Girls Gang Quotes

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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
Gillian Flynn (Gone Girl)
The strangeness of Time. Not in its passing, which can seem infinite, like a tunnel whose end you can't see, whose beginning you've forgotten, but in the sudden realization that something finite, has passed, and is irretrievable.
Joyce Carol Oates (Foxfire: Confessions Of A Girl Gang)
Some girls want to be a princess when they grow up. I wanted to be in a bad bitch girl gang.
Natalia Kills
And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do -- I love them -- but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at.
Daniel Handler (Why We Broke Up)
The heavenly light you admire is fossil-light, it's the unfathomably distant past you gaze into, stars long extinct
Joyce Carol Oates (Foxfire: Confessions Of A Girl Gang)
Whoever's reading this, if anyone is reading it: does it matter that our old selves are lost to us as surely as the past is lost, or is it enough to know yes we lived then, and we are living now, and the connection must be there? Like a river hundreds of miles long exists both at its source and at its mouth, simultaneously?
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Like a flame is real enough, isn't it, while it's burning?-even if there's a time it goes out?
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Maggots are freaky hideous,’ I say, getting up. I try to salvage some dignity, but I can’t help but shiver and shake my hands in the air. It’s an instinctive impulse, one I’m not up for resisting right now. ‘You’ve fought off a gang of men twice your size, killed an angel warrior, stood up to an archangel, and wielded an angel sword.’ Raffe cocks his head. ‘But you scream like a little girl when you see a maggot?’ ‘It’s not just a maggot,’ I say. ‘A hand burst out of the ground and grabbed my ankle. And maggots crawled out of it and tried to burrow into me. You would scream like a little girl too if that happened to you.’ ‘They didn’t try to burrow into you. They were just crawling. It’s what maggots do. They crawl.’ ‘You don’t know anything.
Susan Ee (End of Days (Penryn & the End of Days, #3))
I'm Legs Sadovsky I'm FOXFIRE I don't fuck around with guys.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Spells are just prayers with more steps and a name that scares people.
Lily Anderson (Undead Girl Gang)
That's how a thing starts out real then ends up just an idea.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men — friends, coworkers, strangers — giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them.
Gillian Flynn (Gone Girl)
Language is the instrument in all cases and can language be trusted? If it were not for language, could we lie?
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
The person you love best, you share the world with. When that person's gone the world remains but it isn't the same thing, it's at a distance.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Steven, I look like a raccoon. You do NOT look like a raccoon. Actually, he looked like some deranged anteater, but I didn’t figure that would be the thing to tell him. Yes, I do. Oh, no. What if I stay this way forever? You’re not going to stay that way forever, Jeffy. People get black eyes all the time. If they never got better, the streets would be crowded with raccoon people. Soon the raccoon people would find each other and breed. I was on a roll here. The preschools would fill up with strange ring-eyed children. Soon the raccoons would be taking over our streets, stealing from our garbage cans, leaving eerie tails of Dinty Moore beef stew cams in their wakes. Gangs of them would haunt the malls, buying up all the black-and-gray-striped sportswear. THE RIVERS WOULD RISE! THE VALLEYS WOULD RUN WITH… Steven you’re joking, right?
Jordan Sonnenblick (Drums, Girls & Dangerous Pie)
Okay, gang," I said, "according to blueprints, there's an elevator access panel on the east side of the building. We may get a little dirty, but—" "I thought we'd just go through the doors," Liz said, flashing three beautifully engraved invitations and some wonderfully authentic fake IDs. The tickets were $20,000 each. The Secret Service had been vetting the guest list for weeks, so Bex and I stopped beneath a streetlamp and studied Liz. "Do I even want to know where you got those?" I asked. Liz seemed to ponder it, and then she said, "No.
Ally Carter (Don't Judge a Girl by Her Cover (Gallagher Girls, #3))
-So you don't believe we have souls I guess?" and Legs laughed and said, "Yeah probably we do but why's that mean we're gonna last forever? Like a flame is real enough, isn't it, while it's burning?-even if there's a time it goes out?
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
It takes a lot of willpower to forgive someone. It takes a lot of strength to let the anger go and live without it. Forgiveness is not for the weak. It is for the strong.
Holly Shmit (Two Gangs and a Golden Girl)
A scoop of dried rosemary goes into the bag, followed by salt. Sometimes, magic looks a lot like how my mom prepares chicken.
Lily Anderson (Undead Girl Gang)
You’ve fought off a gang of men twice your size, killed an angel warrior, stood up to an archangel, and wielded an angel sword.” Raffe cocks his head. “But you scream like a little girl when you see a maggot?
Susan Ee (End of Days (Penryn & the End of Days, #3))
It's hard not to look sneaky when you're sneaking.
Lily Anderson (Undead Girl Gang)
You wouldn't understand. It's a dead girl thing.
Lily Anderson (Undead Girl Gang)
We looked like a girl gang that would have the Queen as our leader, all low heels and no-nonsense curls.
Deanna Raybourn (Killers of a Certain Age)
Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Gillian Flynn (Gone Girl)
I tried to help. They were ganging up on one of the girls. I got hit in the head.” “With a stiletto,” Jonah helpfully threw in. “She got hit in the head with a stiletto.
Chloe Neill (Drink Deep (Chicagoland Vampires, #5))
I wash down all my worries, hoping that I get some of the darkness off as well. I have as little cold water as possible- loving the way the boiling water is burning me.
Holly Shmit (Two Gangs and a Golden Girl)
Everything is unfinished - our whole lives.
Lily Anderson (Undead Girl Gang)
The best lie is always the truth.
Lily Anderson (Undead Girl Gang)
Legs was always proud even before FOXFIRE, that’s the primary fact about Legs Sadovsky: pride.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Fem-i-nist Fight Club / n. Your crew, your posse, your girl gang; your unconditionally helpful professional support system; your ride-or-die homies.
Jessica Bennett (Feminist Fight Club: An Office Survival Manual for a Sexist Workplace)
I don't forgive. I'm a Taurus.
Lily Anderson (Undead Girl Gang)
Most of witchcraft is just being present.
Lily Anderson (Undead Girl Gang)
Most of Arbus's work lies within the Warhol aesthetic, that is, defines itself in relation to the twin poles of boringness and freakishness; but it doesn't have the Warhol style. Arbus had neither Warhol's narcissism and genius for publicity nor the self-protective blandness with which he insulates himself from the freaky nor his sentimentality. It is unlikey that Warhol, who comes from a working-class family, ever felt any ambivalence toward success which afflicted the children of the Jewish upper middle classes in the 1960s. To someone raised as a Catholic, like Warhol (and virtually everyone in his gang), a fascination with evil comes much more genuinely than it does to someone from a Jewish background. Compared with Warhol, Arbus seems strikingly vulnerable, innocent--and certainly more pessimistic. Her Dantesque vision of the city (and the suburbs) has no reserves of irony. Although much of Arbus's material is the same as that depicted in, say, Warhol's Chelsea Girls (1966)...For Arbus, both freaks and Middle America were equally exotic: a boy marching in a pro-war parade and a Levittown housewife were as alien as a dwarf or a transvestite; lower-middle-class suburbia was as remote as Times Square, lunatic asylums, and gay bars. Arbus's work expressed her turn against what was public (as she experienced it), conventional, safe, reassuring--and boring--in favor of what was private, hidden, ugly, dangerous, and fascinating. These contrasts, now, seem almost quaint. What is safe no long monopolizes public imagery. The freakish is no longer a private zone, difficult of access. People who are bizarre, in sexual disgrace, emotionally vacant are seen daily on the newsstands, on TV, in the subways. Hobbesian man roams the streets, quite visible, with glitter in his hair.
Susan Sontag (On Photography)
Then the noise faded and Legs squinted up at the sky, the moon so bright you'd never think it could be merely rock like the earth's common rock and lifeless, merely reflected light from an invisible sun and not a powerful living light of its own...
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don't they? She's a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot.
Gillian Flynn (Gone Girl)
I loathe popular pulp, I loathe go-go gangs, I loathe jungle music, I loathe science fiction with its gals and goons, suspense and suspensories. I especially loathe vulgar movies—cripples raping nuns under tables, or naked-girl breasts squeezing against the tanned torsos of repulsive young males. And, really, I don't think I mock popular trash more often than do other authors who believe with me that a good laugh is the best pesticide.
Vladimir Nabokov (Strong Opinions)
Recently a young woman was gang-raped in a university in Nigeria, and the response of many young Nigerians, both male and female, was something like this: 'Yes, rape is wrong, but what is a girl doing in a room with four boys?' Let us, if we can, forget the horrible inhumanity of that response. These Nigerians have been raised to think of woman as inherently guilty. And they have been raised to expect so little of men that the idea of men as savage beings with no self-control is somehow acceptable.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
We were there too, the other geeks and weird kids whose lives were hellish at school, who escaped into books and computers, who stayed up all night scanning obscure forums, looking for transcendence, dreaming of elsewhere. We were there too, but you didn’t see us, because we were girls. And the costs of being the geek were the same for us, right down to the sexual frustration, the yearning, the being laughed at, the loneliness. […] We had to fight the same battles you did, only harder, because we were women and we also had to fight sexism, some of it from you, and when we went looking for other weird kids to join our gang, we were told we weren’t ‘real geeks’ because we were girls.
Laurie Penny (Cybersexism: Sex, Gender and Power on the Internet)
Today let’s talk about the lunch break. It’s twelve-thirty. The whole gang breathes
Anne Frank (The Diary of a Young Girl)
You may be a comet, but your hair is the fucking galaxy
Holly Shmit (Two Gangs and a Golden Girl)
Minding his own business had been his motto living in a strange foreign country with a world-recognized social issue of failing morals.
Vann Chow (The White Man and the Pachinko Girl)
Oh great. Another clique I’m not cool enough to join. Possibly literally.
Lily Anderson (Undead Girl Gang)
We can't all subsist on buttered noodles and self-righteousness.
Lily Anderson (Undead Girl Gang)
This was a matter of life and death, and at such extremities all women are sisters.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
O.K. he's crazy. But he's a saint too." "He scares me, I don't like him." "He scares me. What the hell-he knows." "Yeah? Why? What does he know?" "--Things most people'd have to die and go to Hell for, to know.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
It’s not a matter of Dad sitting down with his preadolescent son and incorporating 'Don’t be a criminal!' into the 'birds and the bees' talk. (I mean, that couldn’t hurt, probably. But it’s not the point.) It’s about teaching our boys to actively oppose sexual violence. It’s all well and good to say you’re against rape and would never rape anyone, end of story. But somewhere in that crowd of guys laughing about an unconscious girl getting 'a wang in the butthole, dude'—and the one listening to Daniel Tosh say, 'Wouldn’t it be funny if she got gang-raped right now?' and the one reading an op-ed in the Washington Post that puts 'sexual assault' in quotation marks, as though it exists only in the eye of the beholder—somewhere in all of those crowds is the guy who would rape someone. The guy who will rape someone. The guy who has raped someone. And could you blame any of those guys for thinking that rape is not a serious crime, or even something to be particularly ashamed of, when so many 'good' guys around them are laughing at the same jokes?
Kate Harding
Events come to people, not people to events. Why do some people have exciting lives and other people dull ones? Because of their surroundings? Not at all. One man may travel to the ends of the earth and nothing will happen to him. There will be a massacre a week before he arrives, and an earthquake the day after he leaves, and the boat that he nearly took will be shipwrecked. And another man may live at Balham and travel to the City every day, and things will happen to him. He will be mixed up with blackmailing gangs and beautiful girls and motor bandits. There are people with a tendency to shipwrecks--even if they go on a boat on an ornamental lake, something will happen to it.
Agatha Christie (Three Act Tragedy (Hercule Poirot, #11))
Down in sunny Mexico there lived an old aunt with four very pretty nieces. One day Pancho Villa and his gang of revolutionary bandits broke into their house. Accosting them on the patio the brigand said, “This place is in our possession and you are in our power.” “We are helpless!” one of the girls exclaimed, “and we must submit, but please spare poor old Aunt.” “Shut up!” snapped the aunt. “War is war!
Osho (Sex Matters: From Sex to Superconsciousness)
...love is always infidelity, isn’t it? Always a betrayal of someone or something. Even with your first girl, when you’re seventeen and living at home, you’re still cheating. Cheating on your parents. Pretending to be a child with them and a man with her. Having to hide the smile on your face and the scent of her on your body. And all that hiding making it so much more precious, so much more exciting. And you’re cheating on your friends too. Pretending you’re still one of the gang, when all you are is her lover and you could care less about any of them. And it doesn’t matter how old you are, or how free you are, you still cheat. A single man with a job in love with a single girl, he’s still unfaithful. He’s cheating every time he drives to work and pretends to go through the old routine, while in his mind he’s really with her, rushing to her, flowing all over her. Just walking down the street, pretending to be a regular human being, he’s betraying all the other human beings around him. Because he’s nothing like them. He’s not walking next to them at all. He’s not even there. He’s with her.
Phoef Sutton (Fifteen Minutes to Live)
Kevin looks at me and I know he isn’t seeing the little girl I use to be, all pigtails and gangly limbs. He isn’t seeing my mother’s daughter or even my mother anymore. As his eyes linger over me, stopping here and there in the most uncomfortable places, I know he isn’t really even seeing me as I am. The bloodshot eyes staring out of the alcohol-flushed face are seeing a girl, nearly of age, who owes him a tremendous debt of gratitude.--Rocky Evans
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
A gang of teenage boys had gathered on the steps of the Odeon. Boys Collin knew, from the fourth and fifth year, boys with braying laughs and sudden, falsetto giggles, boys who stood on street corners and watched girls walk past, who punched each other with painful tenderness, who cultivated small moustaches that broke down, when shaved, into crusts of acne thicker than the moustaches had ever been, who lit cigarettes behind cupped hands, narrowing their eyes in pretended indifference to the smoke.
Pat Barker (The Man Who Wasn't There)
Organized gangs were now deep into the sex trafficking business, snatching girls off city streets, not from other countries.
Pamela Samuels Young (Anybody's Daughter)
With a gang of sharp lawyers you can safely steal whatever you like. Lawyers are the hit men of our times.
David Lagercrantz (The Girl in the Spider's Web (Millennium, #4))
There’s no one thing that makes Caleb creepy. It’s not that he licks his lips until the skin shreds or that he talks incessantly about being “one of the nice guys” or even his habitual sweatpants boners. Rather, it is all of these things as a whole that lends to his overall air of Total Fucking Creep. An aura of Men’s Rights Activist. Eau de Internet Troll. Musk of Mansplainer.
Lily Anderson (Undead Girl Gang)
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
Meg Cabot (All-American Girl (All-American Girl, #1))
--There's something about other people isn't there?--you'd like to know who they are?--you'd like to be them, maybe? People you never saw before and"--my voice lifting in excitement, "it's so strange how they're different from you, isn't it?--or like if somebody had the power, say somebody said to you, 'would you change places with the next person you see, a stranger just turning a corner,' I'd say, 'Hell yes.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
I never understood why, but the best of girls like gangsters. This was something that was always odd to me. Here, you have fine working girls who are involved with someone who isn’t working, just sitting on the blocks all day with a big gun in his waist. For some girls, they like that. I don’t know why. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
He looks again towards the door, expecting Mum to walk in and remind him of something he's forgotten. He smiles awkwardly. 'Is that it, Dad? I've got to go.' 'Your Mum said I should mention ... um ... satisfaction.' 'What!' 'She said young men should know things, should be told things so that the girl won't be ...' his eyes plead for understanding, '... disappointed.' [...] 'No worries, Dad. My biology teacher said I was a natural.' Dad looks confused. 'I'm kidding, Dad.' [...] Poor bloke, having to do the dirty work while Mum's off with her gang. 'Dad? What did Grandpa tell you about sex?' 'He said if I got a girl pregnant, he'd kill me.
Steven Herrick (Slice)
I am overachieving at aimlessness, I am a type-A, alpha-girl lollygagger, the leader of a gang of heartbroken kids, running wild across this lonely strip of amusements, each of us smarting from the betrayals of a loved one.
Gillian Flynn (Gone Girl)
Being the cool girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex and jams hot dogs and hamburgers into her mouth like she's hosting the world's biggest culinary gang bang while somehow maintaining a size 2. Men actually think this girl exists. Maybe they're fooled because so many women are willing to pretend to be this girl.
Gillian Flynn (Gone Girl)
Unemployed people will use any number of excuses including discrimination for reasons such as disability, race, sexual orientation, religion, sex or age, or maybe there’s a shortage of jobs in their area. Well if that’s the case then they can travel to wherever the work is and go into digs. I work in construction management and regularly work with steel erectors from Ireland or Newcastle, electricians from Cardiff, fixers from Sheffield or Birmingham, steel fixers from Romania, carpenters from Poland, canteen girls from Romania, scaffolders from Lithuania, and concrete gangs of Indians, and they all travel wherever the work is and they all live in digs. We all do. It’s the nature of our industry.
Karl Wiggins (100 Common Sense Policies to make BRITAIN GREAT again)
Ah, now,” he says, his grin shifting to disarming, “you wouldn’t shoot a man who baked you a pie, would you?” “Didn’t anyone tell you, Gideon?” I growl, as K’aahanáanii rolls through my veins. “I’m the crazy one in the girl gang.” I pull the trigger.
Rebecca Roanhorse (Storm of Locusts (The Sixth World, #2))
And what about us?” Catcher asked. Gabriel’s eyebrows lifted. “You’re part of the mystery-solving gang, aren’t you?” Catcher muttered something unflattering, and Mallory nudged him. “I presume you want us to stay here tonight?” she asked. “It would make things easier,” Gabe said. “So we’ll sleep on the couch,” Catcher said, “like we’re twelve-year-olds at a slumber party.” “In fairness,” Ethan said, “we don’t all have to sleep on the couch.” “In fairness,” Catcher said, “you can kiss my ass.” “Ladies,” Mallory said. “Let’s put on our big-girl panties. Merit and Ethan are already sleeping in the bedroom, and there’s no point in making them move. Catcher and I can take the couch. The shifters will feel better if we make this work, and it’s no great loss to any of us.
Chloe Neill (Wild Things (Chicagoland Vampires, #9))
Why weren't there any women in Jesus' gang?’ asked Winnifred. ‘Jesus' gang?’ echoed the vicar surprised. ‘Jesus never had a gang. Ah— you mean the Twelve.’ Winnifred nodded. The vicar looked perplexed. ‘Well, it wouldn't really have been appropriate, would it?’ ‘Why not?’ I asked. ‘It just wouldn't,’ replied the vicar, looking annoyed at my question. ‘But Jesus had a lot of girl friends,’ said Pearl. ‘He certainly didn't,’ replied the vicar, shocked. ‘But Vicar, what about Mary and Martha, the sisters of Lazarus? The Bible says that Jesus loved them,’ insisted Pearl. ‘And then there was Mary Magdalene,’ I added. ‘She wanted to hug him in Joseph's garden when he had just come out of the tomb, but Jesus told her not to touch him.’ ‘Yes— well—’ said the vicar uncertainly. ‘They were good followers of Jesus and they loved him— as we should all love him. No more questions now. We will be starting the service shortly.’ ‘Not very helpful,’ I whispered to Winnifred. ‘If Jesus had had a few women in his group of twelve, it would be much easier to know how to live with them.
Peter St. John (Gang Loyalty (Gang Books #4))
The twins had always seemed both blessed and cursed; they'd inherited, from their mother, the legacy of an entire town, and from their father, a legacy hollowed by loss. Four Vignes boys, all dead by thirty. The eldest collapsed in a chain gang from heatstroke; the second gassed in a Belgian trench; the third stabbed in a bar fight; and the youngest, Leon Vignes, lynched twice, the first time at home while his twin girls watched through a crack in the closet door, hands clamped over each other's mouths until their palms were misted with spit.
Brit Bennett (The Vanishing Half)
A sixteen-year-old girl at her homecoming dance was gang-raped and left for dead because the Democrats need more voters. We could save a lot of soul-searching about “our” violent culture if journalists didn’t hide the fact that gang rapes are generally committed by people who are not from our culture.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
That was the tribal system at school: the girls—giggly gaggles of Miley Cyrus clones, the jocks in their swaggering gangs … and finally the third category, the ones like Edward Chan—the freaks. Loners, emos, geeks, nerds: the cookies that didn’t quite fit the cookie-cutter machine that was high school.
Alex Scarrow (Day of the Predator (TimeRiders, #2))
... because the Legs wasn't fearful of heights or swimming in rough water or Death itself she wasn't afraid to risk making a fool of herself. Maybe you think that's something of no consequence but it isn't - for making a fool of yourself, offering yourself to others to laugh at, to jeer, that takes guts.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Because in addition to joining dangerous gangs and having parties, this Noah also goes out with girls, keeps his hair buzzed and tidy, hangs at The Spot, watches sports with Dad. For all other sixteen-year-old boys: fine. For Noah, it signifies one thing: death of the spirit. A book with the wrong story in it.
Jandy Nelson
That anybody white could take your whole self for anything that came to mind. Not just work, kill, or maim you, but dirty you. Dirty you so bad you couldn’t like yourself anymore. Dirty you so bad you forgot who you were and couldn’t think it up. And though she and others lived through and got over it, she could never let it happen to her own. The best thing she was, was her children. Whites might dirty her all right, but not her best thing, her beautiful, magical best thing—the part of her that was clean. No undreamable dreams about whether the headless, feetless torso hanging in the tree with a sign on it was her husband or Paul A; whether the bubbling-hot girls in the colored-school fire set by patriots included her daughter; whether a gang of whites invaded her daughter’s private parts, soiled her daughter’s thighs and threw her daughter out of the wagon. She might have to work the slaughterhouse yard, but not her daughter.
Toni Morrison (Beloved: Pulitzer Prize Winner (Vintage International))
Her mind, shaped so long before my own, was for me the equivalent of what had been offered me by the behaviour of the girls of the little gang along the sea-shore. Mme de Guermantes offered me, tamed and subdued by good manners, by respect for intellectual values, the energy and charm of a cruel little girl from one of the noble families around Combray, who from her childhood had ridden horses, sadistically tormented cats, gouged out the eyes of rabbits, and, while remaining a paragon of virtue, might equally well have been, some years back now, and so much did she share his dashing style, the most glamorous mistress of the Prince de Sagan.
Marcel Proust (The Guermantes Way)
They ask questions about the wall the current U.S. president wants to build, and is it true that Muslims are barred from entering the country, and what about the caravan of refugees fleeing gang violence at the border? We discuss all the ways the Land of the Free, under the present administration, currently “welcomes” its newcomers.
Daphne Palasi Andreades (Brown Girls)
I could never get on board with this sort of girl-gang feminism, the groups of female friends who called themselves things like ‘the coven’ on social media and exhibited moral superiority from simply having a weekly brunch with each other. Having friends doesn’t make you a feminist; going on about female friendship doesn’t make you a feminist.
Dolly Alderton (Ghosts)
When the film Baise-Moi was banned from the screen, lots of women (men didn't dare comment on that subject) stood up to publicly declare, "How revolting, we absolutely must not consider that violence is an answer to rape." Why not? You never see news items about girls -- alone or in gangs -- biting off the dicks of men who attack them, or trailing their attackers to kill them or beat them lifeless...but women still feel the need to say that violence is not the answer. And yet, if men were to fear having their dicks slashed to pieces with a carpet knife should they try to force a woman, they would soon become much better at controlling their "masculine" urges and understanding that "no" means "no".
Virginie Despentes (King Kong théorie)
That night at the Brooklyn party, I was playing the girl who was in style, the girl a man like Nick wants: the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men—friends, coworkers, strangers—giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much—no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version—maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”) I waited patiently—years—for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we’d say, Yeah, he’s a Cool Guy. But it never happened. Instead, women across the nation colluded in our degradation! Pretty soon Cool Girl became the standard girl. Men believed she existed—she wasn’t just a dreamgirl one in a million. Every girl was supposed to be this girl, and if you weren’t, then there was something wrong with you. But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool
Gillian Flynn (Gone Girl)
Well, ma'am, as I said, I found Willow lying ill down on the riverbank." "What was she doing there?" Rider swallowed. "Ah,well, she, ah, was kind of taking a bath." "A bath!" The landlady looked like she was going to be sick. They now had Bartel's full attention. A grin wrinkled the corner of this mouth. "Oh,she was all done,of course," Rider rushed to explain. "Dressed,too," he lied. "Poor girl said she had a severe headache." Rider was sweating bullets. He'd rather face the whole Clanton gang than his formidable landlady. She had the uncanny ability to make him feel like a ten-year-old boy caught with his hand in the cookie jar. And it didn't take much to figure out what her reaction would be to his "headache treatment." Since there were definitely no benefits to be won for total honesty, he reasoned that what she didn't know woulnd't hurt him.
Charlotte McPherren (Song of the Willow)
(...) I could "talk fast" -- that's to say, without hesitating, stammering -- most of the time -- but there were categories of words, sentiments, I could never say, they'd have stuck in my throat. The embarrassment of it even whispering-teasing to Legs for instance 'Yeah you're my heart too!' or 'I love you' or 'I would die for you', nobody ever talked that way, mostly there was just my mother and me and we hardly talked at all.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
But she wasn't a serving girl in a Phorliss cantina this time, or a come-up flector for a swoop gang on Caprioril, or even a hyperdrive mechanic stuck in the backwater of the Ison Corridor. She was second in command to the most powerful smuggler in the galaxy, with the kind of resources and mobility she hadn't had since the death of the Emperor. [p] The kind of resources that would let her find Luke Skywalker again. And kill him
Timothy Zahn (Dark Force Rising (Star Wars: The Thrawn Trilogy, #2))
With any one member of my little gang of girls, was I not bound to recall only the most recently glimpsed of her possible faces, given that the mind eliminates from our memories of anyone whatever does not contribute in an immediately useful way to our daily dealings with the person, even if—especially if!—these dealings are colored by a tincture of love, which, by being perpetually unsatisfied, lives forever in the coming moment?
Marcel Proust (In the Shadow of Young Girls in Flower)
You look at the crime and you look at the criminal. If it's a dope dealer who guns down an undercover narcotics officer, then he gets the gas. If it's a drifter who rapes a three-year-old girl, drowns her by holding her little head in a mudhole, then throws her body off a bridge, then you take his life and thank god he's gone. If it's an escaped convict who breaks into a farmhouse late at night and beats and tortures an elderly couple before burning them with their house, then you strap him in a chair, hook up a few wires, pray for his soul, and pull the switch. And if it's two dopeheads who gang-rape a ten-year-old girl and kick her with pointed-toe cowboy boots until her jaws break, then you happily, merrily, thankfully, gleefully lock them in a gas chamber and listen to them squeal. It's very simple. Their crimes were barbaric. Death is too good for them, much too good.
John Grisham (A Time to Kill (Jake Brigance, #1))
It is hard to bring paedophile rings to justice. Thankfully it does happen. Perhaps the most horrific recent case came before the High Court in Edinburgh in June 2007. It involved a mother who stood by and watched as her daughter of nine was gang-raped by members of a paedophile ring at her home in Granton, in the north of Edinburgh. The mother, Caroline Dunsmore, had allowed her two daughters to be used in this way from the age of five. Sentencing Dunsmore to twelve years in prison judge, Lord Malcolm, said he would take into account public revulsion at the grievous crimes against the two girls. He told the forty-three-year-old woman: 'It is hard to imagine a more grievous breach of trust on the part of a mother towards her child.' Morris Petch and John O'Flaherty were also jailed for taking part in raping the children. Child abuse nearly always takes place at home and members of the family are usually involved.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Warning: “Good Intentions” contains violence, explicit sex, nudity, inappropriate use of church property, portrayals of beings divine and demonic bearing little or no resemblance to established religion or mythology, trespassing, bad language, sacrilege, blasphemy, attempted murder, arguable murder, divinely mandated murder, justifiable murder, filthy murder, sexual promiscuity, kidnapping, attempted rape, arson, dead animals, desecrated graves, gang activity, theft, assault and battery, panties, misuse of the 911 system, fantasy depictions of sorcery and witchcraft, multiple references to various matters of fandom, questionable interrogation tactics, cell phone abuse, reckless driving, consistent abuse of vampires (because they deserve it), even more explicit sex, illegal use of firearms within city limits, polyamory, abuse of authority, hit and run driving, destruction of private property, underage drinking, disturbances of the peace, disorderly conduct, internet harassment, bearers of false witness, mayhem, dismemberment, falsification of records, tax evasion, an uncomfortably sexy mother, bad study habits, and a very silly white guy inappropriately calling another white guy “nigga” (for which he will surely suffer). All characters depicted herein are over the age of 18, with the exception of one little girl who merely needs to get her cat out of a tree. Don’t worry, nothing bad happens to her. She makes it through the story just fine.
Elliott Kay (Good Intentions (Good Intentions, #1))
There are two types of women in particular who inspire my envy. The first is an ebullient one, happily engaged from morning until night, able to enjoy things like group lunches, spontaneous vacations to Cartagena with gangs of girlfriends, and planning other people's baby showers. The bigger existential questions don't seem to plague her, and she can clean her stove without ever once thinking, What's the point? It just gets dirty again anyway and then we die. Why don't I just stick my head...
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
I do love Oregon." My gaze wanders over the quiet, natural beauty surrounding us, which isn't limited to just this garden. "Being near the river, and the ocean, and the rocky mountains, and all this nature ... the weather." He chuckles. "I've never met anyone who actually loves rain. It's kind of weird. But cool, too," he adds quickly, as if afraid to offend me. "I just don't get it." I shrug. "It's not so much that I love rain. I just have a healthy respect for what if does. People hate it, but the world needs rain. It washes away dirt, dilutes the toxins in the air, feeds drought. It keeps everything around us alive." "Well, I have a healthy respect for what the sun does," he counters with a smile." "I'd rather have the sun after a good, hard rainfall." He just shakes his head at me but he's smiling. "The good with the bad?" "Isn't that life?" He frowns. "Why do I sense a metaphor behind that?" "Maybe there is a metaphor behind that." One I can't very well explain to him without describing the kinds of things I see every day in my life. The underbelly of society - where twisted morals reign and predators lurk, preying on the lost, the broken, the weak, the innocent. Where a thirteen-year-old sells her body rather than live under the same roof as her abusive parents, where punks gang-rape a drunk girl and then post pictures of it all over the internet so the world can relive it with her. Where a junkie mom's drug addiction is readily fed while her children sit back and watch. Where a father is murdered bacause he made the mistake of wanting a van for his family. In that world, it seems like it's raining all the time. A cold, hard rain that seeps into clothes, chills bones, and makes people feel utterly wretched. Many times, I see people on the worst day of their lives, when they feel like they're drowing. I don't enjoy seeing people suffer. I just know that if they make good choices, and accept the right help, they'll come out of it all the stronger for it. What I do enjoy comes after. Three months later, when I see that thirteen-year-old former prostitute pushing a mower across the front lawn of her foster home, a quiet smile on her face. Eight months later, when I see the girl who was raped walking home from school with a guy who wants nothing from her but to make her laugh. Two years later, when I see the junkie mom clean and sober and loading a shopping cart for the kids that the State finally gave back to her. Those people have seen the sun again after the harshest rain, and they appreciate it so much more.
K.A. Tucker (Becoming Rain (Burying Water, #2))
I’ve lived near here at several different stretches across time, but once, when I lived here a few hundred years ago, I had a camel I named Oded. He was just about the laziest creature ever to talk the Earth. He would pass out when I was in the middle of feeding him, and making it to the closest Bedouin camp for tea was a minor miracle. But when I first met you in that lifetime-“ “Oded broke into a run,” Luce said without thinking. “I screamed because I thought he was going to trample me. You said you’d never seen him move like that.” “Yeah, well,” Daniel said. “He liked you.” They paused and looked at each other, and Daniel started laughing when Luce’s jaw dropped. “I did it!” she cried out. “It was just there, in my memory, a part of me. Like it happened yesterday. I came to me without thinking!” It was miraculous. All those memories from all those lives that had been lost each time Lucinda died in Daniel’s arms were somehow finding their way back to her, the way Luce always found her way back to Daniel. No. She was finding her way to them. It was like a gate had been left open after Luce’s quest through the Announcers. Those memories stayed with her, from Moscow to Helston to Egypt. Now more were becoming available. She had a sudden, keen sense of who she was-and she wasn’t just Luce Price from Thunderbolt, Georgia. She was every girl she’d ever been, an amalgamation of experience, mistakes, achievements, and, above all, love. She was Lucinda. “Quick,” she said to Daniel. “Can we do another?” “Okay, how about another desert life? You were living in the Sahara when I found you. Tall and gangly and the fastest runner in your village. I was passing through one day, on my way to visit Roland, and I stopped for the night at the closest spring. All the other men were very distrustful of me, but-“ “But my father paid you three zebra skins for the knife you had in your satchel!” Daniel grinned. “He drove a hard bargain.” “This is amazing,” she said, nearly breathless. How much more did she have in her that she didn’t know about? How far back could she go? She pivoted to face him, drawing her knees against her chest and leaning in so that their foreheads were almost touching. “Can you remember everything about our pasts?” Daniel’s eyes softened at the corners. “Sometimes the order of things gets mixed up in my head. I’ll admit, I don’t remember long stretches of time I’ve spent alone, but I can remember every first glimpse of your face, every kiss of your lips, every memory I’ve ever made with you.
Lauren Kate (Rapture (Fallen, #4))
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Gillian Flynn (Gone Girl)
CONFESSIONS OF A GANGSTER A former gang member talks about racial violence from way back in the eighties. “It started out innocently,” Jones, 39, tells me at a Starbucks on Chestnut Street near the group’s old stomping grounds. The posse walked to South Street seeking action. “They had a term, ‘clocking wigs,’ that meant hitting someone in the head,” he recalls with shame and disgust. “They preyed on women, whites, and Asians.” “They were selective,” driven less by hating whites than wanting to feel superior to weaker, vulnerable strangers, he explains. “If they saw anyone who could defend themselves or pose a threat, they wouldn’t do anything.”1 Any questions?
Colin Flaherty (White Girl Bleed A Lot: The Return of Racial Violence to America and How the Media Ignore It)
In the past year or so, a disquieting change had come slowly to Pinehaven County: occasional outriders from MS-13 and other Central American gangs, scouting for opportunities like remote and easily concealed locations for meth labs, checking out the strength and determination of local law enforcement. There had been incidents between them and a few deputies, nothing too alarming. But a pretty teenager, Jenna McCall, had vanished without a trace; she’d been a good student, a devoted daughter, not the kind of girl who opted to be a runaway. And Jimmy Talbert, thirteen, had been riding his bike on an unpaved forest-service road when he’d been struck by a hit-and-run driver and left to bleed to death. There hadn’t been a case of hit-and-run in Pinehaven County in thirty-six years. So
Dean Koontz (Devoted)
The Great Carouser by Stewart Stafford The Great Carouser approaches, His belly as stacked cheddar rolls, Used as a springboard for lust, And a battering ram for tavern doors. Shrieks of terror and welcome, Greet his arrival with ale demands, Tankards clank and merriment begins, Lewd ditties and jokes by the bar. Balancing acts on tables, With tongues held hostage, By braggadocio squatters, In an intoxicated stranglehold. Slurred speech and equilibrium loss, Signal festivities end for the gang, Staggering out into the starlit street, Partners on each arm for shady exertions. Then waking as if mauled by a bear, A quick drink and a greasy feast initiated, For the strange girls snoring in his bed, The Great Carouser has struck again. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
Tell you what: Ask a Baptist wife why her husband treats her like a personal slave. Ask a homosexual couple why their love for one another is treated as a sick joke in some parts of the world and as a crime punishable by death in others. Ask a starving African mother with ten starving children why she doesn't practice birth control. Ask a young Muslim girl why her parents sliced off her clitoris. Ask millions of Muslim women why they cannot attend schools or show themselves in public except through the eye slits of a full-body burqa. Ask the Pakistani woman who's gang-raped why she is sentenced to death while her rapists go free, and why it’s her own family leading the murderous chorus. Ask the American woman who’s raped why her local congressman would question the “legitimacy” of that rape and would force her to bring her rapist’s child to term. Ask the dead Christian children why their fundamentalist parents wouldn’t give them an antibiotic to stave off their infection or an insulin injection to control their diabetes. Ask the Parkinson’s or paralysis victims why their cures have been mired in religious and political red tape for decades now because an increasingly hysterical and radical segment of American society believes that a clump of cells with no identity and no consciousness has more rights than they do. Ask them all to point to the source of their misery, and then ask yourself why it doesn't bother you that they are pointing to the same goddamned book you're using in your religious services and in the celebration of your “harmless” and “quaint” traditions.
D. Cameron Webb (Despicable Meme: The Absurdity and Immorality of Modern Religion)
We'll stick close together, but make no sign we are acquainted. The girls should go ahead so that they get through first. We'll follow close behind to be there for any trouble." "Don't worry, my dears," said the professor gallantly, "I'll rescue you from any difficulties." Yelena laughed and kissed the old man on the cheek. "Of course you will. I don't know why we bother with these other men, do you, Tashi?" "But they are decorative, aren't they?" the Princess replied archly. It was fun to have a girl with whom she could gang up against the boys--she'd never had a friend like that before. "They give us something to look at on the boring stretches of the road." She let her eyes linger on Ramil, who appeared very warm all of a sudden. Yelena swung herself into the saddle. "My, my, Princess, I didn't know you could flirt." "I'm learning from a master--or should I say mistress--of that art," Tashi said with a bow.
Julia Golding (Dragonfly (Dragonfly Trilogy, #1))
wonder if Mr. Alec Davis would come back and ha'nt me if I threw a stone at the urn on top of his tombstone," said Jerry. "Mrs. Davis would," giggled Faith. "She just watches us in church like a cat watching mice. Last Sunday I made a face at her nephew and he made one back at me and you should have seen her glare. I'll bet she boxed HIS ears when they got out. Mrs. Marshall Elliott told me we mustn't offend her on any account or I'd have made a face at her, too!" "They say Jem Blythe stuck out his tongue at her once and she would never have his father again, even when her husband was dying," said Jerry. "I wonder what the Blythe gang will be like." "I liked their looks," said Faith. The manse children had been at the station that afternoon when the Blythe small fry had arrived. "I liked Jem's looks ESPECIALLY." "They say in school that Walter's a sissy," said Jerry. "I don't believe it," said Una, who had thought Walter very handsome. "Well, he writes poetry, anyhow. He won the prize the teacher offered last year for writing a poem, Bertie Shakespeare Drew told me. Bertie's mother thought HE should have got the prize because of his name, but Bertie said he couldn't write poetry to save his soul, name or no name." "I suppose we'll get acquainted with them as soon as they begin going to school," mused Faith. "I hope the girls are nice. I don't like most of the girls round here. Even the nice ones are poky. But the Blythe twins look jolly. I thought twins always looked alike, but they don't. I think the red-haired one is the nicest." "I liked their mother's looks," said Una with a little sigh. Una envied all children their mothers. She had been only six when her mother died, but she had some very precious memories, treasured in her soul like jewels, of twilight cuddlings and morning frolics, of loving eyes, a tender voice, and the sweetest, gayest laugh. "They say she isn't like other people," said Jerry. "Mrs. Elliot says that is because she never really grew up," said Faith. "She's taller than Mrs. Elliott." "Yes, yes, but it is inside—Mrs. Elliot says Mrs. Blythe
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
the Cool Girl. Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: ‘I like strong women.’ If he says that to you, he will at some point fuck someone else. Because ‘I like strong women’ is code for ‘I hate strong women.’)
Gillian Flynn (Gone Girl)
FOXFIRE NEVER SAYS NEVER! By the time the kidnapped turquoise-and-chrome car overturns--turns and turns and turns!--in a snow-drifted field north of Tydeman's Corners Legs Sadovsky will have driven eleven miles from Eddy's Smoke Shop on Fairfax Avenue, six wild miles with the Highway Patrol cop in pursuit bearing up swiftly when the highway is clear and the girls are hysterical with excitement squealing and clutching one another thrown from side to side as Legs grimaces sighting the bridge ahead, it's one of those old-fashioned nightmare bridges with a steep narrow ramp, narrow floor made of planks but there's no time for hesitation Legs isn't going to use the brakes, she's shrewd, reasoning too that the cop will have to slow down, the fucker'll be cautious thus she'll have several seconds advantage won't she?--several seconds can make quite a difference in a contest like this so the Buick's rushing up the ramp, onto the bridge, the front wheels strike and spin and seem at first to be lifting in decorous surprise Oh! oh but astonishingly the car holds, it's a heavy machine of power that seems almost intelligent until flying off the bridge hitting a patch of slick part-melted ice the car swerves, now the rear wheels appear to be lifting, there's a moment when all effort ceases, all gravity ceases, the Buick a vessel of screams as it lifts, floats, it's being flung into space how weightless! Maddy's eyes are open now, she'll remember all her life this Now, now how without consequence! as the car hits the earth again, yet rebounds as if still weightless, turning, spinning, a machine bearing flesh, bones, girls' breaths plunging and sliding and rolling and skittering like a giant hard-shelled insect on its back, now righting itself again, now again on its back, crunching hard, snow shooting through the broken windows and the roof collapsing inward as if crushed by a giant hand upside-down and the motor still gunning as if it's frantic to escape, they're buried in a cocoon of bluish white and there's a sound of whimpering, panting,sobbing, a dog's puppyish yipping and a strong smell of urine and Legs is crying breathlessly half in anger half in exultation, caught there behind the wheel unable to turn, to look around, to see, "Nobody's dead--right?" Nobody's dead.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession. “We had a guest last night,” he told Elizabeth. “I slammed the door on him.” “Who was it?” “A Mr. Ian Thornton.” Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!” “Bentner,” Alex sputtered, “you are a treasure!” “Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.” “Yes, and he didn’t return for six months,” Bentner told Alex proudly. “And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.” “Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl. “It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.” Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.” Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.” Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.” “And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.” “There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“ “No,” Elizabeth said with finality. “-lizards,” Bentner finished determinedly. “Absolutely not,” his mistress returned. “And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“ “Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.” When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.” “He must be afraid to close his eyes after reading such things,” Alex agreed.
Judith McNaught (Almost Heaven (Sequels, #3))
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
EUROS SIDE WITH MEXICAN GANG RAPIST Mexico, President Bush’s dearest international ally, brought a lawsuit against the United States in the International Court of Justice on behalf of its native son, Jose Ernesto Medellin, arguing that Texas failed to inform him of his right to confer with the Mexican consulate. It probably didn’t occur to the police to ask Medellin if he was Mexican, with the media referring to the suspects exclusively as: “five Houston teens,” “five youths,” “the youths,” “young men,” “members of ‘a social club,’” “a bunch of guys,” “six young men,” “six teen-agers,” and “these guys”23 (and, oddly, “America’s hottest boy band”). The World Court agreed with Mexico, confirming my suspicion that any organization with “world” in its title—International World Court, the World Bank, World Cup Soccer, the World Trade Organization—is inherently evil. The court ordered that Mexican illegal aliens in American prisons must be retried unless they had been promptly advised of their consular rights—a ruling that would have emptied Texas’s prisons. It wasn’t as if America had shanghaied Medellin and dragged him into our country. He sneaked in illegally, demanded the full panoply of rights accorded American citizens, and when things didn’t go his way, suddenly announced he was an illegal alien entitled to rights as a Mexican citizen. Or as the New York Times hyperventilated: A failure to enforce the World Court’s ruling “could imperil American tourists or business travelers if they are ever arrested and need the help of a consular official.”24 If an American tourist or business traveler ever gang-rapes and murders two teenaged girls in a foreign country, I don’t care what they do to him.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
I was sitting down hanging with the fellas them just for the girls, because really and truly this was bugging me. How could these fellas have the finest girls in the community, and they don’t work, they don’t have any money. Anytime something has to be purchased they would say, ‘Man, Scrooge, throw the blow; buy this and buy that.’ So we were sitting on a car one day. They were out to a disco the night before and this fella got chopped or stabbed. I didn’t know anything about it until the fellas came around looking for KC the next day. These fellas just yuck out their guns and started busting shots, and everybody just break off running for their lives. Afterwards I mumbled to myself that these are some crazy fellas. They just came shooting for no reason. The funny thing about it is this: guns were not even that common on the streets then. We’re talking around 1987, 1988. I believe the fella who fired those shots at us, goes by the nickname Dog and he lives in the US now. I said to Ada, ‘What kind of thing this is? I mean, these fellas came and just started shooting.’ That sent a whole new way of thinking in my mind. Prior to that, I was just a person going to work, coming home, and chilling. I just happened to be sitting there one day. They didn’t know me and they didn’t care who I was. I never used to even be with KC and them. I just happened to be there that day. If I had known that those fellas were crazy like that, to come shooting at whoever they saw, I wouldn’t have been there hanging with KC and them. After that, my whole mindset changed. It was either shoot or be shot. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members.
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
INTERNATIONAL LAW WAS CREATED DURING THE BUSH ADMINISTRATION BECAUSE a group of Mexicans—and one African American—gang-raped and murdered two teenaged girls in Houston, Texas.1 The crime made history in another way: It led to the most death sentences handed out for a single crime in Texas since 1949.2 Do you even know about this case? The only reason the media eventually admitted that the lead rapist, Jose Ernesto Medellin, was an illegal alien from Mexico was to try to overturn his conviction on the grounds that he had not been informed of his right, as a Mexican citizen, to confer with the Mexican consulate. Journalists have an irritating tendency to skimp on detail when reporting crimes by immigrants, a practice that will not be followed here. One summer night in June 1993, fourteen-year-old Jennifer Ertman and Elizabeth Peña, who had just turned sixteen, were returning from a pool party, and decided to take a shortcut through a park to make their 11:30 p.m. curfew. They encountered a group of Hispanic men, who were in the process of discussing “gang etiquette,” such as not complaining if other members talked about having sex with your mother.3 The girls ran away, but Medellin grabbed Jennifer and began ripping her clothes off. Hearing her screams, Elizabeth came back to help her friend. For more than an hour, the five Hispanics and one black man raped the teens, vaginally, anally, and orally—“every way you can assault a human being,” as the prosecutor put it.4 The girls were beaten, kicked, and stomped, their teeth knocked out and their ribs broken. One of the Hispanic men told Medellin’s fourteen-year-old brother to “get some,” so he raped one of the girls, too. But when it was time to kill the girls, Medellin said his brother was “too small to watch” and dragged the girls into the woods.5 There, the girls were forced to kneel on the ground and a belt or shoelace was looped around their necks. Then a man on each side pulled on the cord as hard as he could. The men strangling Jennifer pulled so hard they broke the belt. Medellin later complained that “the bitch wouldn’t die.” When it was done, he repeatedly stomped on the girls’ necks, to make sure they were dead.6 At trial, Medellin’s sister-in-law testified that shortly after the gruesome murders, Medellin was laughing about it, saying they’d “had some fun with some girls” and boasting that he had “virgin blood” on his underpants.7 It’s difficult to understand a culture where such an orgy of cruelty is bragged about at all, but especially in front of women.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)