Glass Etching Quotes

HAZEL: "THERE," she said.The official building on their left had a single word etched on the glass doors: AMAZON. "oh," Frank said."Uh, no, Hazel. That's a modern thing. They're a company, Right? they sell stuff on the internet. They're not actually Amazons." "Unless..." Percy walked through the doors.

I myself shall continue living in my glass house where you can always see who comes to call, where everything hanging from the the ceiling and on the walls stays where it is as if by magic, where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later appear etched by a diamond.

Even if she hadn’t slaughtered Baba Yellowlegs, Manon would have killed her just for that spell she’d used to freeze her feet. Etching some foul spell with the man’s blood. And now she was going to die. Wind-Cleaver pressed against the queen’s blade. But Aelin held her ground and hissed, “I’m going to rip you to shreds.

Ryder, we got a problem,” Ristan called from beyond the other side of the etched-glass shower door. “Someone had better be dying, Ristan,” Ryder growled when he'd pulled away from kissing me. “They might be. You need to come see this.” “We will be right there,” Ryder called out as I slid down his hard body. He watched me with a smirk and then placed his hand on my arm to move me from beneath the water, so he could rinse off. I watched him, unable to pull my eyes off of his hands as they roved over his body.He was quicksand, and I was sinking. “Did you say we?” Ristan asked. I blushed from my head to my Paint Your Toron-Toes Rose colored toenails. I opened the shower door and stepped out meeting Ristan's eyes. “Don't ask.” “How the…did you sift into his shower?” he asked, bubbling with laughter. “I said don't ask! It wasn't my fault. I was sleeping!” I shouted as both men laughed even harder. “Real mature, just real fucking mature!

I myself shall continue living in my glass house where you can always see who comes to call; where everything hanging from the ceiling and on the walls stays where it is as if by magic; where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later be etched by a diamond.

When I wake, a piece of sharp green glass on the floor is cutting into my hand and I know it's a sign. I etch a letter on my hand; put it on top so I can see the jagged edges bleeding out; S. S is for sorrow, for all I don't say. S is for sick now, my punishing ways.

Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...

He was taking a leap here, negotiating with a crackhead, under the table, in a dark cantina. The courage etched on his face came from loving Aidia so much he’d close his eyes and walk through fire to see her safe.

Fracture lines etch the surface of the glass box as if a body fell from the sky and landed on it.

Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.

Next, the stalled cars had their windows opaqued with a cheap commercial compound used for etching glass, and slogans were painted on their doors. Some were long: THIS VEHICLE IS A DANGER TO LIFE AND LIMB. Many were short: IT STINKS! But the commonest of all was the universally known catchphrase: STOP, YOU'RE KILLING ME!

Didn't you have some big deal last night?" Peabody asked her. "Yeah, in East Washington. Roarke had this dinner / dance thing for some fancy charity. Save the moles or something. Enough food to feed every sidewalk sleeper on the Lower East Side for a year." "Gee, that's tough on you. I bet you had to get all dressed up in some beautiful gown, shuttle down on Roarke's private transpo, and choke down champagne." Eve only lifted a brow at Peabody's dust-dry tone. "Yeah, that's about it." They both knew the glamorous side of Eve's life since Roarke had come into it was both a puzzlement and a frustration to her. "And then I had to dance with Roarke. A lot." "Was he wearing a tux?" Peabody had seen Roarke in a tux. The image of it was etched in her mind like acid on glass. "Oh yeah." Until, Eve mused, they'd gotten home and she'd ripped it off of him. He looked every bit as good out of a tux as in one. "Man." Peabody closed her eyes, indulged herself with a visualization technique she'd learned at her Free-Ager parents' knees. "Man," she repeated. "You know, a lot of women would get pissed off at having their husband star in their aide's purient little fantasies." "But you're bigger than that, Lieutenant. I like that about you.

Human wisdom has advanced to the point where man can construct satellites. And yet man in his wisdom cannot find a way to rescue and old woman in Vietnam from her tragic plight. We can't wait to find out what the pockmarked face of the far side of the moon loks like, but we have no time to consider what meaning those wrinkles of sorrow etched deep into tha face of an old woman may have for us

You think this is the first time such a thing has happened? Don’t you know about oxygen?” “I know it’s necessary for life.” “It is now,” Malcolm said. “But oxygen is actually a metabolic poison. It’s a corrosive gas, like fluorine, which is used to etch glass. And when oxygen was first produced as a waste product by certain plant cells—say, around three billion years ago—it created a crisis for all other life on our planet. Those plant cells were polluting the environment with a deadly poison. They were exhaling a lethal gas, and building up its concentration. A planet like Venus has less than one percent oxygen. On earth, the concentration of oxygen was going up rapidly—five, ten, eventually twenty-one percent! Earth had an atmosphere of pure poison! Incompatible with life!” Hammond looked irritated. “So what is your point? That modern pollutants will be incorporated, too?” “No,” Malcolm said. “My point is that life on earth can take care of itself. In the thinking of a human being, a hundred years is a long time. A hundred years ago, we didn’t have cars and airplanes and computers and vaccines.… It was a whole different world. But to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can’t imagine its slow and powerful rhythms, and we haven’t got the humility to try. We have been residents here for the blink of an eye. If we are gone tomorrow, the earth will not miss us.

Fracture lines etch the surface of the glass box as if a body fell from the sky and landed on it. He doesn't hear the impact, can't smell the blood.

You should be spreading the good word. You should be etching the good word onto the glass scanning beds of library photocopiers. You should be scraping the truth onto old auto parts and throwing them off bridges so that people digging in the mud in a million years will question the world, too. You should be carving eyeballs into tire treads and onto shoe soles so that your every trail speaks of thinking and faith and belief. You should be designing molecules that crystallize into poems of devotion. You should be making bar codes that print out truth, not lies. You shouldn't even throw away a piece of litter unless it has the truth stamped on it--a demand for people to reach a finer place! ...Your new life will be tinged with urgency, as though you're digging out the victims of an avalanche. If you're not spending every waking moment of your life living the truth, if you're not plotting every moment to boil the carcass of the old order, then you're wasting your day.

For you, being around that man is like drinking a glass of poison every day,” Nadine said. “Maybe it just makes you sick, makes you weak, makes you forget who you really are and what you really want. But if you keep drinking, sooner or later, the poison will kill you.

The Fire When a human is asked about a particular fire, she comes close: then it is too hot, so she turns her face— and that’s when the forest of her bearable life appears, always on the other side of the fire. The fire she’s been asked to tell the story of, she has to turn from it, so the story you hear is that of pines and twitching leaves and how her body is like neither— all the while there is a fire at her back which she feels in fine detail, as if the flame were a dremel and her back its etching glass. You will not know all about the fire simply because you asked. When she speaks of the forest this is what she is teaching you, you who thought you were her master.

My existence threatens you." He shoved me back. hard. I crashed into the hall table, knocking it over, smashing the jar of old marbles I had collected. Glass balls skipped and bounced along the corridor. I landed on my back, my head banging down on the hardwood floor. I lay there for a second, blinking up at the lighting fixture, taking in the years of dust and dead moths gathered in the etched-glass globe. The silence that followed was more startling than the collision of me and the table and the floor. I heard Jake's harsh breathing and a marble rolling away down the hall — which seemed pretty damned appropriate, since I'd apparently lost all of mine.

Yes, of course, very well,” the barkeep sputtered. “My best bottle of Paelsian wine. Coming right up.” He disappeared into a back room, returning almost immediately with a dark green glass bottle roughly etched with the Paelsian symbol of a grapevine. As the barkeep uncorked it, Magnus spared a glance at Nic. “That’s forbidden.” Nic gestured toward the bottle. “Bad Prince of Blood. Very bad!” Magnus

Blood oozed from deep puncture wounds at his neck and shoulder. His right arm flopped unnaturally. From the middle of his back to his waist, the bear’s raking claws left deep, parallel cuts. It reminded Harris of tree trunks he had seen where bears mark their territory, only these marks were etched in flesh instead of wood. On the back of Glass’s thigh, blood seeped through his buckskin breeches. Harris

And there was the moon. A warm and visible greeting, a beacon of relief. Full, unshrouded, its edges crisp. It looked like an airy wafer- what were those crackers that came in the big green tin? She stared at the moon and thought about the fact that she was breathing. Fact of breathing, fact of life. This she could control: slow down and speed up her breathing, despite the pain in her throat. She'd never really looked at the moon, never really seen how intricate the etchings on its yellowy silver surface. Bowl of a spoon in candlelight. When she'd looked a long time- I see the moon, and the moon sees me- a glimmering ring like a rainbow materialized at the rim. In the memory she still retained, as clear as a framed snapshot, a portrait worn in a locket, Saga stared at the moon that way for hours, and it kept her company, it kept her sane, it kept her in one piece, it kept her alive. It was proof, fact, patience, faith.

There were ceramic teapots in aubergine, mustard, and midnight blue (good for one, sweeter still when shared between two drinkers); and forty small, thin glasses with curved handles, set in gold- and silver-plated holders etched with arabesque swirls. Bahar gingerly lined the tea glasses up on the counter where the cappuccino machine had been stationed. She tucked the teapots into the counter's glass-paneled belly, where they sat prettily next to twenty glass containers of loose-leaf teas, ranging from bergamot and hibiscus to oolong.

Have you ever been in a place where history becomes tangible? Where you stand motionless, feeling time and importance press around you, press into you? That was how I felt the first time I stood in the astronaut garden at OCA PNW. Is it still there? Do you know it? Every OCA campus had – has, please let it be has – one: a circular enclave, walled by smooth white stone that towered up and up until it abruptly cut off, definitive as the end of an atmosphere, making room for the sky above. Stretching up from the ground, standing in neat rows and with an equally neat carpet of microclover in between, were trees, one for every person who’d taken a trip off Earth on an OCA rocket. It didn’t matter where you from, where you trained, where your spacecraft launched. When someone went up, every OCA campus planted a sapling. The trees are an awesome sight, but bear in mind: the forest above is not the garden’s entry point. You enter from underground. I remember walking through a short tunnel and into a low-lit domed chamber that possessed nothing but a spiral staircase leading upward. The walls were made of thick glass, and behind it was the dense network you find below every forest. Roots interlocking like fingers, with gossamer fungus sprawled symbiotically between, allowing for the peaceful exchange of carbon and nutrients. Worms traversed roads of their own making. Pockets of water and pebbles decorated the scene. This is what a forest is, after all. Don’t believe the lie of individual trees, each a monument to its own self-made success. A forest is an interdependent community. Resources are shared, and life in isolation is a death sentence. As I stood contemplating the roots, a hidden timer triggered, and the lights faded out. My breath went with it. The glass was etched with some kind of luminescent colourant, invisible when the lights were on, but glowing boldly in the dark. I moved closer, and I saw names – thousands upon thousands of names, printed as small as possible. I understood what I was seeing without being told. The idea behind Open Cluster Astronautics was simple: citizen-funded spaceflight. Exploration for exploration’s sake. Apolitical, international, non-profit. Donations accepted from anyone, with no kickbacks or concessions or promises of anything beyond a fervent attempt to bring astronauts back from extinction. It began in a post thread kicked off in 2052, a literal moonshot by a collective of frustrated friends from all corners – former thinkers for big names gone bankrupt, starry-eyed academics who wanted to do more than teach the past, government bureau members whose governments no longer existed. If you want to do good science with clean money and clean hands, they argued, if you want to keep the fire burning even as flags and logos came down, if you understand that space exploration is best when it’s done in the name of the people, then the people are the ones who have to make it happen.

Despair could never touch a morning like this. The air was cool, and smelled of sage. It had the clarity that comes to Southern California only after a Santa Ana wind has blown all haze and history out to sea — air like telescopic glass, so that the snowcapped San Gabriela seemed near enough to touch, though they were forty miles away. The flanks of the blue foothills revealed the etching of every ravine, and beneath the foothills, stretching to the sea, the broad coastal plain seemed nothing but treetops: groves of orange, avocado, lemon, olive; windbreaks of eucalyptus and palm; ornamentals of a thousand different varieties, both natural and genetically engineered. It was as if the whole plain were a garden run riot, with the dawn sun flushing the landscape every shade of green.

Chapter One: The Dawn and the Dread Heartbeat, heartbeat comes from Valhallan way, To meet down in judgment, to ply its trade. Two →swords← to join in worthy cross, Actions to be rendered, one to be lost. She did come now from ’yond northern slope, A day of reckoning did she again once hope. A devout meeting was her qwesterly bane, To stay her hand was to go insane. St. Kari of the Blade to meet her past, A wicked enemy, peerless of match. Rode Kari she her charger on down, Past the Dead Land where Gaul sat crowned. A killing job, yea, she desired to lastly kill, To set things right so her heart might lie still. Upon the mist and roaring plain, She entered in, a soul uncontained. A fierce wind in deed, and forever freed, Enemies she annihilhates (’tis hur’ creed). Her own advanced guard of a sort, Multitudes to follow in her report. Know this Valkyrie from on cold, An ancient maiden soft and bold. A warrior spirit from Ages past, A fragmented mind like broken glass. Solid in stature this eternal framed being, Yet crippled within from internaled bleedings. A sword saint so refined in the poetic art, A noble character yet with a banshee’s heart. Rhythmed horse now to the beats, Kari emboldened amid the sleet. Beyond the mountain she does come, Unto southern fields wherein rules hot sun. Far from that murderous Deadlands ground, The land up swells; the dead still abound. Traverses she those bygones of leprous civilizations Those cities crumbled by the exhalted of oblivions. Stark traces etched now bare in the land, That are no more again, save dust in the hand. A cool stream now in desert sans (Does more good when one is damned). Stopped she her mount to admire the flow, A lovely stream with skeletons packed below. Blue air whisps; dragon flied motion. Flintsteel striking!!! Sparked of commotion. Cold water chortles rushtish with tint, Told of past carnage, it whetted her glint. Fallen warriors, they are no more, Swirls and eddies mark their discord. Gurgled shouts slung and gathered, Faces glazed while steel lathered. Refreshing though it was to her mouth, She smelled an air; she flared about. Came up that ridge of loud, sanded hill, Below a man and his half-score of kills. Kari’s eyes waxed in smug contempt, Possibilities ran deep with no repent . . . On Kari, Valkyrie, Cold Steel Eternity Vol. II

The man—male—down the alley was Fae. After ten years, after all the executions and burnings, a Fae male was prowling toward her. Pure, solid Fae. There was no escaping him as he emerged from the shadows yards away. The vagrant in the alcove and the others along the alley fell so quiet Celaena could again hear those bells ringing in the distant mountains. Tall, broad-shouldered, every inch of him seemingly corded with muscle, he was a male blooded with power. He paused in a dusty shaft of sunlight, his silver hair gleaming. As if his delicately pointed ears and slightly elongated canines weren’t enough to scare the living shit out of everyone in that alley, including the now-whimpering madwoman behind Celaena, a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.

Let’s say we had a bad one, and all the plants and animals died, and the earth was clicking hot for a hundred thousand years. Life would survive somewhere—under the soil, or perhaps frozen in Arctic ice. And after all those years, when the planet was no longer inhospitable, life would again spread over the planet. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. And of course it would be very different from what it is now. But the earth would survive our folly. Life would survive our folly. Only we,” Malcolm said, “think it wouldn’t.” Hammond said, “Well, if the ozone layer gets thinner—” “There will be more ultraviolet radiation reaching the surface. So what?” “Well. It’ll cause skin cancer.” Malcolm shook his head. “Ultraviolet radiation is good for life. It’s powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation.” “And many others will die out,” Hammond said. Malcolm sighed. “You think this is the first time such a thing has happened? Don’t you know about oxygen?” “I know it’s necessary for life.” “It is now,” Malcolm said. “But oxygen is actually a metabolic poison. It’s a corrosive gas, like fluorine, which is used to etch glass. And when oxygen was first produced as a waste product by certain plant cells—say, around three billion years ago—it created a crisis for all other life on our planet. Those plant cells were polluting the environment with a deadly poison. They were exhaling a lethal gas, and building up its concentration. A planet like Venus has less than one percent oxygen. On earth, the concentration of oxygen was going up rapidly—five, ten, eventually twenty-one percent! Earth had an atmosphere of pure poison! Incompatible with life!

A Book of Glass On the table, a book of glass. In the book only a few pages with no words But scratched in a diamond-point pencil to pieces in diagonal Spirals, light triangles; and a French curve fractures lines to elisions. The last pages are simplest. They can be read backwards and thoroughly. Each page bends a bit like ludicrous plastic. He who wrote it was very ambitious, fed up, and finished. He had been teaching the insides and outsides of things To children, teaching the art of Rembrandt to them. His two wives were beautiful and Death begins As a beggar beside them. What is an abstract persona? A painter visits but he prefers to look at perfume in vials. And I see a book in glass—the words go off In wild loops without words. I should Wake and render them! In bed, Mother says each child Will receive the book of etchings, but the book will be incomplete, after all. But I will make the book of glass.

Though Eros and Psyche sat vast and magnificent in the front lawn, a prologue to the grand house itself, there was something wonderful- a mysterious and melancholic aspect- about the smaller fountain, hidden within its sunny clearing at the bottom of the south garden. The circular pool of stacked stone stood two feet high and twenty feet across at its widest point. It was lined with tiny glass tiles, azure blue like the necklace of sapphires Lord Ashbury had brought back for Lady Violet after serving in the Far East. From the center emerged a huge craggy block of russet marble, the height of two men, thick at the base but tapering to a peak. Midway up, creamy marble against the brown, the life-size figure of Icarus had been carved in a position of recline. His wings, pale marble etched to give the impression of feathers, were strapped to his outspread arms and fell behind, weeping over the rock. Rising from the pool to tend the fallen figure were three mermaids, long hair looped and coiled about angelic faces: one held a small harp, one wore a coronet of woven ivy leaves, and one reached beneath Icarus’s torso, white hands on creamy skin, to pull him from the deep.

Orion threw a grin back at me as headed to the bar, ducking behind it. “What would madam like?” he asked in a formal tone which was a damn good impression of the Acruxes' butler. I giggled hurrying over to take a stool in front of the bar and placing my clutch down, relishing the cool breeze against my burning neck. “Hmm...a Manhattan?” I teased and he cocked his head. “I'm afraid we're fresh out of bullshit, how about a white wine spritzer with a tiny umbrella in it?” I laughed, nodding eagerly as he made up my drink then poured himself a measure of bourbon. He held it out for me and I leaned across the bar to take it. As I took hold of the glass, he didn't let go and I gazed up at him under my lashes questioning why. “Have I told you have exceptionally beautiful you look tonight, Darcy?” Darcy. He'd said my name. For the first time ever. And why did it sound like so much more than a name when he spoke it? It was like he'd fired an arrow and it had punctured a flesh wound in me at the exact same moment. Hell. I needed to get over this guy. Why was I so caught up on him? Unavailable, that's what it was. We always want what we can't have and Professor Orion was off limits. Simple as that. And those muscles. And the beard. And the dark eyes. And the dimple. But that was it. “That's the first I've heard of it, Professor,” I whispered, unable to make my voice rise any louder. “Don't do that,” he grunted, releasing the drink. I eyed him curiously as he walked around the bar with his bourbon in hand. He took the stool beside mine, his arm butting up against me. “Do what?” I asked, swivelling around to face the pool and taking a sip of my spritzer. It fizzed on my tongue and sent a deep kick of heat through my chest. “You know what.” “You're very presumptuous, Orion. You think I'm far more aware of your chaotic way of thinking than I really am.” I sipped my drink again, spying on him from the corner of my eye. He took a swig of his own drink and the familiar waft of bourbon drifted over me, tingling my senses. It was becoming a trigger, like the moment I walked into his office and he uncorked a bottle, it made me want to taste it on his mouth. And then that led to me wondering whether his fangs would brush my tongue when we kissed, and that always led to me mentally undressing him, then me conjuring an image of what those muscles looked like beneath that shirt... “I have something for you,” he said and I turned, blinking out of my dark fantasy. “You do?” He nodded, reaching into his inside pocket and taking out my coil of blue hair. My heart combusted and a choked noise escaped me. I reached for it and he slid it onto my wrist. He kept my hand in his, his eyes downcast as they remained on the band of hair. “I want you to know, I believe you would have gotten this back yourself when you were ready. But I took a lot of pleasure in retrieving it for you all the same.” I stared at him in complete shock, unsure what to say, my tongue tied in knots. “But Fae don't fight battles for other Fae,” I blurted, completely astonished that his actions that day had been to take this back from Seth. For me. And nothing else. He finished his drink and planted the glass on the bar, rising to his feet. He didn't reply to what I'd said and I barely even remembered what it was as he started pulling his clothes off. “Err, what are you doing?” I half laughed as he shed his jacket and kicked off his shoes, pulling off his socks. Oh my god. “I hate parties, but I like swimming.” He started undoing the buttons of his shirt and thought his back was to me, I was still captivated as he dropped it to the floor like a silken sheet. My eyes scraped down his skin to where his muscles etched an upside down v into his lower back, disappearing beneath his waistband. His shoulders were tanned and heavenly broad, making me long to explore all of those muscles with my hands.(Darcy)

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,”he says. I nod and pat him on the shoulder. “I know you did, man.”We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,”I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge , a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot –which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend.

She squinted, straining to make out who stood there. “W-who do you wait for?” Houlun had said the Valg had once passed through here— The spider brushed aside the dirt crusted over the figure. Revealing long, flowing hair etched there. And what she’d thought to be a cloak … It was a dress. “Our queen,” the spider said. “We wait for Her Dark Majesty to return at last.” “Not—not Erawan?” Servants to a dark crown, Houlun had said … The spider spat, the venom landing near Sartaq’s covered feet. “Not him. Never him.” “Then who—” “We wait for the Queen of the Valg,” the spider purred, rubbing against the carving. “Who in this world calls herself Maeve.

Spread over the extravagant supper table was a silk tapestry of moons and stars and the six symbols of death. Talis couldn’t help but stare at the design, for the weavings glowed and the drawing was animated with a nefarious life of its own. A frightful illustration that seemed to follow his eyes as they perused the tapestry. Etched along the tassels flowed a river of blood, the river leading into the Underworld. Farther up, layers of bodies were piled high, their vicious fumes rising as incense to the lesser demons above, who devoured the mortals’ flesh. Then above them were the taskmasters of the Underworld, great demons with spiked whips. They endlessly struck the lesser demons as punishment for the act of consuming the mortals’ flesh. Arranged around the center of the tapestry were the gods themselves. At the head stood Zagros, the Lord of the Underworld, then Ractan, the Lord of the Dragons, and Ishta, the Lord of the Genie Sorcerers. At the other side hovered Nestria, the Goddess of the Sky, and Nacrea, the Goddess of the Sun, and opposite her was Satvis, the God of Darkness. Between both sets of gods sat two mythological heroes: Nyx the Destroyer and Lord Heti of Calabastria. Here were the triumphant gods, playing with the lives and flesh of all mortals. Talis stifled a groan. Atop the tapestry were glass jars filled with what looked like trapped souls. Their ghastly faces peered out, eyes desperate and longing for freedom. How did they get inside? He felt a sickness rising in his stomach. The dark sorcerers studied him with grave looks, as if they glimpsed something distasteful inside. He could tell they were suspicious of him. He was too young, from a strange land untouched by their power, and to their murmuring voices, unsuitable to attend this grand feast. Now, all he could think about was leaving this wretched city. Whatever danger lay ahead, he’d rather face it than fester here in the insidious poison seeping through the black and gold walls of Darkov. “To your charmed fortune.” A sorcerer raised a crystal vial filled with some bubbling substance. The man appeared to be hundreds of years old. Deep, harsh wrinkles lined his eyes and forehead, and yet his hands were perfectly smooth. He wore a black silk cloak fastened around his neck with a gold broach, ornately designed like the sun. He drank the vial and after a while, he appeared as youthful as a young man. Talis was taken aback at the man’s sudden transformation. He steadied his wine cup with his other hand. “Fortune smiles on you...” “Every day.” The sorcerer frowned at Talis. “You’d be wise to remember that. Without fortune shining on you daily”—he leaned in close to Talis—”your life is at risk.” Turning, the man whisked away and disappeared behind another group of sorcerers mingling in the corner of the room. Talis tried to discover where he’d gone, but the man had vanished. Just then Talis felt a cold hand settle on his right shoulder. He turned, glimpsed the eyes of Aurellia, and resisted the desire to flee. “I see you’ve finally joined us here in our illustrious

Look, man,” I say, “in the long run, you're going to be better off. She wasn't good for you, Trey.” My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater

Are you Mr. Bronson? We've come to teach you your manners.” Zachary flashed a grin at Holly. “I didn't realize when we struck our bargain that I was getting two of you.” Cautiously Rose reached up for her mother's gloved hand. “Is this where we're going to live, Mama? Is there a room for me?” Zachary sat on his haunches and stared into the little girl's face with a smile. “I believe a room right next to your mother's has been prepared for you,” he told her. His gaze fell to the mass of sparkling objects in Rose's hands. “What is that, Miss Rose?” “My button string.” The child let some of the length fall to the ground, displaying a line of carefully strung buttons… picture buttons etched with flowers, fruit or butterflies, ones made of molded black glass and a few of painted enamel and paper. “This one is my perfume button,” Rose said proudly, fingering a large one with velvet backing. She lifted it to her nose and inhaled deeply. “Mama puts her perfume on it for me, to make it smell nice.” As Rose extended it toward him, Zachary ducked his head and detected a faint flowery fragrance that he recognized instantly. “Yes,” he said softly, glancing up at Lady Holly's blushing face. “That smells just like your mama.” “Rose,” Holly said, clearly perturbed, “come with me—ladies do not remain talking on the drive-” “I don't have any buttons like that,” Rose told Zachary, ignoring her mother's words as she stared at one of the large solid gold buttons that adorned his coat. Gazing in the direction of the child's dainty finger, Zachary saw that a miniature hunting landscape was engraved on the surface of his top button. He had never looked closely enough to notice before. “Allow me the honor of adding to your collection, Miss Rose,” he said, reaching inside his coat to extract a small silver folding knife. Deftly he cut the threads holding the button to his coat and handed the object to the excited little girl. “Oh, thank you, Mr. Bronson,” Rose exclaimed. “Thank you!

Gavin studied her for a long moment, then reached to brush her tears away. “He cannot be killed, Elena. You heard what your father’s oracle whispered.” She nodded. “I know.” “And even if we manage to contain him—trap him…” Gavin considered her words. “You know that we are only pushing the war onto someone else—to whoever one day rules these lands.” “This war,” she said quietly, “is but the second movement in a game that has been played since those ancient days across the sea.” “We put it off for someone else to inherit if he’s freed. And it will not save those soldiers down there from slaughter tomorrow.” “If we do not act, there won’t be anyone to inherit this war,” Elena said. Doubt danced in Gavin’s eyes. “Even now,” she pushed, “our magic is failing, our gods abandoning us. Running from us. We have no Fae allies beyond those in my father’s army. And their power, like his, is fading. But perhaps, when that third movement comes … perhaps the players in our unfinished game will be different. Perhaps it will be a future in which Fae and humans fight side by side, ripe with power. Maybe they will find a way to end this. So we will lose this battle, Gavin,” she said. “Our friends will die on that killing field come dawn, and we will use it as our distraction to contain Erawan so that Erilea might have a future.” His lips tightened, his sapphire eyes wide. “No one must know,” she said, her voice breaking. “Even if we succeed, no one must know what we do.” Doubt etched deep lines into his face. She gripped his hand harder. “No one, Gavin.” Agony rippled across his features. But he nodded.

My mom wasn’t alone in her transformation – Claire’s neon wardrobe had parlayed perfectly to the speedy news segments summarising the pulp case, she had emerged as the real winged creature, the one who had believed me all along, harnessing her fame into a new law practice. She had even sent me a selfie, taken in front of a pair of glass doors overlooking Ku’damm, cheekily etched with Breitbach and Daughters. She’d left Tobias. He couldn’t handle her success, couldn’t handle the power-suits return to work.

... It strikes me that if I'm in such a febrile and imaginative mood I ought to take advantage of it with some serious writing exercises or at least a few ideas for stories, if only to demonstrate that I'm not treating this here commonplace book solely as a journal to record my most recent attacks of jitters! Maybe I should roll my sleeves up and attempt as least an opening practice paragraph or two of this confounded novel I'm pretending to be writing. Let's see how it looks. Marblehead: An American Undertow By Robert D. Black Iron green, the grand machinery of the Atlantic grates foam gears against New England with the rhythmic thunder of industrial percussion. A fine dust of other lands and foreign histories is carried in suspension on its lurching, slopping mechanism: shards of bright green glass from Ireland scoured blunt and opaque by brine, or sodden splinters of armada out of Spain. The debris of an older world, a driftwood of ideas and people often changed beyond all recognition by their passage, clatters on the tideline pebbles to deposit unintelligible grudges, madnesses and visions in a rank high-water mark, a silt of fetid dreams that further decompose amid the stranded kelp or bladder-wrack and pose risk of infection. Puritans escaping England's murderous civil war cast broad-brimmed shadows onto rocks where centuries of moss obscured the primitive horned figures etched by vanished tribes, and after them came the displaced political idealists of many nations, the religious outcasts, cults and criminals, to cling with grim determination to a damp and verdant landscape until crushed by drink or the insufferable weight of their accumulated expectations. Royalist cavaliers that fled from Cromwell's savage interregnum and then, where their puritanical opponents settled the green territories to the east, elected instead to establish themselves deep in a more temperate South, bestowing their equestrian concerns, their courtly mannerisms and their hairstyles upon an adopted homeland. Heretics and conjurors who sought new climes past the long shadow of the stake; transported killers and procurers with their slates wiped clean in pastures where nobody knew them; sour-faced visionaries clutching Bunyan's chapbook to their bosoms as a newer and more speculative bible, come to these shores searching for a literal New Jerusalem and finding only different wilderness in which to lose themselves and different game or adversaries for the killing. All of these and more, bearing concealed agendas and a hundred diverse afterlives, crashed as a human surf of Plymouth Rock to fling their mortal spray across the unsuspecting country, individuals incendiary in the having lost their ancestral homelands they were without further longings to relinquish. Their remains, ancient and sinister, impregnate and inform the factory-whistle furrows of oblivious America.

... It strikes me that if I'm in such a febrile and imaginative mood I ought to take advantage of it with some serious writing exercises or at least a few ideas for stories, if only to demonstrate that I'm not treating this here commonplace book solely as a journal to record my most recent attacks of jitters! Maybe I should roll my sleeves up and attempt as least an opening practice paragraph or two of this confounded novel I'm pretending to be writing. Let's see how it looks. Marblehead: An American Undertow By Robert D. Black Iron green, the grand machinery of the Atlantic grates foam gears against New England with the rhythmic thunder of industrial percussion. A fine dust of other lands and foreign histories is carried in suspension on its lurching, slopping mechanism: shards of bright green glass from Ireland scoured blunt and opaque by brine, or sodden splinters of armada out of Spain. The debris of an older world, a driftwood of ideas and people often changed beyond all recognition by their passage, clatters on the tideline pebbles to deposit unintelligible grudges, madnesses and visions in a rank high-water mark, a silt of fetid dreams that further decompose amid the stranded kelp or bladder-wrack and pose risk of infection. Puritans escaping England's murderous civil war cast broad-brimmed shadows onto rocks where centuries of moss obscured the primitive horned figures etched by vanished tribes, and after them came the displaced political idealists of many nations, the religious outcasts, cults and criminals, to cling with grim determination to a damp and verdant landscape until crushed by drink or the insufferable weight of their accumulated expectations. Royalist cavaliers that fled from Cromwell's savage interregnum and then, where their puritanical opponents settled the green territories to the east, elected instead to establish themselves deep in a more temperate South, bestowing their equestrian concerns, their courtly mannerisms and their hairstyles upon an adopted homeland. Heretics and conjurors who sought new climes past the long shadow of the stake; transported killers and procurers with their slates wiped clean in pastures where nobody knew them; sour-faced visionaries clutching Bunyan's chapbook to their bosoms as a newer and more speculative bible, come to these shores searching for a literal New Jerusalem and finding only different wilderness in which to lose themselves and different game or adversaries for the killing. All of these and more, bearing concealed agendas and a hundred diverse afterlives, crashed as a human surf on Plymouth Rock to fling their mortal spray across the unsuspecting country, individuals incendiary in that having lost their ancestral homelands they were without further longings to relinquish. Their remains, ancient and sinister, impregnate and inform the factory-whistle furrows of oblivious America.

The dark mahogany front door contained an oval, etched glass window in the top half. A peaked overhang was trimmed with white gingerbread, and a small porch extended to the right, allowing room for a small table and chair. Sweets & Treats

Lauren slipped the glass into her pocket and turned her attention to Mary. “Why’s that?” “Because the whole process makes it almost impossible for that one shard of glass to end up in the palm of your hand.” She grabbed Lauren’s arm and guided her down the walkway toward the inn. “A bottle has to be abandoned and shattered—completely lost—and then each piece is gathered up, caressed, and meticulously smoothed by the ocean. It takes years—sometimes a hundred years—to etch the glass into the smooth shape you find on the beach.” She let go of Lauren, her cane wobbling on the uneven planks of wood under their feet. “The nature of it alone makes it feel like hope from a broken past, to me.

I myself shall continue living in my glass house where you can always see who comes to call; where everything hanging from the ceiling and on the walls stays where it is as if by magic, where I sleep nights in a glass bed, under glass sheets, where who I am will sooner or later appear etched by a diamond.

At the steps of the Hamburg they are served their last drink, after which the glass is carefully retrieved, etched with name and date, and added to the collection.

That was what she’d been doing with her feet. Etching some foul spell with the man’s blood.

The photos speak for themselves. It was more than five years ago. We were driving on the highway, me, Suzanne, and Eloise…And one of my tires blew out on a curve.” He stared lengthily at the floor, swirling the liquor in his glass. “I could tell you the date, the exact time, and what the sky looked like that day. It’s etched in here, for the rest of my life…The three of us were coming back from a weekend away in the north. It had been a long time since we’d just gotten away like that, far from this stinking city. But right after the blowout, I got distracted for a moment. I forgot to lock the car doors. And while I was checking the tire, my wife went running across the road like a madwoman, with my daughter. A car came speeding around the bend…

Raised in the Episcopal church, I was once removed from my pew, at age six, because I could not control my weeping. Unbeknownst to anyone, I had been staring at a terrible, glorious stained-glass window of the crucifixion and grieving for the pain Christ must have endured. The arresting mosaic of that forlorn image etched itself indelibly upon me. And yet at some point, I became emotionally and empathically detached.

Bringing the horse to a stop, Lucetta leaned forward and looked down a well-maintained lane that led directly to what seemed to be some type of a gatehouse, but a gatehouse built to look exactly like a mausoleum, complete with stained-glass windows, stone sculptures on either side of it—not of the expected angels, but of . . . ravens. Turning to Abigail, Lucetta arched a brow. “Should we drive closer?” “I don’t think this could possibly be the lane leading to Bram’s castle,” Abigail said. “I mean, why would anyone build a mausoleum to mark the entrance to their home?” “I have numerous answers to that, but none I’m going to voice until we discover whether or not your grandson resides here. Which, I’m sorry to say, could be a distinct possibility, since the castle’s name is Ravenwood and there are two ravens guarding that building, and . . . if you look over the door, Ravenwood is etched into the stone.” “Oh . . . dear.” Abigail pulled a pair of spectacles out of her pocket, shoved them on, and then looked closely at the building in front of them before immediately pulling the spectacles off again and repocketing them, shuddering ever so slightly as she did so. “Would it be safe to say that your grandson possesses a slightly morbid nature?” Lucetta asked. “Of course not. Bram’s charming, and . . . the ladies find him to be completely delightful, from what I’ve been told—as I do believe I’ve mentioned to you a few times.” Before Lucetta could reply to that, the door to the mausoleum opened with an ominous creak. Abigail grabbed hold of Lucetta’s hand and squeezed it, the squeezing becoming more pronounced as a man stepped through the door—a man who just happened to be carrying a rifle.

Night had fallen, and I was in the kitchen making a yummy peanut butter and jelly sandwich when I heard the doorbell. I jumped and my heart gave a little kick. This was so a horror-movie scene--bad weather, and a girl cut off from the outside world. Only killers didn’t usually ring the doorbell. Still, I opened a drawer and took out the meat cleaver Mom used for cutting chicken. The doorbell rang again and kept ringing. “All right already,” I muttered as I hurried down the hallway. I hesitated when I saw a large shadowy form behind the etched-glass window of the door. I’d turned on the porch light, and whoever was there blocked most of it. “Ashleigh!” The figure banged on the door and I nearly dropped the cleaver. Josh. My beating heart should have returned to a normal speed, but it didn’t. I wasn’t ready to face him yet. I jerked open the door. “What?” Covered in frost and snow, he edged past me. “Geez, it’s cold out there.” “And you just brought the cold inside.” I shut the door. “What are you doing here?” “My dad called and--what the hell is that?” He pointed to the cleaver. I angled my chin. “I was in the middle of cutting my peanut butter and jelly sandwich.” “With a meat cleaver?” “It’s quick and makes a perfectly straight cut.” He grinned. “Yeah, right. You’ve obviously watched too many movies. Who’d you think I was? Freddy Krueger?” “What are you doing here?” I repeated, not in the mood for his sarcasm or teasing. Plus I was feeling a little silly holding my weapon of choice.

We are used to danger," the faceless voice assured her. "It comes with our job. Every day we are expected to carry untamed pastries and savage cheeses, advance down corridors to see whether assassins have left traps, cover for the mistakes of our betters, and risk our lives for members of the Court. We look out for our own because nobody else will. Do you know how many courtiers have been willing to risk their lives for one of us?" "No. How many?" "One," came the answer. "Precisely one in five hundred years." The sedan door opened. Pulling off her goggles, Neverfell stepped out into the low-ceilinged alcove just off the silent thoroughfare, the walls etched with the whorls and rib frills of fossilized sea things. She turned toward the man who had been speaking with her, the owner of the soft-as-fur voice, and found herself looking into the face of the manservant she had saved at the first banquet. "Good luck," he said, and with that he and his fellow servant lifted the sedan and trotted away, their feet making less sound than the stray drips falling from the ceiling to the sodden dust.

I hope we never see the day when photo shops sell little schema grills to clamp onto our viewfinders; and the Golden Rule will never be found etched on our ground glass.

the New England Holocaust Memorial just across from the restaurant. Olivia stood in awe looking up at the six glass towers which Trevor told her represented the six million Jews killed during the Holocaust and the six major death camps. “Each tower is etched with seven-digit numbers in remembrance of the numbers tattooed on the arms of the concentration camp prisoners.” On such a bright day, the shadows of those etched numbers covered both of them. “It’s absolutely breathtaking,” Olivia murmured. He tucked her hand under his elbow as they finished walking along the path. “It’s a sobering memorial but yes, quite a beautiful tribute.

The Beast. The name of the tavern was humorous to start with, but after Magnus had finished his second bottle of wine, he found it downright hilarious. “Another bottle,” he barked. “Now.” The server placed a third bottle of Paelsian wine in front of him. “Silas Agallon Vineyards,” Magnus read aloud from the etching on the green glass bottle. He was drinking wine made by Jonas Agallon’s family. Even more hilarity. Despite

A replica of what he’d written on her back this spring, the stories of her loved ones and their deaths, written right where her scars had been. Exactly where they’d been, as if he had their memory etched into his mind.

a wicked-looking tattoo was etched down the left side of his harsh face, the whorls of black ink stark against his sun-kissed skin.

Verin gave her a snakelike smile, and Cain clapped him on the back as he entered the chalk-etched circle, drawing his sword. Nox put a hand on her shoulder, and out of the corner of her eye, she spied Chaol and Dorian watching them closely. She ignored them. It was enough. Enough of the pretending and the meekness. Enough of Cain. Verin raised his sword, shaking his blond curls out of his eyes. “Let’s see what you’ve got.” She stalked toward him, keeping her sword sheathed at her side. Verin’s grin widened as he lifted his blade. He swung, but Celaena struck, ramming her fist into his arm, sending the blade soaring through the air. In the same breath, her palm hit his left arm, knocking it aside, too. As he staggered back, her leg came up, and Verin’s eyes bulged as her foot slammed into his chest. The kick sent him flying, and his body crunched as it hit the floor and slid out of the ring, instantly eliminating him. The hall was utterly silent. “Mock me again,” she spat at Verin, “and I’ll do that with my sword the next time.” She turned from him, and found Brullo’s face slack. “Here’s a lesson for you, Weapons Master,” she said, stalking past him. “Give me real men to fight. Then maybe I’ll bother trying.” She strode away, past the grinning Nox, and stopped before Cain. She stared up at his face—a face that might have been handsome had he not been a bastard—and smiled with sweet venom. “Here I am,” she said, squaring her shoulders. “Just a little lapdog.

Ankled, banjaxed, bladdered bleezin’ Why? Do I really need a reason? I’m cabbaged clobbered, Chevy Chased But not a broken vein upon my face Despite being thoroughly Dot Cottoned Sobriety almost forgotten I’m etched – egregiously and completely That creme de menthe went down so sweetly So now, I’m fleemered and I’m flecked So many snifters have been necked That guttered, sweaty, ganted, howling I’m wearing shirts made out of towelling Inebriated, kaed up, jaxied I’ve been ill in every single taxi In every city kiboshed, kaned Bernhard Langered, legless, debrained Dhuisg, it is in Gaelic, mottled (I must recycle all my bottles) I’m Newcastled, out of my tree There’s really not much wrong with me On the skite, overly refreshed I swear I’d still pass my driving “tesht” For drink improves pronounciation Adds sparkle to enunciation Predicting earthquakes, kissing pavements Quite quoited, rubbered, I’ve made arrangements To remain forever snobbled Sleeping on tarmac or on cobbles Thora Hirded, trousered, trashed I’ve spent great lakes of liquid cash Unca’ fou, marocced, it’s easy Discombobulated, queasy My wobbly boots are on, I’m wellied But only very slightly smelly Xenophoned, Yorkshired as a skunk Zombied But not even slightly drunk.

I read everything you’re supposed to read in high school and college but never do, or if you do, you’re so psyched to read to the test that you don’t learn a damn thing. Am I learning anything now? Fuck no. The books pass through my consciousness like sunlight through glass. I don’t care. They’re in my cells now. I love them. Their impress has etched itself in some occult recess of my heart.

The crystal entrance of the banquet hall was fogged by a pattern of handprints arranged in a sort of herringbone. Above the doors, an arching pane of etched glass proclaimed the name of their destination: THE MINGLER. Adam whispered to Runa that "the Mingler" sounded like some back-alley fiend. Despite her black mood, Runa smirked, and replied that he wasn't exactly wrong about that. "It's a little bit like being strangled with small talk," she said.

I picked the Hermetic lamp off my bedside table. The bulb was made of frosted glass and shaped like a cabbage rose. I turned it over. On the underside of the brass base were etched the swirling lines of a Hermetic diagram. It was a simple one: just four interlocking sigils, those abstract designs whose angles and curves invoke the power of the four elements. With the lamp's light directed down at my lap, I couldn't make out all the lines-- but I could feel the soft, pulsing buzz of the working's four elemental hearts as they invoked earth, air, fire, and water in a careful harmony to catch sunlight all day and release it again when the lamp was swirled on at night.

Kaikora wore her bronzed, ombre dreadlocks loose with the sea-salt-saturated ends falling between her wide shoulders. She stood unusually tall, broad, and scantily clad; a half-naked giant of rippled muscles etched with dark tattoos. The wavelike designs crossed her torso and arms in seaweed-green swirls that ebbed and flowed with her musculature. On her neck, she wore a yoke of gnarled rope and sea glass, the only article of clothing above her waist. It barely covered her chest, exposing her ample torso to the elements. On her wide, curved hips hung a low loincloth crafted from nacreous scales that reflected the sunlight like the surf.

Verin gave her a snakelike smile, and Cain clapped him on the back as he entered the chalk-etched circle, drawing his sword. Nox put a hand on her shoulder, and out of the corner of her eye, she spied Chaol and Dorian watching them closely. She ignored them. It was enough. Enough of the pretending and the meekness. Enough of Cain. Verin raised his sword, shaking his blond curls out of his eyes. “Let’s see what you’ve got.” She stalked toward him, keeping her sword sheathed at her side. Verin’s grin widened as he lifted his blade. He swung, but Celaena struck, ramming her fist into his arm, sending the blade soaring through the air. In the same breath, her palm hit his left arm, knocking it aside, too. As he staggered back, her leg came up, and Verin’s eyes bulged as her foot slammed into his chest. The kick sent him flying, and his body crunched as it hit the floor and slid out of the ring, instantly eliminating him. The hall was utterly silent. “Mock me again,” she spat at Verin, “and I’ll do that with my sword the next time.” She turned from him, and found Brullo’s face slack. “Here’s a lesson for you, Weapons Master,” she said, stalking past him. “Give me real men to fight. Then maybe I’ll bother trying.” She strode away, past the grinning Nox, and stopped before Cain. She stared up at his face—a face that might

My hands read a Braille map hewn from bone, starting with my hollow breasts threaded with blue-vein rivers thick with ice. I count my ribs like rosary beads, muttering incantations, fingers curling under the bony cage. They can almost touch what’s hiding inside. My skin slopes down over the empty belly, then around the inside sharp curve of my hip bones, bowls carved out of stone and painted with fading pink razor scars. I twist in the glass. My vertebrae are wet marbles piled one on top of the other. My winged shoulder blades look ready to sprout feathers. I pick up the knife. The tendons on the back of my hand tense, ropes holding down a tent while the wind blows. Thin scars etch the inside of my wrist, widening to the ribbons in the crook of my elbow where I cut too deep in ninth grade. I win, I won.   I’m lost.     The music from my bedroom shrieks so loud against the mirror it’s making my ears ring. I stare at the ghost-girl on the other side, her corset bones waiting to be laced even tighter so she can fold in on herself over and over until she disappears past zero.

I've just stepped into the kitchen when Rosie's glass fall and shatters on the living room floor, inches from Cookie's ear. (page 54)

When we got there, he had champagne and rose petals and candles all over. Everywhere.” The levity returned to his eyes. “Ouch.” “Yup. I got outta there. It really freaked me out. Because you know why?” “Why?” he asked. “He should know. He should know I wouldn’t like that, right? That means something, doesn’t it?” His expression grew a little serious. “Yeah, it does.” “Am I a bitch? I am, huh? That was really sweet, and I should have appreciated that. I am a bitch. I knew it.” He chuckled. “No. You’re honest.” He shook his head and talked into his beer. “And he did it all wrong.” I smirked. “Oh yeah?” “Yeah.” He put his glass down. “Let me guess—the ring was huge. Big rock?” “Oh my God, Josh, you don’t even know. It was enormous. He designed it and had it made. It had this red rope of rubies around the band and…” I took a deep breath remembering it. He’d spent a fortune on it and I’d hated it. It was so gaudy. “Why? What kind of ring should he have gotten me?” “None. You’d want to pick your own ring. You’d probably say something like, ‘I’m the one who has to look at it for the next fifty years.’ I would have taken you to buy it instead of just springing it on you.” “How do you know I wouldn’t like a ring sprung on me?” I said, narrowing my eyes. He scoffed. “The only thing you like sprung on you are snacks. You have an opinion about everything. You’re also really practical. You’d probably pick something reasonable. No diamonds. I’m thinking an etched band. Nothing that would need to be repaired or cleaned or that you’d have to take off to do the dishes.” He regarded me for a moment. “Something personal engraved inside. Something only the two of you would get.” He knows me. He knows me almost better than I know myself.

...I wouldn't say my glass is always half full. There are days when it's cracked and leaking, days when it's chipped and even shattered. But then I get the Krazy Glue out and fix it, and suddenly it's half full again. Even though it's patched up in places, I've made it my own with the beveled edges and beautiful etchings that perspective brings.

My best friend looks at me and downs the shot of bourbon in his glass. His eyes are red and rheumy, a look of misery etched upon his face. Trey sniffs loudly and slams his glass down on the bar, drawing the attention of a few of the people sitting around us. “I loved her, man,” he says. I nod and pat him on the shoulder. “I know you did, man.” We're sitting at the bar in the Yellow Rose Lounge, a quiet place where people can go to have a drink and conversation. Furnished in dark woods, with soft, dim lighting, it's more peaceful than your average watering hole. The music is kept low enough that you don't have to shout to be heard, and the flat panel televisions showing highlights from various games are kept on mute. The Yellow Rose is a lounge that caters to business professionals and people who want to have a quiet drink, a mellow conversation, or be alone with their thoughts. There are plenty of bars in Austin that cater to the hellraisers and I've been known to patronize those places now and then. But, it's also nice to have a place like the Yellow Rose for times when I need some quiet solitude. Or, when I need help nursing a friend through a bad, bitter breakup. The bartender pours Trey another shot – which he immediately downs. “Might as well leave the bottle,” I say. The bartender pauses and gives me a considering look, knowing he shouldn't leave a bottle with customers. I think it's a law or something. Reaching into my pocket, I drop a couple of hundreds down on the bar, which seems to relieve him of his inner-conflict. He quickly scoops up the cash, sets the bottle down, and strolls down to the other end of the bar. I pour Trey another shot, which he downs almost instantly and then holds his glass up for another. Not wanting to see him pass out or die from alcohol poisoning, I know I need to pace him. I set the bottle back down on the bar in front of me and turn to my friend

After you told me about the shirt cuff, I told you about the time I spilled ink on a map in my father's study." He shook his head, baffled. "It was a rare two-hundred-year-old map of the British Isles," Merritt explained. "I'd gone into my father's study to play with a set of inkwell bottles, which I'd been told not to do. But they were such tempting little etched glass bottles, and one of them was filled with the most resplendent shade of emerald green you've ever seen. I dipped a pen in it, and accidentally dribbled some onto the map, which had been spread out on his desk. It made a horrid splotch right in the middle of the Oceanus Germanicus. I was standing there, weeping with shame, when Papa walked in and saw what had happened." "What did he do?" Keir asked, now looking interested. "He was quiet at first. Waging a desperate battle with his temper, I'm sure. But then his shoulders relaxed, and he said in a thoughtful tone, 'Merritt, I suspect if you drew some legs on that blotch, it would make an excellent sea monster.' So I added little tentacles and fangs, and I drew a three-masted ship nearby." She paused at the flash of Keir's grin, the one that never failed to make her a bit light-headed. "He had it framed and hung it on the wall over his desk. To this day, he claims it's his favorite work of art." Amusement tugged at one corner of his mouth. "A good father," he commented.

There,” she said. The office building on their left had a single word etched on the glass doors: AMAZON. “Oh,” Frank said. “Uh, no, Hazel. That’s a modern thing. They’re a company, right? They sell stuff on the Internet. They’re not actually Amazons.

In migration, above all topics, the levels of otherness, of hybridization and plurality, of shifting identities and friendships, are perhaps greater than in many other aspects of life. It is essentially the experience of choosing to forgo everything that is settled and established and moving on to construct a different reality—whether by choice or compulsion. I’d compare this with how wind etches the vast sand dunes in beautiful patterns, but chooses to deconstruct the same later, and rebuild it as it fancies.