Glacier Love Quotes

My heart leaves, hitchhikes right out of my body, heads north, catches a ferry across the Bering Sea and plants itself in Siberia with the polar bears and ibex and long-horned goats until it turns into a teeny-tiny glacier. Because I imagined it.

His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cercei was all wildfire, especially when thwarted.

People need wild places. Whether or not we think we do, we do. We need to be able to taste grace and know again that we desire it. We need to experience a landscape that is timeless, whose agenda moves at the pace of speciation and glaciers. To be surrounded by a singing, mating, howling commotion of other species, all of which love their lives as much as we do ours, and none of which could possibly care less about us in our place. It reminds us that our plans are small and somewhat absurd. It reminds us why, in those cases in which our plans might influence many future generations, we ought to choose carefully. Looking out on a clean plank of planet earth, we can get shaken right down to the bone by the bronze-eyed possibility of lives that are not our own.

There is no water in oxygen, no water in hydrogen: it comes bubbling fresh from the imagination of the living God, rushing from under the great white throne of the glacier. The very thought of it makes one gasp with an elemental joy no metaphysician can analyse. The water itself, that dances, and sings, and slakes the wonderful thirst--symbol and picture of that draught for which the woman of Samaria made her prayer to Jesus--this lovely thing itself, whose very wetness is a delight to every inch of the human body in its embrace--this live thing which, if I might, I would have running through my room, yea, babbling along my table--this water is its own self its own truth, and is therein a truth of God.

She was drowning—in friendliness, in community—and she was starting to think she didn't want to get pulled out.

As I walked out one evening, Walking down Bristol Street, The crowds upon the pavement Were fields of harvest wheat. And down by the brimming river I heard a lover sing Under an arch of the railway: "Love has no ending. "I'll love you, dear, I'll love you Till China and Africa meet, And the river jumps over the mountain And the salmon sing in the street, "I'll love till the ocean Is folded and hung up to dry And the seven stars go squawking Like geese about the sky. "The years shall run like rabbits, For in my arms I hold The Flower of the Ages, And the first love of the world." But all the clocks in the city Began to whirr and chime: "O let not Time deceive you, You cannot conquer Time. "In the burrows of the Nightmare Where Justice naked is, Time watches from the shadow And coughs when you would kiss. "In headaches and in worry Vaguely life leaks away, And Time will have his fancy Tomorrow or today. "Into many a green valley Drifts the appalling snow; Time breaks the threaded dances And the diver's brilliant bow. "O plunge your hands in water, Plunge them in up to the wrist; Stare, stare in the basin And wonder what you've missed. "The glacier knocks in the cupboard, The desert sighs in the bed, And the crack in the teacup opens A lane to the land of the dead. "Where the beggars raffle the banknotes And the Giant is enchanting to Jack, And the Lily-white Boy is a Roarer, And Jill goes down on her back. "O look, look in the mirror, O look in your distress; Life remains a blessing Although you cannot bless. "O stand, stand at the window As the tears scald and start; You shall love your crooked neighbor With all your crooked heart." It was late, late in the evening, The lovers they were gone; The clocks had ceased their chiming, And the deep river ran on.

Before Isabel could read, she loved books.

It’s never the wedding dresses, you know. We keep those, too, but only because they’re so blooming expensive. No. I’ve seen enough old ladies’ closets to know what we really hold on to. Not the till-death-do-us-part dresses. It’s those first lovely dresses: the slow dance dresses, the good-night-kiss dresses. It’s those first pangs we hold on to.

Marriage is not a house or even a tent it is before that, and colder: the edge of the forest, the edge of the desert the unpainted stairs at the back where we squat outside, eating popcorn the edge of the receding glacier where painfully and with wonder at having survived even this far we are learning to make fire

There are treasures everywhere...it's a treasure if you love it. It doesn't matter how much it costs, or whether anyone else wants it. If you love it, you will treasure it.

Don't you realize it's the doing that often gets us into trouble? It's not the doing that makes God happy. It's not about what we've done...it's about what been done for us.

I feared her love for me was like a Pakistani glacier. It was difficult to say if it was growing or retreating.

Emotions blasted into me with such force, I backed up until the wall stopped me. Then there was nowhere to go as a geyser of tormented anguish flooded me, drowning my anger under its depths. It turned into glaciers of ruthless resolve that chilled my sense of betrayal until it crystalized and shattered. Finally, an inferno of love swept over the remains, burning all my hurt with its searing, excruciatingly beautiful flames.

Nothing has changed, Claire. You're still as beautiful as you were when we met first and I am still in love with everything about you. We may be worlds apart but this doesn't keep our hearts at distance. I feel your breath in every breath of mine and I hear your heartbeat in every beat of my heart. I traveled to far away lands, rivers, forests, mountains, glaciers, deserts and skyscrapers but wherever I go I find you there. My dreams aren't illusions but visions of a beautiful yesterday; I play with your hair-locks, I kiss your eyes, I embrace your hands and you giggle in my arms blossoming like a flower. My love, you're my only reality, my only fantasy, my only celebration and my only refuge. I have waited a thousands suns and I can wait a thousand more to witness the moment you call out to me. That day you'll find me and even if I don't live up to see that day I will be with you forever, just remember me.

Loving him came to her the way snow melts into creeks, then rivers, then oceans. Time has engraved him into her heart the way the rivers have carved canyons and glaciers have cut fjords.

The more we are removed from nature, the more we are denied our birthright to play in forests, climb mountains, follow streams, and fall in love with meadows, to become creative, self-actualized, deeply intuitive.

Yes, she loved the Lord and Lady in Their many forms . . . but those forms spanned the universe of space and time that sprang from Them, and They could be as terrible as the fiery death of suns, as inexorable as Time. A mother's kiss on her child's face came from Them, but so also the glaciers that grind continents to dust.

It's hard to know, isn't it, whether the things we face are just because the world is full of sin and sinful people, or if God is working out a plan,' Grandma continued. 'I happen to think it's both. There's sin, but through it all, He takes the mess we make and paints a masterpiece. In fact, I'm quite certain that before God can ever bless a woman—and use her to impact many—He uses the hammer, the file, and the furnace to do a holy work.

If anyone can be trusted, it's the Savior. He's always true, always faithful, loving, kind, right. ... He never left me then, but stayed firm and strong, like a rock. I learned—even though it's tough sometimes—my Father knows best.

I don't validate my faith with a church attendance scorecard. I think of church as a vibrant community of people consisting of two or more of varied backgrounds gathering around Jesus. Sometimes they are at a place that might have a steeple or auditorium seating. But it's just as likely that church happens elsewhere, like coffee shops or on the edge of a glacier or in the bush in Uganda. All of these places work just fine, I suppose, When it's a matter of the heart, the place doesn't matter. For me, it's Jesus plus nothing—not even a building.

The Native Americans, whose wisdom Thoreau admired, regarded the Earth itself as a sacred source of energy. To stretch out on it brought repose, to sit on the ground ensured greater wisdom in councils, to walk in contact with its gravity gave strength and endurance. The Earth was an inexhaustible well of strength: because it was the original Mother, the feeder, but also because it enclosed in its bosom all the dead ancestors. It was the element in which transmission took place. Thus, instead of stretching their hands skyward to implore the mercy of celestial divinities, American Indians preferred to walk barefoot on the Earth: The Lakota was a true Naturist – a lover of Nature. He loved the earth and all things of the earth, the attachment growing with age. The old people came literally to love the soil and they sat or reclined on the ground with a feeling of being close to a mothering power. It was good for the skin to touch the earth and the old people liked to remove their moccasins and walk with bare feet on the sacred earth. Their tipis were built upon the earth and their altars were made of earth. The birds that flew in the air came to rest on the earth and it was the final abiding place of all things that lived and grew. The soil was soothing, strengthening, cleansing and healing. That is why the old Indian still sits upon the earth instead of propping himself up and away from its life-giving forces. For him, to sit or lie upon the ground is to be able to think more deeply and to feel more keenly; he can see more clearly into the mysteries of life and come closer in kinship to other lives about him. Walking, by virtue of having the earth’s support, feeling its gravity, resting on it with every step, is very like a continuous breathing in of energy. But the earth’s force is not transmitted only in the manner of a radiation climbing through the legs. It is also through the coincidence of circulations: walking is movement, the heart beats more strongly, with a more ample beat, the blood circulates faster and more powerfully than when the body is at rest. And the earth’s rhythms draw that along, they echo and respond to each other. A last source of energy, after the heart and the Earth, is landscapes. They summon the walker and make him at home: the hills, the colours, the trees all confirm it. The charm of a twisting path among hills, the beauty of vine fields in autumn, like purple and gold scarves, the silvery glitter of olive leaves against a defining summer sky, the immensity of perfectly sliced glaciers … all these things support, transport and nourish us.

Sooner or later, all talk among foreigners in Pyongyang turns to one imponderable subject. Do the locals really believe what they are told, and do they truly revere Fat Man and Little Boy? I have been a visiting writer in several authoritarian and totalitarian states, and usually the question answers itself. Someone in a café makes an offhand remark. A piece of ironic graffiti is scrawled in the men's room. Some group at the university issues some improvised leaflet. The glacier begins to melt; a joke makes the rounds and the apparently immovable regime suddenly looks vulnerable and absurd. But it's almost impossible to convey the extent to which North Korea just isn't like that. South Koreans who met with long-lost family members after the June rapprochement were thunderstruck at the way their shabby and thin northern relatives extolled Fat Man and Little Boy. Of course, they had been handpicked, but they stuck to their line. There's a possible reason for the existence of this level of denial, which is backed up by an indescribable degree of surveillance and indoctrination. A North Korean citizen who decided that it was all a lie and a waste would have to face the fact that his life had been a lie and a waste also. The scenes of hysterical grief when Fat Man died were not all feigned; there might be a collective nervous breakdown if it was suddenly announced that the Great Leader had been a verbose and arrogant fraud. Picture, if you will, the abrupt deprogramming of more than 20 million Moonies or Jonestowners, who are suddenly informed that it was all a cruel joke and there's no longer anybody to tell them what to do. There wouldn't be enough Kool-Aid to go round. I often wondered how my guides kept straight faces. The streetlights are turned out all over Pyongyang—which is the most favored city in the country—every night. And the most prominent building on the skyline, in a town committed to hysterical architectural excess, is the Ryugyong Hotel. It's 105 floors high, and from a distance looks like a grotesquely enlarged version of the Transamerica Pyramid in San Francisco (or like a vast and cumbersome missile on a launchpad). The crane at its summit hasn't moved in years; it's a grandiose and incomplete ruin in the making. 'Under construction,' say the guides without a trace of irony. I suppose they just keep two sets of mental books and live with the contradiction for now.

I have seen," he said, "the most beautiful scenes of my own country; I have visited the lakes of Lucerne and Uri, where the snowy mountains descend almost perpendicularly to the water, casting black and impenetrable shades, which would cause a gloomy and mournful appearance, were it not for the most verdant islands that relieve the eye by their gay appearance; I have seen this lake agitated by a tempest, when the wind tore up whirlwinds of water, and gave you an idea of what the waterspout must be on the great ocean; and the waves dash with fury the base of the mountain, where the priest and his mistress were overwhelmed by an avalanche, and where their dying voices are still said to be heard amid the pauses of the nightly wind; I have seen the mountains of La Valais, and the Pays de Vaud: but this country, Victor, pleases me more than all those wonders. The mountains of Switzerland are more majestic and strange; but there is a charm in the banks of this divine river, that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely, the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier, or retire to the inaccessible peaks of the mountains of our own country. "Clerval! beloved friend! even now it delights me to record your words, and to dwell on the praise of which you are so eminently deserving. He was a being formed in the "very poetry of nature." His wild and enthusiastic imagination was chastened by the sensibility of his heart.

Sometimes I could feel the glaciers shifting inside me, and I hoped they were melting, but they were just making themselves comfortable.

They've walked for nearly a block when he stops short and looks at her. They are in the middle of the sidewalk, face to face, between a tobacco shop and a trash can. Everything they've never said flows into the narrow space between them. Isabel feels the passing of time acutely, like a flood coming and only so much time to gather up the most important things.

V. R. Lang You are so serious, as if a glacier spoke in your ear or you had to walk through the great gate of Kiev to get to the living room. I worry about this because I love you. As if it weren't grotesque enough that we live in hydrogen and breathe like atomizers, you have to think I'm a great architect! and you float regally by on your incessant escalator, calm, a jungle queen. Thinking it a steam shovel. Looking a little uneasy. But you are yourself again, yanking silver beads off your neck. Remember, the Russian Easter Overture is full of bunnies. Be always high, full of regard and honor and lanolin. Oh ride horseback in pink linen, be happy! and ride with your beads on, because it rains.

I have had a lifelong association with these things. (Odd that the word 'trees' does not apply.) I can accept them and their power and their age because I was early exposed to them. ON the other hand, people lacking such experience begin to have a feeling of uneasiness here, of danger, of being shut in, enclosed and overwhelmed. It is not only the size of these redwoods but their strangeness that frightens them. And why not? For these are the last remaining members of a race that flourished over four continents as far back in geologic time as the upper Jurassic period. Fossils of these ancients have been found dating from the Cretaceous era while in the Eocene and Miocene they were spread over England and Europe and America. And then the glaciers moved down and wiped the Titans out beyond recovery. And only these few are left--a stunning memory of what the world was like once long ago. Can it be that we do not love to be reminded that we are very young and callow in a world that was old when we came into it? And could there be a strong resistance to the certainty that a living world will continue its stately way when we no longer inhabit it?

The thing is, I fell in love with Luke, not Cary. Fell for the sheen and the sweat, the adrenalin of the hunt. Faltered, reeled, collapsed. There was no falling with Cary. Loving him was gradual and logical, inevitable as the path of a glacier. But Luke was a thunderclap, appearing out of a clear blue sky, soaking me to my skin, then moving on leaving everything looking different. And post-Luke nothing was the same.

Oh, how can I say this: People need wild places. Whether or not we think we do, we do. We need to be able to taste grace and know once again that we desire it. We need to experience a landscape that is timeless, whose agenda moves at the pace of speciation and glaciers. To be surrounded by a singing, mating, howling commotion of other species, all of which love their lives as much as we do ours, and none of which could possibly care less about our economic status or our running day calendar. Wildness puts us in our place. It reminds us that our plans are small and somewhat absurd. It reminds us why, in those cases in which our plans might influence many future generations, we ought to choose carefully. Looking out on a clean plank of planet earth, we can get shaken right down to the bone by the bronze-eyed possibility of lives that are not our own.

We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.

Only later I felt that poetry is like feeling another person lying next to you in the dark. Do you believe in poetry, in the spirit of poetry? I could see poetry in ballads, in the picture of the cathedral on the back of the postcard that my father sent my mother from London, in glaciers, peaks of mountains, river dust, Ian McEwan's covers of his books, cheap thrillers. Running gave me a gravitational pull. Running was my mother love. I was barefoot. There I was dressed in white. Matchstick legs. Hair standing up. I did not feel like a zero. I did not feel like a lost oar, unloved and unwanted, like a plant that needed water. A fleet of paper ships that needed to be mourned. I often felt homesick for the country of my mother.

An iceberg means it’s tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you’re offering up your social security number to the Russia Mafia; two weeks later you’re using the word calve as a verb.)

It rarely snows because Antarctica is a desert. An iceberg means it’s tens of millions of years old and has calved from a glacier. (This is why you must love life: one day you’re offering up your social security number to the Russia Mafia; two weeks later you’re using the word calve as a verb.) I saw hundreds of them, cathedrals of ice, rubbed like salt licks; shipwrecks, polished from wear like marble steps at the Vatican; Lincoln Centers capsized and pockmarked; airplane hangars carved by Louise Nevelson; thirty-story buildings, impossibly arched like out of a world’s fair; white, yes, but blue, too, every blue on the color wheel, deep like a navy blazer, incandescent like a neon sign, royal like a Frenchman’s shirt, powder like Peter Rabbit’s cloth coat, these icy monsters roaming the forbidding black.

Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…

The mountains of Switzerland are more majestic and strange, but there is a charm in the banks of this divine river that I never before saw equalled. Look at that castle which overhangs yon precipice; and that also on the island, almost concealed amongst the foliage of those lovely trees; and now that group of labourers coming from among their vines; and that village half hid in the recess of the mountain. Oh, surely the spirit that inhabits and guards this place has a soul more in harmony with man than those who pile the glacier or retire to the inaccessible peaks of the mountains of our own country.

Among those who could read, books were prized possessions. Words on paper were powerful magic, seductive as music, sharp as a knife at times, or gentle as a kiss. Friendships and love affairs blossomed as men and women read to each other in summer meadows and winter kitchens. Pages were ambrosia in their hands. A new novel or collection of poems was something everybody talked about. Wordsworth, Coleridge, Shakespeare, Bronte, Austen, Dickens, Keats, Emerson, Cooper, Thoreau, Hawthorne, and Twain. To read these authors was to go on a grand adventure and see things as you never had before, see yourself as you never had before.

She is soft, but knows when to stand her ground. Natural disasters aren't a mistake. They're not just a big ol' whoopsy that happened when Mother Nature and Source were planning their calendars out. Mother nature is intentional. Everything about her is intentional. Every rainfall, is intentional. Every sunny day, is intentional. Every storm, is intentional and every natural disaster is intentional. She will roar when she needs, when she needs us to take a closer look. That's what natural disasters are. She won't rob us of our opportunity to rise up together- that's our evolution and she's not gonna do our dirty (epic) work for us. But she will nudge us. And she does nudge us. Do you notice? If we don't do our best to take care of global warming, the tides will rise and beach side cities will be wiped. Perhaps our kids or our kids' kids won't ever see the glaciers of today. She's not gonna cover up for us, but she will love us on our journey and gives us clues and signs. It's up to us to pay attention.

It is not only the size of these redwoods but their strangeness that frightens them. And why not? For these are the last remaining members of a race that flourished over four continents as far back in geologic time as the upper Jurassic period. Fossils of these ancients have been found dating from the Cretaceous era while in the Eocene and Miocene they were spread over England and Europe and America. And then the glaciers moved down and wiped the Titans out beyond recovery. And only these few are left--a stunning memory of what the world was like once long ago. Can it be that we do not love to be reminded that we are very young and callow in a world that was old when we came into it? And could there be a strong resistance to the certainty that a living world will continue its stately way when we no longer inhabit it?

In the years since the disaster, I often think of my friend Arturo Nogueira, and the conversations we had in the mountains about God. Many of my fellow survivors say they felt the personal presence of God in the mountains. He mercifully allowed us to survive, they believe, in answer to our prayers, and they are certain it was His hand that led us home. I deeply respect the faith of my friends, but, to be honest, as hard as I prayed for a miracle in the Andes, I never felt the personal presence of God. At least, I did not feel God as most people see Him. I did feel something larger than myself, something in the mountains and the glaciers and the glowing sky that, in rare moments, reassured me, and made me feel that the world was orderly and loving and good. If this was God, it was not God as a being or a spirit or some omnipotent, superhuman mind. It was not a God who would choose to save us or abandon us, or change in any way. It was simply a silence, a wholeness, an awe-inspiring simplicity. It seemed to reach me through my own feelings of love, and I have often thought that when we feel what we call love, we are really feeling our connection to this awesome presence. I feel this presence still when my mind quiets and I really pay attention. I don’t pretend to understand what it is or what it wants from me. I don’t want to understand these things. I have no interest in any God who can be understood, who speaks to us in one holy book or another, and who tinkers with our lives according to some divine plan, as if we were characters in a play. How can I make sense of a God who sets one religion above the rest, who answers one prayer and ignores another, who sends sixteen young men home and leaves twenty-nine others dead on a mountain? There was a time when I wanted to know that god, but I realize now that what I really wanted was the comfort of certainty, the knowledge that my God was the true God, and that in the end He would reward me for my faithfulness. Now I understand that to be certain–-about God, about anything–-is impossible. I have lost my need to know. In those unforgettable conversations I had with Arturo as he lay dying, he told me the best way to find faith was by having the courage to doubt. I remember those words every day, and I doubt, and I hope, and in this crude way I try to grope my way toward truth. I still pray the prayers I learned as a child–-Hail Marys, Our Fathers–-but I don’t imagine a wise, heavenly father listening patiently on the other end of the line. Instead, I imagine love, an ocean of love, the very source of love, and I imagine myself merging with it. I open myself to it, I try to direct that tide of love toward the people who are close to me, hoping to protect them and bind them to me forever and connect us all to whatever there is in the world that is eternal. …When I pray this way, I feel as if I am connected to something good and whole and powerful. In the mountains, it was love that kept me connected to the world of the living. Courage or cleverness wouldn’t have saved me. I had no expertise to draw on, so I relied upon the trust I felt in my love for my father and my future, and that trust led me home. Since then, it has led me to a deeper understanding of who I am and what it means to be human. Now I am convinced that if there is something divine in the universe, the only way I will find it is through the love I feel for my family and my friends, and through the simple wonder of being alive. I don’t need any other wisdom or philosophy than this: My duty is to fill my time on earth with as much life as possible, to become a little more human every day, and to understand that we only become human when we love. …For me, this is enough.

The grasslands are endless, And summer sings on, And Goldmoon the princess Loves a poor man’s son. Her father the chieftain Makes long roads between them: The grasslands are endless, and summer sings on. The grasslands are waving, The sky’s rim is gray, The chieftain sends Riverwind East and away, To search for strong magic At the lip of the morning, The grasslands are waving, the sky’s rim is gray. O Riverwind, where have you gone? O Riverwind, autumn comes on. I sit by the river And look to the sunrise, But the sun rises over the mountains alone. The grasslands are fading, The summer wind dies, He comes back, the darkness Of stones in his eyes. He carries a blue staff As bright as a glacier: The grasslands are fading, the summer wind dies. The grasslands are fragile, As yellow as flame, The chieftain makes mockery Of Riverwind’s claim. He orders the people To stone the young warrior: The grasslands are fragile, as yellow as flame. The grassland has faded, And autumn is here. The girl joins her lover, The stones whistle near, The staff flares in blue light And both of them vanish: The grasslands are faded, and autumn is here.

You've been here before, Bell. Remember the stories you told me about wandering in the woods when you were a little girl? It scared the crap out of you, but you went out there all alone, knee-high to a bunny rabbit, and picked berries and climbed trees and found bird nests and came home all bug-bitten and mossy. And you loved every minute of it. It made you our beautiful Arctic Bell, impervious to cold and feared by mosquitoes. Aren't you glad you didn't stay by grandma's side, darning socks and baking gingerbread? Who darns socks? Girls nobody tells stories about.

Being a glacier, I remember birth, The waves of stars falling over the years, White, six-pointed stars descending to form My soul. On my birthday, it always snows. Being the sea, you wait for everything With motherly love. You eat continents Of land, continents of ice. Your blue tongue Catches snow. You taste like salt. You make sand. I’m inland now, grinding the path that ends At your door. I’ll pause for weeks on the shore Before I let go. You will let me in Then begin to melt me down as I float. Months later you’ll ask me, “Do you love me?” I’ll answer you, “Does the sea love the sea?

Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.

They [mountains] are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.

I reach over and grab his hand, and lock my fingers around his, and he locks back, and I am comforted in knowing that tonight he feels the exact same way, and there is no distance between us. We spread a blanket out and lie side by side. The moon looks like a glacier in the navy night. So far I don’t see anything out of the ordinary. It looks like the normal night sky to me. “Maybe we should’ve gone to the mountains,” Peter says, turning his face to look at me. “No, this is perfect,” I say. “Anyway, I read that stargazing is a waiting game no matter where you are.” “We have all night,” he says, pulling me closer. Sometimes I wish we’d met when we were twenty-seven. Twenty-seven sounds like a good age to meet the person you’re going to spend the rest of your life with. At twenty-seven, you are still young, but hopefully you are well on your way to being the you you want to be. But then I think, no, I wouldn’t give up twelve, thirteen, sixteen, seventeen with Peter for the world. My first kiss, my first fake boyfriend, my first real boyfriend. The first boy who ever bought me a piece of jewelry. Stormy would say that that is the most monumental moment of all. She told me that that’s how a boy lets you know that you’re his. I think for us it was the opposite. It’s how I knew he was mine. I don’t want to forget any of this. The way he’s looking at me at this very moment. How, when he kisses me, I still get shivers down my back, every time. I want to hold on to everything so tight.

Be calm! I entreat you to hear me, before you give vent to your hatred on my devoted head. Have I not suffered enough that you seek to increase my misery? Life, although it may only be an accumulation of anguish, is dear to me, and I will defend it. Remember, thou hast made me more powerful than thyself; my height is superior to thine; my joints more supple. But I will not be tempted to set myself in opposition to thee. I am thy creature, and I will be even mild and docile to my natural lord and king, if thou wilt also perform thy part, the which thou owest me. Oh, Frankenstein, be not equitable to every other, and trample upon me alone, to whom thy justice, and even thy clemency and affection, is most due. Remember, that I am thy creature; I ought to be thy Adam; but I am rather the fallen angel, whom thou drivest from joy for no misdeed. Everywhere I see bliss, from which I alone am irrevocably excluded. I was benevolent and good; misery made me a fiend. Make me happy, and I shall again be virtuous." "Begone! I will not hear you. There can be no community between you and me; we are enemies. Begone, or let us try our strength in a fight, in which one must fall." "How can I move thee? Will no entreaties cause thee to turn a favourable eye upon thy creature, who implores thy goodness and compassion? Believe me, Frankenstein: I was benevolent; my soul glowed with love and humanity: but am I not alone, miserably alone? You, my creator, abhor me; what hope can I gather from your fellow-creatures, who owe me nothing? they spurn and hate me. The desert mountains and dreary glaciers are my refuge. I have wandered here many days; the caves of ice, which I only do not fear, are a dwelling to me, and the only one which man does not grudge. These bleak skies I hail, for they are kinder to me than your fellow-beings. If the multitude of mankind knew of my existence, they would do as you do, and arm themselves for my destruction. Shall I not then hate them who abhor me? I will keep no terms with my enemies. I am miserable, and they shall share my wretchedness. Yet it is in your power to recompense me, and deliver them from an evil which it only remains for you to make so great that not only you and your family, but thousands of others, shall be swallowed up in the whirlwinds of its rage. Let your compassion be moved, and do not disdain me. Listen to my tale: when you have heard that, abandon or commiserate me, as you shall judge that I deserve. But hear me. The guilty are allowed, by human laws, bloody as they are, to speak in their own defence before they are condemned. Listen to me, Frankenstein. You accuse me of murder; and yet you would, with a satisfied conscience, destroy your own creature. Oh, praise the eternal justice of man! Yet I ask you not to spare me: listen to me; and then, if you can, and if you will, destroy the work of your hands.

In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off.

But I enjoy eating these days. More of us do than care to admit it publicly. I revel in it, as one only revels in pursuits one does not need. The runner enjoys running when she need not ee a lion. Sex improves when decoupled—sorry—from animalist procreative desperation (or even from the desperation of not having had sex in a while, as I’ve had cause to note after my recent two decades’ sojourn and attendant dry spell). I bite blueberry pancakes drizzled with maple syrup, extra butter—that expanding u, the berry’s pop against my teeth, butter’s bloom in my mouth. I explore sweetnesses and textures. I’m never hungry, so I don’t race to the next bite. I eat glass, and as it cuts my gums, I savor minerals, metals, impurities; I see the beach from which some poor bastard skimmed the sand. Small rocks taste of the river, of rubbed sh scale, of glaciers long gone. They crunch, crisp, celery-like. I share the sensation with fellow acionados; they share theirs with me, though there’s lag, and sensor granularity remains an issue. So, a roundabout way of saying: I love to eat.

He mailed me a Christmas card every year, one of those newsletters that foreigners send to their friends with domestic news and photos of triumphant families. They only tell of their successes in these collective missives: travels, births and marriages. No one ever goes bankrupt, is sent to prison, or has cancer, no one commits suicide or gets divorced. Luckily that stupid tradition doesn’t exist in our culture. Harald Fiske’s newsletters were even worse than the idyllic families’: birds, birds, and more birds, birds from Borneo, birds from Guatemala, birds from the Arctic. Yes, apparently there are even birds in the Arctic. I think I already told you that the man was in love with our country, which he said was the most beautiful place in the world since we had every type of landscape: a lunar desert, long coastline, tall mountains, pristine lakes, valleys of orchards and vineyards, fjords and glaciers. He thought we were friendly and welcoming people because he judged us with his romantic heart and little real-life experience. However odd his reasons, he decided he was going to live out his final days here. I never understood it, Camilo, because if you can live legally in Norway, you’d have to be demented to move to this catastrophic country.

Dr. Syngmann: But someone must have made it all. Don't you think so, John? Pastor Jón: Thou shalt love the Lord thy God with all thy heart and so on, said the late pastor Lens. Dr. Syngmann: Listen, John, how is it possible to love God? And what reason is there for doing so? To love, is that not the prelude to sleeping together, something connected with the genitals, at its best a marital tragedy among apes? It would be ridiculous. People are fond of their children, all right, but if someone said he was fond of God, wouldn't that be blasphemy? Pastor Jón once again utters that strange word 'it' and says: I accept it. Dr. Syngmann: What do you mean when you say you accept God? Did you consent to his creating the world? Do you think the world as good as all that, or something? This world! Or are you all that pleased with yourself? Pastor Jón: Have you noticed that the ewe that was bleating outside the window is now quiet? She has found her lamb. And I believe that the calf here in the homefield will pull through. Dr. Syngmann: I know as well as you do, John, that animals are perfect within their limits and that man is the lowest rung in the reverse-evolution of earthly life: one need only compare the pictures of an emperor and a dog to see that, or a farmer and the horse he rides. But I for my part refuse to accept it. Pastor Jón Prímus: To refuse to accept it - what is meant by that? Suicide or something? Dr. Syngmann: At this moment, when the alignment with a higher humanity is at hand, a chapter is at last beginning that can be taken seriously in the history of the earth. Epagogics provide the arguments to prove to the Creator that life is an entirely meaningless gimmick unless it is eternal. Pastor Jón: Who is to bell the cat? Dr. Syngmann: As regards epagogics, it is pleading a completely logical case. In six volumes I have proved my thesis with incontrovertible arguments; even juridically. But obviously it isn't enough to use cold reasoning. I take the liberty of appealing to this gifted Maker's honour. I ask Him - how could it ever occur to you to hand over the earth to demons? The only ideal over which demons can unite is to have a war. Why did you permit the demons of the earth to profess their love to you in services and prayers as if you were their God? Will you let honest men call you demiurge, you, the Creator of the world? Whose defeat is it, now that the demons of the earth have acquired a machine to wipe out all life? Whose defeat is it if you let life on earth die on your hands? Can the Maker of the heavens stoop so low as to let German philosophers give Him orders what to do? And finally - I am a creature you have created. And that's why I am here, just like you. Who has given you the right to wipe me out? Is justice ridiculous in your eyes? Cards on the table! (He mumbles to himself.) You are at least under an obligation to resurrect me!

True love is in despair and is enchanted over a glove lost or a handkerchief found, and eternity is required for its devotion and its hopes. It is composed both of the infinitely great and the infinitely little. If you are a stone, be adamant; if you are a plant, be the sensitive plant; if you are a man, be love. Free eBooks at Planet eBook.com 1579 Nothing suffices for love. We have happiness, we desire paradise; we possess paradise, we desire heaven. Oh ye who love each other, all this is contained in love. Understand how to find it there. Love has contemplation as well as heaven, and more than heaven, it has voluptuousness. ‘Does she still come to the Luxembourg?’ ‘No, sir.’ ‘This is the church where she attends mass, is it not?’ ‘She no longer comes here.’ ‘Does she still live in this house?’ ‘She has moved away.’ ‘Where has she gone to dwell?’ ‘She did not say.’ What a melancholy thing not to know the address of one’s soul! Love has its childishness, other passions have their pettinesses. Shame on the passions which belittle man! Honor to the one which makes a child of him! There is one strange thing, do you know it? I dwell in the night. There is a being who carried off my sky when she went away. Oh! would that we were lying side by side in the same grave, hand in hand, and from time to time, in the darkness, gently caressing a finger,—that would suffice for my eternity! Ye who suffer because ye love, love yet more. To die of love, is to live in it. Love. A sombre and starry transfiguration is mingled with this torture. There is ecstasy in agony. Oh joy of the birds! It is because they have nests that they sing. 1580 Les Miserables Love is a celestial respiration of the air of paradise. Deep hearts, sage minds, take life as God has made it; it is a long trial, an incomprehensible preparation for an unknown destiny. This destiny, the true one, begins for a man with the first step inside the tomb. Then something appears to him, and he begins to distinguish the definitive. The definitive, meditate upon that word. The living perceive the infinite; the definitive permits itself to be seen only by the dead. In the meanwhile, love and suffer, hope and contemplate. Woe, alas! to him who shall have loved only bodies, forms, appearances! Death will deprive him of all. Try to love souls, you will find them again. I encountered in the street, a very poor young man who was in love. His hat was old, his coat was worn, his elbows were in holes; water trickled through his shoes, and the stars through his soul. What a grand thing it is to be loved! What a far grander thing it is to love! The heart becomes heroic, by dint of passion. It is no longer composed of anything but what is pure; it no longer rests on anything that is not elevated and great. An unworthy thought can no more germinate in it, than a nettle on a glacier. The serene and lofty soul, inaccessible to vulgar passions and emotions, dominating the clouds and the shades of this world, its follies, its lies, its hatreds, its vanities, its miseries, inhabits the blue of heaven, and no longer feels anything but profound and subterranean shocks of destiny, as the crests of mountains feel the shocks of earthquake. If there did not exist some one who loved, the sun would become extinct.

Absent all speculation, the contemplation on everything known and unknown, there’s always an invitation to listen. We could even cease the meaning-making and surrender to the mystery. Be willing to feel the grief, not just for our own losses but for the big losses throughout time. We could exhale heartbreak for the death of mothers and children, grandparents and lovers, tribes and democracies. The crack of falling redwoods and splitting glaciers, the disappearance of the monarchs and the mourning of the giant tortoise. The landslides, the floods, the fires. We could feel the destruction of mountains, comets, galaxies. All the losses without redemption. All that has been broken. And in that silence between breaths we could pause. We could acknowledge… absence. In the liminal space we could feel the emptiness. Behold the big, spacious silence behind all noise. And there, right there, at the edges or perhaps smack in the middle of our awareness we might feel a fullness. The nearness of something sacred, the quiet presence which can’t be captured in words—only felt. That which is deeply personal and undeniably universal, that which is me and yet everything not-me, that nearness some people call Source, God, the Great Mother, the Great Perfection, that which can’t be named. And as we inhale, we can breathe in all of it, the richness of seas, the quiet dignity of deserts, the opalescent sheen of babies just born. The melody of a downpour and the clarion birdsong as the earth begins to dry. The warm symphonies of stars and the roar of everyone laughing at once. All the beauty beyond description. The truth that everything terrible exists alongside everything miraculous, that loss gives way for finding, and through it all, only love keeps us fighting for what’s right.

From the height we had now reached, the sea no longer appeared, as it did from Balbec, like an undulating range of hills, but on the contrary like the view, from a mountain-peak or from a road winding round its flank, of a blue-green glacier or a glittering plain situated at a lower level. The ripples of eddies and currents seemed to be fixed upon its surface, and to have traced there for ever their concentric circles; the enamelled face of the sea, imperceptibly changing colour, assumed towards the head of the bay, where an estuary opened, the blue whiteness of milk in which little black boats that did not move seemed entangled like flies. I felt that from nowhere could one discover a vaster prospect. But at each turn in the road a fresh expanse was added to it and when we arrived at the Douville toll-house, the spur of the cliff which until then had concealed from us half the bay receded, and all of a sudden I saw upon my left a gulf as profound as that which I had already had in front of me, but one that changed the proportions of the other and doubled its beauty. The air at this lofty point had a keenness and purity that intoxicated me. I adored the Verdurins; that they should have sent a carriage for us seemed to me a touching act of kindness. I should have liked to kiss the Princess. I told her that I had never seen anything so beautiful. She professed that she too loved this spot more than any other. But I could see that to her as to the Verdurins the thing that really mattered was not to gaze at the view like tourists, but to partake of good meals there, to entertain people whom they liked, to write letters, to read books, in short to live in these surroundings, passively allowing the beauty of the scene to soak into them rather than making it the object of their conscious attention.

In a matter of sixty short minutes, that thing could whisk Neil away to civilization, I thought. Hmm. My goodness, that was a beautiful prospect. Somehow I had to get on that chopper with him. I packed in thirty seconds flat, everything from the past three months. I taped a white cross onto my sleeve, and raced out to where Neil was sat waiting. One chance. What the heck. Neil shook his head at me, smiling. “God, you push it, Bear, don’t you?” he shouted over the noise of the rotors. “You’re going to need a decent medic on the flight,” I replied, with a smile. “And I’m your man.” (There was at least some element of truth in this: I was a medic and I was his buddy--and yes, he did need help. But essentially I was trying to pull a bit of a fast one.) The pilot shouted that two people would be too heavy. “I have to accompany him at all times,” I shouted back over the engine noise. “His feet might fall off at any moment,” I added quietly. The pilot looked back at me, then at the white cross on my sleeve. He agreed to drop Neil somewhere down at a lower altitude, and then come back for me. “Perfect. Go. I’ll be here.” I shook his hand firmly. Let’s just get this done before anyone thinks too much about it, I mumbled to myself. And with that the pilot took off and disappeared from view. Mick and Henry were laughing. “If you pull this one off, Bear, I will eat my socks. You just love to push it, don’t you?” Mick said, smiling. “Yep, good try, but you aren’t going to see him again, I guarantee you,” Henry added. Thanks to the pilot’s big balls, he was wrong. The heli returned empty, I leapt aboard, and with the rotors whirring at full power to get some grip in the thin air, the bird slowly lifted into the air. The stall warning light kept buzzing away as we fought against gravity, but then the nose dipped and soon we were skimming over the rocks, away from base camp and down the glacier. I was out of there--and Mick was busy taking his socks off. As we descended, I spotted, far beneath us, this lone figure sat on a rock in the middle of a giant boulder field. Neil’s two white “beacons” shining bright. I love it. I smiled. We picked Neil up, and in an instant we were flying together through the huge Himalayan valleys like an eagle freed. Neil and I sat back in the helicopter, faces pressed against the glass, and watched our life for the past three months become a shimmer in the distance. The great mountain faded into a haze, hidden from sight. I leaned against Neil’s shoulder and closed my eyes. Everest was gone.

I can accept them and their power and their age because I was early exposed to them. On the other hand, people lacking such experience begin to have a feeling of uneasiness here, of danger, of being shut in, enclosed and overwhelmed. It is not only the size of these redwoods but their strangeness that frightens them. And why not? For these are the last remaining members of a race that flourished over four continents as far back in geologic time as the upper Jurassic period. Fossils of these ancients have been found dating from the Cretaceous era while in the Eocene and Miocene they were spread over England and Europe and America. And then the glaciers moved down and wiped the Titans out beyond recovery. And only these few are left--a stunning memory of what the world was like once long ago. Can it be that we do not love to be reminded that we are very young and callow in a world that was old when we came into it? And could there be a strong resistance to the certainty that a living world will continue its stately way when we no longer inhabit it?

He pressed the herb to his nose. Thyme. He loved the name and he loved the smell. He looked out the window at the illusion of deep woods. His face too was out there, hung on a tree and returning his gaze. He drew close to the glass to lose the mirror effect. Outside, the forest panted its beefy halitus; the soil held the breaths of gloom in its dampness. Fifteen thousand years ago a glacier had sliced through this park he was living in, bringing with it the nutrients from all its travels. Fifteen thousand years ago human beings were the fable that frightened the dark woods.

Let's imagine... if you glimpsed the future, you were frightened by what you saw, what would you do with that information? You would go to... the politicians, captains of industry? And how would you convince them? Data? Facts? Good luck! The only facts they won't challenge are the ones that keep the wheels greased and the dollars rolling in. But what if... what if there was a way of skipping the middle man and putting the critical news directly into everyone's head? The probability of wide-spread annihilation kept going up. The only way to stop it was to show it. To scare people straight. Because, what reasonable human being wouldn't be galvanized by the potential destruction of everything they've ever known or loved? To save civilization, I would show its collapse. But, how do you think this vision was received? How do you think people responded to the prospect of imminent doom? They gobbled it up like a chocolate eclair! They didn't fear their demise, they re-packaged it. It could be enjoyed as video-games, as TV shows, books, movies, the entire world wholeheartedly embraced the apocalypse and sprinted towards it with gleeful abandon. Meanwhile, your Earth was crumbling all around you. You've got simultaneous epidemics of obesity and starvation. Explain that one! Bees and butterflies start to disappear, the glaciers melt, algae blooms. All around you the coal mine canaries are dropping dead and you won't take the hint! In every moment there's the possibility of a better future, but you people won't believe it. And because you won't believe it you won't do what is necessary to make it a reality. So, you dwell on this terrible future. You resign yourselves to it for one reason, because *that* future does not ask anything of you today. So yes, we saw the iceberg and warned the Titanic. But you all just steered for it anyway, full steam ahead. Why? Because you want to sink! You gave up!

So laced and lush is this ecosystem that we walk our several miles through it today without making a footfall, only scuffs. Carol tells me that these Olympic rain forests and the rough coast to their west provide her the greatest calm of any place she has been. That she can walk in this rain forest and only be walking in this rain forest, moving in simple existence. Surprising, that, because neither of us thinks we are at all mystic. Perhaps, efficient dwellers we try to be, we simply admire the deft fit of life systems in the rain forest. The flow of growth out of growth, out of death . . . I do not quite ease off into beingness as she can. Memories and ideas leap to mind. I remember that Callenbach’s young foresters of Ecotopia would stop in the forest to hug a fir and murmur into its bark, brother tree. . . . This Hoh forest is not a gathering of brothers to humankind, but of elders. The dampness in the air, patches of fog snagged in the tree tops above, tells me another story out of memory, of having read of a visitor who rode through the California redwood forest in the first years of this century. He noted to his guide that the sun was dissipating the chilly fog from around them. No, said the guide looking to canyon walls of wood like these, no, “The trees is drinkin’ it. That’s what they live on mostly. When they git done breakfast you’ll git warm enough.” For a time, the river seduces me from the forest. This season, before the glacier melt begins to pour from the Olympic peaks, the water of the Hoh is a painfully lovely slate blue, a moving blade of delicate gloss. The boulder-stropped, the fog-polished Hoh. Question: why must rivers have names? Tentative answer: for the same reason gods do. These Peninsula rivers, their names a tumbled poem of several tongues—Quinault, Quillayute, Hoh, Bogashiel, Soleduck, Elwha, Dungeness, Gray Wolf—are as holy to me as anything I know. Forest again. For comparison’s sake I veer from the trail to take a look at the largest Sitka spruce along this valley bottom. The Park Service has honored it with a sign, giving the tree’s dimensions as sixteen feet four inches in diameter, one hundred eighty feet in height, but now the sign is propped against the prone body of the giant. Toppled, it lies like a huge extracted tunnel bore. Clambering onto its upper surface I find that the Sitka has burls, warts on the wood, bigger around than my body. For all that, I calculate that it is barely larger, if any, than the standard nineteenth-century target that Highpockets and his calendar crew are offhandedly devastating in my writing room. Evening, and west to Kalaloch through portals of sawed-through windfalls, to the campground next to the ocean. In fewer than fifty miles, mountain and ocean, arteried by this pulsing valley.

No flowers are as lovely a blue as those that grow at the foot of the frozen glacier; no stars gleam as brightly as those that glisten in the midnight sky; no water tastes as sweet as that which springs up in the desert sand; and no faith is so precious as that which lives and triumphs in adversity.

I hesitate to take Azzudonna, this woman I barely know and know not at all as a friend, and you expect me to subject you to the intrusion of the hive mind?” “Why, Kimmuriel, did you just admit that you love me?” Jarlaxle teased, but the psionicist was having none of it.

No matter how far you have wandered hitherto, or how many famous gorges and valleys you have seen, this one, the Grand Cañon of the Colorado, will seem as novel to you, as unearthly in the color and grandeur and quantity of its architecture, as if you had found it after death, on some other star; so incomparably lovely and grand and supreme is it above all the other cañons in our fire-moulded, earthquake-shaken, rain-washed, wave-washed, river and glacier sculptured world.

The ride through the ancient walled town of Maienfeld, past vineyards and gently rolling fields and then up, up to where the snow still lay deep in the purple shadows underneath the fir trees, was an experience which called for silence. Glancing back, Heidi saw that Marta was no longer paying any attention to the chickens. She had lifted her face to the glorious mountains with their glistening peaks and awe-inspiring glaciers. Of what was she thinking? Did they thrill this little stranger as they had always thrilled her? Would she, too, learn to love them?

The Masons will likely be there with Felicity,” she went on. “The Masons want to marry their daughter off to me.” Braden explained. “The mother, Mrs. Mason, is a snob with the warmth of a glacier and her daughter, Felicity, reminds me of Wednesday Addams but more Goth. I think the father might be a hologram.” “And will you be marrying the lovely Felicity?” “I would be more likely to marry Cameron.

God made something special when He made you.

She tipped her head back to look at him and her expression could have melted the glaciers. I loved that shit. I wanted to see my people happy. I wanted them to thrive. The world was a goddamn mess but as long as we were together, we could handle whatever life threw at us.

Alex’s fingers curled around the steering wheel, and my crazy, hormonal mind latched onto how beautiful they were. That might sound crazy because who has beautiful fingers? But he did. Physically, everything about him was beautiful. The jade-green eyes that glared out from beneath dark brows like chips hewn from a glacier; the sharp jawline and elegant, sculpted cheekbones; the lean frame and thick, light brown hair that somehow looked both tousled and perfectly coiffed. He resembled a statue in an Italian museum come to life.

I check out another kind of book: A Year to Live. It's a Buddhist manual on preparing to die. It's written by a Buddhist chaplain who has worked with many people who know that their death is imminent. He says that most people think that if they found out they had a year to live, they'd go off on a grand adventure. But in reality, people tend to finish what they've started, to try and tie up loose ends. I am coming to terms with my own mortality at the same time as that of the planet. Someday, my father might die. My mother will die. There are people I have loved who I may never see again. And, more uncommonly, all the glaciers may melt.

(really, both are just the tips of great mountains that poke through the top of the Beardmore Glacier),

Grateful for the change of subject, he told her about the hike and Glacier Peak Park. “Rachael Lake is off the Snoqualmie Pass. I thought we might like something challenging.

I was very surprised at the type of country which lay before us. On the true left bank of the glacier the giant cliffs of Nanda Devi rose sheer and forbidding in true Himalayan style; but, bounding the glacier on the right-hand side, beyond a well-defined lateral moraine, an expanse of undulating grassland stretched for miles, in lovely contrast with the desolation of the moraine-covered glacier. If the shepherds of the Dhaoli and Niti valleys could only get their flocks through the grim gorges of the Rishi Ganga, they would find here almost unlimited grazing. Now this pasturage is a sanctuary where thousands of wild animals live unmolested. Long may it remain so!

the Sobiet Union was the largest country in the world by landmass. Most of it was covered in pine tree forests, ancient tundra and eternal glaciers. It was often referred to as the Great North.

It wasn't, [Nancy] grasped, so much that he was a dirty little man as that he probably felt she was inaccessible to him and was therefore determined to find fault with her. Being a singularly lovely girl, she was in fact used the the type, having suffered considerably at their hands at university. And Jake, more than anything, reminded her of those insufferably bright boys on campus, self-declared intellectuals, usually Jewish, charged with bombast and abominable poetry in lower-case letters, who were aroused by her presence, and yet were too gauche (and terrified) to speak out and actually ask for a date. Instead they sat at the table next to her in the student union, aggressively calling attention to themselves. Speculating loudly on what they took to be her icy manner. Or they slid belligerently into the seat next to her at lectures, trying to bedazzle with their questions. They also ridiculed her to girls less happily endowed, wreaking vengeance for a rejection they anticipated, but were too cowardly to risk, and bandied suggestions about her secret sexual life sufficiently coarse to make her dry. No matter that she took immense pains not to be provocative, swimming in sloppy joe sweaters, sensible skirts, and flat shoes. Going out of her way to discourage boys the other girls coveted. For this only proved that Nancy Croft was remote; splendidly made, yest, but glacier-like.

I check out another kind of book: A Year to Live. It's a Buddhist manual on preparing to die. It's written by a Buddhist chaplain who was has worked with many people who know that their death is imminent. He says that most people think that if they found out they had a year to live, they'd go off on a grand adventure. But in reality, people tend to finish what they've started, to try and tie up loose ends. I am coming to terms with my own mortality at the same time as that of the planet. Someday, my father might die. My mother will die. There are people I have loved who I may never see again. And, more uncommonly, all the glaciers may melt.

Mallory, you want a freeze? I'm a glacier. You want slow? I'm a turtle. But I'll also be waiting by the phone every night, no matter how long it takes until you're ready. Scout's honour." - Oliver Kimball

What a grand thing it is to be loved! What a far grander thing it is to love! The heart becomes heroic, by dint of passion. It is no longer composed of anything but what is pure; it no longer rests on anything that is not elevated and great. An unworthy thought can no more germinate in it, than a nettle on a glacier. The serene and lofty soul, inaccessible to vulgar passions and emotions, dominating the clouds and the shades of this world, its follies, its lies, its hatreds, its vanities, its miseries, inhabits the blue of heaven, and no longer feels anything but profound and subterranean shocks of destiny, as the crests of mountains feel the shocks of earthquake.

To Her Steady Lover - Poem by Jibanananda Das There is no meaning in living—I don't say this. There is meaning for some, may be for all—may be a perfect meaning. Yet I hear the white sound of wind-driven birds In the water of the distant seas beneath the burning summer sun. The candle burns slowly, very slowly, on my table; The books of intellect are more still—unwavering— lost in meditation; Yet when you go out on to the streets or even while sitting by the window side Will you sense the frenzied dance of violent waters; Right beside that a book of your cheeks; no more like a lantern, Perhaps like a conch-shell lying on the beach as if ocean's father It is also a music by his own merit—like Nature: caustic—lovable—finally like the most favourite entity. So I get the taste of expansive wind in the airing of maddening grievances; Otherwise in the mind's forest the python coils up around the doe: I feel the pitiable hint of a life like that in the Sceptre of protest. Some glacier-cold still flock of Cormorants will realize my words; When the electric-compass of life will cease They will eat up snow-grey sleep like polar seas in endless grasp.

Another thing I learned in psychology was exactly how dangerous it is to enable the destructive behavior of the people you love. It

Hair the color of a raven’s wing, eyes the color of glaciers,” he’d said to me more than once, stroking a hand over my widow’s peak, making love to me like I was his possession

There are no eyes like those in the whole world, she thought. Eyes like glaciers, like cold northern afternoons. Lapis eyes, blue-sky blue. She hadn't known how much she loved them. And that face. She loved the frown. She loved the furrowed brow. She loved the one irritated eyebrow. She loved the total indifference, the moment one idea or another pushed her temporarily out of his thoughts. She loved it because she loved the sweetness, in the other moments, when he came back to her. The softening, when she came near.

We had left camp in early morning darkness and moved across the barren, high-altitude desert like ghosts. Mostly we travelled in silence, broken only by the sound of mountain winds and the cracking of glacial ice echoing up the valleys. We used the gorges to gain our ground, scampering over boulder fields and countless glacier run-offs as we ascended mountainsides of shale and snow. We passed crumbling stone chortens marking trails long forgotten, and the ruins of shelters whose inhabitants had long since vanished. We'd watched a large herd of bharal sweep down the hillside before us like a grey tidal wave, their hooves delicately brushing over the ground as though they were part of the earth. Everything moved to a different beat out here, and, like the remnants of the primordial structures we passed, it felt as though we, too, were suspended in time, with the rest of the world oblivious to our existence.

I got you, D,” he murmured. There was safeness in his voice. A sureness. I relaxed. Deke adjusted me in his arms and pressed my upper back to the window. The glass was cool on my skin, but when I looked into his eyes, all I saw was heat that could melt a glacier.