Projections A Story Of Human Emotions Quotes

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He was an old Drag man with his bit getting short. He was the first to attempt to teach me to control my emotions. He would say, “Always remember whether you be sucker or hustler in the world out there, you’ve got that vital edge if you can iron-clad your feelings. I picture the human mind as a movie screen. If you’re a dopey sucker, you’ll just sit and watch all kinds of mindwrecking, damn fool movies on that screen.” He said. “Son, there is no reason except a stupid one for anybody to project on that screen anything that will worry him or dull that vital edge. After all, we are the absolute bosses of that whole theatre and show in our minds. We even write the script. So always write positive, dynamic scripts and show only the best movies for you on that screen whether you are pimp or priest.” His rundown of his screen theory saved my sanity many years later. He was a twisted wise man and one day when he wasn’t looking, a movie flashed on the screen. The title was “Death For an Old Con.
Iceberg Slim (Pimp: The Story of My Life)
me to be honest about his failings as well as his strengths. She is one of the smartest and most grounded people I have ever met. “There are parts of his life and personality that are extremely messy, and that’s the truth,” she told me early on. “You shouldn’t whitewash it. He’s good at spin, but he also has a remarkable story, and I’d like to see that it’s all told truthfully.” I leave it to the reader to assess whether I have succeeded in this mission. I’m sure there are players in this drama who will remember some of the events differently or think that I sometimes got trapped in Jobs’s distortion field. As happened when I wrote a book about Henry Kissinger, which in some ways was good preparation for this project, I found that people had such strong positive and negative emotions about Jobs that the Rashomon effect was often evident. But I’ve done the best I can to balance conflicting accounts fairly and be transparent about the sources I used. This is a book about the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing. You might even add a seventh, retail stores, which Jobs did not quite revolutionize but did reimagine. In addition, he opened the way for a new market for digital content based on apps rather than just websites. Along the way he produced not only transforming products but also, on his second try, a lasting company, endowed with his DNA, that is filled with creative designers and daredevil engineers who could carry forward his vision. In August 2011, right before he stepped down as CEO, the enterprise he started in his parents’ garage became the world’s most valuable company. This is also, I hope, a book about innovation. At a time when the United States is seeking ways to sustain its innovative edge, and when societies around the world are trying to build creative digital-age economies, Jobs stands as the ultimate icon of inventiveness, imagination, and sustained innovation. He knew that the best way to create value in the twenty-first century was to connect creativity with technology, so he built a company where leaps of the imagination were combined with remarkable feats of engineering. He and his colleagues at Apple were able to think differently: They developed not merely modest product advances based on focus groups, but whole new devices and services that consumers did not yet know they needed. He was not a model boss or human being, tidily packaged for emulation. Driven by demons, he could drive those around him to fury and despair. But his personality and passions and products were all interrelated, just as Apple’s hardware and software tended to be, as if part of an integrated system. His tale is thus both instructive and cautionary, filled with lessons about innovation, character, leadership, and values.
Walter Isaacson (Steve Jobs)
I’M GOING TO try to persuade you to recognize the power of knowing your story and owning it in every way, because, like mine, your story is yours alone. It’s one of a kind. It seems to me that there are very few absolutes in this life; only a handful of things are true to their core. I believe your story is one of them, and there is infinite value in a life that seeks a meaningful story and is willing to be shaped by it. Human beings have been telling stories as long as there’s been a language to tell them in. For many thousands of years, since the first cave paintings, telling stories has been one of our most fundamental ways of communicating. And isn’t almost every story a connection of cause and effect? The story of how you met your spouse. How you earned that scar. Why you’re running late. Whether it’s about buying groceries or a project at work, the story is what we remember. It’s what we tell. Stories also connect us. Without story, there is no history, no way of deeply knowing one another. A grandfather tells his life story to his children’s children so years from now, that history will shape a new generation. I think about new hires at our company, and the importance of telling them stories about the early days at Magnolia, the foundation of those humble and hard-won beginnings, because that’s what keeps the spirit of the company alive. We read stories to our children every night to teach them about the world and to free their imaginations. Stories don’t ask for distance; they bring us in. We see ourselves in the characters, we resonate with the emotions, we recognize there are aspects of the human experience beyond what we’ve known. So if we think in stories, remember in stories, speak in stories, and turn just about everything we experience into a story, what does that say about the value of your own?
Joanna Gaines (The Stories We Tell: Every Piece of Your Story Matters)