Gizzard Quotes

We've searched our database for all the quotes and captions related to Gizzard. Here they are! All 54 of them:

Mr Leopold Bloom ate with relish the inner organs of beasts and fowls. He liked thick giblet soup, nutty gizzards, a stuffed roast heart, liverslices fried with crustcrumbs, fried hencods' roes. Most of all he liked grilled mutton kidneys which gave to his palate a fine tang of faintly scented urine.
James Joyce (Ulysses)
A legend, Kludd, is a story that you begin to feel in your gizzard and then over time it becomes true in your heart. And perhaps makes you become a better owl.
Kathryn Lasky (The Capture (Guardians of Ga'Hoole, #1))
The only thing I could think of was turkey neck and turkey gizzards and I felt very depressed.
Sylvia Plath (The Bell Jar)
Then maybe it's time to change that." Della sat back in her chair. "Change what?" Kylie asked. "Come out of the closet. You know, like...'I'm gay and here to stay.' You'd need a different slogan, but maybe, 'I'm a lizard and if you don't like it, I'll eat out your gizzard.'" Della chuckled. "Okay, it needs some work, but you get what I mean.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
You ugly rat-faced birds. You call yourself a bird? You call yourself an owl? You ain't no decent kind of fowl! They call you Jatt? They call you Jutt? I'm gonna toss you in a rut! Then I'm gonna punch you in the gut! Then your gonna wind up on your butt! Think you're all gizzard! I seen better lizards. One-Two-Three-Four, You're goin' down, won't ask for more. Five-Six-Seven-Eight, You ain't better than fish bait... Nine-Ten-Eleven-Twelve, I'm gonna send you straight to hell. -Twilight
Kathryn Lasky (The Capture (Guardians of Ga'Hoole, #1))
Night is done, gone the moon, gone the stars From the skies. Fades the black of night Comes the morn with rosy light. Fold your wings, go to sleep, Rest your gizzards, Safe you'll be for the day. Glaux is nigh. Far away is first black, But it shall seep back Over field Over flower In the twilight hour. We are home in our tree. We are owls, we are free. As we go, this we know Glaux is nigh.
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
We are the owls of the weather chaw. We take it blistering, We take it all. Roiling boiling gusts, We're the owls with the guts. For blizzards our gizzards Dr tremble with joy. An ice storm, a gale, how we love blinding hail. We fly forward and backward, Upside down and flat. Do we flinch? Do we wail? Do we skitter or scutter? No, we yarp one more pellet And fly straight for the gutter! Do we screech? Do we scream? Do we gurgle? Take pause? Not on your life! For we are the best Of the best of the chaws!
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
Every bird you downed bore pebbles in its gizzard from a land the maps ignored.
Julian Barnes (Arthur & George)
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
We're going to bash them birds, Them rat-feathered birds. Them bad-butt owls ain't never heard 'Bout Gylfie, Soren, Dig, and Twilight Just let them get to feel my bite Their li'l ole gizzards gonna turn to pus And our feathers hardly mussed. Oh, me. Oh, my. They gonna cry. One look at Twilight, They know they're gonna die. I see fear in their eyes And that ain't all. They know that Twilight's got the gall. Gizzard with gall that makes him great And every bad owl gonna turn to bait.
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
I stared at Buddy while he unzipped his chino pants and took them off and laid them on a chair and then took off his underpants that were made of something like nylon fishnet. “They’re cool,” he explained, “and my mother says they wash easily.” Then he just stood there in front of me and I kept on staring at him. The only thing I could think of was turkey neck and turkey gizzards and I felt very depressed. Buddy seemed hurt I didn’t say anything.
Sylvia Plath (The Bell Jar)
Politics is the gizzard of society, full of grit and gravel, and the two political parties are its opposite halves - sometimes split into quarters - which grind on each other. Not only individuals but states have thus a confirmed dyspepsia.
Henry David Thoreau
Since my earliest memory, I imagined I would be a chef one day. When other kids were watching Saturday morning cartoons or music videos on YouTube, I was watching Iron Chef,The Great British Baking Show, and old Anthony Bourdain shows and taking notes. Like, actual notes in the Notes app on my phone. I have long lists of ideas for recipes that I can modify or make my own. This self-appointed class is the only one I've ever studied well for. I started playing around with the staples of the house: rice, beans, plantains, and chicken. But 'Buela let me expand to the different things I saw on TV. Soufflés, shepherd's pie, gizzards. When other kids were saving up their lunch money to buy the latest Jordans, I was saving up mine so I could buy the best ingredients. Fish we'd never heard of that I had to get from a special market down by Penn's Landing. Sausages that I watched Italian abuelitas in South Philly make by hand. I even saved up a whole month's worth of allowance when I was in seventh grade so I could make 'Buela a special birthday dinner of filet mignon.
Elizabeth Acevedo (With the Fire on High)
And ultimately, she’s told Drs. Rusk and Tavis, she’d rather have Hal abide in the security of the knowledge that his mother trusts him, that she’s trusting and supportive and doesn’t judge or gizzard-tear or wring her fine hands over his having for instance a glass of Canadian ale with friends every now and again, and so works tremendously hard to hide her maternal dread of his possibly ever drinking like James himself or James’s father, all so that Hal might enjoy the security of feeling that he can be up-front with her about issues like drinking and not feel he has to hide anything from her under any circumstances.
David Foster Wallace (Infinite Jest)
Women don’t learn any of that: when they fight, they’ll rip the gizzard out of anyone who gets in the way.
John Sandford (Rough Country (Virgil Flowers, #3))
Then he just stood there [naked] in front of me and I kept on staring at him. The only thing I could think of was turkey neck and turkey gizzards and I felt very depressed.
Sylvia Plath (The Bell Jar)
A legend, Kludd, is a story that you begin to feel in your gizzard and then over time it becomes true in your heart. And perhaps makes you become a better owl.
Kathryn Lasky (The Capture (Guardians of Ga'Hoole, #1))
Then he just stood there in front of me and I kept on staring at him. The only thing I could think of was turkey neck and turkey gizzards and I felt very depressed.
Sylvia Plath (The Bell Jar)
On the Iron Chef episode “Battle Offal,” judges swooned over raw heart tartar, lamb’s liver truffles, tripe, sweetbreads, and gizzard.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
It’s nothing to sneeze at—a soup made out of gizzards
Sholom Aleichem (Happy New Year! and Other Stories)
Crocodile tongues!” he cried. “One thousand long slimy crocodile tongues boiled up in the skull of a dead witch for twenty days and nights with the eyeballs of a lizard! Add the fingers of a young monkey, the gizzard of a pig, the beak of a green parrot, the juice of a porcupine, and three spoonfuls of sugar. Stew for another week, and then let the moon do the rest!
Roald Dahl (James and the Giant Peach)
At the edge of the avalanche At the glacier’s icy rim Grows the flower of the snowfields Trembling in the wintry wind. It dares to live in edges Where naught else would ever grow. So fragile, so unlikely An owl slices through this blow. She dares the katabats Her gizzard madly quivers, But for her dearest of friends She vows she shall deliver. Like the lily of the avalanche The glacier’s icy rose Like a flower of the wind The bright fierceness in her glows. The bravest are the small The weakest are the strong The most fearful find the courage To battle what is wrong.
Kathryn Lasky (The Burning (Guardians of Ga'Hoole, #6))
—Night is Done— Night is done, gone the moon, gone the stars From the skies. Fades the black of the night Comes the morn with rosy light. Fold your wings, go to sleep, Rest your gizzards, Safe you’ll be for the day. Glaux is nigh. Far away is First Black, But it shall seep back Over field Over flower In twilight hour. We are home in our tree. We are owls, we are free. As we go, this we know Glaux is nigh.
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
Indeed, nobility is not always found in the flash of battle claws or flying through the embered wakes of firestorms, or even in making strong the weak, mending the broken, vanquishing the proud, or making powerless those who abuse the frail.” Soren’s gizzard grew quiet as Boron spoke. “It is also found in the resolute heart, the gizzard that can withstand the temptations of false dreams, the mind that has the imagination to comprehend another’s pain,
Kathryn Lasky (The Journey (Guardians of Ga'Hoole, #2))
Listlessly we trudge onward. We had pictured our entry into our own country after the long years out there rather differently from this. We imagined that people would be waiting for us, expecting us; now we see that already every one is taken up with his own affairs. Life has moved on, is still moving on; it is leaving us behind almost as if we were superfluous already. This village, of course, is not Germany; all the same, the disappointment sticks in our gizzard and a shadow passes over us and a queer foreboding.
Erich Maria Remarque (The Road Back)
Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls,'" he's saying, bending over to gaze down into the deli case. His breath is fogging the glass. I'm watching it suddenly. Watching him. "'He liked thick giblet soup, nutty gizzards, a stuffed roast heart-'" "'Liverslices fried with crustcrumbs, fried hencods' roes,'" I say, and I'm sure I sound a little stunned. I'm not used to boys coming into the deli to quote some of my favorite modernist literature. Even I can't resist that. A boy like him, who, from the first moment, seems to love the things I love.
Phoebe North (Hungry Hearts: 13 Tales of Food & Love)
The time has come, The claws are passed. An old owl rests, A die’s been cast. It is a war for heart, Gizzard and mind. The weapons they wield, More deadly than mine. A blade draws blood, a fire burns. But with the flecks, a mind unlearns. A soul unhinges, And then a gizzard quakes and cringes. Senses dull, Reason scatters. The heart grows numb, An owl shatters. But these six owls are strong and bold, And their story has not yet been told.
Kathryn Lasky (The Shattering (Guardians of Ga'Hoole, #5))
We are the owls of the weather chaw. We take it blistering, We take it all. Roiling boiling gusts, We’re the owls with the guts. For blizzards our gizzards Do tremble with joy. An ice storm, a gale, how we love blinding hail. We fly forward and backward, Upside down and flat. Do we flich? Do we wail? Do we skitter or scutter? No, we yarp one more pellet And fly straight for the gutter! Do we screech? Do we scream? Do we gurgle? Take pause? Not on your life! For we are the best Of the best of the chaws!
Kathryn Lasky
Gran had made him suffer through many terrible things in the name of ridding his body of the poison. The first day, in addition to the rotten apple brew she made him guzzle by the jugful, she'd forced him to stand for twenty minutes under the spray of an icy waterfall, then bathe in a tub of boiled milk. On the second day she'd wrapped a chicken gizzard around his neck, stuck a lump of charcoal under his tongue, and made him say the alphabet backward. "What was the alphabet part for?" he'd asked after he finally reached a. "Nothing," Gran had chortled. "I just wanted to hear you say it." Gran delighted in torturing him.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place.
Henry Miller (Tropic of Cancer (Tropic, #1))
I saw Frau Helga counting money in the stable. I saw the fair down on her arms. Once I dreamed I might kiss her. Long ago. I was at the stream washing, naked, teetering on razor shale which can amputate your toes. When Sumper touched my shoulder I jumped in fright. My private parts shrivelled like gizzards in a stockpot. He was armoured in his leather apron, a beak in his hand, but I did not know that then. He said, “You will have been responsible for something far finer than you could ever conceive.” “I wanted only a duck.” “You were not born to have a duck. You were born to bring a Wonder to the world.” And then he turned away and left me in my nakedness.
Peter Carey (The Chemistry of Tears)
(From Chapter 9: Hearts and Gizzards) The heat of summer has come without warning. One day it was still cold spring, with gusting showers and chilly white clouds remote above the glacial blue of the lake; then suddenly the daffodils withered, the tulips burst open and turned inside out as if yawning, then dropped their petals. Cesspool vapours rise from back yards and gutters, and a mist of mosquitoes condenses around every pedestrian’s head. At noon the air shimmers like the space above a heated griddle, and the lake glares, its margin stinking faintly of dead fish and frog spawn. At night Simon’s lamp is besieged by moths, which flutter around him, the soft touch of their wings like the brushing of silken lips.
Margaret Atwood (Alias Grace)
The pedagogue's mouth watered as he looked upon this sumptuous promise of luxurious winter fare. In his devouring mind's eye, he pictured to himself every roasting-pig running about with a pudding in his belly, and an apple in his mouth; the pigeons were snugly put to bed in a comfortable pie, and tucked in with a coverlet of crust; the geese were swimming in their own gravy; and the ducks pairing cosily in dishes, like snug married couples, with a decent competency of onion sauce. In the porkers he saw carved out the future sleek side of bacon, and juicy relishing ham; not a turkey but he beheld daintily trussed up, with its gizzard under its wing, and, peradventure, a necklace of savory sausages; and even bright chanticleer himself lay sprawling on his back, in a side dish, with uplifted claws, as if craving that quarter which his chivalrous spirit disdained to ask while living.
Washington Irving (The Legend of Sleepy Hollow)
(From Chapter 9: Hearts and Gizzards) When I came back out there was a strange light in the kitchen, as if there was a film of silver over everything, like frost only smoother, like water running thinly down over flat stones; and then my eyes were opened and I knew it was because God had come into the house and this was the silver that covered Heaven. God had come in because God is everywhere, you can’t keep him out, he is part of everything there is, so how could you ever build a wall or four walls or a door or a shut window, that he could not walk right through as if it was air. I said, What do you want here, but he did not answer, he just kept on being silver, so I went out to milk the cow; because the only thing to do about God is to go on with what you were doing anyway, since you can’t ever stop him or get any reasons out of him. There is a Do this or a Do that with God, but not any Because.
Margaret Atwood (Alias Grace)
(From Chapter 9: Hearts and Gizzards) I’m lying on the hard and narrow bed, on the mattress made of coarse ticking, which is what they call the covering of a mattress, though why do they call it that as it is not a clock. The mattress is filled with dry straw that crackles like a fire when I turn over, and when I shift it whispers to me, hush hush. It’s dark as a stone in this room, and hot as a roasting heart; if you stare into the darkness with your eyes open you are sure to see something after a time. I hope it will not be flowers. But this is the time they like to grow, the red flowers, the shining red peonies which are like satin, which are like splashes of paint. The soil for them is emptiness, it is empty space and silence. I whisper, Talk to me; because I would rather have talking than the slow gardening that takes place in silence, with the red satin petals dripping down the wall. I think I sleep. [...] I’m outside, at night. There are the trees, there is the pathway, and the snake fence with half a moon shining, and my bare feet on the gravel. But when I come around to the front of the house, the sun is just going down; and the white pillars of the house are pink, and the white peonies are glowing red in the fading light. My hands are numb, I can’t feel the ends of my fingers. There’s the smell of fresh meat, coming up from the ground and all around, although I told the butcher we wanted none. On the palm of my hand there’s a disaster. I must have been born with it. I carry it with me wherever I go. When he touched me, the bad luck came off on him. I think I sleep. I wake up at cock crow and I know where I am. I’m in the parlour. I’m in the scullery. I’m in the cellar. I’m in my cell, under the coarse prison blanket, which I likely hemmed myself. We make everything we wear or use here, awake or asleep; so I have made this bed, and now I am lying in it.
Margaret Atwood (Alias Grace)
(From Chapter 9: Hearts and Gizzards) When I came back out there was a strange light in the kitchen, as if there was a film of silver over everything, like frost only smoother, like water running thinly down over flat stones; and then my eyes were opened and I knew it was because God had come into the house and this was the silver that covered Heaven. God had come in because God is everywhere, you can’t keep him out, he is part of everything there is, so how could you ever build a wall or four walls or a door or a shut window, that he could not walk right through as if it was air. I said, What do you want here, but he did not answer, he just kept on being silver, so I went out to milk the cow; because the only thing to do about God is to go on with what you were doing anyway, since you can’t ever stop him or get any reasons out of him. There is a Do this or a Do that with God, but not any Because. [...] But why did I need to pray, when God was right there, hovering above us like the Angel of Death over the Egyptians, I could feel his cold breath, I could hear the beating of his dark wings, inside my heart. God is everywhere, I thought, so God is in the kitchen, and God is in Nancy, and God is in McDermott, and in McDermott’s hands, and God is in the axe too. Then I heard a dull sound from within, like a heavy door closing shut, and after that I can remember no more for a time.
Margaret Atwood (Alias Grace)
Well, as long as we’re on the subject of chickens… the word ‘heaven’ is like saying ‘chicken parts’—stirs up too many questions. Chicken parts gets people thinking beaks and gizzards and turning green. You say ‘heaven’ and you get people thinking pearly gates and streets paved in gold or whatever they were brought up on. It all gets in the way of the truth,” Nana explained.
Sheri Meshal (Swallowtail)
Until the Meiji era, the highest-quality sushi shops preferred blue marlin, and tuna was - along with oily mackerel, saury, gizzard shard, and sardines - seen as lower-grade fish. When tuna was fish used for sushi in the nineteenth century, it was usually marinated in soy.
Sasha Issenberg (The Sushi Economy: Globalization and the Making of a Modern Delicacy)
On gizzards of gulls, hawks and owls, The heat of lizards, spurs of fowls, Bones of pigs, air-sacs of eagles, Moaning dingos, barking beagles; Sleek opossums, prickly hedgehogs, Buffaloes, dormice, wolves and dogs
Philip Hoare (The Sea Inside)
I became aware of a steady, whooshing breeze that blew against my tingling face. It carried with it a fetid stench, which brought to mind chicken gizzards dipped in unwashed ass.
Tim Marquitz (At the Gates (Demon Squad, #3))
gizzard
Kathryn Lasky (The Capture (Guardians of Ga'Hoole, #1))
And all the owls of the great tree that night believed, as well. They believed that there were many kinds of truths, those of science that could be proven through the brain, and those of legends that could come true in the hearts and gizzards of all owls if they only believed.
Kathryn Lasky (The Outcast (Guardians of Ga'Hoole, #8))
You need to understand that sometimes things can be so totally fucked up that all you can hope for is to find a way stay in the fight just a little while longer. Entire goddamn wars have been won just because some grim, stubborn son of a bitch had enough grit in his gizzard and iron in his backbone to keep fighting for just a little while longer. And, goddamn it, if that’s all you’ve fucking got, then that’s what you fucking do. Maybe you can’t see a road out of the valley of the shadow of death, but so long as you’ve got life in your body and defiance in your heart, you have not been beaten.
H. Paul Honsinger (Deadly Nightshade (Man of War, #0.1))
In 1752, inspired by the mechanistic philosophy of René Descartes, the French scientist René Antoine Ferchault de Réaumur set out to investigate one of these supposed vital activities, digestion, with an ingenious experiment. It was generally believed at the time that animals digested their food by a mechanical process brought about by pounding and churning within their digestive organs. This theory seemed especially pertinent to birds, whose gizzards contained small stones that were thought to macerate their food—a mechanical action consistent with René Descartes’s view (outlined in the previous chapter) that animals were mere machines. But de Réaumur was puzzled by how birds of prey, whose gizzards lacked digestive stones, also managed to digest their food. So he fed his pet falcon small pieces of meat enclosed in tiny metal capsules punctured by small holes. When he recovered the capsules he discovered that the meat was completely digested, despite the fact that, protected within the metal, it could not have been subject to any mechanical action.
Johnjoe McFadden (Life on the Edge: The Coming of Age of Quantum Biology)
Yes, I am an easy grader and give plenty of stars. At my age I don't have to worry about my image or my brains. I have written tens of thousands of words and know how it feels to stare at the blank page or screen. I salute all amateurs like myself who have the gizzard to make their thoughts public
Glen Creason
Try this smoked chicken with a dressing made from wine vinegar and herbs. Than the liver sashimi with just salt. Try the gizzard and chicken leg sashimi with salt and sesame oil. This one is from Nakagomi-san's Yorozuya brewery. It's a Shunnoten Junmaishu, 'Takazasu.' I've warmed it so that it'll be 108 degrees when poured into your sake cup." "108 degrees! Do you have to be that precise in warming the sake?!" "Of course. That's why the Okanban's job is so important. I've made it slighty lukewarm to stimulate your taste buds, It should be just the right warmth to enjoy the delicate differences of the various sashimi." "Wow. You really put a lot of thought into warming the sake." "Okay. Let's try the sake and food together." "The chicken leg is sweet! And the warm sake wraps that sweetness and enhances it in your mouth!" "The warm sake spreads out the aftertaste of the liver on your tongue!" "The more I chew on the gizzard, the richer the taste becomes!" "Man, it's totally different from cold sake! Its scent and flavor are so lively!" "Exactly. That's what's important. Warming the sake brings the flavor and scent to life, so they're much stronger than with cold sake. That's the reason you serve sake warm." "I see... I never knew there was a reason like that behind warming sake." "And now the main dish--- yakitori. Please start with the chicken fillet, heart and liver. This is a Shunnoten Junmai Daiginjo that has been aged a little longer than usual. It's made from Yamadanishiki rice that has been polished down to 45 percent and then dry-steamed to create a tough malt-rice... ... which is then carefully fermented in low temperatures to create the sake mash. Many people think I'm out of my mind to warm such a high-class Daiginjo. But when sake like this, which has been aged for a long time, is warmed to be 118 degrees when poured into the cup... you can clearly taste the deep flavor of the aged sake." "Wow!" "But 118 degrees is a little hot, isn't it?" "I wanted you to taste the succulent, savory chicken heart and other skewers... ...with a hot Daiginjo that has a rich yet refreshing flavor and can wash away the fat." "I think Junmai Ginjoshu tastes good when you warm it. People who claim that it's wrong to warm Junmai Ginjoshu don't know much about sake." "Aah... the sake tastes heavier since it's warmer than the last one!" "The flavor and scent of the sake fill my mouth and wash away the fat from the chicken too!" "This sake has such a rich, mature taste!
Tetsu Kariya (Izakaya: Pub Food)
Chicken meat, gizzard, chicken skin and chicken wing. This time, I added about 10 percent more water to the Takazasu I gave to you... ...and let it sit for about a week to blend the alcohol and flavor together. And I've warmed it just like the last one so that it will be 118 degrees when poured into the cup. If the temperature is any lower than that, the sweetness of the sake becomes too distinct and it loses its lightness." "Hmmm! This one tastes so light, even though it's the same temperature!" "After eating for a while, people tend to start getting a bit tired. If you warm this sake up to the right temperature, it helps you continue to eat." "That's right. And this sake is not only light, but it also has a strong, rich taste... ... so it can capture the fatty parts like the chicken skin and chicken wing and boost their flavor." "This way, you can continue to eat, and you'll never get tired of drinking.
Tetsu Kariya (Izakaya: Pub Food)
as scientists no less than historians should note, that training in the writing of good English is indispensable to any learned man who expects to make his learning count for what it ought to count in the effect on his fellow men. The outdoor naturalist, the faunal naturalist, who devotes himself primarily to a study of the habits and of the life-histories of birds, beasts, fish, and reptiles, and who can portray truthfully and vividly what he has seen, could do work of more usefulness than any mere collector, in this upper Paraguay country. The work of the collector is indispensable; but it is only a small part of the work that ought to be done; and after collecting has reached a certain point the work of the field observer with the gift for recording what he has seen becomes of far more importance. The long days spent riding through the swamp, the "pantanal," were pleasant and interesting. Several times we saw the tamandua bandeira, the giant ant-bear. Kermit shot one, because the naturalists eagerly wished for a second specimen; afterward we were relieved of all necessity to molest the strange, out-of-date creatures. It was a surprise to us to find them habitually frequenting the open marsh. They were always on muddy ground, and in the papyrus-swamp we found them in several inches of water. The stomach is thick-walled, like a gizzard; the stomachs of those we shot contained adult and larval ants, chiefly termites, together with plenty of black mould and fragments of leaves, both green and dry. Doubtless the earth and the vegetable matter had merely been taken incidentally, adhering to the viscid tongue when it was thrust into the ant masses. Out in the open marsh the tamandua could neither avoid observation, nor fight effectively, nor make good its escape by flight.
Theodore Roosevelt (Through the Brazilian Wilderness)
He said, It’s the truth that saves us, but some people’s truth is bitter gall. You’re a woman, Mary, with the curse of Eve on you. I wondered where were the ubiquitous squad cars that had plagued my friends and me. The doughnut-munching bastards. You wanna see my truth? Sam asked. I firmly doubted I had a choice. I said of course I’d be honored to see his truth, wise in the arcana as he seemed to be. Then I waited for him to raise up the hatchet or samurai sword with which he would surely split my skull to the gizzard. With some ceremony, Sam drew from under his shirt a suede pouch on a leather cord slung around his neck. Opening it, he drew out a thin object a few inches long and wrapped in red silk with tiny Chinese ideograms on it. On his lap, he unfolded it with one hand—a small brownish-black burnt-looking thing like an umbilicus. A root or charm, I thought. That’s my twin brother’s finger, he said.
Mary Karr (Lit)
In Southern California it didn't make any difference anyhow where you went; there was always the same McDonaldburger place over and over, like a circular strip that turned past you as you pretended to go somewhere. And when finally you got hungry and went to the McDonaldburger place and bought a McDonald's hamburger, it was the one they sold you last time and the time before that and so forth, back to before you were born, and in addition bad people—liars—said it was made out of turkey gizzards anyhow. They had by now, according to their sign, sold the same original burger fifty billion times. He wondered if it was to the same person. Life in Anaheim, California, was a commercial for itself, endlessly replayed. Nothing changed; it just spread out farther and farther in the form of neon ooze. What there was always more of had been congealed into permanence long ago, as if the automatic factory that cranked out these objects had jammed in the on position. How the land became plastic, he thought, remembering the fairy tale "How the Sea Became Salt." Someday, he thought, it'll be mandatory that we all sell the McDonald's hamburger as well as buy it; we'll sell it back and forth to each other forever from our living rooms. That way we won't even have to go outside.
Philip K. Dick (A Scanner Darkly)
While up on the mountain the cause of the flap was settling down for a bit of a nap when he heard a strange sound. It was still far away And not very loud. Of course, what it was was the roar of a crowd. Now Bigpaw was certainly no mental wizard. But he was getting a feeling down deep in his gizzard that trouble was coming. So he scratched his head and started his fuzzy old noodle a-humming. And using his powerful arms and shoulders, he built a tower, a tower of boulders. If those bears were to charge up out of the valley, they’d be just like pins in a bowling alley. But those bears kept on coming, faster and faster! There was simply no way to avoid disaster! But then-- at the very last instant before the rocks fell-- there came through the din a cub’s high-pitched yell. “Wait!” It was Sister. “Wait!” Sister cried. The rock tower teetered. It started to slide. Brother and Sister, small and defiant, had positioned themselves in defense of the giant. But Brother and Sister were in terrible danger, and there was no one to help them… EXCEPT FOR THE GIANT.
Stan Berenstain (The Berenstain Bears' Thanksgiving)
From the salty bite of gizzard shad to the supple sweetness of horse mackerel to the crunch and brine of ark shell clam, Sawada guides you through the full spectrum of ocean taste and texture. A giant prawn split into two pieces delivers dessert levels of sweetness. Saltwater eel is equal parts crunchy skin and tender flesh. Smoked bonito, in all its concentrated, fire-kissed intensity, will keep you awake at night.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
We're so exposed," Elliott said, as people tapped at the window, oohing at our neighbors' dishes. "This place is good, right?" "Yeah," I said. "It's supposed to be awesome. Though the menu is pretty controversial." "Controversial, huh? Well, I'll leave it up to you to navigate the terrain." "Come on, really? Order with me. Please?" "No, no, don't worry about it," he said. "Go crazy!" "Okay..." I said. "What about... gizzard porridge?" That was actually on the menu. "Sounds fabulous." I giggled. "Or what about the pork with three sweetbread jellies?" "Only three? I like at least a half dozen." I held the menu up like an inspector with her clipboard. "What about the strawberry ramen with peanut broth?" I challenged. "Ah, the sweet nectar of my youth." I spread out my elbows. "Okay, Mr. Chambers. I see your palate is quite sophisticated. Which means you simply must have the poached toothfish with nitro-chocolate ribbons." "Darling, it would be heresy to not." Elliott and I burst out laughing and a couple sitting next to us gave us dirty looks, which only made us laugh more. This was beginning to feel like old times. "All right, for real," I said, rubbing his hand from across the table. "What do you want?" "You decide, T. I trust you." I gave in and decided on three of the most talked-about dishes: buttermilk Parmesan flan with maple broth, pork and snail dumplings with effervescent chive oil, and beef meatballs with deep-fried cilantro chips.
Jessica Tom (Food Whore)
Starting from the top left: thinly sliced Akashi sea bream sashimi, with a prickly ash bud and miso dressing-- to be enjoyed with the ponzu dipping sauce. Miso-glazed Kamo aubergine. Maizuru cockles sandwiched between slices of myoga ginger. Gizzard shad marinated in sweet vinegar, served in a miniature sushi roll. Fried matsutake, conger eel grilled two ways, Manganji sweet pepper tempura, abalone pickled in Kyoto-style sweet white miso and then grilled. Fish paste noodles, Kurama-style local chicken, smoked mackerel with a pine nut stuffing. Fresh soy milk curd and vegetables pickled with red perilla.
Hisashi Kashiwai (The Kamogawa Food Detectives (Kamogawa Food Detectives, #1))