β
We improve ourselves by victory over our self. There must be contests, and you must win.
β
β
Edward Gibbon
β
The winds and waves are always on the side of the ablest navigators.
β
β
Edward Gibbon
β
The various modes of worship which prevailed in the Roman world were all considered by the people as equally true; by the philosopher as equally false; and by the magistrate as equally useful.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
What's that supposed to be anyway?" said Fred squinting at Dobby's painting. "Looks like a Gibbon with two black eyes!"
"It's Harry," said George pointing at the back of the picture. "Says so on the back."
"Good likeness," said Fred grinning.
Harry threw his new homework diary at him.
β
β
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
β
Conversation enriches the understanding, but solitude is the school of genius.
β
β
Edward Gibbon
β
However, there is a way to know for certain that Noahβs Flood and the Creation story never happened: by looking at our mitochondrial DNA (mtDNA).Β Mitochondria are the βcellular power plantsβ found in all of our cells and they have their own DNA which is separate from that found in the nucleus of the cell.Β In humans, and most other species that mitochondria are found in, the fatherβs mtDNA normally does not contribute to the childβs mtDNA; the child normally inherits its mtDNA exclusively from its mother.Β This means that if no oneβs genes have mutated, then we all have the same mtDNA as our brothers and sisters and the same mtDNA as the children of our motherβs sisters, etc. This pattern of inheritance makes it possible to rule out βpopulation bottlenecksβ in our speciesβ history.Β A bottleneck is basically a time when the population of a species dwindled to low numbers.Β For humans, this means that every person born after a bottleneck can only have the mtDNA or a mutation of the mtDNA of the women who survived the bottleneck. This doesnβt mean that mtDNA can tell us when a bottleneck happened, but it can tell us when one didnβt happen because we know that mtDNA has a rate of approximately one mutation every 3,500 years (Gibbons 1998; Soares et al 2009). So if the human race were actually less than 6,000 years old and/or βeverything on earth that breathed diedβ (Genesis 7:22) less than 6,000 years ago, which would be the case if the story of Adam and the story of Noahβs flood were true respectively, then every person should have the exact same mtDNA except for one or two mutations.Β This, however, is not the case as human mtDNA is much more diverse (Endicott et al 2009), so we can know for a fact that the story of Adam and Eve and the story of Noah are fictional. Β There
β
β
Alexander Drake (The Invention of Christianity)
β
I make it a point never to argue with people for whose opinion I have no respect.
β
β
Edward Gibbon
β
My early and invincible love of reading--I would not exchange for the treasures of India.
β
β
Edward Gibbon
β
One of the disadvantages of almost universal education was the fact that all kinds of persons acquired a familiarity with one's favorite writers. It gave one a curious feeling; it was like seeing a drunken stranger wrapped in one's dressing gown.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The five marks of the Roman decaying culture:
Concern with displaying affluence instead of building wealth;
Obsession with sex and perversions of sex;
Art becomes freakish and sensationalistic instead of creative and original;
Widening disparity between very rich and very poor;
Increased demand to live off the state.
β
β
Edward Gibbon
β
I saw something nasty in the woodshed.
β
β
Stella Gibbons (Cold Comfort Farm)
β
In the end, more than freedom, they wanted security. They wanted a comfortable life, and they lost it all β security, comfort, and freedom. When the Athenians finally wanted not to give to society but for society to give to them, when the freedom they wished for most was freedom from responsibility, then Athens ceased to be free and was never free again.
β
β
Margaret Thatcher
β
She liked Victorian novels. They were the only kind of novel you could read while eating an apple.
β
β
Stella Gibbons (Cold Comfort Farm)
β
That would be delightful,' agreed Flora, thinking how nasty and boring it would be.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Well, when I am fifty-three or so I would like to write a novel as good as Persuasion but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say, 'Collecting material'. No one can object to that.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Books are those faithful mirrors that reflect to our mind the minds of sages and heroes.
β
β
Edward Gibbon
β
The most worthless of mankind are not afraid to condemn in others the same disorders which they allow in themselves; and can readily discover some nice difference in age, character, or station, to justify the partial distinction.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
It took me a long time to learn that mistakes aren't good or bad,
they're just mistakes, and you clean them up and go on.
β
β
Kaye Gibbons (A Virtuous Woman)
β
Mary, you know I hate parties. My idea of hell is a very large party in a cold room where everybody has to play hockey properly.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Revenge is profitable, gratitude is expensive.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Like all really strong-minded women, on whom everybody flops, she adored being bossed about. It was so restful.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Surely she had endured enough for one evening without having to listen to intelligent conversation?
β
β
Stella Gibbons (Cold Comfort Farm)
β
All that is human must retrograde if it does not advance.
β
β
Edward Gibbon
β
Edward Gibbon, in his classic work on the fall of the Roman Empire, describes the Roman era's declension as a place where "bizarreness masqueraded as creativity.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
War, in its fairest form, implies a perpetual violation of humanity and justice.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
To an active mind, indolence is more painful than labor.
β
β
Edward Gibbon
β
Every person has two educations, one which he receives from others, and one, more important, which he gives to himself.
β
β
Edward Gibbon
β
The end comes when we no longer talk with ourselves. It is the end of genuine thinking and the beginning of the final loneliness
β
β
Edward Gibbon
β
Corruption, the most infallible symptom of constitutional liberty.
β
β
Edward Gibbon
β
The history of empires is the history of human misery.
β
β
Edward Gibbon
β
Flora sighed. It was curious that persons who lived what the novelists called a rich emotional life always seemed to be a bit slow on the uptake.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Another damn'd thick, square book! Always, scribble, scribble, scribble! Eh! Mr. Gibbon?
(On publication of Vol. 1 of The Rise and Fall of the Roman Empire
β
β
Duke of Gloucester
β
I might be confused sometimes in my head but it is not something you need to talk about. Before you can talk you have to line it all up in order and I had rather just let it swirl around until I am too tired to think. You just let the motion in your head wear you out. Never think about it. You just make a bigger mess that way.
β
β
Kaye Gibbons (Ellen Foster)
β
Most of the time when I have met artists who have meant a lot to me, the experience has been well above expectation. People like Iggy, Lou Reed, Jerry Lee Lewis, Black Sabbath, Nick Cave, Hubert Selby Jr, Billy Gibbons, Al Pacino, John Lee Hooker, James Brown, Johnny Cash etc. have been really great to me. What strikes me is most of the time, the bigger the celeb/legend, the more polite and cool they are. It's the insecure ones who treat you like they're doing you a favor by shaking your hand.
β
β
Henry Rollins
β
... as long as mankind shall continue to bestow more liberal applause on their destroyers than their benefactors, the thirst of military glory will ever be the vice of the most exalted characters.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
Unprovided with original learning, unformed in the habits of thinking, unskilled in the arts of composition, I resolved to write a book.
β
β
Edward Gibbon
β
I never make the mistake of arguing with people for whose opinions I have no respect.
β
β
Edward Gibbon
β
The power of instruction is seldom of much efficacy, except in those happy dispositions where it is almost superfluous.
β
β
Edward Gibbon
β
Youβll find your one-in-a-million. But youβre sharp enough to know thereβs no point in sludging through the first nine hundred, ninety-nine thousand, and ninety-nine to get to him.
β
β
Kaye Gibbons (Charms for the Easy Life)
β
Okay, so I lied. Heβs nothing like Peter Parker. Heβs a bajillion times sexier than Peter Parker. Spiderman ainβt got nothing on Zak Gibbons.
β
β
Cassie Mae (How to Date a Nerd (How To, #1))
β
Nature is all very well in her place, but she must not be allowed to make things untidy.
β
β
Stella Gibbons
β
Today you can buy the Dialogues of Plato for less than you would spend on a fifth of whiskey, or Gibbon's Decline and Fall of the Roman Empire for the price of a cheap shirt. You can buy a fair beginning of an education in any bookstore with a good stock of paperback books for less than you would spend on a week's supply of gasoline.
β
β
Louis L'Amour (Education of a Wandering Man: A Memoir)
β
You have the most revolting Florence Nightingale complex,' said Mrs. Smiling.
It is not that at all, and well you know it. On the whole, I dislike my fellow beings; I find them so difficult to understand. But I have a tidy mind and untidy lives irritate me. Also, they are uncivilized.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Where error is irreparable, repentance is useless.
β
β
Edward Gibbon
β
Here was an occasion, she thought, for indulging in that deliberate rudeness which only persons with habitually good manners have the right to commit...
β
β
Stella Gibbons (Cold Comfort Farm)
β
Given that life is so short, do I really want to spend one-ninetieth of my remaining days on earth reading Edward Gibbon?
β
β
Elizabeth Gilbert (Eat, Pray, Love)
β
Have you ever felt like you could cry because you know you just heard the most important thing anybody in the world could have spoke at that second?
β
β
Kaye Gibbons (Ellen Foster)
β
Happiness can never hope to command so much interest as distress.
β
β
Stella Gibbons (Nightingale Wood)
β
To a lover of books the shops and sales in London present irresistible temptations.
β
β
Edward Gibbon (Memoirs of My Life)
β
Active valour may often be the present of nature; but such patient diligence can be the fruit only of habit and discipline.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Haven't you enough money?'
For she knew that this is what is the matter with nearly everybody over twenty-five.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Women are all alike-- aye fussin' over their fal-lals and bedazin' a man's eyes, when all they really want is man's blood and his heart out of his body and his soul and his pride....
β
β
Stella Gibbons (Cold Comfort Farm)
β
the vicissitudes of fortune, which spares neither man nor the proudest of his works, which buries empires and cities in a common grave.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The theologian may indulge the pleasing task of describing Religion as she descended from Heaven, arrayed in her native purity. A more melancholy duty is imposed on the historian. He must discover the inevitable mixture of error and corruption which she contracted in a long residence upon Earth, among a weak and degenerate race of beings.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The army is the only order of men sufficiently united to concur in the same sentiments, and powerful enough to impose them on the rest of their fellow-citizens; but the temper of soldiers, habituated at once to violence and to slavery, renders them very unfit guardians of a legal, or even a civil constitution.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
Well,' said Mrs Smiling, 'it sounds an appalling place, but in a different way from all the others. I mean, it does sound interesting and appalling, while the others just sound appalling.
β
β
Stella Gibbons (Cold Comfort Farm)
β
Seeing color doesnβt mean youβre a racist. It means your eyes work, but that you are hopefully able to see color not for a discrepancy in normal, but as a beautiful component of diversity.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
The ascent to greatness, however steep and dangerous, may entertain an active spirit with the consciousness and exercise of its own power: but the possession of a throne could never yet afford a lasting satisfaction to an ambitious mind.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
On the whole, Flora liked it better when they were silent, though it did rather give her the feeling that she was acting in one of the less cheerful German highbrow films.
β
β
Stella Gibbons (Cold Comfort Farm)
β
After another minute Reuben brought forth the following sentence:
"I ha' scranleted two hundred furrows come five o'clock down i' the bute."
It was a difficult remark, Flora felt, to which to reply.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The education bestowed on Flora Poste by her parents had been expensive, athletic and prolonged; and when they died within a few weeks of one another during the annual epidemic of the influenza or Spanish Plague which occurred in her twentieth year, she was discovered to possess every art and grace save that of earning her own living.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The policy of the emperors and the senate, as far as it concerned religion, was happily seconded by the reflections of the enlightened, and by the habits of the superstitious, part of their subjects. The various modes of worship, which prevailed in the Roman world, were all considered by the people, as equally true; by the philosopher, as equally false; and by the magistrate, as equally useful. And thus toleration produced not only mutual indulgence, but even religious concord.
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
The life of a journalist is poor, nasty, brutish, and short. So is his style
β
β
Stella Gibbons (Cold Comfort Farm)
β
A straight nose is a great help if one wishes to look serious'.
β
β
Stella Gibbons (Cold Comfort Farm)
β
I do not object to the phenomena, but I do object to the parrot.
β
β
Stella Gibbons (Cold Comfort Farm)
β
there were lovely things in the world, lovely that didn't endure, and the lovelier for that... Nothing endures.
β
β
Lewis Grassic Gibbon (Sunset Song (A Scots Quair, #1))
β
I found my mind wandering at games; loved boxing and was good at it; and in summer, having chosen rowing instead of cricket, lay peacefully by the Stour, well upstream of the rhythmic creaking and the exhortation, reading Lily Christine and Gibbon and gossiping with kindred lotus-eaters under the willow-branches.
β
β
Patrick Leigh Fermor (A Time of Gifts (Trilogy, #1))
β
Curious how Love destroys every vestige of that politeness which the human race, in its years of evolution, has so painfully acquired.
β
β
Stella Gibbons (Cold Comfort Farm)
β
There are some things (like first love and oneβs first reviews) at which a woman in her middle years does not care to look too closely.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The principles of a free constitution are irrecoverably lost, when the legislative power is nominated by the executive.
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire, Volume 1)
β
It was an inflexible maxim of Roman discipline that good soldier should dread his own officers far more than the enemy
β
β
Edward Gibbon (The Decline and Fall of the Roman Empire)
β
I could wake her up and ask have you ever been to the ocean? but I already know that answer. She has not. You can tell. It would humble you I whisper to her sleeping if you for one time stood by something stronger than yourself.
β
β
Kaye Gibbons (Ellen Foster)
β
I could lay here and read all night. I am not able to fall asleep without reading. You have the time when your brain has nothing to do so it rambles. I fool my brain out of that by making it read until it shuts off. I just think it is best to do something right up until you fall asleep.
β
β
Kaye Gibbons (Ellen Foster)
β
There have always been Starkadders at Cold Comfort Farm
β
β
Stella Gibbons
β
He was, she reflected, almost rudely like a tortoise; and she was glad her friend kept none as pets or they might have suspected mockery.
β
β
Stella Gibbons (Cold Comfort Farm)
β
I've read seventeen novels and bushels of poetry-- really necessary novels like Vanity Fair and Richard Feverel and Alice in Wonderland. Also Emerson's Essays and Lockhart's Life of Scott and the first volume of Gibbon's Roman Empire and half of Benvenuto Cellini's Life--wasn't he entertaining? He used to saunter out and casually kill a man before breakfast.
β
β
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
β
This may not be much, but it is something. Tomorrow we die; but at least we danced in silver shoes.
β
β
Stella Gibbons (Nightingale Wood)
β
My love affair with nature is so deep that I am not satisfied with being a mere onlooker, or nature tourist. I crave a more real and meaningful relationship. The spicy teas and tasty delicacies I prepare from wild ingredients are the bread and wine in which I have communion and fellowship with nature, and with the Author of that nature.
β
β
Euell Gibbons
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
β
β
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
β
Flora inherited, however, from her father a strong will and from her mother a slender ankle.
β
β
Stella Gibbons (Cold Comfort Farm)
β
You are allowed to float around having no damned idea what you want to do with yourself with no actual time frame in which you need to figure it out.
β
β
Brittany Gibbons (Fat Girl Walking: Sex, Food, Love, and Being Comfortable in Your Skin...Every Inch of It)
β
He stood at the table facing Flora and blowing heavily on his tea and staring at her. Flora did not mind. It was quite interesting: like having tea with a rhinoceros.
β
β
Stella Gibbons (Cold Comfort Farm)
β
So that was Chris and her reading and schooling, two Chrisses there were that fought for her heart and tormented her. You hated the land and the coarse speak of the folk and learning was brave and fine one day; and the next you'd waken with the peewits crying across the hills, deep and deep, crying in the heart of you and the smell of the earth in your face, almost you'd cry for that, the beauty of it and the sweetness of the Scottish land and skies.
β
β
Lewis Grassic Gibbon (Sunset Song)
β
Peter Gibbons: The thing is, Bob, it's not that I'm lazy, it's that I just don't care.
Bob Porter: Don't... don't care?
Peter Gibbons: It's a problem of motivation, all right? Now if I work my ass off and Initech ships a few extra units, I don't see another dime; so where's the motivation? And here's something else, Bob: I have eight different bosses right now.
Bob Slydell: I beg your pardon?
Peter Gibbons: Eight bosses.
Bob Slydell: Eight?
Peter Gibbons: Eight, Bob. So that means that when I make a mistake, I have eight different people coming by to tell me about it. That's my only real motivation is not to be hassled; that, and the fear of losing my job. But you know, Bob, that will only make someone work just hard enough not to get fired.
β
β
Mike Judge
β
Iβm sitting here on the Kaye Gibbons Show, and all I can think is that the whole country is sick. Sick with the idea that itβs good to be known as seen by as many people as possible, to show every part of our lives to the public at large. Whether itβs Facebook photos, blogs, or reality TV, itβs like nobody is content to just live life. The worth of our existence seems to be measured in pixels and megabytes and βlikes.β Those of use whose lives can be downloaded seem to have the most value β until someone outrageous comes along to claim their time in the spotlight.
β
β
Heather Demetrios (Something Real (Something Real, #1))
β
How much miseryβ¦how much needless despair has been caused by a series of biological mismatches, a misalignment of the hormones and pheromones? Resulting in the fact that the one you love so passionately wonβt or canβt love you. As a species weβre pathetic in that way: imperfectly monogamous. If only we could pair-bond for life, like gibbons, or else opt for total-guilt free promiscuity, thereβd be no more sexual torment. Youβd never want someone you couldnβt haveβ
ββ¦But think what weβd be giving upβ¦weβd be human robotsβ¦thereβd be no free choice.β
ββ¦weβre human robots anyway, only weβre faulty ones.
β
β
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
β
If we contrast the rapid progress of this mischievous discovery [of gunpowder] with the slow and laborious advances of reason, science, and the arts of peace, a philosopher, according to his temper, will laugh or weep at the folly of mankind" (Chapter 65,p. 68)
β
β
Edward Gibbon (The History of the Decline and Fall of the Roman Empire Volume I)
β
Edward Gibbon (1737-1794) in his Decline and Fall of the Roman Empire said that the following five attributes marked Rome at its end: first, a mounting love of show and luxury (that is, affluence); second, a widening gap between the very rich and the very poor (this could be among countries in the family of nations as well as in a single nation); third, an obsession with sex; fourth, freakishness in the arts, masquerading as originality, and enthusiasms pretending to be creativity; fifth, an increased desire to live off the state. It all sounds so familiar. We have come a long road since our first chapter, and we are back in Rome.
β
β
Francis A. Schaeffer (How Should We Then Live? The Rise and Decline of Western Thought and Culture)
β
By the way, I adore my bedroom, but do you think I could have the curtains washed? I believe they are red; and I should so like to make sure.'
Judith had sunk into a reverie.
'Curtains?' she asked, vacantly, lifting her magnificent head. 'Child, child, it is many years since such trifles broke across the web of my solitude'.
β
β
Stella Gibbons (Cold Comfort Farm)
β
The value of money has been settled by general consent to express our wants and our property, as letters were invented to express our ideas; and both these institutions, by giving a more active energy to the powers and passions of human nature, have contributed to multiply the objects they were designed to represent.
β
β
Edward Gibbon (History of the Decline and Fall of the Roman Empire, Vol. 1)
β
I keep collecting books I know
I'll never, never read;
My wife and daughter tell me so,
And yet I never heed.
"Please make me," says some wistful tome,
"A wee bit of yourself."
And so I take my treasure home,
And tuck it in a shelf.
And now my very shelves complain;
They jam and over-spill.
They say: "Why don't you ease our strain?"
"Some day," I say, "I will."
So book by book they plead and sigh;
I pick and dip and scan;
Then put them back, distressed that I
Am such a busy man.
Now, there's my Boswell and my Sterne,
my Gibbon and Defoe;
To savor Swift I'll never learn,
Montaigne I may not know.
On Bacon I will never sup,
For Shakespeare I've no time;
Because I'm busy making up
These jingly bits of rhyme.
Chekov is caviar to me,
While Stendhal makes me snore;
Poor Proust is not my cup of tea,
And Balzac is a bore.
I have their books, I love their names,
And yet alas! they head,
With Lawrence, Joyce and Henry James,
My Roster of Unread.
I think it would be very well
If I commit a crime,
And get put in a prison cell
And not allowed to rhyme;
Yet given all these worthy books
According to my need,
I now caress with loving looks,
But never, never read."
(from, Book Lover)
β
β
Robert W. Service
β
All the books were beginning to turn against me. Indeed, I must have been blind as a bat not to have seen it long before, the ludicrous contradiction between my theory of life and my actual experiences as a reader. George MacDonald had done more to me than any other writer; of course it was a pity that he had that bee in his bonnet about Christianity. He was good in spite of it. Chesterton has more sense than all the other moderns put together; bating, of course, his Christianity. Johnson was one of the few authors whom I felt I could trust utterly; curiously enough, he had the same kink. Spenser and Milton by a strange coincidence had it too. Even among ancient authors the same paradox was to be found. The most religious (Plato, Aeschylus, Virgil) were clearly those on whom I could really feed. On the other hand, those writers who did not suffer from religion and with whom in theory my sympathy ought to have been complete -- Shaw and Wells and Mill and Gibbon and Voltaire -- all seemed a little thin; what as boys we called "tinny". It wasn't that I didn't like them. They were all (especially Gibbon) entertaining; but hardly more. There seemed to be no depth in them. They were too simple. The roughness and density of life did not appear in their books.
β
β
C.S. Lewis (Surprised by Joy: The Shape of My Early Life)
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... on the whole I thought I liked having everything very tidy and calm all around me, and not being bothered to do things, and laughing at the kind of joke other people didn't think at all funny, and going for country walks, and not being asked to express opinions about things (like love, and isn't so-and-so peculiar?)
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Stella Gibbons (Cold Comfort Farm)
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Ye know, doan't ye, what it feels like when ye burn yer hand in takin' a cake out of the oven or wi'a match when ye're lightin' one of they godless cigarettes? Ay. It stings wi' a fearful pain, doan't it? And ye run away to clap a bit o' butter on it to take the pain away. Ah, but' (an impressive pause) 'there'll be no butter in hell!
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Stella Gibbons (Cold Comfort Farm)
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The audience had run to beards and magenta shirts and original ways of arranging its neckwear; and not content with the ravages produced in its over-excitable nervous system by the remorseless workings of its critical intelligence, it had sat through a film of Japanese life called 'Yes,' made by a Norwegian film company in 1915 with Japanese actors, which lasted an hour and three-quarters and contained twelve close-ups of water-lilies lying perfectly still on a scummy pond and four suicides, all done extremely slowly.
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Stella Gibbons (Cold Comfort Farm)
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I ha' scranleted two hundred furrows come five o'clock down i' the bute.'
It was a difficult remark, Flora felt, to which to reply. Was it a complaint? If so, one might say, 'My dear, how too sickening for you!' But then, it might be a boast, in which case the correct reply would be, 'Attaboy!' or more simply, 'Come, that's capital.' Weakly she fell back on the comparatively safe remark: 'Did you?' in a bright, interested voice.
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Stella Gibbons (Cold Comfort Farm)
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If the empire had been afflicted by any recent calamity, by a plague, a famine, or an unsuccessful war; if the Tiber had, or if the Nile had not, risen beyond its banks; if the earth had shaken, or if the temperate order of the seasons had been interrupted, the superstitious Pagans were convinced that the crimes and the impiety of the Christians, who were spared by the excessive lenity of the government, had at length provoked the divine justice.
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Edward Gibbon (The Decline and Fall of the Roman Empire)
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What happened?
It took Gibbon six volumes to describe the decline and fall of the Roman Empire, so I shanβt embark on that. But thinking about this almost incredible episode does tell one something about the nature of civilisation.
It shows that however complex and solid it seems, it is actually quite fragile. It can be destroyed.
β¨β¨What are its enemies?β¨
β¨Well, first of all fear β fear of war, fear of invasion, fear of plague and famine, that make it simply not worthwhile constructing things, or planting trees or even planning next yearβs crops. And fear of the supernatural, which means that you darenβt question anything or change anything.
The late antique world was full of meaningless rituals, mystery religions, that destroyed self-confidence. And then exhaustion, the feeling of hopelessness which can overtake people even with a high degree of material prosperity. β¨β¨There is a poem by the modern Greek poet, Cavafy, in which he imagines the people of an antique town like Alexandria waiting every day for the barbarians to come and sack the city. Finally the barbarians move off somewhere else and the city is saved; but the people are disappointed β it would have been better than nothing.
Of course, civilisation requires a modicum of material prosperityββ¨β¨What civilization needs:β¨β¨confidence in the society in which one lives, belief in its philosophy, belief in its laws, and confidence in oneβs own mental powers. The way in which the stones of the Pont du Gard are laid is not only a triumph of technical skill, but shows a vigorous belief in law and discipline.
Vigour, energy, vitality: all the civilisationsβor civilising epochsβhave had a weight of energy behind them.
People sometimes think that civilisation consists in fine sensibilities and good conversations and all that. These can be among the agreeable results of civilisation, but they are not what make a civilisation, and a society can have these amenities and yet be dead and rigid.
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Kenneth M. Clark (Civilisation)
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For it is a peculiarity of persons who lead rich, emotional lives, and who (as the saying is) live intensely and with a wild poetry, that they read all kind of meanings into comparatively simple actions, especially the actions of other people who do not live intensely and with a wild poetry. Thus you may find them weeping passionately on their bed, and be told that you - you alone - are the cause because you said that awful thing to them at lunch. Or they wonder why you like going to concerts; there must be more to it than meets the eye.
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Stella Gibbons (Cold Comfort Farm)
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I think it's degrading of you, Flora,' cried Mrs Smiling at breakfast. 'Do you truly mean that you don't ever want to work at anything?'
Her friend replied after some thought: 'Well, when I am fifty-three or so I would like to write a novel as good as "Persuasion", but with a modern setting, of course. For the next thirty years or so I shall be collecting material for it. If anyone asks me what I work at, I shall say "Collecting material." No one can object to that. Besides, I shall be.'
Mrs Smiling drank some coffee in silent disapproval.
'If you ask me,' continued Flora, 'I think I have much in common with Miss Austen. She liked everything to be tidy and pleasant and comfortable around her, and so do I. You see Mary,' - and here Flora began to grow earnest and to wave one finger about - 'unless everything is tidy and pleasant and comfortable all about one, people cannot even begin to enjoy life. I cannot endure messes.
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Stella Gibbons (Cold Comfort Farm)