Gillian Flynn Quotes

We've searched our database for all the quotes and captions related to Gillian Flynn. Here they are! All 100 of them:

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There’s something disturbing about recalling a warm memory and feeling utterly cold.
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Gillian Flynn (Gone Girl)
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There's a difference between really loving someone and loving the idea of her.
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Gillian Flynn (Gone Girl)
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Tampon commercial, detergent commercial, maxi pad commercial, windex commercial - you'd think all women do is clean and bleed.
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Gillian Flynn (Gone Girl)
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It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
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Gillian Flynn (Gone Girl)
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Love makes you want to be a better manβ€”right, right. But maybe love, real love, also gives you permission to just be the man you are.
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Gillian Flynn (Gone Girl)
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The face you give the world tells the world how to treat you.
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Gillian Flynn (Sharp Objects)
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A lot of people lacked that gift: knowing when to fuck off.
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Gillian Flynn (Gone Girl)
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Sleep is like a cat: It only comes to you if you ignore it.
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Gillian Flynn (Gone Girl)
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People love talking, and I have never been a huge talker. I carry on an inner monologue, but the words often don't reach my lips.
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Gillian Flynn (Gone Girl)
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I was not a lovable child, and I'd grown into a deeply unlovable adult. Draw a picture of my soul, and it'd be a scribble with fangs.
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Gillian Flynn (Dark Places)
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My gosh, Nick, why are you so wonderful to me?' He was supposed to say: You deserve it. I love you. But he said, 'Because I feel sorry for you.' 'Why?' 'Because every morning you have to wake up and be you.
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Gillian Flynn (Gone Girl)
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A child weaned on poison considers harm a comfort.
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Gillian Flynn (Sharp Objects)
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My mother had always told her kids: if you're about to do something, and you want to know if it's a bad idea, imagine seeing it printed in the paper for all the world to see.
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Gillian Flynn (Gone Girl)
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It’s humbling, to become the very thing you once mocked.
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Gillian Flynn (Gone Girl)
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Friends see most of each other’s flaws. Spouses see every awful last bit.
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Gillian Flynn (Gone Girl)
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I often don't say things out loud, even when I should. I contain and compartmentalize to a disturbing degree: In my belly-basement are hundreds of bottles of rage, despair, fear, but you'd never guess from looking at me.
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Gillian Flynn (Gone Girl)
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I have a meanness inside me, real as an organ. Slit me at my belly and it might slide out, meaty and dark, drop on the floor so you could stomp on it.
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Gillian Flynn (Dark Places)
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I don't understand the point of being together if you're not the happiest.
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Gillian Flynn (Gone Girl)
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She’s easy to like. I’ve never understood why that’s considered a compliment - that just anyone could like you.
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Gillian Flynn (Gone Girl)
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I just think some women aren't made to be mothers. And some women aren't made to be daughters.
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Gillian Flynn (Sharp Objects)
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Sometimes if you let people do things to you, you're really doing it to them.
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Gillian Flynn (Sharp Objects)
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Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl. Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: β€œI like strong women.” If he says that to you, he will at some point fuck someone else. Because β€œI like strong women” is code for β€œI hate strong women.”)
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Gillian Flynn (Gone Girl)
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Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.)
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Gillian Flynn (Gone Girl)
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Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase?
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Gillian Flynn (Gone Girl)
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We weren’t ourselves when we fell in love, and when we became ourselves – surprise! – we were poison. We complete each other in the nastiest, ugliest possible way.
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Gillian Flynn (Gone Girl)
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You drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
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Gillian Flynn (Gone Girl)
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The truly frightening flaw in humanity is our capacity for cruelty - we all have it.
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Gillian Flynn (Dark Places)
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Problems always start long before you really, really see them.
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Gillian Flynn (Sharp Objects)
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Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed.
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Gillian Flynn (Sharp Objects)
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People say children from broken homes have it hard, but the children of charmed marriages have their own particular challenges.
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Gillian Flynn (Gone Girl)
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I waited patiently - years - for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we'd say, Yeah, he's a Cool Guy.
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Gillian Flynn (Gone Girl)
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Because you can't be as in love as we were and not have it invade your bone marrow. Our kind of love can go into remission, but it's always waiting to return. Like the world's sweetest cancer.
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Gillian Flynn (Gone Girl)
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The worst feeling: when you just have to wait and prepare yourself for the lie.
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Gillian Flynn (Gone Girl)
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Safer to be feared than loved.
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Gillian Flynn (Sharp Objects)
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It was surprising that you could spend hours in the middle of the night pretending things were okay, and know in thirty seconds of daylight that simply wasn't so
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Gillian Flynn (Dark Places)
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...and you drink a little too much and try a little too hard. And you go home to a cold bed and think, 'That was fine'. And your life is a long line of fine.
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Gillian Flynn (Gone Girl)
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They always call depression the blues, but I would have been happy to waken to a periwinkle outlook. Depression to me is urine yellow, washed out, exhausted miles of weak piss.
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Gillian Flynn (Sharp Objects)
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My dad had limitations. That's what my good-hearted mom always told us. He had limitations, but he meant no harm. It was kind of her to say, but he did do harm.
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Gillian Flynn (Gone Girl)
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I ached once, hard, like a period typed at the end of a sentence.
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Gillian Flynn (Sharp Objects)
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I felt a queasy mixture of relief and horror: when you finally stop an itch and realize it’s because you’ve ripped a hole in your skin.
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Gillian Flynn (Gone Girl)
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Every time people said I was pretty, I thought of everything ugly swarming beneath my clothes.
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Gillian Flynn (Sharp Objects)
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It's impossible to compete with the dead. I wished I could stop trying.
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Gillian Flynn (Sharp Objects)
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To spend a life in dreams, that sounded too lovely.
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Gillian Flynn (Sharp Objects)
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I'm the bitch who makes you a man.
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Gillian Flynn (Gone Girl)
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I am not angry or sad or happy to see you. I could not give a shit. You don't even ripple.
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Gillian Flynn (Dark Places)
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There is an unfair responsibility that comes with being an only child - you grow up knowing you aren't allowed to disappoint, you're not even allowed to die.
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Gillian Flynn (Gone Girl)
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There's no app for a bourbon buzz on a warm day in a cool, dark bar. The world will always want a drink.
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Gillian Flynn (Gone Girl)
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I feel myself trying to be charming, and then I realize I’m obviously trying to be charming, and then I try to be even more charming to make up for the fake charm, and then I’ve basically turned into Liza Minnelli: I’m dancing in tights and sequins, begging you to love me. There’s a bowler and jazz hands and lots of teeth.
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Gillian Flynn (Gone Girl)
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Most beautiful, good things were done by women people scorn.
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Gillian Flynn (Gone Girl)
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There was nothing I wanted to do more than be unconscious again, wrapped in black, gone away. I was raw. I felt swollen with potential tears, like a water balloon filled to burst. Begging for a pin prick.
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Gillian Flynn (Sharp Objects)
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Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you? So that's how the hating first began. I've thought about this a lot, and that's where it started, I think.
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Gillian Flynn (Gone Girl)
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I was raised feral, and I mostly stayed that way.
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Gillian Flynn (Dark Places)
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All this time I'd thought we were strangers, and it turned out we knew each other intuitively, in our bones, in our blood. It was kind of romantic. Catastrophically romantic.
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Gillian Flynn (Gone Girl)
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I am a thornbush, bristling from the overattention of my parents, and he is a man of a million little fatherly stab wounds, and my thorns fit perfectly into them.
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Gillian Flynn (Gone Girl)
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I was told love should be unconditional. That's the rule, everyone says so. But if love has no boundaries, no limits, no conditions, why should anyone try to do the right thing ever? If I know I am loved no matter what, where is the challenge? I am supposed to love Nick despite all his shortcomings. And Nick is supposed to love me despite my quirks. But clearly, neither of us does. It makes me think that everyone is very wrong, that love should have many conditions. Love should require both partners to be their very best at all times.
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Gillian Flynn (Gone Girl)
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I've always been partial to the image of liquor as lubrication, a layer of protection from all the sharp thoughts in your head.
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Gillian Flynn (Sharp Objects)
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You are a man. You are an average, lazy, boring, cowardly, woman-fearing man. Without me, that's what you would have kept on being, ad nauseam. But I made you into something. You were the best man you've ever been with me. And you know it. The only time in your life you've ever liked yourself was pretending to be someone I might like.
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Gillian Flynn (Gone Girl)
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He did apologize profusely. (Does anyone do anything profusely except apologize? Sweat, I guess.)
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Gillian Flynn (Gone Girl)
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Sometimes it is all too loud.
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Gillian Flynn (Sharp Objects)
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This is the unforgiving light of the morning, time to drop the illusion.
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Gillian Flynn (Sharp Objects)
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I felt something loosen in me, that shouldn't have loosened. A stitch come undone.
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Gillian Flynn (Dark Places)
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It had gotten to the point where it seemed like nothing matters, because I’m not a real person and neither is anyone else.
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Gillian Flynn (Gone Girl)
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Sometimes I think I won't ever feel safe until I can count my last days on one hand.
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Gillian Flynn (Sharp Objects)
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People want to believe they know other people. Parents want to believe they know their kids. Wives want to believe they know their husbands.
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Gillian Flynn (Gone Girl)
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It is a do-it-yourself era: health care, real estate, police investigation. Go online and f*ing figure it out for yourself because everyone’s overworked and understaffed.
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Gillian Flynn (Gone Girl)
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Everyone who keeps a secret, itches to tell it.
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Gillian Flynn (Dark Places)
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A town so suffocating and small, you tripped over people you hated every day. People who knew things about you. It's the kind of place that leaves a mark.
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Gillian Flynn (Sharp Objects)
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Don't be discouraged - every relationship you have is a failure, until you find the right one.
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Gillian Flynn (Dark Places)
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He could cheat on me and he would never tell me, and he would think less and less of me for not figuring it out. He would see me across the breakfast table, innocently slurping cereal, and know that I am a fool, and how can anyone respect a fool?
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Gillian Flynn (Gone Girl)
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Women get consumed. Not surprising, considering the sheer amount of traffic a woman's body experiences. Tampons and speculums. Cocks, fingers, vibrators and more, between the legs, from behind, in the mouth.
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Gillian Flynn (Sharp Objects)
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I am a great husband because I am very afraid she may kill me.
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Gillian Flynn (Gone Girl)
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He was one of those guys who'd pronounce I'm a hugger as he came at you, neglecting to ask if the feeling was mutual.
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Gillian Flynn (Gone Girl)
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Coffee goes great with sudden death.
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Gillian Flynn (Dark Places)
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I assumed everything bad in the world could happen, because everything bad in the world already did happen.
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Gillian Flynn (Dark Places)
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Like walking through a door. Our relationship immediately attained a sepia tone: the past.
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Gillian Flynn (Gone Girl)
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Daydreams can be dangerous.
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Gillian Flynn (Sharp Objects)
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To refuse has so many more consequences than submitting.
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Gillian Flynn (Sharp Objects)
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To be kissed on the lips by your husband is the most decadent thing.
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Gillian Flynn (Gone Girl)
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How do you know you're not Cool Girl? Because he says things like: 'I like strong women.' If he says that to you, he will at some point fuck someone else. Because 'I like strong women' is code for: 'I hate strong women.
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Gillian Flynn (Gone Girl)
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I should just listen to my gut and then do the opposite.
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Gillian Flynn (Dark Places)
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People got such a charge from seeing their names in print. Proof of existence. I could picture a squabble of ghosts ripping through piles of newspapers. Pointing at a name on the page. See, there I am. I told you I lived. I told you I was.
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Gillian Flynn (Sharp Objects)
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If you can't take care of me while I'm alive, you have made me dead anyway.
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Gillian Flynn (Gone Girl)
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Unconditional love is an undisciplined love and, as we all have seen, undisciplined love is disastrous.
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Gillian Flynn (Gone Girl)
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See, there I am. I told you I lived. I told you I was.
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Gillian Flynn (Sharp Objects)
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For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word derivative as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. Mona Lisa, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasΓ©: Seeeen it. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script. It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls. It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else. I would have done anything to feel real again.
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Gillian Flynn (Gone Girl)
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Something bad was about to happen. My wife was being clever again.
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Gillian Flynn (Gone Girl)
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Glum. It meant having the blues in a way that annoyed other people. Having the blues aggressively.
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Gillian Flynn (Dark Places)
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The question I've asked more often during our marriage, if not out loud, if not to the person who could answer. I supposed these questions stormcloud over every marriage: What are you thinking how are you feeling? Who are you? What have we done to each other? What will we do?
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Gillian Flynn (Gone Girl)
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I am, I guess, depressed. I guess I've been depressed for about twenty-four years. I can feel a better version of me somewhere in there - hidden behind a liver or attached to a bit of spleen within my stunted, childish body - a Libby that's telling me to get up, do something, grow up, move on. But the meanness usually wins out. (2)
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Gillian Flynn (Dark Places)
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I was told love should be unconditional. That's the rule, everyone says so. But if love has no boundaries, no limits, no conditions, why should anyone try to do the right thing ever? If I know I am loved no matter what, where is the challenge?
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Gillian Flynn (Gone Girl)
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I don't feel the need to explain my actions to her. I don't clarify, I don't doubt, I don't worry. I don't tell her everything, not anymore, but I tell her more than anyone else, by far. I tell her as much as I can.
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Gillian Flynn (Gone Girl)
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The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord. He’s doing what you tell him to do because he doesn’t care enough to argue, I think. Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked. Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and β€˜playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful if only relationships: This marriage would be great if only… and you sense the if only list is a lot longer than either of them realizes. So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself, This is perfect, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He gets me. She gets me. Isn’t that the simple magic phrase? So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think, That was fine. And your life is a long line of fine.
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Gillian Flynn (Gone Girl)
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Bang bang bang. I understand now why so many horror movies use that device-the mysterious knock on the door-because it has the weight of a nightmare. You don't know what's out there, yet you know you'll open it. You'll think what I think: No one bad ever knocks.
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Gillian Flynn (Gone Girl)
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There are few phrases that annoy me more than I won't bite. The only line that pisses me off faster is when some drunk, ham-faced dude in a bar sees me trying to get past him and barks: Smile,it can't be that bad! Yeah, actually, it can, jackwad.
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Gillian Flynn (Dark Places)
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It really is true. It took this awful situation for us to realize it. Nick and I fit together. I am a little too much, and he is a little too little. I am a thornbush, bristling from the overattention of my parents, and he is a man of a million little fatherly stab wounds, and my thorns fit perfectly into them.
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Gillian Flynn (Gone Girl)
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It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.
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Gillian Flynn (Gone Girl)
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Yes, I am finally a match for Amy. The other morning I woke up next to her, and I studied the back of her skull. I tried to read her thoughts. For once I didn't feel like I was staring into the sun. I'm rising to my wife's level of madness. Because I can feel her changing me again: I was a callow boy, and then a man, good and bad. Now at last I'm the hero. I am the one to root for in the never-ending war story of our marriage. It's a story I can live with. Hell, at this point, I can't imagine my story without Amy. She is my forever antagonist. We are one long frightening climax.
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Gillian Flynn (Gone Girl)
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There is an unfair responsibility that comes with being an only child - you grow up knowing you aren't allowed to disappoint, you're not even allowed to die. There isn't a replacement toddling around; you're it. It makes you desperate to be flawless, and it also makes you drunk with the power. In such ways are despots made.
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Gillian Flynn (Gone Girl)
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I’ve grown quite weary of the spunky heroines, brave rape victims, soul-searching fashionistas that stock so many books. I particularly mourn the lack of female villains β€” good, potent female villains. Not ill-tempered women who scheme about landing good men and better shoes (as if we had nothing more interesting to war over), not chilly WASP mothers (emotionally distant isn’t necessarily evil), not soapy vixens (merely bitchy doesn’t qualify either). I’m talking violent, wicked women. Scary women. Don’t tell me you don’t know some. The point is, women have spent so many years girl-powering ourselves β€” to the point of almost parodic encouragement β€” we’ve left no room to acknowledge our dark side. Dark sides are important. They should be nurtured like nasty black orchids.
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Gillian Flynn
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I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
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Gillian Flynn (Sharp Objects)