Going Off The Rails Quotes

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Alex propped himself against the metal railing where Willow had just stood. "Okay, let's get something straight," he said in Spanish."If you think I don't know you're after my girfriend, you're crazy. And if you try to put any sleazy moves on her while you're here, you're going to regret it." Seb's knapsack was at his feet. He took out a pack of cigarettes; tapped out the last one and lit it.Settling back against the door jamb, he gave Alex a considering, faintly humorous look. "Sleazy moves?" he repeated. "Don't worry, I don't do sleazy moves." "Let me rephrase," said Alex coldly "Any moves, just keep your hands off her.
L.A. Weatherly (Angel Fire (Angel, #2))
Lister patted the towel rail against his left palm. 'I'm going out like I came in - screaming and kicking.' 'You can't whack Death on the head.' 'If he comes near me, I'll rip his tits off.
Grant Naylor (Infinity Welcomes Careful Drivers (Red Dwarf, #1))
And believe me, darling, there's no man more faithful than a reformed playboy. They make far better husbands than men who haven't had time to sow their wild oats before they marry, so go off the rails at about forty-five because they suddenly realise that they've missed out on life and if they don't hurry up it's going to be too late.
Sally Wentworth (Flying High)
It’s like if one part of my life goes well, then another has to go off the rails
Michelle Dalton (Pulled Under (Sixteenth Summer #2))
In the words of Ozzy Osbourne, I’m going off the rails on a crazy train. And crazy never felt so good.
J.B. Salsbury (Fighting to Forgive (Fighting, #2))
A five-hour flight works out to three days and nights on land, by rail, from sea to shining sea. You can chalk off the hours on the back of the seat ahead. But seventy-some hours will not seem so long to you if you tell yourself first: This is where I am going to be for the rest of my natural life.
Amy Hempel (At the Gates of the Animal Kingdom)
I even used the excuse when I was alone, as if I were somehow fooling myself with the ruse. You know your life is going off the rails when you tell yourself the lie you've created for everyone else, and you believe it.
David Ellis (The Last Alibi (Jason Kolarich, #4))
God forbid we should both go to heaven. Its endlessness would make us hate each other. Better for you to be in heaven and me in hell. We would long for each other, dream of each other, idealize each other. You would rail against God, since he was keeping you from consummating your love. I would send smoke signals from my pit of brimstone - love letters that smelled like sulfur and made you choke. Maybe we would even try to sneak off to purgatory for illicit rendezvous.
Supervert (Necrophilia Variations)
Life is like a train ride. The passengers on the train are seemingly going to the same destination as you, but based on their belief in you or their belief that the train will get them to their desired destination they will stay on the ride or they will get off somewhere during the trip. People can and will get off at any stop. Just know that where people get off is more of an reflection on them, than it is on you. There will be a few people in your life that will make the whole trip with you, who believe in you, accept that you are human and that mistakes will be made along the way, and that you will get to your desired destination - together, no matter what. Be very grateful of these people. They are rare and when you find one, don't let go of them - ever. Be blessed for the ones who get on at the worst stops when no one is there. Remember those people, they are special. Always hold them dear to your heart. Be very wary of people sneaking on at certain stops when things are going good and acting like they have been there for the whole ride. For they will be the first to depart. There will be ones who secretly try to get off the ride and there will be those that very publicly will jump off. Don't pay any heed to the defectors. Pay heed to the passengers that are still on the trip. They are the important ones. If someone tries to get back on the train - don't be angry or hold a grudge, let them. Just see where they are around the next hard turn. If they are buckled in - accept them. If they are pulling the hand rail alarm again - then let them off the train freely and waste no space in your head for them again, ever. There will be times that the train will be moving slow, at almost a crawls pace. Appreciate that you can take in the view. There will be times where the train is going so fast that everything is a blur. Enjoy the sense of speed in your life, as it is exhilarating but unsustainable. There will also be the chance that the train derails. If that does happen, it will hurt, a lot, for a long time. But there will be people who will appear out of no where who will get you back on track. Those will be the people that will matter most in your life. Love them forever. For you can never repay these people. The thing is, that even if you could repay them, they wouldn't accept it anyway. Just pay it forward. Eventually your train will get to its final stop and you will need to deboard. At that time you will realize that life is about the journey AND the destination. Know and have faith that at the end of your ride your train will have the right passengers on board and all the passengers that were on board at one time or another were there for a distinct purpose. Enjoy the ride.
JohnA Passaro
You only go through High School once, but if you go through the way we did, that's enough.
Steven C. Smith (Off The Rails: Excerpts From My Life)
I was going off the rails on a crazy train. You could practically hear Ozzy screaming “All aboard!” Don
Ernest Cline (Armada)
Then she understood that what she needed was the motion to a purpose, no matter how small or in what form, the sense of an activity going step by step to some chosen end across a span of time. The work of cooking a meal was like a closed circle, completed and gone, leading nowhere. But the work of building a path was a living sum, so that no day was left to die behind her, but each day contained all those that preceded it, each day acquired its immortality on every succeeding tomorrow. A circle, she thought, is the movement proper to physical nature, they say that there's nothing but circular motion in the inanimate universe around us, but the straight line is the badge of man, the straight line of a geometrical abstraction that makes roads, rails and bridges, the straight line that cuts the curving aimlessness of nature by a purposeful motion from a start to an end. The cooking of meals, she thought, is like the feeding of coal to an engine for the sake of a great run, but what would be the imbecile torture of coaling an engine that had no run to make? It is not proper for man's life to be a circle, she thought, or a string of circles dropping off like zeros behind him--man's life must be a straight line of motion from goal to farther goal, each leading to the next and to a single growing sum, like a journey down the track of a railroad, from station to station to--oh, stop it!
Ayn Rand (Atlas Shrugged)
When he heard light, rushing footfalls, he turned his head. Someone was racing along the second-floor balcony. Then laughter drifted down from above. Glorious feminine laughter. He leaned out the archway and glanced at the grand staircase. Bella appeared on the landing above, breathless, smiling, a black satin robe gathered in her hands. As she slowed at the head of the stairs, she looked over her shoulder, her thick dark hair swinging like a mane. The pounding that came next was heavy and distant, growing louder until it was like boulders hitting the ground. Obviously, it was what she was waiting for. She let out a laugh, yanked her robe up even higher, and started down the stairs, bare feet skirting the steps as if she were floating. At the bottom, she hit the mosaic floor of the foyer and wheeled around just as Zsadist appeared in second-story hallway. The Brother spotted her and went straight for the balcony, pegging his hands into the rail, swinging his legs up and pushing himself straight off into thin air. He flew outward, body in a perfect swan dive--except he wasn't over water, he was two floors up over hard stone. John's cry for help came out as a mute, sustained rush of air-- Which was cut off as Zsadist dematerialized at the height of the dive. He took form twenty feet in front of Bella, who watched the show with glowing happiness. Meanwhile, John's heart pounded from shock...then pumped fast for a different reason. Bella smiled up at her mate, her breath still hard, her hands still gripping the robe, her eyes heavy with invitation. And Zsadist came forward to answer her call, seeming to get even bigger as he stalked over to her. The Brother's bonding scent filled the foyer, just as his low, lionlike growl did. The male was all animal at the moment....a very sexual animal. "You like to be chased, nalla, " Z said in a voice so deep it distorted. Bella's smile got even wider as she backed up into a corner. "Maybe." "So run some more, why don't you." The words were dark and even John caught the erotic threat in them. Bella took off, darting around her mate, going for the billiards room. Z tracked her like prey, pivoting around, his eyes leveled on the female's streaming hair and graceful body. As his lips peeled off his fangs, the white canines elongated, protruding from his mouth. And they weren't the only response he had to his shellan. At his hips, pressing into the front of his leathers, was an erection the size of a tree trunk. Z shot John a quick glance and then went back to his hunt, disappearing into the room, the pumping growl getting louder. From out of the open doors, there was a delighted squeal, a scramble, a female's gasp, and then....nothing. He'd caught her. ......When Zsadist came out a moment later, he had Bella in his arms, her dark hair trailing down his shoulder as she lounged in the strength that held her. Her eyes locked on Z's face while he looked where he was going, her hand stroking his chest, her lips curved in a private smile. There was a bite mark on her neck, one that had very definitely not been there before, and Bella's satisfaction as she stared at the hunger in her hellren's face was utterly compelling. John knew instinctively that Zsadist was going to finish two things upstairs: the mating and the feeding. The Brother was going to be at her throat and in between her legs. Probably at the same time. God, John wanted that kind of connection.
J.R. Ward (Lover Revealed (Black Dagger Brotherhood, #4))
Her heartbeat picks up, her pulse fluttering through her neck and wrists. She loves this part, loves the moment before she pulls off a job—the heat, the cold, the rush. It’s terrifying and delicious, like teetering out over the edge of a building, her fingers tight on the safety railing. She can see how everything could go horribly wrong, but that rational part of her is tamped down, silenced by the beauty of the fall.
Emily Lloyd-Jones (Illusive (Illusive, #1))
One of the most surprising things I’ve noticed during my experiments in productive disagreement is how quickly things go off the rails precisely when people stop speaking from their own perspective and try to speculate about other people’s perspectives.
Buster Benson (Why Are We Yelling?: The Art of Productive Disagreement)
Why is it some people can manage a thing like a Fitbit, while others go off the rails and allow it to rule, and perhaps even ruin, their lives?
David Sedaris (Calypso)
In my experience, any thinking is liable to go off the rails. You should just go to sleep.
Liu Cixin (The Three-Body Problem Trilogy: Remembrance of Earth's Past)
I'm pretty sure that I'm going insane. Crazy. Off the rails. Worrying. Waiting. It's torture. "Love is horrible" (smile)
Anita hugga
Richard wanted to take me to all the town's secret places, the nooks only the locals knew about. Places where people meet to screw or smoke dope, where teens drink, or folks go to sit by themselves and decide where their lives had unraveled. Everyone has a moment where life goes off the rails.
Gillian Flynn (Sharp Objects)
We could sit here all night talking about cancer. I'm just telling you it's unsettling. There are thousands of ways your body can go off the rails for no reason whatsoever and chances are you won't know about any of it until it's too late.
Ann Patchett (The Dutch House)
How do people get to this clandestine Archipelago? Hour by hour planes fly there, ships steer their course there, and trains thunder off to it--but all with nary a mark on them to tell of their destination. And at ticket windows or at travel bureaus for Soviet or foreign tourists the employees would be astounded if you were to ask for a ticket to go there. They know nothing and they've never heard of the Archipelago as a whole or any one of its innumerable islands. Those who go to the Archipelago to administer it get there via the training schools of the Ministry of Internal Affairs. Those who go there to be guards are conscripted via the military conscription centers. And those who, like you and me, dear reader, go there to die, must get there solely and compulsorily via arrest. Arrest! Need it be said that it is a breaking point in your life, a bolt of lightning which has scored a direct hit on you? That it is an unassimilable spiritual earthquake not every person can cope with, as a result of which people often slip into insanity? The Universe has as many different centers as there are living beings in it. Each of us is a center of the Universe, and that Universe is shattered when they hiss at you: "You are under arrest." If you are arrested, can anything else remain unshattered by this cataclysm? But the darkened mind is incapable of embracing these dis­placements in our universe, and both the most sophisticated and the veriest simpleton among us, drawing on all life's experience, can gasp out only: "Me? What for?" And this is a question which, though repeated millions and millions of times before, has yet to receive an answer. Arrest is an instantaneous, shattering thrust, expulsion, somer­sault from one state into another. We have been happily borne—or perhaps have unhappily dragged our weary way—down the long and crooked streets of our lives, past all kinds of walls and fences made of rotting wood, rammed earth, brick, concrete, iron railings. We have never given a thought to what lies behind them. We have never tried to pene­trate them with our vision or our understanding. But there is where the Gulag country begins, right next to us, two yards away from us. In addition, we have failed to notice an enormous num­ber of closely fitted, well-disguised doors and gates in these fences. All those gates were prepared for us, every last one! And all of a sudden the fateful gate swings quickly open, and four white male hands, unaccustomed to physical labor but none­theless strong and tenacious, grab us by the leg, arm, collar, cap, ear, and drag us in like a sack, and the gate behind us, the gate to our past life, is slammed shut once and for all. That's all there is to it! You are arrested! And you'll find nothing better to respond with than a lamblike bleat: "Me? What for?" That's what arrest is: it's a blinding flash and a blow which shifts the present instantly into the past and the impossible into omnipotent actuality. That's all. And neither for the first hour nor for the first day will you be able to grasp anything else.
Aleksandr Solzhenitsyn (The Gulag Archipelago, 1918-1956: An Experiment in Literary Investigation V-VII)
I smack into him as if shoved from behind. He doesn't budge, not an inch. Just holds my shoulders and waits. Maybe he's waiting for me to find my balance. Maybe he's waiting for me to gather my pride. I hope he's got all day. I hear people passing on the boardwalk and imagine them staring. Best-case scenario, they think I know this guy, that we're hugging. Worst-case scenario, they saw me totter like an intoxicated walrus into this complete stranger because I was looking down for a place to park our beach stuff. Either way, he knows what happened. He knows why my cheek is plastered to his bare chest. And there is definite humiliation waiting when I get around to looking up at him. Options skim through my head like a flip book. Option One: Run away as fast as my dollar-store flip flops can take me. Thing is, tripping over them is partly responsible for my current dilemma. In fact, one of them is missing, probably caught in a crack of the boardwalk. I'm getting Cinderella didn't feel this foolish, but then again, Cinderella wasn't as clumsy as an intoxicated walrus. Option two: Pretend I've fainted. Go limp and everything. Drool, even. But I know this won't work because my eyes flutter too much to fake it, and besides, people don't blush while unconscious. Option Three: Pray for a lightning bolt. A deadly one that you feel in advance because the air gets all atingle and your skin crawls-or so the science books say. It might kill us both, but really, he should have been paying more attention to me when he saw that I wasn't paying attention at all. For a shaved second, I think my prayers are answered because I go get tingly all over; goose bumps sprout everywhere, and my pulse feels like electricity. Then I realize, it's coming from my shoulders. From his hands. Option Last: For the love of God, peel my cheek off his chest and apologize for the casual assault. Then hobble away on my one flip-flop before I faint. With my luck, the lightning would only maim me, and he would feel obligated to carry me somewhere anyway. Also, do it now. I ease away from him and peer up. The fire on my cheeks has nothing to do with the fact that it's sweaty-eight degrees in the Florida sun and everything to do with the fact that I just tripped into the most attractive guy on the planet. Fan-flipping-tastic. "Are-are you all right?" he says, incredulous. I think I can see the shape of my cheek indented on his chest. I nod. "I'm fine. I'm used to it. Sorry." I shrug off his hands when he doesn't let go. The tingling stays behind, as if he left some of himself on me. "Jeez, Emma, are you okay?" Chloe calls from behind. The calm fwopping of my best friend's sandals suggests she's not as concerned as she sounds. Track star that she is, she would already be at my side if she thought I was hurt. I groan and face her, not surprised that she's grinning wide as the equator. She holds out my flip-flop, which I try not to snatch from her hand. "I'm fine. Everybody's fine," I say. I turn back to the guy, who seems to get more gorgeous by the second. "You're fine, right? No broken bones or anything?" He blinks, gives a slight nod. Chloe setts her surfboard against the rail of the boardwalk and extends her hand to him. He accepts it without taking his eyes off me. "I'm Chloe and this is Emma," she says. "We usually bring her helmet with us, but we left it back in the hotel room this time.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Before you go, just tell me one thing,” Tana said. “Tell me why you’ve been so nice to me. I know you’re the reason Lucien let me live. He wasn’t planning on giving me any saline drip or putting me in some fancy bed before I said your name. And I’m not anybody special. I’m not saying that I’m not smart or a perfectly nice person or anything, but I’m not—” He’d been halfway across the room when she started speaking and he’d frozen, his face turned away from her. Then he moved to the footboard of the bed, his hands gripping the brass railing, his face a mask. Finally, he cut her off. “Tana. In all my long life, though there were many times I prayed for it, no one has ever saved me. No one but you.
Holly Black (The Coldest Girl in Coldtown)
Young people are meant to go off the rails politically, aren’t they? And there are certainly far worse things one can do than dream about equality.
David Lagercrantz (Fall of Man in Wilmslow)
My mother would let me outside to play on the sidewalk. Getting to know me better, she fastened me to the railing by a rope so I couldn't wander off or go into the street.
Bernice Dietrich (Lady Slippers)
I didn't want to go off the rails, but I wanted to get close enough to see what was on the other side of them.
Rachel Lynn Solomon (The Ex Talk)
If I’ve set your imagination going, I apologize." “What do you think I should think about now?” “In my experience, any thinking is liable to go off the rails. You should just go to sleep.
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
The bitter accusations trigger his anger. “Get out of my face, man. I didn’t come here tonight to get railed on by some dumb jock. Go back to your slut girlfriend and—” Oh hell no. My fist snaps out.
Elle Kennedy (The Deal (Off-Campus, #1))
Is this how our life is going to be?” She asked. “You just go off the rails because you feel shitty about Hayley or something that fucking Amber does and you don’t give a shit about how it affects me?
Paula Dombrowiak (Blood & Bone (Blood & Bone, #1))
You must learn not to look upon the world as a lost and decaying thing but as a something perfect and glorious which is going on to a most beautiful completeness; and you must learn to see men and women not as lost and accursed things, but as perfect beings advancing to become complete. There are no “bad” or “evil” people. An engine which is on the rails pulling a heavy train is perfect after its kind, and it is good. The power of steam which drives it is good. Let a broken rail throw the engine into the ditch, and it does not become bad or evil by being so displaced; it is a perfectly good engine, but off the track. The power of steam which drives it into the ditch and wrecks it is not evil, but a perfectly good power. So that which is misplaced or applied in an incomplete or partial way is not evil. There are no evil people; there are perfectly good people who are off the track, but they do not need condemnation or punishment; they only need to get upon the rails again. That which is undeveloped
Wallace D. Wattles (The Science of Being Great)
Presumably already alive to the thought that I might go off the rails thanks to my inability to eat celery in the correct way, he resolutely believed that rock and roll was going to result in my utter degradation.
Elton John (Me)
I first used LSD in my freshman year of high school at a homecoming football game. A friend had taken it too, knew more about it than me, and when asked, told me to just stare at certain things. The friend pointed at a rail that had some paint chipped off it and said "Just look at that... it's trippy." I looked at the rail with some paint chipped off. Nothing happened. I was in front of the school after the game was over and must have been high because two friends were in front of me crying. I asked them why they were crying and they said because I had taken acid. "Are you going to tell my parents?" I asked. "I don't know," they said. I was afraid. On the way home someone in the car started screaming. We found an albino praying mantis in the car, stopped and let it out. In a friend's room, later, I was lying on the bed and seeing in the corners nets of colors beating. A Nirvana poster was surrounded by color and moving slightly. After this incident there are no memories of taking LSD until senior year of high school. No one paid enough attention to notice I wasn't getting dressed in the morning, just taking acid and going to school in my pajamas. I would walk in the hallways staring forward with a neutral facial expression. I was terribly depressed. My mom eventually found out.
Brandon Scott Gorrell
I wonder,” said Angelina, sitting on the loveseat next to Violet, “if he is mentally fragile.” “What do you mean?” said Violet. “He fought in the war,” replied Angelina. “He might fall apart, fly off the handle, go off the rails…
Cynthia Sally Haggard (Farewell My Life: Buona Notte Vita Mia)
Odasaku... You should've spoken up right there. [...] You're too soft on Dazai. You should be calling him out and whacking the back of his head with a hammer for every two out of three things he says, or else he's going to go off the rails.
Kafka Asagiri (文豪ストレイドッグス 太宰治と黒の時代 [Bungō Stray Dogs - Dazai Osamu to kuro no jidai])
Royce started for the steps. Hadrian whirled with his hand up. “No! Just relax. Let me deal with this.” Royce hesitated, more because Hadrian was blocking the way than because he agreed. Everyone turned to look at Hadrian as he began kicking at one of the pretty lathed spindles that decorated the porch railing. He snapped one off and wrenched it free. “Hey!” Abby said. “Sorry, I’ll fix it later, but I need something blunt to hit them with.” This got the men’s attention and the one let go of Jasmine, who escaped into the house. “All I can say is you’d better do a good job,” Royce threatened. “If either of them leaves that porch, they’re mine.” “Royce, they’re not even armed.” “They have arms—but I’ll remedy that.
Michael J. Sullivan (The Rose and the Thorn (The Riyria Chronicles, #2))
What a beautiful respite a train journey is and a good book, too, and best of all the book on the train, in life and out of it at the same time, before we arrive at Termini and disembark and the book is put down and we must all part and go our separate ways, forever.
Tim Parks (Italian Ways: On and Off the Rails from Milan to Palermo)
I was beginning to feel that there would never be another American uprising, that the energy was gone, and I have some reasons to think that might be true. I like to point out that the crime rate in America has been declining for a long time, and in my opinion it’s because Americans don’t even have enough gumption to commit crimes anymore: the creative aspect of crime has fallen into decay. As for the uprising that takes a principled stand against violence, hats off to them, I admire the idealism, but I don’t think it’s going to accomplish much.
Hakim Bey
Everyone gets to go crazy in long-term relationships, but you have to take turns. I call this relational integrity. It means that you hold the (Wise Adult) fort while your partner goes off their (Adaptive Child) rails. It’s not an easy practice, but it builds strong relational muscles.
Terrence Real (Us: Getting Past You & Me to Build a More Loving Relationship (Goop Press))
Nothing is more fun than to watch zealots go off the rails. They try to present themselves as rational, independent-minded persons like yourselves, balanced individuals who have examined our great wide world, weighed their options carefully, then coolly decided to devote their lives to Beanie Babies.
Neil Steinberg
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry—determined to make a day of it.
Henry David Thoreau
President Trump is a good listener, Mattis said, as long as you don’t hit one of his third rails—immigration and the press are the two big ones. If you hit one, he is liable to go off on a tangent and not come back for a long time. “Secretaries of Defense don’t always get to choose the president they work for.” Everyone laughed.
Bob Woodward (Fear: Trump in the White House)
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
I think we have two choices in the face of such big beauty: terror or awe. And this is precisely why we attempt to chart God, because we want to be able to predict Him, to dissect Him, to carry Him around in our dog and pony show. We are too proud to feel awe and too fearful to feel terror. We reduce Him to math so we don’t have to fear Him, and yet the Bible tells us fear is the appropriate response, that it is the beginning of wisdom. Does this mean God is going to hurt us? No. But I stood on the edge of the Grand Canyon once, behind a railing, and though I was never going to fall off the edge, I feared the thought of it. It is that big of a place, that wonderful of a landscape.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality)
Morel begins to notice things that unsettle him. At the docks of the big port of Antwerp he sees his company’s ships arriving filled to the hatch covers with valuable cargoes of rubber and ivory. But when they cast off their hawsers to steam back to the Congo, while military bands play on the pier and eager young men in uniform line the ships’ rails, what they carry is mostly army officers, firearms, and ammunition. There is no trade going on here. Little or nothing is being exchanged for the rubber and ivory. As Morel watches these riches streaming to Europe with almost no goods being sent to Africa to pay for them, he realizes that there can be only one explanation for their source: slave labor.
Adam Hochschild (King Leopold's Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa)
The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.
Cambria Hebert (#Hater (Hashtag, #2))
Your dad told me what happened today . . . out in the woods. He told me that you tracked down the guy who’s been killing all the girls around here . . . that you put yourself in danger.” Violet couldn’t tell if he was angry or annoyed . . . or both. He ran his hand through his messy hair in an agitated gesture that indicated he was getting all worked up. “And it’s not like it was the first time you’ve done that. Trouble seems to follow you wherever you go, and you’re the only person I know who doesn’t seem to care. I don’t even want to think about what could have happened to you if I hadn’t shown up last night while Grady was . . . assaulting you.” He paused as if it really was too much to think about, and then he continued to rail at her. “You can’t even go to the mall safely. I made a promise to your parents, and you just wandered off without even telling me where you were going.” His voice was suddenly too abrasive, and it felt to Violet like he was scratching his nails across a chalkboard. She bristled against the accusation in his tone, and suddenly he wasn’t the only one who was upset. “And you didn’t speak to me for a week!” she lashed back at him. “What was that all about? I spent the entire week waiting for you to stop ignoring me. And all because I didn’t bother to check in with you? You don’t get to tell me what to do! You’re not my father, you know.” “Thanks for clarifying that, Violet,” he said sardonically. “It would be creepy if you got your boyfriend and your father confused.” Violet practically jumped when he said the word boyfriend. Obviously she’d noticed that they’d gone beyond just friendship, but she hadn’t been entirely sure what that meant for them. Apparently Jay had it all figured out.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Whatever the final cost of HS2, all those tens of billions could clearly buy lots of things more generally useful to society than a quicker ride to Birmingham. Then there is all the destruction of the countryside. A high-speed rail line offers nothing in the way of charm. It is a motorway for trains. It would create a permanent very noisy, hyper-visible scar across a great deal of classic British countryside, and disrupt and make miserable the lives of hundreds of thousands of people throughout its years of construction. If the outcome were something truly marvellous, then perhaps that would be a justifiable price to pay, but a fast train to Birmingham is never going to be marvellous. The best it can ever be is a fast train to Birmingham. Remarkably, the new line doesn’t hook up to most of the places people might reasonably want to go to. Passengers from the north who need to get to Heathrow will have to change trains at Old Oak Common, with all their luggage, and travel the last twelve miles on another service. Getting to Gatwick will be even harder. If they want to catch a train to Europe, they will have to get off at Euston station and make their way half a mile along the Euston Road to St Pancras. It has actually been suggested that travelators could be installed for that journey. Can you imagine travelling half a mile on travelators? Somebody find me the person who came up with that notion. I’ll get the horsewhip. Now here’s my idea. Why not keep the journey times the same but make the trains so comfortable and relaxing that people won’t want the trip to end? Instead, they could pass the time staring out the window at all the gleaming hospitals, schools, playing fields and gorgeously maintained countryside that the billions of saved pounds had paid for. Alternatively, you could just put a steam locomotive in front of the train, make all the seats inside wooden and have it run entirely by volunteers. People would come from all over the country to ride on it. In either case, if any money was left over, perhaps a little of it could be used to fit trains with toilets that don’t flush directly on to the tracks, so that when I sit on a platform at a place like Cambridge or Oxford glumly eating a WH Smith sandwich I don’t have to watch blackbirds fighting over tattered fragments of human waste and toilet paper. It is, let’s face it, hard enough to eat a WH Smith sandwich as it is.
Bill Bryson (The Road to Little Dribbling: Adventures of an American in Britain)
That was some shady shit out there, Rome,” Braeden said once the total chaos of winning the game had gone down to a considerable roar. We were finally in the locker room, and I was stripping off my sweat and grass-stained gear. “Total douche move.” I agreed. It wasn’t the first time a team had tried to take me out of a game. It was pretty much common practice, especially when something like a title and championship was at stake. Still, I’d never quite had anyone come at me like that before. The play was already in progress. Sacking me wouldn’t have changed the touchdown I’d just thrown. Except of course to keep me from throwing another one. That guy deliberately came in like a freight train and plowed me down. I lay there stunned for long moments, waiting for the air to come back in my lungs and for my body to process the shock of the hit. Thankfully, he wasn’t that good at tackling and it did nothing more than stun me. And it got him thrown out of the game. It really hadn’t been a big deal. Like I said, it happened a lot. But it was the first time it happened in front of Rimmel. I couldn’t help but notice how the large screen on the field had zeroed in on the girl in number twenty-four’s hoodie, who was climbing over the railing and preparing to leap down onto the field. The security guard was yelling at her, but she barely noticed him. Her eyes were trained out on the field, where I was. It was almost laughable that her tiny ass was going to rush out onto a field full of men more than double her size to make sure I was okay. G**damn. I loved her even more just then. When the guard put his hand on her ankle, trying to stop her from going back to her seat, something happened. Something that never had in my entire life of playing football. The game faded away. For once, I was out on the field and unable to focus on only the game. It took a backseat to the girl teetering on the edge of the railing.
Cambria Hebert (#Hater (Hashtag, #2))
My friend was aboard Sewee, untying his vessel from an ancient sunken post. “Ben?” No response. I slipped off my shoes and waded to the runabout. Pulled myself up the tiny ladder. Found Ben’s hand waiting at the rail. He effortlessly hoisted me into the boat, maneuvering my weight like it was nothing. I sometimes forgot how strong Ben was. How warm his hands could feel. Ben released me. Went back to coiling line. “Are you okay?” I immediately realized it was the wrong thing to say. “Of course I’m okay.” Gruff. Distant. I stood watching him, unsure what to say next. Unbidden, the image of a bench sprang to mind. The two of us, huddled close. Me crying in his arms. I felt blood rush to my face, was grateful for the concealing darkness. “No one expects you to like Chance,” I said finally. “Good.” Not looking up. “Because I don’t.” Another awkward silence. Then Ben huffed, “You like him enough for both of us.” I straightened, surprised. Was that what was bothering him? Jealousy? Why would Ben be jealous of Chance? After everything that spoiled boy had done to me? Did Ben think I was some ditz? That my memory reset with every pretty smile? Am I? I felt a nervous twinge in my stomach. Felt it grow. Ben. Jealous. Because of his feelings for me. The issue would not simply go away. “Ben. I . . .” Words failed. My face grew hot. Ben’s hands stopped moving. He stared at the deck, his long black hair fanning his face. He sucked in a breath, as if on the verge of something.
Kathy Reichs (Terminal (Virals, #5))
all this important stuff has *no one in charge of it.* Some people claim to be, but they're in charge of one tiny piece of it, and maybe they think *their* piece is a brake or a steering wheel, but they're wrong. The world's economy is a runaway train, the driver dead at the switch, the passengers clinging on for dear life as their possessions go flying off the freight-cars and out the windows, and each curve in the tracks threatens to take it off the rails altogether. There's a small number of people in the back of the train who fiercely argue about when it will go off the rails, and whether the train can be slowed down by everyone just calming down and acting as though everything was all right. These people are the economists, and some of the first-class passengers pay them very well for their predictions about whether the train is doing all right and which side of the car they should lean into to prevent their hats from falling off on the next corner. Everyone else ignores them.
Cory Doctorow (For the Win)
Screams of horror reverberated off the walls. Adrenaline took over as Mina lunged for Brody, missing his body entirely but grabbing the shoulder strap of his black Jansport backpack. She had done it without thinking, even though she wasn’t very strong, and now she gritted her teeth as she slammed into the railing, which caused her to cry out in pain. There was a moment of suspended animation when she thought she had him and they were safe, but then her feet slowly lost contact with the floor. Screaming, she started moving upward and over, her feet dangling uselessly. She was going to go over the railing with him.
Chanda Hahn (UnEnchanted (An Unfortunate Fairy Tale, #1))
Before I knew what I was doing, I was out of my seat and rushing up toward the railing that divided the seats from the field. I had to make sure he was okay. I couldn’t just sit here and watch him lie there in pain. I heard my name called, but I ignored it as I flung my leg over the top railing and prepared to hoist myself over. One of the guys working security happened to see me and he rushed over and ordered me to stop. “I can’t. That’s my…” My voice broke. I couldn’t force the word boyfriend between my lips. It just wasn’t enough. It just didn’t describe how desperate I was to get to him. “He’s my everything,” I finished. The security guard gave me a grim look. “You can’t come on the field.” A lone tear tracked its way down my cheek, and I craned my neck. Frustrated, I glanced up at the big screen to see if it was showing a different angle. But they weren’t playing Romeo. They were focused on me. I blinked at the site of me half straddling the railing and the security guard standing there with a grim look on his face as he stared me down. My cheeks were red, behind my glasses, my eyes wild. I turned away from the screen, irritated that they weren’t focused on Romeo. I glanced at the guard. “I’m coming over.” He crossed his arms over his chest as if to say, I dare you. I flung my other leg over so I was balanced on the bottom rung. “This is your last warning,” the guard shouted. The crowd started to cheer and go wild. Romeo’s number started filling the air. I looked up. He was okay! He was on his feet, helmet in hand, and laughing at something Braeden was saying. Beside him, the coach looked relieved, and all the Wolves were clapping. The guy who’d mowed him down was being escorted off the field. Jackass. Relief made me weak and a sob caught in my throat. I sagged back against the cold metal of the rails. The guard gestured for backup, and a few others that were dressed just like him started my way. I mean, really. He was being a bit dramatic. I was only one girl. And a small one at that.
Cambria Hebert (#Hater (Hashtag, #2))
Buicks and fresh petticoats marked a clear cultural change. Victory over the world of scarcity was a historical accomplishment of the first order, but they also realised that the domain of plenty would bring new problems, of a nature and extent at which they could only guess. It’s a classic tale of generational change. The first generation struggles up out of poverty, the second generation acquires wealth, the third generation becomes spoilt and goes off the rails. Yet something else was going on here as well, something that concerned the very foundations of society. In a culture of survival, people have little choice, whereas now there were alternatives, more and more of them. Almost all the traditional norms and values, which had their roots in a ‘world of necessity’,
Geert Mak (In America: Travels with John Steinbeck)
A hundred bucks,cuz.And judging by that spectacular toss over the rail, I'd say you earned it." Wyatt tucked the money into his pocket. "It was pretty spectacular, wasn't it? And it worked. It got the attention of our pretty little medic." Jesse,Amy,and Zane stopped dead in their tracks. Amy laughed. "You did all that to get Lee's attention?" "Nothing else I've tried has worked. I was desperate." Jesse shook his head in disbelief. "Did you ever think about just buying her a beer at the Fortune Saloon? I'd think that would be a whole lot simpler than risking broken bones leaping off a bull." "But not nearly as memorable.The next time she sees me at the saloon, she'll know my name." Zane threw back his head and roared. "So will every shrink from here to Helena. You have to be certifiably nuts to do all that just for the sake of a pretty face." "Hey." Wyatt slapped his cousin on the back. "Whatever works.'" Zane pulled out a roll of bills. "Ten says she's already written you off as someone to avoid at all costs." Wyatt's smile brightened. "Chump change. If you want to bet me, make it a hundred." "You got it." Zane pulled a hundred from the roll and handed it to Jesse. "Now match it, cuz. I was going to bet that you can't persuade Marilee Trainor to even speak to you again. But just to make things interesting, I'm betting that you can't get her to have dinner with you tonight." "Dinner? Tonight? Now you're pushing the limits,cuz. She's already refused me." "Put up or shut up." Wyatt arched a brow. "You want me to kiss and tell?" "I don't say anything about kissing. I don't care what you do,after you get her to have dinner with you.That's the bet. So if you're ready to admit defeat, just give me the hundred now." "Uh-oh." Wyatt stopped dead in his tracks. "Is that a dare?" Amy stood between them,shaking her head. "You sound like two little kids." Wyatt shot her a wicked grin. "Didn't you know that all men are just boys at heart?" He reached into his pocket and handed Zane a bill before he strolled away. Over his shoulder he called, "I'll catch you back at the ranch. You can pay me then." He left his cousins laughing and shaking their heads.
R.C. Ryan (Montana Destiny)
He needs to be talked to." "This is funny, but I know how to talk, too." Brian swore under his breath. "He prefers singing." "Excuse me?" "I said,he prefers singing." "Oh." Keeley tucked her tongue in her cheek. "Any particular tune? Wait, let me guess. Finnegan's Wake?" Brian''s steely-eyed stare had her laughing until she had to lean weakly against the gelding.The horse responded by twisting his head and trying to sniff her pockets for apples. "It's a quick tune," Brian said coolly, "and he likes hearing his name." "I know the chorus." Gamely Keeley struggled to swallow another giggle. "But I'm not sure I know all the words.There are several verses as I recall." "Do the best you can," he muttered and strode off.His lips twitched as he heard her launch into the song about the Dubliner who had a tippling way. When he reached Betty's box, he shook his head. "I should've known. If there's not a Grant one place, there's a Grant in another until you're tripping over them." Travis gave Betty a last pat on the shoulder. "Is that Keeley I hear singing?" "She's being sarcastic, but as long as the job's done. She's dug in her heels about grooming Finnegan." "She comes by it naturally.The hard head as well as the skill." "Never had so many owners breathing down my neck.We don't need them, do we, darling?" Brian laid his hands on Beetty's cheek, and she shook her head, then nibbled his hair. "Damn horse has a crush on you." "She may be your lady, sir, but she's my own true love.Aren't you beautiful, my heart?" He stroked, sliding into the Gaelic that had Betty's ears pricked and her body shifting restlessly. "She likes being excited before a race," Brian murmured. "What do you call it-pumped up like your American football players.Which is a sport that eludes me altogether as they're gathered into circles discussing things most of the time instead of getting on with it." "I heard you won the pool on last Monday nights game," Travis commented. "Betting's the only thing about your football I do understand." Brian gathered her reins. "I'll walk her around a bit before we take her down. She likes to parade.You and your missus will want to stay close to the winner's circle." Travis grinned at him. "We'll be watching from the rail." "Let's go show off." Brian led Betty out.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Tell me what you and my dad were talking about." Jay jerked away from her as if she'd just slapped him. And Violet realized that she might as well have. He sat up quickly, as if his mind had suddenly cleared from the sensuous haze, and abruptly the teasing grin was wiped clean from his face. "Never mind," she blurted, trying to backpedal. "Forget I said anything." She wanted to go back to where they just were. But it was too late. The determined set of his jaw told her that. "No," he said harshly. "I think we should talk about this, Violet." Even the way he said her name was suddenly hard and angry. "Your dad told me what happened today...out in the woods. He told me that you tracked down the guy who's been killing all the girls around here...that you put yourself in danger." Violet couldn't tell if he was angry or annoyed...or both. He ran his hand through his messy hair in an agitated gesture that indicated he was getting all worked up. "And it's not like it was the first time you've done that. Trouble seems to follow you wherever you go, and you're the only person I know who doesn't seem to care. I don't even want to think about what could have happened to you if I hadn't shown up last night while Grady was...assaulting you." He paused as if it really was too much to think about, and then he continued to rail at her. "You can't even go to the mall safely. I made a promise to your parents, and you just wandered off without even telling me where you were going." His voice was suddenly too abrasive, and it felt to Violet like he was scratching his nails across a chalkboard. She bristled against the accusation in his tone, and suddenly he wasn't the only one who was upset. "And you didn't speak to me for a week!" she lashed back at him. "What was that all about? I spent the entire week waiting for you to stop ignoring me. And all because I didn't bother to check in with you? You don't get to tell me what to do! You're not my father, you know." "Thanks for clarifying that, Violet," he said sardonically. "It would be creepy if you got your boyfriend and your father confused." Violet practically jumped when he said the word boyfriend. Obviously she'd noticed that they'd gone beyond just friendship, but she hadn't been entirely sure what that meant for them. Apparently Jay had it all figured out. But that didn't mean he could push her around.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Here he comes,” Blake said. When Kaidan climbed the steps to the deck he came straight for me, his hair slicked back with sweat from running. He took my face in his hands, breathing hard, lips tight, eyes like blue blazes. “Don’t ever do that again,” he ground out. It took a second to process his words and remember what exactly I wasn’t supposed to do again. Then I recalled interfering. “I know it was dangerous,” I admitted, “but there were five of them—” “I can bloody well handle myself, Anna!” His hands flung away from my face. “Maybe if there were only a couple, but there were five pissed-off psychos with weapons! I couldn’t just stand there and watch!” Kaidan, exasperated, pivoted like he was going to walk away, raked his fingers through his hair, and turned to me again. “What did you think you could do?” he asked. “You got in a lucky shot when you racked him, but what if it hadn’t worked? As you saw today your mind powers don’t always work!” Ah. He had no idea what I was capable of now. I held a hand out. “Give me your knife.” His eyebrows went together. “What?” “Just give it to me.” I stepped closer, feeling edgy. “No, Anna, I don’t know what you’re trying to do, but this is ridic—” My movements were fast as I went for him full force, using all my body weight and strength to hook a foot behind his knee and slam my palm into his shoulder. He landed on his back with a surprised oof and I crouched over him. “Give me your knife,” I said again. “Holy . . .” Blake let out a long whistle from where he watched at the rail. Kaidan lay there with a whimsical sort of look and said, “God, that was hot.” I held out my hand. This time he fished the knife from his waistband and placed the onyx handle in my palm. From my crouched position I momentarily eyed a wooden bird statue perched at the top of the deck rail twenty feet away, then let the cool metal fly from my fingers. It spun through the air with a sound like rapid wing beats, then a whump as it stuck into the side of the bird’s head. “Dude!” Blake yelled. Beneath me, where Kaidan lay, burst a vivid cloud of red so brief I wondered if I’d imagined it. I stared down at him in shock. “You showed your colors!” I said. “Did not.” He pushed himself up and we both stood. “You totally let ’em out, brah,” Blake told him with a grin. “Shut up.” When he peered down at me I said, “I’ve been training. I’m not completely helpless anymore.” “I can see that,” he murmured.
Wendy Higgins (Sweet Peril (Sweet, #2))
Suddenly there was movement behind him and Dan's hand appeared on his shoulder. "Raven, what's the matter? What are you staring at?" Dan covered Raven's hands with his own. Raven's fingers seemed to have frozen and Dan tried to uncurl them and pull them off the rail. "Hey, buddy, it's OK. I've got you. You're perfectly safe. We're just going to kneel and go back down the steps. All you have to do is let go and kneel down. I've got you, I've got you." Suddenly there was nothing holding him. A strangled sob escaped him. "I've got you, I've got you. Look, I'm right here, you can't possible fall. I'm right behind you." Dan put an arm round his waist and gripped him tight and told him what to do with his hands and feet, and they began co climb down together. It took for ever. Raven's fingers were so cold he could hardly feel them. Moving each foot down a rung seemed to take all the strength he had. "Don't let go," he said, his teeth chattering loudly in his mouth. "Don't let go, don't let go, don't let go." "I'm not going to let go, Raven" Dan said. "I promise Matey, I'll never let you fall." They finally reached the ground. Raven was so wobbly he could hardly stand. He felt Dan envelop him in a tight, strong hug. "You're all right, mate," Dan whispered. "You're all right." Raven clung to him. He never wanted Dan to let go.
Tabitha Suzuma (From Where I Stand)
I have to ask you something.” Stumbling over words, I described my encounter with Edward. “I have to meet him at the railroad trestle next week. I’m supposed to do something when I get there, but he didn’t say what…” My voice trailed away. The expression on Andrew’s face told me he knew exactly what I was talking about. “Drat,” he muttered. “That low-down skunk. I was hoping he’d forgotten.” Andrew hesitated. Without looking at me, he picked up a piece of chalk and started drawing a little train on the floor. Concentrating on his sketch, he said, “Before I got sick, Edward dared me to jump off the trestle.” My heart beat faster. “Is that what I’m supposed to do? Jump off?” “Now, now, don’t get all het up, Drew. It’s not as bad as you think.” Carefully, Andrew added a curlicue of smoke to his drawing. “You walk out on the trestle and jump in the river. Then you swim to shore. It’s a simple as one two three.” He tapped the chalk three times for emphasis. My mouth was so dry I could hardly speak. Lying down between the rails or dynamiting the train might be better than this. “How high is the trestle?” Instead of answering my question, Andrew said, “It’s a test of manhood. Lots of boys have done it.” I wasn’t interested in testing my manhood or hearing about other boys. I just wanted to know what was going to happen to me. Me--a boy who was scared to jump off a diving board into eight feet of crystal-clear chlorinated water.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
He went below, Bonden holding him by the arm, confirmed the carpenter’s desperate report, gave orders for the wounded to be moved into the corvette, the prisoners to be secured, his papers brought, and sat there as the three vessels rocked on the gentle swell of slack water, watching the tired men carry their shipmates, their belongings, all the necessaries out of the Polychrest. ‘It is time to go, sir,’ said Parker, with Pullings and Rossall standing by him, ready to lift their captain over. ‘Go,’ said Jack. ‘I shall follow you.’ They hesitated, caught the earnestness of his tone and look, crossed and stood hovering on the rail of the corvette. Now the veering breeze blew off the land; the eastern sky was lightening; they were out of the Ras du Point, beyond the shoals; and the water in the offing was a fine deep blue. He stood up, walked as straight as he could to a ruined gun-port, made a feeble spring that just carried him to the Fanciulla, staggered, and turned to look at his ship. She did not sink for a good ten minutes, and by then the blood – what little he had left – had made a pool at his feet. She went very gently, with a sigh of air rushing through the hatches, and settled on the bottom, the tips of her broken masts showing a foot above the surface. ‘Come, brother,’ said Stephen in his ear, very like a dream. ‘Come below. You must come below – here is too much blood altogether. Below, below. Here, Bonden, carry him with me.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
You haven't been yourself lately." Nikhil shook his head and sighed. "You've gone off the rails. We just want you to go back to being who you were--- sweet, good, quiet, respectful. Listen to the people who know what's best for you." "Shut up, Nikhil." I was sick of him and his officious, condescending attitude, sick of him thinking he knew anything about me. Where was he when I was struggling at school? Where was he when I needed a big brother, or even a friend? "Why are you here anyway?" "To make sure you do the right thing." "And that would be what? Telling the head of a Mafia family I'm going to bail on his daughter's wedding? Do you know how much money he's paying me to see it through? You can't even count that high." Nikhil swallowed hard. He couldn't stand being bested in any way. "We've found a perfect match for you. He's a dermatologist and he's looking for a wife. The family all agrees this is the best thing for you." "Single and has a job. That's a pretty low bar." I said. "Personality. Interests. Political views. Sense of humor. Pets. Hobbies. Character. Intelligence. Values. None of those matter?" "Not when you've lost all sense of who you are." Nikhil leaned forward. "Not when the family honor is at stake." "Oh, I'm sorry." My voice dripped with sarcasm. "Did I go to sleep and wake up in the wrong century? The family honor? Since when does our family have honor? And in what universe did you ever think I would agree to something like this?
Sara Desai (To Have and to Heist)
What’s going on, Helen?” Polydeuces came up behind us, followed closely by Castor. They’d been working hard down among the oarsmen again, and it was no pleasure to stand too near them on that windless day. “The usual, from the look of things,” Castor said, glancing at Milo’s sagging body at the rail. He gave the boy an encouraging pat on the back. “Try to drink something, even if you can’t keep your food down, lad,” he said. “Shall I bring you a little watered wine?” Milo lifted his sallow, haggard face and tried to thank my brother for his kindness but had to turn away quickly and spew over the side again. Polydeuces sighed. “How can he still do that? I haven’t seen him eat a bite of food since we boarded. You’d think his gut would be empty by now.” “Maybe it’s a sacred mystery and only the gods know the answer,” Castor said, smiling. “Like the horn of the she-goat who suckled the infant Zeus, the horn he broke off and blessed as soon as he was king of the gods so that it poured out a never-ending stream of food and drink.” “I always thought it was a strange way to thank the poor beast, breaking off one of her horns, Polydeuces said. “But it’s not my place to question the gods.” He, too, patted Milo’s shivering back and added, “So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Thunk. I jump back in alarm, my heart pounding against my ribs. And then I hear, “Jemma!” A loud whisper, coming from below. I open up the doors and step outside. Moving quickly to the railing, I lean against it and peer down to find Ryder standing there, staring up at me. He’s dressed in a suit and tie--the same charcoal suit he wore to the gala, with a narrow silver-blue tie. “What are you doing?” I call down to him. He drops a handful of pebbles, scattering them into the grass by his feet. “Shh! Can I come up?” I lower my voice to match his. “What’s wrong with the front door?” He eyes me with raised brows. “Really?” I picture my parents downstairs. Imagine what questions they’d ask, what gleeful conclusions they’d leap to at the sight of him here, asking to see me. I shake my head and reach a hand down toward him. “Here, can you climb?” There’s a vine-covered trellis against the house beside my balcony. If he can just get a foothold, he’s tall enough to swing himself up and over the railing. Which he does in less than two minutes. Pretty impressive, actually. Once he’s got both feet on the balcony, he casually brushes himself off. Somehow, he manages to look like he just stepped off the cover of GQ. I tip my head toward the window. “You wanna come in?” “You think it’s safe?” “Just let me go lock the door,” I say before hurrying back inside. And don’t think I’m not amused by the irony. Because unlike normal people, we’re not sneaking around to avoid being caught and punished. Nope. On the contrary, our parents would celebrate if they caught us in my bedroom together. I’m talking music and streamers and champagne toasts. As quietly as possible, I turn the key in the lock, listening for the click. Sorry, folks. No party tonight.
Kristi Cook (Magnolia (Magnolia Branch, #1))
And yet, I can’t believe it’s been only a month that I’ve known you. I can’t decide whether it’s been the longest month of my life, or the shortest.” His eyebrows gathered in an exaggerated frown. “I can’t decide which pays me the fainter compliment.” “Neither,” she teased, linking her arm in his. “To compliment you, I should tell you it has been the best month of my life. And it has.” Truer words, she’d never spoken. “Oh, nicely managed. My pride is rescued.” Despite his air of nonchalance, his eyes held genuine emotion. They were fully blue today-a rich, azure blue, clear and inviting and endless. Just like the sea. Sophia laughed at herself. How had she missed the obvious? All this time, she’d been puzzling out the color of his eyes. They were always shifting and changing, from green to blue to gray. And now she knew why. They always reflected the sea. “Do you know,” he said, “if you keep gazing at me like that much longer, I shall be forced to pack you off belowdecks.” “Am I truly gazing?” She fluttered her lashes at him. “I am making a trip to the storeroom soon, you know. But mind-this is the last good frock I’ve got.” “Siren.” He gave her a surreptitious pinch on the hip. “No, it’s the cabin I have in mind for you, and you’re going there alone. You need to rest.” He walked her toward the hatch. “You won’t come rest with me?” “If I come with you, neither of us will rest.” A current of pleasure shot straight to her center. Then a more practical thought intruded. “But what of the noon meal? It won’t make itself.” At that instant, a flying fish as long as her arm sailed over the rail of the boat and flopped on the deck at their feet. Gray looked at the thrashing fish, then raised his eyebrows at her. “Somehow I think we’ll manage.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Top Dog" If I could, I would take your grief, dig it up out of the horseradish field and grate it into something red and hot to sauce the shellfish. I would take the lock of hair you put in the locket and carry it in my hand, I would make the light strike everything the way it hit the Bay Bridge, turning the ironwork at sunset into waffles. If I could, I would blow your socks off, they would travel far, always in unison, past the dead men running, past the cranes standing in snow, beyond the roads we rode, so small in our little car, it was like riding in a miner's helmet. If I could I would make everyone vote and call their public servants to say, “No one was meant for this.” I would go back to the afternoon we made love in the tall grass under the full sun not far from the ravine where the old owner had flung hundreds of mink cages. I would memorize gateways to the afterworld, the electric third rail, the blond braid our girl has hanging down her back, the black guppy we killed at our friends’ when we unplugged the bubbler and the fish floated to the top, one eye up at the ceiling, the other at the blue gravel on the bottom of the tank. I would beg an audience with Sister Lucia, the last living of the children visited by Our Lady of Fatima, I would ask her about the weight of secrets, if they let her sleep or if she woke at night with a body on her body, if the body said, “Let's play top dog, first I'll lie on you, then you lie on me.” I would ask how she lived with revelation, the normal state of affairs amplified beyond God, bumped up to the Virgin Mother, who no doubt knew a few things, passed them on, quietly, and I would ask Lucia how she lived with knowing, how she could keep it under her hat, under wraps, button up, zip her lip, play it close to the vest, never telling, never using truth as a weapon.
Barbara Ras (Bite Every Sorrow: Poems (Walt Whitman Award of the Academy of American Poets))
.'Nothing has changed. I still need vengeance.' Silence. She glanced sideways, and she saw Ninefingers frowning down at the pale foam on the dark water, as if her answer had not been the one he had been hoping for. It would have been easy to change it. 'I'll go where you go,' she could have said, and who would have been worse off? No one. Certainly not her. But Ferro did not have it in her to put herself in his power like that. Now it came to the test there was an invisible wall between them. One that there was no crossing. There always had been. All she could say was, 'You?' He seemed to think about it a while, angry-looking, chewing at his lip. 'I should go back to the North.' He said it unhappily, without even looking at her. 'There's work there I should never have left. Dark work, that needs doing. That's where I'll go, I reckon. Back to the North, and settle me some scores.' She frowned. Scores? Who was it told her you had to have more than vengeance. Now scores was all he wanted? Lying bastard. 'Scores,' she hissed. 'Good.' And the word was sour as sand on her tongue. He looked her in the eye for a long moment. He opened his mouth, as if he was about to speak, and he stayed there, his lips formed into a word, one hand part-way lifted towards her. Then he seemed suddenly to slump, and he set his jaw, and he turned his shoulder to her and leaned back on the rail. 'Good.' And that easily it was all done between them. Ferro scowled as she turned away. She curled up her fists and felt her nails digging into her palms, furious hard. She cursed to herself, and bitterly. Why could she not have said different words? Some breath, and a shape of the mouth, and everything is changed. It would have been easy. Except that Ferro did not have it in her, and she knew she never would have. The Gurkish had killed that part of her, far away, and long ago, and left her dead inside. She had been a fool to hope, and in her bones she had known it all along. Hope is for the weak.
Joe Abercrombie (Before They Are Hanged (The First Law, #2))
Stick around, though. I’m going to need all the help I can get to figure all this out.” “That’s me! Mister Helpful. Captain Dependable.” “That sounds like a brand of adult diapers.” “This nickname needs some work. Lord Wonderful? The Incredible Hunk?” “Please, for the love, go inside.” He laughed, then clomped up the steps and into the house. “Reth,” I shouted. “Reeeeeeeeth! Reth! Reth, Reth, Reth! If you don’t come in the next thirty seconds, I’m going to do find David’s golf clubs!” “That tone and level of voice does nothing attractive you for, my love.” I jumped, startled, but of course Reth would be behind me, leaning heavily on the porch railing. “You,” I said, glaring. “Fix it. Now.” A look of disdain on his face, he leaned over and trailed his fingers across Lend’s forehead. A single whispered word, and then . . . Nothing. “You liar!” I shouted, standing so abruptly that Lend rolled off my lap and down a step. As he hit the first one, color bloomed through him into his usual glamour and his eyes flew open in panic. “He was asleep, Evelyn.” Reth’s lips were pursed, but I knew he was smiling gleefully on the inside. “Lend!” I lunged forward, knocking into him, and we both rolled down the next two steps, landing in a heap on the gravel at the bottom. “You’re awake!” “Evie! I’m . . . wow, why am I so bruised?” “Shut up,” I said, grabbing his head and pulling him in for a kiss. It was freezing and we were on the ground but I didn’t care, couldn’t care, not when I could touch my Lend and he was awake to touch me, too. I knew I’d missed it, but it wasn’t until now that it hit me just how empty and desperate it felt to be separated from him like that. “Maybe,” he said, between tracing my neck with kisses, “we could go inside?” “Maybe,” I agreed, not getting up. “Or maybe,” Reth said, his voice dripping with disgust, “Evelyn could come with me to determine how best to fulfill her end of the deal.” Lend lifted a hand off me and held it in the air. I couldn’t see what he was doing with it, but I had a good idea, and I heartily approved. “See what I meant about the ability to focus?” Reth snapped. “You two are ridiculous.
Kiersten White (Endlessly (Paranormalcy, #3))
The Mouse was not much heavier than a very large cat. Eustace had him off the rail in a trice and very silly he looked (thought Eustace) with his little limbs all splayed out and his mouth open. But unfortunately Reepicheep, who had fought for his life many a time, never lost his head even for a moment. Nor his skill. It is not very easy to draw one’s sword when one is swinging round in the air by one’s tail, but he did. And the next thing Eustace knew was two agonizing jabs in his hand which made him let go of the tail; and the next thing after that was that the Mouse had picked itself up again as if it were a ball bouncing off the deck, and there it was facing him, and a horrid long, bright, sharp thing like a skewer was waving to and fro within an inch of his stomach. (This doesn’t count as below the belt for mice in Narnia because they can hardly be expected to reach higher.) “Stop it,” spluttered Eustace, “go away. Put that thing away. It’s not safe. Stop it, I say. I’ll tell Caspian. I’ll have you muzzled and tied up.” “Why do you not draw your own sword, poltroon!” cheeped the Mouse. “Draw and fight or I’ll beat you black and blue with the flat.” “I haven’t got one,” said Eustace. “I’m a pacifist. I don’t believe in fighting.” “Do I understand,” said Reepicheep, withdrawing his sword for a moment and speaking very sternly, “that you do not intend to give me satisfaction?” “I don’t know what you mean,” said Eustace, nursing his hand. “If you don’t know how to take a joke I shan’t bother my head about you.” “Then take that,” said Reepicheep, “and that--to teach you manners--and the respect due to a knight--and a Mouse--and a Mouse’s tail--” and at each word he gave Eustace a blow with the side of his rapier, which was thin, fine, dwarf-tempered steel and as supple and effective as a birch rod. Eustace (of course) was at a school where they didn’t have corporal punishment, so the sensation was quite new to him. That was why, in spite of having no sea-legs, it took him less than a minute to get off that forecastle and cover the whole length of the deck and burst in at the cabin door--still hotly pursued by Reepicheep. Indeed it seemed to Eustace that the rapier as well as the pursuit was hot. It might have been red-hot by the feel.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
You mean you’re not going to kiss my wrist again,” I said. “But that’s all right, because I am going to kiss you.” And I did. If I could keep a single moment for all time, that would be the one. I became the very air; I was full of stars. I was the soaring spaces between the spires of the cathedral, the solemn breath of chimneys, a whispered prayer upon the winter wind. I was silence, and I was music, one clear transcendent chord rising toward Heaven. I believed, then, that I would have risen bodily into the sky but for the anchor of his hand in my hair and his round soft perfect mouth. No Heaven but this! I thought, and I knew that it was true to a standard even St. Clare could not have argued. Then it was done, and he was holding both my hands between his and saying, “In some ballad or Porphyrian romance, we would run off together.” I looked quickly at his face, trying to discern whether he was proposing we do just that. The resolve written in his eyes said no, but I could see exactly where I would have to push, and how hard, to break that resolve. It would be shockingly easy, but I found I did not wish it. My Kiggs could not behave so shabbily and still remain my Kiggs. Some other part of him would break, along with his resolve, and I did not see a way to make it whole again. The jagged edge of it would stab at him all his life. If we were to go forward from here, we would proceed not rashly, not thoughtlessly, but Kiggs-and-Phina fashion. That was the only way it could work. “I think I’ve heard that ballad,” I said. “It’s beautiful but it ends sadly.” He closed his eyes and leaned his forehead against mine. “Is it less sad that I’m going to ask you not to kiss me again?” “Yes. Because it’s just for now. The day will come.” “I want to believe that.” “Believe it.” He took a shaky breath. “I’ve got to go.” “I know.” I let him go inside first; my presence was not appropriate for tonight’s ritual. I leaned against the parapet, watching my breath puff gray against the blackening sky as if I were a dragon whispering smoke into the wind. The conceit made me smile, and then an idea caught me. Cautiously, avoiding ice, I hauled myself up onto the parapet. It had a wide balustrade, adequate for sitting, but I did not intend merely to sit. With comical slowness, like Comonot attempting stealth, I drew my feet up onto the railing. I removed my shoes, wanting to feel the stone beneath my feet.
Rachel Hartman (Seraphina (Seraphina, #1))
The renegade strand of hair nipped her eyes once more. With a swift, steady hand, Oscar pushed it away from her face. His fingertip left a trail of fire along her cheek. Camille reached up to help him tuck the strand back, and their fingers met. She knew for certain the flush had returned to her ears. Oscar dropped his arm and walked to the rail, wrapping his strong hands around the carved wood. “He is used to having things go his way,” Oscar said, his voice low and only for her ears. Camille moved to stand beside hm. “Have you always done everything he’s asked of you?” She was cautious not to come off sounding snide. His knuckles whitened as he gripped the rail tighter, as if to hold something back. Hold something in. “No.” She hadn’t expected him to give her an answer, and certainly not that one. “No? I don’t believe it. What have you done that’s gone against his wishes?” Oscar had been her father’s shadow since day one. He’d watched and obeyed William Rowen with the kind of devotion any eager apprentice would show his teacher. Oscar had been staring at the water, at the mounting churn of the waves. Now he shifted his eyes to her and fixed her with a look so strong and deep, she felt helpless beneath it. “He asked me to stop associating with you,” he answered, still hushed. Camille’s eyes watered with mortification and dread. Her father had spoken to Oscar, too. She wiped her sweaty palms on the hips of her trousers. “But clearly,” Oscar continued, leaning toward her, “I didn’t listen.” His gaze revolved out to the ocean again, releasing Camille. Air flowed back down her windpipe. This was beyond humiliation. Her father couldn’t do this. He couldn’t order people to stop speaking to her. “Why not?” she asked, her breath uneven from a cross of fury and the steadfast way Oscar had looked at her. “He could fire you.” He moved away from the rail. “If he wants to fire me for speaking to you, for looking at you…” He turned back to her on his way to the quarterdeck and held her gaze again. “Then I’ll risk it.” She watched in awe as Oscar took the helm from a sailor and placed himself behind the great spoked wheel. He’d risk everything he had to be able to speak with her, to just look at her. His bravery made her feel no taller than a hermit crab. She’d so quickly, dutifully, accepted her father’s request to set her focus solely on Randall. But she mattered to Oscar. She mattered, and that one truth made her wish she was brave enough to risk everything, too.
Angie Frazier (Everlasting (Everlasting, #1))
May I speak with you for a minute, Frank?” He stopped working. “James, Dan. Keep Janie out of trouble.” “Yes, sir.” Both boys gave a salute. Frank’s long legs consumed the expanse, and he met me in the bright sunlight. We rounded the corner of the barn and moved away from its wall, closer to the pigpen. “Is there a problem?” He bent slightly, resting his arms on the top of the rail fence surrounding the sty, one foot propped up on the lower slat. I picked at the jagged edge of a fingernail and cleared my throat. “I’m going home.” “I know.” He looked almost . . . stricken. But it passed. Worried about not having made arrangement yet for the children, I imagined. He cleared his throat, kicked at a clod of dirt. “At the end of the month.” “This morning, actually. I have my train ticket.” Only his jaw moved, the muscle tightening and loosening and tightening again. I paced behind him, reached the other side of the small enclosure, chewed my lip, waited for him to say something. Anything. But the silence closed in around me. I had to get free of it. “I’ve been here long enough. I know that now. You need to be with your family, Frank. You need to sleep in your own bed, be among your own things. The children are comfortable with you again. Besides”—I grabbed the top rail of the pen to hold me steady—“I have my own life to live.” I stared off into the distance, hoping he thought I gazed happily into the life I desired. The quiet boiled between us until his words spat out like a flash of lightning. “Just like that, you’d abandon us?” I whirled to face him. “Just a few days earlier than you promised to send me home, remember?” He shoved his hands into the pockets of his overalls and looked me over as if I were a possum in the bedroom. “They’ve lost their mother. And Adabelle. Now they’ll lose you, too. You don’t think they’ll feel that?” I shook my head, my heart breaking into tiny shards. “They’re young. They’ll take to whoever you bring in as quickly as they took to me.” His face reddened. He stalked toward the barn, then turned and came back, pointing his finger in my face. “Let’s get this straight. I’ve not asked you to leave. You’ve taken this on yourself.” “It’s for the best, Frank. It really is. But . . .” I hesitated. The intensity of his anger made me unsure of my final request. My voice shrank to nearly a whisper. “Will you tell them for me?” His eyebrows arched. He threw back his head and belched a derisive laugh. “You want to leave? Fine. I can’t stop you. But I’m not going to be the one to tell them. You are.
Anne Mateer (Wings of a Dream)
I rail a lot against passion, because I feel like passion can be very exclusionary, and very elitist, and it can leave a lot of people feeling like they don't belong... I'm much more interested in allowing people to follow curiosity, which is a much more gentle impulse that doesn't require that you sacrifice your entire life for something. It's more of kind of a scavenger hunt, where you're allowed to pick up these tiny beautiful little clues along the pathway. It's more of a tap on the shoulder that asks you to turn your attention one inch to the left. Oh that's a little bit mildly interesting - what is that? Okay now I'm going to take that clue... I'm going to take it another inch, and I'm going to take it another inch. Rather than this idea that the symphony is born whole, because you sit down and you're struck by lightening and then you start to create. Curiosity I think, is a far more friendly way to do creativity than passion." ...this is why I say the path of curiosity is the scavenger hunt, because it took my probably three years between "gee it would be nice to put some plants in my backyard" to here I am in the South Pacific exploring the history of moss and inventing this giant novel. You know I think everybody thinks that creativity comes in lightening strikes, but I think it comes with whispers. And then the whispers can grow thunderous over time if you are patient enough to explore it, almost in the way that a scientist would. Be open to - you don't need to know why you are interested in this, it will be revealed if you continue to investigate. That's all that curiosity asks of you. Passion asks you to throw it all in the bonfire. And curiosity is way more generous in that it just says - give me a little bit of your time and let's see what we can do. Fear is part of our make-up, it's something that's inherent in us, it's a protective device. My experience with fear is to permit it to exist and then to figure out how to work with it. And to me working with fear is what courage is. I've never started any project that I wasn't afraid... during the entire thing.And the conversation that I have with fear is not to say you are the death of creativity and I can't be creative because you exist, but rather to say: "You are part of the family of my consciousness. You are one of the emotions that I possess and I hear your complaint. I see your anxiety and I see everything you are putting before me about how this is going to be a disaster, and how I'm going to die and how everyone's going to mock me and how I'm going to fail... and I thank you so much for your contribution, but your sister creativity and I are going to go off on this journey now and do this thing but you are allowed to be in the car. We're going on a road trip, but I don't expect you to not come." And once you allow fear to just be present it seems to quiet down and go to sleep and then you can go about your work. But it's never out of the picture and I don't waste my energy trying to kick it out of the picture because that feels to me just like a colossal exhausting waste of energy. Whereas a radical kind of inclusive self acceptance seems to be a way to create a lot more.
Elizabeth Gilbert
Declan had been told a long time ago that he had to know what he wanted, or he'd never get it. Not by his father, because his father would never have delivered such pragmatic advice in such a pragmatic way. No, even if Niall Lynch believed in the sentiment, he would have wrapped it up in a long story filled with metaphor and magic and nonsense riddles. Only years after the storytelling would Declan be sitting somewhere and realize that all along Niall had been trying to teach him to balance his checkbook, or whatever the tale had really been about. Niall could never just say the thing. No, this piece of advice--You have to know what you want, or you'll never get it--was given to Declan by a senator from Nevada he'd met during a DC field trip back in eighth grade. The other children had been bored by the pale stone restraint of the city and the sameness of the law and government offices they toured. Declan, however, had been fascinated. He'd asked the senator what advice he had for those looking to get into politics. "Come from money," the senator had said first, and then when all the eighth graders and their teachers had stared without laughing, he added, "You have to know what you want, or you'll never get it. Make goals." Declan made goals. The goal was DC. The goal was politics. The goal was structure, and more structure, and yet more structure. He took AP classes on political science and policy. When he traveled with his father to black markets, he wrote papers. When he took calls from gangsters and shady antique auction houses, he arranged drop-offs near DC and wrangled meetings with HR people. Aglionby Academy made calls and pulled strings; he got names, numbers, internships. All was going according to plan. His father's will conveniently left him a townhouse adjacent to DC. Declan pressed on. He kept his brothers alive; he graduated; he moved to DC. He made the goal, he went towards the goal. When he took his first lunch meeting with his new boss, he found himself filled with the same anticipation he'd had as an eighth grader. This was the place, he thought, where things happened. Just across the road was the Mexican embassy. Behind him was the IMF. GW Law School was a block away. The White House, the USPS, the Red Cross, all within a stone's throw. This was before he understood there was no making it for him. He came from money, yeah, but the wrong kind of money. Niall Lynch's clout was not relevant in this daylight world; he only had status in the night. And one could not rise above that while remaining invisible to protect one's dangerous brother. On that first day of work, Declan walked into the Renwick Gallery and stood inside an installation that had taken over the second floor around the grand staircase. Tens of thousands of black threads had been installed at points all along the ceiling, tangling around the Villareal LED sculpture that normally lit the room, snarling the railing over the stairs, blocking out the light from the tall arches that bordered the walls, turning the walkways into dark, confusing rabbit tunnels. Museumgoers had to pick their way through with caution lest they be snared and bring the entire world down with them. He had, bizarrely, felt tears burning the corners of his eyes. Before that, he hadn't understood that his goals and what he wanted might not be the same thing. This was where he'd found art.
Maggie Stiefvater (Mister Impossible (Dreamer Trilogy, #2))
All the many successes and extraordinary accomplishments of the Gemini still left NASA’s leadership in a quandary. The question voiced in various expressions cut to the heart of the problem: “How can we send men to the moon, no matter how well they fly their ships, if they’re pretty helpless when they get there? We’ve racked up rendezvous, docking, double-teaming the spacecraft, starting, stopping, and restarting engines; we’ve done all that. But these guys simply cannot work outside their ships without exhausting themselves and risking both their lives and their mission. We’ve got to come up with a solution, and quick!” One manned Gemini mission remained on the flight schedule. Veteran Jim Lovell would command the Gemini 12, and his space-walking pilot would be Buzz Aldrin, who built on the experience of the others to address all problems with incredible depth and finesse. He took along with him on his mission special devices like a wrist tether and a tether constructed in the same fashion as one that window washers use to keep from falling off ledges. The ruby slippers of Dorothy of Oz couldn’t compare with the “golden slippers” Aldrin wore in space—foot restraints, resembling wooden Dutch shoes, that he could bolt to a work station in the Gemini equipment bay. One of his neatest tricks was to bring along portable handholds he could slap onto either the Gemini or the Agena to keep his body under control. A variety of space tools went into his pressure suit to go along with him once he exited the cabin. On November 11, 1966, the Gemini 12, the last of its breed, left earth and captured its Agena quarry. Then Buzz Aldrin, once and for all, banished the gremlins of spacewalking. He proved so much a master at it that he seemed more to be taking a leisurely stroll through space than attacking the problems that had frustrated, endangered, and maddened three previous astronauts and brought grave doubts to NASA leadership about the possible success of the manned lunar program. Aldrin moved down the nose of the Gemini to the Agena like a weightless swimmer, working his way almost effortlessly along a six-foot rail he had locked into place once he was outside. Next came looping the end of a hundred-foot line from the Agena to the Gemini for a later experiment, the job that had left Dick Gordon in a sweatbox of exhaustion. Aldrin didn’t show even a hint of heavy breathing, perspiration, or an increased heartbeat. When he spoke, his voice was crisp, sharp, clear. What he did seemed incredibly easy, but it was the direct result of his incisive study of the problems and the equipment he’d brought from earth. He also made sure to move in carefully timed periods, resting between major tasks, and keeping his physical exertion to a minimum. When he reached the workstation in the rear of the Gemini, he mounted his feet and secured his body to the ship with the waist tether. He hooked different equipment to the ship, dismounted other equipment, shifted them about, and reattached them. He used a unique “space wrench” to loosen and tighten bolts with effortless skill. He snipped wires, reconnected wires, and connected a series of tubes. Mission Control hung on every word exchanged between the two astronauts high above earth. “Buzz, how do those slippers work?” Aldrin’s enthusiastic voice came back like music. “They’re great. Great! I don’t have any trouble positioning my body at all.” And so it went, a monumental achievement right at the end of the Gemini program. Project planners had reached all the way to the last inch with one crucial problem still unsolved, and the man named Aldrin had whipped it in spectacular fashion on the final flight. Project Gemini was
Alan Shepard (Moon Shot: The Inside Story of America's Race to the Moon)
progeny, started to go off the rails, drinking heavily
Hugh Wilford (America's Great Game: The CIA's Secret Arabists and the Shaping of the Modern Middle East)
I knew what I had to do. I had to find some way to make us not hate ourselves or each other for what we’d done. If we slunk away, miserable and ashamed, the wrong was all we would remember for the rest of our lives. We would never remember the kindness and gentle affection of those first few weeks of slowly building friendship that had sprung up between us, and suddenly it seemed imperative that we not lose sight of that. We, together, were more than this one mistake. Yes, this was a category-5 shitstorm, a disaster of behemoth proportions, and it was going to leave a metric fuck-ton of emotional debris scattered in its wake, but before everything had gone off the rails, there had been some good, too, and I didn’t want that obliterated by the bad.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))
A coherent and useful conservative response would be that unless a sounder case can be made that the planet is undergoing anything more than the normal climate change that has existed as long as there has been a planet, and, more importantly, that anything could be done about the planet’s climate even if it is going off the rails, then the seriousness of the issue is political: Leftists using faux science and a gullible media to advance the agenda they’ve always had.
Anonymous
Eisenhower had run the Army; he knew all the ways decision making can go off the rails, and insisted on collective debate precisely to prevent senior officials from freelancing, or putting their departmental interests first. For all the formal machinery, Eisenhower was very literally the commander in chief, making the key decisions himself and monitoring closely how they were carried out. Even years after D-Day, when critics needled him for not being on the front lines with the invading forces, he retorted, “I planned it and took responsibility for it. Did you want me to unload a truck?
Nancy Gibbs (The Presidents Club)
just as I am now getting dressed, going out to visit the professor and exchange polite remarks with him – all the opposite of what I really want to do – so most human beings spend their lives acting compulsorily, day after day, hour after hour. Without really wanting to, they pay visits, hold conversations, work fixed office hours – all of it compulsorily, mechanically, against their will. It could all be done just as well by machines, or not done at all. And it is this perpetual mechanical motion that prevents them from criticizing their own lives in the way I do, from realizing and feeling just how stupid and shallow, how horribly, grotesquely questionable, how hopelessly sad and barren their existence is. And oh, how right they are, these people, a thousand times right to live the way they do, playing their little games and pursuing what seems important to them instead of resisting this depressing machinery and staring despairingly into the void as individuals who have gone off the rails do, like me.
Anonymous
While their drive is to get a clear round, to jump the highest, turn the tightest, beat the clock and win the class, it’s their horses who are the real stars. They have to be quick and clever and able to get themselves out of trouble, so that if they come in on the wrong stride and scramble over a fence nearly unseated, or if their horse knocks the back rail and it bounces in the cups but doesn’t hit the ground, they can still win. The excitement, the gasping of the crowd, the exhilaration of knowing that anything can happen on the day because every horse is only as good as the round they’ve just jumped. There’s no biased judging here, they either jump clean or they don’t. And nothing beats the exhilaration of a clear round in the jump-off. Riding against the clock, turning as tight as they possibly can around the course without knocking a single fence, then racing for the flags, urging their horses on, nosing through the finish, knowing that every moment counts. They bring the horse slowly back to a walk, straining their ears to hear the announcer tell everyone that theirs is now the time to beat, and then wait through the impossibly long minutes as the rest of the class jumps. Friends become the opposition, and they watch them go, desperately hoping they will take out a rail or miss their striding, anything that will ensure that they take home the win today. I want to join their ranks, to become part of that world. I just need the pony to take me there.
Kate Lattey (Flying Changes (Clearwater Bay, #1))
The unexpected dinner invitation from the budgerow started Mr Doughty off on a journey of garrulous reminiscence. 'Oh my boy!' said the pilot to Zachary, as they stood leaning on the deck rail. 'The old Raja of Raskhali: I could tell you a story or two about him--Rascally-Roger I used to call him!' He laughed, thumping the deck with his cane. 'Now there was a lordly nigger if ever you saw one! Best kind of native--kept himself busy with his shrub and his nautch-girls and his tumashers. Wasn't a man in town who could put on a burra-khana like he did. Sheeshmull blazing with shammers and candles. Paltans of bearers and khidmutgars. Demijohns of French loll-shrub and carboys of iced simkin. And the karibat! In the old days the Rascally bobachee-connah was the best in the city. No fear of pishpash and cobbily-mash at the Rascally table. The dumbpokes and pillaus were good enough, but we old hands, we'd wait for the curry of cockup and the chitchky of pollock-saug. Oh he set a rankin table I can tell you--and mind you, supper was just the start: the real tumasher came later, in the nautch-connah. Now there was another chuckmuck sight for you! Rows of cursies for the sahibs and mems to sit on. Sittringies and tuckiers for the natives. The baboos puffing at their hubble-bubbles and the sahibs lighting their Sumatra buncuses. Cunchunees whirling and tickytaw boys beating their tobblers. Oh, that old loocher knew how to put on a nautch all right! He was a sly little shaytan too, the Rascally-Roger: if he saw you eyeing one of the pootlies, he'd send around a khidmutgar, bobbing and bowing, the picture of innocence. People would think you'd eaten one too many jellybees and needed to be shown to the cacatorium. But instead of the tottee-connah, off you'd go to a little hidden cumra, there to puckrow your dashy. Not a memsahib present any the wiser--and there you were, with your gobbler in a cunchunee's nether-whiskers, getting yourself a nice little taste of a blackberry-bush.' He breathed a nostalgic sigh. 'Oh they were grand old goll-mauls, those Rascally burra-khanas! No better place to get your tatters tickled.' Zachary nodded, as if no word of this had escaped him.
Amitav Ghosh
Where were you on the night of March 7?" Typical detective stuff you hear on television all the time. It's so phony. I hate it. Most people can't remember where they were three nights ago much less on a particular date. I know I can't. The times you remember are the ones you're supposed to: Christmas Day, the Fourth of July, your birthday. As you get older and occasionally look back, even those days drift together into one small blob of memories. But you always remember the first time and the last. You remember your first day of school and the last. You remember the first time you went to the show by yourself and the last time you saw your grandfather. The first time you made love. Most of the nights of my life have passed by barely noticed, like the black squares of rosary beads slipping through the wrinkled fingers in the last pew. But later, when I've looked back, I've realized that a few ink colored seeds have taken root in my mind and have grown into oaken strength. My dreams drift back and nestle in their branches. If those nights were suddenly not to be, I, who had come to lean on them, to relish those few surviving leaves of a young autumn that has passed and will not come again, would not know where I'd been. And I'd wonder, even more so, if there was anywhere to go. Every Chicago winter delivers four gray weeks, with rare spots of sunshine that are apparently the flipside of hell. Teeth bared, the wind comes snarling off the lake with every intention of shredding the skin off your face. Numb since November, hands can no longer tell or care if they are wearing gloves. Snowmen, offsprings of childhood enthusiasm, are rarely born during these weeks. Along with the human spirit, the temperature continues to plummet. The ground is smothered by aging layers of ice and snow. Looking at a magazine ad, you see a vaguely familiar blanket of green. Squinting back through months of brown snow, salt-marked shoes, running noses, icy railings, slippery sidewalks, and smoking sewers, you try to recall the feeling of grass. February is four weeks of hanging onto the ropes, waiting to be saved from a knockout by the bell of spring. One year, I was invited to Engrim University's President's Ball, which was to be held on the first Saturday in February. I don't know why I was invited. Most of the students who received invitations were involved in a number of extracurricular activities; they participated in student government, belonged to various clubs, were presidents of fraternities or sororities, were doing extremely well academically or were, in some other way, pleasing the gods. I was never late with my tuition payments. Maybe that was it. Regardless, the President's Ball was to be held in the main ballroom of one of Chicago's swankiest hotels. I thought it was an excellent opportunity to impress Sarah with my importance. A light snowfall was dotting the night air when
John R. Powers (The Unoriginal Sinner and the Ice-Cream God (Loyola Classics))
I’d taken German in college and thought I understood so I picked up our bags and we proceeded to what I thought was Bahn Drei.  We were about to board the train that was parked there when we heard a very loud shout to HALT!!  It was the Zugmeister.  He was shouting in German, and I finally said, “English bitte.”      Disgustedly he said, “You are on zee wrong platform and are trying to get on zee wrong train.  I told you Bahn Drei and you are on Bahn Funf. (5) Bahn Funf is ober der!”      I looked in the direction he pointed and there was no train.  I said, “There’s no train over there and we are supposed to be leaving here in 5 minutes.”  I was thinking in British Rail terms.      “Zat is zee Bahn fer der train to Munich and zer vill be a train on time for zer departure!”      “Ok, Ok, we’ll go over and wait there.  How long will it be before the train comes in?” This guy was about to bust a blood vessel.      “Zee train vill be der and leaf on time.”  He pointed at Bahn funf platform again and stomped off.”      Marguerite said, “You suppose he was in the German Army in the War?”      “What would be your first clue?”      “I can’t believe we didn’t get on the right platform, I thought you said you took German in college.”      “I did, but I got a C.
W.R. Spicer (Sea Stories of a U.S. Marine Book 3 ON HER MAJESTY'S SERVICE)
When people start talking to you about the challenge at hand, what’s essential to remember is that what they’re laying out for you is rarely the actual problem. And when you start jumping in to fix things, things go off the rails in three ways: you work on the wrong problem; you do the work your team should be doing; and the work doesn’t get done.
Michael Bungay Stanier (The Coaching Habit: Say Less, Ask More & Change the Way You Lead Forever)
Something welled inside at her fearful tone. Jake darted forward, his feet digging into the sand. The shadows clarified. Meridith went down hard; the guy came down on her. Jake honed in on him. As he neared, he heard Meridith struggling. He grabbed the guy’s shirt, hauled him up. He heard a ripping sound, and then his fist found its mark. The loud pop was gratifying. Sean hit the sand, moaning. Jake braced his feet, ready—eager—to have another go at him. The kid only rolled to his other side. A sound at his feet drew his attention. “Meridith.” He dove to his knees beside her. “I’m okay.” He helped her sit up. She looked impossibly small. Behind him, Sean was standing, staggering. Jake stood, placing his body between them. Sean held up his hands, surrendering. “Hey, man, didn’t mean nothin’ . . . just flirting with the girl.” Jake took a step, ready to plant his fist in the guy’s face. A hand, surprisingly firm, on his leg stopped him. “Don’t, Jake.” He took a breath. Tried to calm himself. He wanted to plow the guy down and show him what it felt like to be powerless. Make him feel as powerless as Meridith had. Jake had no doubt he could do it. Apparently, neither did Sean. He was backing away toward the house. “Sorry, Meridith. Swear I didn’t mean nothin’.” The words meant squat to Jake. He clenched his fists at his side. Dirtbag. “Let him go.” Meridith’s voice, all tired and shaky, was the only thing that stopped him. He should call the cops and have the guy hauled off. Then he thought of the squad car pulling up to Summer Place, lights spinning. Summer Place didn’t need the bad publicity. The kids didn’t need the distress. He looked down at Meridith, huddled in the sand. She didn’t either. Jake glared at Sean. “Pack your things and get out of here. Now.” Sean stopped and turned. “What am I s’posed to tell my friends?” “Couldn’t care less.” Sean shifted in the sand, grabbed the railing. Finally he turned and stumbled up the beach steps and across the yard. Jake turned to Meridith. She’d pulled her knees to her chest, wrapped her arms around them. He extended his hands and she took them. They were icy cold. He pulled her to her feet, then took her chin and turned her face into the moonlight. He scanned her face for damage and found none. Just dazed eyes and chattering teeth. “You okay? He hurt you?” She shook her head. He could feel her trembling. He remembered feeling something on the sand and stooped to collect a bulky robe. Downwind, he shook out the sand, then draped the robe over her shoulders. The weight of it buckled her knees. He caught her around the waist. She came into his arms willingly. Jake tucked the robe around her, freed her hair, and the wind stole it from his fingers. She shivered. He could feel her cold fists through his shirt, tucked into his stomach. “You’re cold.” He wrapped his arms around her, turned his back to the wind. Shallow puffs of breath hit his chest, warm and quick. He cradled her head in his palm. She was so small. Helpless. What would’ve happened if he hadn’t come? And where was Lover Boy when Meri needed him? Halfway across the country. He ground his teeth together, fighting the anger that had barely begun to simmer. “The
Denise Hunter (Driftwood Lane (Nantucket, #4))
footballers who come from a poor family, play good football, get rich and go off the rails. Put yourself in their position. Just try to digest it. In fact, hardly any European clubs even look at that kind of issue. Because the worlds are too far apart. The board, the directors and the managers who should be keeping an eye on things like that don’t understand the culture of players from that sort of background. They just don’t have the life experience to be able to imagine themselves in that situation.
Johan Cruyff (My Turn: The Autobiography)
A driven, punctilious woman, according to her supervisors, but with an increasing tendency to go off the rails. Rushing in without backup, frequent shouting matches with the brass, and a worrisome habit of zeroing in on violent cases, especially murders.
Franck Thilliez (Syndrome E)
I’m sorry if I seem to digress, but that is precisely what I was thinking at the moment. It’s the way my mind works. Things are not the same in real life as they are in, for instance, the fictional world of Sherlock Holmes. Brains, in reality, do not go clickety-clickety-clickety-click from A to B to C to D and so forth, rushing like a train along the rails, until at the end, with a happy “Toot-toot!” they arrive at their destination, Z, and the case is suddenly solved. Quite the contrary. In reality, analytical minds such as my own are forever shooting wildly off in all directions simultaneously. It’s like joyously hitting jelly with a sledgehammer; like exploding galaxies; like a display of fireworks in which the pyrotechnic engineer has had a bit too much to drink and set off the whole conglobulation all at once, by accident.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
If your story feels like its going off the rails attach some training wheels. You'll get there.
Jacklyn Scott Rogers (The First Twist (Twisted Fates, #1))
The drinking became a little more of a problem when I went to university. My parents had never been particularly present while I was growing up, so one might presume if I was going to go off the rails, why not do it at home, but I saved it for when I went away. I was enough of a disappointment to my father. I didn’t need to give him yet another excuse to help me understand I was not the daughter he wanted. My mother had left her native America when she fell in love with my dad while working for a year as an au pair in Gerrards Cross. She seemed happy when I was very young, then spent most of my teenage years in what I have always thought must have been, albeit undiagnosed a deep, and possibly clinical, depression. I can understand why. What I couldn’t understand is how she ever ended up with my father in the first place. He was handsome, and I suppose he must have been charming when they were young, but he was so damned difficult, I used to think, even when I was young, that we’d all be much happier if they got a divorce. I would sit with friends who would be in floods of tears because their mother had just found out their father had been having an affair, or their parents had decided they hated each other, or whatever the myriad of reasons are that drive people apart, and these friends would be crying at the terrible fear of their families breaking up, and all I could think was: I wish my parents would get divorced. It seemed to me that if ever there were two people on the planet who should not have been together, it was my parents. My mother is laid-back, funny, kind. She’s comfortable in her skin and has the easy laugh you expect from all Americans. She was brought up in New York, but her parents died very young, after which she went to live with her Aunt Judith. I never knew Aunt Judith, but everything about those days sounds idyllic, especially her summers in Nantucket. You look at pictures of my mum from those days and she was in flowing, hippie-ish clothes, always smiling. She had long, silky hair, and she looked happy and free. In sharp contrast to the pictures of her with my dad, even in those early days, when they were newlyweds, supposedly the happiest time of a relationship. He insisted she wear buttoned-up suits, or twinsets and pearls. Her hair was elaborately coiffed. I remember the heated rollers she kept in the bathroom, twisting her hair up every morning, spraying it into tight submission, slicking lipstick on her lips, her feet sliding into Roger Vivier pumps. If my father was away, she left her hair long and loose, wrapping a scarf around her head. She’d wear long gypsy skirts with espadrilles or sandals. I loved her like that most of all. I used to think it was her clothing that changed her personality,
Jane Green (Cat and Jemima J)
people in organizations like yours around the world are working very hard and coming up with decent solutions to problems that just don’t matter, and why the real challenges often go unaddressed. When people start talking to you about the challenge at hand, what’s essential to remember is that what they’re laying out for you is rarely the actual problem. And when you start jumping in to fix things, things go off the rails in three ways: you work on the wrong problem; you do the work your team should be doing; and the work doesn’t get done.
Michael Bungay Stanier (The Coaching Habit: Say Less, Ask More & Change the Way You Lead Forever)
Jamie considered herself outside that, but there was a definite feeling of distrust that underpinned every conversation, and a palpable sense of contempt that beat in the background.  She put it out of her mind and pressed on, hoping to hell that they weren’t going to find Grace dead with a needle in her arm.  That would turn a shit-clap into a shit-pie.  Her dad had practically been a poet.  But she wasn’t hungry. A two-lane road swept across a bridge headed north out of the city. Below it, an old line ran perpendicular, the rails buried in stone chips grown over with brambles. It hadn’t been used in years, and provided a sheltered area stretching across its width.  The banks on either side were fenced off and let down around twenty feet onto the flat at the bottom, and the space beneath the bridge was filled with tents and tarps, all huddled together out of the worst of the weather.  A section of fence had been pushed down, one of the posts dug out and shoved over. It had been trampled flat and an old blanket had been laid over the crushed barbed wire at the top so that the denizens could make the traverse without getting nicked.  They’d walked the last stretch up a pretty much deserted street that had been blocked off at the bottom when the line had been put out of commission. Jamie and Roper moved between the bollards and up the cracked pavement towards the gap in the fence in silence.  Three homeless people were sitting on the street — two by the makeshift entrance to the old line and one opposite.  He was wearing a bright green wind-cheater and had his arms folded under his armpits.
Morgan Greene (Bare Skin (DS Jamie Johansson #1))
Entirely in agreement with Salieri when he rails against God for having given humanity the gift of Mozart's divine music, for the sole purpose of making us look ridiculous and plunging us into despair. Salieri sets himself up as Man's champion against divine injustice. It is the same problem as that of the Grand Inquisitor in the Brothers Karamazov. When Christ returns to earth he says to him: 'We manage humanity for its greatest happiness. It has paid for this with its mediocrity. Don't come disturbing this fragile balance with insane promises. ' And he condemns Christ to death once again. Salieri is not mean-spirited: it took pride, not to become jealous of Mozart, but to challenge God and ask: 'Tell it to me plainly, why am I not Mozart?' For God mocked us by throwing Mozart among us in the guise of a vulgar being, who did not even bear the exceptional marks of grace. God is toying with us, and that is unbearable. Mozart must be destroyed. All that challenges God is noble in spirit and superior to gaping, unconditional admiration of His works. We will not have the same problem with Changeux's Neuronal Man, emerging on the horizon like Nietzsche's Last Man, with his cortical and synaptic flatness. Farewell Mozart, farewell Salieri, no more grace, but no more challenges either, such is the solution offered by modern science to the insoluble despair of the difference between men. Signs, signs? Is that all you have to say? People act and people dream, they speak or they don't - none of that is unreal. Shut up and watch. See the philosophical beauty of these closing years of the century, the stars in the sky falling lower as the fateful date approaches, and the interactive horizon of couples in love - all this is beyond doubt, and it moves me to tears . . . The age, the coming age is like a metropolis deserted by its population, cut off from its sources of energy. Are you going to say that, are you going to go on with these twilight rantings? Every century throws the reality principle into question as it closes, but it's over today, finished, done. Everybody works these days. Narrative and moral passions, the philosophical animal spirits, are literally blocking the electronic animal spirits, a thousand times more lively and insignificant. Videos and advertisements, credits, news reports and sports flashes, Dallas, that's television, all that transfers easily, with the minimum of energy, on ephemeral film. But pure television, like pure painting or pure speed, is hard to bear.
Jean Baudrillard (Cool Memories)
Eventually, the current airline industry strategy of shameless fee charging is going to collapse under its own weight. It’s the depressing result of a product mindset that prioritizes add-ons and revenue extraction and devalues customers. What could a flying experience look like in the future? Well, to start with, it might also include cars and trains. Maybe United sends you a cobranded Uber car with a monitor that includes all your hotel and flight details, a drop-down menu to preselect all your entertainment and dining options, and light rail information for your destination city. Maybe that car’s arrival time at your house is synchronized to your flight’s actual departure time. Maybe you can start binge-watching Narcos in the car and pick it up on the plane where you left off. Maybe when you arrive at the airport, a service like Clear can speed you through security lines with a swipe of your boarding pass and a thumb scan, because all your standard ID information has already been paired with your biometric details. Maybe all these services could be wrapped up in a flat annual frequent-flier membership plan.
Tien Tzuo (Subscribed: Why the Subscription Model Will Be Your Company's Future - and What to Do About It)
Three men were standing in line to get into heaven one day. Apparently it had been a pretty busy day, though, so Peter had to tell the first one, "Heaven’s getting pretty close to full today, and I’ve been asked to admit only people who have had particularly horrible deaths. So what’s your story?" So the first man replies: "Well, for a while I’ve suspected my wife has been cheating on me, so today I came home early to try to catch her red-handed. As I came into my 25th floor apartment, I could tell something was wrong, but all my searching around didn’t reveal where this other guy could have been hiding. Finally, I went out to the balcony, and sure enough, there was this man hanging off the railing, 25 floors above ground! By now I was really mad, so I started beating on him and kicking him, but wouldn’t you know it, he wouldn’t fall off. So finally I went back into my apartment and got a hammer and starting hammering on his fingers. Of course, he couldn’t stand that for long, so he let go and fell, but even after 25 stories, he fell into the bushes, stunned but okay. I couldn’t stand it anymore, so I ran into the kitchen, grabbed the fridge and threw it over the edge where it landed on him, killing him instantly. But all the stress and anger got to me, and I had a heart attack and died there on the balcony." "That sounds like a pretty bad day to me," said Peter, and let the man in. The second man comes up and Peter explains to him about heaven being full, and again asks for his story. "It’s been a very strange day. You see, I live on the 26th floor of my apartment building, and every morning I do my exercises out on my balcony. Well, this morning I must have slipped or something, because I fell over the edge. But I got lucky, and caught the railing of the balcony on the floor below me. I knew I couldn’t hang on for very long, when suddenly this man burst out onto the balcony. I thought for sure I was saved, when he started beating on me and kicking me. I held on the best I could until he ran into the apartment and grabbed a hammer and started pounding on my hands. Finally I just let go, but again I got lucky and fell into the bushes below, stunned but all right. Just when I was thinking I was going to be okay, this refrigerator comes falling out of the sky and crushes me instantly, and now I’m here." Once again, Peter had to concede that that sounded like a pretty horrible death. The third man came to the front of the line, and again Peter explained that heaven was full and asked for his story. "Picture this," says the third man, "I’m hiding inside a refrigerator..." A
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
Was your dad mad?” I ask. It matters. It really does. I want her parents to like me, but I’m afraid I’m going about it all wrong. I’ve never met a girl’s parents before. Never had any need to. But with Reagan… Everything is different. She shrugs. “A little.” She laughs. “We had a talk about how to knee you in the nuts, the fact that men only want one thing, and then he gave me way TMI about birth control.” I stop walking. Wow. That’s a lot to take in. “You talk with your dad about that stuff?” She shrugs. “Some of it. He sent me to my mom for the rest of it.” “The rest of what?” Her cheeks get even rosier. “The talk about birth control and all that stuff.” “Oh,” I say. I sound like an idiot. But she just threw me for a loop. She walks toward a fence and bends to duck between the rails. I follow her, and Link does, too. He’s in his own world, and I think he’s singing a song. But it’s so soft, I can’t tell. “So, you’re…um…thinking about that kind of stuff, huh?” She bites her lower lip and nods. “Yep.” “I…ah…don’t know what to say about that.” I take my cap off and scratch the back of my head. “You don’t have to say anything,” she says with a shrug. “I just wanted you to know I’m thinking about it.” Oh, Jesus Christ. My heart trips in my chest like crazy. Shit just got real.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Why young men,” Lily demanded, “and not girls?” Caleb put a hand over hers in a gesture that had become familiar. She knew he wasn’t silencing her, but merely asking her to wait. “I’d be willing to invest in something like that,” he said. Rupert looked embarrassed and chagrined. “I couldn’t take money from you.” “Why not?” Lily wanted to know. She was still ruffled and spoke peevishly. “He must have piles of it, the way he throws it around.” In that instant the tension was broken and both men laughed. “Perhaps I should discuss this with Winola,” Rupert conceded. “I still want to know why it’s going to be a boarding school for boys,” Lily put in. Rupert smiled at her and took her hand. “Lily, dear, so many people don’t believe in educating girls. Boys, now, they have to make their way in the world—” Lily was outraged. “And girls don’t?” she snapped, looking from Caleb to Rupert. Caleb was distinctly uncomfortable, while Rupert wore his prejudices and complacency as easily as a pair of old slippers. “You and Winola are both notable exceptions, of course,” Rupert allowed with a benevolent smile. “Mostly, though, girls just need to be taught to cook and sew and care for children, and they can learn those things right at home.” Caleb closed his eyes as though bracing for an explosion. Lily leapt to her feet, waggling one finger in her brother’s face. “Is that what you’ll want for daughters of your own?” she sputtered. “Nothing but babies, and slaving for some man?” Rupert’s expression was one of kindly bafflement. Obviously Winola’s progressive ideas had not affected him. “It’s what a woman wants—” Lily wouldn’t have begrudged Rupert a penny if it hadn’t been for his narrow and unfair views. “If you give this man money for a school that admits only boys, Caleb Halliday,” she railed, “I’ll make you sleep in the chicken house!” “Sit down,” Caleb said quietly. Lily sat, but grudgingly. “I’ll be happy to give you the money you need,” Caleb told Rupert. Lily favored him with a horrified glare. “You mean you would support such a prejudice?” She was back on her feet again. “Tell me this, Caleb Halliday—do you want your daughters to be ignorant? I can assure you they won’t be, because I will not permit it!” “That,” said Caleb evenly, “is enough. You and I will discuss this later, in private.” Lily’s cheeks were flaming, but she resisted an impulse to storm off to the hotel in high dudgeon because she knew Caleb would not follow or try to assuage her anger in any way. “Yes, Major,” she said sweetly. Caleb narrowed his eyes at her but said nothing. Rupert looked concerned. “I can’t be the cause of trouble between the two of you,” he said. “Winola and I will think of some other solution to the problem.” “You could at least include girls in the classes,” Lily said stiffly. But Rupert shook his head. “Their parents would never permit them to live in such close quarters with young men, Lily,” he reasoned, “and rightly so.” Lily still felt as though her entire gender had been insulted, but she kept silent. Finally,
Linda Lael Miller (Lily and the Major (Orphan Train, #1))
Remember how it’s a right-then-and-there, in-or-out, yes-or-no proposition?” “I do.” “Well, this is exactly like that. I need a yes or no right now. And before you answer, I have to be straight with you. This is beyond dangerous. If it all comes off the rails, you could be killed. If we’re caught, you could go to prison for a long time.” More silence.
Blake Crouch (Good Behavior)
Wrath bared his fangs. “John, as God is my fucking witness, I will cut you if you don’t—” “Easy, there, big guy,” V gritted out. “I’m going to translate. You want to hit the library where we can—” “No, I want to fucking know where my shellan is!” Wrath boomed. John started signing, and whereas most of the time people translated half sentences sequentially, V waited until he’d finished the whole report. A couple of the Brothers muttered in the background as they shook their heads. “In the library,” V ordered the King in a way John never could have. “You’re gonna wanna do this in the library.” Wrong thing to say. Wrath wheeled on the Brother and went for him with such speed and accuracy no one was prepared: One minute V was standing next to the King; the next he was defending himself against an attack that was as unprovoked as it was . . . well, vicious. And then things went shit-wild. Like Wrath knew he was on the thin edge of a bad ledge, he broke off from V, and went total wrecking ball on the billiards room. The first thing he ran into was the pool table Butch was chilling next to—and there was barely any time for the cop to get that ashtray up off the side rails: Wrath grabbed the gunnels and flipped the thing like it was nothing but a card table, the mahogany and slate-topped behemoth flying up so high, it wiped out the hanging light fixture above, its weight so great it splintered the marble floor beneath on landing. Without missing a breath, the King EF5’d into his next victim . . . the heavy leather sofa that Rhage had just leaped up off. Talk about your couch-icopters. The entire thing came at John at about five feet off the floor, the pair of ends trading places as it spun around and around, cushions flying in all directions. He didn’t take it personally—especially as its mate do-si-doed with the bar, smashing the top-shelf bottles, liquor splashing all over the walls, the floor, the fire that was crackling in the hearth. Wrath wasn’t finished. The King picked up a side table, hauled it overhead, and pitched it in the direction of the TV. It missed the plasma screen, but managed to shatter an old-fashioned mirror—although the Sony didn’t last. The coffee table that had been in between the two sofas did that deed, killing the muted image of the two Boston guys and the old man from Southie with the baseball bat shilling for DirectTV. The Brothers just let Wrath go. It wasn’t that they were afraid of getting hurt. Hell, Rhage stepped in and caught the first couch before it tore a hunk off of the archway’s molding. They just weren’t stupid. Wrath - Beth x Overnight = Psycho-hose Beast
J.R. Ward (The King (Black Dagger Brotherhood, #12))
I love you,” Val began, wondering where in the nine circles of hell that had come from. He sat forward, elbows on his knees, and scrubbed a hand over his face. “I’m sorry; that came out… wrong. Still…” He glanced at her over his shoulder. “It’s the truth.” Ellen’s fingers settled on his nape, massaging in the small, soothing circles Val had come to expect when her hands were on him. “If you love me,” she said after a long, fraught silence, “you’ll tell me the truth.” Val tried to see that response as positive—she hadn’t stomped off, railed at him, or tossed his words back in his face. Yet. But neither had she reciprocated. “My name is Valentine Windham,” he said slowly, “but you’ve asked about my family, and in that regard—and that regard only—I have not been entirely forthcoming.” “Come forth now,” she commanded softly, her hand going still. “My father is the Duke of Moreland. That’s all. I’m a commoner, my title only a courtesy, and I’m not even technically the spare anymore, a situation that should improve further, because my brother Gayle is deeply enamored of his wife.” “Improve?” Ellen’s voice was soft, preoccupied. “I don’t want the title, Ellen.” Val sat up, needing to see her eyes. “I don’t ever want it, not for me, not for my son or grandson. I make pianos, and it’s a good income. I can provide well for you, if you’ll let me.” “As your mistress?” “Bloody, blazing… no!” Val rose and paced across the porch, turning to face her when he could go no farther. “As my wife, as my beloved, dearest wife.” A few heartbeats of silence went by, and with each one, Val felt the ringing of a death knell over his hopes. “I would be your mistress. I care for you, too, but I cannot be your wife.” Val frowned at that. It wasn’t what he’d been expecting. A conditional rejection, that’s what it was. She’d give him time, he supposed, to get over his feelings and move along with his life. “Why not marry me?” he asked, crossing his arms over his chest. She crossed her arms too. “What else haven’t you told me?” “Fair enough.” Val came back to sit beside her and searched his mind. “I play the piano. I don’t just mess about with it for polite entertainment. Playing the piano used to be who I was.” “You were a musician?” Val snorted. “I was a coward, but yes, I was a musician, a virtuoso of the keyboard. Then my hand”—he held up his perfectly unremarkable left hand—“rebelled against all the wear and tear, or came a cropper somehow. I could not play anymore, not without either damaging it beyond all repair or risking a laudanum addiction, maybe both.” “So you came out here?” Ellen guessed. “You took on the monumental task of setting to rights what I had put wrong on this estate and thought that would be… what?” “A way to feel useful or maybe just a way to get tired enough each day that I didn’t miss the music so much, and then…” “Then?” She took his hand in hers, but Val wasn’t reassured. His mistress, indeed. “Then I became enamored of my neighbor. She beguiled me—she’s lovely and dear and patient. She’s a virtuoso of the flower garden. She cared about my hand and about me without once hearing me play the piano, and this intrigued me.” “You intrigued me,” Ellen admitted, pressing the back of his hand to her cheek. “You still do.” “My Ellen loves to make beauty, as do I.” Val turned and used his free hand to trace the line of Ellen’s jaw. “She is as independent as I am and values her privacy, as I do.” “You are merely lonely, Val.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))