Etruscan Quotes

Ryodan says softly, “Holy strawberries, Dani, we’re in a jam.” I look at him like he’s sprouted two heads. Holy strawberries? In a jam? Even Barrons looks stumped. He continues, “But don’t worry. Holy priceless collection of Etruscan snoods—you really butchered that one, by the way—I’ve got it in the bag. How about this one: holy borrowing bibliophile, let’s book.

I smack myself in the forehead. “Holy priceless collection of Etruscan snoods, they’re not moving!” I exclaim. There’s a choking noise over my head somewhere. “Etruscan snoods?” I glow quietly inside. Some accomplishments mean more than others. I am officially the Shit. Now and forever. “Dude, watch your question marks. I just pried one out of you.” “I have no idea what you’re talking about.” “Admit it, you lost your eternal fecking composure.” “You have an obsession with a delusion about how I end my sentences. What the fuck are Etruscan snoods?” “Dunno. It’s just another of Robin’s sayings. Like, ‘Holy strawberries, Batman, we’re in a jam!’ ” “Strawberries.” “Or, ‘Holy Kleenex, Batman, it was right under our nose and we blew it!’

The Forgotten Dialect of the Heart How astonishing it is that language can almost mean, and frightening that it does not quite. Love, we say, God, we say, Rome and Michiko, we write, and the words get it all wrong. We say bread and it means according to which nation. French has no word for home, and we have no word for strict pleasure. A people in northern India is dying out because their ancient tongue has no words for endearment. I dream of lost vocabularies that might express some of what we no longer can. Maybe the Etruscan texts would finally explain why the couples on their tombs are smiling. And maybe not. When the thousands of mysterious Sumerian tablets were translated, they seemed to be business records. But what if they are poems or psalms? My joy is the same as twelve Ethiopian goats standing silent in the morning light. O Lord, thou art slabs of salt and ingots of copper, as grand as ripe barley lithe under the wind's labor. Her breasts are six white oxen loaded with bolts of long-fibered Egyptian cotton. My love is a hundred pitchers of honey. Shiploads of thuya are what my body wants to say to your body. Giraffes are this desire in the dark. Perhaps the spiral Minoan script is not language but a map. What we feel most has no name but amber, archers, cinnamon, horses, and birds.

In the City Market is the Meet Café. Followers of obsolete, unthinkable trades doodling in Etruscan, addicts of drugs not yet synthesized, pushers of souped-up harmine, junk reduced to pure habit offering precarious vegetable serenity, liquids to induce Latah, Tithonian longevity serums, black marketeers of World War III, excusers of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, bureaucrats of spectral departments, officials of unconstituted police states, a Lesbian dwarf who has perfected operation Bang-utot, the lung erection that strangles a sleeping enemy, sellers of orgone tanks and relaxing machines, brokers of exquisite dreams and memories tested on the sensitized cells of junk sickness and bartered for raw materials of the will, doctors skilled in the treatment of diseases dormant in the black dust of ruined cities, gathering virulence in the white blood of eyeless worms feeling slowly to the surface and the human host, maladies of the ocean floor and the stratosphere, maladies of the laboratory and atomic war... A place where the unknown past and the emergent future meet in a vibrating soundless hum... Larval entities waiting for a Live One...

The earliest preserved examples of the Etruscan and Roman alphabets are also inscriptions on drinking cups and wine containers.

Claudius knew a good deal about Etruscan history. Among his many learned researches he had written a twenty-volume study of the Etruscans, in Greek, as well as compiling an Etruscan dictionary.

Here where you stand, a young Etruscan woman stood in just the same way three thousand years ago—and the wind came in just this way from Africa and chased the light across the ocean.

Stone houses, terrace walls, city walls, streets. Plant any rose and you hit four or five big ones. All the Etruscan sarcophagi with likenesses of the dead carved on top in realistic, living poses must have come out of the most natural transference into death they could imagine. After lifetimes of dealing with stone, why not, in death, turn into it?

The journey through another world, beyond bad dreams beyond the memories of a murdered generation, cartographed in captivity by bare survivors makes sacristans of us all. The old ones go our bail, we oblate preachers of our tribes. Be careful, they say, don't hock the beads of kinship agonies; the moire-effect of unfamiliar hymns upon our own, a change in pitch or shrillness of the voice transforms the ways of song to words of poetry or prose and makes distinctions no one recognizes. Surrounded and absorbed, we tread like Etruscans on the edge of useless law; we pray to the giver of prayer, we give the cane whistle in ceremony, we swing the heavy silver chain of incense burners. Migration makes new citizens of Rome.

Mr. Herriton, don’t – please, Mr. Herriton – a dentist. His father’s a dentist.” Philip gave a cry of personal disgust and pain. He shuddered all over, and edged away from his companion. A dentist! A dentist at Monteriano. A dentist in fairyland! False teeth and laughing gas and the tilting chair at a place which knew the Etruscan League, and the Pax Romana, and Alaric himself, and the Countess Matilda, and the Middle Ages, all fighting and holiness, and the Renaissance, all fighting and beauty! He thought of Lilia no longer. He was anxious for himself: he feared that Romance might die.

Whereas we believe lightning to be released as a result of the collision of clouds, they believe that the clouds collide so as to release lightning: for as they attribute all to deity, they are led to believe not that things have a meaning insofar as they occur, but rather that they occur because they must have a meaning.

My mother, who has read all of Balzac and quotes Flaubert at every dinner, is living proof every day of how education is a raging fraud. All you need to do is watch her with the cats. She’s vaguely aware of their decorative potential, and yet she insists on talking to them as if they were people, which she would never do with a lamp or an Etruscan statue. It would seem that children believe for a fairly long time that anything that moves has a soul and is endowed with intention. My mother is no longer a child but she apparently has not managed to conceive that Constitution and Parliament possess no more understanding than the vacuum cleaner.

There’s an Etruscan word, saeculum, that describes the span of time lived by the oldest person present, sometimes calculated to be about a hundred years. In a looser sense, the word means the expanse of time during which something is in living memory. Every event has its saeculum, and then its sunset when the last person who fought in the Spanish Civil War or the last person who saw the last passenger pigeon is gone. To us, trees seemed to offer another kind of saeculum, a longer time scale and deeper continuity, giving shelter from our ephemerality the way that a tree might offer literal shelter under its boughs.

B?  As in the second letter of the Latin alphabet?” he asked, walking closer to the desk.   “No, the Etruscan.  I’m wild like that,

Imagination is often truer than fact,” said Gwendolen, decisively, though she could no more have explained these glib words than if they had been Coptic or Etruscan. “I shall be so glad to learn all about Tasso—and his madness especially. I suppose poets are always a little mad.” “To be sure—‘the poet’s eye in a fine frenzy rolling’; and somebody says of Marlowe— ‘For that fine madness still he did maintain, Which always should possess the poet’s brain.’” “But it was not always found out, was it?” said Gwendolen innocently. “I suppose some of them rolled their eyes in private. Mad people are often very cunning.

Followers of obsolete unthinkable trades, doodling in Etruscan, addicts of drugs not yet synthesized, black marketeers of World War III, excisors of telepathic sensitivity, osteopaths of the spirit, investigators of infractions denounced by bland paranoid chess players, servers of fragmentary warrants taken down in hebephrenic shorthand charging unspeakable mutilations of the spirit, officials of unconstituted police states, brokers of exquisite dreams and nostalgias tested on the sensitized cells of junk sickness and bartered for raw materials of the will, drinkers of the Heavy Fluid sealed in translucent amber of dreams.

Forever, Tom thought. Maybe he’d never go back to the States. It was not so much Europe itself as the evenings he had spent alone, here and in Rome, that made him feel that way. Evenings by himself simply looking at maps, or lying around on sofas thumbing through guidebooks. Evenings looking at his clothes - his clothes and Dickie’s - and feeling Dickie’s rings between his palms, and running his fingers over the antelope suitcase he had bought at Gucci’s. He had polished the suitcase with a special English leather dressing, not that it needed polishing because he took such good care of it, but for its protection. He loved possessions, not masses of them, but a select few that he did not part with. They gave a man self-respect. Not ostentation but quality, and the love that cherished the quality. Possessions reminded him that he existed, and made him enjoy his existence. It was as simple as that. And wasn’t that worth something? He existed. Not many people in the world knew how to, even if they had the money. It really didn’t take money, masses of money, it took a certain security. He had been on the road to it, even with Marc Priminger. He had appreciated Marc’s possessions, and they were what had attracted him to the house, but they were not his own, and it had been impossible to make a beginning at acquiring anything of his own on forty dollars a week. It would have taken him the best years of his life, even if he had economised stringently, to buy the things he wanted. Dickie’s money had given him only an added momentum on the road he had been travelling. The money gave him the leisure to see Greece, to collect Etruscan pottery if he wanted (he had recently read an interesting book on that subject by an American living in Rome), to join art societies if he cared to and to donate to their work. It gave him the leisure, for instance, to read his Malraux tonight as late as he pleased, because he did not have to go to a job in the morning. He had just bought a two-volume edition of Malraux’s Psychologic de I’art which he was now reading, with great pleasure, in French with the aid of a dictionary.

The fact of shame is significant. We feel spontaneously ashamed of the body and its activities. That's a sign of the body's absolute and natural inferiority.' 'Absolute and natural rubbish!' said Rampion indignantly.'shame isn't spontaneous, to begin with. It's artificial, it's acquired. You can make people ashamed of anything. Agonizingly ashamed of wearing brown boots with a black coat, or speaking with the wrong sort of accent, or having a drop at the end of their noses. Of absolutely anything, including the body and its functions. But that particular shame's just as artificial as any other. The Christians invented it, just as the tailors in Savile Row invented the shame of wearing brown boots with a black coat. There was precious little of it before Christian times. Look at the Greeks, the Etruscans.

But the line most familiar to European and American readers is the one that led via the Phoenicians to the Greeks by the early eighth century B.C., thence to the Etruscans in the same century, and in the next century to the Romans, whose alphabet with slight modifications is the one used to print this book.

But the dream-work knows how to select a condition that will turn even this dreaded event into a wish-fulfilment: the dreamer sees himself in an ancient Etruscan grave, into which he has descended, happy in the satisfaction it has given to his archaeological interests. Similarly man makes the forces of nature not simply in the image of men with whom he can associate as his equals—that would not do justice to the overpowering impression they make on him—but he gives them the characteristics of the father, makes them into gods, thereby following not only an infantile, but also, as I have tried to show, a phylogenetic prototype.    In

A plaque just outside remembers June 30, 1944. That night, Nazi forces were planning to blow up the arch to slow the Allied advance. To save their treasured landmark, Volterrans ripped up the stones that pave Via Porta all’Arco and plugged the gate, managing to convince the Nazi commander that there was no need to blow up the arch. Today, all the stones are back in their places, and like silent heroes, they welcome you through the oldest standing Etruscan gate into Volterra. Locals claim this as the only surviving round arch of the Etruscan age; most experts believe this is where the Romans got the idea for using a keystone in their arches.

Such ‘rubbish,’ dear child,” he resumed, “is frequently all that remains of vanished civilizations. An Etruscan jar, and a necklace, which sometimes fetch forty and fifty thousand francs, is ‘rubbish’ which reveals the perfection of art at the time of the siege of Troy, proving that the Etruscans were Trojan refugees in Italy.

The failure of Hellenism has been, largely, a matter of organization. Rome never tried to impose any sort of worship upon the countries it conquered and civilized; in fact, quite the contrary, Rome was eclectic. All religions were given an equal opportunity and even Isis—after some resistance—was worshipped at Rome. As a result we have a hundred important gods and a dozen mysteries. Certain rites are—or were—supported by the state because they involved the genius of Rome. But no attempt was ever made to coordinate the worship of Zeus on the Capitol with, let us say, the Vestals who kept the sacred fire in the old forum. As time passed our rites became, and one must admit it bluntly, merely form, a reassuring reminder of the great age of the city, a token gesture to the old gods who were thought to have founded and guided Rome from a village by the Tiber to world empire. Yet from the beginning, there were always those who mocked. A senator of the old Republic once asked an auger how he was able to get through a ceremony of divination without laughing. I am not so light-minded, though I concede that many of our rites have lost their meaning over the centuries; witness those temples at Rome where certain verses learned by rote are chanted year in and year out, yet no one, including the priests, knows what they mean, for they are in the early language of the Etruscans, long since forgotten. As the religious forms of the state became more and more rigid and perfunctory, the people were drawn to the mystery cults, many of them Asiatic in origin. At Eleusis or in the various caves of Mithras, they were able to get a vision of what this life can be, as well as a foretaste of the one that follows. There are, then, three sorts of religious experiences. The ancient rites, which are essentially propitiatory. The mysteries, which purge the soul and allow us to glimpse eternity. And philosophy, which attempts to define not only the material world but to suggest practical ways to the good life, as well as attempting to synthesize (as Iamblichos does so beautifully) all true religion in a single comprehensive system.

Kdo si postaví dům, je jeho otrokem. Kdo obdělává půdu, je jejím otrokem.

K dlouhému věku se druží často zkalení zraku a sklon považovat dávnější doby za lepší dnešních.

There was a blinding flash of magnesium and a smell of singed hair and dust. A green light flared in the boar's glass eye.

In the murky puddle of rainwater collected at the entrance of the tomb, I spied my own reflection,a dark, hatted figure against a pewter sky.

Beyond that door lies an unknown world...where we can become immortal if we choose

But beyond the extravagance of Rome's wealthiest citizens and flamboyant gourmands, a more restrained cuisine emerged for the masses: breads baked with emmer wheat; polenta made from ground barley; cheese, fresh and aged, made from the milk of cows and sheep; pork sausages and cured meats; vegetables grown in the fertile soil along the Tiber. In these staples, more than the spice-rubbed game and wine-soaked feasts of Apicius and his ilk, we see the earliest signs of Italian cuisine taking shape. The pillars of Italian cuisine, like the pillars of the Pantheon, are indeed old and sturdy. The arrival of pasta to Italy is a subject of deep, rancorous debate, but despite the legend that Marco Polo returned from his trip to Asia with ramen noodles in his satchel, historians believe that pasta has been eaten on the Italian peninsula since at least the Etruscan time. Pizza as we know it didn't hit the streets of Naples until the seventeenth century, when Old World tomato and, eventually, cheese, but the foundations were forged in the fires of Pompeii, where archaeologists have discovered 2,000-year-old ovens of the same size and shape as the modern wood-burning oven. Sheep's- and cow's-milk cheeses sold in the daily markets of ancient Rome were crude precursors of pecorino and Parmesan, cheeses that literally and figuratively hold vast swaths of Italian cuisine together. Olives and wine were fundamental for rich and poor alike.

As a man I had to provide my own purpose in life, and probably nothing is more difficult. It is easier to beget children and to thrust the responsibility on them while washing one's own hands.

Because he has bright white teeth, Egnatius whips out a tooth-flash on all possible (& impossible) occasions. You’re in court. Counsel for defence concludes a moving peroration. (Grin.) At a funeral, on all sides heart-broken mothers weep for only sons. (Grin.) Where, when, whatever the place or time – grin. It could be a sort of ‘tic’. If so, it’s a very vulgar tic, Egnatius, & one to be rid of. A Roman, a Tiburtine or Sabine, washes his teeth. Well-fed Umbrians & overfed Etruscans wash theirs daily. The dark Lanuvians (who don’t need to), & we Veronese, all wash our teeth.… But we keep them tucked in. We spare ourselves the nadir of inanity – inane laughter. You come from Spain. Spaniards use their morning urine for tooth-wash. To us that blinding mouthful means one thing & one only – the quantity of urine you have swallowed.

THE INFERNAL NAMES Abaddon - (Hebrew) the destroyer ... Asmodeus - Hebrew devil of sensuality and luxury, originally "creature of judgement" ... Azazel - (Hebrew) taught men to make weapons of war, introduced cosmetics ... Bast - Egyptian goddess of pleasure represented by the cat Beelzebub - (Hebrew) Lord of the Flies, taken from symbolism of the scarab Behemoth - Hebrew personification of Satan in the form of an elephant ... Coyote - American Indian Devil Dagon - Philistine avenging devil of the sea ... Dracula - Romanian name for devil ... Fenriz - Son of Loki, depicted as a wolf ... Hecate - Greek goddess of underworld and witchcraft ... Kali - (Hindu) daughter of Shiva, high priestess of Thuggees ... Lilith - Hebrew female devil, Adam's first wife who taught him the ropes Loki - Teutonic devil ... Mania - Etruscan goddess of Hell ... Midgard - son of Loki, depicted as a serpent ... Pluto - Greek god of the underworld Proserpine - Greek queen of the underworld ... Sammael - (Hebrew) "venom of God" ... Shiva - (Hindu) the destroyer ...

Julian arched an eyebrow; his long, wise nose gave his profile a forward tilt, like an Etruscan in a bas-relief. "Because it is dangerous to to ignore the existence of the irrational. The more cultivated a person is, the more intelligent, the more repressed, then the more he needs some method of channeling the primitive impulses he's worked so hard to subdue. Otherwise those powerful old forces will mass and strengthen until they are violent enough to break free, more violent for the delay, often strong enough to sweep the will away entirely...

My favorite Etruscans, a man and a woman, recline in the form of a terra-cotta sarcophagus from the sixth century BC in the Villa Giulia, the National Etruscan Museum in Rome. With almond eyes, a narrow face, neatly trimmed beard, long braided locks, and powerful shoulders, he lies casually, naked to the waist, his arm around her shoulder. She, dressed in a flowing gown, with tiny feet tucked into soft slippers with pointed toes, pours perfume—a ritual act—into his hands. I recognize the languorous look on their faces: utter postcoital contentment.

Now we see again, under the blue heavens where the larks are singing in the hot April sky, why the Romans called the Etruscans vicious. Even in their palmy days the Romans were not exactly saints. But they thought they ought to be. They hated the phallus and the ark, because they wanted empire and dominion and, above all, riches: social gain. You cannot dance gaily to the double flute and at the same time conquer nations or rake in large sums of money. Delenda est Carthago. To the greedy man, everybody that is in the way of its greed is vice incarnate.

It is so still and transcendent, the cypress trees poise like flames of forgotten darkness, that should have been blown out at the end of the summer. For as we have candles to light the darkness of night, so the cypresses are candles to keep the darkness aflame in the full sunshine.

Vatika has several other related meanings in ancient Etruscan. It was the name of a bitter grape that grew wild on the slope, which the peasants made into what became infamous as one of the worst, cheapest wines in the ancient world. The name of this wine, which also referred to the slope where it was produced, was Vatika. It was also the name of a strange weed that grew on the graveyard slope. When chewed, it produced wild hallucinations, much like the effect of peyote mushrooms; thus, vatika represented what we would call today a cheap high. In this way, the word passed into Latin as a synonym for “prophetic vision.” Much later,

The one continuous thing through Rome’s history, from the Etruscans to Pliny to Caravaggio to Pope John Paul to Henry and Owen, is the light: the light at dawn, at sunset. The light tiptoes across everything, exposing it anew, whispering, Here is this! Here is this! Ecco Roma! Bursting out of the sun, streaking through space, skirting Venus, just over eight minutes old, but eternal, too, infinite—here comes the light, nameless and intangible, streaming 93 million unobstructed miles through the implacable black vacuum to break itself against a wall, a cornice, a column. It drenches, it crenellates, it textures. It throws the city into relief.

There was the loud noise of water, as ever, something eternal and maddening in its sound, like the sound of Time itself, rustling and rushing and wavering, but never for a second ceasing. The rushing of Time that continues throughout eternity, this is the sound of the icy streams of Switzerland, something that mocks and destroys out warm being.

And barbarians were inventors not only of philosophy, but almost of every art. The Egyptians were the first to introduce astrology among men. Similarly also the Chaldeans. The Egyptians first showed how to burn lamps, and divided the year into twelve months, prohibited intercourse with women in the temples, and enacted that no one should enter the temples from a woman without bathing. Again, they were the inventors of geometry. There are some who say that the Carians invented prognostication by the stars. The Phrygians were the first who attended to the flight of birds. And the Tuscans, neighbours of Italy, were adepts at the art of the Haruspex. The Isaurians and the Arabians invented augury, as the Telmesians divination by dreams. The Etruscans invented the trumpet, and the Phrygians the flute. For Olympus and Marsyas were Phrygians. And Cadmus, the inventor of letters among the Greeks, as Euphorus says, was a Phoenician; whence also Herodotus writes that they were called Phoenician letters. And they say that the Phoenicians and the Syrians first invented letters; and that Apis, an aboriginal inhabitant of Egypt, invented the healing art before Io came into Egypt. But afterwards they say that Asclepius improved the art. Atlas the Libyan was the first who built a ship and navigated the sea. Kelmis and Damnaneus, Idaean Dactyli, first discovered iron in Cyprus. Another Idaean discovered the tempering of brass; according to Hesiod, a Scythian. The Thracians first invented what is called a scimitar (arph), -- it is a curved sword, -- and were the first to use shields on horseback. Similarly also the Illyrians invented the shield (pelth). Besides, they say that the Tuscans invented the art of moulding clay; and that Itanus (he was a Samnite) first fashioned the oblong shield (qureos). Cadmus the Phoenician invented stonecutting, and discovered the gold mines on the Pangaean mountain. Further, another nation, the Cappadocians, first invented the instrument called the nabla, and the Assyrians in the same way the dichord. The Carthaginians were the first that constructed a triterme; and it was built by Bosporus, an aboriginal. Medea, the daughter of Æetas, a Colchian, first invented the dyeing of hair. Besides, the Noropes (they are a Paeonian race, and are now called the Norici) worked copper, and were the first that purified iron. Amycus the king of the Bebryci was the first inventor of boxing-gloves. In music, Olympus the Mysian practised the Lydian harmony; and the people called Troglodytes invented the sambuca, a musical instrument. It is said that the crooked pipe was invented by Satyrus the Phrygian; likewise also diatonic harmony by Hyagnis, a Phrygian too; and notes by Olympus, a Phrygian; as also the Phrygian harmony, and the half-Phrygian and the half-Lydian, by Marsyas, who belonged to the same region as those mentioned above. And the Doric was invented by Thamyris the Thracian. We have heard that the Persians were the first who fashioned the chariot, and bed, and footstool; and the Sidonians the first to construct a trireme. The Sicilians, close to Italy, were the first inventors of the phorminx, which is not much inferior to the lyre. And they invented castanets. In the time of Semiramis queen of the Assyrians, they relate that linen garments were invented. And Hellanicus says that Atossa queen of the Persians was the first who composed a letter. These things are reported by Seame of Mitylene, Theophrastus of Ephesus, Cydippus of Mantinea also Antiphanes, Aristodemus, and Aristotle and besides these, Philostephanus, and also Strato the Peripatetic, in his books Concerning Inventions. I have added a few details from them, in order to confirm the inventive and practically useful genius of the barbarians, by whom the Greeks profited in their studies. And if any one objects to the barbarous language, Anacharsis says, "All the Greeks speak Scythian to me." [...]

The Romans’ ideal was torn between heroism and glory. Both are epitomized in the instant of death. To die ‘fine death’ was their obsession: to snatch that moment, to gather - carpere - the instant of death. Tiberius died from the effort he had expended at the age of seventy-three by throwing the javelin at a boar in the arena at Circeii. The moment of death isn’t just a subject for painters. It isn’t simply the stuff of the odes and annals. The moment of death exists in the amphitheatre: human sacrifices, bullfights, denudations, tortures and carnivorous scenes. The ancient Romans had taken over the ‘sport’ associated with the figure of Phersu from the Etruscans. The populus romanus gambled on the men who would be put to death within the next hour- The jus gladii - this is the Roman Empire (the right of the sword, the right of life and death).

Now, as it were, the Olympic magic mountain reveals itself and shows us its roots. The Greek knew and felt the terror and horrors of existence: in order to be able to live at all, he must have placed in front of him the gleaming dream birth of the Olympians. That immense distrust of the titanic forces of nature, that Moira [Fate]enthroned mercilessly above everything which could be known, that vulture of the great friend of man, Prometheus, that fatal lot of wise Oedipus, that family curse on the House of Atreus, which compelled Orestes to kill his mother, in short, that entire philosophy of the woodland god, together with its mythical illustrations, from which the melancholy Etruscans died off — that was overcome time after time by the Greeks, or at least hidden and removed from view, through the artistic middle world [Mittelwelt] of the Olympians.

But the Italian Strega or sorceress is in certain respects a different character from these. In most cases she comes of a family in which her calling or art has been practised for many generations. I have no doubt that there are instances in which the ancestry remounts to mediaeval, Roman, or it may be Etruscan times. The result has naturally been the accumulation in such families of much tradition. But in Northern • March, 1S97: "Neapolitan Witchcraft." Italy, as its literature indicates, though there has been some slight gathering of fairy tales and popular superstitions by scholars, there has never existed the least interest as regarded the strange lore of the witches, nor any suspicion that it embraced an incredible quantity of old Roman minor myths and legends, such as OviD has recorded, but of which much escaped him and all other Latin writers.' This

The Name "Arthur" The etymology of the Welsh name Arthur is uncertain, though most scholars favour either a derivation from the Roman gens name Artorius (ultimately of Messapic or Etruscan origin), or a native Brittonic compound based on the root *arto- "bear" (which became arth in Medieval and Modern Welsh). Similar "bear" names appear throughout the Celtic-speaking world. Gildas does not give the name Arthur but he does mention a British king Cuneglasus who had been "charioteer to the bear". Those that favor a mythological origin for Arthur point out that a Gaulish bear goddess Artio is attested, but as yet no certain examples of Celtic male bear gods have been detected. John Morris argues that the appearance of the name Arthur, as applied to the Scottish, Welsh and Pennine "Arthurs", and the lack of the name at any time earlier, suggests that in the early 6th century the name became popular amongst the indigenous British for a short time. He proposes that all of these occurrences were due to the importance of another Arthur, who may have ruled temporarily as Emperor of Britain. He suggests on the basis of archaeology that a period of Saxon advance was halted and turned back, before resuming again in the 570s. Morris also suggests that the Roman Camulodunum, modern Colchester, and capital of the Roman province of Britannia, is the origin of the name "Camelot". The name Artúr is frequently attested in southern Scotland and northern England in the 7th and 8th centuries. For example, Artúr mac Conaing, who may have been named after his uncle Artúr mac Áedáin. Artúr son of Bicoir Britone, was another 'Arthur' reported in this period, who slew Morgan mac Fiachna of Ulster in 620/625 in Kintyre. A man named Feradach, apparently the grandson of an 'Artuir', was a signatory at the synod that enacted the Law of Adomnan in 697. Arthur ap Pedr was a prince in Dyfed, born around 570–580. Given the popularity of this name at the time, it is likely that others were named for a figure who was already established in folklore by that time.

Vatika has several other related meanings in ancient Etruscan. It was the name of a bitter grape that grew wild on the slope, which the peasants made into what became infamous as one of the worst, cheapest wines in the ancient world. The name of this wine, which also referred to the slope where it was produced, was Vatika. It was also the name of a strange weed that grew on the graveyard slope. When chewed, it produced wild hallucinations, much like the effect of peyote mushrooms; thus, vatika represented what we would call today a cheap high. In this way, the word passed into Latin as a synonym for “prophetic vision.” Much later, the slope became the circus, or stadium, of the mad emperor Nero. It was here, according to Church tradition, that Saint Peter was executed, crucified upside down, and then buried nearby. This became the destination of so many pilgrims that the emperor Constantine, upon becoming half-Christian, founded a shrine on the spot, which the Romans continued to call the Vatican Slope. A century after Constantine, the popes started building the papal palace there.

t is discovered an extraordinary similarity between Nietzsche and the Hindu-Aryan Rishi, visionary poets of the Vedas. They also thought the ideas from outside to inside: they 'appeared' to them. Rishi means 'he who sees'. See an Idea, express it, or try to express it. The job of the Rishis has been fulfilled for millennia and the vision of the Vedas was revised, elaborated, in subsequent visions, in scholastics, in doctrinal buildings and sophisticated verifications, through centuries. In any case, he, who preached not to subtract anything that life offers as Will of Power, as possession, increasing its power, lived chaste, like a yogi, always looking for the highest tensions of the soul, climbing always, more and more lonely, to be able to open up to that style of thinking, where the ideas could possess him as the most authentic expression of life, as his 'pulse', hitting him in the center of the personal being, or of the existence there accumulated, and that he called, long before Jung and any other psychologist, the Self, to differentiate it from the conscious and limited self, from the rational self. Let's clarify, then. What Nietzsche called thinking is something else, Nietzsche did not think with his head (because 'synchronistically' it hurt) but with the Self, with all of life and, especially, 'with the feet'. 'I think with my feet,' he said, 'because I think walking, climbing.' That is, when the effort and exhaustion caused the conscious mind to enter a kind of drowsiness or semi-sleep, there it took possession of the work of thinking that 'other thing', the Self, opening up to the dazzling penetration of the Idea, or that expression of the Original Power of Life, of Being, of the Will of Power, which crosses man from part to part, as in a yoga samadhi, or in a kaivalya, from an ancient rishi, or Tantric Siddha. Also like those rays that pierced the Etruscan 'fulgurators', to change them, and that they were able to resist thanks to a purified technique of concentration and initiation preparation. That this is a deep Aryan, Hyperborean, that is, Nordic-polar, Germanic style of origins ('let's face ourselves, we are Hyperborean'), and that he knew it, is proved in the name he gave his more beautiful, bigger work: 'Thus spoke Zarathustra'. Zarathustra is the Aryan Magician-reformer of ancient Persia.

Both the European Union and the United States are in some sense the heirs of Rome. Like Rome, the United States is founded on a republican myth of liberation from a tyrannical oppressor. Just as the Rape of Lucretia led to the overthrow of the last Etruscan king, so the Boston Tea Party led to the overthrow of the British crown. The Founding Fathers of the United States sought quite literally to create a New Rome, with, for instance, a clear separation of powers between the legislative and executive branches of government—with the legislative branch called, as in Rome, the Senate. They even debated whether the executive branch would not be better represented, as in Rome, by two consuls rather than the president that they eventually settled for. The extended period of relative peace and prosperity since the end of the Second World War has been dubbed the Pax Americana [‘American Peace’], after the Pax Romana which perdured from the accession of Augustus in 27 BCE to the death of the last of the Five Good Emperors, Marcus Aurelius, in 180 CE. The United Kingdom’s departure from the European Union can be accounted for, in part, by the ghost of the nineteenth century Pax Britannica, when the British Empire was not merely a province of Rome but a Rome unto herself.

The Sublician is the oldest of our bridges, although it has been destroyed and rebuilt several times. The very name refers to the heavy timbers of which it was once built, but the present bridge is of stone. For many generations it was the only bridge over the Tiber at Rome, because the Etruscans lived on the other bank, and Rome was strong enough to defend only one bridge at a time. The most famous story concerning the bridge is the one about Horatius Cocles, who is said to have held off the army of Lars Porsena single-handed while the Romans dismantled the bridge behind him. There are several versions of this celebrated tale. In one of them, Horatius is simply the point man of a wedge of Romans. In another, he held the bridge with two companions, who fell at his side before the bridge was destroyed. In a third, Horatius held the bridge alone right from the first. Personally, I think only the first version has any truth to it. I have been in many battles and skirmishes and played a heroic part in none of them. But I have seen last-ditch stands and delaying actions in plenty, and I have never seen a place, however narrow, that could be defended against an army by a single man for more than a minute or so. No matter how strong and skillful you are, while one man engages you, somebody else can always thrust a spear over the rim of your shield. And then there are the arrows and sling-stones that always fly about in such profusion when men thirst for one another’s blood. Supposedly, when the bridge was destroyed, Horatius somehow found leisure to address a prayer to Tiberinus, god of the river, and leaped in fully armed and swam across to great applause, to be rewarded richly by the citizenry. Another version has him drowning, which is what usually happens when a man in armor finds himself in deep water.

When the victor, in a fight of the cities, according to the law of warfare, executes the whole male population and sells all the women and children into slavery, we see, in the sanction of such a law, that the Greek deemed it a positive necessity to allow his hatred to break forth unimpeded; in such moments the compressed and swollen feeling relieved itself; the tiger bounded forth, a voluptuous cruelty shone out of his fearful eye. Why had the Greek sculptor to represent again and again war and fights in innumerable repetitions, extended human bodies whose sinews are tightened through hatred or through the recklessness of triumph, fighters wounded and writhing with pain, or the dying with the last rattle in their throat? Why did the whole Greek world exult in the fighting scenes of the "Iliad"? I am afraid, we do not understand them enough in "Greek fashion," and that we should even shudder, if for once we did understand them thus. But what lies, as the mother-womb of the Hellenic, behind the Homeric world? In the latter, by the extremely artistic definiteness, and the calm and purity of the lines we are already lifted far above the purely material amalgamation: its colours, by an artistic deception, appear lighter, milder, warmer; its men, in this coloured, warm illumination, appear better and more sympathetic — but where do we look, if, no longer guided and protected by Homer's hand, we step backwards into the pre-Homeric world? Only into night and horror, into the products of a fancy accustomed to the horrible. What earthly existence is reflected in the loathsome-awful theogonian lore: a life swayed only by the children of the night, strife, amorous desires, deception, age and death. Let us imagine the suffocating atmosphere of Hesiod's poem, still thickened and darkened and without all the mitigations and purifications, which poured over Hellas from Delphi and the numerous seats of the gods! If we mix this thickened Boeotian air with the grim voluptuousness of the Etruscans, then such a reality would extort from us a world of myths within which Uranos, Kronos and Zeus and the struggles of the Titans would appear as a relief. Combat in this brooding atmosphere is salvation and safety; the cruelty of victory is the summit of life's glories. And just as in truth the idea of Greek law has developed from murder and expiation of murder, so also nobler Civilisation takes her first wreath of victory from the altar of the expiation of murder. Behind that bloody age stretches a wave-furrow deep into Hellenic history. The names of Orpheus, of Musaeus, and their cults indicate to what consequences the uninterrupted sight of a world of warfare and cruelty led — to the loathing of existence, to the conception of this existence as a punishment to be borne to the end, to the belief in the identity of existence and indebtedness. But these particular conclusions are not specifically Hellenic; through them Greece comes into contact with India and the Orient generally. The Hellenic genius had ready yet another answer to the question: what does a life of fighting and of victory mean? and gives this answer in the whole breadth of Greek history.

with the KABIRI. And we have shown that the latter were the same as the Manus, the Rishis and our Dhyan Chohans, who incarnated in the Elect of the Third and Fourth Races. Thus, while in Theogony the Kabiri-Titans were seven great gods: cosmically and astronomically the Titans were called Atlantes, because, perhaps, as Faber says, they were connected (a) with At-al-as "the divine Sun," and (b) with tit "the deluge." But this, if true, is only the exoteric version. Esoterically, the meaning of their symbols depends on the appellation, or title, used. The seven mysterious, awe-inspiring great gods—the Dioscuri,[420] the deities surrounded with the darkness of occult nature—become the Idei (or Idaeic finger) with the adept-healer by metals. The true etymology of the name lares (now signifying "ghosts") must be sought in the Etruscan word "lars," "conductor," "leader." Sanchoniathon translates the word Aletae as fire worshippers, and Tabor believes it derived from Al-Orit, "the god of fire." Both are right, as in both cases it is a reference to the Sun (the highest God), toward whom the planetary gods "gravitate" (astronomically and allegorically) and whom they worship. As Lares, they are truly the Solar Deities, though Faber's etymology, who says that "lar" is a contraction of "El-Ar," the solar deity, is not very correct. They are the "lares," the conductors and leaders of men. As Aletae, they were the seven planets -- astronomically; and as Lares, the regents of the same, our protectors and rulers—mystically. For purposes of exoteric or phallic worship, as also cosmically, they were the Kabiri, their attributes being recognised in these two capacities by the name of the temples to which they respectively belonged, and those of their priests. They all belonged, however, to the Septenary creative and informing groups of Dhyan Chohans. The Sabeans, who worshipped the "regents of the Seven planets" as the Hindus do their Rishis, held Seth and his son Hermes (Enoch or Enos) as the highest among the planetary gods. Seth and Enos were borrowed from the Sabeans and then disfigured by the Jews (exoterically); but the truth can still be traced about them even in Genesis.[421] Seth is the "progenitor" of those early men of the Third Race in whom the "Planetary" angels had incarnated—a Dhyan Chohan himself, who belonged to the informing gods; and Enos (Hanoch or Enoch) or Hermes, was said to be his son—because it was a generic name for all the early Seers ("Enoichion"). Thence the worship. The Arabic writer Soyuti says that the earliest records mention Seth, or Set, as the founder of Sabeanism; and therefore that the pyramids which embody the planetary system were regarded as the place of sepulchre of both Seth and Idris (Hermes or Enoch), (See Vyse, "Operations," Vol. II., p. 358); that thither Sabeans proceeded on pilgrimage, and chanted prayers seven times a day, turning to the North (the Mount Meru, Kaph, Olympus, etc., etc.) (See Palgrave, Vol. II., p. 264). Abd Allatif says curious things about the Sabeans and their books. So does Eddin Ahmed Ben Yahya, who wrote 200 years later. While the latter maintains "that each pyramid was consecrated to a star" (a star regent rather), Abd Allatif assures us "that he had read in Sabean books that one pyramid was the tomb of Agathodaemon and the other of Hermes" (Vyse, Vol. II., p. 342). "Agathodaemon was none other than Seth, and, according to some writers, Hermes was his son," adds Mr. Staniland Wake in "The Great Pyramid," p. 57. Thus, while in Samothrace and the oldest

This is a very interesting theory, which, when carried out to its logical conclusion, would connect the Hyksos and Hittites racially with the pre-Hellenic "Minoan" Mycenseans of Greece, as well as with the Etruscans of Italy.

the idea that ethnicity is in some sense an essential or primordial feature is, at least some of the time, disputable, and its use is, much of the time, disreputable.

Very few have any conception of the degree to which gypsies have been the colporteurs of what in Italy is called "the old faith," or witchcraft.

In the year 754 BC, on the hills near the Tiber River, the Romans founded their capital city, Rome. During the 6th century BC, they overthrew the Etruscans in central Italy and began to expand their territory. In 500 BC, the first Roman Republic was established. This was governed by its citizens, rather than by a king (although, after a time, the Roman emperor came to hold power). The Romans soon showed their skills for organization and hard work. Their armies were well drilled and well equipped, and their republic went from strength to strength. By 264 BC, they had conquered all of Italy. Expansion continued as the Roman armies moved into surrounding countries. By 200 AD, their empire stretched from Britain to Africa, and for the next two centuries the Romans ruled this vast area. But, eventually, their empire began to crumble. There were many reasons, including the problems of controlling so many different lands and peoples. Finally, the Goths, Vandals, and other peoples gathered strength, and Rome eventually fell in about 476 AD.

The term persona comes to us from the Roman and Etruscan theater, where it denoted the mask worn by the actor and therefore the character whom the actor portrayed. The term was borrowed by Roman law to describe any entity that has judiciable rights and duties, including corporate entities and other more abstract constructions. It was borrowed again by early Christian theologians in order to explain the doctrine of the Trinity, by distinguishing the three persons of God. Discussions of the Trinity led to the view that personhood belongs to the essence of whatever possesses it, and the sixth-century philosopher Boethius took this as his cue in defining the essential nature of the human being. For Boethius the human person is “an individual substance of a rational nature.”19 That definition was adopted by Aquinas and remained in place until the Enlightenment, when two great philosophers—Locke and Kant—saw fit to reexamine the whole idea and untangle its many strands. According to Boethius’s

civil engineering, city planning, and even the plumbing techniques the Romans would later perfect were an inheritance from the influence of the Etruscan Empire.

inheritance from the influence of the Etruscan Empire.

Chapter Two The Senate and the People “This above all makes history useful and desirable; it unfolds before our eyes a glorious record of exemplary actions.” —Livy In the beginning, Rome was under the control of the Etruscans, an ancient and advanced society in their own right.

kerisl n. the sorrow of imagining the wealth of knowledge forever lost to history-knowing we'll never hear the language of the Etruscans, the battle cry of the Sea Peoples, or the burial chants of the Neanderthals; that we'll never read any more than a fragment of the works of Blake, Sappho, Aristotle, or Jesus; or enjoy the untold treasures of so many burned libraries and forgotten oral traditions and unrecorded songs-any of which might have made up the cornerstone of canon, that we'd all be able to quote by heart and couldn't imagine living without.

The Romans borrowed theirs from their Etruscan neighbors (and at the time, in the sixth century B.C., their overlords), who had in turn adapted their script from Greeks living in south Italy.

I came across an Etruscan word, saeculum, which is a concept, or marker, of a temporal interval. Generally speaking, it is the span of time lived by the oldest person present. The day will come…when the last person to have fought in Vietnam will die. . . .Who will remember when . . . a car had to be cranked to start or when the clank of an ice delivery man carrying fifty-pound block in tongs brought merriment to the afternoon? I wonder, then, what would be my saeculum. Or whom. I wonder what young nephew or niece’s child, siphoned through the tunnel of time, would see a faded photograph of me and search their memories for my name. I think he was some sort of great-uncle, she or he will say. I don’t remember exactly. Look at his clothes!

absorbing the ancient civilization of the Etruscans and others into their fold,

Lucius recalled an ancient Etruscan proverb: “Sit too near the flame and your cloak will catch fire.

In a very extensive etymological study based on solid arguments, Franz Rolf Schröder was able to reasonably show that the figure of Wayland was related to the Roman Volcanus, to the Cretan Zeus Felchanos, the Etruscan Velchans, and the Iranian Ossetian Wärgon.28 He must have been a smith god before being reduced to the status of a mere human.

Among the people, it was believed, as late as the present century, that spirits were imprisoned in statues. The statue of Neptune by Ammanati in the fountain of the Piazza della Signoria is called 'Il Biancone' or 'The Great White Man' by the poor people, who used to say that he was the mighty river god of the Arno tuned into statue because, like Michelangelo, he spurned the love of women. When the full moon shines on him, so the story goes, he comes to life and walks about the Piazza conversing with the other statues. Michelangelo's 'David', before it became a statue, used to be known as 'The Giant'. It was a great block of marble eighteen feet high that had been spoiled by Agostino di Duccio; personified by popular fancy, it lay for forty years in the workshops of the Cathedral, until Michelangelo made the Giant-Killer, that is, into a patriotic image of a small country defeating its larger foes. Giants, it was related, had built the great Etruscan stone wall of Fiesole, and many stories were told in Florence of beautiful maidens being turned into pure white marble statues.

Etruscans sometimes wrote boustrophedon style, in which the direction of writing alternates with each line—right-to-left, then left-to-right. Brilliant! The eye doesn’t waste time trekking back to the left side of the page after every line.

If words had crystallized as they were spoken, and left deposits like shells or shards, the paleontologist would hardly have paid any attention to early man's tool-making: the brittle deposits of words, in all their formative stages, would have commanded his attention, though the sheer mass of these verbal midden heaps would have overwhelmed him, and he would have been as baffled over interpreting the living structure of meaning as linguists still are by the Etruscan remains. As it turned out, the most impalpable and evanescent of man's creations before writing was invented, the mere breath of his mind, has turned out to be the most formative human achievement: every other subsequent advance in human culture, even tool-making, depended upon it. Language not merely opened the doors of the mind to consciousness, but partly closed the cellar door to the unconsciuos and restricted the access of the ghosts and demons of that underworld to the increasingly well-ventilated and lighted chambers of the upper stories. That this vast inner transformation could ever have been neglected, and the radical changes it effected could have been attributed to tool-making, seems now an incredible oversight. As Leslie White has put it, "The ability to symbol, primarily in its expression in articulate speech, is the basis and substance of all human behavior. It was the means by which culture was brought into existence and the means of its perpetuation since the origin of man." That 'universe of discourse' was man's earliest model of the universe itself.

Tonight, Lauren Carmichael and her followers are going to open the Etruscan Box. If she succeeds, it’s pretty much game over for the entire planet. Not that we’ll be around to worry about it, because Las Vegas will be a smoking crater.

Count ANGELO DE GUBERNATIS once remarked to one of the most distinguished English statesmen that there was in the country in Tuscany ten times as much heathenism as Christianity. The same remark was made to me by a fortune-teller in Florence. She explained what she meant. It was the vecchia religione—"the old religion"—not Christianity, but the dark and strange sorceries of the stregha, or witch, the compounding of magical medicine over which spells are muttered, the making love-philters, the cursing enemies, the removing the influence of other witches, and the manufacture of amulets in a manner prohibited by the Church.

AS their peculiar perfume is the chief association with spices, so sorcery is allied in every memory to gypsies. And as it has not escaped many poets that there is something more strangely sweet and mysterious in the scent of cloves than in that of flowers, so the attribute of inherited magic power adds to the romance of these picturesque wanderers. Both the spices and the Romany come from the far East—the fatherland of divination and enchantment. The latter have been traced with tolerable accuracy, If we admit their affinity with the Indian Dom and Domar, back to the p. 2 threshold of history, or well-nigh into prehistoric times, and in all ages they, or their women, have been engaged, as if by elvish instinct, in selling enchant. merits, peddling prophecies and palmistry, and dealing with the devil generally ill a small retail way. As it was of old so it is to-day— Ki shan i Romani— Adoi san' i chov'hani. Wherever gypsies go, There the witches are, we know.

 ‘Zona Rosa,” ’ said the Etruscan, “was the persona of Mercedes Purissima Vargas-Gutierrez. She is twenty-six years old and the victim of an environmental syndrome occurring most frequently in the Federal District of Mexico.” His voice was like rain on a thin metal roof now. “Her father is an extremely successful criminal lawyer.” “Then I can find her,” Chia said. “But she would not wish this,” the idoru said. “Mercedes Purissima is severely deformed by the syndrome, and has lived for the past five years in almost complete denial of her physical self.

You said Brian is forcing us to go to Key West, whether we want to or not,” I said. “And you said all the houses will be there. Other than that, you might as well be speaking Etruscan.” Rita

THE VATICAN The very name Vatican comes from a surprising source. It is neither Latin nor Greek, nor is it of biblical origin. In fact, the word we associate with the Church has a pagan origin. More than twenty-eight centuries ago, even before the legendary founding of Rome by Romulus and Remus, there was a people called the Etruscans. Much of what we think of as Roman culture and civilization actually comes from the Etruscans. Even though we are still trying to master their very difficult language, we already know a great deal about them. We know that, like the Hebrews and the Romans, the Etruscans did not bury their dead inside the walls of their cities. For that reason, on a hillside slope outside the confines of their ancient city in the area that was destined to become Rome, the Etruscans established a very large cemetery. The name of the pagan Etruscan goddess who guarded this necropolis, or city of the dead, was Vatika.

The name Romagna is applied to their district because it once formed part of the Papal or Roman dominion, and it is not to be confounded with La Romagna proper. Roughly speaking, the region to which I refer may be described as lying between Forli and Ravenna. Among these people, stregeria, or witchcraft--or, as I have heard it called, "la vecchia religione" (or "the old religion")--exists to a degree which would even astonish many Italians. This stregeria, or old religion, is something more than a sorcery, and something less than a faith. It consists in remains of a mythology of spirits, the principal of whom preserve the names and attributes of the old Etruscan gods, such as Tinia, or Jupiter, Faflon, or Bacchus, and Teramo (in Etruscan Turms), or Mercury. With these there still exist, in a few memories, the most ancient Roman rural deities, such as Silvanus, Palus, Pan, and the Fauns. To all of these invocations or prayers in rude metrical form are still addressed, or are at least preserved, and there are many stories current regarding

His construction must be like a spider’s web, delicate enough to be carried along by the ripples of the waves, strong enough not to be blown apart by the wind. […] Great conceptual construction shows the rigid regularity of a Roman columbarium, breathing the logical strictness and coolness that characterizes mathematics. […] Just as the Romans and Etruscans divided heaven in rigid mathematical lines, and then exiled God to such a space segmented like a template, so every people has above themselves such a mathematically divided concept-heaven. […] One is certainly allowed to admire the human being as a formidable genius of construction, succeeding in rising the tower of an endlessly complicated dome of concepts on a moving foundation, as if on running water. […] As a genius of construction, the human raises itself far above the bees: they built from wax, which they gather in nature, but humans build from the far more delicate material of concepts, which they must first fabricate out of themselves. In this, they are very admirable—but not due to their drives for truth or for a pure knowledge of things.

The alphabetic system was borrowed initially by the Etruscans of central Italy, and subsequently adapted to become the Latin alphabet, which forms the basis for most modern European writing systems.

You know the Etruscan saying: ‘Once grieving starts it never ends, so there’s no point in grieving an hour earlier than you must.

Expert in examining entrails of sacrificed animals, but also in interpreting prodigies and lightning, the haruspices were for a long time the custodians of an Etruscan science resorted to only in exceptional circumstances. They formed an official college of sixty members only from the time of the emperor Claudius (41-54), who was, as we know, passionately interested in Etruscology.

April was devoted to Venus and Ovid at once invokes this goddess in the fourth book of the Fasti. Aprilis may even have emerged from the Etruscan Aphru, which transcribes the Greek name Aphrodite

September was a corresponding time of relaxation. Its calends were consecrated, rightly and properly, to Juno, but in this instance to the Regina whom Camillus and his juvenes had brought from Veii. Like other foreign deities, this Etruscan Uni was installed on the Aventine (near to the present-day Sta Sabina), as well as a Jupiter of Osco-Umbrian origin whose anniversary was celebrated on the same day, 1 September: a Jupiter Liber or Libertas, god of liberty and not of wine

Consus seems a very old, pre-Etruscan deity. The flamen (priest) in charge of the Consualia was the flamen Quirinalis, and the Vestal Virgins were in attendance.142 Because the priest of Quirinus and the Vestal Virgins participated in the ceremony, agriculture and the fertility of arable land seem to have been the focal points of the Consualia. The covered subterranean altar suggests earth hiding its fruits. Then, as the subterranean altar was uncovered, the earth opened up and produced sustenance.

The Aurelii, or Sabine origin like the Claudii, had charge of the cult of the Sun, to whom they owed their name (Ausel which harked back in fact to the Etruscan Usil) and to whom the family sacrificed in the name of the Roman people

A Roman city was founded by Etruscan rite (Etrusco ritu). At a designated day (by augury), a cow and a bull were harnessed to a plow. A furrow was cut within which the city would lay. Generally, we can say that this originally cut furrow is the pomerium. Boundary markers, cippi, delineated the pomerium. The historian Tacitus (Ann. 12.23) recorded that the emperor Claudius extended the pomerium. Cippi support this claim, while such archaeological proof does not exist for the extensions by Augustus, Nero, and Trajan, which Aulus Gellius mentioned.

Agriculture determined this yearly cycle, which would make March an excellent choice for the start of a new year. The god Mars gave the month its name. This Mars, however, was not the god of war but the divine guardian of fields.9 Yet ancient sources also declare that January was, since earliest times, the year’s 1st month. The easiest explanation would be that a 12-month solar cycle was grafted onto a 10-month seasonal system, which itself might have replaced a lunar system of marking time.10 The 2 months that were introduced were January and February, by first assigning them to eleventh and twelfth position and later moving them to first and second place. The original introduction happened in the sixth century BCE when Rome was in Etruscan hands, and the later change occurred in 153 BCE at the latest, when the beginning of the new and civil year was moved from the Ides of March to the Kalends of January.

He traced his lineage to the splendid, mysterious Etruscan civilization, based in today’s Tuscany,

In the end,” he said, “they go mad, these soulful philistines. Mad with self-consciousness and vanity and egotism and a kind of hopeless bewilderment; for when you’re utterly without culture, every fact’s an isolated, unconnected fact, every experience is unique and unprecedented. Your world’s made up of a few bright points floating about inexplicably in the midst of an unfathomable darkness. Terrifying! It’s enough to drive any one mad. I’ve seen them, lots of them, gone utterly crazy. In the past they had organized religion, which meant that somebody had once been cultured for them, vicariously. But what with protestantism and the modernists, their philistinism’s absolute now. They’re alone with their own souls. Which is the worst companionship a human being can have. So bad, that it sends you dotty. So beware, Pamela, beware! You’ll go mad, if you think only of what has something to do with you. The Etruscans will keep you sane.

The Etruscans latched on to the Greek alphabet early. Among their contributions was the letter F, repurposing a Greek letter that was pronounced like our W. When the Romans adapted the Etruscan alphabet, they jettisoned several letters because they had no need for them. But during the first century BC the Romans started to use Greek words, so they put back the letters Y and Z, adding the “new” letters to the end.

The triumphant leader, whose face was coloured with vermilion (Serv., B, 10, 27), personified Jupiter, He wore the tunica Jovis (Juv., 10, 38) embroidered with palm leaves - under his purple toga scattered with golden stars (App., Pun., 66). in one hand he held a laurel branch, in the other an ivory staff crowned by an eagle. A laurel wreath was on his head; round his neck hung a gold ball enclosing talismans against envy (Macr., S, 1,6, 9). Behind him, a slave held the golden crown said to be of Etruscan origin (Tert., Cor., 13, 1) borrowed for the occasion from Jupiter. Four white horses were harnessed to his chariot, making it worthy 'of the king and father of the gods' (Plut., Cam., 7, 2).

A city with universal authority could not become immovably set in its own national pantheon - which in any case incorporated its share of already longstanding Greek influences, together with the Etruscan heritage. As the family had opened out into the city, so Rome opened out to a world it had conquered or had yet to conquer.

Silence ‘Sh-h!’ ‘Shouldn't somebody has mentioned this to me earlier?’ I whispered angrily. ‘I mean, I wanted to be a… to be one of you! Shouldn't somebody have, already like explained the rules to me?’ Olivia chuckled once at my reaction. ‘It's not that complicated, Bell. There's only one core restriction-and if you think about it, you can probably figure it out for yourself.’ I thought about it. ‘Nope, I have no idea.’ She shook her head, disappointed. ‘Maybe it's too obvious. We just have to keep our existence a secret.’ ‘Oh,’ I mumbled. It was obvious. ‘It makes sense, and most of us don't need policing,’ she continued. ‘But, after a few centuries, sometimes one of us gets bored. Or crazy. I don’t know. And then the Ministry steps in before it can compromise them, or the rest of us.’ ‘So-o Marcel…’ ‘Is planning to flout that in their city-the city they've secretly held for three thousand years, since the time of the Etruscans. They are so protective of their city that they don't allow hunting within its walls. Volterra is probably the safest city in the world-from angel attack at the very least.’ ‘But you said they didn't leave. How do they eat?’ This is what she becomes because of me… what do you think of here… do you like her or heat? Are you going to hate her for this? ~*~ ‘They don't leave. They bring in their food from the outside, from quite far away sometimes. It gives their guard something to do when they're not out annihilating mavericks. Or protecting Volterra from exposure…

In southern and central Italy, for example, both the Greek colonies and the Etruscan territories have provided much more evidence of trade and sophisticated native industries than can be found in post-Roman Italy. The pre-Roman past, in the temples of Agrigento and Paestum, the tombs of Cerveteri and Tarquinia, and a mass of imported and native pottery and jewellery, has left enough material remains to serve as a major tourist attraction. The same cannot be said of the immediately post-Roman centuries.

Who can know what he's doing when he doesn't even know why he does it? Bless the bright Cromagnon for inventing the bow and damn him for inventing missile warfare. Bless the stubby little Sumerians for miracles in gold and lapis lazuli and damn them for burying a dead queen's hand-maidens living in her tomb. Bless Shih Hwang-Ti for building the Great Wall between northern barbarism and southern culture, and damn him for burning every book in China. Bless King Minos for the ease of Cnossian flush toilets and damn him for his yearly tribute of Greek sacrificial victims. Bless Pharaoh for peace and damn him for slavery. Bless the Greeks for restricting population so the well-fed few could kindle a watch-tower in the west, and damn the prostitution and sodomy and wars of colonization by which they did it. Bless the Romans for their strength to smash down every wall that hemmed their building genius, and damn them for their weakness that never broke the bloody grip of Etruscan savagery on their minds. Bless the Jews who discovered the fatherhood of God and damn them who limited it to the survivors of a surgical operation. Bless the Christians who abolished the surgical preliminaries and damn them who substituted a thousand cerebral quibbles. Bless Justinian for the Code of Law and damn him for his countless treacheries that were the prototype of the wretched Byzantine millenium. Bless the churchmen for teaching and preaching, and damn, them for drawing a line beyond which they could only teach and preach in peril of the stake.

The sea-goddesses were also oracular goddesses. The oldest of them, Tethys, had an oracular shrine amongst the Etruscans. Her granddaughters, the daughters of Nereus, could often—or so it was believed—rescue seamen in danger of shipwreck. It was they, too, who revealed to men the mysteries of Dionysos and of Persephone.

Like old peasants, we could sit by the fireplace, grilling slabs of bread and oil, pour a young Chianti. After rooms of Renaissance virgins and dusty back roads from Umbertide, I cook a pan of small eels fried with garlic and sage. Under the fig where two cats curl, we’re cool. I’ve counted: the dove coos sixty times per minute. The Etruscan wall above the house dates from the eighth century B.C. We can talk. We have time.