Glamour Beauty Quotes

I don't mind being burdened with being glamorous and sexual. Beauty and femininity are ageless and can't be contrived, and glamour, although the manufacturers won't like this, cannot be manufactured. Not real glamour; it's based on femininity.

Elegance is a glowing inner peace. Grace is an ability to give as well as to receive and be thankful. Mystery is a hidden laugh always ready to surface! Glamour only radiates if there is a sublime courage & bravery within: glamour is like the moon; it only shines because the sun is there.

It's not very easy to grow up into a woman. We are always taught, almost bombarded, with ideals of what we should be at every age in our lives: "This is what you should wear at age twenty", "That is what you must act like at age twenty-five", "This is what you should be doing when you are seventeen." But amidst all the many voices that bark all these orders and set all of these ideals for girls today, there lacks the voice of assurance. There is no comfort and assurance. I want to be able to say, that there are four things admirable for a woman to be, at any age! Whether you are four or forty-four or nineteen! It's always wonderful to be elegant, it's always fashionable to have grace, it's always glamorous to be brave, and it's always important to own a delectable perfume! Yes, wearing a beautiful fragrance is in style at any age!

There was a kindliness about intoxication - there was that indescribable gloss and glamour it gave, like the memories of ephemeral and faded evenings.

A chaos of mind and body - a time for weeping at sunsets and at the glamour of moonlight - a confusion and profusion of beliefs and hopes, in God, in Truth, in Love, and in Eternity - an ability to be transported by the beauty of physical objects - a heart to ache or swell- a joy so joyful and a sorrow so sorrowful that oceans could lie between them...

But now she loved winter. Winter was beautiful "up back" - almost intolerably beautiful. Days of clear brilliance. Evenings that were like cups of glamour - the purest vintage of winter's wine. Nights with their fire of stars. Cold, exquisite winter sunrises. Lovely ferns of ice all over the windows of the Blue Castle. Moonlight on birches in a silver thaw. Ragged shadows on windy evenings - torn, twisted, fantastic shadows. Great silences, austere and searching. Jewelled, barbaric hills. The sun suddenly breaking through grey clouds over long, white Mistawis. Ice-grey twilights, broken by snow-squalls, when their cosy living-room, with its goblins of firelight and inscrutable cats, seemed cosier than ever. Every hour brought a new revalation and wonder.

I can't over-emphasize how important an exquisite perfume is, to be wrapped and cradled in an enchanting scent upon your skin is a magic all on its own! The notes in that precious liquid will remind you that you love yourself and will tell other people that they ought to love you because you know that you're worth it. The love affair created by a good perfume between you and other people, you and nature, you and yourself, you and your memories and anticipations and hopes and dreams; it is all too beautiful a thing!

I’m more attracted to glamour than natural beauty. The young Marilyn Monroe was a pretty girl in a sea of pretty girls. Then she had her hair bleached, fake eyelashes, and that’s when she became extraordinary. It’s that idea of what you’re not born with, you can create.

You cannot seriously think you’re going to fight this guy. He could kick your ass with one arm tied behind his back, much less with all his voluminous vampire powers. He’s probably stronger than you, faster than you. He can probably jump higher. Hell, he can probably glamour you into making out with him right there on the mats.” We simultaneously looked over to where Ethan, half naked, was toeing off his black leather loafers. The muscles in his abdomen clenched as he moved. So did the lines of corded muscle across his shoulders. God, but he was beautiful. I narrowed my gaze. Beautiful but evil. Wicked. The repugnant dregs of foul malevolence. Or something. “Jesus,” Mallory whispered. “I want to support your quest for revenge and all, but maybe you should just let him glamour you.” She looked at me, and I could tell she was trying not to laugh. “Either you’re fucked, or you’re fucked, right?

Those who don't believe in sensuality will never experience the glamour of life.

It might take just as much effort to fit in as it does to stand out, because you're standing up for yourself. It's those who take a risk and take chances who achieve greatness. Those who play it safe never can.

Old Money Blue hydrangea, cold cash, divine, Cashmere, cologne and white sunshine. Red racing cars, Sunset and Vine, The kids were young and pretty. Where have you been? Where did you go? Those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. The power of youth is on my mind, Sunsets, small town, I'm out of time. Will you still love me when I shine, From words but not from beauty? My father's love was always strong, My mother's glamour lives on and on, Yet still inside I felt alone, For reasons unknown to me. But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. And if you call, I'll run, run, run, If you change your mind, I'll come, come, come. Ohh, Ohh. Ahh, Ahh. Blue hydrangea, cold cash, divine, Cashmere, cologne and hot sunshine. Red racing cars, Sunset and Vine, And we were young and pretty.

The Love that dare not speak its name" in this century is such a great affection of an elder for a younger man as there was between David and Jonathan, such as Plato made the very basis of his philosophy, and such as you find in the sonnets of Michelangelo and Shakespeare. It is that deep, spiritual affection that is as pure as it is perfect. It dictates and pervades great works of art like those of Shakespeare and Michelangelo, and those two letters of mine, such as they are. It is in this century misunderstood, so much misunderstood that it may be described as the "Love that dare not speak its name," and on account of it I am placed where I am now. It is beautiful, it is fine, it is the noblest form of affection. There is nothing unnatural about it. It is intellectual, and it repeatedly exists between an elder and a younger man, when the elder man has intellect, and the younger man has all the joy, hope and glamour of life before him. That it should be so, the world does not understand. The world mocks at it and sometimes puts one in the pillory for it.

If she'd ever hoped to impress Amon Byrne with her newly acquired glamour and beauty, that chance was gone forever. He'd seen her in every kind of ugly.

When someone calls another individual ugly, all I see is that the one doing the insulting becomes instantly less beautiful. Consider it a compliment to be mocked for being different.

She could afford anything, she could give anything, but she could not share a moment of her life with anybody. She was a beautiful and a glamorous diamond with an astronomical price tag, but to a crude reality — she was still a stone, a living stone. Nothing else but a stone in an aesthetic sense.

Sensuality is the hustle to always be at the leading edge of your glamour and enchantment.

When you know you were designed to be sensual, your potential haunts you.

Lingerie is my next love after clothing; I think it is what is worn underneath that really inspires a woman to feel beautiful in her clothes - that inner, secret glamour.

I always say, either take the steps to lose the weight you keep threatening to lose, or love the way you are.

Everyone, no matter her or his stage in life, has the right to feel beautiful.

It's just because I love the past that I want this house to look back on its glamourous moment of youth and beauty, and I want its stairs to creak as if to the footsteps of women with hoop skirts and men in boots and spurs. But they've made it into a blondined, rouged-up old woman of sixty.

One would truly need a great and spacious makeup kit to compete with beauty as portrayed in media all around us. Yet at the end of the day there would still be those "in the attitude of mocking and point their fingers" as Lehi saw (1 Nephi 8:27) because however much one tries in the world of glamour and fashion, it will never be glamorous enough.

India and its peoples; not the British India of cantonments and Clubs, or the artificial world of hill stations and horse shows, but that other India: that mixture of glamour and tawdriness, viciousness and nobility. A land full of gods and gold and famine. Ugly as a rotting corpse and beautiful beyond belief …

Karl was no glamour boy. But even during this first meeting I discovered he had something better. The kind of intelligence that's more attractive than physical beauty.

But that (physical attractiveness), as the late great Irish poet and philosopher of beauty John O’Donohue helpfully distinguished, is glamour. I’ve taken his definition as my own, for naming beauty in all its nuance in the moment-to-moment reality of our days: beauty is that in the presence of which we feel more alive.

Beauty is in all beings that love and are loved, animals and children, and if older women have it, it is because they feel completely free in this world and in their lives as they feel close to God....and they are spiritually in tune with the universe." December 6 1968. Letter to Miss Anita Colby, 3 East 78th Street, New York

I could see us sitting at the old piano, while he tried to explain how music worked. I could see the Iron glamour in the notes, the strict lines and rigid rules that made up the score, but the music itself was a vortex of song and pure, swirling emotion. They weren’t separate entities, creative magic and Iron glamour. They were one; cold logic and wild emotion, merged together to create something truly beautiful.

You have always been dazzling - the life of every party, the glamour girl who dances until dawn." "Well, I am. But I'm dancing on broken glass. I'm Miss Havisham's wedding cake, Kit. A frothy, expensive, mice-eaten confection. I'm the Sphinx's nose, the fallen Colossus. I'm a beautiful ruin, and it's time that has done the deed.

True love is the reward of true sensuality.

True sensuality is classy.

My toes are a total wreck, my fingernails worse, and god knows my hair could use a registered nurse.

I say, enhance what others might deem less than wow and make that your beauty mark.

...friendship stands as a small affront to the total control of all things by mass entertainment and mass media and mass education and mass politics. For wherever such friendships persist, there persists the possibility of imaginative leaps that threaten the comfort of the banal. For you look at the friend and you remember the past, and treasure it. You love the friend, and suddenly you understand that this life of ours cannot fully be described by the motion of particulate matter in empty space. You see instantly that politics fades into unimportance, with all its noisy glamour and empty promises. You feel that others before you have known what it is to have the true friend, the one before whom you can, as Cicero put it, think out loud. You feel that, and it is like an earnest of eternity, of being grounded in a a love and beauty and goodness that is at the heart of all ages, and that transcends them all. Pals we may have, in the flatlands of contemporary life. Political allies, sure. Coworkers, aplenty. But not friends.

Everyone else can go ahead and live in their beige movie. I prefer mine in Technicolor. They might all look at me and they might talk about me and they might think I'm weird. And you know what? I couldn't possibly disappoint them. So let's not. Instead, let's show them how it's done.

Yes, life has a glitter now-of a sort. That’s what’s wrong with it. The old days had no glitter but they had a charm, a beauty, a slow-paced glamour.

She was drunk on the magic of the night, giddy with glamour, swept away by beauties she had dreamt of all her life and never dared hope to know.

Her hair, full of a heavenly glamour, was gay against the winter color of the room.

The magic here is not spectacular courage in one or two battles but the glamour of commitment to death at the peak of youth and beauty: the poignancy of the exhib-itionistic narcissism of youth determined once and for all on magnificent expenditure rather than slow wasting and remorseless physical deterioration.

Trying what?" cried Maury fiercely. "Trying to pierce the darkness of political idealism with some wild, despairing urge toward truth? Sitting day after day supine in a rigid chair and infinitely removed from life staring at the tip of a steeple through the trees, trying to separate, definitely and for all time, the knowable from the unknowable? Trying to take a piece of actuality and give it glamour from your own soul to make for that inexpressible quality it possessed in life and lost in transit to paper or canvas?

Ramya, your brain...it's why you can see through Glamour. It's why you're immune to Sirens. It's...it's incredible. I wish I were like you. I've never met anyone that can do what you do. I swear. It really is incredible.

He had certainly set his eyes on more voluptuous creatures , but something about her lack of glamour engaged him. Such women were in his experience often more entertaining company than beauties like Julia. They could be flattered or bullied into acts the beauties would never countenance and be grateful for the attention.

The beauty-romance link was extended to cover the desire for self-expression, and the new nexus of beauty, self-expression, and romance was in turn fostered by the culture of consumption. Love was thus made to reinforce a definition of selfhood centered around the commodities that provided youth, beauty, charm, glamour, and seductive power.

Modeling is not just beauty and smile, it takes boldness and style.

Glamour is much more than conventional outer beauty, or expensive makeup and jewelry – it’s the power of knowing how special you are, and how to show that to the world.

Ultimately, our obsession with celebrities isn't about them; it's about us and our needs. Many of us look at these people—who have glamour, beauty, wealth, and youth—and familiarize ourselves with them until they begin to feel like real people in our lives. We discuss them at work, in the park, and over dinner. We develop feelings for them. We love them, or hate them, or pity them, or profess not to care but secretly do.

What grubworms women are to crawl on their bellies through colorless marriages! Marriage was created not to be a background but to need one. Mine is going to be outstanding. It can't, shan't be the setting--it's going to be the performance, the live, lovely, glamourous performance, and the world shall be the scenery. I refuse to dedicate my life to posterity. Surely one owes as much to the current generation as to one's unwanted children. What a fate--to grow rotund and unseemly, to lose my self-love, to think in terms of milk, oatmeal, nurse, diapers…. Dear dream children, how much more beautiful you are, dazzling little creatures who flutter (all dream children must flutter) on golden, golden wings-- --

He had envisioned each contour and line of her face, the spellbinding individuality of personal detail. Here was a woman who had lived, and that life had been kind and good. And within that goodness lay true glamour, which was far more than the sum of ephemeral, physical parts. That was why, even attired in an unpretentious house dress, her forty-eight-year-old face scarcely made up, Molly was glamorous in a way that put in the shade women half her age and on the cover of fashion magazines.

When I see my wife’s eyes, I see beauty. When I see my wife’s lips, I see charm. When I see my wife’s nose, I see elegance. When I see my wife’s face, I see dignity. When I see my wife’s neck, I see grace. When I see my wife’s hands, I see strength. When I see my wife’s feet, I see glamour. When I see my wife’s hips, I see majesty. When I see my wife’s mind, I see reason. When I see my wife’s heart, I see passion. When I see my wife’s soul, I see devotion. When I see my wife’s life, I see love.

California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly

Lend finished texting someone and slipped his phone into his back pocket, then stood up. I’d never paid much attention to guys’ jeans before (not for lack of desire, but rather lack of opportunity in the Center), but in the past few months I’d come to realize that most guys’ jeans are really, truly horrendous. Too baggy, too tight, too low, etc. It’s like guys don’t realize that they can look great in a good pair of jeans. Shockingly enough girls, too, enjoy a well-framed butt. Another area Lend was perfect in. His jeans choice, I mean. Well, his butt, too. I smiled and stared at his face, watching his two profiles—the glamour one, which fit snugly over his real one. He looked down and caught me staring. “Evie?” “You, my dear boyfriend, are kind of beautiful, you know that?” “That’s what all the old ladies tell me before pinching my cheek.” “Which cheek?” I reached out and goosed him. He jumped and swatted my hand away, laughing.

Beauty is the beginning and end of fulfillment. She stands at the precipice and invites us to step forward. If we allow her, she walks beside us in nobility as we journey, removing the glamour from our eyes and tenderly embracing us when the road feels rocky. Eventually, we realise that Beauty resides within us. She is the divine, human heart.

There were glamorous young men with dyed hair who rustled like old cellophane. Older men had airs of sophistication and cold grace, giving the impression that if they were not so terribly tired they would go to places (known only to a select few) where the conversation was more scintillating and the congregation more interesting. There were young women who had the exotic sheen of recently fed forest animals. Although they moved their fine heads languorously this way and that, nothing in the room excited their appetites. Unfashionable red lips cut across their white faces, and the crimson fingernails, as pointed as surgical instruments, heightened the predatory effect. Older, sadder women were more interesting to me. Voluminous skirts and imported shawls did not hide their heavy bodies, nor was their unattractiveness shielded by the clanks of chains and ribbons of beads, or by pale pink lips and heavily drawn doe eyes. Their presence among the pretty people enchanted me. It was like seeing frogs buzzed by iridescent dragonflies.

Was she wrong? Was she making some great mistake? She looked around: gloom and desolation on every side. But she’d been wrong before about the appearance of things, trusting Mrs. Coulter because of her beautiful smile and her sweet-scented glamour. It was so easy to get things wrong; and without her dæmon to guide her, maybe she was wrong about this, too.

But unarmed righteousness fostered by love can overcome weapons and power, as demonstrated by the miraculous triumph of Jesus over Caesar, or Gandhi’s and Martin Luther King’s victories through nonviolent resistance. Jesus is a model of martyrdom because he withstood the temptations of power, wealth, and glamour, and remained steadfast even when threatened with crucifixion. Most important of all, Jesus exemplified opposition without hatred or the desire for retaliation; his heart was filled with boundless love and forgiveness. Completely eschewing violence, he epitomized passive resistance, serenely defiant even as he meekly carried his own cross. No matter how profane and pragmatic our world is, we will have passion, miracles, and beauty as long as we have the example of Jesus Christ. In

If you really want space on public transport you should carry some pornography from the 1970s and a pair of children's safety scissors, then delicately cut out all the eyes of the glamour models whilst whistling. Every now and again mutter, 'Why are women more beautiful when they are eyeless?' You will be able to stretch out, though this can have ramifications such as ending up on a police list or being run out of town.

Why detract from your mind, your face, your expression? The attention should be on you. Sexiness doesn't necessarily come with nakedness. I believe it's better to leave some things to the imagination, no matter how toned up a body is. If it's the opposite sex you're aiming to attract, believe me, any guy worth appealing to would rather wonder what it looks like under there than have you share it so magnanimously with the rest of the world.

Even yet I do not know why the ocean holds such a fascination for me. But then, perhaps none of us can solve those things—they exist in defiance of all explanation. There are men, and wise men, who do not like the sea and its lapping surf on yellow shores; and they think us strange who love the mystery of the ancient and unending deep. Yet for me there is a haunting and inscrutable glamour in all the ocean's moods. It is in the melancholy silver foam beneath the moon's waxen corpse; it hovers over the silent and eternal waves that beat on naked shores; it is there when all is lifeless save for unknown shapes that glide through sombre depths. And when I behold the awesome billows surging in endless strength, there comes upon me an ecstasy akin to fear; so that I must abase myself before this mightiness, that I may not hate the clotted waters and their overwhelming beauty. Vast and lonely is the ocean, and even as all things came from it, so shall they return thereto. In the shrouded depths of time none shall reign upon the earth, nor shall any motion be, save in the eternal waters. And these shall beat on dark shores in thunderous foam, though none shall remain in that dying world to watch the cold light of the enfeebled moon playing on the swirling tides and coarse-grained sand. On the deep's margin shall rest only a stagnant foam, gathering about the shells and bones of perished shapes that dwelt within the waters. Silent, flabby things will toss and roll along empty shores, their sluggish life extinct. Then all shall be dark, for at last even the white moon on the distant waves shall wink out. Nothing shall be left, neither above nor below the sombre waters. And until that last millennium, and beyond the perishing of all other things, the sea will thunder and toss throughout the dismal night.

To approach tennis with 'love' may be dangerous if, as Oscar Wilde wrote, 'each man kills the thing he loves' - whether because that love is too obsessive or too critical. Many critics believed that 'love' in tennis was dangerous - that the very fact of this word being used in the scoring system rendered it unmanly. But love is also a hopeful word of celebration; and in the end, the point of writing about tennis is to celebrate the beauty, the glamour and the joy of this unique game.

In popular usage Grammatica or Grammaria slid into the vague sense of learning in general; and since learning is usually an object both of respect and suspicion to the masses, grammar, in the form grammary comes to mean magic. Thus in the ballad of King Estmere, ‘My mother was a western woman learned in grammarye’. And from grammary, by a familiar sound-change, comes glamour—a word whose associations with grammar and even with magic have now been annihilated by the beauty-specialists.

The Romanovs inhabit a world of family rivalry, imperial ambition, lurid glamour, sexual excess and depraved sadism; this is a world where obscure strangers suddenly claim to be dead monarchs reborn, brides are poisoned, fathers torture their sons to death, sons kill fathers, wives murder husbands, a holy man, poisoned and shot, arises, apparently, from the dead, barbers and peasants ascend to supremacy, giants and freaks are collected, dwarfs are tossed, beheaded heads kissed, tongues torn out, flesh knouted off bodies, rectums impaled, children slaughtered; here are fashion-mad nymphomaniacal empresses, lesbian ménage à trois, and an emperor who wrote the most erotic correspondence ever written by a head of state. Yet this is also the empire built by flinty conquistadors and brilliant statesmen that conquered Siberia and Ukraine, took Berlin and Paris, and produced Pushkin, Tolstoy, Tchaikovsky and Dostoevsky; a civilization of towering culture and exquisite beauty.

I was standing alone, at bank of a river Singing a song of a dishearten seraph Wind blows throw me, wild and cold Freezing my eyes to capture the knock I was staring at a glimpse straight to my sight Ignoring the glamour and beauty of life I saw someone in the blurred flight Circling over me to focus the light My mind become brighter and so am I Oh! He was there for so long I find I was never as solo as my night I have a perfect one to be on my side I was once weak and disappointed by my journey I was angry and mad on my unfaithful company I tried hard to be stronger and tougher than I mean And now I am determined and full of virtuous deeds I was bored of hectic normal life of mine And couldn’t find anyone to guide on my line I alone discovered what I meant to be My talents, my path and my desired needs I am ready to face the world that I've known To uncover those skills I learned on my own To make a place of acts, not of just words A place of liberty and love to be heard

This essay is not a protest against selfishness, which, well done, can be a beautiful thing. There is nothing I envy, and appreciate, so much as a life led with genuinely unconscious, uncomplicated self-absorption. It’s a sort of karmic performance art. Isn’t that quality why some people so love observing cats? And I do not begrudge my fellow travelers’ enthusiasm for glamour; there’s nothing I like more. The right dress worn by the right starlet on Oscar night probably does as much to feed the soul as a perfect haiku.

Most people will likely encounter Ingeborg’s showy Display variants: the decorative fill and shadow of Block, and the buxom swashes of Fat Italic. These are indeed finely crafted crowd-pleasers, but the typeface’s more important contribution to typography is in the text weights. Michael Hochleitner managed to comfortably combine the neoclassical glamour of Didones, the readability of other Rational typefaces like the Scotch Romans, and the sturdiness of a slab serif. The result is a very original design that is both beautiful and practical. Good for: Books. Magazines. Substance and style.

There is such magnificent vagueness in the expectations that had driven each of us to sea, such a glorious indefiniteness, such a beautiful greed of adventures that are their own and only reward. What we get — well, we won’t talk of that; but can one of us restrain a smile? In no other kind of life is the illusion more wide of reality — in no other is the beginning all illusion — the disenchantment more swift — the subjugation more complete. Hadn’t we all commenced with the same desire, ended with the same knowledge, carried the memory of the same cherished glamour through the sordid days of imprecation?

Now, beauty is not a size or a shape, an outfit or a color. Real beauty is something that shines. The rest is only glamour. This girl was both dark and luminous, like a copper beech in the sun. Luminous was her brown skin, and her eyes were every shade of leaf, from guinea gold to forest-floor black. She was wearing a yellow dress. Her hair was a crown of autumn fire. And yes, she was very beautiful. But her beauty was none of these things. And although by the time she had left, Tom could barely remember her clothes, or the shape of her face, or the color of her eyes, or the exact shade of her skin, he knew he would always remember that shine.

I have spoken of reinventing marriage, of marriages achieving their rebirth in the middle age of the partners. This phenomenon has been called the 'comedy of remarriage' by Stanley Cavell, whose Pursuits of Happiness, a film book, is perhaps the best marriage manual ever published. One must, however, translate his formulation from the language of Hollywood, in which he developed it, into the language of middle age: less glamour, less supple youth, less fantasyland. Cavell writes specifically of Hollywood movies of the 1930s and 1940s in which couples -- one partner is often the dazzling Cary Grant -- learn to value each other, to educate themselves in equality, to remarry. Cavell recognizes that the actresses in these movie -- often the dazzling Katherine Hepburn -- are what made them possible. If read not as an account of beautiful people in hilarious situations, but as a deeply philosophical discussion of marriage, his book contains what are almost aphorisms of marital achievement. For example: ....'[The romance of remarriage] poses a structure in which we are permanently in doubt who the hero is, that is, whether it is the male or female who is the active partner, which of them is in quest, who is following whom.' Cary grant & Katherine Hepburn "Above all, despite the sexual attractiveness of the actors in the movies he discusses, Cavell knows that sexuality is not the ultimate secret in these marriage: 'in God's intention a meet and happy conversation is the chiefest and noblest end of marriage. Here is the reason that these relationships strike us as having the quality of friendship, a further factor in their exhilaration for us.' "He is wise enough, moreover, to emphasize 'the mystery of marriage by finding that neither law nor sexuality (nor, by implication, progeny) is sufficient to ensure true marriage and suggesting that what provides legitimacy is the mutual willingness for remarriage, for a sort of continuous affirmation. Remarriage, hence marriage, is, whatever else it is, an intellectual undertaking.

But it would be vain to attempt to describe the struggle that followed: that domestic tragedy would have to be told at length if told at all, and it included various tragedies; not only the subjugation of poor Carry, the profanation of her life, and cruel rending of her heart, but such a gradual enlightening and clearing away of all the lovely prejudices and prepossessions of affection from the eyes of Lady Lindores, as was almost as cruel. The end of it was, that one of these poor women, broken in heart and spirit, forced into a marriage she hated, and feeling herself outraged and degraded, began her life in bitterness and misery, with a pretence of splendor and success and good-fortune which made the real state of affairs still more deplorable; and the other, feeling all the beauty of her life gone from her, her eyes disenchanted, a pitiless, cold day-light revealing every angle once hid by the glamour of love and tender fancy, began a sort of second existence alone.   If

As associate beauty editor, it was my job to represent the magazine at get-togethers like these: to rub elbows and be pleasant and professional. Seriously, it was the easiest gig in the world! And yet it wasn’t always so easy for me. “I’ll take one of those.” I stopped a dude with a tray of champagne. “Thanks, honey.” “Hi, Cat!” a beauty publicist with a clipboard said. “Thanks so much for coming!” “Good to see you,” I lied. Thunder clapped outside. “The gang’s over there,” she said. The publicist was referring to the usual group of beauty editors—my colleagues. They were from every title you’ve ever heard of: Teen Vogue, Glamour, Elle, Vogue, W, Harper’s Bazaar, InStyle, O, Shape, Self. I attended events alongside them every day, and yet I never felt like I belonged. I’d spent years trying to get into their world: interning, studying mastheads, interviewing all over town. But now that I was one of them, I felt defective—self-conscious and out of place in the dreamy career I’d worked so hard for, and unable to connect with these chic women I’d idolized.

A school-girl may be found in every school who attracts and influences all the others, not by her virtues, nor her beauty, nor her sweetness, nor her cleverness, but by something that can neither be described nor reasoned upon. It is the something alluded to in the old lines:— 'Love me not for comely grace, For my pleasing eye and face; No, nor for my constant heart,— For these may change, and turn to ill, And thus true love may sever. But love me on, and know not why, So hast thou the same reason still To dote upon me ever.' A woman will have this charm, not only over men but over her own sex; it cannot be defined, or rather it is so delicate a mixture of many gifts and qualities that it is impossible to decide on the proportions of each. Perhaps it is incompatible with very high principle; as its essence seems to consist in the most exquisite power of adaptation to varying people and still more various moods; 'being all things to all men.' At any rate, Molly might soon have been aware that Cynthia was not remarkable for unflinching morality; but the glamour thrown over her would have prevented Molly from any attempt at penetrating into and judging her companion's character, even had such processes been the least in accordance with her own disposition.

When speaking earlier of an assignment of value to the symbol, I showed the practical advantages of an appreciation of the unconscious. We exclude an unconscious disturbance of the conscious functions when we take the unconscious into our calculations from the start by paying attention to the symbol. It is well known that the unconscious, when not realized, is ever at work casting a false glamour over everything, a false appearance: it appears to us always on objects, because everything unconscious is projected. Hence, when we can apprehend the unconscious as such, we strip away the false appearance from objects, and this can only promote truth. Schiller says: Man exercises this human right to sovereignty in the art of appearance, and the more strictly he here distinguishes between mine and thine, the more carefully he separates form from being, and the more independence he learns to give to this form, the more he will not merely extend the realm of Beauty but even secure the boundaries of Truth; for he cannot cleanse appearance from reality without at the same time liberating reality from appearance.112 To strive after absolute appearance demands greater capacity for abstraction, more freedom of heart, more vigour of will than man needs if he confines himself to reality, and he must already have put this behind him if he wishes to arrive at appearance.113

A writer spinning out the manuscript of a book is like a banker generating debts he knows can never be repaid. From one perspective it’s a waste of time, ‘the deliberate pouring of water through a sieve’, in Dostoyevsky’s phrase. The effort will not be repaid. From another, however, it’s an incredibly important process in which cultural charisma – intellectual glamour – is generated via a mechanism of guilt. A bookshelf is a glamorous row of reproaches. We know that there are books we ought to read, and ought to have read, because they are said to be wonderful and capable of making us better people. They sit there on the shelf, seeming to watch us, waiting for our best moment of spiritual preparedness. Yet we fail to read them. As a result we feel guilty. The books seem to say to us: – You are trivial and lazy. Your life could be so much richer and more creative, yet you fritter away your attention on television and Facebook, or idle gossip, or sports, or Olafur Eliasson installations. This guilt is much more wonderful than the contents of the books themselves could ever be, and spiritually much more uplifting. The unreadness of books outstrips their readness in beauty and in utility. It’s tremendously important to believe that there are heights which we’ve failed to attain, mountains we can glimpse in the distance but not climb. It’s almost like believing in heaven. To quote Kafka once more: Theoretically there is a perfect possibility of happiness: believing in the indestructible element in oneself and not striving towards it.

I miss Diana more than I can express. The world seems a colder place without her luminous presence. To had had Diana’s friendship, to have known her personally, has been a gift beyond comparison. She brought joy and pride and a touch of glamour to my life for years. I loved and admired her without reservation. When Patrick recognized her picture on magazine covers, I thought how incredible it was that we actually knew the beautiful, famous Diana. Best of all, we knew she was even lovelier inside. I read her letters, feeling deeply touched that she continued to care for us. Seeing her in person--warm, unpretentious, and radiant--was a thrill that lasted a long, long time. It truly was, “like being brushed by angels’ wings,” as my friend at the funeral had said. Whoever would have thought when I called for a nanny so many years ago, that magic would enter my life. My family and I watched her dazzling progress from a shy teenager to a multi-faceted and charismatic woman. She fulfilled her many roles so beautifully. Yet to me, Diana was a beloved friend, not the world-famous Princess of Wales. Behind the glamour, I saw the qualities I’d always admired in her--kindness, integrity, and grace in all she did. Above all, Diana was born to be a mother. Showing affection was as natural to her as breathing. I saw her tender care for my young son. I know she was an utterly devoted mother to her own boys, giving them unconditional love and deriving her greatest joy in life from them. I’ve wished so often that her life had been a fairytale, that Diana had been spared the pain and loneliness she suffered. But without the despair, she might not have developed the strength and humanity that reached out to people everywhere. Diana instinctively looked beyond her own problems to ease the pain and distress of others. She touched so many people in her short lifetime. I never thought it would end this way--that she would die so young. I will always remember, as the last hymn faded into silence at her funeral, the solemn tread of the soldiers’ boots--so haunting, so final--as they carried her casket through the Abbey. I couldn’t bear that she was leaving forever. For months now, I’ve searched for some solace in this tragedy. I hope that Diana’s untimely death and the worldwide mourning for her have silenced forever those who belittled her values and doubted her appeal. She rests peacefully now beyond reproach--young and beautiful. Diana, you were greater than we realized. We will never, never forget you.

I leaned into Tamlin, sighing. 'It feels- feels as if some of it was a dream, or a nightmare. But... But I remembered you. And when I saw you there today, I started clawing at it, fighting, because I knew it might be my only chance, and-' 'How did you break free of his control,' Lucien said flatly from behind us. Tamlin gave him a warning growl. I'd forgotten he was there. My sister's mate. The Mother, I decided, did have a sense of humour. 'I wanted it- I don't know how. I just wanted to break free of him, so I did.' We stared each other down, but Tamlin brushed a thumb over my shoulder. 'Are- are you hurt?' I tried not to bristle. I knew what he meant. That he thought Rhysand would do anything like that to anyone- 'I- I don't know,' I stammered. 'I don't... I don't remember those things.' Lucien's metal eye narrowed, as if he could sense the lie. But I looked up at Tamlin, and brushed my hand over his mouth. My bare, empty skin. 'You're real,' I said. 'You freed me.' It was an effort not to turn my hands into claws and rip out his eyes. Traitor- liar. Murderer. 'You freed yourself,' Tamlin breathed. He gestured to the house. 'Rest- and then we'll talk. I... need to find Ianthe. And make some things very, very clear.' 'I- I want to be a part of it this time,' I said, halting when he tried to herd me back into that beautiful prison. 'No more... No more shutting me out. No more guards. Please. I have so much to tell you about them- bits and pieces, but... I can help. We can get my sisters back. Let me help.' Help lead you in the wrong direction. Help bring you and your court to your knees, and take down Jurian and those conniving, traitorous queens. And then tear Ianthe into tiny, tiny pieces and bury them in a pit no one can find. Tamlin scanned my face, and finally nodded. 'We'll start over. Do things differently. When you were gone, I realised... I'd been wrong. So wrong, Feyre. And I'm sorry.' Too late. Too damned late. But I rested my head on his arm as he slipped it around me and led me toward the house. 'It doesn't matter. I'm home now.' 'Forever,' he promised. 'Forever,' I parroted, glancing behind- to where Lucien stood in the gravel drive. His gaze on me. Face hard. As if he'd seen through every lie. As if he knew of the second tattoo beneath my glove, and the glamour I now kept on it. As if he knew that they had let a fox into a chicken coop- and he could do nothing. Not unless he never wanted to see his mate- Elain- again. I gave Lucien a sweet, sleepy smile. So our game began. We hit the sweeping marble stairs to the front doors of the manor. And so Tamlin unwittingly led the High Lady of the Night Court into the heart of his territory.

Alis coughed from the shadows of the house, and I remembered to start walking, to look toward the dais- At Tamlin. The breath knocked from me, and it was an effort to keep going down the stairs, to keep going my knees from buckling. He was resplendent in a tunic of green and gold, a crown of burnished laurel leaves gleaming on his head. He'd loosened the grip on his glamour, letting that immortal light and beauty shine through- for me. My vision narrowed on him, on my High Lord, his wide eyes glistening as I stepped onto the soft grass, white rose petals scattered down it- And Red ones. Like drops of blood amongst the white, red petals had been sprayed across the path ahead. I forced my gaze up, to Tamlin, his shoulders back, head high. So unaware of the true extent of how broken and dark I was inside. How unfit I was to be clothed in white when my hands were so filthy. Everyone else was thinking it. They had to be. Every step was too fast, propelling me toward the dais and Tamlin. And toward Ianthe, clothed in dark blue robes tonight, beaming beneath the hood and silver crown. As if I were good- as if I hadn't murdered two of their kind. I was a murderer and a liar. A cluster of red petals loomed ahead- just like the Fae youth's blood had pooled at my feet. Ten steps from the dais, at the edge of that splatter of red, I slowed. Then stopped. Everyone was watching, exactly as they had when I'd nearly died, spectators to my torment. Tamlin extended a broad hand, brows narrowing slightly. My heart beat so fast, too fast. I was going to vomit. Right over those rose petals, right over the grass and ribbons trailing into the ailse from the chairs flanking it. And between my skin and bones, something thrummed and pounded, rising and pushing, lashing through my blood- So many eyes, too many eyes, pressed on me, witness to every crime I'd committed, every humiliation- I don't know why I'd even bothered to wear gloves, why I'd let Ianthe convince me. The fading sun was too hot, the garden too hedged in. As inescapable as the vow I was about to make, binding me to him forever, shackling him to my broken and weary soul. The thing inside me was roiling now, my body shaking with the building force of it as it hunted for a way out- Forever- I would never get better, never get free of myself, of the dungeon where I'd spent three months- 'Feyre,' Tamlin said, his hand steady, as he continued to reach for mine. The sun sank past the lip of the western garden wall; shadows pooled, chilling the air. If I turned away, they'd start talking, but I couldn't make the last few steps, couldn't, couldn't, couldn't- I was going to fall apart, right there, right then- and they'd see precisely how ruined I was. Help me, help me, help me, I begged someone, anyone. Begged Lucien, standing in the front row, his metal eye fixed on me. Begged Ianthe, face serene and patient and lovely within that hood. Save me- please, save me. Get me out. End this. Tamlin took a step toward me- concern shading those eyes. I retreated a step. No. Tamlin's mouth tightened. The crowd murmured. Silk streamers laden with globes of gold faelight twinkled into life above and around us. Ianthe said smoothly. 'Come, Bride and be joined with your true love. Come, Bride, and let good triumph at last.' Good. I was not good. I was nothing, and my soul, my eternal soul was damned- I tried to get my traitorous lungs to draw air so I could voice a word. No- no. But I didn't have to say it. Thunder crackled behind me, as if two boulders have been hurled against each other. People screamed, falling back, a few vanishing outright as darkness erupted. I whirled, and through the night drifting away like smoke on a wind, I found Rhysand straightening the lapels of his black jacket. 'Hello, Feyre darkling,' he purred.

The Aftermath A lot of time has passed since that fateful day in August of 1965. I visited Oak Island a few months ago. Surprisingly, it felt really good to be there. Parts of the island, untouched by the lust for gold, are still beautiful. As I walked, I thought to myself, This is a good place. More than good. It is a wonderful place. But at the far end of the island--the Money Pit end--everything is different. The beaches have been scraped bare. The clearing, no longer a high, flat expanse, has been gouged out and re-formed into lopsided, jagged terrain. The Money Pit, once part of a 32-foot-high plateau, now sits on misshapen, uneven land, almost down to sea level. That end of the island is ugly, ruined. At home I pull out old photographs and letters and journals. I want to remember a time before the accident, before the deaths, a time when all of Oak Island was a beautiful and happy place; the time when my father, mother, and brothers first came to the island. They had been brimming with enthusiasm. They were embarking on a wonderful adventure, and the Restalls just might be the ones to solve this baffling, centuries-old puzzle. Here was a shot at fortune and fame. They lived in a bubble of good wishes, good cheer, and boundless expectations. It was an extraordinary time, when anything seemed possible. Of course, there was also the back-breaking labour and the endless frustration, but after all, what’s an adventure without adversity? I try to hang on to the good memories of Oak Island, but darker images keep creeping in--the disappointments and obstacles, one-by-one, year after year, that gradually wore the family down. In time, the hunt for treasure crowded out all else in their lives. Nothing mattered but Oak Island and its treasure--at least for my dad. Oak Island does that. Men go there seeking riches and fame, and forget who they are. During my family’s final year, only my father was still steadfast in his belief in the Restall hunt for treasure. By that time, conversations among the four of them were strained. Doubts, disagreements, and long silences had settled in. The hunt for treasure was like a job that took every thought, every bit of energy, every cent. Day after day, nothing but drab, drone-like hark work--no glamour here. It seemed to my mother and brothers that this job was one that would never be finished. Until it was finished--but with such a horrible ending.

Once upon a time, all the clocks chimed midnight. Cinderella flees from the ball as her illusion unweaves. Beauty races towards her Beast before the last echo of the clock falls silent. Illusions fall. Magic ends. The clock chimes. Nothing lasts forever, and midnight is a purposeful stop. A pause to remind you that there is always a clock ticking. There will never be enough time, and for every Beauty who saves her Beast, there will be a voiceless mermaid who dissolves into sea foam. But there is another thing about midnight. It is when illusions break. When you can see the truth beneath them, if you are looking. There is always a crack in the illusion, a gap in the perfection, even if it is only visible with the ticking of a clock. Midnight is when you look, if there is a truth you need to see. If you are brave enough to bear what you witness. For just a moment, the smoke dissipates, the mirrors shatter, and the glamour is gone. All that's left is the truth of the story, the truth in your heart, your darkest secret. A glass shoe abandoned on the stairs. Once upon a time. Tick. Tock.

The vampire stared at me for a moment more. Then it shuddered, drawing its wing membranes about itself. Black slime turned into patches of pale, perfect flesh that spread over the vampire’s dark skin like a growth of fungus. The flabby black breasts swelled into softly rounded, rosy-tipped perfection once more. Bianca stood before me a moment later, settling her dress back into modesty again, her arms crossed over her as though she was cold, her back stiff and her eyes angry. She was no less beautiful than she had been a few moments before, not a line or a curve any different. But for me, the glamour had been ruined. She still had the same eyes, dark and fathomless and alien. I would always remember what she truly looked like, beneath her flesh mask.

One of those Los Angeles legends that add mystery to the bright lights and glamour.

California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told.

Glitz and Glamour academy provides education in Hair styling & makeup to equip students with professional skill and competence covering all aspects of hair dressing & beauty therapy.

As long as one's conscience stays enlighten, no other glamour and beauties of the world can affect it wrongly

I never understood how some people could not care less about whether things are beautiful or not. Even less, those who tell others to stop dreaming, that it's a waste of time. I have a theory: the miserable ones who tell you to stop daydreaming lead pretty sorry lives.

What's wrong with looking chic? Women need to be strong enough to say, "I don't need to dress like a teen girl any more." It's okay to be in sync with your younger daughter or niece, but it's not okay to try to look like her (whether it comes to clothes or plastic surgery).

It’s not just her beauty, which is hard to ignore. It’s her glamour. Her awareness of her own gorgeousness. She makes every other woman in the room feel second rate without even trying.

Besides, there was a strangely calming element of cosmic beauty in the hypnotic landscape through which we climbed and plunged fantastically. Time had lost itself in the labyrinths behind, and around us stretched only the flowering waves of faery and the recaptured loveliness of vanished centuries—the hoary groves, the untainted pastures edged with gay autumnal blossoms, and at vast intervals the small brown farmsteads nestling amidst huge trees beneath vertical precipices of fragrant brier and meadow-grass. Even the sunlight assumed a supernal glamour, as if some special atmosphere or exhalation mantled the whole region. I had seen nothing like it before save in the magic vistas that sometimes form the backgrounds of Italian primitives. Sodoma and Leonardo conceived such expanses, but only in the distance, and through the vaultings of Renaissance arcades. We were now burrowing bodily through the midst of the picture, and I seemed to find in its necromancy a thing I had innately known or inherited, and for which I had always been vainly searching.

glamour was an enchantment, an illusion that beguiled the observer, making someone appear beautiful and thus concealing the darker truth of what they really were. Millicent knew it was a spell that didn’t require magic: it drew its true power from our desire to see what we wanted to.

A glamour was an enchantment, an illusion that beguiled the observer, making someone appear beautiful and thus concealing the darker truth of what they really were. Millicent knew it was a spell that didn’t require magic: it drew its true power from our desire to see what we wanted to.

Covered in Stephen Burrows inside-out chicness or resplendent in Chloé blouses tucked into skinny jeans tucked into $400 boots, she has never underestimated the power of a beautiful thing. She knows, without her yoga instructor’s telling her, that size 4 is the size that’s right for her. The Bendel is subtle and a little shy—she hides her Penelope Tree eyebrows under oversized sunglasses; her swinging straight hair under turbans and berets; her freshly manicured toenails beneath oversized clogs as she looks for the simple throw-on at $275. The Bendel does not eat during the day, except for an occasional asparagus. She prefers her store’s boutiques with their maximum of chic and minimum of stock. The Bendel woman is methodical and thinks ahead, and if she has stayed past the sensible 3:30, thank God for Buster, who will get her a taxi.

Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.

Beauty cannot be contained, or kept hidden away; it is meant to be shared.

Weaponized glamour,” the latter being a reference to Chaédria LaBouvier’s work on the concept of “using beauty and style in direct, political ways that subvert dehumanizing expectations.

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A moving story of shattered dreams in which Barbara March achieved international stardom adored for her dramatic soprano voice of unique beauty and passion. At the peak of her considerable powers adverse circumstances closed that chapter in her life and living with this regret haunted her deeply and emotionally throughout her life As her thoughts centred on the tragic death of her husband Edward feeling somewhat saddened as she approached her sixtieth birthday. Still glamourous and beautiful she decides to go on a cruise and another phase in her life was beginning and what that might hold for her she could only imagine and that was where she befriends Lord Marcus Logan the laird of Glen Haven Castle on the cruise ship Queen Elizabeth 2nd and in the weeks to come on-board ship the emotional attraction was established and strong. Her life was not over a new chapter had begun, a year later they were married. It soon becomes apparent to Marcus that in the shadows of Barbara's life going back into the past and having to recall the loss of her career had hurt her deeply and emotionally, that chapter was one subject on which she found it painful to cope with and she avoided it whenever she could. Glen Haven will take you on an enchanting journey with dear friends with heart-warming thoughts of all times and a great deal of nostalgia, you will never want to lose the stories spell or bid farewell to its wonderful characters. All that I could say of the story to any purpose I have endeavoured to say it.

Being Honest ,it gives the glamour and beauty in woman, and in men it gives the courage and strength

I’d take you home with me, see, but two of us in the same Behold? Just wouldn’t work, ends up in all sorts of squabbles over interior design; and the human, well, one faery in the Behold of the Eye, that just gives them a little twinkle of imagination, but more than one and it’s like a bloody fireworks display. They get all unstable and artistic, blinded by the glamour of everything, real or imagined, concrete or abstract. They get confused between beauty and truth and meaning, you see, start thinking every butterfly-brained idea must be true; before you know it they’ve gone schizo on you and you’re in a three-way firefight with all the angels and the demons, them and their bloody ideologies.

We are earthbound creatures, Maggie had thought. No matter how tempting the sky. No matter how beautiful the stars. No matter how deep the dream of flight. We are creatures of the earth. Born with legs, not wings, legs that root us to the earth, and hands that allow us to build our homes, hands that bind us to our loved ones within those homes. The glamour, the adrenaline rush, the true adventure, is here, within these homes. The wars, the detente, the coups, the peace treaties, the celebrations, the mournings, the hunger, the sating, all here.

Perhaps it would only make sense to me that any changes you made in me would be useful to me!” “You will be pretty! And interesting to other dragons. And that is enough for any Elderling, let alone a human!” “Perhaps ‘pretty’ wings are enough for you, but if I must bear their weight and the inconvenience of having something growing out of my backbone, perhaps they should be useful. I have never understood why you don’t even try to use your wings. I see the other dragons stretching and working theirs. I’ve seen the silver almost lift himself from the water with his, and he began with a much more ungainly body and smaller wings than yours! You don’t try! I groom your wings and keep them clean. They’ve grown larger and stronger and you could try, but you don’t. All you do is tell me how lovely they are. And lovely they may be, but have you never considered trying to use them for what they are intended?” She could see the dragon’s fury build. She’d dared to criticize her, and Sintara could not tolerate even the implication that she was lazy or self-pitying or perhaps even just a bit…”Stupid.” Thymara said the word aloud. She had no idea what prompted her to do it. Perhaps simply to show Sintara that she’d gone too far and that her keeper would no longer be terrorized by her. How dare she put wings on her back when she could not even master the ones that had naturally on her own? The murmur of voices from the barge was growing louder. Thymara refused to even glance in that direction. She stood, her shirt clutched over her breasts, and faces the furiously spinning eyes of her dragon. Sintara was magnificent in her wrath. She lifted her head and opened her jaws wide, displaying the brightly colored poison sacs in her throat. She opened her wings wide, a reflexive display of size that the dragons often used in an attempt to remind one another of their relative sizes and strengths, and they spread like a magnificent stained-glass panels unfolding. For a moment, Thymara was dizzied by her glory and her glamour. She nearly fell to her knees before her dragon. Then she took a grip on herself and stood up to the blast of pure charisma that Sintara was radiating at her. “Yes. They are beautiful!” she shouted. “Beautiful and useless! As you are beautiful and useless!” A shudder passed over Thymara. She felt suddenly queasy and then realized what she had done. In a bizarre reaction to Sintara’s display, Thymara had spread her own wings. There were shouts of amazement from the keepers on the boat. Sintara was drawing breath. Her jaws were still wide, and Thymara stood rooted before her, watching her poison sacs swell. If the dragon chose to breathe venom on her, there would be no escape. She stood her ground, frozen with terror and fury. “Sintara!” The bellow came from Mercor. “Close your jaws and fold your wings! Do not harm your keeper for speaking truth to you!” “Fight! Fight! Fight!” Spit was trumpeting joyously. “Quiet, pest!” Ranculos roared at him. “Do not spray here! The drift will burn me! Blast your own keeper if you wish, Sintara, but spray me and I swear I will burn your wings as full of holes as rotting canvas!” This from small green Fente. The dragon reared onto her hind legs and spread her own wings in challenge. “Stop this madness!” Mercor bellowed again. “Sintara hurt not your keeper!” “She is mine, and I’ll do as I wish!” Sintara’s trumpet was a shrill whistle of anger. Despite herself, Thymara clapped her hands over her ears. Terror made her reckless. “I don’t care what you do to me! Look at what you’ve already done! You want to kill me? Go ahead, you stupid lizard. Someone else can clear the sucking insects from your eyes, take the leeches off your useless, beautiful wings. Go ahead, kill me!

I find comfort in feeling glamorous.

There was a kindliness about intoxication - there was that indescribable gloss and glamour it gave, like the memories of ephemeral and faded evenings. After a few high-balls there was magic in the tall glowing Arabian night of the Bush Terminal Building - its summit a peak of sheer grandeur, gold and dreaming against the inaccessible sky. And Wall Street, the crass, the banal - again it was a triumph of gold, a gorgeous sentient spectacle; it was where the great kings kept the moment for their wars... ...The fruit of youth, or the grape, the transitory magic of the brief passage from darkness to darkness - the old illusion that truth and beauty were in some way entwined.