Glitter Nails Quotes

A strong girl no matter how girly she is, whether she loves unicorns and rabbits and wear sparkly stars in her hair and glitter nail polish, needs to know how to defend herself. - Raising A Strong Daughter: What Fathers Should Know by Finlay Gow JD and Kailin Gow MA

Don't let the glitter fool you." She wiggles her shiny nails in the air, then taps her temple. "I'm up here" "I see that," I say as Noah whispers a very soft, "I love you." "What?" Megan asks. "Nothing," Noah says, then pulls back and walks to the other side of the desk.

If Los Angeles is a woman reclining billboard model with collagen-puffed lips and silicone-inflated breasts, a woman in a magenta convertible with heart-shaped sunglasses and cotton candy hair; if Los Angeles is this woman, then the San Fernando Valley is her teenybopper sister. The teenybopper sister snaps bug stretchy pink bubbles over her tongue and checks her lipgloss in the rearview mirror, . . . Teeny plays the radio too loud and bites her nails, wondering if the glitter polish will poison her.

Fire         i   The morning you were made to leave she sat on the front steps, dress tucked between her thighs, a packet of Marlboro Lights near her bare feet, painting her nails until the polish curdled. Her mother phoned–   What do you mean he hit you? Your father hit me all the time but I never left him. He pays the bills and he comes home at night, what more do you want?   Later that night she picked the polish off with her front teeth until the bed you shared for seven years seemed speckled with glitter and blood.       ii   On the drive to the hotel, you remember “the funeral you went to as a little boy, double burial for a couple who burned to death in their bedroom. The wife had been visited by her husband’s lover, a young and beautiful woman who paraded her naked body in the couple’s kitchen, lifting her dress to expose breasts mottled with small fleshy marks, a back sucked and bruised, then dressed herself and walked out of the front door. The wife, waiting for her husband to come home, doused herself in lighter fluid. On his arrival she jumped on him, wrapping her legs around his torso. The husband, surprised at her sudden urge, carried his wife to the bedroom, where she straddled him on their bed, held his face against her chest and lit a match.       iii   A young man greets you in the elevator. He smiles like he has pennies hidden in his cheeks. You’re looking at his shoes when he says the rooms in this hotel are sweltering. Last night in bed I swear I thought my body was on fire.

I half imagined I could taste the silver on his nails, as sharp as glitter in my mouth. Maybe when he touched me, colour would spill from his hands like heat.

When I first met Cara, she was twelve and angry at the world. Her parents had split up, her brother was gone, and her mom was infatuated with some guy who was missing vowels in his unpronounceable last name. So I did what any other man in that situation would do: I came armed with gifts. I bought her things that I thought a twelve-year-old would love: a poster of Taylor Lautner, a Miley Cyrus CD, nail polish that glowed in the dark. "I can't wait for the next Twilight movie," I babbled, when I presented her with the gifts in front of Georgie. "My favorite song on the CD is 'If We Were a Movie.' And I almost went with glitter nail polish, but the salesperson said this is much cooler, especially with Halloween coming up." Cara looked at her mother and said, without any judgment, "I think your boyfriend is gay.

Dorothy viewed my mother's propensity toward madness not as something to be afraid of, but rather as something to look forward to, like a movie or a newly released color of nail polish. 'Your mother is just expressing herself,' Dorothy would tell me when my mother stopped sleeping, started smoking the filters of her cigarettes and began writing backward with a glitter pen. No, she's not,' I would say. 'She's going insane again.' Don't be so mundane,' she would yawn, passing my mother a shoebox filled with cat vertebrae. 'She is a brilliant artist. If you want Hamburger Helper, go find some other mother.

paint your nails black, rub glitter on your face, take so many selfies, compliment all your sisters (no, not just your cis-ters), & hex any man who catcalls you. - a note from me scrawled on your mirror.

Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.

Closer and closer, they hauled her like a bucking horse toward the open cell door. The two waiting guards sniggered, eyes on the flap of the robe that fell open as she kicked, revealing her thighs, her stomach, everything to them. Elide sobbed, even as she knew the tears would do her no good. They just laughed, devouring her with their eyes— Until a hand with glittering iron nails shoved through the throat of one of them, puncturing it wholly. The guards froze, the one at the door whirling at the spray of blood— He screamed as his eyes were slashed into ribbons by one hand, his throat shredded by another. Both guards collapsed to the ground, revealing Manon Blackbeak standing behind them. Blood ran down her hands, her forearms. And Manon’s golden eyes glowed as if they were living embers as she looked at the two guards gripping Elide. As she beheld the disheveled robe. They released Elide to grab their weapons, and she sagged to the floor. Manon just said, “You’re already dead men.” And then she moved.

Don't let the glitter fool you." She wiggles her shiny nails in the air, then taps her temple. "I'm up here." … "How did you…?" "Mymom is the chief operations officer for the CIA stationed in Europe," she tells me. "I pay attention." "I see that," I say.

Madison sparkled like the words on her oversized chest. There was glitter embedded in her eye shadow, in her lip gloss, in her nail polish, hanging from her ears in shoulder grazing hoops, dangling from her wrists in blingy bracelets. If the lights went out in the hallway, she could light it up like a human disco ball.

Even in the warm faelight of the foyer, the gown glittered and gleamed like a fresh-cut jewel. We had taken my gown from Starfall and refashioned it, adding sheer silk panels to the back shoulders, the glittering material like woven starlight as it flowed behind me in lieu of a veil or cape. If Rhysand was Night Triumphant, I was the star that only glowed thanks to his darkness, the light only visible because of him. I scowled up the stairs. That is, if he bothered to show up on time. My hair, Nuala had swept into an ornate, elegant arc across my head, and in front of it... I caught Cassian glancing at me for the third time in less than a minute and demanded, 'What?' His lips twitched at the corners. 'You just look so...' 'Here we go,' Mor muttered from where she picked at her red-tinted nails against the stair banister. Rings glinted at every knuckle, on every finger; stacks of bracelets tinkled against each other on either wrist. 'Official,' Cassian said with an incredulous look in her direction. He waved a Siphon-topped hand to me. 'Fancy.' 'Over five hundred years old,' Mor said, shaking her head sadly, 'a skilled warrior and general, famous throughout territories, and complementing ladies is still something he finds next to impossible. Remind me why we bring you on diplomatic meetings?' Azriel, wreathed in shadows by the front door, chuckled quietly. Cassian shot him a glare. 'I don't see you spouting poetry, brother.' Azriel crossed his arms, still smiling faintly. 'I don't need to resort to it.

Brother Males and Shemales: Are you coming to the Health Bee?  It will be the livest Hop-to-it that this busy lil ole planet has ever see.  And it's going to be Practical.  We'll kiss out on all these glittering generalities and get messages from men as kin talk, so we can lug a think or two (2)home wid us. Luther Botts, the famous community-sing leader, will be there to put Wim an Wigor neverything into the program.  John F. Zeisser, M.A., M.D., nail the rest of the alphabet (part your hair Jack and look cute, the ladies will love you) will unlimber a coupla key-notes.  (On your tootsies, fellers, thar she blows!)  From time to time, if the brakes hold, we will, or shall in the infinitive, hie oursellufs from wherein we are apt to thither, and grab a lunch with Wild Wittles. Do it sound like a good show?  It do!  Barber, you're next.  Let's have those cards saying you're coming. This

After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.

It was soft, tickling. The liquid was cold going on, like dipping her pinky into a winter river's icy slurry. A thrill shot through her neck. Then, everything on her finger closed up., tightened, stopped breathing. She felt it being suffocated. She almost yelped, leapt up to run away. She hated it. "Okay", Celeste said, "go like this." Agnes opened her eyes, saw Celeste blowing on her own hands, and looked down. The pink was catching light she hadn't even know was present in the dark forest. It looked as thought it moved on her nail, breathed more and more color into itself. She saw the speckles of glitter, not too much, just enough. It was alive, and perfect.

How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?

The light dimmed. The sky through the windows turned emerald. It was the first green storm of the season, and as Kestrel heard the wind pummel the house, she knew that Arin was wrong. He had wanted to punish her for months now. Hadn’t she bought him? Didn’t she own him? This was his revenge. That was all. The rain drove nails against the windowpanes. The room grew almost black. Kestrel heard Arin’s voice again in her mind and felt suddenly broken. Even if she didn’t doubt her feelings for Enai, there had been truth in his words. She didn’t notice him return. This storm was loud, the room was dark. She sucked in her breath when she realized he stood next to her. For the first time, it occurred to her to be afraid of him. But he merely struck a match and touched it to the wick of a lamp. He was soaked with rain. His skin glittered with it. When she looked at him, he flinched. “Kestrel.” He sighed. He rubbed a hand through his wet hair. “I shouldn’t have said what I did.” “You meant it.” “Yes, but--” Arin looked weary and confused. “I would have been angry if you did not weep for her.” He held out the hand that rested at his side in the shadows, and for an uncertain moment Kestrel thought he would touch her. But he was only offering something on his uplifted palm. “This was in her cottage,” he said. It was a braid of Kestrel’s hair. She took it carefully; even so, her smallest finger brushed his wet palm. His hand instantly fell. She considered the braid, turning the bright ring in her fingers. She knew that it didn’t choose sides between her truth and Arin’s. It wasn’t proof of Enai’s love. Yet it was a comfort. “I should go,” Arin said, though he didn’t move. Kestrel looked at his face glowing in the lamplight. She became aware that she was close enough to him that her bare foot rested on the damp edge of carpet where Arin stood, seeping rainwater. A shiver traveled up her skin. Kestrel stepped back. “Yes,” she said. “You should.

her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb

I lifted the book, firing two words down the bond between us before I blasted my shields up again. Conversation over. 'Like hell it is,' he snarled. A thrum of power caressed my fingers, and then the book sealed shut between my hands. My nails dug into the leather and paper- to no avail. Bastard. Arrogant, presuming bastard. Slowly, I lifted my eyes to him. And I felt... not hot temper- but icy, glittering rage. I could almost feel that ice at my fingertips, kissing my palms. And I swore there was frost coating the book before I hurled it at his head. He shielded fast enough that it bounced away and slid across the marble floor behind us. 'Good,' he said, his breathing a bit uneven. 'What else do you have, Feyre?' Ice melted to flame, and my fingers curled into fists. And the High Lord of the Night Court honestly looked relieved at the sight of it- of that wrath that made me want to rage and burn. A feeling, for once. Not like that hollow cold and silence. And the thought of returning to that manor with the sentries and the patrols and the secrets... I sank back into my chair. Frozen once more. 'Any time you need someone to play with,' Rhys said, pushing the plate toward me on a star-flecked wind, 'whether it's during our marvellous week together or otherwise, you let me know.' I couldn't muster up a response, exhausted from the bit of temper I'd shown. And I realised I was in a free fall with no end. I had been for a while. From the moment I'd stabbed that Fae youth in the heart.

She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.

The tailor sidled forward, his long, multi-joined fingers caressing the dress form closest to me. "Ah, yes," he said. "Beautiful, isn't it? The color of storms and oceans, or so we've been told. This dress," he continued, "belonged to Magdalena. She was beautiful- the way you mortals reckon, anyhow- beautiful, but stupid. Oh ho, we had fun with this one, we did, but we used her up too soon. Her fire died, leaving us cold and dark." The dress form beneath the gown was tall and well-formed, the bosom and hips generous, the waist tiny. The dress, a robe à la française, was made from a deep, jewel-toned blue silk, and I could imagine the dramatic coloring of the woman who had worn it: pale skin, dark hair, and blue eyes to match her gown. A breathless beauty, a glittering jewel, and I imagined the Goblin King partaking of her loveliness over and over again, biting the sweet peaches of her cheeks until she was gone. "And this one," Thistle chimed in, pointing to another dress form, "belonged to Maria Emmanuel. Prissy, she was. Refused to do her duty by her lord. She was consecrated to someone else- a carpenter? Something like that. Don't know what the king saw in her, but they were both possessed of a strange devotion to a figure nailed to a wooden cross. She lasted the longest, this prudish nun, not having given herself to king and land, and during her rule, our kingdom suffered. Yet she lasted the longest for that, although she too died in the end, pining for the world above she could see but not touch." This dress form was slim, the gown that hung on it made of an austere gray wool. I could imagine the woman who wore this dress- a pious creature, veiled like a bride of Christ. No beauty, but her eyes would be a clear, luminous gray, shining with the fervor of her passion and faith. Not like Magdalena, whose loveliness would have been carnal and earthly; Maria Emmanuel would have glowed with an inner light, the beauty of a saint or a martyr. The Goblin King was a man of varied tastes, it seemed.

his hands moved busily among the puppets, choosing, discarding, until they pounced finally on the moon with her crystal eyes and her hands shaped like stars. 'I will be the moon,' Kyel said. 'You must make a wish to me.' Lydea slid her fingers into the fox's head, with its sly smile and fiery velvet pelt. 'I wish,' she said, 'that you would take your nap.' 'No,' the prince said patiently, 'you must make a true wish. And I will grant it because I am the moon.' 'Then I must make a fox's wish. I wish for an open door to every hen house, and the ability to jump into trees.' The moon sank onto the blue hillock of Kyel's knee. 'Why?' 'So that I can escape the farmer's dogs when they run after me.' 'Then you should wish,' the prince said promptly, 'that you could jump as high as the moon.' 'A good wish. But there are no hens on the moon, and how would I get back to Ombria?' The moon rose again, lifted a golden hand. 'On a star.' The governess smiled. The fox stroked the prince's hair while he shook away the moon and replaced it with the sorceress, who had one amethyst eye and one emerald, and who wore a black cloak that shimmered with ribbons of faint, changing colors. 'I am the sorceress who lives underground,' the prince said. 'Is there really a sorceress who lives underground?' 'So they --' Lydea checked herself, let the fox speak. 'So they say, my lord.' 'How does she live? Does she have a house?' She paused again, glimpsing a barely remembered tale. 'I think she does. Maybe even her own city beneath Ombria. Some say that she has an ancient enemy, who appears during harsh and perilous times in Ombria's history. Then and only then does the sorceress make her way out of her underground world to fight the evil and restore hope to Ombria.' ... The sorceress descended, long nose down on the silk. Kyel picked another puppet up, looked at it silently a moment. The queen of pirates, whose black nails curved like scimitars, whose hair was a rigid knoll in which she kept her weapons, stared back at him out of glittering onyx eyes.

Her glittering nails and dangling earrings made her seem fragile sometimes, like something delicate, but then I'd find her standing alone on the roof in a storm, and I'd see the strength in her.

Busy mothers had never been their bread and butter. They were too practical and too precious with their time. It was the young, child-free, and precariously employed who brought in the most money. They always wanted more. More glitter. More rhinestones. More pointy. More long. It was as if there was no limit to how much they could optimize themselves.

Ye must never allow hatred or anger toward another to remain verra long in yer heart. When ye let such feelings grow and fester, ye give yer power over to the verra one ye hate." Eliza stepped closer and pointed a glittering nail at the center of Kenna's chest. "Never let another take yer power, dearie. Not ever.

Montreal November 1704 Temperature 34 degrees “Girl! English, eh? What is your name? Indians stole you, eh? I’ll send news to your people.” His excellent speech meant that he did a lot of trading with the English. It meant, Mercy prayed, that he liked the English. She found her tongue. “Will you take me to France, sir? Or anywhere at all? Wherever you are going--I can pay.” He raised his eyebrows. “You do not belong to an Indian?” She flushed and knew her red cheeks gave their own answer, but rather than speaking, she held out the cross. The sun was bright and the gemstones even brighter. The man sucked in his breath. He leaned very close to her to examine the cross. “Yes,” he said. “It is worth much.” He straightened up slowly, his eyes traveling from her waist to her breast to her throat to her hair. The other sailors also straightened, and they too left their work, drawn by the glittering cross. “So you want to sail with me, girl?” He stroked her cheek. His nails were yellow and thick like shingles, and filthy underneath. He twined her hair into a hank, circling it tighter and tighter, as if to scalp. “You are the jewel,” he said. “Come. I get a comb and fix this hair.” The other sailors slouched over. They pressed against her and she could not retreat. He continued to hold her by the hair, as if she were a rabbit to be skinned. She could see neither river nor sky, only the fierce grins of sailors leaning down. “Eh bien,” said the Frenchman, returning to his own tongue. “This little girl begs to sail with us,” he told his men. “What do you say, boys?” He began laughing. “Where should she sleep? What am I bid?” She did not have enough French to get every word, but it was the same in any language. The sailors laughed raucously. Indians had strong taboos about women. Men would not be with their women if they were going hunting or having important meetings, and certainly not when going off to war. She had never heard of an Indian man forcing himself on a woman. But these were not Indians. She let the cross fall on its chain and pushed the Frenchman away, but he caught both her wrists easily in his free hand and stretched her out by the wrists as well as by the hair. Tannhahorens pricked the white man’s hand with the tip of his scalping knife. White men loading barrels stood still. White sailors on deck ceased to move. White passersby froze where they walked. The bearded Frenchman drew back, holding his hands up in surrender. A little blood ran down his arm. “Of course,” he said, nodding. “She’s yours. I see.” The sailors edged away. Behind them now, Mercy could see two pirogues of Indians drifting by the floating dock. They looked like Sauk from the west. They were standing up in the deep wells of their sturdy boats, shifting their weapons to catch the sun. Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim.

Queene Levress’s sharp eyes cut to Thessalie like she wondered why the old scholar was there. “Prince,” she said to Cress, “I’ve come to deliver the tragic news myself.” Her white lashes glittered in the lanterns’ glow. “Tell me your news, my Queene,” Cress said. “A human assassin attacked us from across the gate. She killed a fairy of the North this morning. She must pay for it with her life, but I plan to wait until the new faeborn year to deal with it.” “What?” Thessalie blanched at Cress’s side. “A human killed a fairy? That hasn’t happened in a hundred faeborn years—” “Why have you come to tell me this yourself?” Cress cut off the scholar to ask the Queene. Queene Levress looked at him for a long while, tapping her long nails together. “Because the murdered fairy was part of your Brotherhood,” the Queene said. “He was the second son of High Lord Gwess of our North Court.” The life drained from Cress’s chest. “Whyp…?” he whispered. “He crossed the gate against our laws. He would have likely been killed when he came back anyway.” The Queene glanced at her silver nails. “Thankfully, I had a spy following him who cleaned up the mess.

I like the look of a collaged girl, a girl with mismatched limbs and words written on her body, glitter nail polish painted over her pores. She’s unnatural and a little disturbing, sure, but she’s sparkling, and she’s with her sisters.

I can afford it.” “I know it, darling. You’re one of the most powerful men in New York City.” She added, “It’s a good joke on New York City.” “It is.” “I concede that you’re in a position to do anything. That’s why I had to see you.” She added a small, gruntlike sound of amusement, to dilute her statement’s frankness. “Good,” he said, his voice comfortable and noncommittal. “I had to come here, because I thought it best, in this particular matter, not to be seen together in public.” “That is always wise.” “I seem to remember having been useful to you in the past.” “In the past—yes.” “I am sure that I can count on you.” “Of course—only isn’t that an old-fashioned, unphilosophical remark? How can we ever be sure of anything?” “Jim,” she snapped suddenly, “you’ve got to help me!” “My dear, I’m at your disposal, I’d do anything to help you,” he answered, the rules of their language requiring that any open statement be answered by a blatant lie. Lillian was slipping, he thought—and he experienced the pleasure of dealing with an inadequate adversary. She was neglecting, he noted, even the perfection of her particular trademark: her grooming. A few strands were escaping from the drilled waves of her hair—her nails, matching her gown, were the deep shade of coagulated blood, which made it easy to notice the chipped polish at their tips—and against the broad, smooth, creamy expanse of her skin in the low, square cut of her gown, he observed the tiny glitter of a safety pin holding the strap of her slip. “You’ve got to prevent it!” she said, in the belligerent tone of a plea disguised as a command. “You’ve got to stop it!” “Really? What?” “My divorce.

Take that, Dracula!” Lo called out, a full smile consuming her face as her eyes glittered with amusement. Her hip popped out as she pointed a long, manicured nail at him, “Chicks before dicks!

My surefire, crowd pleasing, thank you card recipe. 1) Select a card that is very you. My cards are floral and bright, most commonly with gold envelopes and I seal each with a glitter heart sticker or a piece of sparkly washi tape. If you see great cards in a store, buy them on the spot it's OK to hoard thank you cards. 2) Begin with your salutation, for example: to my dearest Isabel. 3) Next, write about something you enjoy about the person or about an experience you had together that you were thankful for. You want something that is specific to the receiver and could in no way be mistaken for a stock phrase. “I had such a fantastic time with you at dinner. It's always a treat to laugh with you, and get your opinions on writing, politics, and what kind of handbag I should consider.” But don't say thank you yet, we're getting to that. This third step is all about recreating and memorializing a special moment you shared. 4) Now we are at the actual thanks part. Find something to directly thank your subject for. “Thank you for making it to Soho five months pregnant. Five months, I can't believe it!” “I appreciate that you came out to see me even though your ankles were killing you.” Or, if you are thanking someone for something tangible, a gift let's say, “Thank you for the gorgeous floral notebooks. You know how much I love writing, and notebooks, and florals. You basically nailed it.“ 5) Now tell her how you really feel. Be vulnerable. “You are a part of my heart and every time I see you I feel immediately at peace and ease. There's something about you that makes me feel safe.” 6) Now let's lighten it up shall we? “I look forward to all of the swanky nights we'll be having forever because you are a forever friend. #bust #sorrynotsorry #whydopeopleusehashtags #theyarenotlanguage 7) Sign it like you mean it. “All of my love, T Money. Use this template to get started and just get started now. I once worried that I was writing too many thank you cards and that people would be annoyed with me. Let me tell you this. No one has ever complained about getting too many thank you notes from someone if the sentiment is authentic. I now keep blank cards with me wherever I go, much like one might keep emergency Xanax. You never know when you're going to need the sweet relief of gratitude.

When I returned from the triclinium, where the guests were finishing their honey cakes and drinking from jeweled goblets of pear juice, a woman entered the kitchen from a side door. Out of all the surprises I'd had that day, she was the most surprising of all. The vision of her dark eyes, waves of auburn curls, and the sylphlike curve of her hips would haunt me in the days to come. "I came for Apicata's meal," she said. Her voice floated across the room, undulations of sound washing over my skin. This was the woman Aelia had said would come for the tray. Passia. The name glittered in my mind as I made the connection. "Is that it?" She pointed, one long finger tipped with carefully curved, pink-pale nails. I had been standing like a statue, stunned by my close proximity to what I thought might be the physical manifestation of Venus herself. "That's the plate, yes, over there. There." Suddenly I wished she would leave. If not, all would be lost. I wouldn't be able to complete the cena, wouldn't be able to direct the servers, and would end up under the lash as the result of my gloomy failure to live up to Apicius's expectations. Inside my head, I said a prayer to Venus that Passia would go, but in the same breath, I begged the goddess that Passia would remember me, as I knew I would remember every sumptuous detail about the moments she stood before me.

At dinner the waiter wore white gloves and served a lump of burnt lamb that bounced on the plate. Spread over the restaurant wall was an immense canvas of gauchos herding cattle into an orange sunset. An old-fashioned blonde gave up on the lamb and sat painting her nails. An Indian came in drunk and drank through three jugs of wine. His eyes were glittering slits in the red leather shield of his face. The jugs were of green plastic in the shape of penguins.

Want Could Kill Me Xandria Phillips for Dominique I know this from looking into store fronts taste buds voguing alight from the way treasure glows when I imagine pressing its opulence into your hand I want to buy you a cobalt velvet couch all your haters’ teeth strung up like pearls a cannabis vineyard and plane tickets to every island on earth but my pockets are filled with lint and love alone touch these inanimate gods to my eyelids when you kiss me linen leather gator skin silk satin lace onyx marble gold ferns leopard crystal sandalwood mink pearl stiletto matte nails and plush lips glossed in my 90s baby saliva pour the glitter over my bare skin I want a lavish life us in the crook of a hammock incensed by romance the bowerbird will forgo rest and meals so he may prim and anticipate amenity for his singing lover call me a gaunt bird a keeper of altars shrines to the tactile how they shine for you fold your wings around my shoulders promise me that should I drown in want-made waste the dress I sink in will be exquisite