohr (Falling Upward, Revised and Updated: A Spirituality for the Two Halves of Life)
AMANDA: Do you realize that we're living in sin? ELYOT: Not according to the Catholics; Catholics don't recognize divorce. We're married as much as ever we were. AMANDA: Yes, dear, but we're not Catholics. ELYOT: Never mind, it's nice to think they'd sort of back us up. We were married in the eyes of heaven, and we still are. AMANDA: We may be alright in the eyes of Heaven, but we look like being in the hell of a mess socially. ELYOT: Who cares? AMANDA: Are we going to marry again, after Victor and Sibyl divorce us? ELYOT: I suppose so. What do you think? AMANDA: I feel rather scared of marriage really. ELYOT: It is a frowsy business. AMANDA: I believe it was just the fact of our being married, and clamped together publicly, that wrecked us before. ELYOT: That, and not knowing bow to manage each other. AMANDA: Do you think we know how to manage each other now? ELYOT: This week's been very successful. We've hardly used Solomon Isaacs at all. AMANDA: Solomon Isaacs is so long, let's shorten it to Sollocks. ELYOT: All right. AMANDA: Darling, you do look awfully sweet in your little dressing-gown. ELYOT: Yes, it's pretty ravishing, isn't it? AMANDA: Do you mind if I come round and kiss you? [...] AMANDA: We're tormenting one another. Sit down, sweet, I'm scared. ELYOT [Slowly]: Very well. [He sits down thoughtfully.] AMANDA: We should have said Sollocks ages ago. ELYOT: We're in love all right. [...] AMANDA: [Victor] had a positive mania for looking after me, and protecting me. ELYOT: That would have died down in time, dear. AMANDA: You mustn't be rude; there's no necessity to be rude. ELYOT: I wasn't in the least rude; I merely made a perfectly rational statement. AMANDA: Your voice was decidedly bitter. ELYOT: Victor bad glorious legs, hadn't he? And fascinating ears. AMANDA: Don't be silly. ELYOT: He probably looked radiant in the morning, all flushed and tumbled on the pillow. AMANDA: I never saw him on the pillow. ELYOT: I'm surprised to hear it. AMANDA [angrily]: Elyot! ELYOT: There's no need to be cross. AMANDA: What did you mean by that? ELYOT: I'm sick of listening to you yap, yap, yap, yap, yap, yapping about Victor. AMANDA: Now listen Elyot, once and for all --, ELYOT: Oh my dear, Sollocks! Sollocks! -- two minutes -- Sollocks. AMANDA: But -- ELYOT [firmly]: Sollocks! [They sit in dead silence, looking at each other. AMANDA makes a sign that she wants a cigarette. ELYOT gets up, hands her the box, and lights one for her and himself. AMANDA rises and walks over to the window, and stands there, looking out for a moment. Presently ELYOT joins her. She slips her arm through his, and they kiss lightly. They draw the curtains and then come down and sit side by side on the sofa. ELYOT looks at his watch. AMANDA raises her eyebrows at him and he nods, then they both sigh, audibly] That was a near thing. AMANDA: It was my fault. I'm terribly sorry, darling. ELYOT: I was very irritating, I know I was. I'm sure Victor was awfully nice, and you're perfectly right to be sweet about him. AMANDA: That's downright handsome of you. Sweetheart! [She kisses him.] ELYOT [leaning back with her on the sofa]: I think I love you more than ever before. Isn't it ridiculous? Put your feet up. [She puts her legs across his, and they snuggle back together in the corner of the sofa, his head resting on her shoulder.]
Noël Coward (Private Lives: An Intimate Comedy in Three Acts)
I’m drawn to music that’s more earnest than tidy, art that’s more ragged than orderly, people who are just a touch more honest than is strictly appropriate for the situation. I’m finished hustling for perfect. It didn’t deliver what they told me it would. And so, instead: present. If perfect is plastic, present is rich, loamy soil. It’s fresh bread, lumpy and warm. It’s real and tactile and something you can hold with both hands, something rich and warm. Present is a face bare of makeup, a sweater you’ve loved for a decade, a mug that reminds you of who you used to be. It’s the Bible with the battered cover, the journal filled with scribbled, secret dreams. It isn’t pretty, necessarily—it isn’t supposed to be. Present is living with your feet firmly grounded in reality, pale and uncertain as it may seem. Present is choosing to believe that your own life is worth investing deeply in, instead of waiting for some rare miracle or fairy tale. Present means we understand that the here and now is sacred, sacramental, threaded through with divinity even in its plainness. Especially in its plainness. Present over perfect living is real over image, connecting over comparing, meaning over mania, depth over artifice. Present over perfect living is the risky and revolutionary belief that the world God has created is beautiful and valuable on its own terms, and that it doesn’t need to be zhuzzed up and fancy in order to be wonderful.
Shauna Niequist (Present Over Perfect: Leaving Behind Frantic for a Simpler, More Soulful Way of Living)
Real life is so all-absorbing that it doesn’t leave us time to create an imaginary, parallel life. It’s very hard not to stay in love with or be captivated by someone who makes us laugh and does so even though he often mistreats us; the hardest thing to give up is that companionable laughter, once you’ve met someone and decided to stay with them. How cast down we are by rejection, and how much power accrues to the person to whom we gave that power, for no one can take power unless it is first given or conferred, unless you’re prepared to adore and fear that person, unless you aspire to being loved by him or to enjoy his unswerving approval, any such ambition is a sign of conceit and that conceit is what weakens and leaves us defenseless: once that ambition remains unsatisfied or unfulfilled, it marks the beginning of our downfall. Sensations are unstable things, they become transformed in memory, they shift and dance, they can prevail over what was said and heard, over rejection or acceptance. Sometimes, sensations can make us give up and, at others, encourage us to try again. That Spanish mania for mixing business deals with a semblance of incipient friendship. In Spain, oddly enough, it’s considered far more prestigious to be known by one’s first name, and this applies to only four or five or six people: “Federico” is always García Lorca, just as “Rubén” is Rubén Darío, “Juan Ramón” is the Nobel Laureate Jiménez, “Ramón” is Gómez de la Serna, “Mossèn Cinto” is Verdaguer and, five centuries on, “Garcilaso” is Garcilaso de la Vega. In the face of ignorance, one is always free to invent. “Far too civilized. Airport hub. Business deals by the shedload. No, I don’t like it, I don’t like it all. Tons of visitors. The annual Buchmesse. Money calling to money. Rumor on the other hand is what lasts, it’s unstoppable, undying, the one thing that endures. I certainly don’t want to give that imbecile the gift of a rumor. He probably often had such attacks of oral literature. Whoever he was with and whatever the circumstances, he found it hard not to slip into pedantic, didactic mode. Like many unhappy, lonely people, he kept a diary. Curiosity makes us lose all caution. Unhappy people often insist on trying to uncover the full magnitude of their unhappiness, or choose to investigate other people’s lives as a distraction from their own. The eyes of the imagination, which are the eyes that best remember a scene and best recall it later. In the middle of the night everything seems plausible and real. Desire is a selfish thing too and will do almost anything to achieve satisfaction—lie, flatter, take risks, inveigle, make false promises. A nostalgia for the life you discarded always lingers on in the inner depths of your being, and, during bad times, you seek refuge in it as you might in a daydream or a fantasy. I sometimes think that the bonds of deceit and unhappiness are the strongest of all, as are those of error; they may bind even more closely than those of openness, contentment and sincerity. We do sometimes bring about what we most fear because the only way of freeing ourselves from that fear is for the bad thing actually to have happened, for it to be in the past and not in the future or in the realm of possibilities. For it to remain behind.
Javier Marías (Así empieza lo malo)
Like a love-high giddy fool, I spent all my life's luck on winning card games for my beloved Collin and Wren who I might still die for, given the chance. After all, I had loved them both more than I did myself.
Maddy Kobar (From Out of Feldspar)
When I was a child and I would listen to my sister's LPs She was a huge fan and she was so in love with him that she wrote him a letter. I enjoyed seeing my sis so happy about Manilow Mania. I wrote some lyrics based on one of his songs, also thinking of those ships that pass in the night in the city where I was born. Can you guess which one? Anyway, my sister was already unconscious at the hospital when I inserted an earplug so that she could hear some of his songs. It was very low, very mild Manilow, when all of a sudden, in the second cord when he sang "I made it through the rain" in a beat a bit higher her heartbeat which was being monitored played faster. I could see that as a sign that she was listening. I stopped the song and I started Singing one of her songs that she had especially made for my birthday when I turned nine yrs old and I never forgot about that. I could see a little smile coming from the left side of her lips. It was the affirmation I needed. That she was and will always be there for me as I so admired her soul to the bones!
Ana Claudia Antunes (The Tao of Physical and Spiritual)
He had never been a man who attracted women, and he exaggerated their coldness towards him. Indeed in regard to the love of women he had a physical humility that was almost a mania. One of the strongest holds that Mary had over him was the simple fact that she, a sweet-looking, intellectual girl, could be in love with him at all! Secretly John regarded himself as the most unlovable human creature then living in Glastonbury.
John Cowper Powys (A Glastonbury Romance)
A Good Start in Financial History You really can’t learn enough financial history. The following, listed in descending order of importance, are landmarks in the field. Edward Chancellor. Devil Take the Hindmost. New York: Farrar, Straus, and Giroux, 1999. What manias look like; how to recognize—and hopefully avoid—irrational exuberance. Benjamin Roth. The Great Depression: A Diary. New York: PublicAffairs, 2009. What the bottoms look like; how to keep your courage and your cash up. Roger G. Ibbotson and Gary P. Brinson. Global Investing. New York: McGraw-Hill, 1993. Five hundred years of hard and fiat money, inflation, and security returns in a small, easy-to-read package. Adam Fergusson. When Money Dies. New York: PublicAffairs, 2010; Frederick Taylor. The Downfall of Money. New York: Bloomsbury Press, 2013. What real inflation looks like. Be afraid, very afraid. Benjamin Graham. Security Analysis. New York: McGraw-Hill, 1996. You’re not a pro until you’ve read Graham “in the original”—the first edition, published in 1934. An authentic copy in decent condition will run you at least a grand. Fortunately, McGraw-Hill brought out a facsimile reprint in 1996. Charles Mackay. Extraordinary Popular Delusions and the Madness of Crowds. Petersfield, U.K.: Harriman House Ltd., 2003. If you were smitten with Devil Take the Hindmost, you’ll love this nineteenth-century look at earlier manias. Sydney Homer and Richard Sylla. A History of Interest Rates, 4th ed. Hoboken, NJ: John Wiley & Sons, 2005. Loan markets from 35th-century B.C. Sumer to the present.
William J. Bernstein (Rational Expectations: Asset Allocation for Investing Adults (Investing for Adults Book 4))
- a textbook of didactic clarity and compelling persuasiveness. - gloomy radiation. - all were determined to die of old age. - angelic arousal. - fundamental humanitarian feeling. - he felt forgotten, not with the reparable forgetfulness of the heart but with the hard and irrevocable forgetfulness, which he knew very well because it was the forgetfulness of death. - his dedication to work and his good judgment, when adjusting his interests, made him earn more money. - had defeated the devil in a duel. - recital of dignity, personal charm and good manners. - had been hardened by the thanklessness of his profession. - it was a (like) whirlwind of health. - relentless determination. - had been banished to the attic of her memory. - his radiant self-control. - looked like a miscarriage next to him. - he had well understood that the secret to a good old age was nothing more than an honest deal with solitude. - they realized that the smell of the beautiful Remedios continued to torment men beyond death, until their bones turned to dust - was a mark of caste, a stamp of immunity. - she saw the inconsolable eyes that sealed her heart like red-hot coals of compassion. - unable to give an answer that was not a masterpiece of simplicity - where even the loftiest birds of memory could not reach her. - there was an unbearable smell of rotten memories. - the corrosive war of eternal postponements. - sank into the miserable defeat of old age. - rigid discipline. - he was straight, serious and had a thoughtful tone, a Saracen sadness, he had a mournful autumn-colored glow on his face. - she was so clouded with resentment. - he thought his boldness was industriousness, his greed self-denial and his stubbornness perseverance. - she had discovered within her a thoughtful and righteous rage. - time tripped and had accidents and could break into pieces and leave an eternal piece of itself in a room. - Her heart, full of collected ashes, which had withstood the strongest blows of daily reality, was torn to pieces by the first attack of nostalgia. - his wife's decision came from a nostalgic delusion. - and the inhabitants, oppressed by memories. - for a man like him, imprisoned in written reality. - her will to resist was shattered by overwhelming impatience. - his mania for the written word was a mixture of true respect and gossipy irreverence. not even his own manuscripts were spared from this dualism. - boredom in love had unexplored possibilities, richer than lust.
Gabriel García Márquez (One Hundred Years of Solitude - Gabriel Garcia Marquez (Bloom's Modern Critical Interpretations) (2009-05-30))