β
It is never too late to be what you might have been.
β
β
George Eliot
β
What do we live for, if it is not to make life less difficult for each other?
β
β
George Eliot
β
Blessed is the man who, having nothing to say, abstains from giving us wordy evidence of the fact.
β
β
George Eliot (Impressions of Theophrastus Such)
β
I like not only to be loved, but also to be told that I am loved. I am not sure that you are of the same mind. But the realm of silence is large enough beyond the grave. This is the world of light and speech, and I shall take leave to tell you that you are very dear.
β
β
George Eliot
β
It is a narrow mind which cannot look at a subject from various points of view.
β
β
George Eliot (Middlemarch)
β
It will never rain roses: when we want to have more roses, we must plant more roses.
β
β
George Eliot
β
It is always fatal to have music or poetry interrupted.
β
β
George Eliot (Middlemarch)
β
It seems to me we can never give up longing and wishing while we are still alive. There are certain things we feel to be beautiful and good, and we must hunger for them.
β
β
George Eliot
β
And, of course men know best about everything, except what women know better.
β
β
George Eliot (Middlemarch)
β
But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
β
β
George Eliot (Middlemarch)
β
O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude...
β
β
George Eliot (O May I Join the Choir Invisible! And Other Favourite Poems)
β
If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.
β
β
George Eliot (Middlemarch)
β
What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
β
β
George Eliot (Adam Bede)
β
No evil dooms us hopelessly except the evil we love, and desire to continue in, and make no effort to escape from.
β
β
George Eliot (Daniel Deronda)
β
Life seems to go on without effort when I am filled with music.
β
β
George Eliot (The Mill on the Floss)
β
Only in the agony of parting do we look into the depths of love.
β
β
George Eliot
β
We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call βGodβs birdsβ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?
β
β
George Eliot (The Mill on the Floss)
β
Adventure is not outside man; it is within.
β
β
George Eliot
β
Keep true. Never be ashamed of doing right. Decide what you think is right and stick to it.
β
β
George Eliot
β
What loneliness is more lonely than distrust?
β
β
George Eliot (Middlemarch)
β
But what we call our despair is often only the painful eagerness of unfed hope.
β
β
George Eliot (Middlemarch)
β
We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, "Oh, nothing!" Pride helps; and pride is not a bad thing when it only urges us to hide our hurtsβ not to hurt others.
β
β
George Eliot (Middlemarch)
β
Selfishβ a judgment readily passed by those who have never tested their own power of sacrifice.
β
β
George Eliot
β
..for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
β
β
George Eliot (Middlemarch)
β
Animals are such agreeable friendsβthey ask no questions, they pass no criticisms.
β
β
George Eliot (Mr Gilfil's Love Story (Hesperus Classics))
β
Our deeds determine us, as much as we determine our deeds.
β
β
George Eliot (Adam Bede)
β
I am not imposed upon by fine words; I can see what actions mean.
β
β
George Eliot (The Mill on the Floss)
β
Hold up your head! You were not made for failure, you were made for victory. Go forward with a joyful confidence.
β
β
George Eliot
β
It is surely better to pardon too much, than to condemn too much.
β
β
George Eliot
β
People are almost always better than their neighbors think they are.
β
β
George Eliot (Middlemarch)
β
There's life for you. Spend the best years of your life studying penmanship and rhetoric and syntax and Beowulf and George Eliot, and then somebody steals your pencil.
β
β
Dorothy Parker (The Portable Dorothy Parker)
β
And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it.
β
β
George Eliot (Middlemarch)
β
Don't judge a book by its cover
β
β
George Eliot (The Mill on the Floss)
β
One can begin so many things with a new person! - even begin to be a better man.
β
β
George Eliot (Middlemarch)
β
Poor fellow! I think he is in love with you.'
I am not aware of it. And to me it is one of the most odious things in a girl's life, that there must always be some supposition of falling in love coming between her and any man who is kind to her... I have no ground for the nonsensical vanity of fancying everybody who comes near me is in love with me.
β
β
George Eliot
β
Our deeds still travel with us from afar/And what we have been makes us what we are.
β
β
George Eliot (Middlemarch)
β
Blessed is the influence of one true, loving human soul on another.
β
β
George Eliot
β
Character is not cut in marble - it is not something solid and unalterable. It is something living and changing, and may become diseased as our bodies do.
β
β
George Eliot (Middlemarch)
β
I desire no future that will break the ties of the past.
β
β
George Eliot (The Mill on the Floss)
β
We are all humiliated by the sudden discovery of a fact which has existed very comfortably and perhaps been staring at us in private while we have been making up our world entirely without it.
β
β
George Eliot (Middlemarch)
β
Confound you handsome young fellows! You think of having it all your own way in the world. You don't understand women. They don't admire you half so much as you admire yourselves.
β
β
George Eliot (Middlemarch)
β
One must be poor to know the luxury of giving.
β
β
George Eliot
β
Poetry and art and knowledge are sacred and pure.
β
β
George Eliot (The Mill on the Floss)
β
What destroys us most effectively is not a malign fate but our own capacity for self-deception and for degrading our own best self.
β
β
George Eliot
β
Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.
β
β
George Eliot (Middlemarch)
β
For pain must enter into its glorified life of memory before it can turn into compassion.
β
β
George Eliot (Middlemarch)
β
The troublesome ones in a family are usually either the wits or the idiots.
β
β
George Eliot (Middlemarch)
β
Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns."
[Letter to Miss Lewis, Oct. 1, 1841]
β
β
George Eliot (George Eliotβs Life, as Related in her Letters and Journals (Cambridge Library Collection - Literary Studies))
β
To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.
β
β
George Eliot (Middlemarch)
β
Those who trust us educate us.
β
β
George Eliot (Daniel Deronda)
β
Blameless people are always the most exasperating.
β
β
George Eliot (Middlemarch)
β
For what is love itself, for the one we love best? - an enfolding of immeasurable cares which yet are better than any joys outside our love.
β
β
George Eliot (Daniel Deronda)
β
No anguish I have had to bear on your account has been too heavy a price to pay for the new life into which I have entered in loving you.
β
β
George Eliot (The Mill on the Floss)
β
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
β
β
George Eliot
β
Those bitter sorrows of childhood!-- when sorrow is all new and strange, when hope has not yet got wings to fly beyond the days and weeks, and the space from summer to summer seems measureless.
β
β
George Eliot (The Mill on the Floss)
β
The clergy are, practically, the most irresponsible of all talkers.
["Evangelical Teaching: Dr. Cumming," The Westminster Review, 1885.]
β
β
George Eliot
β
A prig is a fellow who is always making you a present of his opinions.
β
β
George Eliot (Middlemarch)
β
Hurt, he'll never be hurt--he's made to hurt other people.
β
β
George Eliot (Silas Marner)
β
It is a common sentence that knowledge is power; but who hath duly considered or set forth the power of ignorance? Knowledge slowly builds up what ignorance in an hour pulls down.
β
β
George Eliot (Daniel Deronda)
β
After all, the true seeing is within.
β
β
George Eliot (Middlemarch)
β
Jealousy is never satisfied with anything short of an omniscience that would detect the subtlest fold of the heart.
β
β
George Eliot (The Mill on the Floss)
β
For we all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them.
β
β
George Eliot (Middlemarch)
β
Let my body dwell in poverty, and my hands be as the hands of the toiler; but let my soul be as a temple of remembrance where the treasures of knowledge enter and the inner sanctuary is hope.
β
β
George Eliot (Daniel Deronda)
β
Pride helps us; and pride is not a bad thing when it only urges us to hide our own hurtsβnot to hurt others.
β
β
George Eliot (Middlemarch)
β
I think I dislike what I don't like more than I like what I like.
β
β
George Eliot (Daniel Deronda)
β
When a man has seen the woman whom he would have chosen if he had intended to marry speedily, his remaining a bachelor will usually depend on her resolution rather than on his.
β
β
George Eliot (Middlemarch)
β
There is one order of beauty which seems made to turn heads. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle.
β
β
George Eliot (Adam Bede)
β
The responsibility of tolerance lies in those who have the wider vision.
β
β
George Eliot
β
People glorify all sorts of bravery except the bravery they might show on behalf of their nearest neighbors.
β
β
George Eliot (Middlemarch)
β
If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by the earthquakes, but they probably see beyond each shock, and reflect that there are plenty more to come.
β
β
George Eliot (Middlemarch)
β
I had some ambition. I meant everything to be different with me. I thought I had more strength and mastery. But the most terrible obstacles are such as nobody can see except oneself.
β
β
George Eliot (Middlemarch)
β
When death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.
β
β
George Eliot (Adam Bede)
β
The memory has as many moods as the temper, and shifts its scenery like a diorama.
β
β
George Eliot (Middlemarch)
β
The golden moments in the stream of life rush past us and we see nothing but sand; the angels come to visit us, and we only know them when they are gone.
β
β
George Eliot
β
Men outlive their love, but they donβt outlive the consequences of their recklessness.
β
β
George Eliot (Middlemarch)
β
That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrelβs heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
β
β
George Eliot (Middlemarch)
β
Every limit is a beginning as well as an ending.
β
β
George Eliot (Middlemarch)
β
It is very hard to say the exact truth, even about your own immediate feelings β much harder than to say something fine about them which is not the exact truth.
β
β
George Eliot (Adam Bede)
β
Pride only helps us to be generous; it never makes us so, any more than vanity makes us witty.
β
β
George Eliot (Middlemarch)
β
No story is the same to us after a lapse of time; or rather we who read it
are no longer the same interpreters.
β
β
George Eliot
β
Nothing is so good as it seems beforehand.
β
β
George Eliot (Silas Marner)
β
Saints and martyrs had never interested Maggie so much as sages and poets.
β
β
George Eliot (The Mill on the Floss)
β
If you deliver an opinion at all, it is mere stupidity not to do it with an air of conviction and well-founded knowledge. You make it your own in uttering it, and naturally get fond of it.
β
β
George Eliot (The Mill on the Floss)
β
Explain! Tell a man to explain how he dropped into hell! Explain my preference! I never had a preference for her, any more than I have a preference for breathing. No other woman exists by the side of her. I would rather touch her hand if it were dead, than I would touch any other woman's living.
β
β
George Eliot (Middlemarch)
β
Certainly the determining acts of her life were not ideally beautiful. They were the mixed result of young and novel impulse struggling amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion.
β
β
George Eliot (Middlemarch)
β
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the heroβs heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
β
β
Simone de Beauvoir (The Second Sex)
β
Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.
β
β
George Eliot (Adam Bede)
β
It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering selfβnever to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.
β
β
George Eliot (Middlemarch)
β
She thought it was part of the hardship of her life that there was laid upon her the burthen of larger wants than others seemed to feel β that she had to endure this wide hopeless yearning for that something, whatever it was, that was greatest and best on this earth.
β
β
George Eliot (The Mill on the Floss)
β
Only those who know the supremacy of the intellectual lifeββthe life which has a seed of ennobling thought and purpose withinββcan understand the grief of one who falls from that serene activity into the absorbing soul-wasting struggle with worldly annoyances.
β
β
George Eliot (Middlemarch)
β
Her future, she thought, was likely to be worse than her past, for after her years of contented renunciation, she had slipped back into desire and longing; she found joyless days of distasteful occupation harder and harder; she found the image of the intense and varied life she yearned for, and despaired of, becoming more and more importunate.
β
β
George Eliot (The Mill on the Floss)
β
Falsehood is so easy, truth so difficult....Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelings -- much harder than to say something fine about them which is not the exact truth.
β
β
George Eliot (Adam Bede)
β
The presence of a noble nature, generous in its wishes, ardent in its charity, changes the lights for us: we begin to see things again in their larger, quieter masses, and to believe that we too can be seen and judged in the wholeness of our character.
β
β
George Eliot (Middlemarch)
β
the calling of the teacher. There is no craft more privileged. To awaken in another human being powers, dreams beyond oneβs own; to induce in others a love for that which one loves; to make of oneβs inward present their future; that is a threefold adventure like no other.
β
β
George Steiner (Lessons of the Masters (The Charles Eliot Norton Lectures))
β
You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well, and not be always saying, Thereβs this and thereβs thatβif I had this or that to do, I might make something of it. No matter what a man isβI wouldnβt give twopence for himββ here Calebβs mouth looked bitter, and he snapped his fingersβ βwhether he was the prime minister or the rick-thatcher, if he didnβt do well what he undertook to do.
β
β
George Eliot (Middlemarch)
β
In old days there were angels who came and took men by the hand and led them away from the city of destruction. We see no white-winged angels now. But yet men are led away from threatening destruction: a hand is put into theirs, which leads them forth gently towards a calm and bright land, so that they look no more backward; and the hand may be a little child's.
β
β
George Eliot (Silas Marner)
β
The terror of being judged sharpens the memory: it sends an inevitable glare over that long-unvisited past which has been habitually recalled only in general phrases. Even without memory, the life is bound into one by a zone of dependence in growth and decay; but intense memory forces a man to own his blameworthy past. With memory set smarting like a reopened wound, a manβs past is not simply a dead history, an outworn preparation of the present: it is not a repented error shaken loose from the life: it is a still quivering part of himself, bringing shudders and bitter flavors and the tinglings of a merited shame.
β
β
George Eliot (Middlemarch)
β
The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, or George or Bill Bailey -
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter -
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum -
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover -
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
β
β
T.S. Eliot (Old Possum's Book of Practical Cats)
β
I should like to make life beautiful--I mean everybody's life. And then all this immense expense of art, that seems somehow to lie outside life and make it no better for the world, pains one. It spoils my enjoyment of anything when I am made to think that most people are shut out from it."
I call that the fanaticism of sympathy," said Will, impetuously. "You might say the same of landscape, of poetry, of all refinement. If you carried it out you ought to be miserable in your own goodness, and turn evil that you might have no advantage over others. The best piety is to enjoy--when you can. You are doing the most then to save the earth's character as an agreeable planet. And enjoyment radiates. It is of no use to try and take care of all the world; that is being taken care of when you feel delight--in art or in anything else. Would you turn all the youth of the world into a tragic chorus, wailing and moralising over misery? I suspect that you have some false belief in the virtues of misery, and want to make your life a martyrdom.
β
β
George Eliot (Middlemarch)
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
β
β
Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)