Assuming Girl Quotes

We've searched our database for all the quotes and captions related to Assuming Girl. Here they are! All 100 of them:

Can I help you with something?" Clary turned instant traitor against her gender. "Those girls on the other side of the car are staring at you." Jace assumed an air of mellow gratification. "Of course they are," he said, "I am stunningly attractive.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Most little girls in England grow up wanting to marry a prince. Bex grew up wanting to kick James Bond's butt and assume his double-0 ranking.
Ally Carter (Cross My Heart and Hope to Spy (Gallagher Girls, #2))
...There's nothing wrong with a party girl. I don't get why the world thinks there is...Its easier for me---when people assume the worst about what I am. It lets me see who they really are -- Bryce
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
Science has taught me that everything is more complicated than we first assume, and that being able to derive happiness from discovery is a recipe for a beautiful life. It has also convinced me that carefully writing everything down is the only real defense we have against forgetting something important that once was and is no more, including the spruce tree that should have outlived me but did not.
Hope Jahren (Lab Girl)
Will Thisbee gave me The Beginner's Cook-Book for Girl Guides. It was just the thing; the writer assumes you know nothing about cookery and writes useful hints - "When adding eggs, break the shells first.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
Are you that afraid of being wrong? One would assume you’d be accustomed to it by now.” He grunted. “Be careful, girl. You wouldn’t want to accidentally insult a man.” “The last thing I’d want to do is accidentally insult you, Vathah,” Shallan said. “To think that I couldn’t manage it on purpose if I wanted!
Brandon Sanderson
Maeve had lied. Or lied by omission. But she knew. She knew what the girl had gone through-knew she'd been a slave. That day-that day early on, he'd threatened to whip the girl, gods above. And she had lost it. He'd been such a proud fool that he'd assumed she'd lashed out because she was nothing more than a child. He should have known better-should have known that when she did react to something like that, it meant the scars went deep. And then there were the other things he'd said...
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Don't be too assuming, it doesn't get you anywhere.
Anne Frank (The Diary of a Young Girl)
I always feel sad for the girl that I was, because it never occurred to me that my mother might comfort me. She has never told me she loved me, and I never assumed she did. She tended to me. She administrated me.
Gillian Flynn (Sharp Objects)
Clary turned instant traitor against her gender. "Those girls on the other side of the car are staring at you." Jace assumed an air of mellow gratification. "Of course they are," he said. "I am stunningly attractive." "Haven't you ever heard that modesty is an attractive trait?" "Only from ugly people," Jace confided. "The meek may inherit the earth, but at the moment it belongs to the conceited. Like me.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
There are many kinds of selfishness in this world, but the most selfish is hoarding time, because none of us know how much we have, and it is an affront to God to assume there will be more.
Mitch Albom (Finding Chika: A Little Girl, an Earthquake, and the Making of a Family)
When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse
Theodore Dreiser (Sister Carrie)
I want to see the front of you.” “That’s what all the girls say.” “Do you expect me to roll you over? ’Cuz I will.” “Your mate’s not going to like this.” “As if that’s going to bother you?” “True. It actually makes it worth the effort.” With a groan, he shoved his palms into the shimmering silver pool of blood beneath him, and flopped over like the side of beef he was. “Wow,” she breathed. “I know, right? Hung like a horse.” “If you’re really nice—and you live through this—I’ll promise not to tell V.” “About my size.” She laughed a little. “No, that you assumed I’d look at you in any fashion other than professionally.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
Because unlike boys, girls turn inward. They hide. They adapt, even if it hurts. Because they are not screaming, people assume they do not suffer.
Amy Reed (The Nowhere Girls)
It was a fine thing indeed, Luna thought, being eleven. She loved the symmetry of it, and the lack of symmetry. Eleven was a number that was visually even, but functionally not - it looked one way and behaved in quite another. Just like most eleven-year-olds, or so she assumed.
Kelly Barnhill (The Girl Who Drank the Moon)
when you assume you make an ass out of u and me !
Cecily von Ziegesar (Gossip Girl (Gossip Girl, #1))
There’s nothing wrong with being a party girl. I don’t get why the world thinks there is.” But she considered his words. “It’s easier for me—when people assume the worst about what I am. It lets me see who they really are.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
By the end of it all I just assumed no one ever told the truth, and that was when I started lying too.
Jessica Knoll (Luckiest Girl Alive)
The same thing happened to me that, according to legend, happened to Parmeniscus, who in the Trophonean cave lost the ability to laugh but acquired it again on the island of Delos upon seeing a shapeless block that was said to be the image of the goddess Leto. When I was very young, I forgot in the Trophonean cave how to laugh; when I became an adult, when I opened my eyes and saw actuality, then I started to laugh and have never stopped laughing since that time. I saw that the meaning of life was to make a living, its goal to be- come a councilor, that the rich delight oflove was to acquire a well-to-do girl, that the blessedness of friendship was to help each other in financial difficulties, that wisdom was whatever the majority assumed it to be, that enthusiasm was to give a speech, that courage was to risk being fined ten dollars, that cordiality was to say "May it do you good" after a meal, that piety was to go to communion once a year. This I saw, and I laughed.
Søren Kierkegaard (Either/Or: A Fragment of Life)
How sweet is that? I know I'm no boy expert, but I have heard entire lectures on reading body language, and I have to say that assuming that a person will have forgotten your name is way high on my "indicators of humbleness" list (not that I have one, but I totally have a starting point now).
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
The nice girl loses an important protective mechanism when she assumes that life is fair, or that Prince Charming will always protect her. The smart fox is not governed by wishful thinking or the hope of a fantasy outcome, like Cinderella. Despite appearances, she trusts herself to watch her OWN back instead of giving a man the responsibility of doing it for her.
Sherry Argov (Why Men Love Bitches: From Doormat to Dreamgirl―A Woman's Guide to Holding Her Own in a Relationship)
(T)here was a story they used to tell at home about a girl whose punishment was that every time she opened her mouth, snakes and toads came out, snakes and toads with every word. The book didn't say what she did about it, but I've always assumed she probably ended up keeping her mouth shut.
Thomas Mann (The Magic Mountain)
We shouldn’t assume that women and girls don’t know the difference between reality and fantasy. We don’t fear that men who read murder mysteries and thrillers are going to have a hard time not becoming serial killers, so why should we assume that a girl won’t know that she doesn’t have to change from a mermaid to human in order to find love just because of a movie?
Lyssa Kay Adams (The Bromance Book Club (Bromance Book Club, #1))
Ironically, I believe Picasso was right. I believe we could paint a better world if we learned to see it from all perspectives, as many perspectives as we possibly could. Because diversity is strength. Difference is a teacher. Fear difference, you learn nothing. Picasso’s mistake was his arrogance. He assumed he could represent all of the perspectives. And our mistake was to invalidate the perspective of a 17-year-old girl because we believed her potential would never equal his. Hindsight is a gift. Stop wasting my time. A 17-year-old girl is just never, ever, ever in her prime! Ever. I am in my prime. Would you test your strength out on me? There is no way anyone would dare test their strength out on me because you all know there is nothing stronger than a broken woman who has rebuilt herself.
Hannah Gadsby
Tiny, the next time that you try to set me up with a girl with a secret boyfriend can you at least INFORM me that she has a secret boyfriend? Also, if you don't call me back within five minutes, I'm going to assume you found a way back to Evanston. Furthermore, you are an asshat. That is all.
John Green (Will Grayson, Will Grayson)
I’ve seen trans people in movies and TV shows, but judging by how unrealistic and shitty bi characters tend to be, I’m gonna assume I know nothing. So what’s okay for me to ask?
Meredith Russo (If I Was Your Girl)
When people look at me, they automatically assume I'm dark and weird. Why can't they see the truth? I'm just a girl, trying to find my place in the world.
Gena Showalter
We had the whole 'when you assume you make an ass out of you and me' speech in school.
Jonathan Maberry (Rot & Ruin (Rot & Ruin, #1))
And if a jock. God forbid, witnesses you hobnobbing with theater kids, he will immediately assume you are gay, and there is no force on earth greater than the fear jocks have homosexuals. None. It's like the Jewish fear of Nazis, except the complete opposite with regard to who is beating the crap out of whom. So I guess it's more like the Nazi fear of Jews.
Jesse Andrews (Me and Earl and the Dying Girl)
They would assume she was a boy, because in her plain trousers and hood she looked like one, and because when people were attacked it never occurred to anyone that it might have been a girl.
Kristin Cashore (Graceling (Graceling Realm, #1))
She and I, we were girls who never said anything. Never wanted to assume anything. It was a coping mechanism, saving our faces for when guys like Quin came along and acted all nice towards us.
Mina V. Esguerra (Interim Goddess of Love (Interim Goddess of Love, #1))
There's no reason to assume that all men are bad. Not even all the soldiers are monsters.
Mya Robarts (The V Girl: A Coming of Age Story)
I was a stupid, self-assuming girl. Sitting at that table? Smug in my confidence of my ownership?
Alessandra Torre (Black Lies)
He grins sourly. "I only make big bets that involve lives and the future of humanity." His shoulders slump as though the invisible weight on them is too much. "Speaking of which, you handled yourself well out there. Better than anyone expected. We could really use someone like you. There are situations that a girl like you could handle better than a platoon of men." His grin turns boyish. "Assuming you don't clock an angel for pissing you off." "That's a big assumption.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Those girls on the other side of the car are staring at you." Jace assumed an air of mellow gratification. "Of course they are," he said. "I am stunningly attractive." "Haven't you ever heard that modesty is an attractive trait?" "Only from ugly people," Jace confided.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
Do you always assume the worst of people? Or is it yourself you think so poorly of? Perhaps you might consider life is complicated enough without your helping things along.
Rebecca Hamilton (The Forever Girl (The Forever Girl #1))
I—though forced through lack of space to assume the form of a stoic guinea pig crouched between the girl's shoe and the glove compartment—was my usual dignified self.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
No one had seen anything of Urk since he had gone galloping out into the night carrying Meriam, the hired girl. It was generally assumed that he had drowned her and then himself. Who cared, anyway?
Stella Gibbons (Cold Comfort Farm)
Ooh, you’re Sophie?” the girl—who Sophie assumed was Bex—asked. “My brother talks about you all the time.” “No I don’t—and get back here, Lex!” Dex grabbed one of the boys by his furry collar and jerked him back to his side. “Yes he does,” the other boy—who had to be Rex—corrected, flashing a huge grin with a big black space where one of his front teeth was missing. “He liiiiiiiiiiiiikes you.” “I do not!” “Yes you do!” Sophie stared at her furry feet as all three kids made kissing noises and Dex threatened to destroy everything they owned and dragged them away.
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
Like I said, some people think it’s weird that my best friend is a girl. Sometimes I think it’s weird, too. Mostly people assume that we’re boyfriend and girlfriend, which I guess we could be. But that just seems too teen-movie, if you know what I mean. A boy and girl are best friends, neither of them dates anyone else, and then one night they look at each other and—bang—they realize they’ve been in love with each other the whole time. Everyone’s happy and they go to the big dance together.
Michael Thomas Ford (Suicide Notes)
So how's Cupid Day treating you?" He pops a mint in his mouth and leans closer. It grosses me out, like he thinks he can seduce me with fresh breath. "Any big romantic plans tonight? Got someone special to cozy up next to?" He raises his eyebrows at me. [...] "We'll see," I say, smiling. "What about you? Are you going to be all by your lonesome? Table for one?" He leans forward even more, and I stay perfectly still, willing myself not to pull away. "Now why would you assume that?" He winks at me, obviously thinking that this is my version of flirting--like I'm going to offer to keep this company or something. I smile even wider. "Because if you had a real girlfriend," I say, quietly but clearly, so he can hear every word perfectly, "you wouldn't be hitting on high school girls.
Lauren Oliver (Before I Fall)
Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should've gotten more." "Seventeen," Gus corrected. "I'm assuming you've got some time, you interrupting bastard. "I'm telling you," Isaac continued, "Augustus Waters talked so much that he'd interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. "But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him." [...] "And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed." Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he'd recovered his composure, he added, "I would cut the bit about seeing through girls' shirts." Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, "Goddamn it, Augustus, editing your own eulogy.
John Green (The Fault in Our Stars)
I spent a lot of time looking at that picture. Wondering what I’d think of that girl, if I was someone else, seeing how easily she sits in her boyfriend’s lap, laughing, with his arms around her. I would have thought her life was perfect, the way I once thought Cass’s was. It was too easy, I was learning, to just assume things.
Sarah Dessen (Dreamland)
This is Luke’s favorite thing to say about me, to remind me. I’m a survivor. It’s the finality of the word that bothers me, its assuming implication. Survivors should move on. Should wear white wedding dresses and carry peonies down the aisle and overcome, rather than dwell in a past that can’t be altered. The word dismisses something I cannot, will not, dismiss.
Jessica Knoll (Luckiest Girl Alive)
The trouble is, when you gift a girl with flowers your choice can be construed so many different ways. A man might give you a rose because he feels you are beautiful, or because he fancies their shade or shape or softness similar to your lips. Roses are expensive, and perhaps he wishes to show through a valuable gift that you are valuable to him. When a man gives you a rose what you see may not be what he intends. You may think he sees you as delicate or frail. Perhaps you dislike a suitor who considers you sweet and nothing else. Perhaps the stem is thorn, and you assume he thinks you likely to hurt a hand too quick to touch. But if he trims the thorns you might think he has no liking for a thing that can defend itself with sharpness. There's so many ways a thing can be interpreted.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Dyadic completion,” Paul would’ve told Claire. “The human brain tends to assume that, if there’s a victim, there has to be a villain.
Karin Slaughter (Pretty Girls)
Do you know how intimidating it is to approach a girl when she’s reading a book? That’s like trying to pet a cat’s belly. It might work out great, but more than likely you’ll get claws to the face for assuming they wanted anything to do with you.
Kandi Steiner (Blind Side (Red Zone Rivals, #2))
Girls and women sense this. We want to be liked. We want to be trusted. So we downplay our strengths to avoid threatening anyone and invoking disdain. We do not mention our accomplishments. We do not accept compliments. We temper, qualify, and discount our opinions. We walk without swagger, and we yield incessantly. We step out of the way. We say, “I feel like” instead of “I know.” We ask if our ideas make sense instead of assuming they do. We apologize for…everything. Conversations among brilliant women often devolve into competitions for who wins the trophy for hottest mess. We want to be respected, but we want to be loved and accepted even more.
Glennon Doyle (Untamed)
The way young people speak about one another's bodies says a great deal about our society. In today's world, boys are much more likely to objectify girl's bodies than the other way around. Boys will say amongst themselves that so-and-so has a nice rack, while girls will more likely say that a boy is cute, a term that describes both physical and emotional characteristics. This has the effect of turning girls into mere objects, while boys are seen by girls as whole people-" And then Lara stood up, and in her delicate, innocent accent, cut Dr. William Morse off. "You're so hot! I weesh you'd shut up and take off your clothes." The students laughed, but all of the teachers turned around and looked at her, stunned silent. She sat down. "What's you name, dear?" "Lara,"she said. "Now, Lara." Maxx said, looking down at his paper to remember the line, "what we have here is a very interesting case study- a female objectifying me, a male. It's so unusual that I can only assume you're making an attempt at humor." Lara stood up again and shouted, "I'm not keeding! Take off your clothes." He nervously looked down at the paper, and then looked up at all of us, smiling. "Well, it is certainly important to subvert the patriarchal paradigm , and I suppose this is a way. All right, then.
John Green (Looking for Alaska)
Most people assumed Aaron was gay just because he was on the cheerleading squad. I, on the other hand, assumed a guy who would endure severe social stigma in the name of getting his hands under a bunch of girls' skirts when he lifted them into the air was probably pervier than your average bear.
Stacey Jay (Undead Much (Megan Berry, #2))
He's like a lake. You assume it has great depths, pure undisturbed undiscoverable depths. You assume depths must be there because the surface is so flat--pretty and flat and utterly unrevealing. Boring almost, you might say, if you didn't know about the depths, that is, if you didn't believe they were there.
Melanie Thernstrom (The Dead Girl)
She had always assumed that when she was old, she would have total confidence, finally. But look at her: still uncertain. In many ways she was more uncertain now than she had been as a girl. And often when she heard herself speaking she was appalled at how chirpy she sounded—how empty-headed and superficial, as if she’d somehow fallen into the Mom role in some shallow TV sitcom. What on earth had happened to her?
Anne Tyler (A Spool of Blue Thread)
Coco, however, courted consequence; she was still a girl, and she still assumed a connection between what she was doing and what she wanted and what might result.
Adrian Nicole LeBlanc
I talk her into taking an outdoor shower, and I promise to keep an eye out for whisperers, but there are a few moments as we wash where hands wander and I get a bit distracted. It'd be safe to assume the wandering hands belong to yours truly, but I'm happy to announce Anna is the culprit. Can't keep the girl's hands off me.
Wendy Higgins (Sweet Temptation (Sweet, #4))
How dare you tell me 'I am not like most girls,' when those 'girls' you refer to are my sisters and mothers, my friends, the very solace and the kindness I have sought when the worst things in my life have happened? How dare you assume I should take that as a compliment, and beam at you like it is praise when you are alienating me from the very core of my proudly female being? There are a thousand ways to tell me you love me, and making my sisters small to make me big isn't one of them. Tell me you love me, but not because I am different. Tell me you love me, just because you do.
Nikita Gill
I just assumed that at the time if I could display a talent worthy of praise. . . that I wasn't just who you thought I was, I thought I wouldn't be fat anymore. That may seem silly, I know that now. But at the time, I thought that if I could just get the world to see me the way I saw myself, that my body wouldn't be the thing you walked away thinking about. I wouldn't be that fat girl, I wouldn't be that dark skinned girl. I'd be Gabby I'd be human
Gabourey Sidibe (This Is Just My Face: Try Not to Stare)
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you." Maxon took a step closer. My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted. Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard. Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?" "If you lay a single finger on me, I'll do worse!" I promised. "What?" "I said, if you-" "No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?" I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming. The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position. We were quiet for a while, and once Maxon was over the worst of his pain, he faced me. "What did you think I wanted?" he asked. I ducked my head and blushed. "America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!" He started to walk away but turned back. "Why did you even offer to help if you think so little of me?" I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
Kiera Cass (The Selection (The Selection, #1))
You know how, in court, they talk about the CSI effect? Like, everyone on the jury has watched so much CSI that they believe science can prove anything?" "Yeah." "Well, I think there's an Evil Husband effect. Everyone has seen too many true-crime shows where the husband is always, always the killer, so people automatically assume the husband's the bad guy.
Gillian Flynn (Gone Girl)
I'll need to see your colors to help me gauge your intoxication." I assumed it would be a relief to let down my mental guard, but I felt exposed and didn't like the way my dad's eyes squinched up when he saw my colors. I'd been trying not to think about Kaidan, but that only made me think of him more. My dad pinched the bridge of his nose. I was guessing he didn't think dark pink passionate love had any business being in his little girl's wardrobe of emotions. But he didn't say anything about it-only let out a jagged sigh and began.
Wendy Higgins (Sweet Evil (Sweet, #1))
The colonists, the aid workers, the NGOs -- they're all in a single progression: paternalistic foreigners, assuming they are better and brighter, offering shiny, destabilizing, dependence producing gifts. How can one accept anything from so-called rescuers when their predecessors helped your people destroy one another?
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
I'll go first. I dare Kope to kiss Anna." It's like a monk kissing a nun. Brilliant. I lean back and cross my arms, enjoying their shifty-eyed embarrassment. Anna suddenly stands, I'm assuming to get far away from me, but instead she heads straight for me and kicks my chair up. I lose my balance and topple backward like an idiot. But when I look up and see her standing over me with eyes ablaze, I can only grin. There's my girl. I'm relieved I've made her feel something.
Wendy Higgins (Sweet Temptation (Sweet, #4))
We tend to have things a little bit easier than girls. And we tend to assume therefore that the world was built for us, and that we’re, you know, the culmination of everything that came before us. And then we get told that having a little bit of this attitude is called balls, and that balls are good, and we kind of take it from there
Ned Vizzini (It's Kind of a Funny Story)
And so these refined parents rejected their five-year-old girl to all kinds of torture. They beat her, kicked her, flogged her, for no reason that they themselves knew of. The child’s whole body was covered in bruises. Eventually they devised a new refinement. Under the pretext that the child dirtied her bed (as though a five-year-old deep in her angelic sleep could be punished for that), they forced her to eat excrement, smearing it all over her face. And it was the mother that did it! And that woman would lock her daughter up in the outhouse until morning and she did so even on the coldest nights, when it was freezing. Just imagine the woman being able to sleep with the child’s cries coming from that outhouse! Imagine that little creature, unable to even understand what is happening to her, beating her sore little chest with her tiny fist, weeping hot, unresentful, meek tears, and begging ‘gentle Jesus’ to help her… ...let’s assume that you were called upon to build the edifice of human destiny so that men would finally be happy and would find peace and tranquility. If you knew that, only to attain this, you would have to torture just one single creature, let’s say the little girl who beat her chest so desperately in the outhouse, and that on her unavenged tears you could build that edifice, would you agree to do it?
Fyodor Dostoevsky (The Brothers Karamazov)
How hard could husbanding be? Don’t drink, don’t gamble, don’t bring hunting dogs to the table. Don’t be terrified of tooth-drawers. Don’t be stupid about money. Don’t go for a soldier. No hitting girls. He wasn’t drawn to violate any of these prohibitions. Assuming older sisters weren’t classified as girls. Maybe make that, No hitting girls first.
Lois McMaster Bujold (Penric’s Demon (Penric and Desdemona, #1))
You okay?" he says, touching my cheek. His hand cradles the side of my head, his long fingers slipping through my hair. He smiles and holds my head in place as he kisses me. Heat spreads through me slowly.And fear, buzzing like an alarm in my chest. His lips still on mine,he pushes the jacket from my shoulders.I flinch when I hear it drop,and push him back,my eyes burning. I don't know why I feel this way. I didn't feel like this when he kissed me on the train.I press my palms to my face,covering my eyes. "What? What's wrong?" I shake my head. "Don't tell me it's nothing." His voice is cold.He grabs my arm. "Hey. Look at me." I take my hands from my face and lift my eyes to his.The hurt in his eyes and the anger in his clenched jaw surprise me. "Sometimes I wonder," I say,as calmly as I can, "what's in it for you. This...whatever it is." "What's in it for me," he repeats. He steps back,shaking his head. "You're an idiot,Tris." "I am not an idiot," I say. "Which is why I know that it's a little weird that,of all the girls you could have chosen,you chose me.So if you're just looking for...um,you know...that..." "What? Sex?" He scowls at me. "You know, if that was all I wanted, you probably wouldn't be the first person I would go to." I feel like he just punched me in the stomach. Of course I'm not the first person he would go to-not the first, not the prettiest,not desirable. I press my hands to my abdomen and look away, fighting off tears. I am not the crying type.Nor am I the yelling type. I blink a few times, lower my hands, and stare up at him. "I'm going to leave now," I say quietly. And I turn toward the door. "No,Tris." He grabs my wrist and wrenches me back. I push him away,hard, but he grabs my other wrist, holding our crossed arms between us. "I'm sorry I said that," he says. "What I meant was that you aren't like that. Which I knew when I met you." "You were an obstacle in my fear landscape." My lower lip wobbles. "Did you know that?" "What?" He releases my wrists, and the hurt look is back. "You're afraid of me?" "Not you," I say. I bite my lip to keep it still. "Being with you...with anyone. I've never been involved with someone before,and...you're older, and I don't know what your expectations are,and..." "Tris," he says sternly, "I don't know what delusion you're operating under,but this is all new to me, too." "Delusion?" I repeat. "You mean you haven't..." I raise my eyebrows. "Oh. Oh.I just assumed..." That because I am so absorbed by him, everyone else must be too. "Um. You know." "Well,you assumed wrong." He looks away. His cheeks are bright,like he's embarrassed. "You can tell me anything, you know," he says. He takes my face in his hands,his fingertips cold and his palms warm. "I am kinder than I seemed in training. I promise." I believe him.But this has nothing to do with his kindness. He kisses me between the eyebrows, and on the tip of my nose,and then carefully fits his mouth to mine. I am on edge.I have electricity coursing through my veins instead of blood. I want him to kiss me,I want him to; I am afraid of where it might go.
Veronica Roth (Divergent (Divergent, #1))
By the time we hit the streets they were silent and closed in on us, and they had assumed the Nonchalant Look, an expression that said, I am not a nurse escorting six lunatics to the ice cream parlor. But they were, and we were their six lunatics, so we behaved like lunatics.
Susanna Kaysen (Girl, Interrupted)
2.  Being careful with my commitments. We easily jump on board with anything that sounds good for us. A diet? Of course. Volunteering with church this Saturday? Absolutely. We know these things are important and good, so we say yes, assuming the value of the commitment will motivate us into following through. Unfortunately, that isn’t always the case. Slow down your yes. Only commit to things you know you can accomplish because they’re incredibly important to you. Otherwise you set yourself up for continued failure.
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
In hindsight, I was such a fool to have assumed Qieluo would stand by me just because she’s also female. It was my grandmother who crushed my feet in half. It was my mother who encouraged me and Big Sister to offer ourselves up as concubines so our brother could afford a future bride. It was always the village aunties who’d sit around gossiping about which girl hadn’t been married off yet, despite complaining nonstop about their own husbands. And then they’d congratulate new mothers for being “blessed” to have a boy, despite being female themselves.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Then he realized that Salander was in costume. Usually her style was sloppy and rather tasteless. Blomkvist had assumed that she was not really interested in fashion, but that she tried instead to accentuate her own individuality. Salander always seemed to mark her private space as hostile territory, and he had thought of the rivets in her leather jacket as a defense mechanism, like the quills of a hedgehog. To everyone around her it was as good a signal as any: Don't try to touch me—it will hurt.
Stieg Larsson (The Girl Who Kicked the Hornet’s Nest (Millennium, #3))
this morning I go to pay for breakfast and there, right there at the Kroger check-out, staring me in the face is a national magazine with your picture on the cover. Counterfeit Countess, it said. In great big, bold type: Counterfeit! Countess! Counterfeit,” he reiterated, “a word interchangeable with forgery and often associated with arrest.” Ah, yes. Patrice had called from Austin and warned me she had sold the story to Woman’s World magazine. “Last sentence?” Mittwede asked. “You know what it is?’ “No, I’ve not seen it.” “Tanya says, ‘I’m going to grow up and be a con artist.’” It had struck me as pretty funny when I said it, but Mittwede had better delivery. I think it was the hysteria. He was saying, “I remember that story. That was like a year and a half ago. You didn’t tell me you were that girl, the Dallas Countess. I already knew the story but I read it again, and I know all the cops have read it again, too. And now your picture is with Passport Services and at the check-out counter. You think federal agents don’t buy groceries? You’re fucking crazy. We’re going to be arrested.” “You maybe need to take a Valium.” “I threw them all in the fire!”   ~~~~~~
Tanya Thompson (Assuming Names: a con artist's masquerade (Criminal Mischief Book 1))
We become too embarrassed to meet up with the friend we haven’t seen in years because we might have gained weight. We sabotage relationships by thinking we’re unworthy of physical affection. We hide our face when we have breakouts. We opt out of the dance class because we’re worried we’ll look ridiculous. We miss out on sex positions because we’re afraid we’ll crush our partner with our weight. We dread family holidays because someone might say something about how we look. We don’t approach potential friends or lovers because we assume they will immediately judge our appearance negatively. We try to shrink when walking in public spaces in order to take up as little room as possible. We build our lives around the belief that we are undeserving of attention, love, and amazing opportunities, when in reality this couldn’t be further from the truth.
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
Is it better to have loved and lost than to have never loved at all... But is it? Is it really better to know a thing you love only to lose it? If I'd known then what I know now... But that's the thing, isn't it? When you're living a thing...you don't know. You take it for granted, like a dog being petted, assuming it will somehow go on forever. If I'd known what I know now... I'd have touched everything in sight, everything I could get my hands on. I'd have grabbed the nearest girl I could find and not even caring how crazy she thought me, touched my hands to her face just to know what that feels like. Is it better to have loved and lost than to have never loved at all? I, never having loved before, have no real answer to that question.
Lauren Baratz-Logsted
The moms I knew when I was little didn't have to prove that it was okay to want a child. Sure, a lot of women I know wonder if they do want a child, but not why. It's assumed why. The question cis women get asked is: Why don't you want kids? And then they have to justify that. If I had been born cis, I would never even have had to answer these questions. I wouldn't have had to prove that I deserve my models of womanhood. But I'm not cis. I'm trans. And so until the day that I am a mother, I'm constantly going to have to prove that I deserve to be one. That it's not unnatural or twisted that I want a child's love. Why do I want to be a mother? After all those beautiful women I grew up with, the ones who chaperoned my classes on field trips, or made me lunch when I was at their house, or sewed costumes for all the little girls that I ice skated with — and you too, Katrina, for that matter — have to explain their feelings about motherhood, then, I'll explain mine. And do you know what I'll say? Ditto.
Torrey Peters (Detransition, Baby)
We'll see," I say, smiling. "What about you? Are you going to be all by your lonesome? Table for one?" He leans forward even more, and I stay perfectly still, willing myself not to pull away. "Now why would you assume that?" He winks at me, obviously thinking that this is my version of flirting--like I'm going to offer to keep him company or something. I smile even wider. "Because if you had a real girlfriend," I say quickly but clearly, so he can hear every word perfectly, "you wouldn't be hitting on high school girls.
Lauren Oliver (Before I Fall)
How hard is it to portray a three-dimensional woman of color on television or in film? I’m surrounded by them. They’re my friends. I talk to them every day. How come Hollywood won’t acknowledge us? Are we a joke to them? Now, having been in the industry for a couple of years, I’m not entirely sure it’s blatant racism, as I had once assumed. It’s more complicated than that. As Ralph Ellison once posited, we’re invisible to them. We’re simply not on their radar. As long as the people who are in charge aren’t us, things will never change. Girls
Issa Rae (The Misadventures of Awkward Black Girl)
I hate this part," I sighed in aggravation and jerked the sunglasses from my eyes, setting them atop my head into my hair. "What?" he said in a voice that clearly didn't understand where I could be leading things. "This is where the leading man tries to save the girl from herself. She is willing to give up everything for him and he, in his misguided attempt to save her, tells her he's skipping for the hills and she has to beg him to stay and convince him that her love is real and that she is sound of mind." (...)"Furthermore, I think it's juvenile to assume that just because a girl makes a romantic gesture that she can't possibly know what's in her own head.
Shelly Crane (Devour (Devoured, #1))
It makes Brooke feel strange in her stomach. It is like the feeling when she reads a book like the one about the man with the bomb, or thinks a sentence, just any old sentence like: the girl ran across the park, and unless you add the describing word then the man or the girl are definitely not black, they are white, even though no one has mentioned white, like when you take the the out of a headline and people just assume it's there anyway. Though if it were a sentence about Brooke herself you'd have to add the equivalent describing word and that's how you'd know. The black girl ran across the park.
Ali Smith (There but for the)
Again his dead wife came back to his imagination, but not as he had known her for many years, not as the good domestic housewife, but as a young girl with a slim figure, innocently inquiring eyes, and a tight twist of hair on her childish neck. He remembered how he had seen her for the first time. He was still a student then. He had met her on the staircase of his lodgings, and, jostling by accident against her, he tried to apologise, and could only mutter, 'Pardon, monsieur,' while she bowed, smiled, and suddenly seemed frightened, and ran away, though at the bend of the staircase she had glanced rapidly at him, assumed a serious air, and blushed. Afterwards, the first timid visits, the half-words, the half-smiles, and embarrassment; and melancholy, and yearnings, and at last that breathing rapture.... Where had it all vanished? She had been his wife, he had been happy as few on earth are happy.... 'But,' he mused, 'these sweet first moments, why could one not live an eternal, undying life in them?
Ivan Turgenev (Fathers and Sons)
Because I questioned myself and my sanity and what I was doing wrong in this situation. Because of course I feared that I might be overreacting, overemotional, oversensitive, weak, playing victim, crying wolf, blowing things out of proportion, making things up. Because generations of women have heard that they’re irrational, melodramatic, neurotic, hysterical, hormonal, psycho, fragile, and bossy. Because girls are coached out of the womb to be nonconfrontational, solicitous, deferential, demure, nurturing, to be tuned in to others, and to shrink and shut up. Because speaking up for myself was not how I learned English. Because I’m fluent in Apology, in Question Mark, in Giggle, in Bowing Down, in Self-Sacrifice. Because slightly more than half of the population is regularly told that what happens doesn’t or that it isn’t the big deal we’re making it into. Because your mothers, sisters, and daughters are routinely second-guessed, blown off, discredited, denigrated, besmirched, belittled, patronized, mocked, shamed, gaslit, insulted, bullied, harassed, threatened, punished, propositioned, and groped, and challenged on what they say. Because when a woman challenges a man, then the facts are automatically in dispute, as is the speaker, and the speaker’s license to speak. Because as women we are told to view and value ourselves in terms of how men view and value us, which is to say, for our sexuality and agreeability. Because it was drilled in until it turned subconscious and became unbearable need: don’t make it about you; put yourself second or last; disregard your feelings but not another’s; disbelieve your perceptions whenever the opportunity presents itself; run and rerun everything by yourself before verbalizing it—put it in perspective, interrogate it: Do you sound nuts? Does this make you look bad? Are you holding his interest? Are you being considerate? Fair? Sweet? Because stifling trauma is just good manners. Because when others serially talk down to you, assume authority over you, try to talk you out of your own feelings and tell you who you are; when you’re not taken seriously or listened to in countless daily interactions—then you may learn to accept it, to expect it, to agree with the critics and the haters and the beloveds, and to sign off on it with total silence. Because they’re coming from a good place. Because everywhere from late-night TV talk shows to thought-leading periodicals to Hollywood to Silicon Valley to Wall Street to Congress and the current administration, women are drastically underrepresented or absent, missing from the popular imagination and public heart. Because although I questioned myself, I didn’t question who controls the narrative, the show, the engineering, or the fantasy, nor to whom it’s catered. Because to mention certain things, like “patriarchy,” is to be dubbed a “feminazi,” which discourages its mention, and whatever goes unmentioned gets a pass, a pass that condones what it isn’t nice to mention, lest we come off as reactionary or shrill.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
We are all, in the last analysis, alone. And this basic state of solitude is not something we have any choice about. It is, as the poet Rilke says, "not something that one can take or leave. We are solitary. We may delude ourselves and act as though this were not so. That is all. But how much better it is to realize that we are so, yes, even to begin by assuming it. Naturally," he goes on to say, "we will turn giddy." Naturally. How one hates to think of oneself as alone. How one avoids it. It seems to imply rejection or unpopularity. An early wallflower panic still clings to the world. One will be left, one fears, sitting in a straight-backed chair alone, while the popular girls are already chosen and spinning around the dance floor with their hot-palmed partners. We seem so frightened today of being alone that we never let it happen. Even if family, friends and movies should fail, there is still the radio or the television to fill up the void. Women, who used to complain of loneliness, need never be alone any more. We can do our housework with soap-opera heroes at our side. Even day-dreaming was more creative than this; it demanded something of oneself and it fed the inner life. Now, instead of planting our solitude with our own dream blossoms, we choke the space with continuous music, chatter and companionship to which we do not even listen. It is simply there to fill the vacuum. When the noise stops there is no inner music to take its place. We must re-learn to be alone.
Anne Morrow Lindbergh
What a pretty dress,” Ariadne said to Cordelia, her voice warm. Her own gown was of flattering wine-colored silk. “I believe that’s the shade they call ‘ashes of roses.’ Very popular in Paris.” “Oh, yes,” Cordelia said eagerly. She’d known so few girls growing up—just Lucie, really—so how did one impress them and charm them? It was desperately important. “I did get this dress in Paris, as a matter of fact. On Rue de la Paix. Jeanne Paquin made it herself.” She saw Lucie’s eyes widen in concern. Rosamund’s lips tightened. “How fortunate you are,” she said coolly. “Most of us here in the poky little London Enclave rarely get to travel abroad. You must think us so dull.” “Oh,” said Cordelia, realizing she had put her foot in it. “No, not at all—” “My mother has always said Shadowhunters aren’t meant to have much of an interest in fashion,” said Catherine. “She says it’s mundane.” “Since you’ve spoken of Matthew’s clothes admiringly so often,” said Ariadne tartly, “should we assume that rule is only for girls?
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Do you want to know the first time I ever saw you?" he said with his lips at my ear. I knew the story,but I nodded anyway, frantically. "Your family had just moved in. You were...how old were you,Becks?" I shrugged,and he ran his fingers over my head, calming me.He knew the answer. "You were eleven," he said. "I was twelve.I remember Joey Velasquez talking about the pretty new girl in the neighborhood.Actually his exact words were 'the hot chick.' But I didn't think a thing about it until I saw you at the baseball field. We were having practice at the park and your family showed up for a picnic.You had so much dark hair,and it was hiding your face.Remember?" I nodded. "I know what you're trying to do." He ignored me. "I had to see if Joey was right,about the hot chick part, and I kept trying to get a good look at your face, but you never looked over our way.I hit home run after home run trying to get your attention, but you couldn't be bothered with my record-shattering, supherhuman performance." I smiled,and breathed in slowly. I'd heard this story so many times before.The familiarity of it enveloped me with warmth. "So what did you do?" I asked, fully aware of the answer. "I did the only thing I could think of. I went up to the bat,lined my feet up in the direction of your head,and swung away." "Hitting the foulest foul ball anyone had ever seen," I continued the story. I felt him chuckle next to me. "Yep. I figured in order to return the ball,you'd have to get really close to me, because..." He waited for me to fill in the blank. "Because someone made the mistake of assuming I would throw like a girl," I said softly. He pressed his lips against my head before he went on. "Which,of course, was stupid of me to think. You stood right where you were and chucked the ball farther than I'd ever seen a girl, or even any guy,chuck it." "It was all those years of Bonnet Ball my parents forced on me." "The entire team went nuts. You gave a little tiny shrug, like it was no big deal, and sat back down with your family. Completely ignoring me again. So my plan totally backfired. Not only did you get the attention of every boy on the field-which was not my intention-but I got reamed by the coach, who couldn't understand why I suddenly decided to stand perpendicular to home plate.
Brodi Ashton (Everneath (Everneath, #1))
So now, not only did my best friend leave, but the cheerleaders and their mindless followers assumed I was personally responsible for the petition (which, yeah, I was) and started being openly rude to me - shutting doors in my face, leaving nasty notes on my desk and in my locker, making fun of me when I could obviously hear them. That's when I started keeping really quiet in class, and finding ways to show the other kids I wasn't afraid of them - like staring them straight in the eye when they looked at me, taking a step toward them when they talked to me, or walking right up to them and getting their personal space if I heard them say my name. Saying the meanest things I could think of whenever I had the chance - repeating rumors, embellishing them. I found out Kira Conroy had been arrested for shoplifting at the mall, and made sure everyone knew about it. The girl who burped in a boy's face during her first kiss, the girl who tripped and fell off the stage at the Miss Teen California pageant - I shared those stories the moment I heard them. All's fair in war, right? Suddenly I wasn't a nobody anymore. I was a somebody. Somebody everyone was afraid of.
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
I'd always assumed Beth and I would be friends forever. But then in middle of the eighth grade, the Goldbergs went through the World's Nastiest Divorce. Beth went a little nuts. I don't blame her. When her dad got involved with this twenty-one year old dental hygienist, Beth got involved with the junk food aisle at the grocery store. She carried processed snack cakes the way toddlers carry teddy bears. She gained, like, twenty pounds, but I didn't think it was a big deal. I figured she'd get back to her usual weight once the shock wore off. Unfortunately, I wasn't the only person who noticed. May 14 was 'Fun and Fit Day" at Surry Middle School, so the gym was full of booths set up by local health clubs and doctors and dentists and sports leagues, all trying to entice us to not end up as couch potatoes. That part was fine. What wasn't fine was when the whole school sat down to watch the eighth-grade cheerleaders' program on physical fitness.
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
Don’t try to talk—just breathe. Another long, slow one…another. Good girl.” As Annabelle gradually recovered her breath, the panic began to fade. He was right…it was easier if she didn’t struggle. The sound of her fitful gasping was underlaid by the mesmerizing softness of his voice. “That’s right,” he murmured. “That’s the way of it.” His hand continued to move in a slow, easy rotation over her chest. There was nothing sexual in his touch—in fact, she might have been a child he was trying to soothe. Annabelle was amazed. Who would have ever dreamed that Simon Hunt could be so kind? Filled with equal parts of confusion and gratitude, Annabelle fumbled for the large hand that moved so gently on her chest. She was so feeble that the gesture required all her strength. Assuming that she was trying to push him away, Hunt began to withdraw, but as he felt her fingers curl around two of his, he went very still. “Thank you,” she whispered. The touch made Hunt tense visibly, as if the contact had sent a shock through his body. He stared not at her face but at the delicate fingers entwined with his, in the manner of a man who was trying to solve a complex puzzle. Remaining motionless, he prolonged the moment, his lashes lowering to conceal his expression.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Beyond all of that, I could see the wall I had seen from inside the train, the wall that runs along the train line. I assumed that there, behind it, was the west, and I was right. I could have been wrong, but I was right.' If she had any future it was over there, and she needed to get to it. I sit in the chair exploring the meaning of dumbstruck, rolling the word around in my mind. I laugh with Miriam as she laughs at herself, and at the boldness of being sixteen. At sixteen you are invulnerable. I laugh with her about rummaging around for a ladder in other people's sheds, and I laugh harder when she finds one. We laugh at the improbability of it, of someone barely more than a child poking around in Beatrix Potter's garden by the Wall, watching out for Mr McGregor and his blunderbuss, and looking for a step-ladder to scale one of the most fortified barriers on earth. We both like the girl she was, and I like the woman she has become. She says suddenly, 'I still have the scars on my hands from climbing the barbed wire, but you can't see them so well now.' She holds out her hands. The soft parts of her palms are crazed with definite white scares, each about a centimeter long. The first fence was wire mesh with a roll of barbed wire along the top.
Anna Funder (Stasiland: Stories from Behind the Berlin Wall)
Being helpful did make us more popular, and I got a lot more smiles and nods around the Camp, which made me a little less shy. After almost four months in prison I was still cautious, supercautious, and kept most people at arm’s length. Many times I fielded the sly question, ‘What is the All-American Girl doing in a place like this?’ Everyone assumed I was doing time on a financial crime, but actually I was like the vast majority of the women there: a nonviolent drug offender. I did not make any secret of it, as I knew I had lots of company; in the federal system alone (a fraction of the U.S. prison population), there were over 90,000 prisoners locked up for drug offenses, compared with about 40,000 for violent crimes. A federal prisoner costs at least $30,000 a year to incarcerate, and females actually cost more.
Piper Kerman (Orange Is the New Black: My Time in a Women's Prison)
He was conscious—and the thought brought a gleam of pleasure into his brown agate eyes—that it was through certain words of his, musical words said with musical utterance, that Dorian Gray's soul had turned to this white girl and bowed in worship before her. To a large extent the lad was his own creation. He had made him premature. That was something. Ordinary people waited till life disclosed to them its secrets, but to the few, to the elect, the mysteries of life were revealed before the veil was drawn away. Sometimes this was the effect of art, and chiefly of the art of literature, which dealt immediately with the passions and the intellect. But now and then a complex personality took the place and assumed the office of art, was indeed, in its way, a real work of art, life having its elaborate masterpieces, just as poetry has, or sculpture, or painting.
Oscar Wilde (The Picture of Dorian Gray)
Fame requires every kind of excess. I mean true fame, a devouring neon, not the somber renown of waning statesmen or chinless kings. I mean long journeys across gray space. I mean danger, the edge of every void, the circumstance of one man imparting an erotic terror to the dreams of the republic. Understand the man who must inhabit these extreme regions, monstrous and vulval, damp with memories of violation. Even if half-mad he is absorbed into the public's total madness; even if fully rational, a bureaucrat in hell, a secret genius of survival, he is sure to be destroyed by the public's contempt for survivors. Fame, this special kind, feeds itself on outrage, on what the counselors of lesser men would consider bad publicity-hysteria in limousines, knife fights in the audience, bizarre litigation, treachery, pandemonium and drugs. Perhaps the only natural law attaching to true fame is that the famous man is compelled, eventually, to commit suicide. (Is it clear I was a hero of rock'n'roll?) Toward the end of the final tour it became apparent that our audience wanted more than music, more even than its own reduplicated noise. It's possible the culture had reached its limit, a point of severe tension. There was less sense of simple visceral abandon at our concerts during these last weeks. Few cases of arson and vandalism. Fewer still of rape. No smoke bombs or threats of worse explosives. Our followers, in their isolation, were not concerned with precedent now. They were free of old saints and martyrs, but fearfully so, left with their own unlabeled flesh. Those without tickets didn't storm the barricades, and during a performance the boys and girls directly below us, scratching at the stage, were less murderous in their love of me, as if realizing finally that my death, to be authentic, must be self-willed- a succesful piece of instruction only if it occured by my own hand, preferrably ina foreign city. I began to think their education would not be complete until they outdid me as a teacher, until one day they merely pantomimed the kind of massive response the group was used to getting. As we performed they would dance, collapse, clutch each other, wave their arms, all the while making absolutely no sound. We would stand in the incandescent pit of a huge stadium filled with wildly rippling bodies, all totally silent. Our recent music, deprived of people's screams, was next to meaningless, and there would have been no choice but to stop playing. A profound joke it would have been. A lesson in something or other. In Houston I left the group, saying nothing, and boarded a plane for New York City, that contaminated shrine, place of my birth. I knew Azarian would assume leadership of the band, his body being prettiest. As to the rest, I left them to their respective uproars- news media, promotion people, agents, accountants, various members of the managerial peerage. The public would come closer to understanding my disappearance than anyone else. It was not quite as total as the act they needed and nobody could be sure whether I was gone for good. For my closest followers, it foreshadowed a period of waiting. Either I'd return with a new language for them to speak or they'd seek a divine silence attendant to my own. I took a taxi past the cemetaries toward Manhattan, tides of ash-light breaking across the spires. new York seemed older than the cities of Europe, a sadistic gift of the sixteenth century, ever on the verge of plague. The cab driver was young, however, a freckled kid with a moderate orange Afro. I told him to take the tunnel. Is there a tunnel?" he said.
Don DeLillo
And it’s a shame that the measure is what is not so bad instead of what is thriving and good. I look at some of my worst relationships and think, “at least he or she didn’t hit me.” I work from a place of gratitude for the bare minimum. I’ve never been in a relationship where I’ve had to hide nonconsensual bruises. I’ve never feared for my life. I’ve never been in a situation where I couldn’t walk away. Does this make me a lucky girl? Given the stories I’ve seen women sharing via the hashtags #whyIstayed and #whyIleft, yes. This is not how we should measure luck. I have had good relationships but it’s hard to trust that because what I consider good sometimes doesn’t feel very good at all. Or I am thinking about testimony and how there has been so much over the past day and some–women sharing their truths, daring to use their voices to say, “This is what happened to me. This is how I have been wronged.” I’ve been thinking about how so much testimony is demanded of women and still, there are those who doubt our stories. There are those who think we are all lucky girls because we are still, they narrowly assume, alive. I am weary of all our sad stories–not hearing them, but that we have these stories to tell, that there are so many.
Roxane Gay (Hunger: A Memoir of (My) Body)
Anglo-Saxon Protestant, otherwise known as WASP, and American Black is always on the bottom, and what’s in the middle depends on time and place. (Or as that marvelous rhyme goes: if you’re white, you’re all right; if you’re brown, stick around; if you’re black, get back!) Americans assume that everyone will get their tribalism. But it takes a while to figure it all out. So in undergrad, we had a visiting speaker and a classmate whispers to another, “Oh my God, he looks so Jewish,” with a shudder, an actual shudder. Like Jewish was a bad thing. I didn’t get it. As far as I could see, the man was white, not much different from the classmate herself. Jewish to me was something vague, something biblical. But I learned quickly. You see, in America’s ladder of races, Jewish is white but also some rungs below white. A bit confusing, because I knew this straw-haired, freckled girl who said she was Jewish. How can Americans tell who is Jewish? How did the classmate know the guy was Jewish? I read somewhere how American colleges used to ask applicants for their mother’s surnames, to make sure they weren’t Jewish because they wouldn’t admit Jewish people. So maybe that’s how to tell? From people’s names? The longer you are here, the more you start to get it.
Chimamanda Ngozi Adichie (Americanah)
I know this may be a disappointment for some of you, but I don’t believe there is only one right person for you. I think I fell in love with my wife, Harriet, from the first moment I saw her. Nevertheless, had she decided to marry someone else, I believe I would have met and fallen in love with someone else. I am eternally grateful that this didn’t happen, but I don’t believe she was my one chance at happiness in this life, nor was I hers. Another error you might easily make in dating is expecting to find perfection in the person you are with. The truth is, the only perfect people you might know are those you don’t know very well. Everyone has imperfections. Now, I’m not suggesting you lower your standards and marry someone with whom you can’t be happy. But one of the things I’ve realized as I’ve matured in life is that if someone is willing to accept me—imperfect as I am—then I should be willing to be patient with others’ imperfections as well. Since you won’t find perfection in your partner, and your partner won’t find it in you, your only chance at perfection is in creating perfection together. There are those who do not marry because they feel a lack of “magic” in the relationship. By “magic” I assume they mean sparks of attraction. Falling in love is a wonderful feeling, and I would never counsel you to marry someone you do not love. Nevertheless—and here is another thing that is sometimes hard to accept—that magic sparkle needs continuous polishing. When the magic endures in a relationship, it’s because the couple made it happen, not because it mystically appeared due to some cosmic force. Frankly, it takes work. For any relationship to survive, both parties bring their own magic with them and use that to sustain their love. Although I have said that I do not believe in a one-and-only soul mate for anyone, I do know this: once you commit to being married, your spouse becomes your soul mate, and it is your duty and responsibility to work every day to keep it that way. Once you have committed, the search for a soul mate is over. Our thoughts and actions turn from looking to creating. . . . Now, sisters, be gentle. It’s all right if you turn down requests for dates or proposals for marriage. But please do it gently. And brethren, please start asking! There are too many of our young women who never go on dates. Don’t suppose that certain girls would never go out with you. Sometimes they are wondering why no one asks them out. Just ask, and be prepared to move on if the answer is no. One of the trends we see in some parts of the world is our young people only “hanging out” in large groups rather than dating. While there is nothing wrong with getting together often with others your own age, I don’t know if you can really get to know individuals when you’re always in a group. One of the things you need to learn is how to have a conversation with a member of the opposite sex. A great way to learn this is by being alone with someone—talking without a net, so to speak. Dates don’t have to be—and in most cases shouldn’t be—expensive and over-planned affairs. When my wife and I moved from Germany to Salt Lake City, one of the things that most surprised us was the elaborate and sometimes stressful process young people had developed of asking for and accepting dates. Relax. Find simple ways to be together. One of my favorite things to do when I was young and looking for a date was to walk a young lady home after a Church meeting. Remember, your goal should not be to have a video of your date get a million views on YouTube. The goal is to get to know one individual person and learn how to develop a meaningful relationship with the opposite sex.
Dieter F. Uchtdorf
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
Anne Frank (The Diary of a Young Girl)
What, sir, would you think of a member of the Weaker Sex who assumed the guise of a man, and left the home of her natural protector by way of the window?" "I should assume," replied Sir Richard, "that she had strong reasons for acting with such resolution." "She did not wish to marry me," said Mr. Griffin gloomily. "Oh!" said Sir Richard. "Well, I'm sure I can't see why she should be so set against me, but that's not it, sir. The thing is that here's my mother determined to find her, and to make her marry me, and so hush up the scandal. But I don't like it above half. If she dislikes the notion so much, I don't think I ought to marry her, do you?" "Emphatically not!" "I must say I am very glad to hear you say that, Sir Richard!" said Mr. Griffin, much cheered. "For you must know that my mother has been telling me ever since yesterday that I must marry her now, to save her name. But I think she would very likely make me uncomfortable, and nothing could make up for that, in my opinion." "A lady capable of escaping out of a window in the guise of a a man would quite certainly make you more than uncomfortable," said Sir Richard. "Yes, though she's only a chit of a girl, you know. In fact, she is not yet out. I am very happy to have had the benefit of the opinion of a Man of the World. I feel that I can rely on your judgment." "On my judgment, you might, but in nothing else, I assure you," said Sir Richard. "You know nothing of me, after all. How do you know that I am not now concealing your cousin from you?" "Ha-ha! Very good, upon my word! Very good, indeed!" said Mr. Griffin, saluting a jest of the first water.
Georgette Heyer (The Corinthian)
When I learned my mom was going to die of cancer at the age of forty-five, I felt the same way. I didn’t even believe in God, but I still felt that he owed me something. I had the gall to think How dare he? I couldn’t help myself. I’m a selfish brute. I wanted what I wanted and I expected it to be given to me by a God in whom I had no faith. Because mercy had always more or less been granted me, I assumed it always would be. But it wasn’t. It wasn’t granted to my friend whose eighteen-year-old daughter was killed by a drunk driver either. Nor was it granted to my other friend who learned her baby is going to die of a genetic disorder in the not-distant future. Nor was it granted to my former student whose mother was murdered by her father before he killed himself. It was not granted to all those people who were in the wrong place at the wrong time when they came up against the wrong virus or military operation or famine or carcinogenic or genetic mutation or natural disaster or maniac. Countless people have been devastated for reasons that cannot be explained or justified in spiritual terms. To do as you are doing in asking If there were a God, why would he let my little girl have to have possibly life-threatening surgery?— understandable as that question is—creates a false hierarchy of the blessed and the damned. To use our individual good or bad luck as a litmus test to determine whether or not God exists constructs an illogical dichotomy that reduces our capacity for true compassion. It implies a pious quid pro quo that defies history, reality, ethics, and reason. It fails to acknowledge that the other half of rising—the very half that makes rising necessary— is having first been nailed to the cross. That
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Someone Who's Been There)
When I stopped viewing girls as potential girlfriends and started treating them as sisters in Christ, I discovered the richness of true friendship. When I stopped worrying about who I was going to marry and began to trust God’s timing, I uncovered the incredible potential of serving God as a single. . . . I believe the time has come for Christians, male and female, to own up to the mess we’ve left behind in our selfish pursuit of short-term romance. Dating may seem an innocent game, but as I see it, we are sinning against each other. What excuse will we have when God asks us to account for our actions and attitudes in relationships? If God sees a sparrow fall (Matthew 10:29), do you think He could possibly overlook the broken hearts and scarred emotions we cause in relationships based on selfishness? Everyone around us may be playing the dating game. But at the end of our lives, we won’t answer to everyone. We’ll answer to God. . . . Long before Seventeen magazine ever gave teenagers tips on dating, people did things very differently. At the turn of the twentieth century, a guy and girl became romantically involved only if they planned to marry. If a young man spent time at a girl’s home, family and friends assumed that he intended to propose to her. But shifting attitudes in culture and the arrival of the automobile brought radical changes. The new “rules” allowed people to indulge in all the thrills of romantic love without having any intention of marriage. Author Beth Bailey documents these changes in a book whose title, From Front Porch to Backseat, says everything about the difference in society’s attitude when dating became the norm. Love and romance became things people could enjoy solely for their recreational value. Though much has changed since the 1920s, the tendency of dating relationships to move toward intimacy without commitment remains very much the same. . . . Many of the attitudes and practices of today’s dating relationships conflict with the lifestyle of smart love God wants us to live.
Joshua Harris
These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?" By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat. "I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!" "Oh, well, Holmes," I drawled into his climbing voice. "Look on the bright side. You've complained for years how tedious it is to have everyone with a stray puppy or a stolen pencil box push through your hedges and tread on the flowers; now the British Public will assume that Sherlock Homes is as much a fairy tale as those photographs and will stop plaguing you. I'd say the man's done you a great service." I smiled brightly. For a long minute, it was uncertain whether he was going to strike me dead for my impertinence or drop dead himself of apoplexy, but then, as I had hoped, he threw back his head and laughed long and hard.
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
Harriet turned round, and we both saw a girl walking towards us. She was dark-skinned and thin, not veiled but dressed in a sitara, a brightly coloured robe of greens and pinks, and she wore a headscarf of a deep rose colour. In that barren place the vividness of her dress was all the more striking. On her head she balanced a pitcher and in her hand she carried something. As we watched her approach, I saw that she had come from a small house, not much more than a cave, which had been built into the side of the mountain wall that formed the far boundary of the gravel plateau we were standing on. I now saw that the side of the mountain had been terraced in places and that there were a few rows of crops growing on the terraces. Small black and brown goats stepped up and down amongst the rocks with acrobatic grace, chewing the tops of the thorn bushes. As the girl approached she gave a shy smile and said, ‘Salaam alaikum, ’ and we replied, ‘Wa alaikum as salaam, ’ as the sheikh had taught us. She took the pitcher from where it was balanced on her head, kneeled on the ground, and gestured to us to sit. She poured water from the pitcher into two small tin cups, and handed them to us. Then she reached into her robe and drew out a flat package of greaseproof paper from which she withdrew a thin, round piece of bread, almost like a large flat biscuit. She broke off two pieces, and handed one to each of us, and gestured to us to eat and drink. The water and the bread were both delicious. We smiled and mimed our thanks until I remembered the Arabic word, ‘Shukran.’ So we sat together for a while, strangers who could speak no word of each other’s languages, and I marvelled at her simple act. She had seen two people walking in the heat, and so she laid down whatever she had been doing and came to render us a service. Because it was the custom, because her faith told her it was right to do so, because her action was as natural to her as the water that she poured for us. When we declined any further refreshment after a second cup of water she rose to her feet, murmured some word of farewell, and turned and went back to the house she had come from. Harriet and I looked at each other as the girl walked back to her house. ‘That was so…biblical,’ said Harriet. ‘Can you imagine that ever happening at home?’ I asked. She shook her head. ‘That was charity. Giving water to strangers in the desert, where water is so scarce. That was true charity, the charity of poor people giving to the rich.’ In Britain a stranger offering a drink to a thirsty man in a lonely place would be regarded with suspicion. If someone had approached us like that at home, we would probably have assumed they were a little touched or we were going to be asked for money. We might have protected ourselves by being stiff and unfriendly, evasive or even rude.
Paul Torday (Salmon Fishing in the Yemen)
How did you even get in here?” I asked him. “Would you believe they leave the door open all night?” Gus asked. “Um, no,” I said. “As well you shouldn’t.” Gus smiled. “Anyway, I know it’s a bit self-aggrandizing.” “Hey, you’re stealing my eulogy,” Isaac said. “My first bit is about how you were a self-aggrandizing bastard.” I laughed. “Okay, okay,” Gus said. “At your leisure.” Isaac cleared his throat. “Augustus Waters was a self-aggrandizing bastard. But we forgive him. We forgive him not because he had a heart as figuratively good as his literal one sucked, or because he knew more about how to hold a cigarette than any nonsmoker in history, or because he got eighteen years when he should have gotten more.” “Seventeen,” Gus corrected. “I’m assuming you’ve got some time, you interrupting bastard. “I’m telling you,” Isaac continued, “Augustus Waters talked so much that he’d interrupt you at his own funeral. And he was pretentious: Sweet Jesus Christ, that kid never took a piss without pondering the abundant metaphorical resonances of human waste production. And he was vain: I do not believe I have ever met a more physically attractive person who was more acutely aware of his own physical attractiveness. “But I will say this: When the scientists of the future show up at my house with robot eyes and they tell me to try them on, I will tell the scientists to screw off, because I do not want to see a world without him.” I was kind of crying by then. “And then, having made my rhetorical point, I will put my robot eyes on, because I mean, with robot eyes you can probably see through girls’ shirts and stuff. Augustus, my friend, Godspeed.” Augustus nodded for a while, his lips pursed, and then gave Isaac a thumbs-up. After he’d recovered his composure, he added, “I would cut the bit about seeing through girls’ shirts.” Isaac was still clinging to the lectern. He started to cry. He pressed his forehead down to the podium and I watched his shoulders shake, and then finally, he said, “Goddamn it, Augustus, editing your own eulogy.” “Don’t swear in the Literal Heart of Jesus,” Gus said. “Goddamn it,” Isaac said again. He raised his head and swallowed. “Hazel, can I get a hand here?” I’d forgotten he couldn’t make his own way back to the circle. I got up, placed his hand on my arm, and walked him slowly back to the chair next to Gus where I’d been sitting. Then I walked up to the podium and unfolded the piece of paper on which I’d printed my eulogy. “My name is Hazel. Augustus Waters was the great star-crossed love of my life. Ours was an epic love story, and I won’t be able to get more than a sentence into it without disappearing into a puddle of tears. Gus knew. Gus knows. I will not tell you our love story, because—like all real love stories—it will die with us, as it should. I’d hoped that he’d be eulogizing me, because there’s no one I’d rather have…” I started crying. “Okay, how not to cry. How am I—okay. Okay.” I took a few breaths and went back to the page. “I can’t talk about our love story, so I will talk about math. I am not a mathematician, but I know this: There are infinite numbers between 0 and 1. There’s .1 and .12 and .112 and an infinite collection of others. Of course, there is a bigger infinite set of numbers between 0 and 2, or between 0 and a million. Some infinities are bigger than other infinities. A writer we used to like taught us that. There are days, many of them, when I resent the size of my unbounded set.
John Green (The Fault in Our Stars)
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)