Goblin King Quotes

Through dangers untold and hardships unnumbered I have fought my way here to the castle beyond the Goblin City to take back the child you have stolen, for my will is as strong as yours and my kingdom as great. You have no power over me!

If you have ever seen a dragon in a pinch, you will realize that this was only poetical exaggeration applied to any hobbit, even to Old Took's great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul's head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.

Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head.

Your music," he said at last. "Your music was the only thing that kept me sane, that kept me human instead of a monster.

He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul's head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.

You are the one who wanted a happy ending, my dear. So you tell me, how does the story end?" Tears slipped from my face, and he wiped them away with his thumbs. "The foolish young man lets the beautiful maiden go." "Yes." His voice was clotted thick with unshed emotion. "He lets her go.

Love is the bridge that spans the world above and below, and keeps the wheel of life turning.

This was the Goblin King. The abductor of maidens, the punisher of misdeeds, the Lord of Mischief and the Underground.

Perhaps I loved the monstrous because I was a monster. Josef, the Goblin King, and me. We were grotesques in the world above, too different, too odd, too talented, too much. We were all too much.

Hunter, you can’t seriously be the Goblin King. You’re not even sixteen yet! I had to give you a ride to the store after school in September when we were getting supplies for Homecoming decorations!

I’m in your mind, getting to know every part of you. You can put up walls, but sooner or later I’ll break down every last one. There won’t be any secret you can keep or any part of you I don’t know…Intimately.

Elisabeth.” The way the Goblin King said my name made my heart flutter. “Will you marry me?” This time, it was a long time before I replied. “Yes,” I said. “Yes, I will.

I am not afraid of you,” I said quietly. “Oh?” The Goblin King lifted his head. “I am the Lord of Mischief, the Ruler Underground,” he said, mismatched eyes glinting. “I am wildness and madness made flesh. You’re just a girl”—he smiled, and the tips of his teeth were sharp—“and I am the wolf in the woods.

Have I not?" I gestured to the night sky. "I have beaten you and your godforsaken labyrinth." "Ah, but are we not, in some ways, all trapped in a labyrinth of our own making?" the Goblin King asked lightly.

You’re deluding yourself if you think you can know who I am or what I want from spying on me in my dreams. Therein lies a realm of fantasy, and while it’s an interesting place to visit every once in a while, we both have to live in the real world, don’t we?

Waiting sucked. Waiting was torture. Waiting was so not her strength." ~ Greta; #Greta2

The last night of the year," Constanze said. "Now the days of winter begin and the Goblin King rides abroad, searching for his bride.

Beware the goblin men and the wares they sell.

Maybe you've forgotten, but I don't play nicely with others." "On the contrary, I think the two of us would play very well together.

Why does the third of the three brothers, who shares his food with the old woman in the wood, go on to become king of the country? Why does James Bond manage to disarm the nuclear bomb a few seconds before it goes off rather than, as it were, a few seconds afterwards? Because a universe where that did not happen would be a dark and hostile place. Let there be goblin hordes, let there be terrible environmental threats, let there be giant mutated slugs if you really must, but let there also be hope. It may be a grim, thin hope, an Arthurian sword at sunset, but let us know that we do not live in vain.

You didn’t tell me living would be one decision after another, some easy, some difficult. You didn’t tell me living wasn’t a battle, but a war. You didn’t tell me that living was a choice, and that every day I choose to continue was another victory, another triumph.

Wait? I had waited my entire life for this moment. Not for consummation, but for validation; I desired so hard I wanted to be found desirable in return. The Goblin King saw me— all of me— and now I wanted him to know me. I pushed away his restraining hand and leaped forward; I was a cat, a wolf, a huntress. I was out for blood and flesh.

The goblins have been after me ever since I helped the Coven drive them out of Essex. (They were gobbling up drunk people in club bathrooms, and the Mage was worried about losing regional slang.) I think the goblin who successfully offs me gets to be king.

A wanton women is ripened fruit,' Constanze intoned,'begging to be plucked by the Goblin King.

Chelsea's not near here," I said. "Do whatever hoodoo you need to do to know if Raj is nearby." "Hoodoo"? said Tybalt, sounding amused. "I'm the King of Cats, October, not the King of Goblins." "And you don't live in a labyrinth, but that doesn't mean you can't make like a Henson character and start scrying for our missing boy.

How long before the moonrise?" I asked. "Not long," the Goblin King said. A grin spread across his face. "Not long enough for you to escape, at any rate." "You have to give me a chance." He crossed his arms. "No." "A gentleman would honor the rules." "Ah, but I am not a gentleman, Elisabeth.

Take me,” I whisper. “Take me back.” The green and gray of the Goblin King’s eyes flash white and blue, white and blue, the pupils shrinking to a pinprick of black. The corners of his lips curl, close—so close—to mine. As you wish, my dear. As you wish. A breath, a sigh, a kiss, and we are met.

Don't you understand anything?" He shook her. "It never mattered what you are, or what I should have done. Not since the very beginning. I fought my own uncle to keep you safe. I've fought my own people. I have no intention of letting the demon have you now. You're mine.

I am,’ he whispers, 'the monster I warned you against.’ 'You are,’ I say hoarsely, 'the monster I claim.

No matter who you are or where you come from, we're the same. We were meant to be together.

Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head. Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And the little girl laughed as she danced with the Goblin King, the little boy who was always just a little older, a little out of reach. As

Golden head by golden head, Like two pigeons in one nest Folded in each other's wings, They lay down in their curtained bed: Like two blossoms on one stem, Like two flakes of new-fall'n snow, Like two wands of ivory Tipped with gold for awful kings. Moon and stars gazed in at them, Wind sang to them lullaby, Lumbering owls forbore to fly, Not a bat flapped to and fro Round their rest: Cheek to cheek and breast to breast Locked together in one nest.

I am merely mortal," I said hoarsely. "Not magic." "Are you so certain of that, my dear?

Now the days of winter begin and the Goblin King rides abroad, searching for his bride.

Ah, but are we not, in some ways, all trapped in a labyrinth of our own making?" the Goblin King asked lightly.

I hadn't expected the game to start off so poorly, so I hadn't yet gathered any ideas for penalties to dole out. So I asked another question. "Fine. What is your favorite color?" "Green. What's yours?" My glance fell on the salver beside me. "Red. Favorite smell?" "Incense. Favorite animal?" My eyes lingered on his. "Wolf. Favorite composer?" "You.

Then how about because you challenge me?" he said. "You provoke me, excite me. Make me think about things I shouldn't think about, want things I thought would be impossible once I became king.

All due respect, Renny,” said Mary Jo, “I have a pretty freaking good idea of your capabilities. And I think Mr. Traegar’s decision to bring us in first was the correct one. We don’t really know what we’re dealing with when it comes to the fae—there is no way that the sheriff’s office would. We had two werewolves, Mercy and the goblin king out there—and if it weren’t for the goblin king we’d have failed to bring him in ourselves.” He gave her a look. “I am going to ignore—just for a minute—how much my geek side is loving that apparently there is a goblin king in the world. And that he is—again apparently—here in the Tri-Cities. Even knowing that David Bowie is gone, I am giddy about this.” He said all that in a very dry, professional tone. I was starting to really like this guy.

You don't pity a warrior for her scars, because scars are proof of survival and victory.

He can’t connect with other human beings because he’s a soulless robot out to make the biggest pile of money for himself so he can hoard it all like some kind of goblin king.

An inarticulate scream of rage strangled me. I wanted to destroy something, to spend my anger against the unfairness of every thing. I wanted nothing more than to grapple with the Goblin King, to tear him from limb to limb, a Maenad against Orpheus. I tightened my hands into fists.

I am the goblin king," he said with a shrug. "Tell your people this and demand that they help us find the portal back to Mylena." Wyatt started to laugh like a frickin' hyena, which made Greta groan again.

Mai had an unholy obsession with eighties fantasy movies. Labyrinth was her favorite. She was madly in lust with David Bowie’s character, Jareth the Goblin King, who was famous for his tight tights, smoldering stares and a very, ahem, generous codpiece.

Choose to live, Elisabeth. There's a fire within you; keep it alight. Feed that flame with music and seasons and chocolate torte and strawberries and your Grandmother's Gugelhopf. Let it grow with your love for your family. Let it be a beacon to set your heart by, so that you remain true to yourself." He stroked my cheek. "Do this, so that I remember you like this: fierce and full of life.

The thing is, when you say haunted house you think ghosts and goblins and things that go boo in the night. But there are certain places that you go, certain places that trigger memories inside you that are better left in the past. That's what makes the place haunted.

Do you think the Goblin King really did it?" asked Cordelia hesitantly. All the sheep knew she was talking about George's death. Mopple quickly pulled up a tuft of grass. "Or Satan?" added Lane. "Nonsense," Rameses snorted nervously. "Satan would never do a thing like that." several of the sheep bleated in agreement. None of them thought Satan capable of such an act. Satan was an elderly donkey who sometimes grazed in the meadow next to theirs, and uttered blood-curdling cries. his voice was truly dreadful, but otherwise he'd always struck them as harmless.

And beyond that circle whence so much was beaten back by the bright vehemence of the good man's curses, the will-o'-the-wisps rioted, and many a strangeness that poured in that night from Elfland, and goblins held high holiday.

THERE was once a little princess who—"But, Mr. Author, why do you always write about princesses?" "Because every little girl is a princess." "You will make them vain if you tell them that." "Not if they understand what I mean." "Then what do you mean?" "What do you mean by a princess?" "The daughter of a king." "Very well, then every little girl is a princess, and there would be no need to say anything about it, except that she is always in danger of forgetting her rank, and behaving as if she had grown out of the mud. I have seen little princesses behave like the children of thieves and lying beggars, and that is why they need, to be told they are princesses.

Jim Henson's body was gone, and yet that powerful presence-that undefinable 'something' that compelled men to seek his appreciation and approval, and that women found somehow irresistible-would always remain. Anyone who had ever smiled as Ernie tried to play a rhyming game with Bert, or laughed as Kermit had chased Fozzie off the stage, arms flailing, had felt it. Anyone who had ever wished they could explore a Fraggle hole, save the world with a crystal shard, or dance with a charismatic goblin king had been touched by it.

I move the stars for no one

You find yourself frequently stuck, and when your gut tells you to move, your head tells you to remain where you are.

What would be enough? He had an answer he wanted to hear, but I withheld it. Games and more games. We would always be dancing with each other, the Goblin King and I.

It's Halloween! It's Halloween! The moon is full and bright and we shall see that can't be seen on any other night skeletons and ghosts and ghouls, grinning goblins fighting duels, werewolves rising from their tombs, witches on their magic brooms. In masks and gowns we haunt the street and knock on doors for trick or treat. tonight we are the king and queen, for oh tonight it's Halloween!

Yes, every evening. Your mother enjoyed it. That evening she chose Inkheart. She always did like tales of adventure – stories full of brightness and darkness. She could tell you the names of all King Arthur's knights, and she knew everything about Beowulf and Grendel, the ancient gods and the not-quite-so-ancient heroes. She liked pirate stories, too, but most of all she loved books that had at least a knight or a dragon or a fairy in them. She was always on the dragon's side, by the way. There didn't seem to be any of them in Inkheart, but there was any amount of brightness and darkness, fairies and goblins. Your mother liked goblins as well: hobgoblins, bugaboos, the Fenoderee, the folletti with their butterfly wings, she knew them all. So we gave you a pile of picture books, sat down on the rug beside you, and I began to read.

My weakness did not pass; it grew worse the longer I was awake. I thought about calling for Twig or Thistle, to have them bring me something to eat or drink, but I wanted to be alone. I wanted to cry. I had spent tears of rage, frustration, and sorrow since becoming the Goblin King’s bride, but I hadn’t allowed myself the indulgence of a good sob. The undignified, broken-hearted, mournful wail of ugly tears. The weight of that unreleased cry pressed down upon my lungs and my heart. I

I turned Skel and asked for more speed as we raced across the land of Faerie toward Goblin Town, a passed-out fae king against my back, an ousted goblin riding in front, and a skeleton’s finger bone tucked between my boobs. How could anything possibly go wrong?

My five Upstart sons are all bloody and brave I’ve got one on the gallows, and two in the grave One is your prisoner, and none is your slave “Pish,” said Gormalin. “That’s a war song!” I’ve got one in the hills that you never have met And though he is young, he will murder you yet For the hour is coming you’ll answer your debt “That song’s illegal!” he protested, and right he was. It’s the very song that got Kellan na Falth hanged. “You can’t sing about men killing men since the Goblin Wars! Especially not a song against a proper king of Holt, even an old, bad king!” Now, of course, I joined in. My five Upstart sons have declared against you Their tongues are as black as their promise is true And they’ll call you to answer whatever you do! No Coldfoot guard was going to be left out of an illegal Galtish rebel song, so Malk picked up the next verse with us, his strong, confident baritone suddenly making the whole insurrection seem credible. The crown you so love sits but light on your head The castle you stole has a cold, stony bed And though I am old, I will yet see you dead You’ve hundreds of men with long swords and long knives But you’ve lain with near half of their fair Galtish wives And none of them love you to lay down their lives Abandon your tower and open your gate No silver-bought army can alter your fate If all my five perish, my neighbor has eight Our ten thousand sons have declared against you Their tongues are as black as their promise is true And they’re coming, they’re coming, whatever you do

It feels like a fairy tale from one of those happily-ever-after books where the princess storms the castle, slays a goblin-dragon, and takes over the kingdom for herself. Except I am not golden-haired or fine-boned. I have no bones at all. I am a rag doll who married a skeleton king. A rag doll who woke from the impossible daydream and found herself in her own heroine story--a tale whose ending hasn't yet been written; but instead, is only just the beginning.

The Goblin King’s face darkened. “What is wrong with you, Elisabeth?” I lifted my eyes to his. “There is nothing wrong with me.” “There is.” He shifted in his seat, and although there was an endless array of food and feast between us, he was too close. A storm was brewing behind those mismatched eyes, and the air between us crackled with electricity. “You’re not the Elisabeth I remember. I thought that if you—that if you became my—” He cut himself off abruptly. “This,” he said, gesturing to the space between us, “is not what I was hoping for.” “People grow up, mein Herr,” I said shortly. “They change.” He gave me a hard look. “Evidently.” He stared at me for a beat longer before leaning back in his chair and crossing his arms, resting his feet on the table. “Ah, well, my mistake. Time passes differently Underground than in the world above. Mere moments for me, several years and a lifetime ago for you, apparently.” 

Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—” “This story sounds distinctly familiar. I think I might have heard it somewhere before.” I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.” Kiaran goes still, his eyes glittering in the darkness. He says nothing. “Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature. “She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart. “That was the first time the girl had ever seen the faery king smile.” I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.” Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.” I stare at him. “So the faery king is a deranged sort. As the girl always suspected.” “How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.” Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her. “It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.” A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close. His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.

it is relatively impervious to that awful, dreadful goblin of a reader, he or she WHO TURNS TO THE LAST THREE PAGES TO SEE HOW IT CAME OUT.

When winter lasted as long as it did in Mylena - forever - snow had stopped looking pretty years ago.

If everything was easy, we'd never know for sure when we've achieved greatness.

You are the best!" He smiled. "Remember this always, and we will have no more problems between us in the future.

I am completely alone in this life and I know how difficult it is to feel strong when no one is standing by your side.

Just because you have zero faith in the entire male population doesn't mean everyone does." "I resent that," Diaval argued. "I have zero faith in everyone equally.

Once there was a little girl who played her music for a little boy in the wood. She was small and dark, he was tall and fair, and the two of them made a fancy pair as they danced together, dancing to the music the little girl heard in her head. Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And the little girl laughed as she danced with the Goblin King, the little boy who was always just a little older, a little out of reach. As the seasons turned and the years passed, the little girl grew older but the Goblin King remained the same. She washed the dishes, cleaned the floors, brushed her sister’s hair, yet still ran to the forest to meet her old friend in the grove. Their games were different now, truth and forfeit and challenges and dares. Will you marry me, Elisabeth? the little boy asked, and the little girl did not yet understand his question was not part of a game. Oh, she replied, but you have not yet won my hand. Then I will win, the little boy said. I will win until you surrender. And the little girl laughed as she played against the Goblin King, losing every hand and every round. Winter turned to spring, spring to summer, summer into autumn, autumn back into winter, but each turning of the year grew harder and harder as the little girl grew up while the Goblin King remained the same. She washed the dishes, cleaned the floors, brushed her sister’s hair, soothed her brother’s fears, hid her father’s purse, counted the coins, and no longer went into the woods to see her old friend. Will you marry me, Elisabeth? the Goblin King asked. But the little girl did not reply.

Jack stepped onstage dressed in jeans, sneakers, and a T-shirt. "I'm the handsome Butterboy," Jack announced. "I'm the queen's soul mate. I just don't know it yet because I'm emotionally immature. Sorry, Conner." Conner was so embarrassed, he sank into his seat and covered his face with his backpack. Trollbella was sporting a wide grin - this was her favorite part of the show. Red struck a theatrical pose with her hands over her heart. "Be still my heart, for I am in love!" Red announced. "Now, Peter!" Trollbella whispered. Peter soared out from backstage and flew in circles over the audience. The children laughed and clapped - they reached up and tried to touch him. Conner was irritated by how much they were enjoying the show. "Hello, Butterboy!" Red said to Jack. "Would you like to be my king and rule the trolls and goblins with me? Oh, how happy we will be together!" "Oh boy, that sounds wonderful!" Jack said. "How lucky I am to be loved by such a beautiful and brilliant troll queen. I will never find someone like her ever again - nope, not once, no how, no way, not going to happen! I want to be with Trollbella for all eternity!" "I never said that!" Conner shouted from his seat. "She's making this up!

Old Took’s great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul’s head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.

She played her song for the Goblin King every spring, every year, to bring the world from death back into life. And when the little girl's gnarled and aged fingers could no longer hold her bow, her children and students picked up her song and continued to play, one long, unbroken melody that stretched across time and memory. On and on and on, for as long as the seasons turn and the living remember all that is good and beautiful and worthwhile in the world. For love is our only immortality, and when memory is faded and gone, it is our legacies that endure.

We don't say anything and I feel myself drifting to sleep, an inevitable, inexorable descent into dreams. But just before I fade from consciousness, I hear four words that are my undoing. "I love you, Elisabeth." I hold him tighter to me, even as my heart unravels. "By God, I love you so.

He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul’s head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.

Robin Hood said. “I AM THE GOBLIN KING AND I HATE TROLLS!” “And I am the Troll King and I hate goblins,” Tootles said. “How can we live together underground? Now say it!” “WHY DON’T WE PUT ASIDE OUR DIFFERENCES AND FORM OUR OWN NATION?” Robin Hood asked. “That is a good idea!” Tootles said. “We will form the Troll and Goblin Territory, start our own society, and prove we are not savage creatures!” “Hooray,” the men and boys said with very little enthusiasm. Trollbella cleared her throat to get the audience’s attention. “The trolls and goblins lived harmoniously in the underground territory for many years, until tragedy struck!” she narrated. All

You called me ‘Fluttershy.’ As in the My Little Pony, ‘Fluttershy?’” “Oh.” He looked a little taken aback for a second. “Yeah.” He sucked in his lips, pinched them between his teeth, and then shrugged. “What can I say? You’re just like her. You care more about animals than you do your own safety. I’m gonna have to kidnap a rabbit and threaten you with bunnicide unless you come quietly back to the castle with me.” “What?” Diana felt her eyes go wide. “You heard me,” he said before he took another long swig and swallowing hard. He lowered the bottle and leaned up against the kitchen counter. “And you know I’m right.” “About kidnapping a bunny?” She felt bewildered.

When I go musing all alone Thinking of divers things fore-known. When I build castles in the air, Void of sorrow and void of fear, Pleasing myself with phantasms sweet, Methinks the time runs very fleet. All my joys to this are folly, Naught so sweet as melancholy. When I lie waking all alone, Recounting what I have ill done, My thoughts on me then tyrannise, Fear and sorrow me surprise, Whether I tarry still or go, Methinks the time moves very slow. All my griefs to this are jolly, Naught so mad as melancholy. When to myself I act and smile, With pleasing thoughts the time beguile, By a brook side or wood so green, Unheard, unsought for, or unseen, A thousand pleasures do me bless, And crown my soul with happiness. All my joys besides are folly, None so sweet as melancholy. When I lie, sit, or walk alone, I sigh, I grieve, making great moan, In a dark grove, or irksome den, With discontents and Furies then, A thousand miseries at once Mine heavy heart and soul ensconce, All my griefs to this are jolly, None so sour as melancholy. Methinks I hear, methinks I see, Sweet music, wondrous melody, Towns, palaces, and cities fine; Here now, then there; the world is mine, Rare beauties, gallant ladies shine, Whate'er is lovely or divine. All other joys to this are folly, None so sweet as melancholy. Methinks I hear, methinks I see Ghosts, goblins, fiends; my phantasy Presents a thousand ugly shapes, Headless bears, black men, and apes, Doleful outcries, and fearful sights, My sad and dismal soul affrights. All my griefs to this are jolly, None so damn'd as melancholy. Methinks I court, methinks I kiss, Methinks I now embrace my mistress. O blessed days, O sweet content, In Paradise my time is spent. Such thoughts may still my fancy move, So may I ever be in love. All my joys to this are folly, Naught so sweet as melancholy. When I recount love's many frights, My sighs and tears, my waking nights, My jealous fits; O mine hard fate I now repent, but 'tis too late. No torment is so bad as love, So bitter to my soul can prove. All my griefs to this are jolly, Naught so harsh as melancholy. Friends and companions get you gone, 'Tis my desire to be alone; Ne'er well but when my thoughts and I Do domineer in privacy. No Gem, no treasure like to this, 'Tis my delight, my crown, my bliss. All my joys to this are folly, Naught so sweet as melancholy. 'Tis my sole plague to be alone, I am a beast, a monster grown, I will no light nor company, I find it now my misery. The scene is turn'd, my joys are gone, Fear, discontent, and sorrows come. All my griefs to this are jolly, Naught so fierce as melancholy. I'll not change life with any king, I ravisht am: can the world bring More joy, than still to laugh and smile, In pleasant toys time to beguile? Do not, O do not trouble me, So sweet content I feel and see. All my joys to this are folly, None so divine as melancholy. I'll change my state with any wretch, Thou canst from gaol or dunghill fetch; My pain's past cure, another hell, I may not in this torment dwell! Now desperate I hate my life, Lend me a halter or a knife; All my griefs to this are jolly, Naught so damn'd as melancholy.

Her grandmother had told her to beware the wolves that prowled in the wood, but the little girl knew the little boy was not dangerous, even if he was the king of the goblins. Will you marry me, Elisabeth? the little boy asked, and the little girl did not wonder at how he knew her name. Oh, she replied, but I am too young to marry. Then I will wait, the little boy said. I will wait as long as you remember. And

David Bowie could not only sing, he could also not act, and appeared in several films, playing the homesick alien title character in E.T., and a sort of Duran Duran fairy king in the family film Muppets Vs The Goblin Crotch. He even took over Christmas, singing a special carol with Bing Crosby, Stills, Nash and Young, who’d forgotten the words, and being at the start of that cartoon about the snowman sometimes.

Hello, Elisabeth," he said softly. I stood dumb and silent. How did one respond to Der Erlkönig, Lord of Mischief, Ruler of the Underground? How did one address a legend? My mind spun, trying to reel in my emotions. The Goblin King stood before me, in flesh and not in memory. "Mein Herr," I said. "So polite." His voice was as dry as autumn leaves. "Ah, Elisabeth, we need not stand on formalities here. Have we not known each other your entire life?" "Liesl," I said. "Then call me Liesl." The Goblin King grinned. The tips of his pointed teeth gleamed. "I much prefer Elisabeth, thank you. Liesl is a girl's name. Elisabeth is the name of a woman." "And what do I call you?" I strove to keep my voice from shaking. Again that predator's smile. "Whatever you like," he murmured. "Whatever you like." I ignored the purr in his voice.

The master of the house was an elf-friend—one of those people whose fathers came into the strange stories before the beginning of History, the wars of the evil goblins and the elves and the first men in the North. In those days of our tale there were still some people who had both elves and heroes of the North for ancestors, and Elrond the master of the house was their chief. He was as noble and as fair in face as an elf-lord, as strong as a warrior, as wise as a wizard, as venerable as a king of dwarves, and as kind as summer. He comes into many tales, but his part in the story of Bilbo’s great adventure is only a small one, though important, as you will see, if we ever get to the end of it. His house was perfect, whether you liked food, or sleep, or work, or story-telling, or singing, or just sitting and thinking best, or a pleasant mixture of them all. Evil things did not come into that valley.

THE SHADOWS Table of Contents Old Ralph Rinkelmann made his living by comic sketches, and all but lost it again by tragic poems. So he was just the man to be chosen king of the fairies, for in Fairyland the sovereignty is elective. It is no doubt very strange that fairies should desire to have a mortal king; but the fact is, that with all their knowledge and power, they cannot get rid of the feeling that some men are greater than they are, though they can neither fly nor play tricks. So at such times as there happens to be twice the usual number of sensible electors, such a man as Ralph Rinkelmann gets to be chosen. They

But even a vessel pulsates, beats and pumps in ecstasy and in rage! I wonder are the way we are because we are trying to protect ourselves from the “monsters” not realizing this fear that we are harboring inside us is turning us into goblins and ghouls ourselves? Not even a heart caged inside of ribs can be protected. Who can really be to blame for your broken heart? In-turn we find our own vices , our own ways to cope, ways that we petrify our bodies our lives in such a fashion so we can stop and notice the stars sparkling in the sky everything and everyone that embodies love YOUR LOVE… and every spec dancing in our own light, specs we failed to see because of our own faults.

Excitable little fellow,” said Gandalf, as they sat down again. “Gets funny queer fits, but he is one of the best, one of the best—as fierce as a dragon in a pinch.” If you have ever seen a dragon in a pinch, you will realize that this was only poetical exaggeration applied to any hobbit, even to Old Took’s great-grand-uncle Bullroarer, who was so huge (for a hobbit) that he could ride a horse. He charged the ranks of the goblins of Mount Gram in the Battle of the Green Fields, and knocked their king Golfimbul’s head clean off with a wooden club. It sailed a hundred yards through the air and went down a rabbit-hole, and in this way the battle was won and the game of Golf invented at the same moment.

If- if I could find a way to free you," I whispered, "would you walk the world above with me?" My back was to the Goblin King; I could not face him. It was a long time before he answered. "Oh, Elisabeth," he said. "I would go anywhere with you." I turned around. His eyes deepened in color and for a moment, just for the merest glimpse, I could see what he would have been like as a mortal man. If he had been allowed to live the course of his life, from the child he had been to the man he would have become. A musician- a violinist. I ran back into the circle of alder trees, wanting the circle of his arms around me. I reached out my hands, and his fingers brushed mine, but we passed through each other like water, like a mirage. We were each nothing but a shimmering illusion, a candle flame we could not hold. And yet, the Goblin King was still here, in the Goblin Grove, with me. He stood in the Underground while I stood in the world above, but our hearts beat within the same space. "Don't look back," he said. I nodded. I love you, I wanted to say. But I knew these words would break me. "Elisabeth." The Goblin King was smiling. Not the pointed smile of the Lord of Mischief or Der Erlkönig, but a crooked one. Twisted to one side, lopsided and goofy, it cracked my heart open and I bled inside. He mouthed a word at me. A name. "You've always had it, Elisabeth," he said softly. "For it is you I gave my soul.

Those eyes. So pale, so startling, so different. His breath was hot against my face, and we stared at each other. I was stunned to see I was looking into the face of the austere young man, not Der Erlkönig, not the wolf, and suddenly I understood what he had been pleading. Don't leave me. A warmth spread from my center, turning my limbs liquid. But when that warmth reached my heart, it turned into pain. "Never," I breathed. At my word, his eyes transformed. Hardening into jewels, the mask of Der Erlkönig returned. He lowered his mouth to the column of my neck, a light touch of teeth, his hand moving to rest lightly against my collarbone. "Good," he growled. And then with one swift motion, he tore the fabric of my dress from the neck down.

Have your goblins learned anything about Hafgan’s shield?” “Aye. We learned tha’ lookin’ fer it is righ’ bootless. Yer definitely nae th’ only one tryin’.” “Did you learn who else has been making inquiries?” “Aye, but tha’ hardly narrows it doon. Everyone. Huntin’ Hafgan’s shield is such a time-honored tradition among th’ Unseelie, it’s apparently a sayin’.” “Like an idiom?” I said. “You mean they say hunting Hafgan’s shield the way we say a fool’s errand or a wild goose chase?” “Thassit. Idiom. But why wouldja chase a goose?” Nudd wrinkled up his nose. “Geese is terrifyin’.” “Yes, yes. We can all agree that geese are the worst of birds,” said Jackaby. “So, everybody wants to find the shield and nobody knows where to look. We have learned nothing. This leaves us with slightly more haystack and still no needle.

And at the center of the room, a girl. A woman. She sits at the klavier with eyes closed, playing their song. Their story. Elisabeth. Her image flickers, wavers, a reflection seen on the edges of a candle flame. The shadows wriggle and writhe with curiosity, and with tremendous effort, the monster holds them back. Please, he whispers. Please, let me have this one thing. As he plays, the darkness recedes. From his skin, from his hair, the weight of the rams' horns on his head lightening. Color returns to the world and to his eyes, a mismatched blue and green as the monster remembers what it is to be a man. Elisabeth. He sits down on the bench beside her, begging her- beseeching her- to open her eyes and see him. Be with him. But she keeps her eyes closed, hands trembling on the keyboard. Elisabeth. She stirs. He sucks in a sharp breath and lifts his hand to stroke her cheek with fingers that are still mangled, broken, strange. His touch passes through her like a knife through smoke, yet she shivers as if she can feel the brush of his fingers in the dark places of her soul, her body, her heart. She is as insubstantial as mist, but he cannot resist the urge, the itch, to kiss. He closes his eyes and leans in close, imagining the silk of her skin against his lips. They are met. A gasp. His eyes fly open but hers are still closed. Her hand lifts to her mouth, as though the tingle of their unexpected caress still lingered there. "Mein Herr," she sighs. "Oh, mein Herr." I'm here, he says. Look at me. Be with me. See me. Call me by name. Yet when she opens her eyes, she stares through him, not at him. The darkness hisses and crawls, the shushing sound of branches in an icy wind. She drops her head into her hands, her shoulders hunched, and the sound of her crying is more bitter than even the coldest winter night. No! he cries. He wants to comfort and caress her, but he cannot hold her, cannot touch her. He is a ghost in her mind, voiceless, silent, and incorporeal.

The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.

A Kiss Before Dying is a gritty suspense story told with great élan—rarity enough, but what is even more rare is that the book (written while Levin was in his early twenties) contains surprises which really surprise . . . and it is relatively impervious to that awful, dreadful goblin of a reader, he or she WHO TURNS TO THE LAST THREE PAGES TO SEE HOW IT CAME OUT. Do you do this nasty, unworthy trick? Yes, you! I’m talking to you! Don’t slink away and grin into your hand! Own up to it! Have you ever stood in a bookshop, glanced furtively around, and turned to the end of an Agatha Christie to see who did it, and how? Have you ever turned to the end of a horror novel to see if the hero made it out of the darkness and into the light? If you have ever done this, I have three simple words which I feel it is my duty to convey: SHAME ON YOU! It is low to mark your place in a book by folding down the corner of the page where you left off; TURNING TO THE END TO SEE HOW IT CAME OUT is even lower. If you have this habit, I urge you to break it . . . break it at once!

explain the divine plan, by which the demands of divine justice are satisfied, and the punishment due to sin averted from the guilty, and laid upon the innocent; that, by bearing our sins, he might make atonement to the wrath of a justly offended God; and so—" "Now, my dear madam, permit me to ask what right we, the subjects of a Supreme Authority, have to inquire into the reasons of his doings? It seems to me—I should be sorry to offend any one, but it seems to me quite as presumptuous as the present arrogance of the lower classes in interfering with government, and demanding a right to give their opinion, forsooth, as to the laws by which they shall be governed; as if they were capable of understanding the principles by which kings rule, and governors decree justice.—I believe I quote Scripture." "Are we, then, to remain in utter ignorance of the divine character?" "What business have we with the divine character? Or how could we understand it? It seems to me we have enough to do with our own. Do I inquire into the character of my sovereign? All we have to do is, to listen to what we are told by those who are educated for such studies, whom the Church approves, and who are appointed to take care of the souls committed to their charge; to teach them to respect their superiors, and to lead honest, hard-working lives.

When I pull my hand away, my fingertips are not stained red, but silver. I stare at my nails, trying to make sense of what I see when out of the formless gloom, a monster emerges. I do scream when a pair of blue-white eyes appear, a pinprick of black in their center. Slowly, a shape coalesces into being- a long, elegant face, whorls of inky shadows swirling over moon-pale skin, ram's horns curling around pointed, elfin ears. He is more terrifying and more real than the vision I experienced in the labyrinth. But worst of all are the hands, gnarled and curled and with one too many joints in each finger. With a silver ring around the base of one. A wolf's-head ring, with two gems of blue and green for eyes. My ring. His ring. The symbol of our promise I had returned to the Goblin King back in the Goblin Grove. Mein Herr? For a brief moment, those blue-white eyes regain some color, the only color in this gray world. Blue and green, like the gems on the ring about his finger. Mismatched eyes. Human eyes. The eyes of my immortal beloved. Elisabeth, he says, and his lips move painfully around a mouth full of sharpened teeth, like the fangs of some horrifying beast. Despite the fear knifing my veins, my heart grows soft with pity. With tenderness. I reach for my Goblin King, longing to touch him, to hold his face in my hands the way I had done when I was his bride. Mein Herr. My hands lift to stroke his cheek, but he shakes his head, batting my fingers away. I am not he, he says, and an ominous growl laces his words as his eyes return to that eerie blue-white. He that you love is gone. Then who are you? I ask. His nostrils flare and shadows deepen around us, giving shape to the world. He swirls a cloak about him as a dark forest comes into view, growing from the mist. I am the Lord of Mischief and the Ruler Underground. His lips stretch thin over that dangerous mouth in a leering smile. I am death and doom and Der Erlkönig. No! I cry, reading for him again. No, you are he that I love, a king with music in his soul and a prayer in his heart. You are a scholar, a philosopher, and my own austere young man. Is that so? The corrupted Goblin King runs a tongue over his gleaming teeth, those pale eyes devouring me as though I were a sumptuous treat to be savored. Then prove it. Call him by name. A jolt sings through me- guilt and fear and desire altogether. His name, a name, the only link my austere young man has to the world above, the one thing he could not give me. Der Erlkönig throws his head back in a laugh. You do not even know your beloved's name, maiden? How can you possibly call it love when you walked away, when you abandoned him and all that he fought for? I shall find it, I say fiercely. I shall call him by name and bring him home. Malice lights those otherworldly eyes, and despite the monstrous markings and horns and fangs and fur that claim the Goblin King's comely form, he turns seductive, sly. Come, brave maiden, he purrs. Come, join me and be my bride once more, for it was not your austere young man who showed you the dark delights of the Underground and the flesh. It was I.

What do you think, then, Mrs. Elton, my dear madam, that a clergyman ought to preach?" "I think, Mr. Arnold, that he ought to preach salvation by faith in the merits of the Saviour." "Oh! of course, of course. We shall not differ about that. Everybody believes that." "I doubt it very much.—He ought, in order that men may believe, to explain the divine plan, by which the demands of divine justice are satisfied, and the punishment due to sin averted from the guilty, and laid upon the innocent; that, by bearing our sins, he might make atonement to the wrath of a justly offended God; and so—" "Now, my dear madam, permit me to ask what right we, the subjects of a Supreme Authority, have to inquire into the reasons of his doings? It seems to me—I should be sorry to offend any one, but it seems to me quite as presumptuous as the present arrogance of the lower classes in interfering with government, and demanding a right to give their opinion, forsooth, as to the laws by which they shall be governed; as if they were capable of understanding the principles by which kings rule, and governors decree justice.—I believe I quote Scripture." "Are we, then, to remain in utter ignorance of the divine character?" "What business have we with the divine character? Or how could we understand it? It seems to me we have enough to do with our own. Do I inquire into the character of my sovereign? All we have to do is, to listen to what we are told by those who are educated for such studies, whom the Church approves, and who are appointed to take care of the souls committed to their charge; to teach them to respect their superiors, and to lead honest, hard-working lives.

This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.

Now," he said, turning me to face him. "Let us dance, Elisabeth." The musicians struck up another song, one I didn't recognize. The tempo was slow and in a minor key, seductive and sinister. The Goblin King pulled me into his embrace. He pressed his hand to my lower back, pushing our hips close together. Our hands met palm to palm, fingers intertwined. He was not masked and neither was I. Our eyes met. Despite the closeness of our bodies, it was the touch of our eyes that made me blush. "Mein Herr," I demurred. "I don't think-" "You think too much, Elisabeth," he said. "Too much about propriety, too much about duty, too much about everything but music. For once, don't think." The Goblin King smiled. It was a wicked grin, one that made me feel unsafe and excited at the same time. "Don't think. Feel.

Elisabeth. A breath on the back of my neck. I am dizzy, I sway, but I stand. A breath, then a kiss. I cannot see, but I know it is him. The Goblin King. I lean into him, but he holds me upright. He murmurs my name down my neck, down my spine, his long, elegant fingers traveling along the curves of my hips, my waist. Elisabeth. I do not know what to call him, but I cry out his name. My fingers reach, but he is gone.

And you?" My scalp tingled, and an ache began at the base of my spine, fear or eagerness, I did not know. "What would you ask of me?" His eyes held mine. "I would ask the impossible." I struggled to let the Goblin King hold my gaze as heat stained my cheeks. "Bear in mind that I am no saint," I said, "and cannot work miracles." His lips twitched. "Then I would ask for your friendship." Startled, I removed my hands from the table. "Oh, Elisabeth," he said. "I would ask that you remember me. Not as we are now, but as we were then." I frowned. I thought back to our Goblin Grove dances, to the simple wagers we had made when I was a little girl. I struggled to find the truth hidden within my past, but I was unsure which was memory and which was make-believe. "You do remember." He shifted closer in his seat. There was something like hope in his voice, and I could not bear it. The Goblin King lifted his hand. The table beneath us vanished, swallowed up by the earth once more. He placed a finger against my temple. "Somewhere within that remarkable mind of yours, you kept those memories safe. Too safe. Hidden away." Was the Goblin King the friend I had imagined- remembered- as a child? Or was he truly the Lord of Mischief, blurring the lines between fantasy and reality? I was restless and itchy within my own mind. He left his seat and kneeled before me. His hands rested on the armrests of my chair, but he was careful not to touch me. "All I ask, Elisabeth," the Goblin King said, "is that you remember." His words were a bass, their notes resonating in my bones. "Please, remember.

Give up, Elisabeth," Der Erlkönig crooned. "Let go, my dear. Lay down your flute and rest. Stay with me." I closed my eyes. I could no longer feel the instrument between my numb fingers. I was tired, out of breath, and out of ideas. "Yes," he hissed. "Gently, slowly-

Light shone through a large crack in the wall of the maze ahead of us. A slim, slender silhouette cast a shadow against the passage floors. Der Erlkönig. I did not marvel then that I knew the shape of his body as well as my own reflection. I watched the Goblin King's shadow play his violin, his right arm moving in a smooth, practiced bowing motion. Käthe tried to pull me away, but I did not go with her. I moved closer to the light, and pressed my face to the crack. I had to look, I had to see. I had to watch him play. The Goblin King's back was turned to me. He wore no fancy coat, no embroidered dressing gown. He was simply dressed in trousers and a fine cambric shirt, so fine I could see the play of muscles in his back. He played with precision and with considerable skill. The Goblin King was not Josef; he did not have my brother's clarity of emotion or my brother's transcendence. But the Goblin King had his own voice, full of passion, longing, and reverence, and it was unexpectedly... vibrant. Alive. I could hear the slight fumblings, the stutters and starts in tempo, the accidental jarring note that marked his playing as human, oh so human. This was a man- a young man?- playing a song he liked on the violin. Playing it until it sounded perfect to his imperfect ears. I had stumbled upon something private, something intimate. My cheeks reddened. "Liesl." My sister's voice sliced through the sound of the Goblin King's playing like a guillotine, stopping the music mid-phrase. He glanced over his shoulder, and our eyes met. His mismatched gaze was unguarded, and I felt both ashamed and emboldened. I had seen him unclothed in his bedchamber, but he was even more naked now. Propriety told me I should look away, but I could not, arrested by the sight of his soul bared to me. We stared at each other through the crack in the wall, unable to move. The air between us changed, like a world before a storm: hushed, quiet, waiting, expectant.

What did you think the answer would be, Elisabeth? I toy with you because I can. Because it gives me great pleasure. Because I was bored." An inarticulate scream of rage strangled me. I wanted to destroy something, to spend my anger against the unfairness of everything. I wanted nothing more than to grapple with the Goblin King, to tear him limb to limb, a Maenad against Orpheus. I tightened my hands into fists. "Yes," he murmured. "Go ahead. Hit me. Strike me." The invitation was not just in his words, but his voice. He advanced. "Use your rage against me." We stared at each other, scarcely half a breath between us. This close, I could see that his gray eye was flecked with silver and blue, his green one ringed with amber and gold. Those eyes mocked me, inviting and inciting me into a passion. If I were a smoldering ember, he was the poker, stirring me into flames. I retreated. I was afraid. Afraid to touch him for fear of starting a fire within me. "What," I asked tightly, "do you want from me, mein Herr?" "I already told you what I want," he said. "You, entire." We did not relinquish each other's gaze. Let go, his eyes seemed to say. But I couldn't; if I surrendered to my fury, I wasn't certain what else I would give up. "Why?" My voice was hoarse. "Why what, Elisabeth?" "Why me?" My words were barely audible, but the Goblin King heard them. He had always heard me. "Why you?" Those sharp, pointed teeth glistened. "Who else but you?" Even his words were sharp, each slicing through me like a knife. "You, who have always been my playmate?

It isn't just the life of a maiden I needed, you know," the Goblin King said quietly. I glanced sharply at him, his tone had changed. "It was what a maiden can give me." "And what is that?" His smile was crooked. "Passion." Heat flared in my cheeks. "Not that sort of passion," he said quickly. Did I imagine things, or were his cheeks tinged a faint pink? "Well, yes, that too. Passion of all sorts," he said. "Intensity.

Me," I said a little more loudly. "Why me?" "Why not you?" he returned. "Why not the girl who played her music for me in the Goblin Grove when she was a child?" He had said so much, yet nothing I wanted to hear. That he desired me. That he had chosen me. That he... I wanted to hear the truth in his eyes said aloud. I could feel his gaze upon every part of my body; on my neck, where my shoulder disappeared into the torn sleeves of my blouse, the line of my collarbone as it led to my décolletage, the swell and ebb of my breasts as I breathed. I had waited for this my entire life, I realized. Not to be found beautiful- but desirable. Wanted. I wanted the Goblin King to claim me as his own. "Why me?" I repeated. "Why Maria Elisabeth Ingeborg Vogler?" I held his eyes with mine. He had his pride, but so had I. If I were to make good on the promise I made that little dancing boy in the wood all those years ago, I needed to hear validation from his own lips. "Because," he said. "Because I loved the music within you." I closed my eyes. His words were the spark to the tinder lining my blood; they touched my heart and warmth blazed from within, spreading through me like wildfire.