Gerald Gardner Quotes

O Moon that rid'st the night to wake Before the dawn is pale, The hamadryad in the brake, The Satyr in the vale, Caught in thy net of shadows What dreams hast thou to show? Who treads the silent meadows To worship thee below? The patter of the rain is hushed, The wind's wild dance is done, Cloud-mountains ruby-red were flushed About the setting sun: And now beneath thy argent beam The wildwood standeth still, Some spirit of an ancient dream Breathes from the silent hill. Witch-Goddess Moon, thy spell invokes The Ancient Ones of night, Once more the old stone altar smokes, The fire is glimmering bright. Scattered and few thy children be, Yet gather we unknown To dance the old round merrily About the time-worn stone. We ask no Heaven, we fear no Hell, Nor mourn our outcast lot, Treading the mazes of a spell By priests and men forgot.

I hate a bitchy chick. —Gerald Stano

What is true of physics at its best may pertain as well to papers about physics. It is only on the surface, suggests Gerald Holton, that Einstein's papers of 1905 appear disparate. Three epochal papers, written but eight weeks apart, seem to occupy entirely different fields of physics: an interpretation of light as composed of quanta of energy; an explanation of Brownian motion that supports the notion of the atomic nature of matter; and the introduction of the "principle of relativity," which reconfigured our understanding of physical space and time. However, Holton idicates that all three papers arise from the same general problem-fluctuations in the pressure of radiation. Holton also notes a striking parallel in the style of the papers. Einstein begins each with a statement of a formal asymmetry, eliminates redundancy, and leads to one or more empirical predictions.

Le Streghe non conoscono le origini del loro culto.

Fred Adams, founder of Feraferia, was particularly influenced by Graves’s utopian novel Seven Days (Adler 239). Adams went so far as to meet Graves personally in 1959. Gerald Gardner also visited Graves at Majorca in January 1961 (M. Seymour 398). By this time however, Wicca’s popularity had spread and Gardner no longer monopolized its content.

Modern Satanism was pragmatically defined in “The Satanic Bible” by Anton LaVey in the 1960’s and 70’s a Western concept embodying an organized, rational Satanic Philosophy. The Church of Satan was centered on carnal indulgence and fierce independence. Satan has always represented a model of Self-Liberation and crossing boundaries created by dogmatic religion. The Church of Satan provided this platform and over the years the Left-Hand Path tradition has expanded and evolved continuing with Michael Aquino and the Temple of Set. Other controversial and extreme paths centered in Satanic Magick as a road to self-transformation, evolving beyond physical and mental limits and experiencing aspects of Satanic Philosophy and Ceremonial Magick as found in the anarchist and chaos-bringing Sinister Tradition known as the Order of Nine Angles (ONA) in the 1980’s. From the 1960’s and into the late 70’s a self-identified “Sethanic” and “Satanic” Witch named Charles Pace (Hamar’at), living in London, introduced and defined the modern outline of what he called then, “Luciferian” and “Sethanic” initiatory teachings. In the time of Gerald Gardner’s Wiccan movement and the Neo-Pagan RHP explosion, Charles Pace was soon forlorn and a maverick whose authentic Egyptian teachings and rites created a slight aura of fear and the forbidden around him.