Glitter Makeup Quotes

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Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
My front door had seen jean skirts, dresses, even a see-through tube dress over a string bikini. A handful of times, spackled-on makeup and glitter lotion. Never pajamas.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Was there some basic flaw in her makeup that made her keep falling in love with this man who couldn’t love her back?
Susan Elizabeth Phillips (Glitter Baby (Wynette, Texas, #3))
It’s not your fault,” Alec was saying. He sounded weary, as if he’d been through this sort of thing with his sister before. Clary wondered how many boyfriends she’d turned into rats by accident. “But it ought to teach you not to go to so many Downworld parties,” he added. “They’re always more trouble than they’re worth.” Isabelle sniffed loudly. “If anything had happened to him, I—I don’t know what I would have done.” “Probably whatever it is you did before,” said Alec in a bored voice. “It’s not like you knew him all that well.” “That doesn’t mean that I don’t—” “What? Love him?” Alec scoffed, raising his voice. “You need to know someone to love them.” “But that’s not all it is.” Isabelle sounded almost sad. “Didn’t you have any fun at the party, Alec?” “No.” “I thought you might like Magnus. He’s nice, isn’t he?” “Nice?” Alec looked at her as if she were insane. “Kittens are nice. Warlocks are—” He hesitated. “Not,” he finished, lamely. “I thought you might hit it off.” Isabelle’s eye makeup glittered as bright as tears as she glanced over at her brother. “Get to be friends.” “I have friends,” Alec said, and looked over his shoulder, almost as if he couldn’t help it, at Jace. But Jace, his golden head down, lost in thought, didn’t notice.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Edie Sedgwick (1943-1971) I don't know how she did it. Fire She was shaking all over. It took her hours to put her make-up on. But she did it. Even the false eye-lashes. She ordered gin with triple limes. Then a limosine. Everyone knew she was the real heroine of Blonde on Blonde. oh it isn't fair oh it isn't fair how her ermine hair turned men around she was white on white so blonde on blonde and her long long legs how I used to beg to dance with her but I never had a chance with her oh it isn't fair how her ermine hair used to swing so nice used to cut the air how all the men used to dance with her I never got a chance with her though I really asked her down deep where you do really dream in the mind reading love I'd get inside her move and we'd turn around and she'd turn around and turn the head of everyone in town her shaking shaking glittering bones second blonde child after brian jones oh it isn't fair how I dreamed of her and she slept and she slept forever and I'll never dance with her no never she broke down like a baby like a baby girl like a lady with ermine hair oh it isn't fair and I'd like to see her rise again her white white bones with baby brian jones baby brian jones like blushing baby dolls
Patti Smith (Seventh Heaven)
Still,there was this heavy feeling in the air, like everyone was trying too hard to have a good time. Laughs were too loud, and smiles looked forced. Maybe they were afraid Dad and I would vaporize them if they didn't act like this was the best party ever. I would have laid my forehead against the cool glass wall, but I didn't really want to see my reflection that closely. Lysander had brought the dress earlier that afternoon, and insisted on doing my makeup,too. Consequently, it looked like a glitter bomb had exploded on my face. Even my bare shoulders were dusted with sparkling blue powder.
Rachel Hawkins (Demonglass (Hex Hall, #2))
I top it off with the sort of makeup that his mother would call “unseemly” or “unbecoming.” My lips are the color of fresh blood, making my mouth more eye-catching than the Babadook’s. My eyeliner is a thick swoop of black that extends way past its cue, and my eyelids glitter all the way up to my eyebrows like a pageant contestant. It’s not enough. I add pounds of blush and bronzer until my face is indistinguishable from a Mardi Gras float. I have bypassed “unseemly” and cannonballed head-first into Deborah’s nightmare.
Sarah Hogle (You Deserve Each Other)
I loved that sports gave women a reason to be unpretty, in the traditional sense. It made stamina, strength, endurance, and mental toughness attractive. Flushed cheeks were your makeup, muscles your accessory, and sweat your glitter. I fit in well in this fashion runway show.
Katie Ray (Don't Kiss the Messenger (Edgelake High School, #1))
I remember the ecstasy of first going to a nightclub wearing eyeliner. Drenched in hairspray and glitter, dancing to Lou Reed records. I felt as if I was living on the outside, in a realm that most people could never enter. For so long I had felt completely alone, but makeup made my isolation feel special. The world came to life – the streets were no longer grey and cold, they sparkled with sordid possibility. But the most resonant pleasures in our lives are always individually defined. When you expect the world to appreciate them they simply expose their own bland uniformity. I learnt that the more unusual you are, the more personalised pleasures the world reveals to you.
Guy Mankowski (The Intimates)
That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips. She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest. Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani. She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
Colette Gauthier-Villars
She dug through the clothes packed in the trunk until she found the blue halter top and black jeans she had been wearing the night Veto died. She wasn't sure why she had saved them, but she was glad she had, now. She was going to wear them tonight in honor of Veto. She carried them back to her room, stood in front of the mirror over her dresser, and slipped on the gold earrings that had been a gift from Veto. Then she started to dress. She rubbed glitter lotion over her arms and painted black lines on her eyelids. She rolled on her mascara, then stood back.
Lynne Ewing (Night Shade (Daughters of the Moon, #3))
Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.
Edgar Snow (Red China Today: The Other Side of the River)
Weekday morning routine: Take shower. Assemble perfect outfit. Apply makeup. Pull hair into bun. Secure with glitter pencils. Accept twenty-dollar bill from Dad. Pick up latte and creamy chocolate brioche from cafe. Drive to school the long way. Listen to sad music way too loud. Nab choice parking spot under tree.
Cecil Castellucci (The Queen of Cool)
Toby found himself sharing a stool with a tipsy redheaded actress who wore Ugg boots, a scarf, and eye shadow with glitter (aka the herpes of makeup).
Joshua V. Scher (Here & There)
I played baccarat at the upscale Bellagio; roulette at the off-strip Rio; craps at the fading Riviera, whose attempts to match the gayness and glitter around her felt forced, artificial, like makeup layered on by a woman who recognizes she was never beautiful to begin with and has now, in addition, grown colorless and old.
Barry Eisler (Winner Take All (John Rain #3))
How was practice?" Shawna asked when Jet walked into the kitchen. "You must've worked hard again, you smell like a wet puppy." "We did." Jet grabbed a bottle of water from the refrigerator. " Your buddy said she was proud of us today." "That's good." Shawna smiled as checked on their dinner. " Are you starting to like her now?" I don't want to beat her with my flagpole anymore, but I wouldn't say I like her. Now your other friend is all up in the punch. Mrs. Scofield was at practice today passing out chocolate milk and telling us what to do with our glitter," Jet said and took a drink of her water. Shawna glanced at Jet. "What're you going to do with the glitter?" "Put it on my eyelids. Personally, I think we're gonna look like sparkly hookers, but makeup isn't my call...
Robin Alexander (Patty's Potent Potion)
Thus to this day, Europe’s elite discourse often depicts America not as proletarian, which at least to leftist Europeans has the connotation of authenticity, but rather as commodified, commercial, vulgar—values that exude inauthenticity, plasticity, and heteronomy. European elites’ image of America as “Las Vegas,” “Disneyland,” basically as “white trash”—or what the British call “chav”— has a distinguished pedigree: gaudy jewelry, expensive-but-tacky clothes, garish makeup, platinum blond hair, tattoos, vulgar demeanor, in short inauthentic and kitschy glitter best captured by the term “uncouth.” This disparaging image of America cultivated by European elites was also linked to how the young United States embodied modern capitalism hostile to an aristocratic order.
Andrei S. Markovits (Uncouth Nation: Why Europe Dislikes America (The Public Square Book 5))
Nina's lids glittered with a creamy, blush-colored powder, her cheekbones were sharpened with highlighter and her lips were coated in a strawberry-pink glaze. She was as tempting as an éclair--- soft and delicious.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
Clare marvelled at the number of people adorned in flags and makeup, who were claiming the streets as their own. They sported coloured hair and T-shirts, braces, face paint, rainbow-coloured shoes, and glittered skin. People carried banners and bags. Clare swallowed; how many people tamped down their identities and personalities in their day-to-day lives, and how free must they feel today?
Evelyn Fenn (Friends without Benefits)
I have hope that a human woman can give birth to a female child. I have long suspected that it is so. I believe something has happened to our women to prevent this, and with a human woman, the chances will be far greater that she can carry to full term and deliver a healthy female.” “The male determines the sex,” Mikhail pointed out. “We have tried to produce females but have failed.” “But we have tried with Carpathian women,” Gregori pointed out. “If you believe this to be true, why have you waited to test your theory?” Mikhail asked suspiciously. Why would Gregori even be thinking along those lines when they all knew the few human women they’d attempted to turn had become mad and could not be saved? The continuation of their species was of the utmost importance--yes--but not at the cost of experimenting on a human being. “Because I also believe a true ritual mating with an ordinary human woman would drive her insane. I do not believe it can be done and had despaired of ever seeing it happen until you successfully converted Raven. I had to ask myself why it worked with her and not with any others. She is your true lifemate, that much is evident, but what else is different about her that allowed it to be so? She is psychic, Mikhail. She possesses extraordinary psychic ability. It is my belief that she carries the genetic makeup to allow us to convert her. In all the world there is perhaps a handful of these women.” “Do you base your belief on Raven alone?” Mikhail asked softly. The terrible nagging in his gut wouldn’t quite leave. Experimenting on a woman was certainly an unforgiveable crime, and one he could never tolerate. Gregori’s silver eyes narrowed, glittered. For a moment there was arctic cold, even icy death, reflected there, as if he were all too aware of Mikhail’s concerns. The black emptiness was growing in Gregori, a dark stain spreading over his soul. He made no effort to hide it from Mikhail. It was as if he wanted to show Mikhail just how desperate the situation was becoming. Keeping his gaze steady on his prince’s, Gregori answered the charge. “I have done many dark, ugly, unforgivable things, but I would never use a female for experimental purposes.” He shrugged his wide shoulders. “Although we both know others have tried and failed, I have not yet managed to sink that low.” “Nor would you,” Mikhail said with more confidence than he felt.
Christine Feehan (Dark Prince (Dark, #1))
She took down the framed manuscript from the kitchen wall. It was Kendra's prized possession, and part of her felt guilty for what she planned, but it had to be done. She carefully removed the parchment from its frame, then searched through the piles of translations and notes on the kitchen table. Finally she found the Secret Scroll on the chair where Kendra had been the night before. She carried both manuscripts upstairs and set them on her desk. Next she gathered paints and brushes and sat down. She studied the artwork on the Secret Scroll, then slowly began copying its rich patterns of gold, red, and blue onto Kendra's old manuscript. It was late afternoon when she finished. She studied her work. She had managed to copy the exotic birds and animals hidden in the foliage on the borders, and even the detailed picture of the goddess locking the jaws of hell. Her work was rough, but at a distance it would fool Toby or any of the Regulators, especially since they were afraid to touch it. Satisfied, she went to her closet. She searched through her clothes until she found the strapless top with the slit in the front. She slipped it over her head, then grabbed a silky black skirt and stepped into it. She carried her stiletto boots to the bed and tugged them on. At last she drew black liquid eyeliner over her top lid, added green glitter shadow, rolled thick mascara on her lashes, and brushed her hair. She added gloss to her lips and rubbed sparkle lotion over her arms and chest. Then she remembered the dragon stencils. Soon, she had a sinuous dragon adorning her thigh between the bottom of her skirt and the top of her boots. She liked the look. She turned in front of the full-length mirror behind the bathroom door. "Dynamite," she whispered. Her reflection thrilled her. She looked vamped-out and mystical. At once, she sensed the fierce power of the dragon rising in her. She felt like an invincible goddess-warrior.
Lynne Ewing (The Secret Scroll (Daughters of the Moon, #4))
What do girls like to talk about? Makeup? Glitter? I don't really know.
Josh Sundquist (We Should Hang Out Sometime: Embarrassingly, a True Story)