“
One final paragraph of advice: do not burn yourselves out. Be as I am - a reluctant enthusiast....a part-time crusader, a half-hearted fanatic. Save the other half of yourselves and your lives for pleasure and adventure. It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here. So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space. Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
”
”
Edward Abbey
“
Personally I am very fond of strawberries and cream, but I have found that for some strange reason, fish prefer worms. So when I went fishing, I didn’t think about what I wanted. I thought about what they wanted. I didn't bait the hook with strawberries and cream. Rather, I dangled a worm or grasshopper in front of the fish and said: "Wouldn't you like to have that?"
Why not use the same common sense when fishing for people?
”
”
Dale Carnegie (How to Win Friends and Influence People)
“
Ladies and gentlemen of the class of '97:
Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long-term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience. I will dispense this advice now.
Enjoy the power and beauty of your youth. Oh, never mind. You will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years, you'll look back at photos of yourself and recall in a way you can't grasp now how much possibility lay before you and how fabulous you really looked. You are not as fat as you imagine.
Don't worry about the future. Or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubble gum. The real troubles in your life are apt to be things that never crossed your worried mind, the kind that blindside you at 4 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don't be reckless with other people's hearts. Don't put up with people who are reckless with yours.
Floss.
Don't waste your time on jealousy. Sometimes you're ahead, sometimes you're behind. The race is long and, in the end, it's only with yourself.
Remember compliments you receive. Forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters. Throw away your old bank statements.
Stretch.
Don't feel guilty if you don't know what you want to do with your life. The most interesting people I know didn't know at 22 what they wanted to do with their lives. Some of the most interesting 40-year-olds I know still don't.
Get plenty of calcium. Be kind to your knees. You'll miss them when they're gone.
Maybe you'll marry, maybe you won't. Maybe you'll have children, maybe you won't. Maybe you'll divorce at 40, maybe you'll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don't congratulate yourself too much, or berate yourself either. Your choices are half chance. So are everybody else's.
Enjoy your body. Use it every way you can. Don't be afraid of it or of what other people think of it. It's the greatest instrument you'll ever own.
Dance, even if you have nowhere to do it but your living room.
Read the directions, even if you don't follow them.
Do not read beauty magazines. They will only make you feel ugly.
Get to know your parents. You never know when they'll be gone for good. Be nice to your siblings. They're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but with a precious few you should hold on. Work hard to bridge the gaps in geography and lifestyle, because the older you get, the more you need the people who knew you when you were young.
Live in New York City once, but leave before it makes you hard. Live in Northern California once, but leave before it makes you soft. Travel.
Accept certain inalienable truths: Prices will rise. Politicians will philander. You, too, will get old. And when you do, you'll fantasize that when you were young, prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don't expect anyone else to support you. Maybe you have a trust fund. Maybe you'll have a wealthy spouse. But you never know when either one might run out.
Don't mess too much with your hair or by the time you're 40 it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia. Dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts and recycling it for more than it's worth.
But trust me on the sunscreen.
”
”
Mary Schmich (Wear Sunscreen: A Primer for Real Life)
“
I want you to tell me about every person you’ve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didn’t think you’d live through.
Tell me what the word home means to you
and tell me in a way that I’ll know your mother’s name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when they’re sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your mother’s joy
when she spoke it for the very first time.
I want you to tell me all the ways you’ve been unkind.
Tell me all the ways you’ve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler “Poison! Poison! Poison!” really loud
or would you whisper
“That cloud looks like a fish,
and that cloud looks like a fairy!”
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you don’t believe in miracles, tell me —
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that you’ve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didn’t, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day you’re feeling good.
I wanna know what you see when you look in the mirror
on a day you’re feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you I’ve lived my entire life a little off-key?
And I’m not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do —
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other people’s wounds,
and if you dream sometimes
that this life is just a balloon —
that if you wanted to, you could pop,
but you never would
‘cause you’d never want it to stop.
If a tree fell in the forest
and you were the only one there to hear —
if its fall to the ground didn’t make a sound,
would you panic in fear that you didn’t exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didn’t talk —
do you think eventually, we’d… kiss?
No, wait.
That’s asking too much —
after all,
this is only our first date.
”
”
Andrea Gibson
“
The fish is my friend too... I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars. Imagine if each day a man must try to kill the moon, he thought. The moon runs away. But imagine if a man each day should have to try to kill the sun? We were born lucky; he thought
”
”
Ernest Hemingway (The Old Man and the Sea)
“
I used to love the ocean.
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails,
Treasures lost and treasures held...
And ALL
Of her fish
In the sea.
Yes, I used to love the ocean,
Everything about her.
The way she would sing me to sleep as I lay in my bed
then wake me with a force
That I soon came to dread.
Her fables, her lies, her misleading eyes,
I'd drain her dry
If I cared enough to.
I used to love the ocean,
Everything about her.
Her coral reefs, her white caps, her roaring waves, the rocks they lap, her pirate legends and mermaid tails, treasures lost and treasures held.
And ALL
Of her fish
In the sea.
Well, if you've ever tried navigating your sailboat through her stormy seas, you would realize that her white caps
are your enemies. If you've ever tried swimming ashore when your leg gets a cramp and you just had a huge meal of In-n-Out burgers that's weighing you down, and her roaring waves are knocking the wind out of you, filling your lungs with water as you flail your arms, trying to get someone's attention, but your
friends
just
wave
back at you?
And if you've ever grown up with dreams in your head about life, and how one of these days you would pirate your own ship and have your own crew and that all of the mermaids
would love
only
you?
Well, you would realize...
Like I eventually realized...
That all the good things about her?
All the beautiful?
It's not real.
It's fake.
So you keep your ocean,
I'll take the Lake.
”
”
Colleen Hoover
“
Maybe i would become a mermaid... i would live in the swirling blue-green currents, doing exotic underwater dances for the fish, kissed by sea anemones, caressed by seaweed shawls. I would have a doliphin friend. He would have merry eyes and thick flesh of a god. My fingernails would be tiny shells and my skin would be like jade with light shining through it I would never have to come back up
”
”
Francesca Lia Block
“
You fish, swim, eat, laze around, and everyone's so friendly. It's such simple stuff, but... If i could stop the world and restart life, put the clock back, i think I'd restart it like this. For everyone.
”
”
Alex Garland (The Beach)
“
To bait fish withal: if it will feed nothing else, it will feed my revenge. He hath disgraced me, and hindered me half a million; laughed at my losses,
mocked at my gains, scorned my nation, thwarted my bargains, cooled my friends, heated mine enemies; and what's his reason?
I am a Jew.
Hath not a Jew eyes? hath not a Jew hands, organs,dimensions, senses, affections, passions?
Fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means,
warmed and cooled by the same winter and summer, as a Christian is?
If you prick us, do we not bleed?
If you tickle us, do we not laugh?
If you poison us, do we not die?
And if you wrong us, shall we not
revenge?
If we are like you in the rest, we will
resemble you in that.
If a Jew wrong a Christian, what is his humility? Revenge.
If a Christian wrong a Jew, what should his sufferance be by Christian example?
Why, revenge.
The villany you teach me, I will execute, and it shall go hard but I
will better the instruction.
”
”
William Shakespeare (The Merchant of Venice)
“
What it looks like is that you’re having sex with one of my oldest friends in the linen closet of our reception hall. Unless, of course, she’s lost something in her vagina and you were gallant enough to try and fish it out for her. With your penis. If that’s the case, I suggest using a larger lure.
”
”
Christine Bell (Down for the Count (Dare Me, #1))
“
When I was a small boy in Kansas, a friend of mine and I went fishing. I told him I wanted to be a real Major League baseball player, a genuine professional like Honus Wagner. My friend said that he'd like to be President of the United States. Neither of us got our wish.
”
”
Dwight D. Eisenhower
“
You might be a big fish in a little pond,
Doesn't mean you've won
'Coz along may come a bigger one.
”
”
Coldplay (Coldplay - Viva La Vida)
“
I KNOW THE WAY YOU CAN GET
I know the way you can get
When you have not had a drink of Love:
Your face hardens,
Your sweet muscles cramp.
Children become concerned
About a strange look that appears in your eyes
Which even begins to worry your own mirror
And nose.
Squirrels and birds sense your sadness
And call an important conference in a tall tree.
They decide which secret code to chant
To help your mind and soul.
Even angels fear that brand of madness
That arrays itself against the world
And throws sharp stones and spears into
The innocent
And into one's self.
O I know the way you can get
If you have not been drinking Love:
You might rip apart
Every sentence your friends and teachers say,
Looking for hidden clauses.
You might weigh every word on a scale
Like a dead fish.
You might pull out a ruler to measure
From every angle in your darkness
The beautiful dimensions of a heart you once
Trusted.
I know the way you can get
If you have not had a drink from Love's
Hands.
That is why all the Great Ones speak of
The vital need
To keep remembering God,
So you will come to know and see Him
As being so Playful
And Wanting,
Just Wanting to help.
That is why Hafiz says:
Bring your cup near me.
For all I care about
Is quenching your thirst for freedom!
All a Sane man can ever care about
Is giving Love!
”
”
null
“
Odd choice of a word, isn’t it? Fish is either singular, or plural. Imagine my surprise when I walked in the study and found not one fish in a tiny fish bowl, but an entire aquarium.”
She practically vibrated for the need to fight. “Otto was lonely and you were practicing animal cruelty. He was too isolated. Now, he has friends and a place to swim.”
“Yes, nice little tunnels and rocks and algae to play hide and seek with his buddies.
”
”
Jennifer Probst (The Marriage Bargain (Marriage to a Billionaire, #1))
“
A man who tosses worms in the river isn’t 't necessarily a friend of the fish. All the fish who take him for a friend, who think the worm’s got no hook in it, usually end up in the frying pan.
”
”
Malcolm X
“
The fish is my friend too," he said aloud. "I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
A doctor, a logician and a marine biologist had also just arrived, flown in at phenomenal expense from Maximegalon to try to reason with the lead singer who had locked himself in the bathroom with a bottle of pills and was refusing to come out till it could be proved conclusively to him that he wasn't a fish. The bass player was busy machine-gunning his bedroom and the drummer was nowhere on board.
Frantic inquiries led to the discovery that he was standing on a beach on Santraginus V over a hundred light years away where, he claimed, he had been happy for over half an hour now and had found a small stone that would be his friend.
”
”
Douglas Adams (The Restaurant at the End of the Universe (Hitchhiker's Guide to the Galaxy, #2))
“
There's nothing sweeter than a real friend:
Not only is he prompt to lend—
An angler delicate, he fishes
The very deepest of your wishes,
And spares your modesty the task
His friendly aid to ask.
A dream, a shadow, wakes his fear,
When pointing at the object dear.
”
”
Jean de La Fontaine (Fables)
“
Of course, now I am too old to be much of a fisherman, and now of course I usually fish the big waters alone, although some friends think I shouldn’t. Like many fly fishermen in western Montana where the summer days are almost Arctic in length, I often do not start fishing until the cool of the evening. Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.
Eventually, all things merge into one, and a river runs through it. The river was cut by the world’s great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs.
I am haunted by waters.
”
”
Norman Maclean (A River Runs Through It and Other Stories)
“
I said, "I'll take the T-bone steak."
A soft voice mooed, "Oh wow."
And I looked up and realized
The waitress was a cow.
I cried, "Mistake--forget the the steak.
I'll take the chicken then."
I heard a cluck--'twas just my luck
The busboy was a hen.
I said, "Okay no, fowl today.
I'll have the seafood dish."
Then I saw through the kitchen door
The cook--he was a fish.
I screamed, "Is there anyone workin' here
Who's an onion or a beet?
No? Your're sure? Okay then friends,
A salad's what I'll eat."
They looked at me. "Oh,no," they said,
"The owner is a cabbage head.
”
”
Shel Silverstein
“
We all want expanded consciousness and bliss. It's a natural, human desire. And a lot of people look for it in drugs. But the problem is that the body, the physiology, takes a hard hit on drugs. Drugs injure the nervous system, so they just make it harder to get those experiences on your own.
I have smoked marijuana, but I no longer do. I went to art school in the 1960s, so you can imagine what was going on. Yet my friends were the ones who said, "No, no, no, David, don't you take those drugs." I was pretty lucky.
Besides, far more profound experiences are available naturally. When your consciousness stars expanding, those experiences are there. All those things can be seen. It's just a matter of expanding that ball of consciousness. And the ball of consciousness can expand to be infinite and unbounded. It's totality. You can have totality. So all those experiences are there for you, without the side effects of drugs.
”
”
David Lynch (Catching the Big Fish: Meditation, Consciousness, and Creativity)
“
I have human friends, obviously. But everything's easier with a cat. He wants a little fish soup in a saucer and the occasional scratch on the head. I want the illusion that an animal bred to trade affection for food can understand the inquietudes of my soul.
”
”
Anthony Marra (The Tsar of Love and Techno)
“
And the only sign of life is the ticking of the pen, introducing characters to memory like old friends.
”
”
Fish
“
REAL LIFE vs THE MOVIES
Breaking Up in the Movies:
Boy #1: This isn’t working out, is it?
Boy #2: Sort of not, huh?
Boy #1: You can’t say we didn’t try.
Boy #2: We sure did. Besides, we’re still best friends.
Boy #1: Forever.
Boy #2: This is terrific pasta.
Breaking Up for Real:
Boy #1: Are you asleep?
Boy #2: Does it sound like it?
Boy #1: I’m sorry about the tuna fish.
Boy #2: It isn’t the tuna fish! It’s the last six months!
Boy #1: You’re an asshole.
Boy #2: Let go of my cock.
”
”
Steve Kluger (Almost Like Being in Love)
“
I became an ifrit to save the lives of my fellow jinn. What kind of life saver would I be if I let you sit here and wither away in paradise?”
Just an obstacle. Just an obstacle.
I meet the ifrit’s eyes. “What happened to all your talk about birds and fish having nowhere to live?”
The ifrit shrugs. “I suggest you start holding your breath, my friend,” he says, then pushes through the hearing room doors.
”
”
Jackson Pearce (As You Wish (Genies #1))
“
it was necessary to bait the hook to suit the fish.
”
”
Dale Carnegie (How to Win Friends and Influence People)
“
Slowly, it came into focus. This small web of people keeping one another afloat. All these minuscule interactions- a friendly wave, a pencil sketch, some plastic beads strung up a nylon cord- they might not look like much from the outside, but for the people caught inside that web? They might be everything, the very tethers that keep one bound to this planet.
”
”
Lulu Miller (Why Fish Don't Exist)
“
If this were a fairy tale, this would be the part where the fishboy appears and Diana shoots him through the heart. Because he is a tragic hero, he's our fucking Gatsby, and he lived for his fish and he has to die for his fish. He would never let my fake authority, condoning his abandonment, making up rules about what's okay just to save his life, convince him to give up his family. He would never leave.
He would know that without him, none of us will be as good. Me, without a friend; and the fish, without a brother; and the island, without a story; and Diana, without her something real, we will all be a little bit less than we were before we knew him.
So he wouldn't leave. Not until I could come with him. And I have never been less able to leave than I am now.
But this isn't a fairy tale, and he doesn't appear. We stand here for a long time.
He really left.
Because it was all that we could do.
”
”
Hannah Moskowitz (Teeth)
“
Fundamentalist Christianity: fascinating. These people actually believe that the world is twelve thousand years old. Swear to God. Based on what? I asked them.
"Well, we looked at all the people in the Bible and we added 'em up all the way back to Adam and Eve, their ages? Twelve thousand years."
"Well, how fucking scientific, OK. I didn't know that you'd gone to so much trouble there. That's good. You believe the world's twelve thousand years old?"
"That's right."
"OK, I got one word to ask you, a one word question, ready?"
"Uh huh."
"Dinosaurs."
You know, the world's twelve thousand years old and dinosaurs existed, and existed in that time, you'd think it would been mentioned in the fucking Bible at some point:
And O, Jesus and the disciples walked to Nazareth. But the trail was blocked by a giant brontosaurus... with a splinter in its paw. And the disciples did run a-screamin'. "What a big fucking lizard, Lord!"
"I'm sure gonna mention this in my book," Luke said.
"Well, I'm sure gonna mention it in my book," Matthew said.
But Jesus was unafraid. And he took the splinter from the brontosaurus paw, and the brontosaurus became his friend. And Jesus sent him to Scotland where he lived in a loch, O so many years, attracting fat American families with their fat fuckin' dollars to look for the Loch Ness Monster. And O the Scots did praise the Lord: "Thank you, Lord! Thank you, Lord!"
Twelve thousand years old. But I actually asked this guy, "OK, dinosaur fossils-- how does that fit into your scheme of life? What's the deal?" He goes:
"God put those here to test our faith."
"I think God put you here to test my faith, dude. I think I've figured this out."
Does that-- That's what this guy said. Does that bother anyone here? The idea that God might be fucking with our heads? Anyone have trouble sleeping restfully with that thought in their head? God's running around burying fossils: "Ho ho! We'll see who believes in me now, ha ha! I'm a prankster God. I am killing me, ho ho ho!" You know? You die, you go to St. Peter:
"Did you believe in dinosaurs?"
"Well, yeah. There were fossils everywhere. (trapdoor opens) Aaaaarhhh!"
"You fuckin' idiot! Flying lizards? You're a moron. God was fuckin' with you!"
"It seemed so plausible, aaaaaahh!"
"Enjoy the lake of fire, fucker!"
They believe this. But you ever notice how people who believe in Creationism usually look pretty unevolved. Eyes really close together, big furry hands and feet? "I believe God created me in one day." Yeah, looks like he rushed it.
Such a weird belief. Lots of Christians wear crosses around their necks. You think when Jesus comes back he's gonna want to see a fucking cross, man? "Ow." Might be why he hasn't shown up yet.
"Man, they're still wearing crosses. Fuck it, I'm not goin' back, Dad. No, they totally missed the point. When they start wearing fishes, I might show up again, but... let me bury fossils with you, Dad. Fuck 'em, let's fuck with 'em! Hand me that brontosaurus head, Dad.
”
”
Bill Hicks (Love All the People: Letters, Lyrics, Routines)
“
I heard that when white folks go fishin they do somethin called 'catch and release.'
Catch and release? I nodded solemnly, suddenly nervous and curious at the same time.
'That really bothers me', Denver went on. 'I just can't figure it out. 'Cause when colored folks go fishin, we really proud of what we catch, and we take it and show it off to everybody that'll look. Then we eat what we catch...in other words, we use it to SUSTAIN us. So it really bothers me that white folks would go to all the trouble to catch a fish, when when they done caught it, just throw it back in the water.'
He paused again, and the silence between us stretched a full minute. Then: 'Did you hear what I said?'
I nodded, afraid to speak, afraid to offend.
Denver looked away, searching the blue autumn sky, then locked onto me again with that drill-bit start. 'So, Mr. Ron, it occurred to me: If you is fishin for a friend you just gon' catch and release, then I ain't got no desire to be your friend.'
I returned Denver's gaze with what I hoped was a receptive expression and hung on.
Suddenly his eyes gentled and he spoke more softly than before: 'But if you is lookin for a REAL friend, then I'll be one. Forever.
”
”
Ron Hall (Same Kind of Different as Me: A Modern-Day Slave, an International Art Dealer, and the Unlikely Woman Who Bound Them Together)
“
The Oldest Thirst There Is
Give us gladness that connects
with the Friend, a taste of the quick,
you that makes a cypress strong
and jasmine jasmine.
Give us the inner listening
that is a way in itself
and the oldest thirst there is.
Don't measure it out with a cup.
I am a fish. You are the moon.
You cannot touch me, but your light
can fill the ocean where I live.
”
”
Rumi (The Essential Rumi)
“
The Voyager
We are all lonely voyagers sailing on life's ebb tide,
To a far off place were all stripling warriors have died,
Sometime at eve when the tide is low,
The voices call us back to the rippling water's flow,
Even though our boat sailed with love in our hearts,
Neither our dreams or plans would keep heaven far apart,
We drift through the hush of God's twilight pale,
With no response to our friendly hail,
We raise our sails and search for majestic light,
While finding company on this journey to the brighten our night,
Then suddenly he pulls us through the reef's cutting sea,
Back to the place that he asked us to be,
Friendly barges that were anchored so sweetly near,
In silent sorrow they drop their salted tears,
Shall our soul be a feast of kelp and brine,
The wasted tales of wishful time,
Are we a fish on a line lured with bait,
Is life the grind, a heartless fate,
Suddenly, "HUSH", said the wind from afar,
Have you not looked to the heavens and seen the new star,
It danced on the abyss of the evening sky,
The sparkle of heaven shining on high,
Its whisper echoed on the ocean's spray,
From the bow to the mast they heard him say,
"Hope is above, not found in the deep,
I am alive in your memories and dreams when you sleep,
I will greet you at sunset and with the moon's evening smile,
I will light your path home.. every last lonely mile,
My friends, have no fear, my work was done well,
In this life I broke the waves and rode the swell,
I found faith in those that I called my crew,
My love will be the compass that will see you through,
So don't look for me on the ocean's floor to find,
I've never left the weathered docks of your loving mind,
For I am in the moon, the wind and the whale's evening song,
I am the sailor of eternity whose voyage is not gone.
”
”
Shannon L. Alder
“
Are you born again?" he asked, as we taxied down the runway. He was rather prim and tense, maybe a little like David Eisenhower with a spastic colon. I did not know how to answer for a moment.
"Yes," I said. "I am."
My friends like to tell each other that I am not really a born-again Christian. They think of me more along the lines of that old Jonathan Miller routine, where he said, "I'm not really a Jew -- I'm Jew-ish." They think I am Christian-ish. But I'm not. I'm just a bad Christian. A bad born-again Christian. And certainly, like the apostle Peter, I am capable of denying it, of presenting myself as a sort of leftist liberation-theology enthusiast and maybe sort of a vaguely Jesusy bon vivant. But it's not true. And I believe that when you get on a plane, if you start lying you are totally doomed.
So I told the truth; that I am a believer, a convert. I'm probably about three months away from slapping an aluminum Jesus-fish on the back of my car, although I first want to see if the application or stickum in any way interferes with my lease agreement. And believe me, all this boggles even *my* mind. But it's true. I could go to a gathering of foot-wash Baptists and, except for my dreadlocks, fit right in. I would wash their feet; I would let them wash mine.
”
”
Anne Lamott
“
A Kite is a Victim
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won't give up,
or the wind die down.
A kite is the last poem you've written
so you give it to the wind,
but you don't let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so you make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
Gift
You tell me that silence
is nearer to peace than poems
but if for my gift
I brought you silence
(for I know silence)
you would say
This is not silence
this is another poem
and you would hand it back to me
There are some men
There are some men
who should have mountains
to bear their names through time
Grave markers are not high enough
or green
and sons go far away to lose the fist
their father’s hand will always seem
I had a friend he lived and died
in mighty silence and with dignity
left no book son or lover to mourn.
Nor is this a mourning song
but only a naming of this mountain
on which I walk
fragrant, dark and softly white
under the pale of mist
I name this mountain after him.
-Believe nothing of me
Except that I felt your beauty
more closely than my own.
I did not see any cities burn,
I heard no promises of endless night,
I felt your beauty
more closely than my own.
Promise me that I will return.-
-When you call me close
to tell me
your body is not beautiful
I want to summon
the eyes and hidden mouths
of stone and light and water
to testify against you.-
Song
I almost went to bed
without remembering
the four white violets
I put in the button-hole
of your green sweater
and how i kissed you then
and you kissed me
shy as though I'd
never been your lover
-Reach into the vineyard of arteries for my heart.
Eat the fruit of ignorance and share with me the mist and
fragrance of dying.-
”
”
Leonard Cohen (The Spice-Box of Earth)
“
A true friend never asks you to feed their imaginary fish. Or fertilize their imaginary crops.
”
”
Teresa Medeiros (Goodnight Tweetheart)
“
What is there to see if I go outside? Don't tell me. I know. I can see other people. I don't want to see other people. They look awful. The men look like slobs and the women look like men. The men have mush faces framed by long hair and the women have big noses, big jaws, big heads, and stick-like bodies. That depresses me. Its no fun to people-watch anymore because there's so little variety in types.
You say it's good to get a change of scenery. What scenery? New buildings? New cars? New freeways? New shopping malls? Go to the woods or a park? I saw a tree once. The new ones look the same, which is fine. I even remember what the old ones look like. My memory isn't that short. But it's not worth going to see a squirrel grab a nut, or fish swimming around in a big tank if I must put up with the ugly contemporary human pollution that accompanies each excursion. The squirrel may enliven me and remind me of better vistas but the price in social interaction isn't worth it. If, on my way to visit the squirrel, I encounter a single person who gains stimulation by seeing me, I feel like I have given more than I've received and I get sore.
If every time I go somewhere to see a fish swimming, I become someone else's stimulation, I feel shortchanged. I'll buy my own fish and watch it swim. Then, I can watch the fish, the fish can watch me, we can be friends, and nobody else interferes with the interaction, like trying to hear what the fish and I are talking about. I won't have to get dressed a certain way to visit the fish. I needn't dress the way my pride dictates, because who's going to see me? I needn't wear any pants. The fish doesn't care. He doesn't read the tabloids. But, if I go out to see a fish other than my own, I'm right back where I started: entertaining others, which is more depleting than visiting the new fish is entertaining.
Maybe I should go to a coffee house. I find no stimulation in watching ordinary people trying to put the make on other uninteresting people. I can fix my own cup of coffee and not have to look at or talk to other people. No matter where I go, I stimulate others, and have been doing so all my life. It used to be I'd sometimes get stimulated back.
”
”
Anton Szandor LaVey
“
He, unfortunately for himself, had been beautifully brought up. His teacher had educated him as the child is educated in the womb, where it lives the history of man from fish to mammal--and, like the child in the womb, he had been protected with love meanwhile. The effect of such an education was that he had grown up without any of the useful accomplishments for living--without malice, vanity, suspicion, cruelty, and the commoner forms of selfishness. Jealousy seemed to him the most ignoble of vices. He was sadly unfitted for hating his best friend or torturing his wife. He had been given too much love and trust to be good at these things.
”
”
T.H. White
“
Reyna put her hand on his shoulder. ‘Coach, we’ll get you to your wife, but let’s do it right. Tyson, how did you and Ella get out to this ship?’
‘Rainbow!’
‘You … took a rainbow?’
‘He is my fish pony friend.’
‘A hippocampus,’ Nico advised.
”
”
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
“
Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him- and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.
”
”
Colette
“
It’s traumatizing to think that a best friend could become just a friend. That’s because there is virtually no difference between an acquaintance and a friend. But the gulf between a friend and a best friend is enormous and profound. And if I look at it that way, I think I can see the value of a wedding. If you’re my best friend and the only way I get to have dinner with you is by traveling thousands of miles, selecting a chicken or fish option, and wearing a dress in the same shade of lavender as six other girls, I will do that.
”
”
Mindy Kaling (Why Not Me?)
“
To be a good writer, become a good listener.
”
”
Cynthia Briggs (The Adventures of Lily and Leon: A Soppy Fish Tale)
“
This has been the century of strangers, brown, yellow and white. This has been the century of the great immigrant experiment. It is only this late in the day that you can walk into a playground and find Isaac Leung by the fish pond, Danny Rahman in the football cage, Quang O’Rourke bouncing a basketball, and Irie Jones humming a tune. Children with first and last names on a direct collision course. Names that secrete within them mass exodus, cramped boats and planes, cold arrivals, medical checks. It is only this late in the day, and possibly only in Willesden, that you can find best friends Sita and Sharon, constantly mistaken for each other because Sita is white (her mother liked the name) and Sharon is Pakistani (her mother thought it best — less trouble).
”
”
Zadie Smith (White Teeth)
“
In Santa Barbara they stopped at a fish restaurant in what seemed to be a converted warehouse.
Fenchurch had red mullet and said it was delicious.
Arthur had a swordfish steak and said it made him angry. He grabbed a passing waitress by the arm and berated her.
"Why's this fish so bloody good?" he demanded, angrily.
"Please excuse my friend," said Fenchurch to the startled waitress. "I think he's having a nice day at last.
”
”
Douglas Adams (So Long, and Thanks for All the Fish (Hitchhiker's Guide to the Galaxy, #4))
“
Thank you to the crows that amass on Vancouver evenings and fly home to the darkness of Burnaby Mountain. Thank you to the brilliance of wet moss and lichen. Thank you to the rays of golden brown light slanting in the cool of a green lake. Thank you to the shoals of glinting fish. Thank you to the sweet gems of salmonberries. Thank you to the decaying leaves for their rich brown smell. Thank you to the slugs and wood lice beneath the leaves. Thank you to to my plant friends who keep me company as I write. I am deeply grateful to share this cycle with you.
”
”
Hiromi Goto (Half World)
“
When I was Mare Barrow of the Stilts, I thought the same way. I wondered what would happen if I survived conscription, and saw what that future held. A friendly marriage to the fish boy with green eyes, children we could love, a poor stilt home. It seemed like a dream back then, an impossibility. And it still is. It always will be. I do not love Kilorn, not the way he wants me to. I never will.
”
”
Victoria Aveyard (Glass Sword (Red Queen, #2))
“
Move along,” Hines said. “Last room down.”
I spotted a fish tank halfway down the aisle. Dug into my pocket.
“Hi,” I whispered. “Distraction in five. Four. Three...”
I broke off as we neared the tank.
Hi spun. “Yo, warden. When do we eat around here? I'm hypoglycemic, plus I've got a hernia. And rabies simplex D. Basically, I need a ton of pills or my arms will fall off.”
“Boy, you're on my last nerve.”
As Hines glared at Hiram, I palmed the flash drive and dumped it into the fish tank. The yellow-and-black rectangle tumbled to the bottom.
So long, friend. Let's hope Shelton's email went through.
“It's a cultural thing,” Hi was saying. “I think you're being very insensitive.”
Hines snorted. “Do you want me to cuff you?”
“Kinda.”
“Hi.” I nodded.
”
”
Kathy Reichs (Exposure (Virals, #4))
“
it seemed clear that no matter how unsubtly I fished for his reassurance he wasn’t going to provide it.
”
”
Sally Rooney (Conversations with Friends)
“
Birds can sing and fish can swim and I can do this.
”
”
Donna Tartt (The Little Friend)
“
Writing isn’t my life…it’s a lovely part of my life... but it’s not my life. My life is family, friends, fishing, food…things like reading and painting and all the rest of it, and you can’t really prioritize when you’re involved with family or you’re involved in fishing, you can’t say, ‘Oh, I really should be writing.
”
”
Keri Hulme
“
A few years ago a friend said that I use to hunt and fish and build houses and things but now my whole life revolved around my computer I replied "But my computer revolves around the world
”
”
Stanley Victor Paskavich (Return to Stantasyland)
“
No I am not okay. I've just been pulled out of play tryouts where I had to be the first to audition and everyone's trying out for the same parts, I just had a very bizarre conversation with the school secretary, Megan may be throwing up her cucumber sandwiches, I've broken five of the seven deadly sins in as many hours, a demon may be inside a girl in my world religions class, Grant Brawner called me by name, my license photo looks like a dead fish, I have to drive my friends all over town in two hours when I've never even driven without Dad before, none of my birthday wishes have come true yet, and now you're here with muffins like I'm in second grade? So, no, I am not ok.
”
”
Wendy Mass (Leap Day)
“
You find out who your real friends are when you call and tell 'em you just accidentally killed a hooker and they show up with a shovel and full tank of gas.
”
”
Jenn Cooksey (The Other Fish in the Sea (Grab Your Pole, #2))
“
-to judge us all through the machine of the Commandant's monstrous fictions! As though they were the truth! As though history & the written word were friends, rather than adversaries!
”
”
Richard Flanagan (Gould's Book of Fish: A Novel in Twelve Fish)
“
I read a book one day and my whole life was changed” starts Orhan Pamuk to his famous and brilliantly written book: The New Life. Some books just strike you with the very first sentence, and generally those are the ones that leave a mark in your memory and soul, the ones that make you read, come back many years later and read again, and have the same pleasure each time. I was lucky enough to have a father who was passionate about literature, so passionate that he would teach me how to read at the age of five. The very first book he bought for me was “The Little Black Fish” by Samad Behrangi. After that I started reading his other books, and at that age I had already owned a small Behrangi collection. Recently I was talking with a Persian friend about how Behrangi and his books changed my life. A girl, from another country, from kilometeters away, around the same time was also reading Behrangi’s books, and creating her own imaginary worlds with his rich and deep characters, and intense stories.
”
”
Samad Behrangi (The Little Black Fish)
“
Akira often gets mad at me because he thinks I'm too nice to strangers, and cold as a fish at home. What can I do? He's right, but that's the way I am. I'm more enthusiastic about people I've just met, whom I barely know at all, than with old friends. Before the awkwardness of a new acquaintance has worn off, I'm ready to offer myself up to that person.
”
”
Banana Yoshimoto (Lizard)
“
I love salmon. Of all my fishy friends, I love salmon the best. Or trout. Or tuna. Or smelts. Oh heck. I love them ALL! But I have such fond memories of salmon. See, my dad was a fisherman. I mean a fanatic fisherman. Fishing was probably what he liked to do most (along with gardening and riding horses and camping in the Sierra and bowling and… ) But honestly, folks, fishing was probably the winner for leisure-time activities.
”
”
Mallory M. O'Connor (The Kitchen and the Studio: A Memoir of Food and Art)
“
I felt suffocated. And alone. More alone than ever. Every year, I ostentatiously crossed out of my address book any friend who'd made a racist remark, neglected those whose only ambition was a new car and a Club Med vacation, and forgot all those who played the Lottery. I loved fishing and silence. Walking the hills. Drinking cold Cassis, Lagavulin, or Oban late into the night. I didn't talk much. Had opinions about everything. Life and death. Good and evil. I was a film buff. Loved music. I'd stopped reading contemporary novels. More than anything, I loathed half-hearted, spineless people.
”
”
Jean-Claude Izzo (Total Chaos (Marseilles Trilogy, #1))
“
It was dark now as it becomes dark quickly after the sun sets in September. He lay against the worn wood of the bow and rested all that he could. The first stars were out. He did not know the name of Rigel but he saw it and knew soon they would all be out and he would have all his distant friends.
'The fish is my friend too,' he said aloud. 'I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
None of us can be proof against the influences that proceed from the persons he associates with. Wherefore, in books and men, let us look out for the best society, that which yields a bracing and wholesome influence. We all know the person for whose company we are the better, though the talk is only about fishing or embroidery.
”
”
Charlotte M. Mason
“
We are, after all, citizens of the world - a world filled with bacteria, some friendly, some not so friendly. Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonald's? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once. I'll give you the benefit of the doubt, Senor Tamale Stand Owner, Sushi-chef-san, Monsieur Bucket-head. What's that feathered game bird, hanging on the porch, getting riper by the day, the body nearly ready to drop off? I want some.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
I loved the solar smile he would turn on his friends at times--and on me--nonplussing us when he simply left it on us, full-beam, for such a long, long moment that we'd finally have no choice but to realize this was no social smile, no rote kind of friendliness: this was what it felt like to be completely seen and loved for a moment.
”
”
David James Duncan (My Story as told by Water: Confessions, Druidic Rants, Reflections, Bird-watchings, Fish-stalkings, Visions, Songs and Prayers Refracting Light, from Living Rivers, in the Age of the Industrial Dark)
“
A Faint Music by Robert Hass
Maybe you need to write a poem about grace.
When everything broken is broken,
and everything dead is dead,
and the hero has looked into the mirror with complete contempt,
and the heroine has studied her face and its defects
remorselessly, and the pain they thought might,
as a token of their earnestness, release them from themselves
has lost its novelty and not released them,
and they have begun to think, kindly and distantly,
watching the others go about their days—
likes and dislikes, reasons, habits, fears—
that self-love is the one weedy stalk
of every human blossoming, and understood,
therefore, why they had been, all their lives,
in such a fury to defend it, and that no one—
except some almost inconceivable saint in his pool
of poverty and silence—can escape this violent, automatic
life’s companion ever, maybe then, ordinary light,
faint music under things, a hovering like grace appears.
As in the story a friend told once about the time
he tried to kill himself. His girl had left him.
Bees in the heart, then scorpions, maggots, and then ash.
He climbed onto the jumping girder of the bridge,
the bay side, a blue, lucid afternoon.
And in the salt air he thought about the word “seafood,”
that there was something faintly ridiculous about it.
No one said “landfood.” He thought it was degrading to the rainbow perch
he’d reeled in gleaming from the cliffs, the black rockbass,
scales like polished carbon, in beds of kelp
along the coast—and he realized that the reason for the word
was crabs, or mussels, clams. Otherwise
the restaurants could just put “fish” up on their signs,
and when he woke—he’d slept for hours, curled up
on the girder like a child—the sun was going down
and he felt a little better, and afraid. He put on the jacket
he’d used for a pillow, climbed over the railing
carefully, and drove home to an empty house.
There was a pair of her lemon yellow panties
hanging on a doorknob. He studied them. Much-washed.
A faint russet in the crotch that made him sick
with rage and grief. He knew more or less
where she was. A flat somewhere on Russian Hill.
They’d have just finished making love. She’d have tears
in her eyes and touch his jawbone gratefully. “God,”
she’d say, “you are so good for me.” Winking lights,
a foggy view downhill toward the harbor and the bay.
“You’re sad,” he’d say. “Yes.” “Thinking about Nick?”
“Yes,” she’d say and cry. “I tried so hard,” sobbing now,
“I really tried so hard.” And then he’d hold her for a while—
Guatemalan weavings from his fieldwork on the wall—
and then they’d fuck again, and she would cry some more,
and go to sleep.
And he, he would play that scene
once only, once and a half, and tell himself
that he was going to carry it for a very long time
and that there was nothing he could do
but carry it. He went out onto the porch, and listened
to the forest in the summer dark, madrone bark
cracking and curling as the cold came up.
It’s not the story though, not the friend
leaning toward you, saying “And then I realized—,”
which is the part of stories one never quite believes.
I had the idea that the world’s so full of pain
it must sometimes make a kind of singing.
And that the sequence helps, as much as order helps—
First an ego, and then pain, and then the singing
”
”
Robert Hass (Sun under Wood)
“
Any clear thing that blinds us with surprise,
your wandering silences and bright trouvailles,
dolphin let loose to catch the flashing fish...
saying too little, then too much.
Poets die adolescents, their beat embalms them,
the archetypal voices sing offkey;
the old actor cannot read his friends,
and nevertheless he reads himself aloud,
genuis hums the auditorium dead.
The line must terminate.
Yet my heart rises, I know I've gladdened a lifetime
knotting, undoing a fishnet of tarred rope;
the net will hang on the wall when the fish are eaten,
nailed like illegible bronze on the futureless future.
”
”
Robert Lowell
“
Of the last two friends of yours who had the modern mind; one thought it wrong to eat fishes and the other thought it right to eat men...
”
”
G.K. Chesterton (The Club of Queer Trades)
“
And this, my friends, is how love f*cks up your life.
”
”
Beck Anderson (Use Somebody)
“
He looked at a picture on the wall and saw everything that existed outside the room he was sitting in and the one he was trying to write about. It was a picture of fishing nets stowed in canvas baskets and it had sex, memories, cravings, names of old friends, principal rivers of the world. Writing was bad for the soul when you got right down to it. It protected your worst tendencies. Narrowed everything to failure and its devastations. Gave your cunning an edge of treachery and your jellyfish heart a reason to fall deeper into silence.
”
”
Don DeLillo (Mao II)
“
A boy trudged down the sidewalk dragging a fishing pole behind him. A man stood waiting with his hands on his hips. Summertime, and his children played in the front yard with their friend, enacting a strange little drama of their own invention. It was fall, and his children fought on the sidewalk in front of Mrs. Dubose's. . . . Fall, and his children trotted to and fro around the corner, the day's woes and triumphs on their faces. They stopped at an oak tree, delighted, puzzled, apprehensive. Winter, and his children shivered at the front gate, silhouetted against a blazing house. Winter, and a man walked into the street, dropped his glasses, and shot a dog. Summer, and he watched his children's heart break. Autumn again, and Boo's children needed him. Atticus was right. One time he said you never really know a man until you stand in his shoes and walk around in them. Just standing on the Radley porch was enough.
”
”
Harper Lee (To Kill a Mockingbird)
“
Seemed to me a phone was an impersonal instrument. If it felt like it, it let your personality go through its wires. If it didn't want to, it just drained your personality away until what slipped through at the other end was some cold fish of a voice, all steel, copper, plastic, no warmth, no reality. It's easy to say the wrong thing on telephones; the telephone changes your meaning on you. First thing you know, you've made an enemy. Then, of course, the telephone's such a convenient thing; it just sits there and demands you call someone who doesn't want to be called. Friends were always calling, calling, calling me. Hell, I hadn't any time of my own.
”
”
Ray Bradbury (Twice 22: The Golden Apples of the Sun / A Medicine for Melancholy)
“
Actually, I’m glad I’m not rich. I’ve gotta believe that it’s harder to die if you are. Not only do you lose possession of all those assets, all that cash and those stocks and bonds and cars and antiques and silver and paintings and vacation homes, but in those final days and weeks there can be no denying that a tremendous amount of your life was spent accumulating and fussing over all those assets, time that could have been spent with family and friends or fishing or traveling...
”
”
Jonathan Hull (Losing Julia)
“
You imagine that you worship truth. Yet by yourself you cannot be truthful even for an hour. You move within me, like a fish in the sea, and still you can't discover me...Look in the blade of your knife.
In the whole of time, I've blinked but once. I am those eyes that gaze at you without ceasing, even if I am not before you. I read what is within you -- know you better than your closest friend. Before my gaze your heart lies open; from me no thought is hidden. You wonder what I see. Like a child, you imagined you could hide. I bring you to the light. I cause you to stand alone.
”
”
Terrence Malick
“
The library turned out to be a very pleasant place, but it was not the comfortable chairs, the huge wooden bookshelves, or the hush of people reading that made the three siblings feel so good as they walked into the room. It is useless for me to tell you all about the brass lamps in the shapes of different fish, or the bright blue curtains that rippled like water as a breeze came in from the window, because although these were wonderful things they were no what made the three children smile. The Quagmire triplets were smiling, too, and although I have not researched the Quagmires nearly as much as I have the Baudelaires, I can say with reasonable accuracy that they were smiling for the same reason.
”
”
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
“
He was very fond of flying fish as they were his principal friends on the ocean. He was sorry for the birds, especially the small delicate dark terns that were always flying and looking and almost never finding, and he thought, the birds have a harder life than we do except for the robber birds and the heavy strong ones. Why did they make birds so delicate and fine as those sea swallows when the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
The old thing where it always was, back again. As when a man, having found at last what he sought, a woman, for example, or a friend, loses it, or realises what it is. And yet it is useless not to seek, not to want, for when you cease to seek you start to find, and when you cease to want, then life begins to ram her fish and chips down your gullet until you puke, and then the puke down your gullet until you puke the puke, and then the puked puke until you begin to like it. The glutton castaway, the drunkard in the desert, the lecher in prison, they are the happy ones. To hunger, thirst, lust, every day afresh and every day in vain, after the old prog, the old booze, the old whores, that's the nearest we'll ever get to felicity, the new porch and the very latest garden. I pass on the tip for what it is worth.
”
”
Samuel Beckett (Watt)
“
Griffin Drake and his MacBook were the best of friends, more intimate than lovers. He slept with it. He cared for it with specially made cleaning cloths and cans of air to keep it dust free. Plants and fish had died under his watch with alarming regularity, but the computer-the computer was tended like a child.
”
”
Tere Michaels (Love & Loyalty (Faith, Love, & Devotion, #2))
“
Sharing the fun of fishing turns strangers into friends in a few hours. Whether you sit with native fishermen in their boat and fish with nets and lines or dive under the sea with them - they will lead you to the haunts of the specimens you desire and you could not find yourself in safer and more enjoyable company.
”
”
Eugenie Clark (Lady with a Spear)
“
Trappings and charm wear off, I’ve learned. The book of welcome says, Let people see you. They see that your upper arms are beautiful, soft and clean and warm, and then they will see this about their own, some of the time. It’s called having friends, choosing each other, getting found, being fished out of the rubble. It blows you away, how this wonderful event happened—me in your life, you in mine. Two parts fit together. This hadn’t occurred all that often, but now that it does, it’s the wildest experience. It could almost make a believer out of you. Of course, life will randomly go to hell every so often, too. Cold winds arrive and prick you; the rain falls down your neck; darkness comes. But now there are two of you. Holy Moly.
”
”
Anne Lamott (Small Victories: Spotting Improbable Moments of Grace)
“
New Rule: Getting up close and personal with sharks doesn't make you a wildlife enthusiast--it makes you dinner. An Austrian tourist wanted to get "face-to-face" with sharks, so he went diving in waters baited with bloody fish parts. And he got ate. A friend was asked to describe the man. He needed only two words: "Good chum.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
When I was a kid and would tell my mom that people at school were mean to me, she’d pat me on the head and tell me stories about how she’d lived through war and an actual revolution, and when she was fifteen someone cracked open her skull in the middle of the street while her
best friend was gutted like a fish so, hey, why don’t you just eat your Cheerios and walk it off, you ungrateful American child. I ate my cheerios. I didn't talk about it.
”
”
Tahereh Mafi (A Very Large Expanse of Sea)
“
But, according to the success with which you put this and that together, you get a woman and a fish apart, or a Mermaid in combination. And Mr Inspector could turn out nothing better than a Mermaid, which no Judge and Jury would believe in.
”
”
Charles Dickens (Our Mutual Friend)
“
There is an old adage that says, "You can give a man a fish and feed him for a day. You can teach a man to fish and feed him for a life time."... "Well, I like what Pedro Noguera had to add. He says, "Don't stop there."..."Help her understand why the river is polluted so that she and her friends can organize to get the river clean and make it possible for the entire community to eat too." - Sabrina
”
”
Renée Watson (Piecing Me Together)
“
Consider what a child misses during the 15, 000 hours (from birth to age seventeen) he spends in front of the TV screen. He is not working in the garage with his father, or in the garden with his mother. He is not doing homework, or reading, or collecting stamps. He is not cleaning his room, washing the supper dishes, or cutting the lawn. He is not listening to a discussion about community politics among his parents and their friends. He is not playing baseball or going fishing, or painting pictures. Exactly what does television offer that is so valuable it can replace these activities that transform an impulsive, self-absorbed child into a critically thinking adult?
”
”
Paul Copperman
“
Everybody had his arms on everybody else’s shoulders, and they were all singing. Mike was sitting at the table with several men in their shirt-sleeves, eating from a bowl of tuna fish, chopped onions and vinegar. They were all drinking wine and mopping up the oil and vinegar with pieces of bread.
“Hello, Jake. Hello!” Mike called. “Come here. I want you to meet my friends. We are all having an hors d’œuvre.
”
”
Ernest Hemingway (The Sun Also Rises)
“
You are always in danger in the forest, where no people are. Step between the portals of the great pines where the shaggy branches tangle about you, trapping the unwary traveller in nets as if the vegetation itself were in a plot with the wolves who live there, as though the wicked trees go fishing on behalf of their friends--step between the gateposts of the forest with the greatest trepidation and infinite precautions, for if you stray from the path for one instant, the wolves will eat you. They are grey as famine, they are as unkind as plague.
”
”
Angela Carter
“
Rachel left," he says, sighing. "Says she's never coming back."
Galen nods. "She always says that. It's probably for the better tonight, though." They both wince as Rayna plants the ball of her foot in Emma's back, splaying her across the sea of shards.
"I taught her that," Toraf says.
"It's a good move."
Neither of the combatants seem to care about the rain, lightning, or the whereabouts of their hostess. The storm billows in, drenching the furniture, the TV, the strange art on the wall. No wonder Rachel didn't want to see this. She fussed over this stuff for days.
"So, it kind of threw me when she said she didn't like fish," Toraf says.
"I noticed. Surprised me, too, but everything else is there."
"Bad temper."
"The eyes."
"That white hair is shocking though, isn't it?"
"Yeah, I like it. Shut up." Galen throws a sideways glare at his friend, whose grin makes him ball his fists.
"Hard bones and thick skin, obviously. There's no sign of blood. And she took some pretty hard hits from Rayna," Toraf continues neutrally.
Galen nods, relaxes his fists.
"Plus, you feel the pull-" Toraf is greeted with a forceful shove that sends him skidding on one foot across the slippery marble floor. Laughing, he comes back to stand beside Galen again.
"Jackass," Galen mutters.
"Jackass? What's a jackass?"
"Not sure. Emma called me that today when she was irritated with me."
"You're insulting me in human-talk now? I'm disappointed in you, minnow." Toraf nods toward the girls. "Shouldn't we break this up soon?"
"I don't think so. I think they need to work this out on their own."
"What about Emma's head?"
Galen shrugs. "Seems fine right now. Or she wouldn't have bashed the window into pieces with her forehead.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
MarkBaynard: If you start hanging out over here, won't your Facebook Friends miss you?
Abby_Donovan: Those people weren't my friends. If they had been, they wouldn't have sent me all those annoying quizzes.
MarkBaynard: A true friend never asks you to feed their imaginary fish. Or fertilize their imaginary crops.
Abby_Donovan: Although with a little coaxing, I might be persuaded to take home your imaginary kitten. So how is Twitter different from Facebook?
MarkBaynard: Twitter is the perpetual cocktail party where everyone is talking at once but nobody is saying anything.
”
”
Teresa Medeiros (Goodnight Tweetheart)
“
When I was a child I had a fishless aquarium. My father set it up for me with gravel and plants and pebbles before he'd got the fish and I asked him to leave it as it was for a while. The pump kept up a charming burble, the green-gold light was wondrous when the room was dark. I put in a china mermaid and a tin horseman who maintained a relationship like that of the figures on Keat's Grecian urn except that the horseman grew rusty. Eventually fish were pressed upon me and they seemed an intrusion, I gave them to a friend. All that aquarium wanted was the sound of the pump, the gently waving plants, the mysterious pebbles and the silent horseman forever galloping to the mermaid smiling in the green-gold light. I used to sit and look at them for hours. The mermaid and the horseman were from my father. I have them in a box somewhere here, I'm not yet ready to take them out and look at them again.
”
”
Russell Hoban (Turtle Diary)
“
A fish swam a thousand miles through the river and finally met the ocean. The Ocean laughed at this and said, “You are clearly joking. You are a local fish.”
Often we do a lot for our family and friends. But then, in just one instant, everything is forgotten. Not just that, we suddenly become villain for them.
”
”
Shunya
“
Never turn down a good idea, but never take a bad idea. And meditate. It’s very important to experience that Self, that pure consciousness. It’s really helped me. I think it would help any filmmaker. So start diving within, enlivening that bliss consciousness. Grow in happiness and intuition. Experience the joy of doing. And you’ll glow in this peaceful way. Your friends will be very, very happy with you. Everyone will want to sit next to you. And people will give you money!
”
”
David Lynch (Catching the Big Fish: Meditation, Consciousness, and Creativity: 10th Anniversary Edition)
“
A picture in a book,
a lynching.
The bland faces of men who watch
a Christ go up in flames, smiling,
as if he were a hooked
fish, a felled antelope, some
wild thing tied to boards and burned.
His charred body
gives off light--a halo
burns out of him.
His face is scorched featureless;
the hair matted to the scalp like feathers.
One man stands with his hand on his hip,
another with his arm
slung over the shoulder of a friend,
as if this moment were large enough
to hold affection.
”
”
Toi Derricotte
“
It was afternoon as we made our way down to the river, accompanied by a running commentary by Early about whether or not the Lord had actually been fly-fishing.
Jesus did have lots of friends who were fishermen, said Early. Maybe after Peter fell into the Sea of Galilee, he decided to give up deep-sea fishing and take up fly-fishing in the river Jordan. Jesus and Peter were friends, so they have gone together. And besides, Jesus wouldn't have even needed waders, because he could walk on water...
”
”
Clare Vanderpool (Navigating Early)
“
The Reed Flute's Song
Listen to the story told by the reed,
of being separated.
"Since I was cut from the reedbed,
I have made this crying sound.
Anyone apart from someone he loves
understands what I say.
Anyone pulled from a source
longs to go back.
At any gathering I am there,
mingling in the laughing and grieving,
a friend to each, but few
will hear the secrets hidden
within the notes. No ears for that.
Body flowing out of spirit,
spirit up from body: no concealing
that mixing. But it's not given us
to see the soul. The reed flute
is fire, not wind. Be that empty."
Hear the love fire tangled
in the reed notes, as bewilderment
melts into wine. The reed is a friend
to all who want the fabric torn
and drawn away. The reed is hurt
and salve combining. Intimacy
and longing for intimacy, one
song. A disastrous surrender
and a fine love, together. The one
who secretly hears this is senseless.
A tongue has one customer, the ear.
A sugarcane flute has such effect
because it was able to make sugar
in the reedbed. The sound it makes
is for everyone. Days full of wanting,
let them go by without worrying
that they do. Stay where you are
inside such a pure, hollow note.
Every thirst gets satisfied except
that of these fish, the mystics,
who swim a vast ocean of grace
still somehow longing for it!
No one lives in that without
being nourished every day.
But if someone doesn't want to hear
the song of the reed flute,
it's best to cut conversation
short, say good-bye, and leave.
”
”
Rumi
“
When Sam’s having a hard time and being a total baby about the whole thing, I feel so much frustration and rage and self-doubt and worry that it’s like a mini-breakdown. I feel like my mind becomes a lake full of ugly fish and big clumps of algae and coral, of feelings and unhappy memories and rehearsals for future difficulties and failures. I paddle around in it like some crazy old dog, and then I remember that there’s a float in the middle of the lake and I can swim out to it and lie down in the sun. That float is about being loved, by my friends and by God and even sort of by me. And so I lie there and get warm and dry off, and I guess I get bored or else it is human nature because after a while I jump back into the lake, into all that crap. I guess the solution is just to keep trying to get back to the float. This morning Sam woke at 4:00, so
”
”
Anne Lamott (Operating Instructions: A Journal of My Son's First Year)
“
Did I ever tell you about Asin? She is the wild woman of the woods. It's an old story of the People. My mom used to tell me about Asin. Asin couldn't bear being married or having children or having friends. She always wanted to run wild. She ran wild through the woods. If you saw her running you had to run to water as fast as you could and drink or her restlessness would come into you like a thirst that could never be quenched. She was happy and unhappy. She had wild long hair and she was very tall and she ran like the wind. When you saw dunegrass rippling in a line she was running through it. When the wind changed direction suddenly that was Asin. She was never satisfied or content and so she ran and ran and ran. She would grab men who were fishing alone and make love to them and then throw them down on the ground and run away weeping. She would grab children who wandered too far alone in the woods but she would return them to the same spot after three days and run away again. She would listen to women talking by the fire or working in the village or gathering berries but if they invited her to join them she ran away. You could hear her crying sometimes when the sun went down. She wanted something but she never knew what it was so she had nothing. She was as free as anyone ever could be and she was trapped. When I was young I wanted to be Asin. Many times I wanted to be Asin. So do you, Nora. I know. It's okay. It's alright. My sweet love. Poor Asin. Sometimes I think to be Asin would be the saddest thing in the world. Poor thing.
”
”
Brian Doyle (Mink River)
“
When friends become overfriendly - smell fish!
”
”
Adhish Mazumder (Solemn Tales of Human Hearts)
“
Besides, no one can keep me away from my fish. Thank you, by the way, for the crate of fish you left for me. They are a delight. Come, let us go down to the sea.
”
”
Tracy Chevalier (Remarkable Creatures)
“
You’ll see,” Mother assured her. “The fish will be just as friendly and the waves just as fresh in the new world the door makers find for us.
”
”
Melanie Crowder (A Nearer Moon)
“
O fish! The bated hook is not your friend!
Go deep, go deep.
”
”
Rumi (Love's Ripening: Rumi on the Heart's Journey)
“
today’s news is tomorrow’s fish and chip wrappers,
”
”
Jane Green (The Friends We Keep)
“
Mrs. Gamely had gotten a letter through, inviting them to visit as soon as they could, and reporting that, in these years just before the millennium Lake of the Coheeries had had had hard winters--yes--but also extraordinary summers which had made the village overflow with natural wealth, "in the agrarian and lexicographical senses of the word. There is so much food, everywhere," her friend had written for her, "and so many new and wonderful words being generated, that the storehouses and closets are overflowing. We are tubflooded with neologisms, smoked fish, and fruit pies.
”
”
Mark Helprin (Winter's Tale)
“
The Sea of Galilee is teeming with fish and life,” the priest began. “The Dead Sea is dead and devoid of life. They are both fed by the sparkling water of the River Jordan, so what’s the difference? The Sea of Galilee gives all its water away. The Dead Sea keeps it all for itself. Like the Dead Sea, when we keep all that is fresh and good for ourselves, we turn our lives into a briny soup of salty tears.
”
”
Dale Carnegie (How to Win Friends and Influence People in the Digital Age (Dale Carnegie Books))
“
In her memoir of living among the Bushmen, The Old Way: A Story of the First People, my friend Liz lovingly invokes an image first coined by evolutionary biologist Richard Dawkins: “You are standing beside your mother, holding her hand. She is holding her mother’s hand, who is holding her mother’s hand. . . . ” Eventually the line stretches three hundred miles long and goes back five million years, and the clasping hand of the ancestor looks like that of a chimpanzee. I loved picturing one of Octavia’s arms stretching out to meet one of her mother’s arms, and one of her mother’s mother’s arms, and her mother’s mother’s mother’s. . . . Suckered, elastic arms, reaching back through time: an octopus chorus line stretching not just hundreds, but many thousands of miles long. Back past the Cenozoic, the time when our ancestors descended from the trees; back past the Mesozoic, when dinosaurs ruled the land; back past the Permian and the rise of the ancestors of the mammals; back, past the Carboniferous’s coal-forming swamp forests; back past the Devonian, when amphibians emerged from the water; back past the Silurian, when plants first took root on land—all the way to the Ordovician, to a time before the advent of wings or knees or lungs, before the fishes had bony jaws, before blood pumped from a multichambered heart. More than 500 million years ago, the tides would have been stronger, the days shorter, the year longer, and the air too high in carbon dioxide for mammals or birds to breathe. All the earth’s continents huddled in the Southern Hemisphere. And yet still, the arm of Octavia’s ancestor, sensitive, suckered, and supple, would have been recognizable as one of an octopus.
”
”
Sy Montgomery (The Soul of an Octopus: A Surprising Exploration into the Wonder of Consciousness)
“
If you want to see the beauty of any fish, throw it into the water, you will see how best it can swim because that is its source. Do you want to see the beauty in you? Don't look in the mirror, don't put on makeups, no jewelleries or expensive designer clothes, just go back and reconnect to your source and I bet, the best of you will show up. Until you return back to God, your best won't come out because He is your source.
”
”
Patience Johnson (Why Does an Orderly God Allow Disorder)
“
Ed Lim’s daughter, Monique, was a junior now, but as she’d grown up, he and his wife had noted with dismay that there were no dolls that looked like her. At ten, Monique had begun poring over a mail-order doll catalog as if it were a book–expensive dolls, with n ames and stories and historical outfits, absurdly detailed and even more absurdly expensive.
‘Jenny Cohen has this one,’ she’d told them, her finger tracing the outline of a blond doll that did indeed resemble Jenny Cohen: sweet faced with heavy bangs, slightly stocky. 'And they just made a new one with red hair. Her mom’s getting it for her sister Sarah for Hannukkah.’ Sarah Cohen had flaming red hair, the color of a penny in the summer sun. But there was no doll with black hair, let alone a face that looked anything like Monique’s. Ed Lim had gone to four different toy stores searching for a Chinese doll; he would have bought it for his daughter, whatever the price, but no such thing existed.
He’d gone so far as to write to Mattel, asking them if there was a Chinese Barbie doll, and they’d replied that yes, they offered 'Oriental Barbie’ and sent him a pamphlet. He had looked at that pamphlet for a long time, at the Barbie’s strange mishmash of a costume, all red and gold satin and like nothing he’d ever seen on a Chinese or Japanese or Korean woman, at her waist-length black hair and slanted eyes. I am from Hong Kong, the pamphlet ran. It is in the Orient, or Far East. Throughout the Orient, people shop at outdoor marketplaces where goods such as fish, vegetables, silk, and spices are openly displayed. The year before, he and his wife and Monique had gone on a trip to Hong Kong, which struck him, mostly, as a pincushion of gleaming skyscrapers. In a giant, glassed-in shopping mall, he’d bought a dove-gray cashmere sweater that he wore under his suit jacket on chilly days. Come visit the Orient. I know you will find it exotic and interesting.
In the end he’d thrown the pamphlet away. He’d heard, from friends with younger children, that the expensive doll line now had one Asian doll for sale – and a few black ones, too – but he’d never seen it. Monique was seventeen now, and had long outgrown dolls.
”
”
Celeste Ng (Little Fires Everywhere)
“
Where mermaids live looks a bit like your pool.' said Bernard. 'Except they build houses out of whale bones and the wreckage of sunken ships. They play chess with seahorses. They wear capes of fish scales and sleep on beds made from seaweed.'
As we listened, I thought I heard a slight splashing from the far end of the pool.
'At night,' Bernard continued, 'they turn on an electric eel for a night-light, and they light a fire, and the smoke goes up a chimney made from coral.'
'Wait a minute,' interupted Zoe, clearly immersed in Bernard's description. 'If they live underwater, how could they have a fire?'
'You should ask them,' said Bernard.
Zoe and I open our eyes.
Now, look, I know the light was just playing tricks on us. And I know we'd all probably inhaled too much sequin glue. But for the briefest moment, the blue of Zoe's pool gave way to deeper, darker aqua-colored water. The few plants and rocks were replaced with a lagoon and a waterfall where several mermaids lounged half in the water, half in the sun. They splashed and dove, their laughter making the same sound as the water.
”
”
Michelle Cuevas (Confessions of an Imaginary Friend)
“
As told by Kafka's close friend Max Brod:
"Suddenly he began to speak to the fish in their illuminated tanks. 'Now at least I can look at you in peace, I don't eat you anymore.' It was the time he turned strictly vegetarian.
”
”
Jonathan Safran Foer (Eating Animals)
“
1
The summer our marriage failed
we picked sage to sweeten our hot dark car.
We sat in the yard with heavy glasses of iced tea,
talking about which seeds to sow
when the soil was cool. Praising our large, smooth spinach
leaves, free this year of Fusarium wilt,
downy mildew, blue mold. And then we spoke of flowers,
and there was a joke, you said, about old florists
who were forced to make other arrangements.
Delphiniums flared along the back fence.
All summer it hurt to look at you.
2
I heard a woman on the bus say, “He and I were going
in different directions.” As if it had something to do
with a latitude or a pole. Trying to write down
how love empties itself from a house, how a view
changes, how the sign for infinity turns into a noose
for a couple. Trying to say that weather weighed
down all the streets we traveled on, that if gravel sinks,
it keeps sinking. How can I blame you who kneeled day
after day in wet soil, pulling slugs from the seedlings?
You who built a ten-foot arch for the beans, who hated
a bird feeder left unfilled. You who gave
carrots to a gang of girls on bicycles.
3
On our last trip we drove through rain
to a town lit with vacancies.
We’d come to watch whales. At the dock we met
five other couples—all of us fluorescent,
waterproof, ready for the pitch and frequency
of the motor that would lure these great mammals
near. The boat chugged forward—trailing a long,
creamy wake. The captain spoke from a loudspeaker:
In winter gray whales love Laguna Guerrero; it’s warm
and calm, no killer whales gulp down their calves.
Today we’ll see them on their way to Alaska. If we
get close enough, observe their eyes—they’re bigger
than baseballs, but can only look down. Whales can
communicate at a distance of 300 miles—but it’s
my guess they’re all saying, Can you hear me?
His laughter crackled. When he told us Pink Floyd is slang
for a whale’s two-foot penis, I stopped listening.
The boat rocked, and for two hours our eyes
were lost in the waves—but no whales surfaced, blowing
or breaching or expelling water through baleen plates.
Again and again you patiently wiped the spray
from your glasses. We smiled to each other, good
troopers used to disappointment. On the way back
you pointed at cormorants riding the waves—
you knew them by name: the Brants, the Pelagic,
the double-breasted. I only said, I’m sure
whales were swimming under us by the dozens.
4
Trying to write that I loved the work of an argument,
the exhaustion of forgiving, the next morning,
washing our handprints off the wineglasses. How I loved
sitting with our friends under the plum trees,
in the white wire chairs, at the glass table. How you
stood by the grill, delicately broiling the fish. How
the dill grew tall by the window. Trying to explain
how camellias spoil and bloom at the same time,
how their perfume makes lovers ache. Trying
to describe the ways sex darkens
and dies, how two bodies can lie
together, entwined, out of habit.
Finding themselves later, tired, by a fire,
on an old couch that no longer reassures.
The night we eloped we drove to the rainforest
and found ourselves in fog so thick
our lights were useless. There’s no choice,
you said, we must have faith in our blindness.
How I believed you. Trying to imagine
the road beneath us, we inched forward,
honking, gently, again and again.
”
”
Dina Ben-Lev
“
Money: My Thesis
Money can buy you comfort,
but it can’t buy you peace.
Money can buy you pleasure,
but it can’t buy you happiness.
Money can buy you food,
but it can’t buy you contentment.
Money can buy you delight,
but it can’t buy you love.
Money can buy you praise,
but it can’t buy you honor.
Money can buy you titles,
but it can’t buy you respect.
Money can buy you neighbors,
but it can’t buy you friends.
Money can buy you crowds,
but it can’t buy you God.
Money can buy you religion,
but it can’t buy you faith.
Money can buy you education,
but it can’t buy you wisdom.
Money can buy you medicine,
but it can’t buy you health.
Money can buy you time,
but it can’t buy you life.
Money can buy you a compass,
but it can’t buy you purpose.
Money can buy you luck,
but it can’t buy you fate.
Money can buy you advisers,
but it can’t buy you certainty.
Money can buy you today,
but it can’t buy you tomorrow.
Money can buy you fish,
but it can’t buy you the ocean.
Money can buy you land,
but it can’t buy you the world.
Money can buy you aeroplanes,
but it can’t buy you the skies.
Money can buy you telescopes,
but it can’t buy you the stars.
”
”
Matshona Dhliwayo
“
Summer days, and the flat water meadows and the blue hills in the distance, and the willows up the backwater and the pools underneath like a kind of deep green glass. Summer evenings, the fish breaking the water, the nightjars hawking round your head, the smell of nightstocks and latakia. Don’t mistake what I’m talking about. It’s not that I’m trying to put across any of that poetry of childhood stuff. I know that’s all baloney. Old Porteous (a friend of mine, a retired schoolmaster, I’ll tell you about him later) is great on the poetry of childhood. Sometimes he reads me stuff about it out of books. Wordsworth. Lucy Gray. There was a time when meadow, grove, and all that. Needless to say he’s got no kids of his own. The truth is that kids aren’t in any way poetic, they’re merely savage little animals, except that no animal is a quarter as selfish.
A boy isn’t interested in meadows, groves, and so forth. He never looks at a landscape, doesn’tgive a damn for flowers, and unless they affect him in some way, such as being good to eat, he doesn’t know one plant from another. Killing things - that’s about as near to poetry as a boy gets. And yet all the while there’s that peculiar intensity, the power of longing for things as you can’t long when you’re grown up, and the feeling that time stretches out and out in front of you and that whatever you’re doing you could go on for ever.
”
”
George Orwell (Coming Up for Air)
“
…I notice that people always make gigantic arrangements for bathing when they are going anywhere near the water, but that they don’t bathe much when they are there.
It is the same when you go to the sea-side. I always determine—when thinking over the matter in London—that I’ll get up early every morning, and go and have a dip before breakfast, and I religiously pack up a pair of drawers and a bath towel. I always get red bathing drawers. I rather fancy myself in red drawers. They suit my complexion so. But when I get to the sea I don’t feel somehow that I want that early morning bathe nearly so much as I did when I was in town.
On the contrary, I feel more that I want to stop in bed till the last moment, and then come down and have my breakfast. Once or twice virtue has triumphed, and I have got out at six and half-dressed myself, and have taken my drawers and towel, and stumbled dismally off. But I haven’t enjoyed it. They seem to keep a specially cutting east wind, waiting for me, when I go to bathe in the early morning; and they pick out all the three-cornered stones, and put them on the top, and they sharpen up the rocks and cover the points over with a bit of sand so that I can’t see them, and they take the sea and put it two miles out, so that I have to huddle myself up in my arms and hop, shivering, through six inches of water. And when I do get to the sea, it is rough and quite insulting.
One huge wave catches me up and chucks me in a sitting posture, as hard as ever it can, down on to a rock which has been put there for me. And, before I’ve said “Oh! Ugh!” and found out what has gone, the wave comes back and carries me out to mid-ocean. I begin to strike out frantically for the shore, and wonder if I shall ever see home and friends again, and wish I’d been kinder to my little sister when a boy (when I was a boy, I mean). Just when I have given up all hope, a wave retires and leaves me sprawling like a star-fish on the sand, and I get up and look back and find that I’ve been swimming for my life in two feet of water. I hop back and dress, and crawl home, where I have to pretend I liked it.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
We are, after all, citizens of the world — a world filled with bacteria, some friendly, some not so friendly. Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonald's? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
And he saw a youth approaching,
Dressed in garments green and yellow,
Coming through the purple twilight,
Through the splendor of the sunset;
Plumes of green bent o'er his forehead,
And his hair was soft and golden.
Standing at the open doorway,
Long he looked at Hiawatha,
Looked with pity and compassion
On his wasted form and features,
And, in accents like the sighing
Of the South-Wind in the tree-tops,
Said he, "O my Hiawatha!
All your prayers are heard in heaven,
For you pray not like the others,
Not for greater skill in hunting,
Not for greater craft in fishing,
Not for triumph in the battle,
Nor renown among the warriors,
But for profit of the people,
For advantage of the nations.
"From the Master of Life descending,
I, the friend of man, Mondamin,
Come to warn you and instruct you,
How by struggle and by labor
You shall gain what you have prayed for.
Rise up from your bed of branches,
Rise, O youth, and wrestle with me!
”
”
Henry Wadsworth Longfellow (The Song of Hiawatha)
“
I don't know what happens, what line gets crossed that transitions a girl from seeing her dad as the entirety of her world to viewing him as an embarrassment. For years, we were best friends. Fishing, the movies he slept through, cooking on the grill outside when he was home in the summers. I was his little girl, and he was everything. And then, he wasn't. I woke one day to realize that to be liked, I had to give up the one person who loved me. That's a pretty shitty way to introduce a girl to growing up.
”
”
T.E. Carter (I Stop Somewhere)
“
Life is wonderful and strange...and it’s also absolutely mundane and tiresome. It’s hilarious and it’s deadening. It’s a big, screwed-up morass of beauty and change and fear and all our lives we oscillate between awe and tedium. I think stories are the place to explore that inherent weirdness; that movement from the fantastic to the prosaic that is life....
What interests me—and interests me totally—is how we as living human beings can balance the brief, warm, intensely complicated fingersnap of our lives against the colossal, indifferent, and desolate scales of the universe. Earth is four-and-a-half billion years old. Rocks in your backyard are moving if you could only stand still enough to watch. You get hernias because, eons ago, you used to be a fish. So how in the world are we supposed to measure our lives—which involve things like opening birthday cards, stepping on our kids’ LEGOs, and buying toilet paper at Safeway—against the absolutely incomprehensible vastness of the universe?
How? We stare into the fire. We turn to friends, bartenders, lovers, priests, drug-dealers, painters, writers. Isn’t that why we seek each other out, why people go to churches and temples, why we read books? So that we can find out if life occasionally sets other people trembling, too?
”
”
Anthony Doerr
“
And I’m not sure how much time has passed since Galen and his best friend, Toraf, left my house to retrieve Grom. Grom, the Triton king, Galen’s older brother. Grom, who was supposed to mate with my mother. Grom, who is a Syrena, a man-fish. A man-fish who was supposed to mate with my mother. My mother, who is also Nalia, the long-lost supposed-to-be-dead Poseidon princess who’s been living on land all these years because _______.
Speaking of Her Esteemed Majesty Mom…she’s lost her freaking mind.
And I’ve been kidnapped.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
In her book The Writing Life (1989), Annie Dillard tells the story of a fellow writer who was asked by a student, "Do you think I could be a writer?" "'Well,' the writer said, 'do you like sentences?'" The student is surprised by the question, but Dillard knows exactly what was meant. He was being told, she explains, that "if he likes sentences he could begin," and she remembers a similar conversation with a painter friend. "I asked him how he came to be a painter. He said, 'I like the smell of paint.'" The point, made implicitly (Dillard does not belabour it), is that you don't begin with a grand conception, either of the great American novel or masterpiece that will hang in the Louvre. You begin with a feel for the nitty-gritty material of the medium, paint in one case, sentences in the other.
”
”
Stanley Fish
“
Cicero gave an account of a party attended by a certain Quintus Gallius, a friend of Catilina, which evokes the raffish atmosphere of his circle. There are shouts and screams, screeching females, there is deafening music. I thought I could make out some people entering and others leaving, some of them staggering from the effects of the wine, some of them still yawning from yesterday’s boozing. Among them was Gallius, perfumed and wreathed with flowers; the floor was filthy, soiled with wine and covered with withered garlands and fish bones.
”
”
Anthony Everitt (Cicero: The Life and Times of Rome's Greatest Politician)
“
We surf-fished in the breakers catching spottail bass and flounder for dinner. I discovered that summer that I loved to cook and feed my friends, and I enjoyed the sound of their praise as they purred with pleasure at the meals I fixed over glowing iron and fire. I had the run of my grandparents’ garden and I would put ears of sweet corn in aluminum foil after washing them in seawater and slathering them with butter and salt and pepper. Beneath the stars we would eat the beefsteak tomatoes okra and the field peas flavored with salt pork and jalapeno peppers. I would walk through the disciplined rows that brimmed with purple eggplants and watermelons and cucumbers, gathering vegetables. My grandfather, Silas, told us that summer that low country earth was so fertile you could drop a dime into it and grow a money tree.
”
”
Pat Conroy (Beach Music)
“
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change.
“Holy shit—is that a red velvet chaise lounge?”
The guys exchange a WTF look. “Um…sure?” Justin says. “Why—”
I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder.
Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat.
“What is happening right now?” Justin bursts out.
I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.”
Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing.
Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position.
“Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?”
“What is happening?”
We both ignore Justin’s baffled exclamation.
“Show me the thumbs up,” Garrett says.
I give the camera a wolfish grin and stick up my thumbs.
My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.”
He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag.
As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures.
I nod in approval. “Damn. I should go into modeling.”
“You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.”
Fuck, it totally does.
Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.”
I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.”
“You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.”
“Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.”
“Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
He no longer saw the face of his friend Siddhartha, instead he saw other faces, many, a long sequence, a flowing river of faces, of hundreds, of thousands, which all came and disappeared, and yet all seemed to be there simultaneously, which all constantly changed and renewed themselves, and which were still all Siddhartha. He saw the face of a fish, a carp, with an infinitely painfully opened mouth, the face of a dying fish, with fading eyes—he saw the face of a new-born child, red and full of wrinkles, distorted from crying—he saw the face of a murderer, he saw him plunging a knife into the body of another person—he saw, in the same second, this criminal in bondage, kneeling and his head being chopped off by the executioner with one blow of his sword—he saw the bodies of men and women, naked in positions and cramps of frenzied love—he saw corpses stretched out, motionless, cold, void— he saw the heads of animals, of boars, of crocodiles, of elephants, of bulls, of birds—he saw gods, saw Krishna, saw Agni—he saw all of these figures and faces in a thousand relationships with one another, each one helping the other, loving it, hating it, destroying it, giving re-birth to it, each one was a will to die, a passionately painful confession of transitoriness, and yet none of them died, each one only transformed, was always re-born, received evermore a new face, without any time having passed between the one and the other face—and all of these figures and faces rested, flowed, generated themselves, floated along and merged with each other, and they were all constantly covered by something thin, without individuality of its own, but yet existing, like a thin glass or ice, like a transparent skin, a shell or mold or mask of water, and this mask was smiling, and this mask was Siddhartha's smiling face, which he, Govinda, in this very same moment touched with his lips. And, Govinda saw it like this, this smile of the mask, this smile of oneness above the flowing forms, this smile of simultaneousness above the thousand births and deaths, this smile of Siddhartha was precisely the same, was precisely of the same kind as the quiet, delicate, impenetrable, perhaps benevolent, perhaps mocking, wise, thousand-fold smile of Gotama, the Buddha, as he had seen it himself with great respect a hundred times. Like this, Govinda knew, the perfected ones are smiling.
”
”
Hermann Hesse
“
Things to Do in the Belly of the Whale”
Measure the walls. Count the ribs. Notch the long days.
Look up for blue sky through the spout. Make small fires
with the broken hulls of fishing boats. Practice smoke signals.
Call old friends, and listen for echoes of distant voices.
Organize your calendar. Dream of the beach. Look each way
for the dim glow of light. Work on your reports. Review
each of your life’s ten million choices. Endure moments
of self-loathing. Find the evidence of those before you.
Destroy it. Try to be very quiet, and listen for the sound
of gears and moving water. Listen for the sound of your heart.
Be thankful that you are here, swallowed with all hope,
where you can rest and wait. Be nostalgic. Think of all
the things you did and could have done. Remember
treading water in the center of the still night sea, your toes
pointing again and again down, down into the black depths.
”
”
Dan Albergotti (The Boatloads (New Poets of America Series))
“
We can combat existential anguish – the unbearable lightness of our being – in a variety of ways. We can choose to work, play, destroy, or create. We can allow a variety of cultural factors or other people to define who we are, or we can create a self-definition. We decide what to monitor in the environment. We regulate how much attention we pay to nature, other people, or the self. We can watch and comment upon current cultural events and worldly happenings or withdraw and ignore the external world. We can drink alcohol, dabble with recreational drugs, play videogames, or watch television, films, and sporting events. We can travel, go on nature walks, camp, fish, and hunt, climb mountains, or take whitewater-rafting trips. We can build, paint, sing, create music, write poetry, or read and write books. We can cook, barbeque, eat fine cuisine at restaurants or go on fasts. We can attend church services, worship and pray, or chose to embrace agnosticism or atheism. We can belong to charitable organizations or political parties. We can actively or passively support or oppose social and ecological causes. We can share time with family, friends, co-workers, and acquaintances or live alone and eschew social intermixing.
”
”
Kilroy J. Oldster (Dead Toad Scrolls)
“
Recipe for Goodbye From the Kitchen of Lila Reyes Ingredients: One Cuban girl. One English boy. One English city. Preparation: Give Polly her kitchen back and share a genuine smile, from one legitimate baker to another. Ride through the countryside on a vintage Triumph Bonneville. Walk through Winchester, all through town and on the paths you ran. Drink vanilla black tea at Maxwell’s. Eat fish and chips and curry sauce at your friend’s pub. Sleep in fits and bits curled up together on St. Giles Hill. *Leave out future talk. Any form of the word tomorrow. Cooking temp: 200 degrees Celsius. You know the conversion by heart.
”
”
Laura Taylor Namey (A Cuban Girl's Guide to Tea and Tomorrow)
“
For one day as I leant over a gate that led into a field, the rhythm stopped: the rhymes and the hummings, the nonsense and the poetry. A space was cleared in my mind. I saw through the thick leaves of habit. Leaning over the gate I regretted so much litter, so much unaccomplishment and separation, for one cannot cross London to see a friend, life being so full of engagements; nor take a ship to India and see a naked man spearing a fish in blue water. I said life had been imperfect, an unfinished phrase. It had been impossible for me, taking snuff as I do from any bagman met in a train, to keep coherency—that sense of the generations, of women carrying red pitchers to the Nile, of the nightingale who sings among conquests and migrations. It had been too vast an undertaking, I said, and how can I go on lifting my foot perpetually to climb the stair? I addressed myself as one would speak to a companion with whom one is voyaging to the North Pole.
”
”
Virginia Woolf (The Waves)
“
Never coming back here, she thought.
With a groan, she levered herself into a sitting position and discovered a painful crick in her neck. Never ever. She launched herself off the bed and limped over to the door and put here eye to the viewer, was treated to a fish-eye view of a small, dapper, well-dressed man holding a bunch of white roses.
Okay. Man with flowers. Carey looked around the room. The windows opened on short tethers so guests couldn't throw furniture or each other out into the street, and she was too high to jump anyway. She looked around the room again, looking for possible weapons. There was a rickety-looking chair by the desk in the corner, but it would probably fall to bits even before she hit anyone with it. She looked through the viewer. The little man knocked again. Not urgently, not in an official we-have-come-to-take-you-to-the-gulag kind of way, but in the manner of a gentleman visiting his lady friend with a nice bunch of roses.
”
”
Dave Hutchinson (Europe in Winter)
“
Yay!” said Tyson. “Can you also do a picture of Rainbow? He’s my friend! He’s a fish pony!” “A rainbow is white light,” Ella said. “Refracted through water droplets.” “Also a fish pony!” Tyson said. “Hmph,” said Ella. I got the feeling I had just witnessed the closest the harpy and Cyclops ever came to having an argument.
”
”
Rick Riordan (The Tyrant's Tomb (The Trials of Apollo, #4))
“
Hope—you think of hope as a bright thing, a strong thing, sustaining. But it’s not. It’s the opposite. It’s simply this: lumps of stale bread stuck down your shirt. Stale gray bread eked out with ground fish bones, which you won’t eat because you’re going to give it away, and maybe you’ll get a message through to your friend.
”
”
Elizabeth Wein (Rose Under Fire (Code Name Verity, #2))
“
… I've got to believe
My grief will end. I can’t see myself,
I speak in panic outside a Malibu fish
Counter, Pacific slippery as bed silk.
My friend says she sees me anyway,
Feeds me cold tinned juice. You’re right
Here. She's laughing as motorcycles roar
Past as chrome American hog dazzlers.
I’ll sing the worlds ‘til you remember them.
”
”
Emily Vizzo (Giantess)
“
We each had black eyes and hair as white as milk. We each had enchanting four-letter names: Grey, Vivi, Iris. We walked to school together. We ate lunch together. We walked home together. We didn’t have friends, because we didn’t need them. We moved through the corridors like sharks, the other little fish parting around us, whispering behind our backs.
”
”
Krystal Sutherland (House of Hollow: The haunting New York Times bestseller)
“
We are, after all, citizens of the world — a world filled with bacteria, some friendly, some not so friendly. Do we really want to travel in hermetically sealed popemobiles through the rural provinces of France, Mexico and the Far East, eating only in Hard Rock Cafes and McDonald's? Or do we want to eat without fear, tearing into the local stew, the humble taqueria's mystery meat, the sincerely offered gift of a lightly grilled fish head? I know what I want. I want it all. I want to try everything once. I'll give you the benefit of the doubt, Senor Tamale Stand Owner, Sushi-chef-san, Monsieur Bucket-head. What's that feathered game bird, hanging on the porch, getting riper by the day, the body nearly ready to drop off? I want some.
”
”
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
“
So I explained to Connie that she needed to send a green light by, for example, talking about her father in a relaxed manner for a few seconds; then, I said, the queries about him would start flooding in. But what struck me as so odd was that I had been acting on this understanding all my life without ever having brought it to consciousness. As the French (and the Paraguayans) say, “A fish does not know the water that it swims in.” And eighteen years later, when I was writing A Fish Called Wanda, I used this realisation, when Archie is trying to explain to Wanda the social straitjacket from which he is desperate to escape: Wanda, do you have any idea what it’s like being English? Being so correct all the time, being so stifled by this dread of, of doing the wrong thing, of saying to someone, “Are you married?” and hearing, “My wife left me this morning,” or saying, “Do you have children?” and being told they all burned to death on Wednesday. You see, Wanda, we’re all terrified of embarrassment. That’s why we’re so … dead. Most of my friends are dead, you know; we have these piles of corpses to dinner.
”
”
John Cleese (So, Anyway...)
“
Did I Not Say To You
Did I not say to you, “Go not there, for I am your friend; in this
mirage of annihilation I am the fountain of life?”
Even though in anger you depart a hundred thousand years
from me, in the end you will come to me, for I am your goal.
Did I not say to you, “Be not content with worldly forms, for I
am the fashioner of the tabernacle of your contentment?”
Did I not say to you, “I am the sea and you are a single fish;
go not to dry land, for I am your crystal sea?”
Did I not say to you, “ Go not like birds to the snare; come, for
I am the power of flight and your wings and feet?”
Did I not say to you, “ They will waylay you and make you
cold, for I am the fire and warmth and heat of your desire?”
Did I not say to you, “ They will implant in you ugly qualities
so that you will forget that I am the source of purity to you?”
Did I not say to you, “Do not say from what direction the ser-
vant’s affairs come into order?” I am the Creator without
directions.
If you are the lamp of the heart, know where the road is to the
house; and if you are godlike of attribute, know that I am your
Maser.
”
”
Rumi
“
Steve Langley, a forecast manager from Beloit, Wisconsin, recalls running 15 miles with friends on a January morning when the temperature was 5°F. Running through a park with a small lake, they passed several people sitting on buckets, ice fishing. “Look at those idiots,” said one of the fishermen. “They’re going to freeze to death!” Langley admits thinking the same about them.
”
”
Hal Higdon (Marathon: The Ultimate Training Guide: Advice, Plans, and Programs for Half and Full Marathons)
“
Christians want to whine to everyone under the sun about their problems, instead of actually going to the only one who not only cares, but can actually do something about their problems. Next time you are sick, broken hearted or having problems, before you call your friends, post it on Facebook, or tell your pet fish, try going to God with it, and see how much better that works for you.
”
”
Steve C. Roberts (One Minute Thoughts: A Daily Devotional)
“
A Kite is a Victim"
A kite is a victim you are sure of.
You love it because it pulls
gentle enough to call you master,
strong enough to call you fool;
because it lives
like a desperate trained falcon
in the high sweet air,
and you can always haul it down
to tame it in your drawer.
A kite is a fish you have already caught
in a pool where no fish come,
so you play him carefully and long,
and hope he won’t give up,
or the wind die down.
A kite is the last poem you’ve written,
so you give it to the wind,
but you don’t let it go
until someone finds you
something else to do.
A kite is a contract of glory
that must be made with the sun,
so make friends with the field
the river and the wind,
then you pray the whole cold night before,
under the travelling cordless moon,
to make you worthy and lyric and pure.
”
”
Leonard Cohen (The Spice-Box of Earth)
“
My idea is not to try and charm you with subtle psychological observations. I have no desire to draw applause from you with my finesse and my humour. There are some authors who employ their talent in the delicate description of varying states of soul, character traits, etc. I shall not be counted among these. All that accumulation of realistic detail, with clearly differentiated characters hogging the limelight, has always seemed pure bullshit to me, I’m sorry to say. Daniel who is Hervé’s friend, but who feels a certain reticence about Gérard. Paul’s fantasy as embodied in Virginie, my cousin’s trip to Venice … One could spend hours on this. Might as well watch lobsters marching up the side of an aquarium (it suffices, for that, to go to a fish restaurant). Added to which, I associate very little with other human beings. To reach the otherwise philosophical
”
”
Michel Houellebecq (Whatever)
“
The Hotel dining-room, like most of the others I was to find in the Highlands, had its walls covered with pictures of all sorts of wild game, living or in the various postures of death that are produced by sport. Between these pictures the walls were alert with the stuffed heads of deer, furnished with antlers of every degree of magnificence. A friend of mine has a theory that these pictures of dying birds and wounded beasts are intended to whet the diner's appetite, and perhaps they did in the more lusty age of Victoria; but I found they had the opposite effect on me, and had to keep my eyes from straying too often to them. In one particular hotel this idea was carried out with such thoroughness that the walls of its dining room looked like a shambles, they presented such an overwhelming array of bleeding birds, beasts and fishes. To find these abominations on the walls of Highland hotels, among a people of such delicacy in other things, is peculiarly revolting, and rubs in with superfluous force that this is a land whose main contemporary industry is the shooting down of wild creatures; not production of any kind but wholesale destruction. This state of things is not the fault of the Highlanders, but of the people who have bought their country and come to it chiefly to kill various forms of life.
”
”
Edwin Muir (Scottish Journey)
“
This to live by, from the inimitable Edward Abbey:
"One final paragraph of advice: [...] It is not enough to fight for the land; it is even more important to enjoy it. While you can. While it’s still here.
So get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, climb the mountains, bag the peaks, run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and contemplate the precious stillness, the lovely, mysterious, and awesome space.
Enjoy yourselves, keep your brain in your head and your head firmly attached to the body, the body active and alive, and I promise you this much; I promise you this one sweet victory over our enemies, over those desk-bound men and women with their hearts in a safe deposit box, and their eyes hypnotized by desk calculators. I promise you this; You will outlive the bastards.
”
”
Derek Grzelewski
“
The typical accountant is a man, past middle age, spare, wrinkled, intelligent, cold, passive, non-committal, with eyes like a cod-fish; polite in contact but at the same time unresponsive, calm and damnably composed as a concrete post or a plaster of Paris cast; a petrification with a heart of feldspar and without charm of the friendly germ, minus bowels, passion or a sense of humor. Happily they never reproduce and all of them finally go to Hell.
”
”
Elbert Hubbard
“
It seems jolly on the page. But imagine poverty, violence, natural disasters, or political fear driving you away from everything you know. Imagine how bad things get to make you leave behind your family, your friends, your lovers; your home, as humble as it might be; your church, say. Let's take it further - you've said good-bye to the graveyard, the dog, the goat, the mountains where you hunted, your grade school, your state, your favorite spot on the river where you fished and took time to think.
”
”
Luis Alberto Urrea (Across the Wire: Life and Hard Times on the Mexican Border)
“
According to the gospels, Christ healed diseases, cast out devils, rebuked the sea, cured the blind, fed multitudes with five loaves and two fishes, walked on the sea, cursed a fig tree, turned water into wine and raised the dead.
How is it possible to substantiate these miracles?
The Jews, among whom they were said to have been performed, did not believe them. The diseased, the palsied, the leprous, the blind who were cured, did not become followers of Christ. Those that were raised from the dead were never heard of again.
Can we believe that Christ raised the dead?
A widow living in Nain is following the body of her son to the tomb. Christ halts the funeral procession and raises the young man from the dead and gives him back to the arms of his mother.
This young man disappears. He is never heard of again. No one takes the slightest interest in the man who returned from the realm of death. Luke is the only one who tells the story. Maybe Matthew, Mark and John never heard of it, or did not believe it and so failed to record it.
John says that Lazarus was raised from the dead.
It was more wonderful than the raising of the widow’s son. He had not been laid in the tomb for days. He was only on his way to the grave, but Lazarus was actually dead. He had begun to decay.
Lazarus did not excite the least interest. No one asked him about the other world. No one inquired of him about their dead friends.
When he died the second time no one said: “He is not afraid. He has traveled that road twice and knows just where he is going.”
We do not believe in the miracles of Mohammed, and yet they are as well attested as this. We have no confidence in the miracles performed by Joseph Smith, and yet the evidence is far greater, far better.
If a man should go about now pretending to raise the dead, pretending to cast out devils, we would regard him as insane. What, then, can we say of Christ? If we wish to save his reputation we are compelled to say that he never pretended to raise the dead; that he never claimed to have cast out devils.
We must take the ground that these ignorant and impossible things were invented by zealous disciples, who sought to deify their leader. In those ignorant days these falsehoods added to the fame of Christ. But now they put his character in peril and belittle the authors of the gospels.
Christianity cannot live in peace with any other form of faith. If that religion be true, there is but one savior, one inspired book, and but one little narrow grass-grown path that leads to heaven.
Why did he not again enter the temple and end the old dispute with demonstration? Why did he not confront the Roman soldiers who had taken money to falsely swear that his body had been stolen by his friends? Why did he not make another triumphal entry into Jerusalem? Why did he not say to the multitude: “Here are the wounds in my feet, and in my hands, and in my side. I am the one you endeavored to kill, but death is my slave”? Simply because the resurrection is a myth. The miracle of the resurrection I do not and cannot believe.
We know nothing certainly of Jesus Christ. We know nothing of his infancy, nothing of his youth, and we are not sure that such a person ever existed.
There was in all probability such a man as Jesus Christ. He may have lived in Jerusalem. He may have been crucified; but that he was the Son of God, or that he was raised from the dead, and ascended bodily to heaven, has never been, and, in the nature of things, can never be, substantiated.
”
”
Robert G. Ingersoll
“
So you went back to your friend’s next donkament two weeks later, and this time you just laughed right along when they gave you that framed picture of the poker hands. And when they called you ‘pigeon,’ ‘fish,’ and ‘muppet,’ you just smiled and batted your eyes and said stupid things like ‘Does a straight beat a crooked?’ And while everyone else was throwing a party, you just sat there acting like a tourist with your kill stack until you were in the money. Those poor dills…they didn’t know what hit ‘em, did they?
”
”
Elle Lothlorien (Alice in Wonderland)
“
Poor fool! If he had only left that shutter alone. He had no restraint, no restraint—just like Kurtz—a tree swayed by the wind. As soon as I had put on a dry pair of slippers, I dragged him out, after first jerking the spear out of his side, which operation I confess I performed with my eyes shut tight. His heels leaped together over the little doorstep; his shoulders were pressed to my breast; I hugged him from behind desperately. Oh! he was heavy, heavy; heavier than any man on earth, I should imagine. Then without more ado I tipped him overboard. The current snatched him as though he had been a wisp of grass, and I saw the body roll over twice before I lost sight of it for ever. All the pilgrims and the manager were then congregated on the awning–deck about the pilot–house, chattering at each other like a flock of excited magpies, and there was a scandalized murmur at my heartless promptitude. What they wanted to keep that body hanging about for I can’t guess. Embalm it, maybe. But I had also heard another, and a very ominous, murmur on the deck below. My friends the wood–cutters were likewise scandalized, and with a better show of reason—though I admit that the reason itself was quite inadmissible. Oh, quite! I had made up my mind that if my late helmsman was to be eaten, the fishes alone should have him. He had been a very second–rate helmsman while alive, but now he was dead he might have become a first–class temptation, and possibly cause some startling trouble. Besides, I was anxious to take the wheel, the man in pink pyjamas showing himself a hopeless duffer at the business.
”
”
Joseph Conrad (Heart of Darkness)
“
The man of spirit, on the other hand, hates to see people gather around him. He avoids the crowd. For where there are many men, there are also many opinions and little agreement. There is nothing to be gained from the support of a lot of half-wits who are doomed to end up in a fight with each other.
The man of spirit is neither very intimate with anyone, nor very aloof. He keeps himself interiorly aware, and he maintains his balance so that he is in conflict with nobody. This is your true man! He lets the ants be clever. He lets the mutton reek with activity. For his own part, he imitates the fish that swims unconcerned, surrounded by a friendly element, and minding its own business.
The true man sees what the eye sees, and does not add to it something that is not there. He hears what the ears hear, and does not detect imaginary undertones or overtones. He understands things in their obvious interpretation and is not busy with hidden meanings and mysteries. His course is therefore a straight line. Yet he can change his direction whenever circumstances suggest it.
”
”
Zhuangzi (The Way of Chuang Tzu (Shambhala Library))
“
Right around that time, I started dating a guy named Jeff. He was a classically handsome, popular guy. But there was something different about him too. He was angrier than most teenage boys, and a little misunderstood. I ignored the signs that he was probably a bit unstable. Signs like when they gave him a fish fillet at McDonald’s instead of a Big Mac, he became so furious that he cried. Truly lost it. Real tears of rage. Like the kind of tears guys are only supposed to get when they watch a movie that touches on their dad issues. (So, most movies.) Isn’t it funny that they say most girls have daddy issues, when really, every dude does? But this dude had daddy, mommy, doggy, and fish fillet issues. I just thought, Well, he can’t help it. But I understand him. I’m here for him. Even though we were both generally well liked, when we were together it was us vs. the world. I’ve only recently broken my pattern of being drawn to the “you’re the only one who gets me” guy. Which is a bad guy to be drawn to, and it’s not a coincidence if everyone—including all your friends and family and your dog—dislikes him. But
”
”
Amy Schumer (The Girl with the Lower Back Tattoo)
“
She's amazing."
Galen turns to Dr. Milligan, who's standing beside him and staring at Emma as if she were floating in midair. "Yes, she is," Galen says.
Dr. Milligan looks at Galen, a knowing smile plastered on his face. "Looks like she's enchanted more than just the little fish. In fact, looks like you're worse off than any of them, my boy."
Galen shrugs. He's got nothing to hide from Dr. Milligan.
Dr. Milligan lets out his breath in a whistle. "What does Rayna say?"
"She likes her." The good doctor raises a thin gray brow. Galen sighs. "She likes her enough.."
"Well, can't ask for more than that, I suppose. Shall we, then?"
Galen nods. "Emma. Dr. Milligan is here."
Emma turns. And freezes. "You!" she chokes out. "You're Dr. Milligan?"
The older man bows his head. "Yes, young lady, I am. You remember me, then."
She nods, walking slowly toward them as if she smells a trap. "You tried to give me free season passes. You talked to me at the petting tank."
"Yes," he says. "Of course I offered you season passes. How else could I study your fascinating interaction with the specimens?"
She crosses her arms. "I didn't know I could talk to fish at the time. How did you?"
"At first I didn't," he says, closing the distance between them and gently taking her hand. "But when I saw your eye color, I knew you had to be Syrena. I remembered Galen telling me about that gift, but I never really believed it. Which is silly, I suppose. I mean, if I believe in mermaids-ahem, excuse me Galen, Syrena-then why not a gift like that?"
"And what do you think now, Dr. Milligan?" Galen says, a little perturbed at the revelation that his friend thought he lied. Also, "mermaids" was uncalled for.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
The fish is my friend too, he said aloud. I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try and kill the stars.
Imagine if each day a man must try to kill the moon, he thought. The moon runs away. But imagine if a man each day should have to try to kill the sun? We were born lucky, he thought.
There is no one worthy of eating him from the manner of his behavior and his great dignity.
But it is good that we do not have to try to kill the sun or the moon or the stars. It is enough to live on the sea and kill our true brothers.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
am friend to the pilibeen, the red-necked chough, the parsnip land-rail, the pilibeen móna, the bottle-tailed tit, the common marsh-coot, the speckle-toed guillemot, the pilibeen sléibhe, the Mohar gannet, the peregrine ploughgull, the long-eared bush-owl, the Wicklow small-fowl, the bevil-beaked chough, the hooded tit, the pilibeen uisce, the common corby, the fish-tailed mud-piper, the crúiskeen lawn, the carrion sea-cock, the green-lidded parakeet, the brown bog-martin, the maritime wren, the dove-tailed wheatcrake, the beaded daw, the Galway hill-bantam and the pilibeen cathrach.
”
”
Flann O'Brien (At Swim-Two-Birds)
“
After three years of music-hall and theatre I'm still the same: always ready too soon.
Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say:
"Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?"
Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days.
Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.
”
”
Colette
“
The country, it seemed, was on the verge of a second civil war, this one over industrial slavery. But Frick was a gambler who cared little what the world thought of him. He was already a villain in the public’s eye, thanks to a disaster of epic proportions three years earlier. Frick and a band of wealthy friends had established the South Fork Fishing and Hunting Club on land near an unused reservoir high in the hills above the small Pennsylvania city of Johnstown, 70 miles east of Pittsburgh. The club beautified the grounds around the dam but paid little attention to the dam itself, which held back the Conemaugh River and was in poor condition from years of neglect. On May 31, 1889, after heavy rainfall, the dam gave way, releasing nearly 5 billion gallons of water from Lake Conemaugh into Johnstown and killing 2,209 people. What became known as the Johnstown Flood caused $17 million in damages. Frick’s carefully crafted corporate structure for the club made it impossible for victims to pursue the financial assets of its members. Although he personally donated several thousands of dollars to relief efforts, Frick remained to many a scoundrel, the prototype of the uncaring robber baron of the Gilded Age.
”
”
James McGrath Morris (Revolution By Murder: Emma Goldman, Alexander Berkman, and the Plot to Kill Henry Clay Frick (Kindle Single))
“
Day and night. Friends and colleagues were lowered into the earth. Dust to Dust. The dust temporarily settling, as though in a temporary truce, then rising, swirling and rushing David’s laboratory windows, bearing mites and putrescine and bacteria, threatening to begin its irreversible process of decay.
The men watered and watered and watered.
Maybe such unruly persistence is beautiful.
Maybe it is not mad, after all. Maybe it is the quiet work of believing in Good. Of believing in a warmth, which you know does not exist in the stars, to exist in the hearts of fellow humans. Maybe it is something like trust.
”
”
Lulu Miller (Why Fish Don't Exist)
“
My relationship with my brothers really hasn’t changed much in adulthood. We’re still best friends and go hunting and fishing together as much as we can. Of course, we don’t physically fight anymore; one of us might end up in the hospital if we did. Willie’s my boss, but he learned a long time ago to leave me alone and let me do my job. He knows deep down I take a lot of pride in making the duck calls and ensuring that every one of them sounds perfect. Sure, we have our disagreements from time to time, but he’s still my brother and one of my best friends. I mean, we’re brothers. What’s he going to do, fire me?
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
What is this food in my head, anyway? Let’s see...it’s green and good for you and so delicious. It’s prepared by angels with love. The minute you bite into it, it’s savory, chewy, nourishing, and whole- some. You feel instantly revitalized. A small, tiny amount, just a few bites, rejuvenates every cell, deepens your breath, clears your mind, heals your wounds, and mends your heart. It’s made from joyous plants that voluntarily separate themselves from their stalks, laying themselves at the feet of the approaching gardener who gathers them. They eagerly offer their vital energies to nourish living spirits. The angels in their chef hats, singing mantras, cook it tenderly to retain all the benefits of the generous plants. It’s barely sweet, barely salty, and contains all the freshness of spring herbs, summer fruit, spreading leaves, and burgeoning seeds. It comes premade in bags or boxes...you just open it up, sit down, and enjoy. It’s a full meal, enough maybe for a whole day, maybe for a week, maybe for your family, maybe for your friends and neighbors. It multiplies like loaves and fishes, in little biodegradable containers that vaporize instantly the moment you finish them, without any greenhouse emissions. Nothing to clean up!
”
”
Kimber Simpkins (Full: How one woman found yoga, eased her inner hunger, and started loving herself)
“
DA Datta: what have we given? My friend, blood shaking my heart The awful daring of a moment's surrender Which an age of prudence can never retract By this, and this only, we have existed Which is not to be found in our obituaries Or in memories draped by the beneficent spider Or under seals broken by the lean solicitor In our empty rooms 410 DA Dayadhvam: I have heard the key Turn in the door once and turn once only We think of the key, each in his prison Thinking of the key, each confirms a prison Only at nightfall, aetherial rumours Revive for a moment a broken Coriolanus DA Damyata: The boat responded Gaily, to the hand expert with sail and oar 420 The sea was calm, your heart would have responded Gaily, when invited, beating obedient To controlling hands I sat upon the shore Fishing, with the arid plain behind me Shall I at least set my lands in order? London Bridge is falling down falling down falling down Poi s'ascose nel foco che gli affina Quando fiam ceu chelidon - O swallow swallow Le Prince d'Aquitaine a la tour abolie 430 These fragments I have shored against my ruins Why then Ile fit you. Hieronymo's mad againe. Datta. Dayadhvam. Damyata. Shantih shantih shantih
”
”
T.S. Eliot (The Waste Land)
“
Everyone here has a different gripe, large or small. The bad fish, for instance, which I’m told is caught in polluted rivers and can be deadly. The biggest complaint, though, is the lack of queuing. “It’s not first-come, first-served, it’s most-obnoxious, first-served,” says Abby. The lack of trust is another popular gripe. “Friends don’t even trust friends. If bad things happen to their friends, people think, ‘Good, maybe it won’t happen to me,’ ” says one volunteer. Corruption is another theme. Paying professors for passing grades is widespread, so much so that Moldovans won’t go to doctors under thirty-five years old. They suspect—with good reason—that they bought their degrees. Thus, the radius of mistrust is widened.
”
”
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
“
People smell different, too. Sometimes you meet people and you think they're nice and decent, and it seems like you might be friends. But you get closer to them and they stink. They smell like rotten fish or dead racoons or something. And you just have to run away.
Later, you mention the bad smell to your other friends and they say they didn't smell anything different. That stink is reserved especially for you.
But, hey, it works the other way, too. Sometimes you meet a person, and you catch the scent and it's like you've smelled a garden in Heaven, because all you want to do is follow that person around and breathe in for the rest of your life.
And later you mention this great scent to your other friends, and they say they didn't smell anything different.
”
”
Sherman Alexie (Flight)
“
Swan had used them to send Sophie messages. He fished out the tiny velvet pouch and Sophie caught herself clutching her allergy remedy necklace. She still kept the silver moonlark pin that Calla had given her attached to the cord—a reminder of the friend she’d lost, and a symbol of the role she needed to figure out how to play. “Looks like we’re good,” Sandor said, handing her the small boobrie pin—a strange black bird with bright yellow tail feathers. “Can’t imagine that means anything important.” Sophie couldn’t either. Especially since the Black Swan had been annoyingly silent. No notes. No clues. No answers during their brief meetings. Apparently they were “regrouping.” And it was taking forever. At least the Council was doing something—setting up goblin patrols and trying to arrange an ogre Peace Summit. The Black Swan should at least be . . . Actually, Sophie didn’t know what they should be doing. That was the problem with having her friend join the enemy. “There you are!” a familiar voice said behind her. “I was starting to think you’d ditched us.” The deep, crisp accent was instantly recognizable. And yet, the teasing words made Sophie wish she’d turn and find a different boy. Fitz looked as cute as ever in his red Level Five uniform, but his perfect smile didn’t reach his trademark teal eyes. The recent revelations had been a huge blow for all of her friends, but Fitz had taken it the hardest. Both his brother and his best friend had run off with the Neverseen. Alvar’s betrayal had made Fitz wary—made him doubt every memory. But Keefe’s?
”
”
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
“
I can’t recapture that feeling of euphoric gratitude any more than I can really remember the mortal terror I felt when I was pretty sure I had about four minutes to live. But I know that it really happened, that that state of grace is accessible to us, even if I only blundered across it once and never find my way back. At my cabin on the Chesapeake Bay I’ll see bald eagles swoop up from the water with wriggling little fish in their talons, and whenever they accidentally drop their catch, I like to imagine that fish trying to tell his friends about his own near-death experience, a perspective so unprecedented there are no words in the fish language to describe it: for a short time he was outside the world, he could see forever, there’s so much more than they knew, but he’s glad to be back.
”
”
Tim Kreider (We Learn Nothing)
“
But I'm pretty sure Mom won't consent to a field trip across the country with my hot boyfriend. Especially not back to Florida." I clamp my mouth shut so fast my teeth should be chipped.
He grins. "You think I'm hot?"
"My mom thinks you are." Except, Mom's not the one blushing right now.
"Hmm," he says, giving me a you're-busted look. "As hot as I am, I don't think she'd buy into my charm on this one. We'll have to call in a professional." Then that fish prince actually winks at me.
"You mean Rachel," I say, toeing the sand. "I guess it's worth a shot. Don't expect much, though. I've already missed too much school."
"We could fly down on the weekend. Be back before school on Monday."
I nod. "She might go for that. If Rachel plays her cards right." Yeah, she might go for that. She might also pierce her tongue, dye her hair cherry red and spike it peacock-style. Ain't happening. I shrug. "I'll just keep practicing while you're gone. Maybe we don't have to go-"
"No!" Galen and Toraf shout, startling me.
"Why not? I won't go too deep-"
"Out of the question," Galen says, standing. "You will not get in the water while I'm gone."
I stomp a hole in the sand. "I already told you that you're not ordering me around, didn't I? Now you've pretty much guaranteed that I'm getting in the water, Your Highness."
Galen runs a hand through his hair and utters a string of cuss words, courtesy of Rachel, no doubt. he paces in the sane a few seconds, pinching the bridge of his nose. Suddenly he stops. Relaxes. Smiles even. He walks over to his friend, slaps him on the back. "Toraf, I need a favor.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
THE BUTCHER AND THE DIETITIAN A good friend of mine recently forwarded me a YouTube video entitled The Butcher vs. the Dietitian, a two-minute cartoon that effectively and succinctly highlighted the major difference between a broker and a legal fiduciary. The video made the glaringly obvious point that when you walk into a butcher shop, you are always encouraged to buy meat. Ask a butcher what’s for dinner, and the answer is always “Meat!” But a dietitian, on the other hand, will advise you to eat what’s best for your health. She has no interest in selling you meat if fish is better for you. Brokers are butchers, while fiduciaries are dietitians. They have no “dog in the race” to sell you a specific product or fund. This simple distinction gives you a position of power! Insiders know the difference.
”
”
Anthony Robbins (MONEY Master the Game: 7 Simple Steps to Financial Freedom)
“
Romance Sonambulo"
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea
and the horse on the mountain.
With the shade around her waist
she dreams on her balcony,
green flesh, her hair green,
with eyes of cold silver.
Green, how I want you green.
Under the gypsy moon,
all things are watching her
and she cannot see them.
Green, how I want you green.
Big hoarfrost stars
come with the fish of shadow
that opens the road of dawn.
The fig tree rubs its wind
with the sandpaper of its branches,
and the forest, cunning cat,
bristles its brittle fibers.
But who will come? And from where?
She is still on her balcony
green flesh, her hair green,
dreaming in the bitter sea.
—My friend, I want to trade
my horse for her house,
my saddle for her mirror,
my knife for her blanket.
My friend, I come bleeding
from the gates of Cabra.
—If it were possible, my boy,
I’d help you fix that trade.
But now I am not I,
nor is my house now my house.
—My friend, I want to die
decently in my bed.
Of iron, if that’s possible,
with blankets of fine chambray.
Don’t you see the wound I have
from my chest up to my throat?
—Your white shirt has grown
thirsty dark brown roses.
Your blood oozes and flees a
round the corners of your sash.
But now I am not I,
nor is my house now my house.
—Let me climb up, at least,
up to the high balconies;
Let me climb up! Let me,
up to the green balconies.
Railings of the moon
through which the water rumbles.
Now the two friends climb up,
up to the high balconies.
Leaving a trail of blood.
Leaving a trail of teardrops.
Tin bell vines
were trembling on the roofs.
A thousand crystal tambourines
struck at the dawn light.
Green, how I want you green,
green wind, green branches.
The two friends climbed up.
The stiff wind left
in their mouths, a strange taste
of bile, of mint, and of basil
My friend, where is she—tell me—
where is your bitter girl?
How many times she waited for you!
How many times would she wait for you,
cool face, black hair,
on this green balcony!
Over the mouth of the cistern
the gypsy girl was swinging,
green flesh, her hair green,
with eyes of cold silver.
An icicle of moon
holds her up above the water.
The night became intimate
like a little plaza.
Drunken “Guardias Civiles”
were pounding on the door.
Green, how I want you green.
Green wind. Green branches.
The ship out on the sea.
And the horse on the mountain.
”
”
Federico García Lorca (The Selected Poems)
“
Once upon a time there was a fish who lived in a deep lake all by himself. Every day the fish would watch with envy as a boy from the nearby village played with the animals on the land. The boy would run with the horses, wrestle with the dogs, and climb the trees with the squirrels. The fish wanted so badly to play with the boy, too, but he knew that as a fish it was impossible. One day a fairy flying high above the lake dropped her wand in the water. The fish, being the gentleman he was, retrieved the wand for the fairy. ‘As a reward for this kind gesture, I will grant you one wish,’ the fairy told the fish. He thought long but he didn’t think hard, for the fish knew which wish he wanted the fairy to grant him. ‘I want legs, just like all the animals on the land, so I, too, can play with the little boy from the village,’ the fish said. With one simple flick of her wand, the fairy magically turned the fish’s fins into legs and feet and he walked on land for the first time. The next day when the boy appeared, the fish happily showed him his new legs. The two became very good friends and every day they ran with the horses, wrestled with the dogs, and climbed trees with the squirrels. However, one day the little boy was playing too close to the edge of the lake and fell into the water. The fish ran to the edge of the lake and tried to save him, but he couldn’t go in the water without his fins. The little boy couldn’t swim, either, and drowned in the lake. The fish wished he had never wished for legs, because had he just stayed the normal fish God had intended him to be, the little boy would still be alive to this day. The
”
”
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
“
The fish is my friend too,” he said aloud. “I have never seen or heard of such a fish. But I must kill him. I am glad we do not have to try to kill the stars.” Imagine if each day a man must try to kill the moon, he thought. The moon runs away. But imagine if a man each day should have to try to kill the sun? We were born lucky, he thought. Then he was sorry for the great fish that had nothing to eat and his determination to kill him never relaxed in his sorrow for him. How many people will he feed, he thought. But are they worthy to eat him? No, of course not. There is no one worthy of eating him from the manner of his behaviour and his great dignity. I do not understand these things, he thought. But it is good that we do not have to try to kill the sun or the moon or the stars. It is enough to live on the sea and kill our true brothers. Now,
”
”
Ernest Hemingway (The Old Man and the Sea)
“
Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department.
I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed.
When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town.
Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her.
Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
”
”
Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
“
In this country faith is absolute and universal. The choice, if there is a choice, is made at birth. Everyone believes. For these people, God is a near neighbour.
I thought of Sundays at home when I was a child, buttoned up in an uncomfortable tweed jacket and forced to go to Sunday communion. I remember mouthing the hymns without really singing, peering between my fingers at the rest of the congregation when I was supposed to be praying, twisting in my seat during the sermon, aching with impatience for the whole boring ritual to be over.
I can’t remember when I last went to church. I must have been since Mary and I were married but I can’t remember when. I don’t know anyone who does go to church now. It’s extraordinary, isn’t it? I know I live amongst scientists and civil servants, and Mary’s friends are all bankers or economists, so perhaps we are not typical. You still see people coming out of church on Sunday morning, chatting on the steps, shaking hands with the vicar, as you drive past on your way to get the Sunday papers, relieved you are too old now to be told to go. But no one I know goes any more. We never talk about it. We never think about it. I cannot easily remember the words of the Lord’s Prayer.
We have moved on from religion.
Instead of going to church, which would never occur to us, Mary and I go to Tesco together on Sundays. At least, that is what we did when she still lived in London. We never have time to shop during the week and Saturdays are too busy. But on Sunday our local Tesco is just quiet enough to get round without being hit in the ankles all the time by other people’s shopping carts.
We take our time wheeling the shopping cart around the vast cavern, goggling at the flatscreen TVs we cannot afford, occasionally tossing some minor luxury into the trolley that we can afford but not justify.
I suppose shopping in Tesco on Sunday morning is in itself a sort of meditative experience: in some way a shared moment with the hundreds of other shoppers all wheeling their shopping carts, and a shared moment with Mary, come to that. Most of the people I see shopping on Sunday morning have that peaceful, dreamy expression on their faces that I know is on ours. That is our Sunday ritual.
Now, I am in a different country, with a different woman by my side. But I feel as if I am in more than just a different country; I am in another world, a world where faith and prayer are instinctive and universal, where not to pray, not to be able to pray, is an affliction worse than blindness, where disconnection from God is worse than losing a limb.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
Don’t worry,” I say. “There’s plenty more fish in the sea.”
“But I don’t want a fish,” Davey says. He really did say that and he wasn’t even trying to be funny.
“I mean there’ll be other girls,” I say. “And anyway I’ve been thinking about all this and I’m wondering if we’re a bit too young to be worried about girls. You know, Davey, there are actually loads of boys who haven’t got girlfriends at our school. And even the ones who have don’t really go out with them. They just hang around school and maybe outside Morrisons. What sort of relationship is that? I think we’ve been fooled into submitting to peer pressure and we should just stop and say no! No, I will not feel inferior. I refuse to feel like a loser just because some bimbo isn’t trying to lick my tonsils... And besides, a girl will come along in her own good time. Probably when we're least expecting it!
”
”
J.A. Buckle (Half My Facebook Friends Are Ferrets)
“
Is Belhaven the other man?” he asked gently.
The color drained from Elizabeth’s face, and it was answer enough.
“Damnation!” expostulated the earl, grimacing in revulsion. “The very thought of an innocent like yourself being offered to that old-“
“I’ve dissuaded him,” Elizabeth hastily assured him, but she was profoundly touched that the earl, who knew her so slightly, was angered on her behalf.
“You’re certain?”
“I think so.”
After a moment’s hesitation he nodded and leaned back in his chair, his disturbingly astute gaze on her face while a slow smile drifted across his own. “May I ask how you accomplished it?”
“I’d truly rather you wouldn’t.”
Again he nodded, but his smile widened and his blue eyes lit with amusement. “Would I be far off the mark if I were to assume you used the same tactics on Marchman that I think you’ve used here?”
“I’m-I’m not certain I understand your question,” Elizabeth replied warily, but his grin was contagious, and she found herself having to bite her lip to stop from smiling back at him.
“Well, either the interest you exhibited in fishing two years ago was real, or it was your courteous way of putting me at ease and letting me talk about the things that interested me. If the former is true, then I can only assume your terror of fish yesterday isn’t quite…shall we say…as profound as you would have had me believe?”
They looked at each other, he with a knowing smile, Elizabeth with brimming laughter. “Perhaps it is not quite so profound, my lord.”
His eyes positively twinkled. “Would you care to make a try for that trout you cost me this morning? He’s still out there taunting me, you know.”
Elizabeth burst out laughing, and the earl joined her. When their laughter had died away Elizabeth looked across the desk at him, feeling as if they were truly friends.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What I cannot understand is how your uncle could consider these two men suitable when they aren’t. Not one whit!”
“We know that,” Elizabeth said wryly, bending down to pull a blade of grass from between the flagstones beneath the bench, “but evidently my ‘suitors’ do not, and that’s the problem.” As she said the words a thought began to form in her mind; her fingers touched the blade, and she went perfectly still. Beside her on the bench Alex drew a breath as if to speak, then stopped short, and in that pulsebeat of still silence the same idea was born in both their fertile minds.
“Alex,” Elizabeth breathed, “all I have to-“
“Elizabeth,” Alex whispered, “it’s not as bad as it seems. All you have to-“
Elizabeth straightened slowly and turned.
In that prolonged moment of silence two longtime friends sat in a rose garden, looking raptly at each other while time rolled back and they were girls again-lying awake in the dark, confiding their dreams and troubles and inventing schemes to solve them that always began with “If only…”
“If only,” Elizabeth said as a smile dawned across her face and was matched by the one on Alex’s, “I could convince them that we don’t suit-“
“Which shouldn’t be hard to do,” Alex cried enthusiastically, “because it’s true!”
The joyous relief of having a plan, of being able to take control of a situation that minutes before had threatened her entire life, sent Elizabeth to her feet, her face aglow with laughter. “Poor Sir Francis,” she chuckled, looking delightedly from Bentner to Alex as both grinned at her. “I greatly fear he’s in for the most disagreeable surprise when he realizes what a-a” she hesitated, thinking of everything an old roué would most dislike in his future wife-“a complete prude I am!”
“And,” Alex added, “what a shocking spendthrift you are!”
“Exactly!” Elizabeth agreed, almost twirling around in her glee. Sunlight danced off her gilded hair and lit her green eyes as she looked delightedly at her friends. “I shall make perfectly certain to give him glaring evidence I am both. Now then, as to the Earl of Canford…”
“What a pity,” Alex said in a voice of exaggerated gloom, “you won’t be able to show him what a capital hand you are with a fishing pole.
“Fish?” Elizabeth returned with a mock shudder. “Why, the mere thought of those scaly creatures positively makes me swoon!”
“Except for that prime one you caught yesterday,” Bentner put in wryly.
“You’re right,” she returned with an affectionate grin at the man who’d taught her to fish. “Will you find Berta and break the news to her about going with me? By the time we come back to the house she ought to be over her hysterics, and I’ll reason with her.” Bentner trotted off, his threadbare black coattails flapping behind him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It had been obvious to me from a young age that my parents didn’t like one another. Couples in films and on television performed household tasks together and talked fondly about their shared memories. I couldn’t remember seeing my mother and father in the same room unless they were eating. My father had “moods.” Sometimes during his moods my mother would take me to stay with her sister Bernie in Clontarf, and they would sit in the kitchen talking and shaking their heads while I watched my cousin Alan play Ocarina of Time. I was aware that alcohol played a role in these incidents, but its precise workings remained mysterious to me. I enjoyed our visits to Bernie’s house. While we were there I was allowed to eat as many digestive biscuits as I wanted, and when we returned, my father was either gone out or else feeling very contrite. I liked it when he was gone out. During his periods of contrition he tried to make conversation with me about school and I had to choose between humoring and ignoring him. Humoring him made me feel dishonest and weak, a soft target. Ignoring him made my heart beat very hard and afterward I couldn’t look at myself in the mirror. Also it made my mother cry. It was hard to be specific about what my father’s moods consisted of. Sometimes he would go out for a couple of days and when he came back in we’d find him taking money out of my Bank of Ireland savings jar, or our television would be gone. Other times he would bump into a piece of furniture and then lose his temper. He hurled one of my school shoes right at my face once after he tripped on it. It missed and went in the fireplace and I watched it smoldering like it was my own face smoldering. I learned not to display fear, it only provoked him. I was cold like a fish. Afterward my mother said: why didn’t you lift it out of the fire? Can’t you at least make an effort? I shrugged. I would have let my real face burn in the fire too. When he came home from work in the evening I used to freeze entirely still, and after a few seconds I would know with complete certainty if he was in one of the moods or not. Something about the way he closed the door or handled his keys would let me know, as clearly as if he yelled the house down. I’d say to my mother: he’s in a mood now. And she’d say: stop that. But she knew as well as I did. One day, when I was twelve, he turned up unexpectedly after school to pick me up. Instead of going home, we drove away from town, toward Blackrock. The DART went past on our left and I could see the Poolbeg towers out the car window. Your mother wants to break up our family, my father said. Instantly I replied: please let me out of the car. This remark later became evidence in my father’s theory that my mother had poisoned me against him.
”
”
Sally Rooney (Conversations with Friends)
“
Such is the lot of the knight that even though my patrimony were ample and adequate for my support, nevertheless here are the disturbances which give me no quiet. We live in fields, forests, and fortresses. Those by whose labors we exist are poverty-stricken peasants, to whom we lease our fields, vineyards, pastures, and woods. The return is exceedingly sparse in proportion to the labor expended. Nevertheless the utmost effort is put forth that it may be bountiful and plentiful, for we must be diligent stewards. I must attach myself to some prince in the hope of protection. Otherwise every one will look upon me as fair plunder. But even if I do make such an attachment hope is beclouded by danger and daily anxiety. If I go away from home I am in peril lest I fall in with those who are at war or feud with my overlord, no matter who he is, and for that reason fall upon me and carry me away. If fortune is adverse, the half of my estates will be forfeit as ransom. Where I looked for protection I was ensnared. We cannot go unarmed beyond to yokes of land. On that account, we must have a large equipage of horses, arms, and followers, and all at great expense. We cannot visit a neighboring village or go hunting or fishing save in iron.
Then there are frequently quarrels between our retainers and others, and scarcely a day passes but some squabble is referred to us which we must compose as discreetly as possible, for if I push my claim to uncompromisingly war arises, but if I am too yielding I am immediately the subject of extortion. One concession unlooses a clamor of demands. And among whom does all this take place? Not among strangers, my friend, but among neighbors, relatives, and those of the same household, even brothers.
These are our rural delights, our peace and tranquility. The castle, whether on plain or mountain, must be not fair but firm, surrounded by moat and wall, narrow within, crowded with stalls for the cattle, and arsenals for guns, pitch, and powder. Then there are dogs and their dung, a sweet savor I assure you. The horsemen come and go, among them robbers, thieves, and bandits. Our doors are open to practically all comers, either because we do not know who they are or do not make too diligent inquiry. One hears the bleating of sheep, the lowing of cattle, the barking of dogs, the shouts of men working in the fields, the squeaks or barrows and wagons, yes, and even the howling of wolves from nearby woods.
The day is full of thought for the morrow, constant disturbance, continual storms. The fields must be ploughed and spaded, the vines tended, trees planted, meadows irrigated. There is harrowing, sowing, fertilizing, reaping, threshing: harvest and vintage. If the harvest fails in any year, then follow dire poverty, unrest, and turbulence.
”
”
Ulrich von Hutten (Ulrich von Hutten and the German Reformation)
“
The Dying Man"
in memoriam W.B. Yeats
1. His words
I heard a dying man
Say to his gathered kin,
“My soul’s hung out to dry,
Like a fresh salted skin;
I doubt I’ll use it again.
“What’s done is yet to come;
The flesh deserts the bone,
But a kiss widens the rose
I know, as the dying know
Eternity is Now.
“A man sees, as he dies,
Death’s possibilities;
My heart sways with the world.
I am that final thing,
A man learning to sing.
2. What Now?
Caught in the dying light,
I thought myself reborn.
My hand turn into hooves.
I wear the leaden weight
Of what I did not do.
Places great with their dead,
The mire, the sodden wood,
Remind me to stay alive.
I am the clumsy man
The instant ages on.
I burned the flesh away,
In love, in lively May.
I turn my look upon
Another shape than hers
Now, as the casement blurs.
In the worst night of my will,
I dared to question all,
And would the same again.
What’s beating at the gate?
Who’s come can wait.
3. The Wall
A ghost comes out of the unconscious mind
To grope my sill: It moans to be reborn!
The figure at my back is not my friend;
The hand upon my shoulder turns to horn.
I found my father when I did my work,
Only to lose myself in this small dark.
Though it reject dry borders of the seen,
What sensual eye can keep and image pure,
Leaning across a sill to greet the dawn?
A slow growth is a hard thing to endure.
When figures our of obscure shadow rave,
All sensual love’s but dancing on a grave.
The wall has entered: I must love the wall,
A madman staring at perpetual night,
A spirit raging at the visible.
I breathe alone until my dark is bright.
Dawn’s where the white is. Who would know the dawn
When there’s a dazzling dark behind the sun.
4. The Exulting
Once I delighted in a single tree;
The loose air sent me running like a child–
I love the world; I want more than the world,
Or after image of the inner eye.
Flesh cries to flesh, and bone cries out to bone;
I die into this life, alone yet not alone.
Was it a god his suffering renewed?–
I saw my father shrinking in his skin;
He turned his face: there was another man,
Walking the edge, loquacious, unafraid.
He quivered like a bird in birdless air,
Yet dared to fix his vision anywhere.
Fish feed on fish, according to their need:
My enemies renew me, and my blood
Beats slower in my careless solitude.
I bare a wound, and dare myself to bleed.
I think a bird, and it begins to fly.
By dying daily, I have come to be.
All exultation is a dangerous thing.
I see you, love, I see you in a dream;
I hear a noise of bees, a trellis hum,
And that slow humming rises into song.
A breath is but a breath: I have the earth;
I shall undo all dying with my death.
5. They Sing, They Sing
All women loved dance in a dying light–
The moon’s my mother: how I love the moon!
Out of her place she comes, a dolphin one,
Then settles back to shade and the long night.
A beast cries out as if its flesh were torn,
And that cry takes me back where I was born.
Who thought love but a motion in the mind?
Am I but nothing, leaning towards a thing?
I scare myself with sighing, or I’ll sing;
Descend O gentlest light, descend, descend.
I sweet field far ahead, I hear your birds,
They sing, they sing, but still in minor thirds.
I’ve the lark’s word for it, who sings alone:
What’s seen recededs; Forever’s what we know!–
Eternity defined, and strewn with straw,
The fury of the slug beneath the stone.
The vision moves, and yet remains the same.
In heaven’s praise, I dread the thing I am.
The edges of the summit still appall
When we brood on the dead or the beloved;
Nor can imagination do it all
In this last place of light: he dares to live
Who stops being a bird, yet beats his wings
Against the immense immeasurable emptiness of things.
”
”
Theodore Roethke (The Collected Poems)
“
I griped about it at lunch one day to Bill Weist and Dr. Leslie Squier, our visiting psychologists from Reed College. I'd been trying to train one otter to stand on a box, I told them. No problem getting the behavior; as soon as I put the box in the enclosure, the otter rushed over and climbed on top of it. She quickly understood that getting on the box earned her a bite of fish, But. As soon as she got the picture, she began testing the parameters. 'Would you like me lying down on the box? What if I just put three feet on the box? Suppose I hang upside down from the edge of the box? Suppose I stand on it and look under it at the same time? How about if I put my front paws on it and bark?' For twenty minutes she offered me everything imaginable except just getting on the box and standing there. It was infuriating, and strangely exhausting. The otter would eat her fish and then run back to the box and present some new, fantastic variation and look at me expectantly (spitefully, even, I thought) while I struggled once more to decide if what she was doing fit my criteria or not.
My psychologist friends flatly refused to believe me; no animal acts like that. If you reinforce a response, you strengthen the chance that the animal will repeat what it was doing when it was reinforced; you don't precipitate some kind of guessing game.
So I showed them. We all went down to the otter tank, and I took the other otter and attempted to get it to swim through a small hoop. I put the hoop in the water. The otter swam through it, twice. I reinforced it. Fine. The psychologists nodded. Then the otter did the following, looking up for a reward each time: swam through the hoop and stopped, leaving its tail on the other side. Swam through and caught the hoop with a back foot in passing, and carried it away. Lay in the hoop. Bit the hoop Backed through the hoop. 'See?' I said. 'Otters are natural experimenters.
”
”
Karen Pryor (Lads Before the Wind: Diary of a Dolphin Trainer)
“
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
”
”
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
“
It is not death that human beings are most afraid of, it is love. The heart is bigger than a mountain. One human life is deeper than the ocean. Strange fishes and sea-monsters and mighty plants live in the rock-bed of our spirits. The whole of human history is an undiscovered continent deep in our souls. There are dolphins, plants that dream, magic birds inside us. The sky is inside us. The earth is in us. The trees of the forest, the animals of the bushes, tortoises, birds, and flowers know our future. The world that we see and the world that is there are two different things. Wars are not fought on battlegrounds but in a space smaller than the head of a needle. We need a new language to talk to one another. Inside a cat there are many histories, many books. When you look into the eyes of dogs strange fishes swim in your mind. All roads lead to death, but some roads lead to things which can never be finished. Wonderful things. There are human beings who are small but if you can SEE you will notice that their spirits are ten thousand feet wide. In my dream I met a child sitting on a cloud and his spirit covered half the earth. Angels and demons are amongst us; they take many forms. They can enter us and dwell there for one second or half a lifetime. Sometimes both of them dwell in us together. Before everything was born there was first the spirit. It is the spirit which invites things in, good things, or bad. Invite only good things, my son. Listen to the spirit of things. To your own spirit. Follow it. Master it. So long as we are alive, so long as we feel, so long as we love, everything in us is an energy we can use. There is a stillness which makes you travel faster. There is a silence which makes you fly. If your heart is a friend of Time nothing can destroy you. Death has taught me the religion of living – I am converted – I am blinded – I am beginning to see – I am drunk on sleep – My words are the words of a stranger – Wear a smile on your faces – Pour me some wine and buy me some cigarettes, my son, for your father has returned to his true home.
”
”
Ben Okri (The Famished Road)
“
Men as Friends"
I have a few which is news to me
Tom drops by in the mornings with his travel
mug my mother would call it a coffee klatch
we review our terrible histories with fathers
and talk about the father he’s become and how much
it will cost to replace gutters the ice brought down
and then there’s soft-spoken Harvey
with whom I enjoy long pauses in conversation about how
they raised the Nelson town hall and put a foundation
underneath
during which we both look at Mt. Monadnock and then down
at the ground and then back at each other silence precipitating
the pretty weather we share before he goes inside for lunch
when I had to pack up my office Tom boxed
and loaded books into my car I didn’t think he’d want
to but his idea of friendship includes carrying heavy things
at the dog park the retired Marine with the schnauzer
asked do you have a husband I replied I don’t care for men
in that way as a Marine James mostly played cards
on a supply ship now he mostly hunts and fishes
climbs his orchard ladder for my Cortlands
and in trout season leaves, in my fridge, two rainbows
”
”
Robin Becker
“
Zemurray lived near the docks. No one could tell me the exact address. Some building in the French Quarter, perhaps a wreck with cracks in the walls and a sloped ceiling, and the heat goes out and the fog comes in. When his business grew, he moved uptown, following the wealth of the city, which had been fleeing the French Quarter for decades. At twenty-nine, he was rich, a well-known figure in a steamy paradise, tall with deep black eyes and a hawkish profile. A devotee of fads, a nut about his weight, he experimented with diets, now swearing off meat, now swearing off everything but meat, now eating only bananas, now eating everything but bananas. He spent fifteen minutes after each meal standing on his head, which he read was good for digestion. His friends were associates, his mentors and enemies the same. He was a bachelor and alone but not lonely. He was on a mission, after all, in quest of the American dream, and was circumspect and deliberate as a result. He never sent letters or took notes, preferring to speak in person or by phone. He was described as shy, but I think his actions are more accurately characterized as careful—he did not want to leave a record or draw attention.
”
”
Rich Cohen (The Fish That Ate the Whale: The Life and Times of America's Banana King)
“
Along the shores of the Atlantic and the Mediterranean I went through fishing ports where the elegant poverty of the fishermen wounded my own. Without their seeing me, I would brush against men and women standing in a patch of shade, against boys plying on a square. The love that human beings seem to feel for one another tortured me at the time. If two men exchanged a greeting or a smile in passing, I would retreat to the farthest edges of the world. The glances exchanged by the two friends—and sometimes their words—were the subtlest emanation of a ray of love from the heart of each. A ray of very soft light, delicately coiled: a spun ray of love. I was amazed that such delicacy, so fine a thread and of so precious, and so chaste, a substance as love could be fashioned in so dark a smithy as the muscular bodies of those males, though they themselves always emitted that gentle ray in which there sometimes sparkled the droplets of a mysterious dew. I would fancy hearing the elder say to the other, who was no longer I, speaking of that part of the body which he must have loved dearly: "I'm going to dent your halo for you again tonight!" I could not take lightly the idea that people made love without me.
”
”
Jean Genet (The Thief's Journal)
“
Survival Spanish:
Your uncle's hotel sounds very nice, but I have reservations at the Holiday Inn.
El hotel de su tio debe de ser muy lindo, pero tengo reservacions en el Holiday Inn.
I would like your least expensive room.
Quisiera su habitacion menos cara.
I would like a better room.
Quisiera una habitacion mejor.
I would like any room not damaged by the recent earthquake.
Quisiera cualquier habitacion que no sufrio danos en el temblor reciente.
The local women do WHAT to cause fermentation?
Las mujures aqui hacen QUE para causar la fermentacion?
I don't question your abilities, but I am already married.
No dudo sus habilidades, pero estoy botin.
My friend is drunk and I am lost.
Mi amigo esta borracho y estoy perdido.
My friend is lost and I am drunk.
Mi amigo esta perdido y estoy borracho.
My apologies. I thought you asked me to dance.
Disculpeme. Pense que me invito a bailar.
Have I broken a law?
He violado un ley?
May I offer you the gift of money?
Puedo ofrecerle un regalito de dinero?
Did I say twenty dollars? I meant fifty.
Dije veinte dolares? Queria decir CINCUENTA!
You can have our women, but leave the plane tickets.
Pueden llevarse a nuestras majeres, pero dejen nuestros boletos de avion.
”
”
Randy Wayne White (Last Flight Out: True Tales Of Adventure, Travel, And Fishing)
“
Tim Finnegan’s Wake
by Dr. Thom Dedalus
When God reeled in good auld Tim Finnegan,
And looked into his green Irish peepers,
Said He, “Now, what was I thinkin’?
Poor lad, he ain’t one of the keepers.”
To hell Tim descended without any fear,
To the devil, whom not much is lost on,
Said he, “I’m sure you’ll be comfortable here,
Among all your old friends from South Boston.”
Tim’s jokes night and day caused Satan to swear,
As migraines crept behind blood red eyelids,
“An eternity with you is just too much to bear.
You’re going home to your wife and your nine kids.”
So up pops Tim at his wake from his casket.
“It can’t be,” went a howl from his wife.
When he belched the sea from his own breadbasket,
Said she, “Someone, hand me a knife.”
Now Tim’s fishing off George’s Banks
Catching codfish, haddock and hake.
The happiest folk in town to give thanks,
Is John Hancock for Finnegan’s wake.
Finn’s now a legend among life underwriters,
In Beantown and all over the States.
In him beats the heart of a fighter.
Sad to hear how they increased his rates.
Finn’s tale is best told with a dram of Jameson.
You’re entitled to whatever sense you can make.
Just cause you’re dead, it don’t mean you’re gone.
You may take comfort in Finnegan’s wake.
”
”
David B. Lentz (Bloomsday: The Bostoniad)
“
because when you hunt and fish you need to stay quiet so as not to scare the animals, and if you teach people that lesson since birth, it’s going to color the way they communicate. So Ana has always been torn between the urge to scream as loud as she could, or not at all. * * * They’re lying next to each other in Maya’s bed. Ana whispers: “You’ve got to tell.” “Who?” Maya breathes. “Everyone.” “Why?” “Because otherwise he’ll do it again. To someone else.” Over and over again they have the same quiet argument, with themselves and each other, because Ana knows it’s an unreasonable demand to make of another person: that Maya of all people should feel some sort of responsibility for anyone else right now. That she, of all people, should stand up and shout in the quietest town in the world. Scare the animals. Ana hides her face in her hands so that Maya’s parents won’t hear anyone crying in here. “It’s my fucking fault, Maya, I should never have left you at the party. I should have known. I should have looked for you. I was so fucking, fucking, fucking weak. It’s my fault, it’s my f . . .” Maya cups her friend’s face gently between her hands. “It’s not your fault, Ana. It’s not our fault.” “You’ve got to tell,” Ana sobs desperately, but Maya shakes her head.
”
”
Fredrik Backman (Beartown (Beartown, #1))
“
Don’t cry Meg. It’s not that bad.”
“It’s not that bad? Ha! I’m thirty years old, with two black eyes, a swollen nose, a big, honking, yellow knot on my forehead, and the haircut from hell. As if that isn’t enough, I had a transvestite in my bed this morning, my husband is a lying, cheating, cradle robbing, bastard, who at some point slept with my best friend.”
Jack scooted over to the middle of the seat, and stopped listening to his head and wrapped his arms around her. Big mistake! From inside, four faces were pressed to the window.
“My last orgasm-with a partner- was…hell I can’t remember when! I frequently knock myself out for entertainment purposes, I have little boobs, big feet, squishy panties, nosy neighbors and demon possessed fish. God hates me!”
Jack held her tighter.
“I have frequent flyer miles at the hospital. I fed my husband marijuana Ex-lax brownies and shoved a marble up his butt.”
Jack pulled away to look at her and she was serious. And crying. Big, sad, alligator tears that made his heart swell. “My mother is a holy rolling, Catholic Dr. Ruth, complete with condoms and Rosary beads. I write about relationships and sex, both of which I suck at and I hired a Private Investigator to pimp me out.”
Jack burst out laughing and she pushed him away and swatted his shoulder.
“And now you’re laughing at me. Could things get any worse?
”
”
Amy Johnson
“
lived within a mile of the place." My grandmother, who held that, when one went to the seaside, one ought to be on the beach from morning to night, to taste the salt breezes, and that one should not know anyone in the place, because calls and parties and excursions were so much time stolen from what belonged, by rights, to the sea-air, begged him on no account to speak to Legrandin of our plans; for already, in her mind's eye, she could see his sister, Mme. de Cambremer, alighting from her carriage at the door of our hotel just as we were on the point of going out fishing, and obliging us to remain indoors all afternoon to entertain her. But Mamma laughed her fears to scorn, for she herself felt that the danger was not so threatening, and that Legrandin would shew no undue anxiety to make us acquainted with his sister. And, as it happened, there was no need for any of us to introduce the subject of Balbec, for it was Legrandin himself who, without the least suspicion that we had ever had any intention of visiting those parts, walked into the trap uninvited one evening, when we met him strolling on the banks of the Vivonne. "There are tints in the clouds this evening, violets and blues, which are very beautiful, are they not, my friend?" he said to my father. "Especially a blue which is far more floral than atmospheric, a cineraria blue, which it is surprising to see in the sky.
”
”
Marcel Proust (Remembrance of Things Past: Complete 7 volumes)
“
Images of people in the Middle East dressing like Westerners, spending like Westerners, that is what the voters watching TV here at home want to see. That is a visible sign that we really are winning the war of ideas—the struggle between consumption and economic growth, and religious tradition and economic stagnation.
I thought, why are those children coming onto the streets more and more often? It’s not anything we have done, is it? It’s not any speeches we have made, or countries we have invaded, or new constitutions we have written, or sweets we have handed out to children, or football matches between soldiers and the locals. It’s because they, too, watch TV.
They watch TV and see how we live here in the West.
They see children their own age driving sports cars. They see teenagers like them, instead of living in monastic frustration until someone arranges their marriages, going out with lots of different girls, or boys. They see them in bed with lots of different girls and boys. They watch them in noisy bars, bottles of lager upended over their mouths, getting happy, enjoying the privilege of getting drunk. They watch them roaring out support or abuse at football matches. They see them getting on and off planes, flying from here to there without restriction and without fear, going on endless holidays, shopping, lying in the sun. Especially, they see them shopping: buying clothes and PlayStations, buying iPods, video phones, laptops, watches, digital cameras, shoes, trainers, baseball caps. Spending money, of which there is always an unlimited supply, in bars and restaurants, hotels and cinemas. These children of the West are always spending. They are always restless, happy and with unlimited access to cash.
I realised, with a flash of insight, that this was what was bringing these Middle Eastern children out on the streets. I realised that they just wanted to be like us. Those children don’t want to have to go to the mosque five times a day when they could be hanging out with their friends by a bus shelter, by a phone booth or in a bar. They don’t want their families to tell them who they can and can’t marry. They might very well not want to marry at all and just have a series of partners. I mean, that’s what a lot of people do. It is no secret, after that serial in the Daily Mail, that that is what I do. I don’t necessarily need the commitment. Why should they not have the same choices as me? They want the freedom to fly off for their holidays on easy Jet. I know some will say that what a lot of them want is just one square meal a day or the chance of a drink of clean water, but on the whole the poor aren’t the ones on the street and would not be my target audience. They aren’t going to change anything, otherwise why are they so poor? The ones who come out on the streets are the ones who have TVs. They’ve seen how we live, and they want to spend.
”
”
Paul Torday (Salmon Fishing in the Yemen)
“
The late American golfing coach and writer, Harvey Penick, held that any who played golf was his friend – in the politer sense of Arcades ambo, I gather. … I myself hold with Honest Izaak that there is – and that I am a member of – a communion of, if not saints, at least anglers and very honest men, some now with God and others of us yet upon the quiet waters. … The man is a mere brute, and no true angler, whose sport is measured only in fish caught and boasted of. For what purpose do we impose on ourselves limits and conventions if not to make sport of a mere mechanical harvest of protein? The true angler can welcome even a low river and a dry year, and learn of it, and be the better for it, in mind and in spirit. So, No: the hatch is not all that it might be, for if it is warm enough and early with it, it is also in a time of drought; and, No: I don’t get to the river as often as I should wish. But these things do not make this a poor year: they are an unlooked-for opportunity to delve yet deeper into the secrets of the river, and grow wise. … Rejoice, then, in all seasons, ye fishers. The world the river is; both you and I, And all mankind, are either fish or fry. We must view it with judicious looks, and get wisdom whilst we may. And to all honest anglers, then, I wish, as our master Izaak wished us long ago, ‘a rainy evening to read this following Discourse; and that if he be an honest Angler, the east wind may never blow when he goes a-fishing.
”
”
G.M.W. Wemyss
“
My best friend growing up was a boy named Barry,” Buzan recalled, sitting outside on his patio with his pink shirt unbuttoned and a pair of large, wraparound geriatric sunglasses protecting his eyes. “He was always in the 1-D classes, while I was in 1-A. One-A was for the bright kids, D for the dunces. But when we went out into nature, Barry could identify things by the way they flew over the horizon. Just from their flight patterns, he could distinguish between a red admiral, a painted thrush, and a blackbird, which are all very similar. So I knew he was a genius. And I got a top mark in an exam on nature, a perfect mark, answering questions like ‘Name two fish you can find living in an English stream.’ There are a hundred and three. But when I got back my perfect mark on the test, I suddenly realized that the kid sitting down the hall in the dunces’ class, my best friend, Barry, knew more than I knew—much more than I knew—in the subject in which I was supposedly number one. And therefore, he was number one, and I was not number one. “And suddenly, I realized the system that I was in did not know what intelligence was, didn’t know how to identify smart and not smart. They called me the best, when I knew I wasn’t, and they called him the worst, when he was the best. I mean, there could be no more antipodal environment. So I began to question: What is intelligence? Who says? Who says you’re smart? Who says you’re not smart? And what do they mean by that?” Those questions, at least according to Buzan’s tidy personal narrative, dogged him until he got to college. Buzan’s introduction
”
”
Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
Is It True?
English is a really a form of Plattdeutsch or Lowland German, the way it was spoken during the 5th century. It all happened when Germanic invaders crossed the English Channel and the North Sea from northwest Germany, Denmark and Scandinavia to what is now Scotland or Anglo Saxon better identified as Anglo-Celtic. English was also influenced by the conquering Normans who came from what is now France and whose language was Old Norman, which became Anglo-Norman.
Christianity solidified the English language, when the King James Version of the Bible was repetitively transcribed by diligent Catholic monks. Old English was very complex, where nouns had three genders with der, die and das denoting the male, female and neuter genders. Oh yes, it also had strong and weak verbs, little understood and most often ignored by the masses.
In Germany these grammatical rules survive to this day, whereas in Britain the rules became simplified and der, die and das became da, later refined to the article the! It is interesting where our words came from, many of which can be traced to their early roots. “History” started out as his story and when a “Brontosaurus Steak” was offered to a cave man, he uttered me eat! Which has now become meat and of course, when our cave man ventured to the beach and asked his friend if he saw any food, the friend replied “me see food,” referring to the multitude of fish or seafood! Most English swear words, which Goodreads will definitely not allow me to write, are also of early Anglo-Saxon origin. Either way they obeyed their king to multiply and had a fling, with the result being that we now have 7.6 Billion people on Earth.
”
”
Hank Bracker
“
You... you were telling me about your diet?"
"Well, mostly I was raised on milk, potatoes, dulse, fish-"
"I beg your pardon, did you say 'dulse'? What is that, exactly?"
"A kind of seaweed," MacRae said. "As a lad, it was my job to go out at low tide before supper and cut handfuls of it from the rocks on shore." He opened a cupboard to view a small store of cooking supplies and utensils. "It goes in soup, or you can eat it raw." He glanced at her over his shoulder, amusement touching his lips as he saw her expression.
"Seaweed is the secret to good health?" Merritt asked dubiously.
"No, milady, that would be whisky. My men and I take a wee dram every day." Seeing her perplexed expression, her continued, "Whisky is the water of life. It warms the blood, keeps the spirits calm, and the heart strong."
"I wish I liked whisky, but I'm afraid it's not to my taste."
MacRae looked appalled. "Was it Scotch whisky?"
"I'm not sure," she said. "Whatever it was, it set my tongue on fire."
"It was no' Scotch, then, but rotgut. Islay whisky starts as hot as the devil's whisper... but then the flavors come through, and it might taste of cinnamon, or peat, or honeycomb fresh from the hive. It could taste of a long-ago walk on a winter's eve... or a kiss you once stole from your sweetheart in the hayloft. Whisky is yesterday's rain, distilled with barley into a vapor that rises like a will-o'-the-wisp, then set to bide its time in casks of good oak." His voice had turned as soft as a curl of smoke. "Someday we'll have a whisky, you and I. We'll toast health to our friends and peace to our foes... and we'll drink to the loves lost to time's perishing, as well as those yet to come.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face."
Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school."
"No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers."
"Don't worry. I'm not getting in the water at all."
Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you."
Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!"
He laughs. "From Toraf? Why would I do that?"
She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?"
"Oops," Rachel says.
They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry."
As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner."
Rachel clears her throat and nods behind them.
"Rayna, that's very hurtful. After all we've been through," Toraf says.
Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets.
Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all."
Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?"
Galen grins.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
island—the pirates he’d defeated, before he in turn was defeated by the boy, and those hideous demon she-fish. But it didn’t matter whose camp it was. Anybody—or any thing—who got in their way would be no match for Nerezza’s raiders and their…guest. If the starstuff was on the island, they would have it. Slank tried not to think about what could happen to him if the starstuff wasn’t on the island. It has to be here, he told himself. It has to be. The men were lowering the boats now. Slank eyed the dark water; his face betrayed the apprehension he felt. “What is it?” sneered Nerezza. “Afraid of the fishes, are you?” “I ain’t afraid,” snapped Slank. “But I ain’t eager to meet up with them she-fish again.” He shuddered, remembering when he had last been there, remembering the feel of the mermaids’ teeth sinking into him, recalling his blood clouding the water. Nerezza, who wasn’t sure he believed in these she-fish, coughed out a laugh. It wasn’t natural, coming from him; it sounded a bit painful. He pointed to the darkened companionway. “There’s no fish—no creature alive—can possibly match our dark friend down there,” he said. “Nothing on that island, neither.” Slank looked back to the island. He figured it to be about two miles to the smoke if they went along the shore; far shorter if they cut directly across the island. Slank wanted to take the coast—he didn’t care to be in the jungle at night, not on this island—but Nerezza overruled him. “We’ll set off through the jungle,” Nerezza said. “Not only for the sake of speed, but for the sake of darkness. Our guest don’t want no light whatsoever. We go the darkest way.” “No light? How do we find the way?” “That ain’t up to us,” said Nerezza. “Our guest leads, and we follow. Mark my words, Mister Slank, there’s only one man in
”
”
Dave Barry (Peter and the Shadow Thieves (Peter and the Starcatchers, #2))
“
Top Dog"
If I could, I would take your grief, dig it up
out of the horseradish field and grate it into something red and hot
to sauce the shellfish. I would take the lock of hair you put in the locket and carry it in my hand, I would make the light strike everything
the way it hit the Bay Bridge, turning the ironwork at sunset into waffles.
If I could, I would blow your socks off, they would travel far, always in unison,
past the dead men running, past the cranes standing in snow,
beyond the roads we rode, so small in our little car, it was like riding in a miner's helmet. If I could I would make everyone vote and call their public servants to say, “No one was meant for this.”
I would go back to the afternoon we made love in the tall grass under the full sun not far from the ravine where the old owner had flung hundreds of mink cages.
I would memorize gateways to the afterworld, the electric third rail,
the blond braid our girl has hanging down her back,
the black guppy we killed at our friends’ when we unplugged the bubbler and the fish floated to the top, one eye up at the ceiling, the other
at the blue gravel on the bottom of the tank.
I would beg an audience with Sister Lucia, the last living of the children
visited by Our Lady of Fatima, I would ask her about the weight of secrets, if they let her sleep or if she woke at night with a body on her body,
if the body said, “Let's play top dog, first I'll lie on you, then you lie on me.”
I would ask how she lived with revelation, the normal state of affairs amplified beyond God, bumped up to the Virgin Mother, who no doubt knew a few things, passed them on, quietly, and I would ask Lucia how she lived with knowing,
how she could keep it under her hat, under wraps, button up, zip her lip,
play it close to the vest, never telling, never using truth as a weapon.
”
”
Barbara Ras (Bite Every Sorrow: Poems (Walt Whitman Award of the Academy of American Poets))
“
I’ll never forget the time I went duck-hunting with my buddy Mike Williams; you’ll read a lot about our adventures and shenanigans in this book. Mike and I were hunting blue-winged teal ducks, which tend to move en masse, so typically you’ll either shoot your limit or not see a duck. In other words, there is a lot of idle time involved with teal hunting, so we usually bring along our fishing poles. After a hunt with Mike one morning, in which we had not seen a single teal, I hooked a four-pound bass. Almost simultaneously, one lone blue-winged teal flew over our heads. As I was reeling in the bass, I reached for my shotgun, raised it with only my left hand, and shot the duck. Now, I’m right-handed but left-eye dominant. It was the first duck I ever shot left-handed, but it would be the first of many. I eventually made the switch to shooting left-handed permanently. It was the hardest obstacle I’ve ever had to overcome in hunting, but it made me a better shot because I’m left-eye dominant.
When Mike and I went back to my dad’s house and told him what happened, Phil didn’t believe us, even though we had the teal and bass as evidence. He’d told us about a similar feat many times before, when his friend Hookin’ Bull Thompson pulled in a fish with one hand and shot a duck with the other. I had heard the story many time, but only then did I realize it had now been duplicated. No matter how many times we told Phil about what I did, he didn’t believe us. He thought we made the entire story up because of the countless times he’d bragged about witnessing his buddy’s epic feat. Now, Mike is one of the most honest people you’ll meet, so he couldn’t believe Phil thought we were lying to him.
“I’m going to sign an affidavit about what you did,” Mike told me. “Maybe then he’ll believe us.”
“Oh, drop it,” I said. “That’s just how my family rolls.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
this I say,—we must never forget that all the education a man's head can receive, will not save his soul from hell, unless he knows the truths of the Bible. A man may have prodigious learning, and yet never be saved. He may be master of half the languages spoken round the globe. He may be acquainted with the highest and deepest things in heaven and earth. He may have read books till he is like a walking cyclopædia. He may be familiar with the stars of heaven,—the birds of the air,—the beasts of the earth, and the fishes of the sea. He may be able, like Solomon, to "speak of trees, from the cedar of Lebanon to the hyssop that grows on the wall, of beasts also, and fowls, and creeping things, and fishes." (1 King iv. 33.) He may be able to discourse of all the secrets of fire, air, earth, and water. And yet, if he dies ignorant of Bible truths, he dies a miserable man! Chemistry never silenced a guilty conscience. Mathematics never healed a broken heart. All the sciences in the world never smoothed down a dying pillow. No earthly philosophy ever supplied hope in death. No natural theology ever gave peace in the prospect of meeting a holy God. All these things are of the earth, earthy, and can never raise a man above the earth's level. They may enable a man to strut and fret his little season here below with a more dignified gait than his fellow-mortals, but they can never give him wings, and enable him to soar towards heaven. He that has the largest share of them, will find at length that without Bible knowledge he has got no lasting possession. Death will make an end of all his attainments, and after death they will do him no good at all. A man may be a very ignorant man, and yet be saved. He may be unable to read a word, or write a letter. He may know nothing of geography beyond the bounds of his own parish, and be utterly unable to say which is nearest to England, Paris or New York. He may know nothing of arithmetic, and not see any difference between a million and a thousand. He may know nothing of history, not even of his own land, and be quite ignorant whether his country owes most to Semiramis, Boadicea, or Queen Elizabeth. He may know nothing of the affairs of his own times, and be incapable of telling you whether the Chancellor of the Exchequer, or the Commander-in-Chief, or the Archbishop of Canterbury is managing the national finances. He may know nothing of science, and its discoveries,—and whether Julius Cæsar won his victories with gunpowder, or the apostles had a printing press, or the sun goes round the earth, may be matters about which he has not an idea. And yet if that very man has heard Bible truth with his ears, and believed it with his heart, he knows enough to save his soul. He will be found at last with Lazarus in Abraham's bosom, while his scientific fellow-creature, who has died unconverted, is lost for ever. There is much talk in these days about science and "useful knowledge." But after all a knowledge of the Bible is the one knowledge that is needful and eternally useful. A man may get to heaven without money, learning, health, or friends,—but without Bible knowledge he will never get there at all. A man may have the mightiest of minds, and a memory stored with all that mighty mind can grasp,—and yet, if he does not know the things of the Bible, he will make shipwreck of his soul for ever. Woe! woe! woe to the man who dies in ignorance of the Bible! This is the Book about which I am addressing the readers of these pages to-day. It is no light matter what you do with such a book. It concerns the life of your soul. I summon you,—I charge you to give an honest answer to my question. What are you doing with the Bible? Do you read it? HOW READEST THOU?
”
”
J.C. Ryle (Practical Religion Being Plain Papers on the Daily Duties, Experience, Dangers, and Privileges of Professing Christians)
“
Doggerel by a Senior Citizen
(for Robert Lederer)
Our earth in 1969
Is not the planet I call mine,
The world, I mean, that gives me strength
To hold off chaos at arm’s length.
My Eden landscapes and their climes
Are constructs from Edwardian times,
When bath-rooms took up lots of space,
And, before eating, one said Grace.
The automobile, the aeroplane,
Are useful gadgets, but profane:
The enginry of which I dream
Is moved by water or by steam.
Reason requires that I approve
The light-bulb which I cannot love:
To me more reverence-commanding
A fish-tail burner on the landing.
My family ghosts I fought and routed,
Their values, though, I never doubted:
I thought the Protestant Work-Ethic
Both practical and sympathetic.
When couples played or sang duets,
It was immoral to have debts:
I shall continue till I die
To pay in cash for what I buy.
The Book of Common Prayer we knew
Was that of 1662:
Though with-it sermons may be well,
Liturgical reforms are hell.
Sex was of course —it always is—
The most enticing of mysteries,
But news-stands did not then supply
Manichean pornography.
Then Speech was mannerly, an Art,
Like learning not to belch or fart:
I cannot settle which is worse,
The Anti-Novel or Free Verse.
Nor are those Ph.D’s my kith,
Who dig the symbol and the myth:
I count myself a man of letters
Who writes, or hopes to, for his betters.
Dare any call Permissiveness
An educational success?
Saner those class-rooms which I sat in,
Compelled to study Greek and Latin.
Though I suspect the term is crap,
There is a Generation Gap,
Who is to blame? Those, old or young,
Who will not learn their Mother-Tongue.
But Love, at least, is not a state
Either en vogue or out-of-date,
And I’ve true friends, I will allow,
To talk and eat with here and now.
Me alienated? Bosh! It’s just
As a sworn citizen who must
Skirmish with it that I feel
Most at home with what is Real.
”
”
W.H. Auden
“
From Walt: The Grapes of Wrath, Les Misérables, To Kill a Mockingbird, Moby-Dick, The Ox-Bow Incident, A Tale of Two Cities, The Adventures of Huckleberry Finn, The Three Musketeers, Don Quixote (where your nickname came from), The Complete Works of William Shakespeare, and anything by Anton Chekhov. From Henry: Bury My Heart at Wounded Knee, Cheyenne Autumn, War and Peace, The Things They Carried, Catch-22, The Sun Also Rises, The Blessing Way, Beyond Good and Evil, The Teachings of Don Juan, Heart of Darkness, The Human Comedy, The Art of War. From Vic: Justine, Concrete Charlie: The Story of Philadelphia Football Legend Chuck Bednarik, Medea (you’ll love it; it’s got a great ending), The Kama Sutra, Henry and June, The Onion Field, Fear and Loathing in Las Vegas, Zorba the Greek, Madame Bovary, Richie Ashburn’s Phillies Trivia (fuck you, it’s a great book). From Ruby: The Holy Bible (New Testament), The Pilgrim’s Progress, Inferno, Paradise Lost, My Ántonia, The Scarlet Letter, Walden, Poems of Emily Dickinson, My Friend Flicka, Our Town. From Dorothy: The Gastronomical Me, The French Chef Cookbook (you don’t eat, you don’t read), Last Suppers: Famous Final Meals From Death Row, The Bonfire of the Vanities, The Scarlet Pimpernel, Something Fresh, The Sound and the Fury, The Maltese Falcon, Pride and Prejudice, Brides-head Revisited. From Lucian: Thirty Seconds over Tokyo, Band of Brothers, All Quiet on the Western Front, The Virginian, The Basque History of the World (so you can learn about your heritage you illiterate bastard), Hondo, Sackett, The Man Who Shot Liberty Valance, Bobby Fischer: My 60 Memorable Games, The Rise and Fall of the Third Reich, Quartered Safe Out Here. From Ferg: Riders of the Purple Sage, Kiss Me Deadly, Lonesome Dove, White Fang, A River Runs Through It (I saw the movie, but I heard the book was good, too), Kip Carey’s Official Wyoming Fishing Guide (sorry, kid, I couldn’t come up with ten but this ought to do).
”
”
Craig Johnson (Hell Is Empty (Walt Longmire, #7))
“
An American businessman took a vacation to a small coastal Mexican village on doctor’s orders. Unable to sleep after an urgent phone call from the office the first morning, he walked out to the pier to clear his head. A small boat with just one fisherman had docked, and inside the boat were several large yellowfin tuna. The American complimented the Mexican on the quality of his fish.
“How long did it take you to catch them?” the American asked.
“Only a little while,” the Mexican replied in surprisingly good English.
“Why don’t you stay out longer and catch more fish?” the American then asked.
“I have enough to support my family and give a few to friends,” the Mexican said as he unloaded them into a basket.
“But… What do you do with the rest of your time?”
The Mexican looked up and smiled. “I sleep late, fish a little, play with my children, take a siesta with my wife, Julia, and stroll into the village each evening, where I sip wine and play guitar with my amigos. I have a full and busy life, señor.”
The American laughed and stood tall. “Sir, I’m a Harvard M.B.A. and can help you. You should spend more time fishing, and with the proceeds, buy a bigger boat. In no time, you could buy several boats with the increased haul. Eventually, you would have a fleet of fishing boats.”
He continued, “Instead of selling your catch to a middleman, you would sell directly to the consumers, eventually opening your own cannery. You would control the product, processing, and distribution. You would need to leave this small coastal fishing village, of course, and move to Mexico City, then to Los Angeles, and eventually to New York City, where you could run your expanded enterprise with proper management.
The Mexican fisherman asked, “But, señor, how long will all this take?”
To which the American replied, “15-20 years, 25 tops.”
“But what then, señor?”
The American laughed and said, “That’s the best part. When the time is right, you would announce an IPO and sell your company stock to the public and become very rich. You would make millions.”
“Millions señor? Then what?"
“Then you would retire and move to a small coastal fishing village, where you would sleep late, fish a little, play with your kids, take a siesta with your wife, and stroll in to the village in the evenings where you could sip wine and play your guitar with your amigos.
”
”
Tim FERRIS
“
THE RETURN OF THE GODS Like a white bird upon the wind, the sail of the boat of Manannan mac Lir (Pronounced Mananarn mak Leer), the Son of the Sea, flew across the sparkling waves filled with the breeze that blew Westward to the Islands of the Blessed. The Sun Goddess above him smiled down with warmth upon her friend. The fish in the ocean danced for him beneath the turquoise water; the porpoises leapt above the waves to greet him. Upon the wind was a smell of sweetness, the smell of apple blossom in the Spring of the morning of the world. And in the prow of the boat sat Lugh (Pronounced Loo) the long-armed; strumming on his harp, he sang the Song of Creation. And as they drew closer to the green hills of Ireland, the holy land of Ireland, the Shee came out of their earth-barrow homes and danced for joy beneath the Sun. For hidden in a crane-skin sack at the bottom of the boat was the Holy Cup of Blessedness. Long had been her journeying through lands strange and far. And all who drank of that Cup, dreamed the dreams of holy truth, and drank of the Wine of everlasting life. And deep within the woods, in a green-clad clearing, where the purple anemone and the white campion bloomed, where primroses still lingered on the shadowed Northern side, a great stag lifted up his antlered head and sniffed the morning. His antlers seven-forked spoke of mighty battles fought and won, red was his coat, the colour of fire, and he trotted out of his greenwood home, hearing on the wind the song of Lugh. And in her deep barrow home, the green clad Goddess of Erin, remembered the tongue that she had forgotten. She remembered the secrets of the weaving of spells, She remembered the tides of woman and the ebb and flow of wave and Moon. She remembered the people who had turned to other Gods and coming out of her barrow of sleep, her sweet voice echoed the verses of Lugh and the chorus of Manannan. And the great stag of the morning came across the fields to her and where had stood the Goddess now stood a white hind. And the love of the God was returned by the Goddess and the larks of Anghus mac Og hovering above the field echoed with ecstasy the Song of Creation. And in the villages and towns the people came out of their houses, hearing the sweet singing and seeking its source. And children danced in the streets with delight. And they went down to the shore, the Eastern shore, where rises the Sun of the Morning, and awaited the coming of Manannan and Lugh, the mast of their boat shining gold in the Sun. The sea had spoken, the Eastern dawn had given up her secret, the Gods were returning, the Old Ones awakening, joy was returning unto the sleeping land.
”
”
Sarah Owen (Paganism: A Beginners Guide to Paganism)
“
Romance of the sleepwalker"
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea
and the horse on the mountain.
With her waist that’s made of shadow
dreaming on the high veranda,
green the flesh, and green the tresses,
with eyes of frozen silver.
Green, as I love you, greenly.
Beneath the moon of the gypsies
silent things are looking at her
things she cannot see.
Green, as I love you, greenly.
Great stars of white hoarfrost
come with the fish of shadow
opening the road of morning.
The fig tree’s rubbing on the dawn wind
with the rasping of its branches,
and the mountain cunning cat,
bristles with its sour agaves.
Who is coming? And from where...?
She waits on the high veranda,
green the flesh and green the tresses,
dreaming of the bitter ocean.
- 'Brother, friend, I want to barter
your house for my stallion,
sell my saddle for your mirror,
change my dagger for your blanket.
Brother mine, I come here bleeding
from the mountain pass of Cabra.’
- ‘If I could, my young friend,
then maybe we’d strike a bargain,
but I am no longer I,
nor is this house, of mine, mine.’
- ‘Brother, friend, I want to die now,
in the fitness of my own bed,
made of iron, if it can be,
with its sheets of finest cambric.
Can you see the wound I carry
from my throat to my heart?’
- ‘Three hundred red roses
your white shirt now carries.
Your blood stinks and oozes,
all around your scarlet sashes.
But I am no longer I,
nor is this house of mine, mine.’
- ‘Let me then, at least, climb up there,
up towards the high verandas.
Let me climb, let me climb there,
up towards the green verandas.
High verandas of the moonlight,
where I hear the sound of waters.’
Now they climb, the two companions,
up there to the high veranda,
letting fall a trail of blood drops,
letting fall a trail of tears.
On the morning rooftops,
trembled, the small tin lanterns.
A thousand tambourines of crystal
wounded the light of daybreak.
Green, as I love you, greenly.
Green the wind, and green the branches.
They climbed up, the two companions.
In the mouth, the dark breezes
left there a strange flavour,
of gall, and mint, and sweet basil.
- ‘Brother, friend! Where is she, tell me,
where is she, your bitter beauty?
How often, she waited for you!
How often, she would have waited,
cool the face, and dark the tresses,
on this green veranda!’
Over the cistern’s surface
the gypsy girl was rocking.
Green the bed is, green the tresses,
with eyes of frozen silver.
An ice-ray made of moonlight
holding her above the water.
How intimate the night became,
like a little, hidden plaza.
Drunken Civil Guards were beating,
beating, beating on the door frame.
Green, as I love you, greenly.
Green the wind, and green the branches.
The dark ship on the sea,
and the horse on the mountain.
”
”
Federico García Lorca (Collected Poems)
“
She submitted to walk slowly on, with downcast eyes. He put her hand to his lips, and she quietly drew it away.
‘Will you walk beside me, Mr Wrayburn, and not touch me?’ For, his arm was already stealing round her waist.
She stopped again, and gave him an earnest supplicating look. ‘Well, Lizzie, well!’ said he, in an easy way though ill at ease with himself ‘don’t be unhappy, don’t be reproachful.’
‘I cannot help being unhappy, but I do not mean to be reproachful. Mr Wrayburn, I implore you to go away from this neighbourhood, to-morrow morning.’
‘Lizzie, Lizzie, Lizzie!’ he remonstrated. ‘As well be reproachful as wholly unreasonable. I can’t go away.’
‘Why not?’
‘Faith!’ said Eugene in his airily candid manner. ‘Because you won’t let me. Mind! I don’t mean to be reproachful either. I don’t complain that you design to keep me here. But you do it, you do it.’
‘Will you walk beside me, and not touch me;’ for, his arm was coming about her again; ‘while I speak to you very seriously, Mr Wrayburn?’
‘I will do anything within the limits of possibility, for you, Lizzie,’ he answered with pleasant gaiety as he folded his arms. ‘See here! Napoleon Buonaparte at St Helena.’
‘When you spoke to me as I came from the Mill the night before last,’ said Lizzie, fixing her eyes upon him with the look of supplication which troubled his better nature, ‘you told me that you were much surprised to see me, and that you were on a solitary fishing excursion. Was it true?’
‘It was not,’ replied Eugene composedly, ‘in the least true. I came here, because I had information that I should find you here.’
‘Can you imagine why I left London, Mr Wrayburn?’
‘I am afraid, Lizzie,’ he openly answered, ‘that you left London to get rid of me. It is not flattering to my self-love, but I am afraid you did.’
‘I did.’
‘How could you be so cruel?’
‘O Mr Wrayburn,’ she answered, suddenly breaking into tears, ‘is the cruelty on my side! O Mr Wrayburn, Mr Wrayburn, is there no cruelty in your being here to-night!’
‘In the name of all that’s good—and that is not conjuring you in my own name, for Heaven knows I am not good’—said Eugene, ‘don’t be distressed!’
‘What else can I be, when I know the distance and the difference between us? What else can I be, when to tell me why you came here, is to put me to shame!’ said Lizzie, covering her face.
He looked at her with a real sentiment of remorseful tenderness and pity. It was not strong enough to impell him to sacrifice himself and spare her, but it was a strong emotion.
‘Lizzie! I never thought before, that there was a woman in the world who could affect me so much by saying so little. But don’t be hard in your construction of me. You don’t know what my state of mind towards you is. You don’t know how you haunt me and bewilder me. You don’t know how the cursed carelessness that is over-officious in helping me at every other turning of my life, won’t help me here. You have struck it dead, I think, and I sometimes almost wish you had struck me dead along with it.
”
”
Charles Dickens (Our Mutual Friend)
“
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage.
Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw.
Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight.
The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?”
Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?”
“Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!”
“A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.”
Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.”
At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.”
“Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!”
“Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.”
“Her what?” Ian said, caught between fury and amusement.
“Her Aunt Berta. Stout little woman who doesn’t say much.”
“See that you follow her example,” Ian warned darkly.
John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“
“You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players.
“Her uncle turned me down. Got a better offer.”
“Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Notice that Jesus knows exactly who he is asking to lead his community: a sinner. As all Christian leaders have been, are, and will be, Peter is imperfect. And as all good Christian leaders are, Peter is well aware of his imperfections. The disciples too know who they are getting as their leader. They will not need—or be tempted—to elevate Peter into some semi-divine figure; they have seen him at his worst. Jesus forgives Peter because he loves him, because he knows that his friend needs forgiveness to be free, and because he knows that the leader of his church will need to forgive others many times. And Jesus forgives totally, going beyond what would be expected—going so far as to establish Peter as head of the church.11 It would have made more earthly sense for Jesus to appoint another, non-betraying apostle to head his church. Why give the one who denied him this important leadership role? Why elevate the manifestly sinful one over the rest? One reason may be to show the others what forgiveness is. In this way Jesus embodies the Father in the Parable of the Prodigal Son, who not only forgives the son, but also, to use a fishing metaphor, goes overboard. Jesus goes beyond forgiving and setting things right. A contemporary equivalent would be a tenured professor stealing money from a university, apologizing, being forgiven by the board of trustees, and then being hired as the school’s president. People would find this extraordinary—and it is. In response, Peter will ultimately offer his willingness to lay down his life for Christ. But on the shore of the Sea of Galilee, he can’t know the future. He can’t understand fully what he is agreeing to. Feed your sheep? Which sheep? The Twelve? The disciples? The whole world? This is often the case for us too. Even if we accept the call we can be confused about where God is leading us. When reporters used to ask the former Jesuit superior general Pedro Arrupe where the Jesuit Order was going, he would say, “I don’t know!” Father Arrupe was willing to follow, even if he didn’t know precisely what God had in mind. Peter says yes to the unknowable, because the question comes from Jesus. Both Christ’s forgiveness and Peter’s response show us love. God’s love is limitless, unconditional, radical. And when we have experienced that love, we can share it. The ability to forgive and to accept forgiveness is an absolute requirement of the Christian life. Conversely, the refusal to forgive leads ineluctably to spiritual death. You may know families in which vindictiveness acts like a cancer, slowly eating away at love. You may know people whose marriages have been destroyed by a refusal to forgive. One of my friends described a couple he knew as “two scorpions in a jar,” both eagerly waiting to sting the other with barbs and hateful comments. We see the communal version of this in countries torn by sectarian violence, where a climate of mutual recrimination and mistrust leads only to increasing levels of pain. The Breakfast by the Sea shows that Jesus lived the forgiveness he preached. Jesus knew that forgiveness is a life-giving force that reconciles, unites, and empowers. The Gospel by the Sea is a gospel of forgiveness, one of the central Christian virtues. It is the radical stance of Jesus, who, when faced with the one who denied him, forgave him and appointed him head of the church, and the man who, in agony on the Cross, forgave his executioners. Forgiveness is a gift to the one who forgives, because it frees from resentment; and to the one who needs forgiveness, because it frees from guilt. Forgiveness is the liberating force that allowed Peter to cast himself into the water at the sound of Jesus’s voice, and it is the energy that gave him a voice with which to testify to his belief in Christ.
”
”
James Martin (Jesus: A Pilgrimage)
“
Everybody’s Free (To Wear Sunscreen)”
Ladies and Gentlemen of the class of '99: Wear sunscreen.
If I could offer you only one tip for the future, sunscreen would be it. The long term benefits of sunscreen have been proved by scientists, whereas the rest of my advice has no basis more reliable than my own meandering experience.
I will dispense this advice now.
Enjoy the power and beauty of your youth; oh never mind; you will not understand the power and beauty of your youth until they've faded. But trust me, in 20 years you’ll look back at photos of yourself and recall in a way you can’t grasp now how much possibility lay before you and how fabulous you really looked.
You are not as fat as you imagine.
Don’t worry about the future; or worry, but know that worrying is as effective as trying to solve an algebra equation by chewing bubblegum. The real troubles in your life are apt to be things that never crossed your worried mind; the kind that blindside you at 4:00 pm on some idle Tuesday.
Do one thing everyday that scares you.
Sing.
Don’t be reckless with other people’s hearts; don’t put up with people who are reckless with yours.
Floss.
Don’t waste your time on jealousy; sometimes you’re ahead; sometimes you’re behind; the race is long, and in the end it’s only with yourself.
Remember compliments you receive; forget the insults. If you succeed in doing this, tell me how.
Keep your old love letters; throw away your old bank statements.
Stretch.
Don’t feel guilty if you don’t know what you wanna do with your life; the most interesting people I know didn’t know at 22 what they wanted to do with their lives; some of the most interesting 40 year olds I know still don’t.
Get plenty of calcium.
Be kind to your knees; you’ll miss them when they’re gone.
Maybe you’ll marry -- maybe you won’t. Maybe you’ll have children -- maybe you won’t. Maybe you’ll divorce at 40 -- maybe you’ll dance the funky chicken on your 75th wedding anniversary. Whatever you do, don’t congratulate yourself too much or berate yourself either -- your choices are half chance; so are everybody else’s.
Enjoy your body; use it every way you can. Don’t be afraid of it, or what other people think of it. It’s the greatest instrument you’ll ever own.
Dance.
even if you have nowhere to do it but in your own living room.
Read the directions, even if you don’t follow them.
Do not read beauty magazines; they will only make you feel ugly.
Get to know your parents; you never know when they’ll be gone for good. Be nice to your siblings; they're your best link to your past and the people most likely to stick with you in the future.
Understand that friends come and go, but for the precious few you should hold on. Work hard to bridge the gaps in geography, in lifestyle, because the older you get the more you need the people you knew when you were young.
Live in New York City once, but leave before it makes you hard.
Live in Northern California once, but leave before it makes you soft.
Travel.
Accept certain inalienable truths: prices will rise; politicians will philander; you too will get old, and when you do you’ll fantasize that when you were young prices were reasonable, politicians were noble, and children respected their elders.
Respect your elders.
Don’t expect anyone else to support you. Maybe you have a trust fund; maybe you'll have a wealthy spouse; but you never know when either one might run out.
Don’t mess too much with your hair, or by the time you're 40, it will look 85.
Be careful whose advice you buy, but be patient with those who supply it. Advice is a form of nostalgia: dispensing it is a way of fishing the past from the disposal, wiping it off, painting over the ugly parts, and recycling it for more than it’s worth.
But trust me on the sunscreen.
Baz Luhrmannk, William Shakespeare's Romeo & Juliet (1996)
”
”
Baz Luhrmann (Romeo & Juliet: The Contemporary Film, the Classic Play)