“
Oh, it's delightful to have ambitions. I'm so glad I have such a lot. And there never seems to be any end to them-- that's the best of it. Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Nobody wanted your dance,
Nobody wanted your strange glitter, your floundering
Drowning life and your effort to save yourself,
Treading water, dancing the dark turmoil,
Looking for something to give.
”
”
Ted Hughes (Birthday Letters)
“
My life is not an apology, but a life. It is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady.
”
”
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
“
My aunt and overprivileged cousin only recognize two states of being: glitter and grunge. And if you weren’t glitter, well, that only left one other option.
”
”
Rachel Vincent (My Soul to Take (Soul Screamers, #1))
“
Consider the fact that maybe…just maybe…beauty and worth aren’t found in a makeup bottle, or a salon-fresh hairstyle, or a fabulous outfit. Maybe our sparkle comes from somewhere deeper inside, somewhere so pure and authentic and REAL, it doesn’t need gloss or polish or glitter to shine.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
Stars in the sky will always glitter if we are not blinded by the erosion of our emotions, or hampered by our lack of interest and awareness. ("Living life as a poem")
”
”
Erik Pevernagie
“
What is one man's life compared to the eternity of time and space? No more than a snowflake that glitters in the sun for a moment before melting into the flow of time.
”
”
Osamu Tezuka (Buddha, Vol. 2: The Four Encounters (Buddha #2))
“
Life is made up of moments, small pieces of glittering mica in a long stretch of gray cement. It would be wonderful if they came to us unsummoned, but particularly in lives as busy as the ones most of us lead now, that won’t happen. We have to teach ourselves how to make room for them, to love them, and to live, really live.
”
”
Anna Quindlen (A Short Guide to a Happy Life)
“
I didn't bother to explain about the glitter in my hair. I figured they could think it was a family trait. We all glittered, just like the Cullens in Twilight.
”
”
Janette Rallison (My Double Life)
“
Now every mortal has pain
and sweat is constant,
but if there is anything dearer than being alive,
it's dark to me.
We humans seem disastrously in love with this thing
(whatever it is) that glitters on the earth--
we call it life. We know no other.
The underworld's a blank
and all the rest just fantasy.
”
”
Anne Carson (Grief Lessons: Four Plays by Euripides)
“
Writing is like giving yourself homework, really hard homework, every day, for the rest of your life. You want glamorous? Throw glitter at the computer screen.
”
”
Katrina Monroe
“
She was never going to seek gainful employment again, that was for certain. She'd remain outside the public sector. She'd be an anarchist, she'd travel with jaguars. She was going to train herself to be totally irrational. She'd fall in love with a totally inappropriate person. She'd really work on it, but abandon would be involved as well. She'd have different names, a.k.a. Snake, a.k.a. Snow - no that was juvenile. She wanted to be extraordinary, to possess a savage glitter.
”
”
Joy Williams
“
You said there was nothing in the world you wanted" The Queen's eyes glittered. "When you imagine your life without him, do you still feel the same?
”
”
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
“
Let me conclude by saying in my experience the glittering prizes in life come more to those who persevere despite setback and disappointment than they do to the exceptionally gifted who, with the confidence of the talents bestowed upon them, often pursue the tasks leading to success with less determination.
”
”
Bryce Courtenay (The Power of One (The Power of One, #1))
“
You know my friends, there comes a time when people get tired of being trampled by the iron feet of oppression. There comes a time my friends, when people get tired of being plunged across the abyss of humiliation, where they experience the bleakness of nagging despair. There comes a time when people get tired of being pushed out of the glittering sunlight of life's July and left standing amid the piercing chill of an alpine November. There comes a time.
”
”
Martin Luther King Jr. (A Testament of Hope: The Essential Writings and Speeches)
“
believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without ever realizing it.
I don’t want to wait anymore. I choose to believe that there is nothing more sacred or profound than this day. I choose to believe that there may be a thousand big moments embedded in this day, waiting to be discovered like tiny shards of gold. The big moments are the daily, tiny moments of courage and forgiveness and hope that we grab on to and extend to one another. That’s the drama of life, swirling all around us, and generally I don’t even see it, because I’m too busy waiting to become whatever it is I think I am about to become. The big moments are in every hour, every conversation, every meal, every meeting.
The Heisman Trophy winner knows this. He knows that his big moment was not when they gave him the trophy. It was the thousand times he went to practice instead of going back to bed. It was the miles run on rainy days, the healthy meals when a burger sounded like heaven. That big moment represented and rested on a foundation of moments that had come before it.
I believe that if we cultivate a true attention, a deep ability to see what has been there all along, we will find worlds within us and between us, dreams and stories and memories spilling over. The nuances and shades and secrets and intimations of love and friendship and marriage an parenting are action-packed and multicolored, if you know where to look.
Today is your big moment. Moments, really. The life you’ve been waiting for is happening all around you. The scene unfolding right outside your window is worth more than the most beautiful painting, and the crackers and peanut butter that you’re having for lunch on the coffee table are as profound, in their own way, as the Last Supper. This is it. This is life in all its glory, swirling and unfolding around us, disguised as pedantic, pedestrian non-events. But pull of the mask and you will find your life, waiting to be made, chosen, woven, crafted.
Your life, right now, today, is exploding with energy and power and detail and dimension, better than the best movie you have ever seen. You and your family and your friends and your house and your dinner table and your garage have all the makings of a life of epic proportions, a story for the ages. Because they all are. Every life is.
You have stories worth telling, memories worth remembering, dreams worth working toward, a body worth feeding, a soul worth tending, and beyond that, the God of the universe dwells within you, the true culmination of super and natural.
You are more than dust and bones.
You are spirit and power and image of God.
And you have been given Today.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
I rather wonder what I am doing here. I enjoy city life, you know. The glittering lights, the constant companionship, the liquid entertainment. The lack of sudden monkeys.
”
”
Cassandra Clare (What Really Happened in Peru (The Bane Chronicles, #1))
“
How can those who incinerate with jealousy at the sight of someone else's external glitter not realize that not everything that shines is a diamond? Only the person wearing new shoes can truly experience the pain; for others, captivating is the allure of new shoes.
”
”
Sanu Sharma (एकादेशमा [Ekadeshma])
“
The truth is that I’ve spent all my life with my binoculars trained on the Maybe Islands, a pristine place of fantasy that is really no better than the razor-rocks of misery. Maybe if I had stayed on the farm… maybe if I hadn’t gone with Spike… maybe if I could have lived more peaceably… maybe if I’d met the right person years ago, maybe if I hadn’t done this, or that or, its cousin, the other. Maybe, baby, the promised land was there and I missed it. Look at it glittering in the light. But the truth is I am inventing the maybe. I can only make the choices I make, so why torture myself with what I might have done, when all I can handle is what I have done. The Maybe Islands are hostile to human life.
”
”
Jeanette Winterson (The Stone Gods)
“
Drink the sun’s warmth and the moon’s icy glitter, and taste that which the dead and the yet-to-be-born cannot: the potency of this world.
”
”
Emmanuelle de Maupassant (The Gentlemen's Club)
“
The sword glitters not because the swordsman set out to make it glitter but because he is fighting for his life and therefore moving it very quickly.
”
”
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
“
I used to collect snow globes when I was younger. They lined a shelf in my bedroom, and sometimes I would shake them up, one after the other, then sit on my bed and watch as the flurries and the glitter swirled around inside the glass. Eventually, the contents inside the globe would begin to settle. All would grow still, and then the globes on my shelf would return to their quiet, peaceful states. I liked them because they reminded me of life. How sometimes, it feels like someone is shaking the world around you, and things are flying at you from every direction, but if you wait long enough, everything will start to calm. I liked that feeling of knowing that the storm inside always eventually settles.
”
”
Colleen Hoover (Regretting You)
“
And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre’s eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre’s newly melted heart, as it gathered reassurance and blossomed into new life.
”
”
Leo Tolstoy (War and Peace)
“
Her eyes were glittering like the eyes of a child when you give a nice surprise, and she laughed with a sudden throaty, tingling way. It is the way a woman laughs for happiness. They never laugh that way just when they are being polite or at a joke. A woman only laughs that way a few times in her life. A woman only laughs that way when something has touched her way down in the very quick of her being and the happiness just wells out as natural as breath and the first jonquils and mountain brooks. When a woman laughs that way it always does something to you. It does not matter what kind of a face she has got either. You hear that laugh and feel that you have grasped a clean and beautiful truth. You feel that way because that laugh is a revelation. It is a great impersonal sincerity. It is a spray of dewy blossom from the great central stalk of All Being, and the woman’s name and address hasn’t got a damn thing to do with it. Therefore, the laugh cannot be faked. If a woman could learn to fake it she would make Nell Gwyn and Pompadour look like a couple of Campfire Girls wearing bifocals and ground-gripper shoes with bands on their teeth. She could get all society by the ears. For all any man really wants is to hear a woman laugh like that.
”
”
Robert Penn Warren (All the King's Men)
“
you are
as fleetingly beautiful
as a mother’s tears
and a father’s pranks
a brother’s bachelorhood
and a best friend’s bad mood
a bride’s glittering jitters
and a handsome stranger’s smile.
”
”
Sanober Khan (Turquoise Silence)
“
My life is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. I wish it to be sound and sweet, and not to need diet and bleeding
”
”
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
“
From p. 40 of Signet Edition of Thomas Wolfe's _You Can't Go Home Again_ (1940):
Some things will never change. Some things will always be the same. Lean down your ear upon the earth and listen.
The voice of forest water in the night, a woman's laughter in the dark, the clean, hard rattle of raked gravel, the cricketing stitch of midday in hot meadows, the delicate web of children's voices in bright air--these things will never change.
The glitter of sunlight on roughened water, the glory of the stars, the innocence of morning, the smell of the sea in harbors, the feathery blur and smoky buddings of young boughs, and something there that comes and goes and never can be captured, the thorn of spring, the sharp and tongueless cry--these things will always be the same.
All things belonging to the earth will never change--the leaf, the blade, the flower, the wind that cries and sleeps and wakes again, the trees whose stiff arms clash and tremble in the dark, and the dust of lovers long since buried in the earth--all things proceeding from the earth to seasons, all things that lapse and change and come again upon the earth--these things will always be the same, for they come up from the earth that never changes, they go back into the earth that lasts forever. Only the earth endures, but it endures forever.
The tarantula, the adder, and the asp will also never change. Pain and death will always be the same. But under the pavements trembling like a pulse, under the buildings trembling like a cry, under the waste of time, under the hoof of the beast above the broken bones of cities, there will be something growing like a flower, something bursting from the earth again, forever deathless, faithful, coming into life again like April.
”
”
Thomas Wolfe (You Can't Go Home Again)
“
I’ve never been more sorry in my life about anything.
… He dropped his forehead to mine and with a silky soft kiss, he gently parted my lips, working his velvety tongue against mine. “And I’m more than willing to spend the rest of my life making it up to you, because I love you, Tess. I am so fucking in love with you in a way I’ve never loved someone before.” His eyes glittered with hunger and love. “Please let me prove that to you. Please, Tess.
”
”
J. Lynn (Be with Me (Wait for You, #2))
“
But the person who is willing to reconsider their assumptions? The hero who can sit down and reevaluate their life? Well, now that is a gemstone that truly glitters, friend.
”
”
Brandon Sanderson (Tress of the Emerald Sea)
“
I believe that this way of living, this focus on the present, the daily, the tangible, this intense concentration not on the news headlines but on the flowers growing in your own garden, the children growing in your own home, this way of living has the potential to open up the heavens, to yield a glittering handful of diamonds where a second ago there was coal. This way of living and noticing and building and crafting can crack through the movie sets and soundtracks that keep us waiting for our own life stories to begin, and set us free to observe the lives we have been creating all along without even realizing it.
”
”
Shauna Niequist (Cold Tangerines: Celebrating the Extraordinary Nature of Everyday Life)
“
The twins, Taylor and Tyler, threw confetti in my face, music began to blare, and then I saw the worst thing I'd ever seen in my life: Trenton in a man thong, covered in about ten pounds of body glitter. He had on a cheap, yellow wig, and Cami was laughing her head off, cheering him on.
”
”
Jamie McGuire (A Beautiful Wedding (Beautiful, #2.5))
“
I call the high and light aspects of my being SPIRIT and the dark and heavy aspects SOUL.
Soul is at home in the deep shaded valleys.
Heavy torpid flowes saturated with black grow there.
The rivers flow like arm syrup. They empty into huge oceans of soul.
Spirit is a land of high,white peaks and glittering jewel-like lakes and flowers.
Life is sparse and sound travels great distances.
There is soul music, soul food, and soul love.
People need to climb the mountain not because it is there
But because the soulful divinity need to be mated with the Spirit.
Deep down we must have a rel affection for each other, a clear recognition of our shared human status. At the same time we must openly accept all ideologies and systems as means of solving humanity's problems. No matter how strong the wind of evil may blow, the flame of truth cannot be extinguished.
”
”
Dalai Lama XIV
“
The very stars to which I then raised my eyes, I am afraid I took to be but poor and humble stars for glittering on the rustic objects among which I had passed my life.
”
”
Charles Dickens (Great Expectations)
“
Life is beautiful and life is stupid. As long as you keep that in mind, and never give more weight to one than the other, the history of the galaxy, the history of a planet, the history of a person is a simple tune with lyrics flashed on-screen and a helpful, friendly bouncing disco ball of glittering, occasionally peaceful light to help you follow along. Cue the music. Cue the dancers. Cue tomorrow.
”
”
Catherynne M. Valente (Space Opera (Space Opera, #1))
“
How could anybody think of Bach as 'cold' when these [cello] suites seem to shine with the most glittering kind of poetry," Casals said. "As I got on with the study I discovered a new world of space and beauty... the feelings I experienced were among the purest and most intense in my artistic life!
”
”
Pau Casals (The Cello Suites: J. S. Bach, Pablo Casals, and the Search for a Baroque Masterpiece)
“
So much of my life has been twisted and painful that now when happiness floods right through me like being flooded over with warm glittering blue water, I can't believe it. I say to myself: I am Anna Wulf, this is me, Anna, and I'm happy.
”
”
Doris Lessing (The Golden Notebook)
“
She had turned her back upon them all and no awful fate had overtaken her; instead, she had taken a firm hold upon life and made of it a fine, even glittering, success; and this is a thing which is not easily forgiven.
”
”
Louis Bromfield
“
Was it my lot in life to stand forever on heaven's shores watching the glittering swirl of celestial bodies on the other side?
”
”
Natsuo Kirino (Grotesque)
“
Is it truly worth saving your life if you lose your soul in the process?
”
”
Aprilynne Pike (Glitter (Glitter, #1))
“
Books admitted me to their world open-handedly, as people for their most part, did not. The life I lived in books was one of ease and freedom, worldly wisdom, glitter, dash and style.
”
”
Jonathan Raban
“
What man most passionately wants is his living wholeness and his living unison, not his own isolate salvation of his "soul." Man wants his physical fulfillment first and foremost, since now, once and once only, he is in the flesh and potent. For man, the vast marvel is to be alive. For man, as for flower and beast and bird, the supreme triumph is to be most vividly, most perfectly alive. Whatever the unborn and the dead may know, they cannot know the beauty, the marvel of being alive in the flesh. The dead may look after the afterwards. But the magnificent here and now of life in the flesh is ours, and ours alone, and ours only for a time. We ought to dance with rapture that we should be alive and in the flesh, and part of the living, incarnate cosmos. I am part of the sun as my eye is part of me. That I am part of the earth my feet know perfectly, and my blood is part of the sea. My soul knows that I am part of the human race, my soul is an organic part of the great human soul, as my spirit is part of my nation. In my own very self, I am part of my family. There is nothing of me that is alone and absolute except my mind, and we shall find that the mind has no existence by itself, it is only the glitter of the sun on the surface of the waters.
”
”
D.H. Lawrence
“
To exhaustion and beyond they prayed, to that glittering place where the flesh dies and is born again, where all is agony, and finally, just as La Inca was feeling her spirit begin to loose itself from its earthly pinions, just as the circle began to dissolve--
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
You never know if happy memories are going to become sad ones. They glow and shine in the vast realms of our subconscious, making that part of our brain feel like it’s filled with glitter. We pick them up and cradle them like expensive cats, or wriggle into them like they are jumpers we’ve left to warm on a radiator. Until the day when, for one reason or another, life can suddenly make this happy memory into a sad memory instead. Good memories exist in the naivety of not knowing any better.
”
”
Holly Bourne (The Places I've Cried in Public)
“
Life is not something we can manage or control. It's something we negotiate every time the path takes a turn.
”
”
Lisa Tawn Bergren (Glittering Promises (Grand Tour, #3))
“
Real gold doesn't start its journey in a display window at Tiffany. It's dug out of the dirty earth. Sometimes true gold doesn't glitter. It may need a little polishing, but don't let that bit of needed patience or effort trick you into discarding what could be the greatest treasure of your life.
”
”
Cleo Coyle (Billionaire Blend (Coffeehouse Mystery, #13))
“
In New York, he would live for them, but in San Francisco, he could live for himself. And though he does not like to think about it, though he in fact avoids the subject pathologically, he allows himself to think it now: What if the woman on Hester Street is right, and the next few years are his last? The mere thought turns his life a different color; it makes everything feel urgent, glittering, precious.
”
”
Chloe Benjamin (The Immortalists)
“
What is this thing called life? I believe
That the earth and the stars too, and the whole glittering universe, and rocks on the mountains have life,
Only we do not call it so--I speak of the life
That oxidizes fats and proteins and carbo-
Hydrates to live on, and from that chemical energy
Makes pleasure and pain, wonder, love, adoration, hatred and terror: how do these things grow
From a chemical reaction?
I think they were here already, I think the rocks
And the earth and the other planets, and the stars and the galaxies
have their various consciousness, all things are conscious;
But the nerves of an animal, the nerves and brain
Bring it to focus; the nerves and brain are like a burning-glass
To concentrate the heat and make it catch fire:
It seems to us martyrs hotter than the blazing hearth
From which it came. So we scream and laugh, clamorous animals
Born howling to die groaning: the old stones in the dooryard
Prefer silence; but those and all things have their own awareness,
As the cells of a man have; they feel and feed and influence each other, each unto all,
Like the cells of a man's body making one being,
They make one being, one consciousness, one life, one God.
”
”
Robinson Jeffers (The Selected Poetry)
“
Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him- and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.
”
”
Colette
“
When the jabot with scalloped glass beads glitters flat against the top of RBG's black robe, it's bad news for liberals. That's her dissent collar.
”
”
Irin Carmon (Notorious RBG: The Life and Times of Ruth Bader Ginsburg)
“
.....the only sound was of the crickets, and the glittering speckled of stars on the night sky as witness of her biggest mistake, the night when it changed her life forever.
”
”
Aina M. Rosdi (One Minute to Midnight)
“
The Happy Trinity is her home: nothing can trouble her joy.
She is the bird that evades every net: the wild deer that leaps every pitfall.
Like the mother bird to its chickens or a shield to the armed knight: so is the Lord to her mind, in His unchanging lucidity.
Bogies will not scare her in the dark: bullets will not frighten her in the day.
Falsehoods tricked out as truths assail her in vain: she sees through the lie as if it were glass.
The invisible germ will not harm her: nor yet the glittering sunstroke.
A thousand fail to solve the problem, ten thousand choose the wrong turning: but she passes safely through.
He details immortal gods to attend her: upon every road where she must travel.
They take her hand at hard places: she will not stub her toes in the dark.
She may walk among lions and rattlesnakes: among dinosaurs and nurseries of lionettes.
He fills her brim full with immensity of life: he leads her to see the world’s desire.
”
”
C.S. Lewis (The Great Divorce)
“
How could you tell how much of it was lies? It might be true that the average human being was better off now than before the Revolution. The only evidence to the contrary was the mute protest in your own bones, the instinctive feeling that the conditions you lived in were intolerable and that at some other time they must have been different. It struck him that the truly characteristic thing about modern life was not its cruelty and insecurity, but simply its bareness, its dinginess, its listlessness. Life, if you looked about you, bore no resemblance not only to the lies that streamed out of the telescreens, but even to the ideals that the Party was trying to achieve. Great areas of it, even for a party member, were neutral and nonpolitical, a matter of slogging through dreary jobs, fighting for a place on the Tube, darning a worn-out sock, cadging a saccharine tablet, saving a cigarette end. The ideal set up by the Party was something huge, terrible, and glittering--a world of steel and concrete, of monstrous machines and terrifying weapons--a nation of warriors and fanatics, marching forward in perfect unity, all thinking the same thoughts and shouting the same slogans, perpetually working, fighting, triumphing, persecuting--three hundred million people all with the same face.
”
”
George Orwell (1984)
“
No. I hear you say the word, as if I sat in the room beside you. I see you, bent over the tome in your hand with a frown on your face and a curse on your lips, as if I were puddled in the shadow at your feet. The realization that there are no more pages is sinking in now. I hear it. I see it. No, you say again. What of Mia and Jonnen? Of Scaeva? Mercurio and Ashlinn and Tric? The secrets of the darkin? The Crown of the Moon? I promised ruins in her wake. Pale light glittering on waters that drank a city of bridges and bones. All these questions unanswered, and yet the book is at its end? No, you say. It cannot end like that. Fear not, little mortal. The song is not yet sung. This is but the calm before the crescendo. This tale is only two of three. Birth. And life. And death. So patience, gentlefriends. Patience. Close your eyes. Take my hand. And walk with me.
”
”
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
“
Umasi kept walking, out of sight and into the glittering night. Meahwhile, Zen lay alone, defeated on the cold ground, knowing that he had truly been left behind. Then the memories returned, and for the first time in his life, he cried.
”
”
Isamu Fukui (Origins (Truancy, #0))
“
part that was his own design, words that burned into me and repeated in my brain later when I slipped the little glittering circle of rubies onto Sydney’s finger: “Until now, you have always lived your life alone. Every decision you’ve made has been for you and you alone. Now, and for the rest of your days, your life will be tied to another’s. Every decision you make will be for both of you. What one does affects the other. You are a family, a team . . . inseparable and unbreakable.
”
”
Richelle Mead (Silver Shadows (Bloodlines, #5))
“
The hardest lesson in life is learning to accept that there are some things we can't change." Falcone paused, his eyes hard and glittering.
[...]
Then he unbuttoned the cuffs on his shirt and rolled back his sleeves to expose the melted surface of his forearms. He held them up for Kira to see.
"Why do you think I keep these scars?"
"Because you feel guilty over ..."
"No," Falcone said harshly.
Then, in a gentler tone, "No. I keep them to remind me of what I can survive. Of what I have survived. If I'm having a rough time, I look at my arms and then I know I'll get through whatever problem I'm dealing with. Life's not gonna break me. It can't break me. It might kill me, but nothing it throws at me is gonna make me give up.
”
”
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
“
The complexity of your earthly array is not a guarantee for a truimphant eternity. The fact is that you need a simple life to go to heaven; not an excessively glittering body, shiny lips and charming face.
”
”
Israelmore Ayivor
“
Glinda used her glitter beads, and you used your exotic looks and background, but weren't you just doing the same thing, trying to maximize what you had in order to get what you wanted? People who claim that they're evil are usually no worse than the rest of us. It's people who claim that they're good, or anyway better than the rest of us, that you have to be wary of.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
He nipped her skin, and her entire body jerked.
“Oh!” she gasped.
"Got yourself a vampire fetish?” he asked with a chuckle.
“What? No, of course not. Vampires aren’t real.”
“But I’m all about bringing your fantasies to life, babe. If you want to be banged by a sparkling dick, I’ll go get the glitter.
”
”
Olivia Cunning (Insider (Exodus End, #1))
“
All over the city lights were coming on in the purple-blue dusk. The street lights looked delicate and frail, as though they might suddenly float away from their lampposts like balloons. Long twirling ribbons of light, red, green, violet, were festooned about the doorways of drugstores and restaurants--and the famous electric signs of Broadway had come to life with glittering fish, dancing figures, and leaping fountains, all flashing like fire. Everything was beautiful. Up in the deepening sky above the city the first stars appeared white and rare as diamonds.
”
”
Elizabeth Enright (The Saturdays (The Melendy Family, #1))
“
As I looked out at the glittering waters of the Pacific I was seeing for Carl. He knew that it's not for any one generation to see the completed picture. That's the point. The picture is never completed. There is always so much more that remains to be discovered.
”
”
Ann Druyan
“
Alone you're refinding a glittering, a clarity, you're finding your distilled self. ...You think of the two types of aloneness you've known recently: this wonderful, sparkly, soul-refreshing type, and the despairing loneliness that sucks the breath from your life.
”
”
Nikki Gemmell (The Bride Stripped Bare (Bride Trilogy, #1))
“
I'd never really planned on stealing someone else's life.
”
”
Richelle Mead (The Glittering Court (The Glittering Court, #1))
“
Think of me as the porter . . . and consider the possiblity that life might be less exhausting if you unloaded some of your bags on to my empty trolley.
”
”
Susan Howatch (Glittering Images (Starbridge, #1))
“
Yes, life has a glitter now-of a sort. That’s what’s wrong with it. The old days had no glitter but they had a charm, a beauty, a slow-paced glamour.
”
”
Margaret Mitchell (Gone with the Wind)
“
The soft humidity of the evening, so pleasant to walk about in earlier, had turned to rain. The strolling tourists had melted away. One or two people hurried by under umbrellas. This is what the inhabitants who live here see, he thought. This is the true life. Empty streets by night, the dank stillness of a stagnant canal beneath shuttered houses. The rest is a bright façade put on for show, glittering by sunlight.
”
”
Daphne du Maurier (Don't Look Now and Other Stories)
“
Mr. Beeblebrox, sir,' said the insect in awed wonder, 'you’re so weird you should be in movies.;
'Yeah,' said Zaphod patting the thing on a glittering pink wing, 'and you, baby, should be in real life.' The insect paused for a moment
”
”
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
“
I? I am the wind,’ said Thowra. ‘I come, I pass, and I am gone.’ The strange feathers moved up and down, the strange voice said tartly: ‘And are your sons the same?’ ‘My son is the lightning that strikes through the black night. My grandson is light that pierces the dark sky at dawning.’ ‘Ah,’ said the first emu, ‘and we know your daughter is the snow that falls softly from above and clothes the world in white. You want but the rainbow — that is and was and never will be, and is yet the promise of life — and the glittering ice which is there and is gone: then you and your family will possess all magic.
”
”
Elyne Mitchell (Silver Brumby Kingdom)
“
So the novel works by suppressing the truth of the world packing it tightly down underneath the glittering surface of the text. And we can care once again, as we do in real life, whether people break up or stay together -if and only if, we have successfully forgotten about all the things more important than that, i.e. everything.
”
”
Sally Rooney (Beautiful World, Where Are You)
“
My delight is the exquisite.
Yes, for me,
Glitter and sunlight and love
Are one society.
So I shall not go creeping away
To die in the dark:
I shall go on living with you,
Loving and loved.
”
”
Sappho (The Love Songs of Sappho)
“
The dawn light’s swimming through the trees, making the leaves gleam. A glisk, I think, tattooed on my wrist, maybe my favourite word of all. Because ultimately and ideally, isn’t that what life is: a fleeting glance at a glittering sight.
”
”
Jandy Nelson (When the World Tips Over)
“
In her mind the U.S. was nothing more and nothing less than a país overrun by gangsters, putas, and no-accounts. Its cities swarmed with machines and industry, as thick with sinvergüencería as Santo Domingo was with heat, a cuco shod in iron, exhaling fumes, with the glittering promise of coin deep in the cold lightless shaft of its eyes.
”
”
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
“
I'd been in love with August Salt since before I knew what the words meant. I don't know when it happened - the narrow space between seconds, when a spark like the birth of a hundred stars found a home in my blood. Since then, every day had been colored with the glittering light of it dragging me in its wake, pulling me beneath its surface. And I didn't care. If this was what it was like to drown, then for the rest of my life, I didn't want to take another sip of air.
”
”
Adrienne Young (Spells for Forgetting)
“
To the winter forest
And nowhere to go
This girl runs
From all she knows
The pressure rises to the top
The pressure rises (it won't stop)
They want your body
They want your soul
They want fake smiles
That's rock and roll
The wolves surrond you
A fever dream
The wolves surrond you
So start the scream
Howl, into the night,
Howl, until the light,
Howl, your turn to fight,
Howl, just make it right
Howl howl howl howl
(Motherfucker)
You can't fight fo ever
You have to comply
If your life isn't working
You have to ask why
Remember
When we were young enough
Not to fear tomorrow
Or mourn yesterday
And we were just
Us
And time was just
Now
And we were in
Life
Not rising through
Like arms in a sleeve
Because we had time
We had time to breathe
The bad times are here
The bad times have come
but life can't be over
When it hasn't begun
The lake shines and the water's cold
All that glitters can turn to gold
Silence the music to improve the tune
Stop the fake smiles and howl at the moon
Howl, into the night,
Howl, until the light,
Howl, your turn to fight,
Howl, just make it right
Howl howl howl howl
”
”
Matt Haig (The Midnight Library (The Midnight World, #1))
“
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance
”
”
Joseph Conrad (Heart of Darkness)
“
I do not wish to expiate, but to live. My life is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. I wish it to be sound and sweet, and not to need diet and bleeding.
”
”
Ralph Waldo Emerson (Self-Reliance)
“
For now she need not think about anybody. She could be herself, by herself. And that was what now she often felt the need of--to think; well, not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the strangest adventures. When life sank down for a moment, the range of experience seemed limitless.
”
”
Virginia Woolf
“
The hardest lesson in life is learning to accept that there are some things we can’t change.” Falconi paused, his eyes hard and glittering. “Blaming yourself is perfectly normal, but it doesn’t do you any good. Until you stop, unless you can stop, you’ll never be able to fully recover.
”
”
Christopher Paolini (To Sleep in a Sea of Stars)
“
It is a melancholy fact that childhood, so short when compared with the average span of life, should exert such a strong and permanent influence on character that no amount of self-training afterwards can ever completely counter it.
”
”
Consuelo Vanderbilt Balsan (The Glitter and the Gold: The intimate, revealing Golden Age memoir from the 9th Duchess of Marlborough, Consuelo Vanderbilt)
“
In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a phantasmagoria of macabre shadow-studies; now glittering and leering with concealed rottenness as in Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Dore. He would often regard it as merciful that most persons of high Intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humour ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.
”
”
H.P. Lovecraft (The Call of Cthulhu & Other Weird Stories (20th-Century Classics))
“
In some remote corner of the universe, poured out and glittering in innumerable solar systems, there once was a star on which clever animals invented knowledge. That was the highest and most mendacious minute of 'world history' — yet only a minute. After nature had drawn a few breaths the star grew cold, and the clever animals had to die.
One might invent such a fable and still not have illustrated sufficiently how wretched, how shadowy and flighty, how aimless and arbitrary, the human intellect appears in nature. There have been eternities when it did not exist; and when it is done for again, nothing will have happened. For this intellect has no further mission that would lead beyond human life. It is human, rather, and only its owner and producer gives it such importance, as if the world pivoted around it. But if we could communicate with the mosquito, then we would learn that he floats through the air with the same self-importance, feeling within itself the flying center of the world. There is nothing in nature so despicable or insignificant that it cannot immediately be blown up like a bag by a slight breath of this power of knowledge; and just as every porter wants an admirer, the proudest human being, the philosopher, thinks that he sees on the eyes of the universe telescopically focused from all sides on his actions and thoughts.
”
”
Friedrich Nietzsche (On Truth and Lies in a Nonmoral Sense)
“
My life is not an apology, but a life. It is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. I wish it to be sound and sweet, and not to need diet and bleeding. My life should be unique; it should be an alms, a battle, a conquest, a medicine.
”
”
Ralph Waldo Emerson
“
The combination of circumstances which allows it to exist at all are so implausible that Schistostega is rendered much more precious than gold.... It’s life, and ours, exist only because of a myriad of synchronicities that bring us to this particular place at this particular moment. In return for such a gift, the only sane response is to glitter in reply.
”
”
Robin Wall Kimmerer (Gathering Moss: A Natural and Cultural History of Mosses)
“
Cass Mastern lived for a few years and in that time he learned that the world is all of one piece. He learned that the world is like an enormous spider web and if you touch it, however lightly, at any point, the vibration ripples to the remotest perimeter and the drowsy spider feels the tingle and is drowsy no more but spring out to fling the gossamer coils about you who have touched the web and then inject the black, numbing poison under your hide. It does not matter whether or not you meant to brush the web of things. You happy foot or you gay wing may have brushed it ever so lightly, but what happens always happens and there is the spider, bearded black and with his great faceted eyes glittering like mirrors in the sun, or like God's eye, and the fangs dripping.
”
”
Robert Penn Warren (All the King's Men)
“
When I was a fairly precocious young man I became thoroughly impressed with the futility of the hopes and strivings that chase most men restlessly through life. Moreover, I soon discovered the cruelty of that chase, which in those years was much more carefully covered up by hypocrisy and glittering words than is the case today. By the mere existence of his stomach everyone was condemned to participate in that chase. The stomach might well be satisfied by such participation, but not man insofar as he is a thinking and feeling being.
”
”
Albert Einstein
“
All eyes flew to the entrance.
A great gray stallion reared up in the doorway, its breath frosting the air with puffs of steam. It was a scene from every fairy-tale romance she'd ever read: the handsome prince bursting into the castle astride a magnificent stallion, ablaze with desire and honor as he'd declared his undying love before all and sundry. Her heart swelled with joy.
Then her brow puckered as she scrutinized her "prince." Well, it was almost like a fairy tale. Except this prince was dressed in nothing but a drenched and muddy tartan with blood on his face and hands and war braids plaited at his temples. Although determination glittered in his gaze, a declaration of undying love didn't appear to be his first priority.
"Jillian!" he roared.
Her knees buckled. His voice brought her violently to life. Everything in the room receded and there was only Grimm, blue eyes blazing, his massive frame filling the doorway. He was majestic, towering, and ruthless. Here was her fierce warrior ready to battle the world to gain her love.
He urged Occam into the crowd, making his way toward the altar.
"Grimm," she whispered.
”
”
Karen Marie Moning (To Tame a Highland Warrior (Highlander, #2))
“
Just as soon as you attain to one ambition you see another one glittering higher up still. It does make life so interesting.
”
”
L.M. Montgomery (Anne of Green Gables: The Complete Collection (Anne of Green Gables, #1-8))
“
At first parenthood was as I had expected, exhausting, sometimes heinous, and occasionally divine. I held my children close enough to feel them breathe, laugh, swallow.
”
”
Kelly Corrigan (Glitter and Glue)
“
There's a big difference between hating someone in peace and hating someone during war.
”
”
Hannah Moskowitz (A History of Glitter and Blood)
“
My head whips back from the impact and my ribs twang like a dropped guitar. The sky spins above me like a penny. My bike has dematerialized, and my iPod is strewn about the intersection in a million glittering pieces. When I try to move, ten different parts of my body light up at once, like someone's pressing all the buttons at an anatomy exhibit. The magnolia tree blows me a kiss of perfumed air, and I can't decide if what I'm feeling is incredible bliss of excruciating pain. This might just be the greatest moment of my life. It's possible. And if it is, I don't want to waste it lying around in the middle of the road. For a single, golden second I breathe galaxies.
”
”
Hilary T. Smith (Wild Awake)
“
Names aren't loners, they're connected, even in real life. You name your kids for someone dead or what you hope they will become or what you wish you were and your parents did the same to you and that big, glittering net of names tells the story of the whole world. Names are load-bearing struts. Names are destiny.
”
”
Catherynne M. Valente (Radiance)
“
I had no fear of the stream's perils, and I listened with the greatest contentment to the quiet slap of water on rocks, the running whisper of the current, and the taps and creaks and croaks that rose with the mist around me. Overhead swing the glittering stars, and the bright moon shone down and lit the curling ripples of the water. At no time in my life had I been in greater danger from the elements, and yet if I learned that heaven is such as that night was, I should deem it a joy worth the dying.
”
”
Clare B. Dunkle (The House of Dead Maids)
“
Liberty
On my notebooks from school
On my desk and the trees
On the sand, on the snow
I write your name
On every page read
On all the white sheets
Stone blood paper or ash
I write your name
On the golden images
On the soldier’s weapons
On the crowns of kings
I write your name
On the jungle, the desert
The nests and the bushes
On the echo of childhood
I write your name
On the wonder of nights
On the white bread of days
On the seasons engaged
I write your name
On all my blue rags
On the pond mildewed sun
On the lake living moon
I write your name
On the fields, the horizon
The wings of the birds
On the windmill of shadows
I write your name
On the foam of the clouds
On the sweat of the storm
On dark insipid rain
I write your name
On the glittering forms
On the bells of colour
On physical truth
I write your name
On the wakened paths
On the opened ways
On the scattered places
I write your name
On the lamp that gives light
On the lamp that is drowned
On my house reunited
I write your name
On the bisected fruit
Of my mirror and room
On my bed’s empty shell
I write your name
On my dog greedy tender
On his listening ears
On his awkward paws
I write your name
On the sill of my door
On familiar things
On the fire’s sacred stream
I write your name
On all flesh that’s in tune
On the brows of my friends
On each hand that extends
I write your name
On the glass of surprises
On lips that attend
High over the silence
I write your name
On my ravaged refuges
On my fallen lighthouses
On the walls of my boredom
I write your name
On passionless absence
On naked solitude
On the marches of death
I write your name
On health that’s regained
On danger that’s past
On hope without memories
I write your name
By the power of the word
I regain my life
I was born to know you
And to name you
LIBERTY
”
”
Paul Éluard
“
When I thought of myself, of the feelings I had, of the things I thought I understood so well, I imagined myself somehow abstractly, because that other visual recollection was painful and unpleasant for me. No sooner would I call to mind my physical appearance than the finest, most lyrical, wonderful visions would vanish in an instant - so monstrous was its disparity with the intangible, glittering world that existed in my imagination. It seemed to me that there could be no greater contrast than that between my inner life and my outward appearance; sometimes I even imagined that I was trapped in someone else's strange, almost hateful body.
”
”
Gaito Gazdanov (Het fantoom van Alexander Wolf)
“
It is now sixteen or seventeen years since I saw the queen of France, then the dauphiness, at Versailles; and surely never lighted on this orb, which she hardly seemed to touch, a more delightful vision. I saw her just above the horizon, decorating and cheering the elevated sphere she just began to move in,—glittering like the morning-star, full of life, and splendor, and joy. Oh! what a revolution! and what a heart must I have, to contemplate without emotion that elevation and that fall! Little did I dream that, when she added titles of veneration to those of enthusiastic, distant, respectful love, that she should ever be obliged to carry the sharp antidote against disgrace concealed in that bosom; little did I dream that I should have lived to see such disasters fallen upon her in a nation of gallant men, in a nation of men of honour and of cavaliers. I thought ten thousand swords must have leaped from their scabbards to avenge even a look that threatened her with insult.—But the age of chivalry is gone.—That of sophisters, economists, and calculators, has succeeded; and the glory of Europe is extinguished forever. Never, never more shall we behold that generous loyalty to rank and sex, that proud submission, that dignified obedience, that subordination of the heart which kept alive, even in servitude itself, the spirit of an exalted freedom. The unbought grace of life, the cheap defence of nations, the nurse of manly sentiment and heroic enterprise, is gone! It is gone, that sensibility of principle, that chastity of honour which felt a stain like a wound, which inspired courage whilst it mitigated ferocity, which ennobled whatever it touched, and under which vice itself lost half its evil by losing all its grossness.
”
”
Edmund Burke (Reflections on the Revolution in France)
“
The organist was almost at the end of the anthem’s long introduction, and as the crescendo increases the cathedral began to glitter before my eyes until I felt as if every stone in the building was vibrating in anticipation of the sweeping sword of sound from the Choir.
The note exploded in our midst, and at that moment I knew our creator had touched not only me but all of us, just as Harriet had touched that sculpture with a loving hand long ago, and in that touch I sensed the indestructible fidelity, the indescribable devotion and the inexhaustible energy of the creator as he shaped his creation, bringing life out of dead matter, wresting form continually from chaos. Nothing was ever lost, Harriet had said, and nothing was ever wasted because always, when the work was finally completed, every article of the created process, seen or unseen, kept or discarded, broken or mended – EVERYTHING was justified, glorified and redeemed.
”
”
Susan Howatch
“
Marietta Stelle's mother always said that nothing good came of a rainy day. However, it was a rainy day when the magic came, and once magic has entered your life, you stay in its glittering clutch forever.
”
”
M.A. Kuzniar (Midnight in Everwood)
“
The words I read in books seemed to strike me more deeply, and with my senses sharpened by grief, I noticed the glittering transition of the seasons as clearly as if I held the grief in the palm of my hand. It had been a long while since I'd experienced a fall so clear and crisp.
”
”
Banana Yoshimoto (Dead-End Memories: Stories)
“
I close my eyes and press my face into his shirt and howl against him, liquid agony pouring from me. He smooths my hair from my face and continues to murmur, but he never shushes me, never tells me to stop. Never tells me it'll be all right. He knows life too well to believe such lies.
”
”
Aprilynne Pike (Glitter (Glitter, #1))
“
How we hate to admit that we would like nothing better than to be the slave! Slave and master at the same time! For even in love the slave is always the master in disguise. The man who must conquer the woman, subjugate her, bend her to his will, form her according to his desires—is he not the slave of his slave? How easy it is, in this relationship, for the woman to upset the balance of power! The mere threat of self-dependence, on the woman’s part, and the gallant despot is seized with vertigo. But if they are able to throw themselves at one another recklessly, concealing nothing, surrendering all, if they admit to one another their interdependence, do they not enjoy a great and unsuspected freedom? The man who admits to himself that he is a coward has made a step towards conquering his fear; but the man who frankly admits it to every one, who asks that you recognize it in him and make allowance for it in dealing with him, is on the way to becoming a hero. Such a man is often surprised, when the crucial test comes, to find that he knows no fear. Having lost the fear of regarding himself as a coward he is one no longer: only the demonstration is needed to prove the metamorphosis. It is the same in love. The man who admits not only to himself but to his fellowmen, and even to the woman he adores, that he can be twisted around a woman’s finger, that he is helpless where the other sex is concerned, usually discovers that he is the more powerful of the two. Nothing breaks a woman down more quickly than complete surrender. A woman is prepared to resist, to be laid siege to: she has been trained to behave that way. When she meets no resistance she falls headlong into the trap.
To be able to give oneself wholly and completely is the greatest luxury that life affords. Real love only begins at this point of dissolution. The personal life is altogether based on dependence, mutual dependence. Society is the aggregate of persons all interdependent. There is another richer life beyond the pale of society, beyond the personal, but there is no knowing it, no attainment possible, without firs traveling the heights and depths of the personal jungle. To become the great lover, the magnetiser and catalyzer, the blinding focus and inspiration of the world, one has to first experience the profound wisdom of being an utter fool. The man whose greatness of heart leads him to folly and ruin is to a woman irresistible. To the woman who loves, that is to say. As to those who ask merely to be loved, who seek only their own reflection in the mirror, no love however great, will ever satisfy them. In a world so hungry for love it is no wonder that men and women are blinded by the glamour and glitter of their own reflected egos. No wonder that the revolver shot is the last summons. No wonder that the grinding wheels of the subway express, though they cut the body to pieces, fail to precipitate the elixir of love. In the egocentric prism the helpless victim is walled in by the very light which he refracts. The ego dies in its own glass cage…
”
”
Henry Miller (Sexus (The Rosy Crucifixion, #1))
“
Crossing the Swamp"
Here is the endless
wet thick
cosmos, the center
of everything—the nugget
of dense sap, branching
vines, the dark burred
faintly belching
bogs. Here
is swamp, here
is struggle,
closure—
pathless, seamless,
peerless mud. My bones
knock together at the pale
joints, trying
for foothold, fingerhold,
mindhold over
such slick crossings, deep
hipholes, hummocks
that sink silently
into the black, slack
earthsoup. I feel
not wet so much as
painted and glittered
with the fat grassy
mires, the rich
and succulent marrows
of earth—a poor
dry stick given
one more chance by the whims
of swamp water—a bough
that still, after all these years,
could take root,
sprout, branch out, bud—
make of its life a breathing
palace of leaves.
”
”
Mary Oliver
“
Such are the limitations of the human mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps. Prophets, indeed, were abundant before the war; but who cares for prophets while their predictions remain unfulfilled, and the calamities of which they tell are masked behind a blinding blaze of national prosperity?
”
”
Frederick Douglass (Collected Articles of Frederick Douglass)
“
Our world is filled with competition, frenzied ambition in every domain. Each of us is acquainted with the spirit of competition. This spirit is not a bad thing in and of itself. Its influence has long been felt in personal relations within the dominant classes. Subsequently it spread throughout the whole of society, to the point that today it has more or less openly triumphed in every part of the world. In Western nations, and above all in the United States, it animates not only economic and financial life, but scientific research and intellectual life as well. Despite the tension and the unrest it brings, these nations are inclined on the whole to congratulate themselves for having embraced the spirit of competition, for its positive effects are considerable. Not the least of these is the impressive wealth it has brought a large part of the population. No one, or almost no one, any longer thinks of forgoing rivalry, since it allows us to go on dreaming of a still more glittering and prosperous future than the recent past. Our world seems to us the most desirable one there ever was, especially when we compare it to life in nations that have not enjoyed the same prosperity.
”
”
René Girard (The One by Whom Scandal Comes)
“
Meanwhile, we have carved out a place for ourselves among the dead; the glittering pinnacles of commerce rise along the skyline, their foundations sunk in a charnel house; and the lost lie forgotten below us as, overhead, we persaude ourselves that we are immortal and carry on the business of life.
”
”
Catharine Arnold (Necropolis: London and Its Dead)
“
Magnus threw the monkey a fig. The monkey took the fig.
"There," said Magnus. "Let us consider the matter settled."
The monkey advanced, chewing in a menacing fashion.
"I rather wonder what I am doing here. I enjoy city life, you know," Magnus observed. "The glittering lights, the constant companionship, the liquid entertainment. The lack of sudden monkeys."
He ignored Giuliana's advice and took a smart step back, and also threw another piece of fruit. The monkey did not take the bait this time. He coiled and rattled out a growl, and Magnus took several more steps back and into a tree.
Magnus flailed on impact, was briefly grateful that nobody was watching him and expecting him to be a sophisticated warlock, and had a monkey assault launched directly to his face.
He shouted, spun, and sprinted through the rain forest. He did not even think to drop the fruit. It fell one by one in a bright cascade as he ran for his life from the simian menace. He heard it in hot pursuit and fled faster, until all his fruit was gone and he ran right into Ragnor.
"Have a care!" Ragnor snapped.
He detailed his terrible monkey adventure twice.
"But of course you should have retreated at once from the dominant male," Giuliana said. "Are you an idiot? You are extremely lucky he was distracted from ripping out your throat by the fruit. He thought you were trying to steal his females."
"Pardon me, but we did not have the time to exchange that kind of personal information," Magnus said. "I could not have known! Moreover, I wish to assure both of you that I did not make any amorous advances on female monkeys." He paused and winked. "I didn't actually see any, so I never got the chance."
Ragnor looked very regretful about all the choices that had led to his being in this place and especially in this company. Later he stooped and hissed, low enough so Giuliana could not hear and in a way that reminded Magnus horribly of his monkey nemesis: "Did you forget that you can do magic?"
Magnus spared a moment to toss a disdainful look over his shoulder.
"I am not going to ensorcel a monkey! Honestly, Ragnor. What do you take me for?
”
”
Cassandra Clare (The Bane Chronicles)
“
Actually, I believe there are only two kinds of women in this world: Martha people and Oprah people. That doesn’t mean one can’t have an affinity for both of them, but my theory is that every chick is more firmly in one camp than the other. The typical Oprah woman is all self-actualized and best-life-y and Eat, Pray, Love. The Big O seems like the kind of gal who’d insist we all spend the afternoon wearing jammy pants. And how fun would that be?!
But Martha?
She’s not putting up with that nonsense, and that makes me adore her all the more. She’ll tell you what to eat, where to pray, and who to love, and I appreciate the guidance.
”
”
Jen Lancaster (The Tao of Martha: My Year of LIVING; Or, Why I'm Never Getting All That Glitter Off of the Dog)
“
Almost always, things are exactly as they appear. People are continually looking at the painful or boring parts of life with the half-hidden expectation that there is more going on beneath the surface, some deeper meaning that will eventually be unveiled; we're waiting for the saving grace, the shocking reveal. But almost always things just are what they are, almost always there's no glittering one hidden under the dirt.
”
”
Ben H. Winters (World of Trouble (The Last Policeman, #3))
“
Fellow man! Your whole life, like a sandglass, will always be reversed and will ever run out again, — a long minute of time will elapse until all those conditions out of which you were evolved return in the wheel of the cosmic process. And then you will find every pain and every pleasure, every friend and every enemy, every hope and every error, every blade of grass and every ray of sunshine once more, and the whole fabric of things which make up your life. This ring in which you are but a grain will glitter afresh forever. And in every one of these cycles of human life there will be one hour where, for the first time one man, and then many, will perceive the mighty thought of the eternal recurrence of all things: — and for mankind this is always the hour of Noon.
”
”
Friedrich Nietzsche
“
Reminiscing in the drizzle of Portland, I notice the ring that’s landed on your finger, a massive
insect of glitter, a chandelier shining at the end
of a long tunnel. Thirteen years ago, you hid the hurt
in your voice under a blanket and said there’s two kinds
of women—those you write poems about
and those you don’t. It’s true. I never brought you
a bouquet of sonnets, or served you haiku in bed.
My idea of courtship was tapping Jane’s Addiction
lyrics in Morse code on your window at three A.M.,
whiskey doing push-ups on my breath. But I worked
within the confines of my character, cast
as the bad boy in your life, the Magellan
of your dark side. We don’t have a past so much
as a bunch of electricity and liquor, power
never put to good use. What we had together
makes it sound like a virus, as if we caught
one another like colds, and desire was merely
a symptom that could be treated with soup
and lots of sex. Gliding beside you now,
I feel like the Benjamin Franklin of monogamy,
as if I invented it, but I’m still not immune
to your waterfall scent, still haven’t developed
antibodies for your smile. I don’t know how long
regret existed before humans stuck a word on it.
I don’t know how many paper towels it would take
to wipe up the Pacific Ocean, or why the light
of a candle being blown out travels faster
than the luminescence of one that’s just been lit,
but I do know that all our huffing and puffing
into each other’s ears—as if the brain was a trick
birthday candle—didn’t make the silence
any easier to navigate. I’m sorry all the kisses
I scrawled on your neck were written
in disappearing ink. Sometimes I thought of you
so hard one of your legs would pop out
of my ear hole, and when I was sleeping, you’d press
your face against the porthole of my submarine.
I’m sorry this poem has taken thirteen years
to reach you. I wish that just once, instead of skidding
off the shoulder blade’s precipice and joyriding
over flesh, we’d put our hands away like chocolate
to be saved for later, and deciphered the calligraphy
of each other’s eyelashes, translated a paragraph
from the volumes of what couldn’t be said.
”
”
Jeffrey McDaniel
“
White is the color of death,” La Sombra says as the shadow grows. “The color of pictures and clothes and bones left untended and eaten by the suns. But black?” Her eyes glitter in the light of the dancing flames. “Black is the color of life. When you dig into damp, dark dirt to plant a seed or look at the space between stars, wondering—that’s life.
”
”
S. Qiouyi Lu (In the Watchful City)
“
She’s a lovely young woman from upstate New York, but you should be very thankful for those romance-novel-reading, tween-movie-watching women. They’ve had a big hand in making our town a success.” “And Julian’s love life, once he learned to spray himself with glitter.
”
”
Kristen Painter (The Vampire's Mail Order Bride (Nocturne Falls, #1))
“
Such are the limitations of the common mind, and so thoroughly engrossing are the cares of common life, that only the few among men can discern through the glitter and dazzle of present prosperity the dark outlines of approaching disasters, even though they may have come up to our very gates, and are already within striking distance. The yawning seam and corroded bolt conceal their defects from the mariner until the storm calls all hands to the pumps.
”
”
Frederick Douglass (Collected Articles of Frederick Douglass)
“
Someone once told me that every writer has a subject that underlies everything they write. It can be love or death, betrayal or belonging, home or hope or exile. I choose to think that my subject is love, and most specifically love for the glittering world of non-human life around us.
”
”
Helen Macdonald (Vesper Flights)
“
If Molly had not been so entirely loyal to her friend, she might have
thought this constant brilliancy a little tiresome when brought into
every-day life; it was not the sunshiny rest of a placid lake, it was
rather the glitter of the pieces of a broken mirror, which confuses
and bewilders.
”
”
Elizabeth Gaskell
“
Let me conclude by saying, in my experience the glittering prizes in life come more to those who persevere despite setback and disappointment than they do to the exceptionally gifted who, with the confidence of the talents bestowed upon them, often pursue the tasks leading to success with less determination.
”
”
Bryce Courtenay (The Power of One: The iconic novel from the multimillion-copy bestselling author)
“
To the man of science, on his unassuming and laborious travels, which must often enough be journeys through the desert, there appear those glittering mirages called 'philosophical systems'; with bewitching deceptive power they show the solution of all enigmas and the freshest draught of the true water of life to be near at hand; his heart rejoices, and it seems to the weary traveller that his lips already touch the goal of all the perseverance and sorrows of the scientific life... Other natures again, may well grow exceedingly ill-humoured and curse the salty taste which these apparitions leave behind in the mouth and from which arises a raging thirst – without one having been brought so much as a step nearer to any kind of spring.
”
”
Friedrich Nietzsche
“
But here's the thing Ona. Howard wrote that song for you.' Quinn had never been more sure of anything. 'I think he wrote all his songs for you, Ona, for young and lovely you.'
'Now you're talking foolish.'
'He wrote them for you, and you refused them because he didn't know how to give them to you.' How could he, living his shadow of a life, floundering in the sludge of grief and failure?
'Have you been drinking?'
'Listen to me,' he said. 'You 're the glittering girl with the cherry-wood hair. You're the angel's breath and sunlight.'
'Oh, for heaven's sake.' She sat up crossly, her tufted hair seeming to quiver. 'Quinn Porter,' she said, 'I never took you for a romantic.'
'Howard Stanhope loved you,' he declared. 'I thought you should know.'
'Well, all right.'
'I thought you should know, Ona.'
'Thank you.'
'People should know these things
”
”
Monica Wood (The One-in-a-Million Boy)
“
Metal is from the earth, he thought as he scrutinized. From below: from that realm which is the lowest, the most dense. Land of trolls and caves, dank, always dark. Yin world, in its most melancholy aspect. World of corpses, decay and collapse. Of feces. All that has died, slipping and disintegrating back down layer by layer. The daemonic world of the immutable; the time-that-was.
And yet, in the sunlight, the silver triangle glittered. It reflected light. Fire, Mr. Tagomi thought. Not dank or dark object at all. Not heavy, weary, but pulsing with life. The high realm, aspect of yang: empyrean, ethereal. As befits work of art. Yes, that is artist's job: takes mineral rock from dark silent earth transforms it into shining light-reflecting form from sky.
Has brought the dead to life. Corpse turned to fiery display; the past had yielded to the future.
”
”
Philip K. Dick (The Man in the High Castle)
“
He lived then before me, he lived as much as he had ever lived---a shadow insatiable of splendid appearances, of frightful realities, a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me---the stretcher, the phantom-bearers, the wild crowd of obedient worshipers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum regular and muffled like the beating of a heart, the heart of a conquering darkness.
”
”
Joseph Conrad
“
When faced with the choice of living one breath longer or cashing in right now, most folks will take the extra moment. That single extra breath. Even when your world stops spinning and gravity dies and the blood glitters in the air like a galaxy of warm red suns all around you. A lot can happen between breaths, after all.
”
”
Amie Kaufman
“
...'you have to ask yourself though, who are we to stop a war?’
I sigh, wishing that the glittering pinpricks above us were truly stars. It was rare to see any due to the endless cloud cover. ‘Who are we not to?’ I say, to no one in particular. If we weren’t willing to try, then what did that say about us? I try to ignore the pessimistic voice eating away at my thoughts. Change could start with a few, but real change needed thousands.
”
”
H.J. Stephens (When There's No Tomorrow)
“
Bullshit. The truth is you don’t want to. It makes you feel good to blame yourself. You know why?” Kira shook her head, mute. “Because it gives you a sense of control. The hardest lesson in life is learning to accept that there are some things we can’t change.” Falconi paused, his eyes hard and glittering. “Blaming yourself is perfectly normal, but it doesn’t do you any good. Until you stop, unless you can stop, you’ll never be able to fully recover.
”
”
Christopher Paolini (To Sleep in a Sea of Stars)
“
Why are you so angry at me?” she asked. The question ratcheted him even closer to the boiling point. “Because for some insane reason, I adore you. For three solid years I have thought you were the closest thing to perfection on this earth, and I can’t watch you risk your life crossing that bridge!” Had she understood correctly? After all these years of cold decorum, Zack’s eyes glittered in a face streaked with soot and sweat as he stepped closer, shouting over the roar of wind and fire. “I’ve been insane about you since the moment you waltzed into my office three years ago in that ridiculous suit and your hair as prim as a schoolmarm,” he shouted. “Don’t you dare get yourself killed on me now!
”
”
Elizabeth Camden (Into the Whirlwind)
“
It was still quite motionless and he felt it with his fingers; it was dead. Accustomed, no doubt, to an uneventful existence, to a humble life spent beneath its poor carapace, it had not been able to bear the dazzling splendor thrust upon it, the glittering cope in which it had been garbed, the gems with which its back had been encrusted, like a ciborium.
”
”
Joris-Karl Huysmans
“
[Fall, 1951]
To me Acapulco is the detoxicating cure for all the evils of the city: ambition, vanity, quest for success in money, the continuous contagious presence of power-driven, obsessed individuals who want to become known, to be in the limelight, noticed, as if life among millions gave you a desperate illness, a need of rising above the crowd, being noticed, existing individually, singled out from a mass of ants and sheep. It has something to do with the presence of millions of anonymous faces, anonymous people, and the desperate ways of achieving distinction. Here, all this is nonsense. You exist by your smile and your presence. You exist for your joys and your relaxations. You exist in nature. You are part of the glittering sea, and part of the luscious, well-nourished plants, you are wedded to the sun, you are immersed in timelessness, only the present counts, and from the present you extract all the essences which can nourish the senses, and so the nerves are still, the mind is quiet, the nights are lullabies, the days are like gentle ovens in which infinitely wise sculptor’s hands re-form the lost contours, the lost sensations of the body. The body comes to life. Quests, pursuits of concrete securities of one kind or another lose all their importance. As you swim, you are washed of all the excrescences of so-called civilization, which includes the incapacity to be happy under any circumstances.
”
”
Anaïs Nin (The Diary of Anaïs Nin, Volume 5: 1947-1955)
“
The great wall of vegetation, an exuberant and entangled mass of trunks, branches, leaves, boughs, festoons, motionless in the moonlight, was like a rioting invasion of soundless life, a rolling wave of plants, piled up, crested, ready to topple over the creek, to sweep every little man of us out of his little existence. And it moved not. A deadened burst of mighty splashes and snorts reached us from afar, as though an ichthyosaurus had been taking a bath of glitter in the great river.
”
”
Joseph Conrad (Heart of Darkness)
“
In New York, he would live for them, but in San Francisco, he could live for himself. And though he does not like to think about it, though he in fact avoids the subject pathologically, he allows himself to think it now: What if the woman on Hester Street is right? The mere thought turns his life a different color; it makes everything feel urgent, glittering, precious.
”
”
Chloe Benjamin (The Immortalists)
“
Diwali (Lakshmi Pujan/Amavasya) is the darkest night of the year. And our ancestors have taught us to overcome darkness with light.
When the moon is not shining, neither the sun, sky is dark; India glitters. Proud of being part of such a wise and one of the finest tradition.
Diwali is practicing "तमसोमा जोतिर्गमय" . . .
Happy Diwali to all. May der b light in your life. . .
”
”
Harihar D. Naik
“
Would it really be better, he wanted to ask, if it were always this nice? Would anyone bother to notice? Or would they simply pass through a night like this, unmoved?
And (this was more to the point) if life were without flaws and no one ever changed or died, what role would God have?
A muffled sound of voices reached him. Above, the stars glittered so large and bright, he thought he might throw a net and pull them towards him like whiting. Boats slid past him in the inky dark but failed to enter his thoughts.
”
”
Meg Rosoff (There Is No Dog)
“
Dearest," she murmured, "as you know, there was a time when it didn't matter to me whether I married a man I loved or not... it seemed enough just to get my family out of the desperate situation we were in. But when I thought about what it would be like to share a bed with my husband... to spend the rest of my life with him... I knew Simon was the only choice." She paused, and sudden tears glittered her eyes. Beautiful, self-possessed Annabelle, who hardly ever cried. "When I'm ill," she continued in a husky voice, "when I'm afraid, when I need something, I know he will move heaven and earth to make everything all right. I trust him with every fiber of my being. And when I see the child we created, the two of us mingled forever in her... my God, how grateful I am that I married Simon.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
America's industrial success produced a roll call of financial magnificence: Rockefellers, Morgans, Astors, Mellons, Fricks, Carnegies, Goulds, du Ponts, Belmonts, Harrimans, Huntingtons, Vanderbilts, and many more based in dynastic wealth of essentially inexhaustible proportions. John D. Rockefeller made $1 billion a year, measured in today's money, and paid no income tax. No one did, for income tax did not yet exist in America. Congress tried to introduce an income tax of 2 percent on earnings of $4,000 in 1894, but the Supreme Court ruled it unconstitutional. Income tax wouldn't become a regular part of American Life until 1914. People would never be this rich again.
Spending all this wealth became for many a more or less full-time occupation. A kind of desperate, vulgar edge became attached to almost everything they did. At one New York dinner party, guests found the table heaped with sand and at each place a little gold spade; upon a signal, they were invited to dig in and search for diamonds and other costly glitter buried within. At another party - possibly the most preposterous ever staged - several dozen horses with padded hooves were led into the ballroom of Sherry's, a vast and esteemed eating establishment, and tethered around the tables so that the guests, dressed as cowboys and cowgirls, could enjoy the novel and sublimely pointless pleasure of dining in a New York ballroom on horseback.
”
”
Bill Bryson (At Home: A Short History of Private Life)
“
As I pass through my incarnations in every age and race,
I make my proper prostrations to the Gods of the Market Place.
Peering through reverent fingers I watch them flourish and fall,
And the Gods of the Copybook Headings, I notice, outlast them all.
We were living in trees when they met us. They showed us each in turn
That Water would certainly wet us, as Fire would certainly burn:
But we found them lacking in Uplift, Vision and Breadth of Mind,
So we left them to teach the Gorillas while we followed the March of Mankind.
We moved as the Spirit listed. They never altered their pace,
Being neither cloud nor wind-borne like the Gods of the Market Place,
But they always caught up with our progress, and presently word would come
That a tribe had been wiped off its icefield, or the lights had gone out in Rome.
With the Hopes that our World is built on they were utterly out of touch,
They denied that the Moon was Stilton; they denied she was even Dutch;
They denied that Wishes were Horses; they denied that a Pig had Wings;
So we worshipped the Gods of the Market Who promised these beautiful things.
When the Cambrian measures were forming, They promised perpetual peace.
They swore, if we gave them our weapons, that the wars of the tribes would cease.
But when we disarmed They sold us and delivered us bound to our foe,
And the Gods of the Copybook Headings said: "Stick to the Devil you know."
On the first Feminian Sandstones we were promised the Fuller Life
(Which started by loving our neighbour and ended by loving his wife)
Till our women had no more children and the men lost reason and faith,
And the Gods of the Copybook Headings said: "The Wages of Sin is Death."
In the Carboniferous Epoch we were promised abundance for all,
By robbing selected Peter to pay for collective Paul;
But, though we had plenty of money, there was nothing our money could buy,
And the Gods of the Copybook Headings said: "If you don't work you die."
Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew
And the hearts of the meanest were humbled and began to believe it was true
That All is not Gold that Glitters, and Two and Two make Four
And the Gods of the Copybook Headings limped up to explain it once more.
As it will be in the future, it was at the birth of Man
There are only four things certain since Social Progress began.
That the Dog returns to his Vomit and the Sow returns to her Mire,
And the burnt Fool's bandaged finger goes wabbling back to the Fire;
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins,
As surely as Water will wet us, as surely as Fire will burn,
The Gods of the Copybook Headings with terror and slaughter return!
”
”
Rudyard Kipling
“
When you're a young man like yourself, life is full of wonders. Everything new. Everything an adventure. But as the years roll on, things become ordinary. Colors lose their vibrance. Stars lose their glitter. You become less in awe of the world. It loses its magic.
I don't see this as a painful thing. I think it's a mercy. I believe it's all just so it makes it easier to let the whole thing go when it's our time to pass on. But when you've lived as long as I have, the weight of the years and the tarnished luster of the world can break you down. And it's hard to be alive and be so broken.
”
”
Eric Powell
“
When by my solitary hearth I sit,
And hateful thoughts enwrap my soul in gloom;
When no fair dreams before my "mind's eye" flit,
And the bare heath of life presents no bloom;
Sweet Hope, ethereal balm upon me shed,
And wave thy silver pinions o'er my head.
Whene'er I wander, at the fall of night,
Where woven boughs shut out the moon's bright ray,
Should sad Despondency my musings fright,
And frown, to drive fair Cheerfulness away,
Peep with the moon-beams through the leafy roof,
And keep that fiend Despondence far aloof.
Should Disappointment, parent of Despair,
Strive for her son to seize my careless heart;
When, like a cloud, he sits upon the air,
Preparing on his spell-bound prey to dart:
Chace him away, sweet Hope, with visage bright,
And fright him as the morning frightens night!
Whene'er the fate of those I hold most dear
Tells to my fearful breast a tale of sorrow,
O bright-eyed Hope, my morbid fancy cheer;
Let me awhile thy sweetest comforts borrow:
Thy heaven-born radiance around me shed,
And wave thy silver pinions o'er my head!
Should e'er unhappy love my bosom pain,
From cruel parents, or relentless fair;
O let me think it is not quite in vain
To sigh out sonnets to the midnight air!
Sweet Hope, ethereal balm upon me shed.
And wave thy silver pinions o'er my head!
In the long vista of the years to roll,
Let me not see our country's honour fade:
O let me see our land retain her soul,
Her pride, her freedom; and not freedom's shade.
From thy bright eyes unusual brightness shed--
Beneath thy pinions canopy my head!
Let me not see the patriot's high bequest,
Great Liberty! how great in plain attire!
With the base purple of a court oppress'd,
Bowing her head, and ready to expire:
But let me see thee stoop from heaven on wings
That fill the skies with silver glitterings!
And as, in sparkling majesty, a star
Gilds the bright summit of some gloomy cloud;
Brightening the half veil'd face of heaven afar:
So, when dark thoughts my boding spirit shroud,
Sweet Hope, celestial influence round me shed,
Waving thy silver pinions o'er my head.
- To Hope
”
”
John Keats (The Complete Poems)
“
Hands folded under my chin, I drifted. A bruise-colored cloud hung over Koko Head. A transistor radio twanged on a seawall where a Hawaiian family picnicked on the sand. The sun-warmed shallow water had a strange boiled-vegetable taste. The moment was immense, still, glittering, mundane. I tried to fix each of its parts in memory. I did not consider, even passingly, that I had a choice when it came to surfing. My enchantment would take me where it would.
”
”
William Finnegan (Barbarian Days: A Surfing Life)
“
The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.
”
”
Frédéric Gros (A Philosophy of Walking)
“
So I returned to the northern strip of Miami Beach, the valley just far enough north to muffle the piercing South Beach celebratory voices, and just far enough south to dull the glittering lights of the Sunny Isles high rises, and I went to sleep in the city where exhausted people lived exhausted lives, but never stopped once to even ponder sleep--to even dream sleep an option, in the country that breeds ghosts, where the people can't understand why everything real always passes right through their arms. There was so much life out there for all of us, but so few would ever touch it. God, how I wanted to feel.
”
”
Jonathan LaPoma (Developing Minds: An American Ghost Story)
“
Let me tell you a story,” I say instead. “Once upon a time, there was a girl whose life was saved by the faery king—”
“This story sounds distinctly familiar. I think I might have heard it somewhere before.”
I shush him and say not to interrupt. “If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him.”
Kiaran goes still, his eyes glittering in the darkness. He says nothing.
“Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature.
“She barely won. But in the end, as she thrust the sword deep into the monster’s gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: ‘I hate you. I hate all of you.’ When she lifted the sword again, she intended to pierce it right through his heart.
“That was the first time the girl had ever seen the faery king smile.”
I lift my hand and press my palm to Kiaran’s cheek. “You’ll have to finish the story. She never knew why he smiled. Just that one day, she wanted to see him do it again. So she dropped the sword and spared his life. And she never told the king what really happened that night.”
Kiaran looks amused. “The king knew the girl’s plan all along. He smiled because he decided he liked her. She kept things interesting.”
I stare at him. “So the faery king is a deranged sort. As the girl always suspected.”
“How about his side of this story?” He pulls me close, his lips soft on my shoulder. “He never told the girl that during a hunt, when she ran alongside him with the wind in her hair and the moonlight behind her, that she was the most magnificent thing he had ever seen and he wanted her.”
Then Kiaran’s hands are in my hair, lips brushing mine. “And when the king watched her in battle, she’d look over at him with a smile and he desired her.
“It was never at once,” he continued. “It was after everything they had gone through and then it was the king and the girl facing an entire army together. And he knew the truth. His heart was hers. It always was. It always will be.”
A shadow crosses Kiaran’s irises. A reminder that he’s still fighting. Just to be here. With me. He shuts his eyes, expression strained. Before I can ask if he’s all right, he pulls me against him and holds me close.
His next words are spoken under his breath, so low I wonder if I heard them at all. “The girl helps the king keep his darkness at bay.
”
”
Elizabeth May (The Fallen Kingdom (The Falconer, #3))
“
We ate in the dining room alcove looking over the hillside and the silent dark rooftops of my neighbors. The lights of the valley glittered below.
We were both tired but we smiled at each other, and I felt a kind of happiness growing inside me. It was good to look across the table and see someone, and I thought maybe it was time to start thinking about that again—about finding someone. Sharing my life maybe.
Or maybe just getting more friends around. Except when I pictured the friends I wanted around, they all looked like Dan, and when I thought about trying to find someone to share my life with, he too looked a little too much like Dan for comfort.
”
”
Josh Lanyon (The White Knight (The Dark Horse, #2))
“
But money itself is a commodity, an external object, capable of becoming the private property of any individual. Thus social power becomes the private power of private persons. The ancients therefore denounced money as subversive of the economic and moral order of things.[106] Modern society, which, soon after its birth, pulled Plutus by the hair of his head from the bowels of the earth,[107] greets gold as its Holy Grail, as the glittering incarnation of the very principle of its own life.
”
”
Karl Marx (Das Kapital - Capital)
“
Has it ever occurred to you, Master Ninefingers, that a sword is different from other weapons? Axes and maces and so forth are lethal enough, but they hang on the belt like dumb brutes." He ran an eye over the hilt, plain cold metal scored with faint grooves for a good grip, glinting in the torchlight. "But a sword... a sword has a voice."
"Eh?"
"Sheathed it has little to say, to be sure, but you need only put your hand on the hilt and it begins to whisper in your enemy's ear." He wrapped his fingers tightly round the grip. "A gentle warning. A word of caution. Do you hear it?"
Logen nodded slowly. "Now," murmured Bayaz, "compare it to the sword half drawn." A foot length of metal hissed out of the sheath, a single silver letter shining near the hilt. The blade itself was dull, but its edge had a cold and frosty glint. "It speaks louder, does it not? It hisses a dire threat. It makes a deadly promise. Do you hear it?"
Logen nodded again, his eye fastened on that glittering edge. "Now compare it to the sword full drawn." Bayaz whipped the long blade from its sheath with a faint ringing sound, brought it up so that the point hovered inches from Logen's face. "It shouts now, does it not? It screams defiance! It bellows a challenge! Do you hear it?"
"Mmm," said Logen, leaning back and staring slightly crosseyed at the shining point of the sword.
Bayaz let it drop and slid it gently back into its scabbard, something to Logen's relief. "Yes, a sword has a voice. Axes and maces and so forth are lethal enough, but a sword is a subtle weapon, and suited to a subtle man. You I think, Master Ninefingers, are subtler than you appear." Logen frowned as Bayaz held the sword out to him. He had been accused of many things in his life, but never subtlety. "Consider it a gift. My thanks for your good manners.
”
”
Joe Abercrombie (The Blade Itself (The First Law, #1))
“
Rome by her very nature has a particular intoxication that wipes out memory. She's not so much a city as a wild beast hidden in some secret part of you. There can be no half measures with her, either she's the love of your life or you have to leave her, because that's what the tender beast demands, to be loved. …If she's loved she'll give herself to you whichever way you want her, all you need to do is go with the flow and you'll be within reach of the happiness you deserve. You will have summer evenings glittering with lights, vibrant spring mornings, cafe tablecloths ruffled by the wind like girls’ skirts, keen winters, and endless autumns…Every now and again, someone did get the hell out.
”
”
Gianfranco Calligarich (Last Summer in the City)
“
Who was Louisa Clark, anyway? I was a daughter, a sister, a kind of surrogate mother for a time. I was a woman who cared for others but who seemed to have little idea how to care for herself. As the glittering wheel spun in front of me, I tried to think about what I really wanted, rather than what everyone else seemed to want for me. I thought about what Will had really been telling me- not to live some vicarious idea of a full life but to live my own dream. The problem was, I don't think I'd ever really worked out what that dream was.
”
”
Jojo Moyes (Still Me (Me Before You, #3))
“
I don't myself think much of science as a phase of human development. It has given us a lot of ingenious toys; they take our attention away from the real problems, of course, and since the problems are insoluble, I suppose we ought to be grateful for distraction. But the fact is, the human mind, the individual mind, has always been made more interesting by dwelling on the old riddles, even if it makes nothing of them. Science hasn't given us any new amazements, except of the superficial kind we get from witnessing dexterity and sleight-of-hand. It hasn't given us any richer pleasures, as the Renaissance did, nor any new sins-not one! Indeed, it takes our old ones away. It's the laboratory, not the Lamb of God, that taketh away the sins of the world. You'll agree there is not much thrill about a physiological sin. We were better off when even the prosaic matter of taking nourishment could have the magnificence of a sin. I don't think you help people by making their conduct of no importance-you impoverish them. As long as every man and woman who crowded into the cathedrals on Easter Sunday was a principal in a gorgeous drama with God, glittering angels on one side and the shadows of evil coming and going on the other, life was a rich thing. The king and the beggar had the same chance at miracles and great temptations and revelations. And that's what makes men happy, believing in the mystery and importance of their own little individual lives. It makes us happy to surround our creature needs and bodily instincts with as much pomp and circumstance as possible. Art and religion (they are the same thing, in the end, of course) have given man the only happiness he has ever had.
”
”
Willa Cather (The Professor's House)
“
After unlatching the tiny gold clasp, Pandora opened the case and beheld a double-stranded pearl necklace on a bed of red velvet. Her eyes widened, and she lifted one of the strands, gently rolling the lustrous ivory pearls between her fingers. "I never imagined having something so fine. Thank you."
"Do they please you, sweet?"
"Oh, so very much-" Pandora began, and stopped as she saw the gold clasp, glittering with diamonds. It was fashioned with two interlocking parts of swirling, deep cut leaves. "Acanthus scrolls," she said with a crooked grin. "Like the ones in the settee at the Chaworth ball."
"I have a fondness for acanthus scrolls." His gaze caressed her as she put on the necklace. The double strands were so long that there was no need to unfasten the clasp. "They kept you in place just long enough for me to catch you."
Pandora grinned, enjoying the cool, sensuous weight of the pearls as they slid against her neck and chest. "I think you were the one who was caught, my lord."
Gabriel reached out to touch the curve of her bare shoulder with his fingertips, and followed the pearl strands over her breast. "Your captive for life, my lady.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
A person should go out on the water on a fine day to a small distance from a beautiful coast, if he would see Nature really smile. Never does she look so delightful, as when the sun is brightly reflected by the water, while the waves are gently rippling, and the prospect receives life and animation from the glancing transit of an occasional row-boat, and the quieter motion of a few small vessels. But the land must be well in sight; not only for its own sake, but because the immensity and awfulness of a mere sea-view would ill accord with the other parts of the glittering and joyous scene.
”
”
Augustus William Hare
“
Whoever owned this place, these cities, whoever owned those glittering glassy office buildings in midtown filled with the purr of money turning over, those refineries over the river in Jersey with their flames licking the air, they gave nothing back. They took and took and left their garbage choking the air, the river, the sea itself. Choking her. A life of garbage. Human garbage. She had had too little of what her body needed and too little of what her soul could imagine. She had been able to do little in the years of her life, and that little had been ill paid or punished. The rest was garbage.
”
”
Marge Piercy (Woman on the Edge of Time)
“
A glittering reef of stars, spread out phosphorescent, and each one might have life on it, planets revolving around them. There might even be people like us, looking up at the night sky. It was what my mother said sometimes-to be mindful that the universe beyond still existed, that we did not know what lived there, and it might be terrible to reconcile ourselves to knowing so little of it, but that didn't mean it stopped existing. There was something else beyond all of this, that would never know us or our struggles, never care, and that it would go on without us. My mother had found that idea comforting.
”
”
Jeff Vandermeer (Borne (Borne, #1))
“
The world was made for Man, and Man was made to conquer and rule it'... that manifesto is doubted now, ladies and gentlemen... almost everywhere in our culture, in all walks of life, among the young and the old, but especially among the young, for whom the dream of a glittering future in which life will become ever sweeter and sweeter and sweeter, decade after decade, century after century, has been exploded and is meaningless. Your children know better. They know better in large part because you know better.
Only our politicians still insist that the world was made for Man, and Man was made to conquer and rule it. They must, as a professional obligation, still affirm and proclaim the manifesto of our revolution. If they want to hold on to their jobs, they assure us with absolute conviction that a glorious future lies just ahead for us - provided that we march forward under the banner of conquest and rule. They assure us of this, and then they wonder, year after year, why fewer and fewer voters go to the poles.
”
”
Daniel Quinn (The Story of B (Ishmael, #2))
“
.. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman.
'She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
”
”
Joseph Conrad (Heart of Darkness)
“
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
”
”
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
“
Everywhere in life, no matter where it may run its course, whether amid its harsh, raspingly poor, and squalidly mildewing lowly ranks, or amid its monotonously frigid and depressingly tidy upper classes— everywhere, if it be but once, man is fated to meet a phenomenon that is unlike all that which he may have chanced to meet hitherto; which, if but once, will awaken within him an emotion that is unlike all those which he is fated to experience all life long. Everywhere, running counter to all the sorrows of which our life is woven, a glittering joy will gaily flash by, as, at times, a glittering equipage with gold on its gear, with its picturesque horses, and sparkling because of its gleaming plate glass will suddenly, unexpectedly, speed by some backwoods poverty-stricken hamlet that had never beheld anything but a country cart.
”
”
Nikolai Gogol (Dead Souls)
“
What if you lose your muse?
Your mind will keep searching for an unknown palm, an empty core of clustered starry moisture, a broken harmony of a long lost song.
Your heart will trample across moments, scattered here and there hoping to smile through a blank verse, an unmade sculpture, a void cosmos walking through a violet sky.
And your soul?
That, a sparkle of a crimson sun will dance along the glitter of a fragmentary dream, and in a love that clutches you in transience of an eternity, hold your breath in a paradise of a vibrant vision, and there you will find your muse again, once again.
So what if you lose your muse?
”
”
Debatrayee Banerjee
“
The snow here hadn't thawed. Its large, rough crystals were filled with the blue of the lake-water. But on the sunny side of the hill the snow was just beginning to melt. The ditch beside the path was full of gurgling water. The glitter of the snow, the water and the ice on the puddles was quite blinding. There was so much light, it was so intense, that they seemed almost to have to force their way through it. It disturbed them and got in their way; when they stepped on the thin film of ice over the puddles, it seemed to be light that was crunching under their feet, breaking up into thin, splinter-like rays. And it was light that was flowing down the ditch beside the path; where the path was blocked by stones, the light swelled up, foaming and gurgling. The spring sun seemed to be closer to the earth than ever. The air was cool and warm at the same time.
”
”
Vasily Grossman (Life and Fate)
“
Jai pointed at the car. "Get in the car. I'm pissed at you for getting out of it in the first place."
Outrage lit through her. "Hey, I'm a big girl, I can make my own decisions."
"Get in the car, Ari!" Charlie yelled now, his own eyes glittering with anger.
Her mouth fell open, her cheeks blazing with indignation as the two men in her life stared at her, their expressions implacable. She made a 'pfft' sound and whirled around, stomping like a child towards the car.
"Too much testosterone, infuriating cavemen, need someone else to boss around, stupid jerks..." she kept muttering insults under her breath until Charlie and Jai had cleared the road.
”
”
Samantha Young (Scorched Skies (Fire Spirits, #2))
“
Studs Terkel was waiting for a number 146 bus alongside two well-groomed business types. "This was before the term yuppie was used," he explains. "But that was what they were. He was in Brooks Brothers and Gucci shoes and carrying the Wall Street Journal under his arm. She was a looker. I mean stunning - Bloomingdales and Neiman Marcus and carrying Vanity Fair."
Terkel, who is 95, has long been a Chicago icon, every bit as accessible and integral to the cultural life of the Windy City as Susan Sontag was to New York. He had shared the bus stop with this couple for several mornings but they had always failed to acknowledge him. "It hurts my ego," he quips. "But this morning the bus was late and I thought, this is my chance." The rest of the story is his.
"I say, 'Labour Day is coming up.' Well, it was the wrong thing to say. He looks toward me with a look of such contempt it's like Noel Coward has just spotted a bug on his collar. He says, 'We despise unions.' I thought, oooooh. The bus is still late. I've got a winner here. Suddenly I'm the ancient mariner and I fix him with my glittering eye. 'How many hours a day do you work?' I ask. He says, 'Eight.' 'How comes you don't work 18 hours a day like your great-great-grandfather did? You know why? Because four guys got hanged in Chicago in 1886 fighting for the eight-hour day ... For you.
”
”
Gary Younge
“
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies.
I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony.
And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
”
”
Sloane Crosley (I Was Told There'd Be Cake: Essays)
“
The earth was made for Man and Man was made to conquer and rule it” was not doubted by the builders of the ziggurats of Ur or the pyramids of Egypt. It wasn’t doubted by the hundreds of thousands who labored to wall of China from the rest of the world…scribes of the Hittites, Darius of Persia, Alexander the Great…Confucious or Aristotle. It wasn’t doubted by the architects of the United Nations. It wasn’t doubted by the hundreds of millions who in the postwar years dreamed of a coming utopia where people would rest and all labor would be performed by robots…
But that manifesto is doubted now, almost everywhere in our culture, in all walks of life, among the young and old, for whom the dream of a glittering future in which life will become even sweeter and sweeter has been exploded and is meaningless. Your children know better. Only our politicians still insist that the world was made for Man, and Man was made to conquer and rule it.
”
”
Daniel Quinn (The Story of B (Ishmael, #2))
“
...there was about five minutes of time left for him to live.
"...he seemed to be living, in these minutes, so many lives that there was no need as yet to think of that last moment, so that he made several arrangements, dividing up the time into portions--one for saying farewell to his companions, two minutes for that; then a couple more for thinking over his own life and career and all about himself; and another minute for a last look around. He remembered having divided his time like this quite well. While saying good- bye to his friends he recollected asking one of them some very usual everyday question, and being much interested in the answer. Then having bade farewell, he embarked upon those two minutes which he had allotted to looking into himself... He wished to put it to himself as quickly and clearly as possible, that here was he, a living, thinking man, and that in three minutes he would be nobody; or if somebody or something, then what and where? He thought he would decide this question once for all in these last three minutes. A little way off there stood a church, and its gilded spire glittered in the sun. He remembered staring stubbornly at this spire, and at the rays of light sparkling from it.
”
”
Fyodor Dostoevsky (The Idiot)
“
Sometimes, too, we went out in the rubber boat to look at ourselves at night. Coal-black seas towered up on all sides, and a glittering myriad of tropical stars drew a faint reflection from plankton in the water. The world was simple - stars in the darkness. Whether it was 1947 B.C. or A.D. suddenly became of no significance. We lived, and that we felt with alert intensity. We realized that life had been full for men before the technical age also - in fact, fuller and richer in many ways than the life of modern man. Time and evolution somehow ceased to exist; all that was real and that mattered were the same today as they had always been and would always be. We were swallowed up in the absolute common measure of history - endless unbroken darkness under a swarm of stars.
”
”
Thor Heyerdahl
“
My rib cage clenched all of the organs and muscles within it. It pulsed, full of life and warmth and gummy bears and glitter. This was... I don't know how to explain it—it was like Christmas morning when you were a kid. It was everything I’d wanted.
Each of his thumbs curved over the shells of my ears. "That's my girl."
His girl.
After all the crap that I'd gone through today, there couldn't have been three better words to hear.
Well, there were three other words I'd like to hear but I'd take these from him. That didn't mean that he was the only one who knew how to give. He'd given enough. My bones and heart knew that there was nothing for me to fear. I loved him and sometimes there were consequences of it that were scary, but it—the emotion itself—wasn't. I knew that now.
What kind of life was I living if I let my fears steer me? This was a gift I’d forgotten to appreciate lately. For so long I’d been happy to just be alive but now...now I had Dex. I had my entire life ahead of me, and I needed to quit being a wuss and grab life by the balls. In this case, I’d take his nipple piercings.
“What’cha thinkin’, Ritz?”
I held my hands out for him to see how badly they were shaking. “I’m thinking that I love you so much it scares me. See?”
Dex's thumbs tipped my chin back so that I could look at his face—at his beautiful, scruffy face. "Baby." He said my name like a purr that reached the vertebrae of my spine.
"And even though it really scares the living crap out of me, I love you, and I want you to know that. Everything you've done for me..." Oh hell. I had to let out a long gust of breath. "Thank you. You're the best thing that ever yelled at me."
He murmured my name again, low and smooth. The pads of his thumbs dug a little deeper into the soft tissue on the underside of my jaw. "If all the shit I do for you, and all the shit I'd be willin' to do for you doesn't tell you how deep you've snuck into me, honey, then I'll tell you."
He lowered his mouth right next to my ear, his teeth nipping at my lobe before he whispered, "Love you."
The feeling that swamped me was indescribable.
He gave me hope. This big, ex-felon with a temper, reminded me of how strong I was, and then made me stronger on top of it.
"Dex," I exhaled his name.
He nipped my ear again. "I love you, Ritz." The scruff of his jaw scraped my own before he bit it gently. "Love your fuckin' face, your that's what she said jokes, your dorky ass high-fives and your arm, but I really fuckin' love how much of a little shit you are. You got nuts bigger than your brother, baby."
I choked out a laugh.
Dex tipped my head back even further, holding the weight on his long fingers as he bit the curve of my chin. "And those are gonna be my nuts, you little bad ass."
Fire shot straight through my chest. "Yeah?" I panted.
"Yeah." He nodded, biting my chin even harder. "I already told you I keep what's mine.
”
”
Mariana Zapata (Under Locke)
“
My life now consists of fragments where some are so blinding in their intensity that they make everything else indistinguishable. What shall I do with these glittering shards? There is no pattern; I can't make them fit. With each other, or with the whole that should be my life. It feels as if my existence was extinguished in a flash, and afterwards my universe became incomprehensible. Just shards and particles, which I carry with me wherever I go. They are sharp and they still hurt to touch. And they are so heavy. I know there is more - there are less intense fragments that I need to make it whole. I want to remember everything. But perhaps I need to give it more time. Allow myself some rest. Distance myself a little, to see if I can make out a pattern. And face the truth about what is really there.
”
”
Linda Olsson (Astrid and Veronika)
“
It was clear and frosty. A dark, starlit heaven looked down on the black roofs and the dirty, dusky streets. Only by looking up at the sky could Pierre distance himself from the disgusting squalor of all earthly things as compared with the heights to which his soul had now been taken. As he drove into the Arbat a vast firmament of darkness and stars opened out before Pierre's eyes. And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life.
”
”
Leo Tolstoy (War and Peace)
“
I had ceased to be a writer of tolerably poor tales and essays, and had become a tolerably good Surveyor of the Customs. That was all. But, nevertheless, it is any thing but agreeable to be haunted by a suspicion that one's intellect is dwindling away; or exhaling, without your consciousness, like ether out of a phial; so that, at every glance, you find a smaller and less volatile residuum. Of the fact, there could be no doubt; and, examining myself and others, I was led to conclusions in reference to the effect of public office on the character, not very favorable to the mode of life in question. In some other form, perhaps, I may hereafter develop these effects. Suffice it here to say, that a Custom-House officer, of long continuance, can hardly be a very praiseworthy or respectable personage, for many reasons; one of them, the tenure by which he holds his situation, and another, the very nature of his business, which—though, I trust, an honest one—is of such a sort that he does not share in the united effort of mankind.
An effect—which I believe to be observable, more or less, in every individual who has occupied the position—is, that, while he leans on the mighty arm of the Republic, his own proper strength departs from him. He loses, in an extent proportioned to the weakness or force of his original nature, the capability of self-support. If he possess an unusual share of native energy, or the enervating magic of place do not operate too long upon him, his forfeited powers may be redeemable. The ejected officer—fortunate in the unkindly shove that sends him forth betimes, to struggle amid a struggling world—may return to himself, and become all that he has ever been. But this seldom happens. He usually keeps his ground just long enough for his own ruin, and is then thrust out, with sinews all unstrung, to totter along the difficult footpath of life as he best may. Conscious of his own infirmity,—that his tempered steel and elasticity are lost,—he for ever afterwards looks wistfully about him in quest of support external to himself. His pervading and continual hope—a hallucination, which, in the face of all discouragement, and making light of impossibilities, haunts him while he lives, and, I fancy, like the convulsive throes of the cholera, torments him for a brief space after death—is, that, finally, and in no long time, by some happy coincidence of circumstances, he shall be restored to office. This faith, more than any thing else, steals the pith and availability out of whatever enterprise he may dream of undertaking. Why should he toil and moil, and be at so much trouble to pick himself up out of the mud, when, in a little while hence, the strong arm of his Uncle will raise and support him? Why should he work for his living here, or go to dig gold in California, when he is so soon to be made happy, at monthly intervals, with a little pile of glittering coin out of his Uncle's pocket? It is sadly curious to observe how slight a taste of office suffices to infect a poor fellow with this singular disease. Uncle Sam's gold—meaning no disrespect to the worthy old gentleman—has, in this respect, a quality of enchantment like that of the Devil's wages. Whoever touches it should look well to himself, or he may find the bargain to go hard against him, involving, if not his soul, yet many of its better attributes; its sturdy force, its courage and constancy, its truth, its self-reliance, and all that gives the emphasis to manly character.
”
”
Nathaniel Hawthorne (The Scarlet Letter)
“
It was like living half your life in a tiny, scruffy, warm grey box, and being moderately happy in there because you knew no better...and then discovering a little hole in the corner of the box, a tiny opening which you could get your finger into, and tease and pull apart at, so that eventually you created a tear, which led to a greater tear, which led to the box falling apart around you... so that you stepped out of the tiny box's confines into startlingly cool, clear fresh air and found yourself on top of a mountain, surrounded by deep valleys, sighing forests, soaring peaks, glittering lakes, sparkling snow fields and a stunning, breathtakingly blue sky. And that, of course, wasn't even the start of the real story, that was more like the breath that is drawn in before the first syllable of the first word of the first paragraph of the first chapter of the first book of the first volume of the story.
”
”
Iain M. Banks (Excession (Culture, #5))
“
once upon a time, i met a flower. she was so innocent, yet so wise. she was glitter and wildness. softness and sweet fragrance. she was a flock of fireflies that danced through the forest and swam naked in moonlight. she was the first soul i bared myself to, only one i was completely honest with about the things that shamed me...we wandered through the world in a bubble of our own making, floating free, full of pastels so colorful, full of fairy dust, sunbeams, and feathers. we drew people towards us like sirens in the water, wanting what we had. but we fluttered away like butterflies hopping from lily pad to lily pad, giggling all the while. we told each other the real hard truth, and listened, and laughed and cried out our hearts. when i was going through a tough time, she once told me to pick a place, anywhere in the world, and she’d be there with me, even if she couldn't be...she was my flower. she taught me about generosity, about giving with deep trust that it would return somehow somewhere. and it always does. she taught me to love people for who they are, and to just let them be, in their own flower field. i met a flower. she taught me to live in love. to bloom, and listen. now i am alive, in love
”
”
D. Bodhi Smith
“
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
”
”
Ashish Bhardwaj
“
She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
”
”
Joseph Conrad (Heart of Darkness)
“
I always wondered, though, what the fathers felt as they drove up the street they used to drive down every night, and whether they really saw their former houses, whether they noticed how things got frayed and flaky around the edges now that they were gone. I wondered it again as I pulled up to the house I’d grown up in. It was, I noticed, looking even more Joad-like than usual. Neither my mother nor the dread life partner, Tanya, was much into yard work, and so the lawn was littered with drifts of dead brown leaves. The gravel on the driveway was as thin as an old man’s hair combed across an age-spotted scalp, and as I parked I could make out the faint glitter of old metal from behind the little toolshed. We used to park our bikes in there. Tanya had “cleaned” it by dragging all the old bikes, from tricycles to discarded ten-speeds, out behind the shed, and leaving them there to rust. “Think of it as found art,” my mother had urged us when Josh complained that the bike pile made us look like trailer trash. I wonder if my father ever drove by, if he knew about my mother and her new situation, if he thought about us at all, or whether he was content to have his three children out there in the world, all grown up, and strangers.
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
For now she need not think about anybody. She could be herself, by herself. And that was what now she often felt the need of--to think; well, not even to think. To be silent; to be alone. All the being and the doing, expansive, glittering, vocal, evaporated; and one shrunk, with a sense of solemnity, to being oneself, a wedge-shaped core of darkness, something invisible to others. Although she continued to knit, and sat upright, it was thus that she felt herself; and this self having shed its attachments was free for the strangest adventures. When life sank down for a moment, the range of experience seemed limitless. [...] Not at oneself did one find rest ever, in her experience (she accomplished here something dexterous with her needles) but as a wedge of darkness. [...] Often she found herself sitting and looking, sitting and looking, with her work in her hands until she became the thing she looked at--that light, for example.
”
”
Virginia Woolf (To the Lighthouse)
“
Her eyes were glittering like the eyes of a child when you give a nice surprise, and she laughed with a sudden throaty, tingling way. It is the way a woman laughs for happiness. They never laugh that way just when they are being polite or at a joke. A woman only laughs that way a few times in her life. A woman only laughs that way when something has touched her way down in the very quick of her being and the happiness just wells out as natural as breath and the first jonquils and mountain brooks. When a woman laughs that way it always does something to you. It does not matter what kind of a face she has got either. You hear that laugh and feel that you have grasped a clean and beautiful truth. You feel that way because that laugh is a revelation. It is a great impersonal sincerity. It is a spray of dewy blossom from the great central stalk of All Being, and the woman’s name and address hasn’t got a damn thing to do with it. Therefore, the laugh cannot be faked. If a woman could learn to fake it she would make Nell Gwyn and Pompadour look like a couple of Campfire Girls wearing bifocals and ground-gripper shoes with bands on their teeth. She could get all society by the ears. For all any man really wants is to hear a woman laugh like that.
”
”
Robert Penn Warren
“
At the city gate and by your fireside I have seen you prostrate yourself and worship your own freedom,
Even as slaves humble themselves before a tyrant and praise him though he slays them.
Ay, in the grove of the temple and in the shadow of the citadel I have seen the freest among you wear their freedom as a yoke and a handcuff.
And my heart bled within me; for you can only be free when even the desire of seeking freedom becomes a harness to you, and when you cease to speak of freedom as a goal and a fulfilment.
You shall be free indeed when your days are not without a care nor your nights without a want and a grief,
But rather when these things girdle your life and yet you rise above them naked and unbound.
And how shall you rise beyond your days and nights unless you break the chains which you at the dawn of your understanding have fastened around your noon hour?
In truth that which you call freedom is the strongest of these chains, though its links glitter in the sun and dazzle your eyes.
And what is it but fragments of your own self you would discard that you may become free?
If it is an unjust law you would abolish, that law was written with your own hand upon your own forehead.
You cannot erase it by burning your law books nor by washing the foreheads of your judges, though you pour the sea upon them.
And if it is a despot you would dethrone, see first that his throne erected within you is destroyed.
For how can a tyrant rule the free and the proud, but for a tyranny in their own freedom and a shame in their own pride?
And if it is a care you would cast off, that care has been chosen by you rather than imposed upon you.
And if it is a fear you would dispel, the seat of that fear is in your heart and not in the hand of the feared.
Verily all things move within your being in constant half embrace, the desired and the dreaded, the repugnant and the cherished, the pursued and that which you would escape.
These things move within you as lights and shadows in pairs that cling.
And when the shadow fades and is no more, the light that lingers becomes a shadow to another light.
And thus your freedom when it loses its fetters becomes itself the fetter of a greater freedom.
”
”
Kahlil Gibran (The Prophet)
“
Statements made by distant church bells remind me it is Sunday. Today the sky has become cloudy. I have been watching the clouds and it occurs to me that I have never done this in my life before, simply sit and watch clouds. As a child I would have been far too anxious to ‘waste time’ in this way. And my mother would have stopped me. As I write this I am sitting on my plot of grass behind the house where I have put a chair, cushions, rugs. It is evening. Thick lumpy slate-blue clouds, their bulges lit up to a lighter blue, move slowly across a sky of muddy and yet brilliant gold, a sort of dulled gilt effect. At the horizon there is a light glittering slightly jagged silver line, like modern jewellery. Beneath it the sea is a live choppy lyrical goldeny-brown, jumping with white flecks. The air is warm. Another happy day. (‘Whatever will you do down there?’ they asked.)
In a quiet surreptitious way I am feeling very pleased with myself.
”
”
Iris Murdoch (The Sea, the Sea)
“
On Growing Old
Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the spindrift flying,
Is soon too lame to march, too cold for loving.
I take the book and gather to the fire,
Turning old yellow leaves; minute by minute
The clock ticks to my heart. A withered wire,
Moves a thin ghost of music in the spinet.
I cannot sail your seas, I cannot wander
Your cornland, nor your hill-land, nor your valleys
Ever again, nor share the battle yonder
Where the young knight the broken squadron rallies.
Only stay quiet while my mind remembers
The beauty of fire from the beauty of embers.
Beauty, have pity! for the strong have power,
The rich their wealth, the beautiful their grace,
Summer of man its sunlight and its flower.
Spring-time of man, all April in a face.
Only, as in the jostling in the Strand,
Where the mob thrusts, or loiters, or is loud,
The beggar with the saucer in his hand
Asks only a penny from the passing crowd,
So, from this glittering world with all its fashion,
Its fire, and play of men, its stir, its march,
Let me have wisdom, Beauty, wisdom and passion,
Bread to the soul, rain when the summers parch.
Give me but these, and though the darkness close
Even the night will blossom as the rose.
”
”
John Masefield (Enslaved and Other Poems)
“
Men do what is called a good action, as some piece of courage or charity, much as they would pay a fine in expiation of daily non-appearance on parade. Their works are done as an apology or extenuation of their living in the world, — as invalids and the insane pay a high board. Their virtues are penances. I do not wish to expiate, but to live. My life is for itself and not for a spectacle. I much prefer that it should be of a lower strain, so it be genuine and equal, than that it should be glittering and unsteady. I wish it to be sound and sweet, and not to need diet and bleeding. I ask primary evidence that you are a man, and refuse this appeal from the man to his actions. I know that for myself it makes no difference whether I do or forbear those actions which are reckoned excellent. I cannot consent to pay for a privilege where I have intrinsic right. Few and mean as my gifts may be, I actually am, and do not need for my own assurance or the assurance of my fellows any secondary testimony.
”
”
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
“
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. "She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
”
”
Joseph Conrad (Heart of Darkness)
“
All of this seemed equally trifling to him now. And when he thought again about the world of free people, the difference between it and the miseries and joys of this place seemed minimal. If three tiny fragments of tea leaf chanced to fall into a prisoner's battered cup, he relished them. In Leningrad during the interval at the opera a woman sipped champagne with the same pleasure. Their sufferings were also comparable. Both the prisoner and the woman had painful shoes. Hers were narrow evening shoes which she took off during the performance. The prisoner suffered from what they wore in the camp, section of tyres into which you thrust your foot wrapped in rags and fastened with string. The woman at the opera knew that somewhere in the world there were millions of beings transformed into gaunt animals, their faces blackened by the polar winds. But this did not stop her drinking her glass of wine amid the glittering of the great mirrors. The prisoner knew that a warm and brilliant life was lived elsewhere in tranquility but this did not spoil his pleasure as he chewed those fragments of tea leaf....
”
”
Andreï Makine (The Life of an Unknown Man)
“
Loving or not loving should be like coffee or tea; people should be allowed to decide. How else are we to get over all our dead and the women we've lost?" Cunco whispered dejectedly.
"Maybe we shouldn't."
"You think so? Not get over it. but...then? What then? What task do the departed want us to do?"
That was the question that Jean Perdu had been unable to answer for all these years.
Until now. Now he knew.
"To carry them within us—that is our task. We carry them all inside us, all our dead and shattered loves. Only they make us whole. If we begin to forget or cast aside those we've lost, then...then we are no longer present either. "
Jean looked at the Allier River, glittering in the moonlight.
"All the love, all the dead, all the people we've known. They are the rivers that feed our sea of souls. If we refuse to remember them, that sea will dry up too."
He felt an overwhelming inner thirst to seize life with both hands before time sped past even faster. He didn't want to die of thirst, he wanted to be as wide and free as the sea—full and deep. He longed for friends. He wanted to love. He wanted to feel the marks that Manon had left inside him. He still wanted to feel her coursing through him, mingling with him. Manon had changed him forever—why deny it? That was how he had become the man whom Catherine had allowed to approach her.
Jean Perdu suddenly realized that Catherine could never taken Mann's place. She took her own place. No worse, no better, simply different.
He longed to show Catherine the full expanse of his sea!
”
”
Nina George (The Little Paris Bookshop)
“
What is this, behind this veil, is it ugly, is it beautiful?
It is shimmering, has it breasts, has it edges?
I am sure it is unique, I am sure it is what I want.
When I am quiet at my cooking I feel it looking, I feel it thinking
'Is this the one I am too appear for,
Is this the elect one, the one with black eye-pits and a scar?
Measuring the flour, cutting off the surplus,
Adhering to rules, to rules, to rules.
Is this the one for the annunciation?
My god, what a laugh!'
But it shimmers, it does not stop, and I think it wants me.
I would not mind if it were bones, or a pearl button.
I do not want much of a present, anyway, this year.
After all I am alive only by accident.
I would have killed myself gladly that time any possible way.
Now there are these veils, shimmering like curtains,
The diaphanous satins of a January window
White as babies' bedding and glittering with dead breath. O ivory!
It must be a tusk there, a ghost column.
Can you not see I do not mind what it is.
Can you not give it to me?
Do not be ashamed--I do not mind if it is small.
Do not be mean, I am ready for enormity.
Let us sit down to it, one on either side, admiring the gleam,
The glaze, the mirrory variety of it.
Let us eat our last supper at it, like a hospital plate.
I know why you will not give it to me,
You are terrified
The world will go up in a shriek, and your head with it,
Bossed, brazen, an antique shield,
A marvel to your great-grandchildren.
Do not be afraid, it is not so.
I will only take it and go aside quietly.
You will not even hear me opening it, no paper crackle,
No falling ribbons, no scream at the end.
I do not think you credit me with this discretion.
If you only knew how the veils were killing my days.
To you they are only transparencies, clear air.
But my god, the clouds are like cotton.
Armies of them. They are carbon monoxide.
Sweetly, sweetly I breathe in,
Filling my veins with invisibles, with the million
Probable motes that tick the years off my life.
You are silver-suited for the occasion. O adding machine-----
Is it impossible for you to let something go and have it go whole?
Must you stamp each piece purple,
Must you kill what you can?
There is one thing I want today, and only you can give it to me.
It stands at my window, big as the sky.
It breathes from my sheets, the cold dead center
Where split lives congeal and stiffen to history.
Let it not come by the mail, finger by finger.
Let it not come by word of mouth, I should be sixty
By the time the whole of it was delivered, and to numb to use it.
Only let down the veil, the veil, the veil.
If it were death
I would admire the deep gravity of it, its timeless eyes.
I would know you were serious.
There would be a nobility then, there would be a birthday.
And the knife not carve, but enter
Pure and clean as the cry of a baby,
And the universe slide from my side.
”
”
Sylvia Plath
“
The Master Hand looked at the jewel that glittered on Ged's palm, bright as the prize of a dragon's hoard. The old Master murmured one word, "Tolk," and there lay the pebble, no jewel but a rough grey bit of rock. The Master took it and held it out on his own hand. "This is a rock; tolk in the True Speech," he said, looking mildly up at Ged now. "A bit of the stone of which Roke Isle is made, a little bit of the dry land on which men live. It is itself. It is part of the world. By the Illusion-Change you can make it look like a diamond – or a flower or a fly or an eye or a flame – " The rock flickered from shape to shape as he named them, and returned to rock. "But that is mere seeming. Illusion fools the beholder's senses; it makes him see and hear and feel that the thing is changed. But it does not change the thing. To change this rock into a jewel, you must change its true name. And to do that, my son, even to so small a scrap of the world, is to change the world. It can be done. Indeed it can be done. It is the art of the Master Changer, and you will learn it, when you are ready to learn it. But you must not change one thing, one pebble, one grain of sand, until you know what good and evil will follow on that act. The world is in balance, in Equilibrium. A wizard's power of Changing and of Summoning can shake the balance of the world. It is dangerous, that power. It is most perilous. It must follow knowledge, and serve need. To light a candle is to cast a shadow..."
He looked down at the pebble again. "A rock is a good thing, too, you know," he said, speaking less gravely. "If the Isles of Eartbsea were all made of diamond, we'd lead a hard life here. Enjoy illusions, lad, and let the rocks be rocks.
”
”
Ursula K. Le Guin (A Wizard of Earthsea (Earthsea Cycle, #1))
“
I fancy my father thought me an odd child, and had little fondness for me; though he was very careful in fulfilling what he regarded as a parent's duties. But he was already past the middle of life, and I was not his only son. My mother had been his second wife, and he was five-and-forty when he married her. He was a firm, unbending, intensely orderly man, in root and stem a banker, but with a flourishing graft of the active landholder, aspiring to county influence: one of those people who are always like themselves from day to day, who are uninfluenced by the weather, and neither know melancholy nor high spirits. I held him in great awe, and appeared more timid and sensitive in his presence than at other times; a circumstance which, perhaps, helped to confirm him in the intention to educate me on a different plan from the prescriptive one with which he had complied in the case of my elder brother, already a tall youth at Eton. My brother was to be his representative and successor; he must go to Eton and Oxford, for the sake of making connexions, of course: my father was not a man to underrate the bearing of Latin satirists or Greek dramatists on the attainment of an aristocratic position. But intrinsically, he had slight esteem for "those dead but sceptred spirits"; having qualified himself for forming an independent opinion by reading Potter's Aeschylus, and dipping into Francis's Horace. To this negative view he added a positive one, derived from a recent connexion with mining speculations; namely, that scientific education was the really useful training for a younger son. Moreover, it was clear that a shy, sensitive boy like me was not fit to encounter the rough experience of a public school. Mr. Letherall had said so very decidedly. Mr. Letherall was a large man in spectacles, who one day took my small head between his large hands, and pressed it here and there in an exploratory, suspicious manner - then placed each of his great thumbs on my temples, and pushed me a little way from him, and stared at me with glittering spectacles. The contemplation appeared to displease him, for he frowned sternly, and said to my father, drawing his thumbs across my eyebrows -
'The deficiency is there, sir-there; and here,' he added, touching the upper sides of my head, 'here is the excess. That must be brought out, sir, and this must be laid to sleep.'
I was in a state of tremor, partly at the vague idea that I was the object of reprobation, partly in the agitation of my first hatred - hatred of this big, spectacled man, who pulled my head about as if he wanted to buy and cheapen it. ("The Lifted Veil")
”
”
George Eliot (The Lifted Veil (Fantasy and Horror Classics))
“
It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles.
”
”
Émile Zola
“
We Let the Boat Drift
I set out for the pond, crossing the ravine
where seedling pines start up like sparks
between the disused rails of the Boston and Maine.
The grass in the field would make a second crop
if early autumn rains hadn't washed
the goodness out. After the night's hard frost
it makes a brittle rustling as I walk.
The water is utterly still. Here and there
a black twig sticks up. It's five years today,
and even now I can't accept what cancer did
to him -- not death so much as the annihilation
of the whole man, sense by sense, thought
by thought, hope by hope.
Once we talked about the life to come.
I took the Bible from the nightstand
and offered John 14: "I go to prepare
a place for you.""Fine. Good," he said.
"But what about Matthew? 'You, therefore,
must be perfect, as your heavenly Father
is perfect.'" And he wept.
My neighbor honks and waves driving by.
She counsels troubled students; keeps bees;
her goats follow her to the mailbox.
Last Sunday afternoon we went canoeing on the pond. Something terrible at school had shaken her. We talked quietly far from shore. The paddles
rested across our laps; glittering drops
fell randomly from their tips. The light
around us seemed alive. A loon-itinerant-
let us get quite close before it dove, coming up
after a long time, and well away from humankind
”
”
Jane Kenyon (Otherwise: New and Selected Poems)
“
We owe all to Jesus crucified. What is your life, my brethren, but the cross? Whence comes the bread of your soul but from the cross? What is your joy but the cross? What is your delight, what is your heaven, but the Blessed One, once crucified for you, who ever liveth to make intercession for you? Cling to the cross, then, put both arms around it! Hold to the Crucified, and never let Him go. Come afresh to the cross at this moment, and rest there now and for ever! Then, with the power of God resting upon you, go forth and preach the cross! Tell out the story of the bleeding Lamb. Repeat the wondrous tale, and nothing else. Never mind how you do it, only proclaim that Jesus died for sinner.
The cross held up by a babe’s hands is just as powerful as if a giant held it up. The power lies in the word itself, or rather in the Holy Spirit who works by it and with it. O glorious Christ, when I have had a vision of Thy cross, I have seen it at first like a common gibbet, and Thou wast hanging on it like a felon; but, as I have looked, I have seen it begin to rise, and tower aloft till it has reached the highest heaven, and by its mighty power has lifted up myriads to the throne of God. I have seen its arms extend and expand until they have embraced all the earth. I have seen the foot of it go down deep as our helpless miseries are; and what a vision I have had of Thy magnificence, O Thou crucified One! Brethren, believe in the power of the cross for the conversion of those around you. Do not say of any man that he cannot be saved. The blood of Jesus is omnipotent. Do not say of any district that it is too sunken, or of any class of men that they are too far gone: the word of the cross reclaims the lost. Believe it to be the power of God, and you shall find it so.
Believe in Christ crucified, and preach boldly in His name, and you shall see great and gladsome things. Do not doubt the ultimate triumph of Christianity. Do not let a mistrust flit across your soul. The cross must conquer; it must blossom with a crown, a crown commensurate with the person of the Crucified, and the bitterness of His agony. His reward shall parallel His sorrows. Trust in God, and lift your banner high, and now with psalms and songs advance to battle, for the Lord of hosts is with us, the Son of the Highest leads our van. Onward, with blast of silver trumpet and shout of those that seize the spoil. Let no man’s heart fail him! Christ hath died! Atonement is complete! God is satisfied! Peace is proclaimed! Heaven glitters with proofs of mercy already bestowed upon ten thousand times ten thousand! Hell is trembling, heaven adoring, earth waiting. Advance, ye saints, to certain victory! You shall overcome through the blood of the Lamb.
”
”
Charles Haddon Spurgeon
“
You really don’t believe that anything can have a value of its own beyond what function it serves for human beings?” Resaint said. “Value to who?” Resaint asked Halyard to imagine a planet in some remote galaxy—a lush, seething, glittering planet covered with stratospheric waterfalls, great land-sponges bouncing through the valleys, corals budding in perfect niveous hexagons, humming lichens glued to pink crystals, prismatic jellyfish breaching from the rivers, titanic lilies relying on tornadoes to spread their pollen—a planet full of complex, interconnected life but devoid of consciousness. “Are you telling me that, if an asteroid smashed into this planet and reduced every inch of its surface to dust, nothing would be lost? Because nobody in particular would miss it?” “But the universe is bloody huge—stuff like that must happen every minute. You can’t go on strike over it. Honestly it sounds to me to like your real enemy isn’t climate change or habitat loss, it’s entropy. You don’t like the idea that everything eventually crumbles. Well, it does. If you’re this worried about species extinction, wait until you hear about the heat death of the universe.” “I would be upset about the heat death of the universe too if human beings were accelerating the rate of it by a hundred times or more.” “And if a species’ position with respect to us doesn’t matter— you know, those amoebae they found that live at the bottom of the Mariana Trench, if they’re just as important as Chiu Chiu or my parents’ dog, even though nobody ever gets anywhere near them—if distance in space doesn’t matter, why should distance in time? If we don’t care about whether their lives overlap with our lives, why even worry about whether they exist simultaneously with us? Your favorite wasp—Adelo-midgy-midgy—” “Adelognathus marginatum—” “It did exist. It always will have existed. Extinction can’t take that away. It went through its nasty little routine over and over again for millions and millions of years. The show was a big success. So why is it important that it’s still running at the same time you are? Isn’t that centering the whole thing on human beings, which is exactly what we’re not supposed to be doing? I mean, for that matter—reality is all just numbers anyway, right? I mean underneath? That’s what people say now. So why are you so down on the scans? Hacks aside. Why is it so crucial that these animals exist right now in an ostensibly meat-based format, just because we do? My point is you talk about extinction as if you’re taking this enlightened post-human View from Nowhere but if we really get down to it you’re definitely taking a View from Karin Resaint two arms two legs one head born Basel Switzerland year of our lord two-thousand-and-when-ever.” But Resaint wasn’t listening anymore.
”
”
Ned Beauman (Venomous Lumpsucker)
“
After three years of music-hall and theatre I'm still the same: always ready too soon.
Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say:
"Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?"
Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.
Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
”
”
Colette
“
I would trust you with my life. I'm betting that something evil would appear pleasing but feel foul."
Gregori's glittering silver eyes settled on his face, a glimmer of warmth in them, a hint of humor. "You are already trusting me with your life."
Savannah leaned into Gregori. "I'm so proud of you. You're getting this humor thing down." She looked across the table at Gary, laughter dancing in her enormous blue eyes. "He has a little trouble with the concept of humor."
Gary found himself laughing with her. "I can believe that."
"Watch it,kid. There is no need to be disrespectful. Do not make the mistake of believing you can get away with it the way this one does." Gregori tugged at Savannah's long ebony hair. It hung to her waist, a fall of blue-black silk that moved with a life of its own, that tempted, invited men to touch it.
"So,what are you going to do about me?" Gary ventured painfully.
Savannah resisted the urge to touch him sympathetically. She was naturally demonstrative, naturally affectionate. When someone was upset, she needed to make things better.Gregori inhibited her normal tendency to comfort.
I cannot change what I am, ma petite,he whispered softly in her mind, a slow,soothing black-velvet drawl. His voice wrapped her up and touched her with tenderness. I can only promise to keep you safe and to try to make you as happy as I can to make up for my deficiencies.
I didn't say you had deficiencies, she returned softly, her voice a caress, fingers trailing over the back of his neck, down the muscles of his back.
Need slammed into him, low and wicked. His skin crawled with fire. His silver eyes slid slowly, possessively over her, touching her body with tongues of flame. Touching. Caressing. His urgent need exploded in him like a volcano. In his head a dull roar began. Abruptly he wished Gary gone. The cafe gone. The world gone.He wasn't altogether certain he could wait until he was home with her. The riverbank as suddenly looking very inviting.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Celestial Music”
I have a friend who still believes in heaven.
Not a stupid person, yet with all she knows, she literally talks to god,
she thinks someone listens in heaven.
On earth, she’s unusually competent.
Brave, too, able to face unpleasantness.
We found a caterpillar dying in the dirt, greedy ants crawling over it.
I’m always moved by weakness, by disaster, always eager to oppose vitality.
But timid, also, quick to shut my eyes.
Whereas my friend was able to watch, to let events play out
according to nature. For my sake, she intervened,
brushing a few ants off the torn thing, and set it down
across the road.
My friend says I shut my eyes to god, that nothing else explains
my aversion to reality. She says I’m like the child who buries her head in the pillow
so as not to see, the child who tells herself
that light causes sadness—
My friend is like the mother. Patient, urging me
to wake up an adult like herself, a courageous person—
In my dreams, my friend reproaches me. We’re walking
on the same road, except it’s winter now;
she’s telling me that when you love the world you hear celestial music:
look up, she says. When I look up, nothing.
Only clouds, snow, a white business in the trees
like brides leaping to a great height—
Then I’m afraid for her; I see her
caught in a net deliberately cast over the earth—
In reality, we sit by the side of the road, watching the sun set;
from time to time, the silence pierced by a birdcall.
It’s this moment we’re both trying to explain, the fact
that we’re at ease with death, with solitude.
My friend draws a circle in the dirt; inside, the caterpillar doesn’t move.
She’s always trying to make something whole, something beautiful, an image
capable of life apart from her.
We’re very quiet. It’s peaceful sitting here, not speaking, the composition
fixed, the road turning suddenly dark, the air
going cool, here and there the rocks shining and glittering—
it’s this stillness that we both love.
The love of form is a love of endings.
”
”
Louise Glück (Ararat)
“
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power.
The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds.
The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue.
A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold.
A room of ivory: bone, teeth, skulls, and velvet.
A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears.
A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns.
Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond.
Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
How to Come Out as Gay Don’t. Don’t come out unless you want to. Don’t come out for anyone else’s sake. Don’t come out because you think society expects you to. Come out for yourself. Come out to yourself. Shout, sing it. Softly stutter. Correct those who say they knew before you did. That’s not how sexuality works, it’s yours to define. Being effeminate doesn’t make you gay. Being sensitive doesn’t make you gay. Being gay makes you gay. Be a bit gay, be very gay. Be the glitter that shows up in unexpected places. Be Typing . . . on WhatsApp but leave them waiting. Throw a party for yourself but don’t invite anyone else. Invite everyone to your party but show up late or not at all. If you’re unhappy in the closet but afraid of what’s outside, leave the door ajar and call out. If you’re happy in the closet for the time being, play dress-up until you find the right outfit. Don’t worry, it’s okay to say you’re gay and later exchange it for something else that suits you, fits, feels better. Watch movies that make it seem a little less scary: Beautiful Thing, Moonlight. Be southeast London, a daytime dance floor, his head resting on your shoulder. Be South Beach, Miami, night of water and fire, your head resting on his shoulder. Be the fabric of his shirt the muscles in his shoulder, your shoulder. Be the bricks, be the sand. Be the river, be the ocean. Remember your life is not a movie. Accept you will be coming out for your whole life. Accept advice from people and sources you trust. If your mother warns you about STDs within minutes of you coming out, try to understand that she loves you and is afraid. If you come out at fifteen, this is not a badge of honor, it doesn’t matter what age you come out. Be a beautiful thing. Be the moonlight, too. Remember you have the right to be proud. Remember you have the right to be you.
”
”
Dean Atta (The Black Flamingo)
“
Winter was come indeed bringing with it those pleasures of which the summer dreamer knows nothing—the delight when the fine and glittering day shows in the window, though one knows how cold it is outside; the delight of getting as close as possible to the blazing range which in the shadowy kitchen throws reflections very different from the pale gleams of sunlight in the yard, the range we cannot take with us on our walk, busy with its own activity, growling and grumbling as it sets to work, for in three hours time luncheon must be ready; the delight of filling one's bowl with steaming café-au-lait—for it is only eight o'clock—and swallowing it in boiling gulps while servants at their tasks come in and out with a, 'Good morning: up early, aren't you?' and a kindly, 'It's snug enough in here, but cold outside,' accompanying the words with that smile which is to be seen only on the faces of those who for the moment are thinking of others and not of themselves, whose expressions, entirely freed from egotism, take on a quality of vacillating goodness, a smile which completes that earlier smile of the bright golden sky touching the window-panes, and crowns our every pleasure as we stand there with the lovely heat of the range at our backs, the hot and limpid flavour of the café-au-lait in our mouths; the delight of night-time when, having had to get up to go shiveringly to the icy lavatory in the tower, into which the air creeps through the ill-fitting window, we later return deliciously to our room, feeling a smile of happiness distend our lips, finding it hard not to jump for sheer joy at the thought of the big bed already warm with our warmth, of the still burning fire, the hot-water bottle, the coverlets and blankets which have imparted their heat to the bed into which we are about to slip, walled in, embattled, hiding ourselves to the chin as against enemies thundering at the gates, who will not (and the thought brings gaiety) get the better of us, since they do not even know where we have so snugly gone to earth, laughing at the wind which is roaring outside, climbing up all the chimneys to every floor of the great house, conducting a search on each landing, trying all the locks: the delight of rolling ourselves in the blankets when we feel its icy breath approaching, sliding a little farther down the bed, gripping the hot-water bottle between our feet, working it up too high, and when we push it down again feeling the place where it has been still hot, pulling up the bedclothes to our faces, rolling ourselves into a ball, turning over, thinking—'How good life is!' too gay even to feel melancholy at the thought of the triviality of all this pleasure.
”
”
Marcel Proust (Jean Santeuil)
“
For the first three years, it’s fun being a pro football player’s girlfriend.
“Marlee, let me see your hand! Did Chris propose yet?” Amber asks.
I’m in year ten.
“Still naked.” I wiggle my fingers in front of her the same way I did last week and the week before that . . . and the week before that. #HeDidntPutARingOnIt
Sometimes, I like to hashtag my life. #CheaperThanTherapy
I sip my margarita. “When it happens, I promise to let you know.” Or, you know, keep asking every time you see me.
“Marlee.” Courtney sighs. She stands at the head of the table clutching a glitter-coated gavel. “We made exceptions for you to join the Lady Mustangs. Try to acknowledge that and save your little side conversation until we’ve finished.”
“Sorry, Court.” Every time I call her Court, she strains her Botoxed forehead and glares in my direction, so obviously, it’s the only thing I call her. Well, sometimes I call her bitch, but she doesn’t know about that.
“As I was saying, the annual Lady Mustangs Fashion Show is in three weeks. Everyone must attend the next meeting so we can discuss the outfits for you and your husbands.”
I catch her eye again. She raises her chin, and her fat-injected lips form an actual smile.
“Oh, I’m sorry. In your case, Marlee, you and your boyfriend.”
See? What a bitch.
“Thanks for the clarification, Court, but I understood.
”
”
Alexa Martin (Intercepted (Playbook, #1))
“
Or I can stay with Colby when he comes back,” she added deliberately. She even smiled. “He’ll take care of me.”
His black eyes narrowed. “He can barely take care of himself,” he said flatly. “He’s a lost soul. He can’t escape the past or face the future without Maureen. He isn’t ready for a relationship with anyone else, even if he thinks he is”
She didn’t rise to the bait. “I can count on Colby. He’ll help me if I need it.”
He looked frustrated. “But you won’t let me help you.”
“Colby isn’t involved with anyone who’d be jealous of the time he spent looking out for me. That’s the difference.”
He let out an angry breath and his eyes began to glitter. “You have to beat the subject to death, I guess.”
She managed to look indifferent. “You have your own life to live, Tate. I’m not part of it anymore. You’ve made that quite clear.”
His teeth clenched. “Is it really that easy for you to throw the past away?” he asked.
“That’s what you want,” she reminded him. There was a perverse pleasure in watching his eyes narrow. “You said you’d never forget or forgive me,” she added evenly. “I took you at your word. I’ll always have fond memories of you and Leta. But I’m a grown woman. I have a career, a future. I’ve dragged you down financially for years, without knowing it. Now that I do…”
“For God’s sake!” he burst out, rising to pace with his hands clenched in his pockets. “I could have sent you to Harvard if you’d wanted to go there, and never felt the cost!
“You’re missing the point,” she said, feeling nausea rise in her throat and praying it wouldn’t overflow. “I could have worked my way through school, paid for my own apartment and expenses. I wouldn’t have minded. But you made me beholden to you in a way I can never repay.”
He stopped pacing and glared at her. “Have I asked for repayment?”
She smiled in spite of herself. “You look just like Matt when you glower that way.”
The glare got worse.
She held up a hand. “I know. You don’t want to talk about that. Sorry.”
“Everyone else wants to talk about it,” he said irritably. “I’ve done nothing but dodge reporters ever since the story broke. What a hell of a way to do it, on national television!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Anyway, I should probably get going.”
That big, beautiful man leaned forward in his chair, his eyes sweeping over my face and the hair that had gotten pretty wavy because of the humidity. I had almost forgotten I’d put a silver glitter clip into it that morning to keep it out of my face. “You’re gonna leave me here alone?”
“You really want me to keep you company?”
His response was a long, long look.
For some reason, it made me feel oddly vulnerable. He thought I was pathetic. I knew it. But pathetic or not, well, he was kind of hinting he wanted me to keep him company. “I can stay if you want.”
He didn’t say he wanted me to, but… he just kept right on looking at me.
So I took it as a yes. “Okay, I’ll stay.”
It was the right answer.
He took a sip of his drink. “Good.”
Well, it looked like I was staying a little longer now. With our conversation still nipping at the back of my head, I asked him again, “So, you’ve really never had a girlfriend? Not in forty-one years?”
“Nope.”
“Not even in high school?”
He shook his head.
“Not once?”
“Nope.” He gave me this face that almost seemed like a challenge. Like a dare. “I’ve got two numbers on my phone that don’t belong to somebody who’s got a dick. One’s the lady that cleans my place once a week…”
“Who’s the other?” I asked, trying to ignore the edge of jealousy waiting around the corner of his answer.
That got me another snicker. “You, who the hell else?”
“Me?” I leaned forward then. “Since when? You’ve never called my cell.”
“Since always. Just ’cause I don’t call you doesn’t mean I don’t have it.”
I couldn’t help raising my hands up to my heart and settling them there, this huge smile coming over my face. “Does this mean… Boss, are we friends? Outside of work, of course.”
His face went totally serious for a moment before he tossed his head back and laughed. “Get the fuck outta here, Luna. Christ.”
We were. We were so totally friends. He was my boss too, but that didn’t mean we couldn’t be friends when we weren’t at the shop. Or during lunch. Or when my life tried to fall apart on me a little.
Me and Rip.
Friends.
I’d take it. I’d take it every day of the year, forever.
”
”
Mariana Zapata (Luna and the Lie)
“
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest.
“Forever. Nearly as long as I did about you.”
“God, Jesse. Why didn’t you say anything?”
“He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.”
“Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.”
“Do you mean…I did it?” I asked. “I made him figure it out? What he is?”
Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.”
“I don’t want to separate from you,” I said.
“No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.”
Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…”
But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin.
Skin that was marble-pale, I realized. Just like mine.
“Yes?” I said, more gently than I’d intended.
“Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.”
“Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.”
He dropped his arm. “You got that from the diary.”
“No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.”
“Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?”
“Jesse is a star.”
The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.”
I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.”
“Aye.”
A single blue eye blinked open between Armand’s fingers. “Show me what?
”
”
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
“
You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?”
“It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.”
He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.”
“At bedtime,” she corrected.
His eyes narrowed. “Lucky Colby,” he said deliberately.
She wasn’t going to give him any rope to hang her with. She just smiled.
He glared at her. “He won’t change,” he said flatly.
“I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.”
“That’s a hell of a way to talk to me.”
“That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?”
Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.”
“You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked.
“You know I don’t approve of Colby,” he told her.
“Like I care?” she said.
He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge.
On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him.
“Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.”
“He’s an alcoholic,” he said quietly, trying to control the anger.
“I told you before, he’s in therapy,” she said. “He’s trying, Tate.”
“So you expect me not to worry about you? After what my own father put me and my mother through?
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category.
And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way.
He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife."
Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful."
"Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled.
He thought her beautiful?
There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?"
Glancing away, he muttered a curse under his breath. "No."
"Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too."
Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts.
And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat.
"I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?"
She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done."
"She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage.
"They aren't scoundrels."
"I swear to God, you're a lamb among the wolves," he muttered.
That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter."
His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path."
A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent."
He snorted. "I doubt it will stay that way."
"Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?"
"I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable."
She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
It is foolish to be in thrall to fame and fortune, engaged in painful striving all your life with never a moment of peace and tranquillity. Great wealth will drive you to neglect your own well-being in pursuit of it. It is asking for harm and tempting trouble. Though you leave behind at your death a mountain of gold high enough to prop up the North Star itself, it will only cause problems for those who come after you. Nor is there any point in all those pleasures that delight the eyes of fools. Big carriages, fat horses, glittering gold and jewels – any man of sensibility would view such things as gross stupidity. Toss your gold away in the mountains; hurl your jewels into the deep. Only a complete fool is led astray by avarice. Everyone would like to leave their name unburied for posterity – but the high-born and exalted are not necessarily fine people, surely. A dull, stupid person can be born into a good house, attain high status thanks to opportunity and live in the height of luxury, while many wonderfully wise and saintly men choose to remain in lowly positions, and end their days without ever having met with good fortune. A fierce craving for high status and position is next in folly to the lust for fortune. We long to leave a name for our exceptional wisdom and sensibility – but when you really think about it, desire for a good reputation is merely revelling in the praise of others. Neither those who praise us nor those who denigrate will remain in the world for long, and others who hear their opinions will be gone in short order as well. Just who should we feel ashamed before, then? Whose is the recognition we should crave? Fame in fact attracts abuse and slander. No, there is nothing to be gained from leaving a lasting name. The lust for fame is the third folly. Let me now say a few words, however, to those who dedicate themselves to the search for knowledge and the desire for understanding. Knowledge leads to deception; talent and ability only serve to increase earthly desires. Knowledge acquired by listening to others or through study is not true knowledge. So what then should we call knowledge? Right and wrong are simply part of a single continuum. What should we call good? One who is truly wise has no knowledge or virtue, nor honour nor fame. Who then will know of him, and speak of him to others? This is not because he hides his virtue and pretends foolishness – he is beyond all distinctions such as wise and foolish, gain and loss. I have been speaking of what it is to cling to one’s delusions and seek after fame and fortune. All things of this phenomenal world are mere illusion. They are worth neither discussing nor desiring.
”
”
Yoshida Kenkō (A Cup of Sake Beneath the Cherry Trees)
“
He concluded the speech with an irritated motion of his hands.
Unfortunately, Evie had been conditioned by too many encounters with Uncle Peregrine to discern between angry gestures and the beginnings of a physical attack. She flinched instinctively, her own arms flying up to shield her head. When the expected pain of a blow did not come, she let out a breath and tentatively lowered her arms to find Sebastian staring at her with blank astonishment.
Then his face went dark.
“Evie,” he said, his voice containing a bladelike ferocity that frightened her. “Did you think I was about to…Christ. Someone hit you. Someone hit you in the past—who the hell was it?” He reached for her suddenly—too suddenly—and she stumbled backward, coming up hard against the wall. Sebastian went very still. “Goddamn,” he whispered. Appearing to struggle with some powerful emotion, he stared at her intently. After a long moment, he spoke softly. “I would never strike a woman. I would never harm you. You know that, don’t you?”
Transfixed by the light, glittering eyes that held hers with such intensity, Evie couldn’t move or make a sound. She started as he approached her slowly. “It’s all right,” he murmured. “Let me come to you. It’s all right. Easy.” One of his arms slid around her, while he used his free hand to smooth her hair, and then she was breathing, sighing, as relief flowed through her. Sebastian brought her closer against him, his mouth brushing her temple. “Who was it?” he asked.
“M-my uncle,” she managed to say. The motion of his hand on her back paused as he heard her stammer.
“Maybrick?” he asked patiently.
“No, th-the other one.”
“Stubbins.”
“Yes.” Evie closed her eyes in pleasure as his other arm slid around her. Clasped against Sebastian’s hard chest, with her cheek tucked against his shoulder, she inhaled the scent of clean male skin, and the subtle touch of sandalwood cologne.
“How often?” she heard him ask. “More than once?”
“I…i-it’s not important now.”
“How often, Evie?”
Realizing that he was going to persist until she answered, Evie muttered, “Not t-terribly often, but…sometimes when I displeased him, or Aunt Fl-Florence, he would lose his temper. The l-last time I tr-tried to run away, he blackened my eye and spl-split my lip.”
“Did he?” Sebastian was silent for a long moment, and then he spoke with chilling softness. “I’m going to tear him limb from limb.”
“I don’t want that,” Evie said earnestly. “I-I just want to be safe from him. From all of them.”
Sebastian drew his head back to look down into her flushed face. “You are safe,” he said in a low voice. He lifted one of his hands to her face, caressing the plane of her cheekbone, letting his fingertip follow the trail of pale golden freckles across the bridge of her nose. As her lashes fluttered downward, he stroked the slender arcs of her brows, and cradled the side of her face in his palm. “Evie,” he murmured. “I swear on my life, you will never feel pain from my hands. I may prove a devil of a husband in every other regard…but I wouldn’t hurt you that way. You must believe that.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
A woman pushed her way through the swarm of people. “She’s the daughter of Matthias, head scribe to Herod Antipas, and known to be a fornicator.” I called out again in protest, but my denial was swallowed by the black odium that boiled out of their hearts. “Show us your pocket!” a man yelled. One by one, they took up the petition. Gripping my forearm, Chuza let their shouts grow fevered before he reached for my sleeve. I writhed and kicked. I was a fluttering moth, a hapless girl. My skirmish yielded nothing but jeers and laughter. He snatched the sheet of ivory from my coat and lifted it over his head. A roar erupted. “She is a thief, a blasphemer, and a fornicator!” Chuza cried. “What would you do with her?” “Stone her!” someone cried. The chant began, the dark prayer. Stone her. Stone her. I shut my eyes against the dazzling blur of anger. Their hearts are boulders and their heads are straw. They seemed to be not a multitude of persons, but a single creature, a behemoth feeding off their combined fury. They would stone me for all the wrongs ever done to them. They would stone me for God. Most often victims were dragged to a cliff outside the city and thrown off before being pelted, which lessened the laborious effort of having to throw so many stones—it was in some way more merciful, at least quicker—but I saw I would not be accorded that lenience. Men and women and children plucked stones from the ground. These stones, God’s most bountiful gift to Galilee. Some rushed into the building site, where the stones were larger and more deadly. I heard the sizzle of a rock fly over my head and fall behind me. Then the commotion and noise slowed, elongating, receding to some distant pinnacle, and in that strange slackening of time, I no longer cared to fight. I felt myself bending to my fate. I ached for the life I would never live, but I yearned even more to escape it. I sank onto the ground, making myself as small as I could, my arms and legs tucked beneath my chest and belly, my forehead pressed to the ground. I fashioned myself into a walnut shell. I would be broken apart and God could have the meat. A stone struck my hip in a sunburst of pain. Another fell beside my ear. I heard the stomp of sandals running toward me, then a voice glittering with indignation. “Cease your violence! Would you stone her on the word of this man?” The mob quieted, and I dared to raise my head. Jesus stood before them, his back to me. I stared at the bones in his shoulders. The way his hands were drawn into fists. How he’d planted himself between me and the stones.
”
”
Sue Monk Kidd (The Book of Longings)