Gloss Makeup Quotes

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Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
Mandy Hale (The Single Woman: Life, Love, and a Dash of Sass)
Charlotte: "It’s too bad they don’t give out diplomas for what you learn at the mall, because I could graduate with honors in that subject. No really. Since I’ve worked there, I’ve become an expert on all things shopping-related. For example, I can tell you right off who to distrust at the mall: 1) Skinny people who work at Cinnabon. I mean, if they’re not eating the stuff they sell, how good can it be? 2) The salesladies at department store makeup counters. No matter what they tell you, buying all that lip gloss will not make you look like the pouty models in the store posters. 3) And most importantly—my best friend’s boyfriend, Bryant, who showed up at the food court with a mysterious blonde draped on his arm.
Janette Rallison (It's a Mall World After All)
Tess,” I said. For a moment, Emilia and I studied each other. She was tall, with strawberry-blond hair and eyes that walked the line between green and blue. She wore almost no makeup, except for a light gloss on her lips. “So you’re Ivy Kendrick’s sister,” she said finally. “I thought you’d be taller.” “I’ll get right to work on that.” Emilia cracked a very small smile.
Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
STOP DIGGING.' The letters on the mirror were etched in my memory. Now, as I finished my make-up with a swipe of lip-gloss, I huffed on the mirror, and wrote in the steam obscuring my reflection one word: 'NO'.
Ruth Ware (The Woman in Cabin 10)
it was also around then that I became uncontrollably enamored of a makeup enhancement that shames me even today: lip gloss. I had so much lip gloss on you might have slid off and broken your own lips if you tried to kiss me. I’ve never really understood what lip gloss is meant to enhance. Is that how much spit I leave on there when I lick my lips? Even if I was licking my lips in some come-hither way, that still wouldn’t account for that slap of sticky shine.
Carrie Fisher (The Princess Diarist)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
But the conversation that Alexander wants to have glosses over the fact that black men commit a hugely disproportionate number of crimes in the United States. The New Jim Crow is chock-full of data on the racial makeup of prisons, but you will search in vain for anything approaching a sustained discussion of black crime rates. To Alexander and those who share her view, the two are largely unrelated. Black incarceration rates, she wrote, result from “a stunningly comprehensive and well-disguised system of racialized social control.”6 The author seems reluctant even to acknowledge that black people behind bars have done anything wrong. In her formulation, blacks are simply “far more likely to be labeled criminals”7 and are as blameless as slaves in the antebellum South. “When we say someone was ‘treated like a criminal,’ what we mean to say is that he or she was treated as less than human, like a shameful creature,” Alexander wrote. “Hundreds of years ago, our nation put those considered less than human in shackles; less than one hundred years ago, we relegated them to the other side of town; today we put them in cages.”8 Really?
Jason L. Riley (Please Stop Helping Us: How Liberals Make It Harder for Blacks to Succeed)
Legs? Check. I am five foot seven, after all. They’re slender but not too skinny. I run every morning, so my legs have always been slightly muscled, but in a feminine way — at least I hope they look feminine; bulky is not a word I’d want someone to use. I think the not too short, but short enough to still be very stylish, pleated and thickly cuffed navy blue shorts show my legs off nicely. My cork and white wedges with a cute little bow at each ankle are the perfect finishing touch. A simple dove-gray ribbed tank completes the outfit and hugs my curves. Maybe there is something to Mel’s theory after all.  My golden-blonde hair is sun-kissed in the summer, and its soft waves cascade to the middle of my back. I usually have it up, but tonight Melanie insisted that I leave it down and wavy. I let her play Barbie, and I can’t say I hate it. The real show-stopper, though, is my eyes. They’re a bright, vibrant green. They look almost fake, but as I lean into the mirror to get a closer look, I catch small little flecks of gold around the outside that I know no contact lens could replicate. I have always loved my eyes. I have my mother’s eyes. I’ve seen them in the few pictures I have from my childhood. Even if my eyes were the murkiest, dingiest, dullest brown, I still would have loved them, as long as they were my mother’s. It’s really the only thing I have left of her.  I gave in on the hair and let Melanie have a field day, but I insisted on keeping my makeup simple — a soft pale pink blush, clear lip gloss, and a light dusting of gold eye shadow is all I need. A quick swipe of some mascara, and the look is complete.
Melissa Collins (Let Love In (Love, #1))
As we had agreed, I met Jack downstairs in the lobby. I was a few minutes late, having lingered to give a few last-minute instructions to Teena. “Sorry.” I quickened my stride as I walked toward Jack, who was standing by the concierge desk. “I didn’t mean to be late.” “It’s fine,” Jack said. “We still have plenty of—” He broke off as he got a good look at me, his jaw slackening. Self-consciously I reached up and tucked a lock of my hair behind my right ear. I was wearing a slim-fitting black suit made of summer-weight wool, and black high-heeled pumps with delicate straps that crossed over the front. I had put on some light makeup: shimmery brown eye shadow, a coat of black mascara, a touch of pink blush, and lip gloss. “Do I look okay?” I asked. Jack nodded, his gaze unblinking. I bit back a grin, realizing he had never seen me dressed up before. And the suit was flattering, cut to show my curves to advantage. “I thought this was more appropriate for church than jeans and Birkenstocks.” I wasn’t certain Jack heard me. It looked like his mind was working on another track altogether. My suspicion was confirmed when he said fervently, “You have amazing legs.” “Thanks.” I gave a modest shrug. “Yoga.” That appeared to set off another round of thoughts. I thought Jack’s color seemed a little high, although it was difficult to tell with that rosewood tan. His voice sounded strained as he asked, “I guess you’re pretty flexible?” “I wasn’t the most flexible in class by any means,” I said, pausing before adding demurely, “but I can put my ankles behind my head.” I repressed a grin when I heard a hitch in his breathing. Seeing that his SUV was out in front, I walked past him. He was at my heels immediately. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I’d like to sit there,” I said softly to the girl sitting in front of the other mirror. She scampered. I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn’t wear something like this! Not without a cardigan! A light dress jacket, at least! I took a gulp of Amrit’s wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers.
Heather Heffner (Year of the Tiger (Changeling Sisters, #2))
I’m not ready for this. Nic’s mind whirled as he kept his distance from Kyle, eyeing the makeup strewn about the counter around him. Kyle was perched on the counter, holding up lip glosses and eyeing his skin tone, looking gleeful. But Kyle had waited patiently all this time, and Nic had promised. There was
E. Davies (Flaunt (The F-Word, #1))
Q: What kind of makeup do pirate girls wear? A: Ship gloss.
Rob Elliott (Laugh-Out-Loud Jokes for Kids)
I smooth the Berry Blush gloss over my lips and make a popping sound as I rub them together. The livid red smears and I scowl at my reflection. Vanessa Vamp, the cartoon bombshell who is sitting on my shoulder, legs crossed seductively and unforgivably shiny crimson hair cascading deliciously over one shoulder, giggles at my ineptitude. I stick my tongue out at her and wipe away the greasy makeup, ready for attempt number two.
Claire Gallagher (The Strange Imagination of Pippa Clayton)
I don't put on much makeup. Just enough. Lip gloss, mascara. I don't look slutty or anything, just nice. Just normal. In my normal, fashionable jeans that fit me right. A simple T-shirt and cardigan that doesn't hide the curves I finally seem to have grown into over the summer. I just look like someone who's not a kid anymore and can make her own decisions, like someone about to start her sophomore year. Someone who's not hiding anymore.
Amber Smith (The Way I Used to Be (The Way I Used to Be, #1))
They all speak the same language, these women who make their millions with snappy lip gloss tutorials and guided tours of their make-up collections, their thrift store hauls, detailed inventories of the contents of their handbags and their fridges. They post pictures advertising online classes and teeth-whitening kits and vitamin-infused gummy bears that promise to make your hair grow thicker and faster, all marked with the ubiquitous #ad.
Alice Slater (Death of a Bookseller)
I don't need to do a quick self-assessment to know that I read as super-duper straight. And, let's be real, a basic bitch. My hair is long past my shoulders, styled and sleek and very conventional. She's seen me in two dresses (and on the news, a million more dresses). My makeup is fairly heavy, not caked on, but I'm used to applying TV layers. I wear a lot of eyeliner. I have a variety of liquid matte lipsticks and berry lip glosses. I talk like a valley girl and drive a Honda Civic (at least it's not a white Jetta).
Taleen Voskuni (Sorry, Bro)
She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
My makeup is perfection—deep-blue eyeshadow and the pinkest, poutiest lip gloss. My little black dress fits like a second skin, with the V down the front squishing my tits together playfully. I’m wearing a black studded choker to add to the playfulness and red spike-heeled shorty boots. It’s a shame it’s so cold I have to cover up all this hotness with an overcoat, but at least I can keep it unbuttoned to frame the legs and the cleavage. We’ll see how quick Ted dumps David after he sees this look.
J.D. Robertson (May and Ted: A story of love and perspective)
It was hard to quantify her style, but she heard the term 'Chapstick lesbian' once and liked it immensely. She wore dresses infrequently, but she liked a little bit of makeup every now and then and enjoyed feeling put together. Maybe 'lip-gloss lesbian' was more appropriate, as she did go the extra mile to always have a perfect sheen on her lips.
Monica McCallan (Back to the Start)