Gigli Quotes

Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semitransparent envelope surrounding us from the beginning of consciousness to the end.

Maia pulled on a braid. "I ran into Eric of all people. He told me what happened and that you'd backed out of Millenium Lint's gigs for the past two weeks because of it." "Actually, they changed their name," Jordan said. "They're Midnight Burrito now.

Cutting PBS support (0.012% of budget) to help balance the Federal budget is like deleting text files to make room on your 500Gig hard drive

I texted Kaidan, who was listed in my contacts under “James,” for James Bond. He’d chosen it. He had me listed as “Hot Chick From Gig.” Video chat in 30. His immediate response made me shake my head. Clothing optional? It was nice to know he could keep a sense of humor in the face of calamity. Or maybe he wasn’t joking... “Are you two flirting?” Patti asked, her eyes darting to me from the road. I blushed and deleted his message.

Luce blushed. "Then what kind of angel are you?" "I'm sort of in between gigs right now," Daniel said.

I was being paid to do what I loved, and there's no gig on earth better than that; it's like a license to steal.

Being human is a complicated gig. So give that ol' dark night of the soul a hug. Howl the eternal yes! [N.B. this is obviously a humorous paraphrase]

Although security and warfare had never been my gig, vampire security was highly contextual and thus incredibly interesting. There were links to history (Vampires were screwed over yesterday!) and politics (House X screwed us over yesterday!), philosophy (Why do you think they screwed us over yesterday?) and ethics (If we didn’t bite, would they have screwed us over yesterday?), and, of course, strategy (How did they screw us over? How can we keep them from screwing us over again or, better yet, screw them over first?).

I’ve seen people die. Die hard. Die messy. Job like mine, you live with the reaper every day. But if you’re unlucky, it’s not the bullets that kill you in this gig. It’s moment like these. Killing you one piece at a time.

Although this scouting gig sounded like a financial hit, it made Nonie extremely nervous. She feared someone slip--that someone being Buggy--and others would find out Nonie's secret. And if the wrong person caught wind that she could see and speak to the dead, word would spread through Clay Point like ants at a picnic.

And in fact the only way I can deal with this eerie situation at all is to make a conscious decision that I have already lived and finished the life I planned to live - and everything from now on will be A New Life, a different thing, a gig that ends tonight and starts tomorrow morning.

Etiquette can be tricky, Louise.” I strap her in the gig. “Inevitably, one finds oneself in a predicament where rules do not apply, or worse, they contradict each other. When that happens, one must listen to one’s heart for direction.

I've got a gig," Jim said. I sat up in my bed, wide-awake. A gig was good- I needed the money. "Half." "Third." "Half." "Thirty-five percent." Jim's voice hardened. "Half." The phone went silent as my former Guild partner mulled it over. "Okay, forty." I hung up.(...) The phone rang. I let it ring twice before I picked it up. "Fine." Jim's voice had a hint of a snarl in it. "Half.

You’re so hilarious. You know, if this whole Daimon-slaying gig doesn’t work out for you, you should really consider being a comedian. The bright Barney hair color would just add to the overall entertainment factor.

As an adult, getting paid thousands of dollars a week to say, “Aye, Sir. Course laid in” is a seriously sweet gig, but when I was a teenager, it sucked.

The key to the city of Florence was about two feet long, and painted a garish gold. Hamilton was fascinated by it. "Wow! How big is the lock?" Jonah laughed. "There is no lock, cuz. It's an honorary gig. Back in my crib in LA, I've got a whole shed full of keys from different cities. Want to know the kicker? I can't get at them. The gardener lost the key to the shed.

I'd like to give every young teacher some good news. Teaching is a very easy job. Administrators will tell you what to do. You'll be given books and told chapters to assign the children. Veteran teachers will show you the correct way to fill out forms and have your classes line up. And here's some more good news. If you do all of these things badly, they let you keep doing it. You can go home at three o'clock every day. You get about three months off a year. Teaching is a great gig. However, if you care about what you're doing, it's one of the toughest jobs around.

This is the tale of Magic Alex, the man who was everywhere: with Leonard Cohen in Hydra; in Crete with Joni Mitchell; in a Paris bathroom when Jimmy Morrison went down; working as a roadie setting up the Beatles last rooftop gig; an assistant to John and Yoko when they had a bed-in at the Amsterdam Hilton; with the Stones when they were charged for pissing against a wall; the first to find and save Dylan after the motorcycle accident; having it off with Mama Cass hours before she choked the big one; arranging the security at Altamont; at Haight-Ashbury with George Harrison and the Grateful Dead; and in the Japanese airport with McCartney after the dope rap. He was the guy Carly Simon was really singing about and the missing slice of ‘Bye, Bye Miss American Pie’.

My term “minor feelings” is deeply indebted to theorist Sianne Ngai, who wrote extensively on the affective qualities of ugly feelings, negative emotions—like envy, irritation, and boredom—symptomatic of today’s late-capitalist gig economy. Like ugly feelings, minor feelings are “non-cathartic states of emotion” with “a remarkable capacity for duration.

Any cunt withoot the virus could git run ower the morn. That’s the wey ye huv tae look at it. Cannae jist cancel the gig. The show must go oan.

We slept beside them, fought beside them, bled beside them. We trusted them to watch our backs and save our asses – which they did, time and time again. And somewhere out there, between one gig and the next, something changed. We woke up one day and realized that home was no longer behind us. That our families were with us all along. We looked around at these miscreants, these motley crews, and knew in our hearts there was nowhere we’d rather be than by their side.

Simon. “So, the gig’s at nine, right? What do we do with the rest of the day?” “We?” Simon looked at him in disbelief. “Are you ever going home?” “What, bored with my company already?” “Let me ask you something,” Simon said. “Do you find me fascinating to be around?” “What was that?” Jace said. “Sorry, I think I fell asleep for a moment. Do, continue with whatever mesmerizing thing you were saying.

I can't really remember the days. The light of the sun blurred and annihilated all color. But the nights, I remember them. The blue was more distant than the sky, beyond all depths, covering the bounds of the world. The sky, for me, was the stretch of pure brilliance crossing the blue, that cold coalescence beyond all color. Sometimes, it was in Vinh Long, when my mother was sad she'd order the gig and we'd drive out into the country to see the nighta s it was in the dry season. I had that good fortune- those nights, that mother. The light fell from the sky in cataracts of pure transparency, in torrents of silence and immobility. The air was blue, you could hold it in your hand. Blue. The sky was the continual throbbing of the brilliance of the light. The night lit up everything, all the country on either bank of the river as far as the eye could reach. Every night was different, each one had a name as long as it lasted. Their sound was that of the dogs, the country dogs baying at mystery. They answered on another from village to village, until the time and space of the night were utterly consumed.

The Jesus freaks were the worst. While the ‘Suicide Solution’ case was going through the courts they followed me around everywhere. They would picket my shows with signs that read, ‘The Anti-Christ Is Here’. And they’d always be chanting: ‘Put Satan behind you! Put Jesus in front of you!’ One time, I made my own sign – a smiley face with the words ‘Have a Nice Day’ – and went out and joined them. They didn’t even notice. Then, just as the gig was about to start, I put down the sign, said, ‘See ya, guys,’ and went back to my dressing room.

You don’t say words like ‘gig’, lady.” “My man’s a biker. Shit rubs off.

It's the gig. You're covered in blood until you're covered in your own blood.

Life is not a series of gig lamps symmetrically arranged; but a luminous halo, a semi-transparent envelope surrounding us from the beginning of consciousness to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of the alien and external as possible?

I don't have a bad side. Gig said pertly. "I believe in rehabilitation

As great as the fame and the money are, sometimes I wonder if working at a Taco Bell and being able to tuck your kids in at night isn't a better gig.

Maybe I should let my faithful manservant answer the rest of your questions, since he seems to have all the answers." "I'm saving her time," Bodie replied. "She brings you a redhead, you'll give her grief. Look for women with class, Annabelle. That's most important. The sophisticated types who went to boarding schools and speak French. She has to be the real thing because he can spot a phony a mile away. And he likes them athletic." "Of course he does," she said dryly. "Athletic, domestic, gorgeous, brilliant, socially connected, and pathologically submissive. It'll be a snap." "You forgot hot." Heath smiled. "And defeatist thinking is for losers. If you want to be a success in this world, Annabelle, you need a positive attitude. Whatever the client wants, you get it for him. First rule of a successful business." "Uh-huh. What about career women?" "I don't see how that would work." "The kind of potential mate you're describing isn't going to be sitting around waiting for her prince to show up. She's heading a major corporation. In between those Victoria's Secret modeling gigs." He lifted an eyebrow. "Attitude, Annabelle. Attitude.

The director mentions the whispers about Clifton's sexual orientation, a supposed gig on a porn site years ago, a rumor about a very famous actor and a tryst in Santa Barbara and Clifton's denial in a Rolling Stone cover story about the very famous actor's new movie which Clifton had a small part in: 'We're so into girls it's ridiculous.

Not everyone who comes to Luna's on gig nights is here to see me. Some people are actually more interested in the coffee. Or the scones. Or in hitting on Emily." "Oh, I didn't say I wasn’t' here to hit on Em," I say. "Just that hitting on Em and enjoying your music aren't mutually exclusive.

They need to practice harder," he said. 'If they're really going to do this, they need to work much harder.' 'They will," I assured him. 'But they got better, right?' Baz laughed. 'Are you going to stand in front of them during their gigs too? If so, make sure you get equal billing. People will pay a lot to see the girl with the broom.

That’s a stupid name! Whirly-gig is much better, I think. Who in their right mind would point at this thing and say, ‘I’m going to fly in my Model-A1’. People would much rather say, ‘Get in my whirly-gig’. And that’s what you should name it.

Boys are adorable. Boys trail off their sentences in an appealing way. Boys bring a knapsack to work. Boys get haircuts from their roommate, who “totally knows how to cut hair.” Boys can pack up their whole life in a duffel bag and move to Brooklyn for a gig if they need to. Boys have “gigs.” Boys are broke. And when they do have money, they spend it on a trip to Colorado to see a music festival. Boys don’t know how to adjust their conversation when they’re talking to their friends or to your parents. They put parents on the same level as their peers and roll their eyes when your dad makes a terrible pun. Boys let your parents pay for dinner when you all go out. It’s assumed.

I couldn’t believe it when I learned that people actually ‘practised the occult’. These freaks with white make-up and black robes would come up to us after our gigs and invite us to black masses at Highgate Cemetery in London. I’d say to them, ‘Look, mate, the only evil spirits I’m interested in are called whisky, vodka and gin.’

This misery of a gig called life is just a dream from which we all eventually awaken, he said. Nobody gets left behind. Even the most horrible dreams end.

We aren't meant to comprehend endings. We aren't meant to understand death. Death's whole gig is not being understood.

A gig, I realize now, is a place where people come together and give permission for anything to happen. Things can be said and shouted and sung; people get pissed; people get kissed-there is a communal agenda of joyous wilding. These are the boardroom meetings of young people, where we establish our vibe.

Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?

My last good memory of the eighties, before everything went dark, was being sent to Wormwood Scrubs. Not because I’d broken the law again – amazingly – but because I was asked to play a gig there.

Prese un giglio tigre arancione da un secchio. «Per te» mi disse porgendomelo. «No non mi piacciono i gigli» risposi. E non sono una regina pensai. «Dovrebbero piacerti» replicò. «Ti si addicono.»

My big dream was to write. I never thought about movie deals or book awards or bestseller lists. I still don't. All I've ever wanted from this gig is to sell enough books to allow me to keep writing more of them.

She stared into his eyes and announced, “A good-bye kiss.” It was at that Raid stopped dead. “What?” “Raiden, the gig is up,” she declared, and Raid closed his eyes. Jesus, how could the woman be so infuriating and so fucking cute all at once? He opened his eyes and asked, “The gig is up?” She leaned into him and hissed, “Yes.” Fuck, he wanted to kiss her. He also wanted to shake her. “Baby, it’s jig,” he corrected, and her head jerked, which made that mess of hair on her head jerk, which reminded him he wanted his hands in that hair. Then elsewhere. He needed to speed this shit up. “Sorry?” she asked, sounding confused, and he looked from her hair to her eyes and saw she was, in fact, confused. Yeah. Infuriating. And fucking cute. “The jig is up, not the gig,” he told her. Her eyes narrowed. “Seriously? You’re correcting my street lingo?” “Think that street lingo was the street lingo about eight decades ago, Hanna. So now it’s just lingo.

No, it was too much. The line between madness and masochism was already hazy; the time had come to pull back ... to retire, hunker down, back off and "cop out," as it were. Why not? in every gig like this, there comes a time to either cut your losses or consolidate your winnings—whichever fits.

I do... to this day, think that success is being able to look in the mirror and know that I'm alright on that day. I don't believe I've made it–I believe that I'm making it. I believe that I've found my past so that I can live in the present, it's the most important thing to me. The books and the plays and the touring and the gigs and the speeches and the cash...it all pales into insignificance when compared with knowing that I didn't do anything wrong, and I'm going to be okay now.

We ran into them at a Goldfrapp gig. They attended it the way I go to gigs with my own husband now—fun, dinner first, home by eleven, something to do. There’s only a short stretch in your life where you can attend gigs with spiritual commitment.

If women could ejaculate, I would have exploded hot jizz all over my manager's face. Instead, I hugged him. (about getting the SNL gig as a writer)

We went to this stupid heavy metal disco after the first gig – which was awful – and the group all started dancing to Deep Purple. I told them to sit down, have some dignity.

Man, teachers and cops and their part-time jobs. We do the heavy lifting for society, and we still need OT gigs. Nothing ever changes, does it?” Willoughby

Whatever your age may be, when you go to a heavy metal gig, you're a teenager again.

I later learned that Houston's "gig" was to "trancesport"/transport Cathy and little Kelly to the infamous Bohemian Grove for prostitution.

But like I told you guys years ago: this demigod gig is dangerous. Don't say I didn't warn you.

Non vedi laggiù la stretta via Così angusta, circondata da spine e da rovi? E' il sentiero della Virtù, Sebbene così pochi lo ricerchino. E non vedi laggiù quell'ampia, ampia strada, Che si snoda attraverso il campo di gigli? E' il sentiero della Malvagità, Sebbene alcuni lo chiamino la Via del Paradiso. E non vedi laggiù un grazioso viottolo Che serpeggia sull'erta tra le felci? E' il sentiero verso la magica Terra degli Elfi Dove tu e io questa notte avremo riposo.

Food’s my only bag. It’s my gig, my art, my life. Always has been, always will be. I’m always battling myself – the part of me that says I can and the part of me that says I can’t. My greatest gift has been that the part of me that says “I can’t” is always, always just a little bit louder.

He flushed with sadness, as if every moment of his life were occurring all at once—his sister dying in childbirth, his mother squirming in that one-room flop, poor Danny sliding between wet logs, Gig in jail, and Jules dead—and how many more? All people, except this rich cream, living and scraping and fighting and dying, and for what, nothing, the cold millions with no chance in this world.

What did you do to Eduardo?” “I don’t know any Eduardo!” Mac wheezed. I twisted his arm a fraction more. He cried out. “I know your name is Mac. I know that’s your redneck cousin Leroy. I know you’re in Eduardo’s territory, muscling in on his gig, and I know that you stole the FJ Cruiser from his fiancée. Look at me. Look at my eyes.” Mac looked up at me. His face went white. My voice was barely above a whisper, but I sank a lot of rage into it. “Eduardo is my friend. His fiancée is my friend. She is his sister.” I pointed at Curran. “Tell me everything you know or I’ll break your arm right here.” I tapped his shoulder. “Then I’ll keep breaking it here and here and here. No amount of medmagic and steel pins will fix it. It’ll never work right again and it will always hurt.

I think Jonathan loved you before ever Clarkson did, Martitia. That first day when I lifted you down from the gig in front of our house here at Centre, Jonathan's face showed a new heaven and a new earth.

Raw, alive and honest to the point of disgusting it's listener, Placebo set out to inspire mystery and confusion. Admitting to relishing groups who could make their audience vomit with the sheer intensity of their musical vibrations, Brian clearly knew how to make an impact. Discussing sonic overload with unsettling enthusiasm, he claimed "Some frequencies can make you physically ill or make your bowels loose. The Swans used to do it. By the end of gigs people would vomit because the frequencies were so nasty.

The only gig I can remember playing in those very early days — and I think it was with Rare Breed, but it could have been under a different name, with different band members, ’cos line-ups changed so often back then — was the Birmingham Fire Station’s Christmas party. The audience consisted of two firemen, a bucket and a ladder. We made enough dough for half a shandy (beer mixed with lemonade), split six ways.

I had a dream about you. You were a stranger playing a gig in this pub where I was waitressing. I felt like I knew you or needed to, so I asked you to have a few drinks with me. Then my alarm went off. I sat up in bed to see you still sleeping. I’m glad I decided to wear a kilt that summer while I was in school.

together and I heard it play, it was mind blowing. I couldn’t believe I was working with her and she was my friend, not to mention that she had given me my biggest gig to date. Yet I said, “I know I don’t have anything big going on yet, but I’m sorry, I have to keep these songs. These songs are the ones I wrote for me.

Writing this now, God, how I miss the cultural side of the eighties - the rhetoric, the raggedy clothes, the politics, gigs you were frightened to go into, Radio 1 when it had weird bits, Channel 4 when it was radical, the NME when it had writers, and the thrill of discovering underground music and new comedy for yourself.

Johnny Battistini had gone to Japan once as a replacement drummer for a metal band past its prime ... a one-shot gig that he had talked about for years afterward. At the time, Theo had been frustrated by Johnny’s inability to describe Tokyo and why it had made such an impression on him. Although he spoke about it frequently ... he could never explain his fascination more clearly than: ‘It was just ... weird. It’s like a regular city, but then it’s all different and shit. But to them it’s not different. And that’s the really weird part!

But our leaders can’t tell the truth. We won’t let them. We’ve created a society where the politicians aren’t allowed to criticize the people. There’s no tough love coming out of the White House or Congress. They’ve gone from leaders and legislators to wedding caterers. If they want to keep the gig, they better give us what we want.

When you’re applying for jobs, it’s best to be employed while doing it. You want the world to know that you’re not lollygagging between gigs, but instead have a lot of choices in front of you and are actively charting your own path.

We are caught in a growth trap. This is the problem with no name or face, the frustration so many feel. It is the logic driving the jobless recovery, the low-wage gig economy, the ruthlessness of Uber, and the privacy invasions of Facebook.

Even after all these years, she still said the word "gig" self-consciously, in the same way that she always said "croissant" with the proper French pronunciation, but with an apologetic, self-deprecating look to make up for her pretentiousness.

Another memorable performance of ‘Black Sabbath’ was in a town hall near Manchester. The manager was there to greet us in a suit and tie when we climbed out of the van. You should have seen the look on his face when he saw us. ‘Is that what you’re going to wear on stage?’ he asked me, staring at my bare feet and pyjama top. ‘Oh no,’ I said, in this fake-shocked voice. ‘I always perform in gold spandex. Have you ever seen an Elvis gig? Well, I look a bit like him – but of course my tits are much smaller.’

Before I’d signed on with Caldswell, my life had followed a pattern: obey orders, climb the ladder, keep my eyes on the prize. It was a good gig, dangerous and exciting with glory as my reward. Most of all, though, it was simple. A path of my own choosing where I did what I loved, knew where I fit, and understood where I was going. Now, though, I felt like a dollhouse in a tornado.

Going on stage was like being at a butchers’ convention. And, of course, the animal rights people were going nuts. The American Society for the Prevention of Cruelty to Animals sent people to ‘monitor’ our gigs. The crew would f**k with them all the time. They’d say, ‘Oh, Ozzy’s going to throw eighteen puppies into the audience tonight, and he won’t sing a note until they’ve all been slaughtered.’ The ASPCA believed every word of it.

Now I know what happens at a gig, I will be ready for it, next time--I will come in just a T-shirt and shorts and books, and fight my way to the front, like a quietly determined soldier, and then let the band take my head off. I want to walk into rooms like that every night, with a sense of something happening.

Oh, gig, capisco. Spazi pubblicitari. E che rivista è?" "L'American Scientist". "Sta scherzando? Be', tanto di cappello. Pubblicano materiale sofisticato. Se lei capisce quella roba dev'essere…" "Non la capisco. La vendo e basta". "Come fa a vendere qualcosa che non capisce?" "Non è quello che fanno gli psichiatri?

So I had this date last night,” Dane goes on, ignoring my order. “Do you remember that girl from Sigma Kappa Whatever? She was at the gig last night, and everything was going great, both of us eye-fucking for like four frickin’ hours…” He pauses and turns to me, his voice turning urgent. “She takes me home, dude, and I’m sitting in the living room while she’s in the bathroom, and I’m so ready, because she’s so hot, right? And who walks in?” “Dane.” I close my eyes, willing him to shut the fuck up. “Her mom, dude!” he bursts out. “Her mom in her light pink nightie with legs for days. And let me tell you, man…Stacy’s mom has got it going on?” I can’t help myself. I break out in a laugh at the song reference and pinch the bridge of my nose, tired but a fraction more relaxed, even if I’d never admit it to him. Such an idiot.

I had already imagined how it would be next year. I'd be at Columbia, and Marcus would move to Manhattan, or maybe one of the outer boroughs. I would study hard, and he would make money playing gigs at dingy bars. We'd spend countless hours going to clubs to see bands on the verge, touring obscure art exhibits, and sipping pot after pot of black coffee at hole-in-the-wall cafes. Many more hours would be spent lounging under the covers. We would never run out of witty and fascinating things to say to each other. Eventually, he'd apply to Columbia, and we'd be the sort of well-educated, cosmopolitan couple that confuse the suburbumpkins who never leave Pineville.

An essential difference between British and American punk bands can be found in their respective views of rock & roll history. The British bands took a deliberately anti-intellectual stance, refuting any awareness of, or influence from, previous exponents of the form. The New York and Cleveland bands saw themselves as self-consciously drawing on and extending an existing tradition in American rock & roll. (...) A second difference between the British and American punk scenes was their relative gestation periods. The British weekly music press was reviewing Sex Pistols shows less than three months after their cacophonous debut. Within a year of the Pistols' first performance they had a record deal, with the 'major' label EMI. Within six months of their first gigs the Damned and the Clash also secured contracts, the latter with CBS. The CBGBs scene went largely ignored by the American music industry until 1976 -- two years after the debuts of Television, the Ramones and Blondie. Even then only Television signed to an established label.

If you want to work for Vogue, produce films, or open a restaurant, you had better get immense psychological reward from your gig, as the comp, and returns on your efforts, will likely suck. Competition will be fierce, and even if you manage to get in, you'll be easily replaceable, as there are always younger, hipper candidates nipping at your heels. Very few high-school graduates dream of working for Exxon, but a big firm in a large sector would give you a career trajectory with regular promotions a sexy industry won't.

We set up our gear for the tune-up and Tony [Iommi] launched into the opening riff of ‘Black Sabbath’ – doh, doh, doooohnnnn – but before I’d got through the first line of lyrics the manager had run on to the stage, red in the face, and was shouting, ‘STOP, STOP, STOP! Are you f**king serious? This isn’t Top-Forty pop covers! Who are you people?’ ‘Earth,’ said Tony, shrugging. ‘You booked us, remember?’ ‘I didn’t book this. I thought you were going to play “Mellow Yellow” and “California Dream-in’”.’ ‘Who – us?’ laughed Tony. ‘That’s what your manager told me!’ ‘Jim Simpson told you that?’ ‘Who the hell’s Jim Simpson?’ ‘Ah,’ said Tony, finally working out what had happened. He turned to us and said, ‘Lads, I think we might not be the only band called Earth.’ He was right: there was another Earth on the C-list gig circuit. But they didn’t play satanic music. They played pop and Motown covers.

You are not sacrificing me…to anything.” – Abigail “You started this, babe. The choice is simple. Either you die alone, nobly like a good sport, or the entire world dies with you, which I don’t think they’d appreciate much. So put on your big-girl pants and own up to what you and your stupidity caused. It’s Joe Versus the Volcano time. But in the end, I don’t give a shit what you do. With the exception of the cowboy there and my family, I hate people with a passion that makes your feelings for Jess look like a schoolgirl crush. Lovely thing about my current situation, I’m truly immortal. You annihilate humanity and the world…I’m still good. So whatever you decide, it won’t affect me personally. I would say you’re the one who’ll have to live with the guilt. But either way, you’re dead. Whatever. I delivered my message. My job here is done, and I need to get back to the one that I’m still not sure how I let them talk me into doing – which is even weirder and scarier than the Dark-Hunter gig. Jess, call me if she wusses, and I’ll make sure you survive the holocaust.” – Zarek

Greer wondered why Faith was giving her this gig. She remembered something Faith had said to the team once, early on: "Men give women the power that they themselves don't want." She'd meant power to run the home, to deal wit the children and their friends and teachers, to make all decisions about the domestic realm. So maybe Faith, like one of those men, was giving Greer something she didn't particularly want. Maybe Faith had no interest in giving this speech, and so that was why the was giving it to Greer--passing the power on to her in order to get rid of it.

We might add here that later on the constructors had an article published in a prominent scientific journal under the title of “Recursive β—Metafunctions in the Special Case of a Bogus Polypolice Transmogrification Conversion on an Oscillating Harmonic Field of Glass Bells and Green Gig, Kerosene Lamp on the Left to Divert Attention, Solved by Beastly Incarceration-Concatenation,

After my initial disappointment, I realized that Milicent being a normal, non-royal was more important to her position as a role model. It was more inspirational. She didn't have superpowers or a magic wand. She was simply intelligent and savvy and good at what she did. We need women to be allowed to be simply good at what they do. We need them on set, in meetings, behind cameras and pens and paintbrushes. We need them to be themselves, to be human: ordinary and flawed. That way, more girls can see them and think "I can do that." That way, no one can look at them and say " She got that job because she's beautiful. She got that gig because she slept with someone." Actually, she got hired because she was damn good.

As I make the ten-minute drive into town, I curse O’Shea for forcing this volunteer gig on me and ponder the authenticity of voodoo dolls. Eventually I decide it doesn’t matter if they’re real or not. It’d still be fun to poke needles into a teeny doll version of Frank O’Shea. Once it starts falling apart from all the holes, I can use the head as a stress ball. At a red light, I shoot a quick text to my teammate Fitzy—Hey, do u know how 2 make a voodoo doll? His response doesn’t come until I reach the small arena across the street from the school. Him: I’d think u were fcking with me, but the question is stupid enuff to feel legit. No idea how to make v-doll. Can prolly use any old doll? Challenge will be finding a voodoo witch to link it to your target. Me: That makes sense. Him: Does it?? Me: Voodoo implies magic, hexes, etc. I don’t think any doll would work. Otherwise every doll is a v-doll, right? Him: Right. Me: Anyway. Thx. Thought u might know. Him: Why the fuck would *I* know? Me: Ur into all those fantasy role-play games. U know magic. Him: I’m not Harry Potter, ffs. Me: HP is a nerd. Ur a nerd. Ergo, ur a boy wizard. He sends a middle-finger emoji, then says, Bday beers at Malone’s 2nite. U still down? Me: Yup. Him: C U ltr

Sometimes,’ croaked Margaret in a voice bent ragged from two days’ crying, ‘when God sees a particularly pretty flower, He’ll take it up from Earth, and put it in his own garden.’ Margaret held me in the sort of tight, worried grip usually reserved for heaving lambs up a ladder. As she clenched my hand and told me God had specially marked my mother for death, a tear-damp thumb traced small circles on my temple. She stroked my hair. It was nice to think that Mammy was so well-liked by God, since she was a massive fan. She went to all his gigs – Mass, prayer groups, marriage guidance meetings; and had all the action figures – small Infant of Prague statuettes, much larger Infant of Prague statuettes, little blue plastic flasks of holy water in the shape of God’s own Mammy herself.

River looks at me for a beat, dragging his tongue over his lower lip before continuing. “This is how I remember it. I was singing a gig at the USC Campus Bar. During a break I went to grab a beer. I met the most incredible girl whom I don’t think even knew that I sang in the band, but loved music. We seemed to hit it off. We did a couple of shots, drank a few drinks, and talked without any pretense. I asked her to wait for me after the show. She didn’t say anything about having a boyfriend or not sticking around and then when I finished she was gone.

One of the first people I interviewed was Alvy Ray Smith, a charismatic Texan with a Ph.D. in computer science and a sparkling resume that included teaching stints at New York University and UC Berkeley and a gig at Xerox PARC, the distinguished R&D lab in Palo Alto. I had conflicting feelings when I met Alvy because, frankly, he seemed more qualified to lead the lab than I was. I can still remember the uneasiness in my gut, that instinctual twinge spurred by a potential threat: This, I thought, could be the guy who takes my job one day. I hired him anyway.

cable, and away to sea. But the wind was wanting; and to complete our helplessness, down came Hunter with the news that Jim Hawkins had slipped into a boat and was gone ashore with the rest. It never occurred to us to doubt Jim Hawkins, but we were alarmed for his safety. With the men in the temper they were in, it seemed an even chance if we should see the lad again. We ran on deck. The pitch was bubbling in the seams; the nasty stench of the place turned me sick; if ever a man smelt fever and dysentery, it was in that abominable anchorage. The six scoundrels were sitting grumbling under a sail in the forecastle; ashore we could see the gigs made fast and a man sitting in each, hard by where the river runs in. One of them was whistling "Lillibullero." Waiting was a strain, and it was decided that Hunter and I should go ashore with the jolly-boat in quest of information. The gigs had leaned to their right, but Hunter and I pulled straight in, in the direction of the stockade upon the chart. The two who were left guarding their boats seemed in a bustle at our appearance; "Lillibullero" stopped off, and I could see the pair discussing what they ought to do. Had they gone and told Silver, all might have turned out differently;

Peanut butter, or turkey?” “Turkey. Soft on the mayo, extra mustard.” Rick lifted an eyebrow at her. “Do I look like a cook?” “You do until Vilseau comes back. Because anything beyond microwave pizza is your territory, sweetheart.” With a grin he began slathering mustard on one of the slices of bread. “Wonderful. So now I have to negotiate a multimillion-dollar deal and cook? Do you want tomatoes?” “Hell, yes, my darlin’.” “Ahem. Innocent bystander trying not to barf over here.” Stoney waved a hand at them from the doorway. “What’s the gig?” “Food first. Do you want Rick to make you a sandwich?” “Hey,” Rick protested.

wI don’t care what they say about Aretha. She can be hiding out in her house in Detroit for years. She can go decades without taking a plane or flying off to Europe. She can cancel half her gigs and infuriate every producer and promoter in the country. She can sing all kinds of jive-ass songs that are beneath her. She can go into her diva act and turn off the world. But on any given night, when that lady sits down at the piano and gets her body and soul all over some righteous song, she’ll scare the shit out of you. And you’ll know—you’ll swear—that she’s still the best fuckin’ singer this fucked-up country has ever produced.

Hello, sunshine,” said Jim’s voice. “I’m kind of busy.” I turned the file on its side and examined the doodle. Still nothing. “No shit,” he said. “Yeah. No gigs for me.” “That’s not why I’m calling.” I frowned at the phone and turned the file upside down. “I’m all ears.” “Someone wants to meet you,” he said. “Tell him to get in line,” I mumbled. The doodle almost looked like something. “I’m not joking.” “You never joke because you’re too damn busy proving that you’re a badass. Come on, black leather cloak? In mid-spring Atlanta? Besides I don’t have time to meet anybody.” Jim’s voice dropped low and he spoke each word very distinctly. “Think very carefully. Do you really want me to tell the man no?” Something about the way he said “the man” stopped me. I sat still and thought very hard about what kind of “man” would inspire Jim to use that voice. “What did I do to warrant the Beast Lord’s attention?” I asked dryly. “You’re sitting in the diviner’s office, aren’t you?” Touché. The Beast Lord was the Pack King, the lord of the shapechangers, and he ruled his brethren with an iron fist. Few ever saw him and the mention of his title was enough to make the loudest shapechanger shut up. In other words, he was precisely the kind of fellow my father and Greg had warned me to avoid. I ground my teeth, thinking of a way to weasel out of it.

He was about to pocket a list of local sanitariums when he heard "Traitor," and saw Mickey and Herman Gerstein standing a few feet away. Cohen with a clean shot, but a half dozen witnesses spoiling his chance. Buzz said, "I suppose this means my guard gig's kaput. Huh, Mick?" The man looked hurt as much as he looked mad. "Goyishe shitheel traitor. Cocksucker. Communist. How much money did I give you? How much money did I set up for you that you should do me like you did?" Buzz said, "Too much, Mick." "That is no smart answer, you fuck. You should beg. You should beg that I don't do you slow." "Would it help?" "No." "There you go, boss." Mickey said, "Herman, leave this room"; Gerstein exited. The typers kept typing and the clerks kept clerking. Buzz gave the little hump's cage a rattle. "No hard feelin's, huh?" Mickey said, "I will make you a deal, because when I say "deal," it is always to trust. Right?" "Trust" and "deal" were the man's bond-it was why he went with him instead of Siegel or Dragna. "Sure, Mick." "Send Audrey back to me and I will not hurt a hair on her head and I will not do you slow. Do you trust my word?" "Yes." "Do you trust I'll get you?" "You're the oddson favorite, boss." "Then be smart and do it." "No deal. Take care, Jewboy. I'll miss you. I really will.

After Frank came out, Amy would begin a performance at a gig by walking onstage, clapping and chanting, ‘Class-A drugs are for mugs. Class-A drugs are for mugs …’ She’d get the whole audience to join in until they’d all be clapping and chanting as she launched into her first number. Although Amy was smoking cannabis, she had always been totally against class-A drugs. Blake Fielder-Civil changed that. Amy first met him early in 2005 at the Good Mixer pub in Camden. None of Amy’s friends that I’ve spoken to over the years can remember exactly what led to this meeting. But after that encounter she talked about him a lot. ‘When am I going to meet him, darling?’ I asked. Amy was evasive, which was probably, I learned later, because Blake was in a relationship. Amy knew about this, so initially you could say that Amy was ‘the other woman’. And although she knew that he was seeing someone else, it was only about a month after they’d met that she had his name tattooed over her left breast. It was clear that she loved him – that they loved each other – but it was also clear that Blake had his problems. It was a stormy relationship from the start. A few weeks after they’d met, Blake told Amy that he’d finished with the other girl, and Amy, who never did anything by halves, was now fully obsessed with him.

I knew that Amy couldn’t have died from a drug overdose, as she had been drug-free since 2008. But although she had been so brave and had fought so hard in her recovery from alcoholism, I knew she must have lapsed once again. I thought that Amy hadn’t had a drink for three weeks. But she had actually started drinking at Dionne’s Roundhouse gig the previous Wednesday. I didn’t know that at the time. The following morning Janis, Jane, Richard Collins (Janis’s fiancé), Raye, Reg and I went to St Pancras mortuary to officially identify Amy. Alex couldn’t bring himself to go, which I fully understood. When we arrived there were loads of paps outside the court, but they were all very respectful. We were shown into a room and saw Amy behind a window. She looked very, very peaceful, as if she was just asleep, which in a way made it a lot harder. She looked lovely. There was a slight red blotchiness to her skin, which was why, at the time, I thought she might have had a seizure: she looked as she had done when she had had seizures in the past. Eventually the others left Janis and me to say goodbye to Amy by ourselves. We were with her for about fifteen minutes. We put our hands on the glass partition and spoke to her. We told her that Mummy and Daddy were with her and that we would always love her. I can’t express what it was like. It was the worst feeling in the world.

Examine for a moment an ordinary mind on an ordinary day. The mind receives a myriad impressions - trivial, fantastic, evanescent, or engraved with the sharpness of steel. From all sides they come, an incessant show of innumerable atoms; and as they fall, as they shape themselves into the life of Monday or Tuesday, they accent falls differently from of old; the moment of importance came not here but there; so that, if a writer were a free man and not a slave, if he could write what he chose, not what he must, if he could base his work upon his own feeling and not upon convention, there would be no plot, no comedy, no tragedy, no love interest or catastrophe in the accepted style, and perhaps not a single button sewn on as the Bond Street tailors would have it. Life is not a series of gig lamps symmetrically arranged; life is a luminous halo, a semi-transparent envelope surrounding us from the beginning to the end.

The wave of pure outrage blindsided me. I shouldn't be here, I thought. This is utterly fucked up. I should have been sitting in a garden down the road, barefoot with a drink in my hand, swapping the day's work stories with Peter and Jamie. I had never thought about this before, and it almost knocked me over: all the things we should have had. We should have stayed up all night together studying and stressing out before exams, Peter and I should have argued over who got to bring Jamie to our first dance and slagged her about how she looked in her dress. We should have come weaving home together, singing and laughing and inconsiderate, after drunken college nights. We could have shared a flat, taken off Interrailing around Europe, gone arm-in-arm through dodgy fashion phases and low-rent gigs and high-drama love affairs. Two of us might have been married by now, given the other one a godchild. I had been robbed blind.

We were making a historic leap from one continent to another, yet we were an extremely risk-averse family. Many immigrants carry these twin traits within themselves and some even pass them on to the next generation. As risk takers we leap far from the safety of home. Having left the comforts of home we know all too well that there is no safety net of kinship or citizenship to catch us should we topple. This makes us cautious. We check the lock on the door three times before going out. We save more than we spend. We collect sugar and ketchup packets from McDonald’s and cannot throw anything away. At work, we beat every deadline in the office and never pass up a second gig to make extra money. We tell our children to keep their heads down, study hard, and always look for a bargain. As risk-averse immigrants, we do not rock the boat. If you were a trapeze artist without a net below you, wouldn’t you act the same way? Anything else would be irrational.

So those are the basics. I know some of you are going to be complaining, like, Ah, you forgot to talk about Cheez Whiz, the god of mice! You forgot to mention Bumbritches, the god of bad fashion statements! Or whatever. Please. There are about a hundred thousand Greek gods out there. I'm a little too ADHD to include every single one of them in a single book. Sure, I could tell you how Gaea raised an army of giants to attack Olympus. I could tell you how Cupid got his girlfriend, or how Hecate got her farting weasel. But that would take a whole other book. (And please don't give the publisher any ideas. This writing gig is HARD!) We've covered most of the major players. You probably know enough now to avoid getting zapped into a pile of ash if you ever come across any of the twelve Olympians. Probably. “Me, I’m late to meet my girlfriend. Annabeth is going to kill me. Hope you enjoyed the stories. Stay safe out there, demigods. Peace from Manhattan, Percy Jackson

Sheepwalking I define “sheepwalking” as the outcome of hiring people who have been raised to be obedient and giving them a brain-dead job and enough fear to keep them in line. You’ve probably encountered someone who is sheepwalking. The TSA “screener” who forces a mom to drink from a bottle of breast milk because any other action is not in the manual. A “customer service” rep who will happily reread a company policy six or seven times but never stop to actually consider what the policy means. A marketing executive who buys millions of dollars’ worth of TV time even though she knows it’s not working—she does it because her boss told her to. It’s ironic but not surprising that in our age of increased reliance on new ideas, rapid change, and innovation, sheepwalking is actually on the rise. That’s because we can no longer rely on machines to do the brain-dead stuff. We’ve mechanized what we could mechanize. What’s left is to cost-reduce the manual labor that must be done by a human. So we write manuals and race to the bottom in our search for the cheapest possible labor. And it’s not surprising that when we go to hire that labor, we search for people who have already been trained to be sheepish. Training a student to be sheepish is a lot easier than the alternative. Teaching to the test, ensuring compliant behavior, and using fear as a motivator are the easiest and fastest ways to get a kid through school. So why does it surprise us that we graduate so many sheep? And graduate school? Since the stakes are higher (opportunity cost, tuition, and the job market), students fall back on what they’ve been taught. To be sheep. Well-educated, of course, but compliant nonetheless. And many organizations go out of their way to hire people that color inside the lines, that demonstrate consistency and compliance. And then they give these people jobs where they are managed via fear. Which leads to sheepwalking. (“I might get fired!”) The fault doesn’t lie with the employee, at least not at first. And of course, the pain is often shouldered by both the employee and the customer. Is it less efficient to pursue the alternative? What happens when you build an organization like W. L. Gore and Associates (makers of Gore-Tex) or the Acumen Fund? At first, it seems crazy. There’s too much overhead, there are too many cats to herd, there is too little predictability, and there is way too much noise. Then, over and over, we see something happen. When you hire amazing people and give them freedom, they do amazing stuff. And the sheepwalkers and their bosses just watch and shake their heads, certain that this is just an exception, and that it is way too risky for their industry or their customer base. I was at a Google conference last month, and I spent some time in a room filled with (pretty newly minted) Google sales reps. I talked to a few of them for a while about the state of the industry. And it broke my heart to discover that they were sheepwalking. Just like the receptionist at a company I visited a week later. She acknowledged that the front office is very slow, and that she just sits there, reading romance novels and waiting. And she’s been doing it for two years. Just like the MBA student I met yesterday who is taking a job at a major packaged-goods company…because they offered her a great salary and promised her a well-known brand. She’s going to stay “for just ten years, then have a baby and leave and start my own gig.…” She’ll get really good at running coupons in the Sunday paper, but not particularly good at solving new problems. What a waste. Step one is to give the problem a name. Done. Step two is for anyone who sees themselves in this mirror to realize that you can always stop. You can always claim the career you deserve merely by refusing to walk down the same path as everyone else just because everyone else is already doing it.

I remember." I nod. Wanting to say: I remember everything-all of it-the question is: Do you? But instead, I stare down at my feet, smiling stupidly. Everything I do around him is stupid. Some Seeker I've turned out to be. Attempting to redeem myself,say something normal,not let on that I already know he's employed here-thanks to the raven who allowed me to spy on him earlier,I say, "So,I guess you hang out here a lot then?" He pushes a hand through his hair, as his eyes-the color of aquamarines-glide down the length of me.And damn if I can't feel their trajectory. It's like showering in a stream of warm, molten honey-dripping from the top of my forehead all the way down to my feet. "I guess you could say that," he says,voicelow and deep. "More than most, anyway." He waves a damp towel, tugs on the string of his apron, and I blush in reply. The sight of it reminding me of what I saw in the alleyway-watching him lean against the wall,his face so soft anddreamy I longed to touch him-kiss him-like I did in the dream. I study him closely,seeking traces of recognition, remembrance-some small token of evidence to assure me that, as odd as it seems,that kiss in the cave was as real as it felt-but coming up empty. "So,how long have you worked here?" I ask, returning to the topic at hand. My gaze drifting over the black V-necked T-shirt skimming the sinuous line of his body-telling myself it's all part of my reconnaissance,my need to gather as uch information as I can about him and his kin. But knowing that's not really it.The truth is,I like looking at him, being near him. "I guess you could say somewhere between too long and not long enough-depending on the state of my wallet." His laugh is good-natured and easy-the kid that starts at the belly and trips all the way up. "It's pretty much the only decent game in town." He shrugs. "One way or another,you end up working for the Richters,and believe me, this is one of the better gigs." I peer at him closely,remembering what Cade said when I was here via the raven. How he referred to him by another name. "You're not a Richter?" I ask,holding my breath in my cheeks.Despite what Paloma told me, I need to hear it from him,confirm that he doesn't identify with their clan. "I go by Whitefeather," he says,gaze steady and serious. "I was raised by my mom,didn't even know the Richters when I was a kid." Despite getting the answer I wanted, I frown in return. His being a Richter was a good reason to avoid him-without it,I'm out of excuses. "Is that okay?" He dips his head toward mine,his mouth tugging at the side. "You seem a little upset by the news." I shake my head,break free of my reverie, and say, "No-not at all. Believe me,it's more like a relief." I meet his gaze,seeing the way it narrows in question. "Guess I'm not a big fan of your brother," I add,watching as he throws his head back and laughs,the sight of that long,glorious column of neck forcing me to look away,it's too much to take. "If it makes you feel any better, most of the time I'd have to agree." He returns to me,the warmth of his gaze solely reponsible for the wave of comfort that flows through me.

Knocking on a massive carved door minutes later, the sigils on it shouting to those literate enough to ‘Stay away or else!’ he received a nice surprise when the door swung open. Well, hello there. Reaching only his shoulder, with a wild mop of black hair, bright brown eyes and a rounded body made for worship – by his tongue – Remy wondered if he could convince the servant girl to come around the corner with him for a quickie before he met with this Ysabel person. Then she opened her luscious mouth. “If you’re done gawking, you might want to step back before I smash your nose with the door when I shut it.” Someone got up without sex today. He could fix that. “Hello beautiful, I actually have business with the occupant of this suite. I’m here to meet with Ysabel, the witch.” “Really.” Her tone said what she thought of his claim and her brown gaze looked him up and down, then dismissed him. “I don’t think so.” The door slammed shut in his face. What. The. Fuck. Remy pounded on the door. It immediately opened. The ebony haired vixen, her arms crossed under her bountiful tits, smirked. “Back already. What’s wrong? Did I hurt your feelings?” “Listen woman, I don’t know what crawled up your ass and turned you into an uptight bitch, but I’m here to see Ysabel, so get the fuck out of my way before I put you over my knee and –” “And what? Spank me?” Her eyes actually sparked with challenge, the minx. “I’d like to see you try. But, before you do, just so you know, my name is Ysabel. The witch.” Aaaaah, shit. Never one to admit defeat, he let a slow simmering smile spread across his face. It worked on demonesses, damned souls, human women, and even gay men, but apparently, it had no effect on scowling witches. Too bad. “It’s your lucky day. Lucifer has informed me that you’re my next assignment.” “Not by choice. And what are you supposed to do exactly? I need a tracker, not a gigolo. What happened? Did your gig as a pole dancer not work out? Equipment too small?” She dropped her gaze to his groin and sneered. A sudden, irrational urge possessed him to drop his pants, flip her over and show her there was nothing wrong with the size of his cock. He abstained, but couldn’t prevent himself from taunting her, eyeing her up and down in the same dismissive manner. “Anytime you want to measure my dick, you let me know. Naked.” “Pig.” “No, demon. Really, get your terminology straight, would you? After Lucifer’s warning, I expected someone older and badder.” To his credit he didn’t drop to the ground, but the pain in his balls did require he bend over to cup them gently which in turn meant he got the door in the face. Again. -Ysabel & Remy