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لن أرتد حتى أزرع في الأرض جنتي أو أقتلع من السماء جنة أو أموت أو نموت معاً
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غسان كنفاني
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كلّهم يتحدّثون عن ِالطريق ، يقولون : تجد نفسكَ على الطريق ! وهُم لا يعرفون منَ الطريق إلا لونها الأسود وأرصِفتها !
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غسان كنفاني (رجال في الشمس)
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إن الانتصار هو أن تتوقع كل شيء..و ألا تجعل عدوك يتوقع..!
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غسان كنفاني
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بالدم نكتب لفلسطين
We write with the blood for Palestine
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غسان كنفاني
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If the prisoner is beaten, it is an arrogant expression of fear.
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غسان كنفاني (All that's Left to You: A Novella and Other Stories)
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-أتعرفين ما هو الوطن يا صفية ؟ الوطن هو ألا يحدث ذلك كله .
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غسان كنفاني (عائد إلى حيفا)
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They steal your bread, then give you a crumb of it…
Then they demand you to thank them for their generosity…
O their audacity!
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غسان كنفاني
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إذا كنا مدافعين فاشلين عن القضية..فالأجدر بنا أن نغير المدافعين..لا أن نغير القضية...!
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غسان كنفاني
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Everything in this world can be robbed and stolen, except one thing; this one thing is the love that emanates from a human being towards a solid commitment to a conviction or cause.
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Ghassan Kanafani
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لك شيء في هذا العالم..فقم..
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غسان كنفاني
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المدرَسة لا تُعلِّم شيئاً ، لا تعلِّم سوى الكسَل .. فاتركها وغِص في المقلاة مثلمَا فعلَ سائر ُالبشَر .
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غسان كنفاني
“
I heard you in the other room asking your mother, 'Mama, am I a Palestinian?' When she answered 'Yes' a heavy silence fell on the whole house. It was as if something hanging over our heads had fallen, its noise exploding, then - silence. Afterwards...I heard you crying. I could not move. There was something bigger than my awareness being born in the other room through your bewildered sobbing. It was as if a blessed scalpel was cutting up your chest and putting there the heart that belongs to you...I was unable to move to see what was happening in the other room. I knew, however, that a distant homeland was being born again: hills, olive groves, dead people, torn banners and folded ones, all cutting their way into a future of flesh and blood and being born in the heart of another child...Do you believe that man grows? No, he is born suddenly - a word, a moment, penetrates his heart to a new throb. One scene can hurl him down from the ceiling of childhood onto the ruggedness of the road.
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غسان كنفاني
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Why didn't you bang the sides of the tank? Why didn't you say anything?
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Ghassan Kanafani
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After all, in the final analysis, man is a cause.
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Ghassan Kanafani (Palestine's Children: Returning to Haifa and Other Stories)
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You have something in this world.
So, stand for it.
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Ghassan Kanafani
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لقد اكتشفت انا -كما يجب أن تكون اكتشفت أنت منذ زمن بعيد - كم هو ضروري ان يموت بعض الناس …من أجل أن يعيش البعض الآخر..انها حكمة قديمة ..أهم ما فيها الآن …أنني أعيشها
I have discovered what you have probably discovered a long time ago: how inevitable it is for some people to die for some others to live.. The most significant thing about this ancient wisdom is that I’m living it now..
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غسان كنفاني
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إن الرجل الذي يلتحق بالفدائيين لا يحتاج بعد إلى رعاية أمه
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غسان كنفاني
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الأمور تمضِي بشكلٍ أفضَل ، حينَ لا يُقسم ُالمرءُ بشرفِه !
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غسان كنفاني
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My political position springs from my being a novelist. In so far as I am concerned, politics and the novel are an indivisible case and I can categorically state that I became politically committed because I am a novelist, not the opposite.
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غسان كنفاني
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...suddenly [I] began to cry for no reason at all—or perhaps for everything for which I had no name.
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Ghassan Kanafani (ما تبقى لكم)
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I started with reading Chomsky and slowly became very interested in anything that had to do with Israel/Palestine. Reading Edward Said, Mahmoud Darwish, Ghassan Kanafani, John Berger, Tanya Reinhart, Ilan Pappé, Norman Finkelstein, Noam Chomsky, Kurt Vonnegut, Arundhati Roy, Naomi Klein . . . all became part of my daily routine.
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Noam Chomsky (On Palestine)
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A person is courageous so long as he has no need for courage, but he collapses when the issue becomes real, and he is forced to understand courage as an act of “surrender,” a detachment from human involvement, and is content himself with being a spectator rather than a participant in life.
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Ghassan Kanafani (ما تبقى لكم)
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It is not enough to hate and believe in the past to make a revolution. Hatred and belief in the past are sufficient prods for the rebellion phase. We must love and be future-oriented if we wish to carry out the revolution.
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Ghassan Kanafani
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It was in another country that I earned my harsh subsistence, a place that had everything and nothing, that same country which gave you everything in order to deny you it.
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Ghassan Kanafani (All That's Left to You: A Novella and Short Stories)
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I have an ability - that I haven’t seen in my life - to imagine and see you. And when I see something or hear a word and comment on it in my mind, I hear your answer in my ear, as if you were standing next to me with your hand in mine. Sometimes, I hear you laughing, and sometimes I hear you refusing my opinion and other times you’re the first to make a comment, and I stare at the eyes of those standing in front of me to see if they saw you with me.
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Ghassan Kanafani (Ghassan Kanafani Box Set-17 books[ARABIC])
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اسمع ماذا جرى لهذا المحارب المهذب.. لقد كان سائقاً لسيارة عمومية، وشاهد
امرأة يهودية تعدو هاربة أمام مجموعة من الأطفال كانوا يرجمونها بالحجارة..
كانت الحوادث في بدء توترها، فما كان منه إلا أن نهر الأطفال، وأمسك المرأة
من يدها، وقادها إلى حيث أوقف سيارته، وذهب بها إلى أهلها في تل أبيب، هل
تعرف ماذا حدث هناك؟ لقد سرقوا سيارته، وقتلوه. مزقوه ورموا جثته مقابل
جامع الشيخ حسن.. فكيف يريدوننا أن نحارب أناسًا من ذلك النوع؟ بالورود؟
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Ghassan Kanafani (أرض البرتقال الحزين)
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إنــنــي أعض عبثــا عـلــي أمـــل ..لا يــريــد أن يبـقي معــي!!!
I am vainly biting on a hope that does not want to stay with me!
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Abbas Mahmud Al-Aqqad
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Gazelles like to die among their people. Falcons don't care where they die.
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Ghassan Kanafani (Men in the Sun : A novel: Three men die in a strange way)
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For a brief moment the entire future was contained in my mind in the form of a lightning flash that illuminates the enormity of the unknown.
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Ghassan Kanafani (ما تبقى لكم)
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It is not enough to hate and believe in the past to make a revolution. Hatred and belief in the
past are sufficient prods for the rebellion phase. We must love and be future-oriented if we wish
to carry out the revolution.
”
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Ghassan Kanafani
“
وما لبث أن استنتج شيئا هاما: أنه يضحى آمنا أكثر كلما اقترب من "البندقية، وأكثر عرضة للموت كلما ابتعد عنها
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غسان كنفاني (عن الرجال والبنادق)
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Go back to writing stories? I write well because I believe in a cause, in principles. The day I leave these principles, my stories will become empty. If I were to leave behind my principles, you yourself would not respect me.
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Ghassan Kanafani
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I was sure that the god we had known in Palestine had left it too, and was a refugee in some place which I did not know, unable to find a solution to his own problems. And we, human refugees, sitting on the pavement waiting for a new fate to bring some solution, were responsible for providing a roof under which we spend the night.
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Ghassan Kanafani (Men in the Sun and Other Palestinian Stories)
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Target killing of Palestinian leaders, including moderate ones, was not a new phenomenon in the conflict. Israel began this policy with the assassination of Ghassan Kanafani in 1972, a poet and writer, who could have led his people to reconciliation. The fact that he was targeted, a secular and leftist activist, is symbolic of the role Israel played in killing those Palestinians it ‘regretted’ later for not being there as partners for peace.
In May 2001 President George Bush Jr appointed Senator George J. Mitchell as a special envoy to the Middle East conflict. Mitchell produced a report about the causes for the second Intifada. He concluded: ‘We have no basis on which to conclude that there was a deliberate plan by the PA to initiate a campaign of violence at the first opportunity; or to conclude that there was a deliberate plan by the [Government of Israel] to respond with lethal force.’13 On the other hand, he blamed Ariel Sharon for provoking unrest by visiting and violating the sacredness of the al-Aqsa mosque and the holy places of Islam.
In short, even the disempowered Arafat realized that the Israeli interpretation of Oslo in 2000 meant the end of any hope for normal Palestinian life and doomed the Palestinians to more suffering in the future. This scenario was not only morally wrong in his eyes, but also would have strengthened, as he knew too well, those who regarded the armed struggle against Israel as the exclusive way to liberate Palestine.
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Ilan Pappé (The Biggest Prison on Earth: A History of the Occupied Territories)
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Like the characters in the short novel Men in the Sun, by the Palestinian writer Ghassan Kanafani, however, they did not always find this route easy, for it often involved alienation, isolation, and, as when Palestinians attempted to cross frontiers with their refugee papers, even tragedy
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Rashid Khalidi (The Hundred Years' War on Palestine: A History of Settler-Colonial Conquest and Resistance, 1917-2017)
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Desde a primeira vez, sempre que ele se atirava de peito na terra sentia aquela pulsação, como se o coração da terra forçasse sua difícil passagem até a luz desde as profundezas do inferno. Certa ocasião, ele disse isso ao vizinho com quem compartilhava a colheita na terra que deixara havia dez anos, e o homem respondeu zombando: “É o som do seu coração. Você o escuta quando encosta o peito no chão”. Que tolice perversa! E o cheiro? Aquele que, toda vez que ele sente, ondula na fronte antes de jorrar delirante nas suas veias. Sempre que ele inalava o cheiro da terra, deitado no chão, imaginava o cheiro do cabelo de sua mulher ao sair do banho, depois de lavar a cabeça com água fria. O mesmo cheiro… uma mulher que acabou de se banhar com água fria e lhe cobre o rosto com o cabelo ainda molhado. A mesma palpitação… como se carregasse ternamente um pequeno pássaro entre as mãos.
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Ghassan Kanafani (رجال في الشمس)
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Qual é o problema com você, pensando assim? Pensar não combina com você, Marwan. Você ainda é jovem, e a vida é longa…
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Ghassan Kanafani (رجال في الشمس)
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Estou feliz que esteja indo para o Kuwait, porque você vai aprender muitas coisas por lá. A primeira delas é: primeiro vem o dinheiro, depois a moral.
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Ghassan Kanafani (رجال في الشمس)
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Quer saber? Eu comparo estes cento e cinquenta quilômetros à senda prometida por Deus às criaturas, que a percorreram antes de serem direcionadas ao paraíso ou ao inferno. Se alguém cair, vai para o inferno, e, se atravessar com segurança, chega ao paraíso. Quanto aos anjos… aqui seriam os guardas da fronteira.
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Ghassan Kanafani (رجال في الشمس)
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Aquelas gotas salgadas eram lágrimas ou suor correndo pela sua testa em chamas?
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Ghassan Kanafani (رجال في الشمس)
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He knew his father through and through, and he knew that the past was, for him, a solid wooden box locked with a thousand keys that had been cast into the depths of the ocean.
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Ghassan Kanafani (Men in the Sun and Other Palestinian Stories)
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وما لبث أن استنتج شيئا هاما: أنه يضحى آمنا أكثر كلما اقترب من .البندقية، وأكثر عرضة للموت كلما ابتعد عنه
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غسان كنفاني (عن الرجال والبنادق)
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La guerra empezó en la radio y en la radio terminó.
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Ghassan Kanafani
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Eu o vi ensanguentado com meus próprios olhos. Carregavam-no pela escada envolto em dois casacos sujos. Seu braço pálido balançava entre os homens, para frente e para trás, como se me chamasse para segui-lo, e subi os degraus, em prantos, por entre os passos pesados e firmes daqueles que o carregavam. Você dirá que é imaginação minha, mas eu jamais me esquecerei disso... Vou lhe contar um segredo que nunca revelei a ninguém: um dia, invadi o quarto deles. Não sei bem por quê, mas logo que abri a porta e cruzei a soleira, vi os dois na cama. Acho que estavam nus, mas me lembro apenas de seu braço, moreno, forte, em volta da cintura branca dela. Virei-me rapidamente, com os olhos fechados, e saí correndo. No dia seguinte, ele veio a mim, sentou-me diante dele e iniciou uma conversa. Não me lembro de nada agora, isso é tudo o que recordo de meu pai... Tudo. Tudo isso... Este é ele... Apenas um braço: uma vez, abraçando minha mãe; outra vez, ensanguentado, morto... Isso é todo meu pai. Todo ele.
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Ghassan Kanafani (ما تبقى لكم)
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Fixei meu olhar o máximo que pude naquele ponteiro preto que rastejava sobre o fundo branco do relógio, e pensei: que trabalho ele tem o dia todo para realizar um breve encontro, enquanto a outra flecha curta, parada, o espera com frieza, pendurada como uma estaca sobre a cabeça! Apesar disso, se ambos se encontrassem, se abraçassem e lá permanecesse, morreriam ali, como todos os desejos que se esvaem ou diminuem quando se realizam.
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Ghassan Kanafani (ما تبقى لكم)
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A condição de estar só atiçava em mim o desejo de defender minha vida com ferocidade.
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Ghassan Kanafani (ما تبقى لكم)
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Que espera, Mariam. Uma longa espera que fez de você apenas uma passagem! Que espera! Seus passos batem na parede durante a noite, passam sobre você no caminho de... E no caminho para... Batem. Batem. Batem. Escapam entre os dedos como areia, enquanto sua longa viagem termina em algo tão insignificante como isso. Uma passagem. Tudo o que você havia desejado ter e nunca terá passa por cima de você.
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Ghassan Kanafani (ما تبقى لكم)
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Enquanto aquele assovio se derretia na escuridão e girava em torno de si, violento, seco e desconhecido, os dois sentiam essa imensidão que não tem fim, forte, distante e resistente, que os cobria por todos os lados, estendida para mais longe do que pensavam e com mais profundidade do que podiam imaginar. O horror. O ar transparente, portador de todas as surpresas. O corpo que não tem limite, que ama e que odeia, e não esquece. O que pertence. Enraizado no tempo até o mais profundo de seu ser. Amor e silêncio. Violência e fúria. Mas, antes de tudo e sobretudo: resignação.
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Ghassan Kanafani (ما تبقى لكم)
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غريبون أهل المدن، كأن الأمر لا يعنيهم
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Ghassan Kanafani (عن الرجال والبنادق)