β
It is never too late to be what you might have been.
β
β
George Eliot
β
What do we live for, if it is not to make life less difficult for each other?
β
β
George Eliot
β
Blessed is the man who, having nothing to say, abstains from giving us wordy evidence of the fact.
β
β
George Eliot (Impressions of Theophrastus Such)
β
I like not only to be loved, but also to be told that I am loved. I am not sure that you are of the same mind. But the realm of silence is large enough beyond the grave. This is the world of light and speech, and I shall take leave to tell you that you are very dear.
β
β
George Eliot
β
It is a narrow mind which cannot look at a subject from various points of view.
β
β
George Eliot (Middlemarch)
β
It will never rain roses: when we want to have more roses, we must plant more roses.
β
β
George Eliot
β
It is always fatal to have music or poetry interrupted.
β
β
George Eliot (Middlemarch)
β
And, of course men know best about everything, except what women know better.
β
β
George Eliot (Middlemarch)
β
It seems to me we can never give up longing and wishing while we are still alive. There are certain things we feel to be beautiful and good, and we must hunger for them.
β
β
George Eliot
β
But the effect of her being on those around her was incalculably diffusive: for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
β
β
George Eliot (Middlemarch)
β
If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.
β
β
George Eliot (Middlemarch)
β
O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude...
β
β
George Eliot (O May I Join the Choir Invisible! And Other Favourite Poems)
β
What greater thing is there for two human souls, than to feel that they are joined for life--to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
β
β
George Eliot (Adam Bede)
β
No evil dooms us hopelessly except the evil we love, and desire to continue in, and make no effort to escape from.
β
β
George Eliot (Daniel Deronda)
β
Life seems to go on without effort when I am filled with music.
β
β
George Eliot (The Mill on the Floss)
β
We could never have loved the earth so well if we had had no childhood in it, if it were not the earth where the same flowers come up again every spring that we used to gather with our tiny fingers as we sat lisping to ourselves on the grass, the same hips and haws on the autumn hedgerows, the same redbreasts that we used to call βGodβs birdsβ because they did no harm to the precious crops. What novelty is worth that sweet monotony where everything is known and loved because it is known?
β
β
George Eliot (The Mill on the Floss)
β
Only in the agony of parting do we look into the depths of love.
β
β
George Eliot
β
Adventure is not outside man; it is within.
β
β
George Eliot
β
What loneliness is more lonely than distrust?
β
β
George Eliot (Middlemarch)
β
Keep true. Never be ashamed of doing right. Decide what you think is right and stick to it.
β
β
George Eliot
β
But what we call our despair is often only the painful eagerness of unfed hope.
β
β
George Eliot (Middlemarch)
β
We mortals, men and women, devour many a disappointment between breakfast and dinner-time; keep back the tears and look a little pale about the lips, and in answer to inquiries say, "Oh, nothing!" Pride helps; and pride is not a bad thing when it only urges us to hide our hurtsβ not to hurt others.
β
β
George Eliot (Middlemarch)
β
..for the growing good of the world is partly dependent on unhistoric acts; and that things are not so ill with you and me as they might have been, is half owing to the number who lived faithfully a hidden life, and rest in unvisited tombs.
β
β
George Eliot (Middlemarch)
β
Selfishβ a judgment readily passed by those who have never tested their own power of sacrifice.
β
β
George Eliot
β
Our deeds determine us, as much as we determine our deeds.
β
β
George Eliot (Adam Bede)
β
Animals are such agreeable friendsβthey ask no questions, they pass no criticisms.
β
β
George Eliot (Mr Gilfilβs Love Story (Hesperus Classics))
β
I am not imposed upon by fine words; I can see what actions mean.
β
β
George Eliot (The Mill on the Floss)
β
Hold up your head! You were not made for failure, you were made for victory. Go forward with a joyful confidence.
β
β
George Eliot
β
People are almost always better than their neighbors think they are.
β
β
George Eliot (Middlemarch)
β
There's life for you. Spend the best years of your life studying penmanship and rhetoric and syntax and Beowulf and George Eliot, and then somebody steals your pencil.
β
β
Dorothy Parker (The Portable Dorothy Parker)
β
And certainly, the mistakes that we male and female mortals make when we have our own way might fairly raise some wonder that we are so fond of it.
β
β
George Eliot (Middlemarch)
β
It is surely better to pardon too much, than to condemn too much.
β
β
George Eliot
β
Don't judge a book by its cover
β
β
George Eliot (The Mill on the Floss)
β
One can begin so many things with a new person! - even begin to be a better man.
β
β
George Eliot (Middlemarch)
β
Our deeds still travel with us from afar/And what we have been makes us what we are.
β
β
George Eliot (Middlemarch)
β
Poor fellow! I think he is in love with you.'
I am not aware of it. And to me it is one of the most odious things in a girl's life, that there must always be some supposition of falling in love coming between her and any man who is kind to her... I have no ground for the nonsensical vanity of fancying everybody who comes near me is in love with me.
β
β
George Eliot
β
Blessed is the influence of one true, loving human soul on another.
β
β
George Eliot
β
Character is not cut in marble - it is not something solid and unalterable. It is something living and changing, and may become diseased as our bodies do.
β
β
George Eliot (Middlemarch)
β
I desire no future that will break the ties of the past.
β
β
George Eliot (The Mill on the Floss)
β
We are all humiliated by the sudden discovery of a fact which has existed very comfortably and perhaps been staring at us in private while we have been making up our world entirely without it.
β
β
George Eliot (Middlemarch)
β
Confound you handsome young fellows! You think of having it all your own way in the world. You don't understand women. They don't admire you half so much as you admire yourselves.
β
β
George Eliot (Middlemarch)
β
One must be poor to know the luxury of giving.
β
β
George Eliot
β
Poetry and art and knowledge are sacred and pure.
β
β
George Eliot (The Mill on the Floss)
β
For pain must enter into its glorified life of memory before it can turn into compassion.
β
β
George Eliot (Middlemarch)
β
Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.
β
β
George Eliot (Middlemarch)
β
What destroys us most effectively is not a malign fate but our own capacity for self-deception and for degrading our own best self.
β
β
George Eliot
β
The troublesome ones in a family are usually either the wits or the idiots.
β
β
George Eliot (Middlemarch)
β
Is not this a true autumn day? Just the still melancholy that I love - that makes life and nature harmonise. The birds are consulting about their migrations, the trees are putting on the hectic or the pallid hues of decay, and begin to strew the ground, that one's very footsteps may not disturb the repose of earth and air, while they give us a scent that is a perfect anodyne to the restless spirit. Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns."
[Letter to Miss Lewis, Oct. 1, 1841]
β
β
George Eliot (George Eliotβs Life, as Related in her Letters and Journals (Cambridge Library Collection - Literary Studies))
β
Blameless people are always the most exasperating.
β
β
George Eliot (Middlemarch)
β
To be a poet is to have a soul so quick to discern, that no shade of quality escapes it, and so quick to feel, that discernment is but a hand playing with finely-ordered variety on the chords of emotion--a soul in which knowledge passes instantaneously into feeling, and feeling flashes back as a new organ of knowledge.
β
β
George Eliot (Middlemarch)
β
Those who trust us educate us.
β
β
George Eliot (Daniel Deronda)
β
Those bitter sorrows of childhood!-- when sorrow is all new and strange, when hope has not yet got wings to fly beyond the days and weeks, and the space from summer to summer seems measureless.
β
β
George Eliot (The Mill on the Floss)
β
No anguish I have had to bear on your account has been too heavy a price to pay for the new life into which I have entered in loving you.
β
β
George Eliot (The Mill on the Floss)
β
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
β
β
George Eliot
β
For what is love itself, for the one we love best? - an enfolding of immeasurable cares which yet are better than any joys outside our love.
β
β
George Eliot (Daniel Deronda)
β
A prig is a fellow who is always making you a present of his opinions.
β
β
George Eliot (Middlemarch)
β
Hurt, he'll never be hurt--he's made to hurt other people.
β
β
George Eliot (Silas Marner)
β
It is a common sentence that knowledge is power; but who hath duly considered or set forth the power of ignorance? Knowledge slowly builds up what ignorance in an hour pulls down.
β
β
George Eliot (Daniel Deronda)
β
The clergy are, practically, the most irresponsible of all talkers.
["Evangelical Teaching: Dr. Cumming," The Westminster Review, 1885.]
β
β
George Eliot
β
After all, the true seeing is within.
β
β
George Eliot (Middlemarch)
β
For we all of us, grave or light, get our thoughts entangled in metaphors, and act fatally on the strength of them.
β
β
George Eliot (Middlemarch)
β
Jealousy is never satisfied with anything short of an omniscience that would detect the subtlest fold of the heart.
β
β
George Eliot (The Mill on the Floss)
β
Let my body dwell in poverty, and my hands be as the hands of the toiler; but let my soul be as a temple of remembrance where the treasures of knowledge enter and the inner sanctuary is hope.
β
β
George Eliot (Daniel Deronda)
β
Pride helps us; and pride is not a bad thing when it only urges us to hide our own hurtsβnot to hurt others.
β
β
George Eliot (Middlemarch)
β
I think I dislike what I don't like more than I like what I like.
β
β
George Eliot (Daniel Deronda)
β
When a man has seen the woman whom he would have chosen if he had intended to marry speedily, his remaining a bachelor will usually depend on her resolution rather than on his.
β
β
George Eliot (Middlemarch)
β
If youth is the season of hope, it is often so only in the sense that our elders are hopeful about us; for no age is so apt as youth to think its emotions, partings, and resolves are the last of their kind. Each crisis seems final, simply because it is new. We are told that the oldest inhabitants in Peru do not cease to be agitated by the earthquakes, but they probably see beyond each shock, and reflect that there are plenty more to come.
β
β
George Eliot (Middlemarch)
β
The responsibility of tolerance lies in those who have the wider vision.
β
β
George Eliot
β
People glorify all sorts of bravery except the bravery they might show on behalf of their nearest neighbors.
β
β
George Eliot (Middlemarch)
β
There is one order of beauty which seems made to turn heads. It is a beauty like that of kittens, or very small downy ducks making gentle rippling noises with their soft bills, or babies just beginning to toddle.
β
β
George Eliot (Adam Bede)
β
That element of tragedy which lies in the very fact of frequency, has not yet wrought itself into the coarse emotion of mankind; and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrelβs heart beat, and we should die of that roar which lies on the other side of silence. As it is, the quickest of us walk about well wadded with stupidity.
β
β
George Eliot (Middlemarch)
β
The memory has as many moods as the temper, and shifts its scenery like a diorama.
β
β
George Eliot (Middlemarch)
β
Men outlive their love, but they donβt outlive the consequences of their recklessness.
β
β
George Eliot (Middlemarch)
β
Every limit is a beginning as well as an ending.
β
β
George Eliot (Middlemarch)
β
I had some ambition. I meant everything to be different with me. I thought I had more strength and mastery. But the most terrible obstacles are such as nobody can see except oneself.
β
β
George Eliot (Middlemarch)
β
The golden moments in the stream of life rush past us and we see nothing but sand; the angels come to visit us, and we only know them when they are gone.
β
β
George Eliot (Mary Ann Evans)
β
When death, the great Reconciler, has come, it is never our tenderness that we repent of, but our severity.
β
β
George Eliot (Adam Bede)
β
It is very hard to say the exact truth, even about your own immediate feelings β much harder than to say something fine about them which is not the exact truth.
β
β
George Eliot (Adam Bede)
β
I don't make myself disagreeable; it is you who find me so. Disagreeable is a word that describes your feelings and not my actions.
β
β
George Eliot (Middlemarch)
β
Pride only helps us to be generous; it never makes us so, any more than vanity makes us witty.
β
β
George Eliot (Middlemarch)
β
We are not immune to the lure of wonder and mystery and awe: we have music and art and literature, and find that the serious ethical dilemmas are better handled by Shakespeare and Tolstoy and Schiller and Dostoyevsky and George Eliot than in the mythical morality tales of the holy books.
β
β
Christopher Hitchens (God Is Not Great: How Religion Poisons Everything)
β
Perfect love has a breath of poetry which can exalt the relations of the least-instructed human beings.
β
β
George Eliot (Silas Marner)
β
Explain! Tell a man to explain how he dropped into hell! Explain my preference! I never had a preference for her, any more than I have a preference for breathing. No other woman exists by the side of her. I would rather touch her hand if it were dead, than I would touch any other woman's living.
β
β
George Eliot (Middlemarch)
β
Nothing is so good as it seems beforehand.
β
β
George Eliot (Silas Marner)
β
No story is the same to us after a lapse of time; or rather we who read it
are no longer the same interpreters.
β
β
George Eliot
β
A man falling into dark waters seeks a momentary footing even on sliding stones.
β
β
George Eliot (Silas Marner)
β
Saints and martyrs had never interested Maggie so much as sages and poets.
β
β
George Eliot (The Mill on the Floss)
β
If you deliver an opinion at all, it is mere stupidity not to do it with an air of conviction and well-founded knowledge. You make it your own in uttering it, and naturally get fond of it.
β
β
George Eliot (The Mill on the Floss)
β
If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the heroβs heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.
β
β
Simone de Beauvoir (The Second Sex)
β
Certainly the determining acts of her life were not ideally beautiful. They were the mixed result of young and novel impulse struggling amidst the conditions of an imperfect social state, in which great feelings will often take the aspect of error, and great faith the aspect of illusion.
β
β
George Eliot (Middlemarch)
β
It is an uneasy lot at best, to be what we call highly taught and yet not to enjoy: to be present at this great spectacle of life and never to be liberated from a small hungry shivering selfβnever to be fully possessed by the glory we behold, never to have our consciousness rapturously transformed into the vividness of a thought, the ardor of a passion, the energy of an action, but always to be scholarly and uninspired, ambitious and timid, scrupulous and dim-sighted.
β
β
George Eliot (Middlemarch)
β
I protest against any absolute conclusion.
β
β
George Eliot (Middlemarch)
β
Miss Brooke had that kind of beauty which seems to be thrown into relief by poor dress.
β
β
George Eliot (Middlemarch)
β
We learn words by rote, but not their meaning; that must be paid for with our life-blood, and printed in the subtle fibres of our nerves.
β
β
George Eliot (The Lifted Veil)
β
Family likeness has often a deep sadness in it. Nature, that great tragic dramatist, knits us together by bone and muscle, and divides us by the subtler web of our brains; blends yearning and repulsion; and ties us by our heart-strings to the beings that jar us at every movement.
β
β
George Eliot (Adam Bede)
β
He distrusted her affection; and what loneliness is more lonely than distrust.
β
β
George Eliot (Middlemarch)
β
Few things hold the perception more thoroughly captive than anxiety about what we have got to say
β
β
George Eliot (Middlemarch)
β
I flutter all ways, and fly in none.
β
β
George Eliot
β
If one is not to get into a rage sometimes, what is the good of being friends?
β
β
George Eliot (Middlemarch)
β
Only those who know the supremacy of the intellectual lifeββthe life which has a seed of ennobling thought and purpose withinββcan understand the grief of one who falls from that serene activity into the absorbing soul-wasting struggle with worldly annoyances.
β
β
George Eliot (Middlemarch)
β
She was no longer struggling against the perception of facts, but adjusting herself to their clearest perception.
β
β
George Eliot (Middlemarch)
β
Love has a way of cheating itself consciously, like a child who plays at solitary hide-and-seek; it is pleased with assurances that it all the while disbelieves.
β
β
George Eliot
β
It was one of those dangerous moments when speech is at once sincere and deceptive - when feeling, rising high above its average depth, leaves flood-marks which are never reached again.
β
β
George Eliot (The Mill on the Floss)
β
She thought it was part of the hardship of her life that there was laid upon her the burthen of larger wants than others seemed to feel β that she had to endure this wide hopeless yearning for that something, whatever it was, that was greatest and best on this earth.
β
β
George Eliot (The Mill on the Floss)
β
Destiny stands by sarcastic with our dramatis personae folded in her hand.
β
β
George Eliot (Middlemarch)
β
It is better - it shall be better with me because I have known you.
β
β
George Eliot (Daniel Deronda)
β
The presence of a noble nature, generous in its wishes, ardent in its charity, changes the lights for us: we begin to see things again in their larger, quieter masses, and to believe that we too can be seen and judged in the wholeness of our character.
β
β
George Eliot (Middlemarch)
β
Her future, she thought, was likely to be worse than her past, for after her years of contented renunciation, she had slipped back into desire and longing; she found joyless days of distasteful occupation harder and harder; she found the image of the intense and varied life she yearned for, and despaired of, becoming more and more importunate.
β
β
George Eliot (The Mill on the Floss)
β
Falsehood is so easy, truth so difficult....Examine your words well, and you will find that even when you have no motive to be false, it is a very hard thing to say the exact truth, even about your own immediate feelings -- much harder than to say something fine about them which is not the exact truth.
β
β
George Eliot (Adam Bede)
β
Upon my word, I think the truth is the hardest missile one can be pelted with.
β
β
George Eliot (Middlemarch)
β
A woman dictates before marriage in order that she may have an appetite for submission afterwards.
β
β
George Eliot (Middlemarch)
β
the calling of the teacher. There is no craft more privileged. To awaken in another human being powers, dreams beyond oneβs own; to induce in others a love for that which one loves; to make of oneβs inward present their future; that is a threefold adventure like no other.
β
β
George Steiner (Lessons of the Masters (The Charles Eliot Norton Lectures))
β
What a different result one gets by changing the metaphor!
β
β
George Eliot (The Mill on the Floss)
β
We all remember epochs in our experience when some dear expectation dies, or some new motive is born.
β
β
George Eliot (Middlemarch)
β
Power of generalizing gives men so much the superiority in mistake over the dumb animals.
β
β
George Eliot (Middlemarch)
β
Her own misery filled her heartβthere was no room in it for other people's sorrow.
β
β
George Eliot (Adam Bede)
β
She hates everything that is not what she longs for.
β
β
George Eliot (Adam Bede)
β
A child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts."
βWORDSWORTH.
β
β
George Eliot (Silas Marner)
β
What novelty is worth that sweet monotony where everything is known and loved because it is known?
β
β
George Eliot (The Mill on the Floss)
β
The most solid comfort one can fall back upon is the thought that the business of one's life is to help in some small way to reduce the sum of ignorance, degradation and misery on the face of this beautiful earth.
β
β
George Eliot
β
Our dead are never dead to us until we have forgotten them: they can be injured by us, they can be wounded; they
know all our penitence, all our aching sense that their place is empty, all the kisses we bestow on the smallest relic of their presence.
β
β
George Eliot (Adam Bede)
β
There is a great deal of unmapped country within us which would have to be taken into account in an explanation of our gusts and storms.
β
β
George Eliot (Daniel Deronda)
β
[P]eople need to use their intelligence to evaluate what they find to be true and untrue in the Bible. This is how we need to live life generally. Everything we hear and see we need to evaluateβwhether the inspiring writings of the Bible or the inspiring writings of Shakespeare, Dostoevsky, or George Eliot, of Ghandi, Desmond Tutu, or the Dalai Lama.
β
β
Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible & Why We Don't Know About Them)
β
After all, people may really have in them some vocation which is not quite plain to themselves, may they not? They may seem idle and weak because they are growing. We should be very patient with each other, I think.
β
β
George Eliot (Middlemarch)
β
Childhood has no forebodings; but then, it is soothed by no memories of outlived sorrow.
β
β
George Eliot (The Mill on the Floss)
β
We have all got to exert ourselves a little to keep sane, and call things by the same names as other people call them by.
β
β
George Eliot (Middlemarch)
β
Mortals are easily tempted to pinch the life out of their neighbor's buzzing glory, and think that such killing is no murder.
β
β
George Eliot (Middlemarch)
β
The important work of moving the world forward does not wait to be done by perfect men.
β
β
George Eliot
β
...There's nothing kills a man so soon as having nobody to find fault with but himself.
β
β
George Eliot (Silas Marner)
β
Itβs rather a strong check to oneβs self-complacency to find how much of oneβs right doing depends on not being in want of money.
β
β
George Eliot (Middlemarch)
β
Self-consciousness of the manner is the expensive substitute for simplicity.
β
β
George Eliot (Middlemarch)
β
When God makes His presence felt through us, we are like the burning bush: Moses never took any heed what sort of bush it wasβhe only saw the brightness of the Lord.
β
β
George Eliot (Adam Bede)
β
You must love your work, and not be always looking over the edge of it, wanting your play to begin. And the other is, you must not be ashamed of your work, and think it would be more honorable to you to be doing something else. You must have a pride in your own work and in learning to do it well, and not be always saying, Thereβs this and thereβs thatβif I had this or that to do, I might make something of it. No matter what a man isβI wouldnβt give twopence for himββ here Calebβs mouth looked bitter, and he snapped his fingersβ βwhether he was the prime minister or the rick-thatcher, if he didnβt do well what he undertook to do.
β
β
George Eliot (Middlemarch)
β
I am not magnanimous enough to like people who speak to me without seeming to see me.
β
β
George Eliot (Middlemarch)
β
If I got places, sir, it was because I made myself fit for 'em. If you want to slip into a round hole, you must first make a ball of yourself; that's where it is.
β
β
George Eliot (The Mill on the Floss)
β
It's a father's duty to give his sons a fine chance.
β
β
George Eliot (Middlemarch)
β
When a man turns a blessing from his door, it falls to them as take it in.
β
β
George Eliot (Silas Marner)
β
When a tender affection has been storing itself in us through many of our years, the idea that we could accept any exchange for it seems to be a cheapening of our lives. And we can set a watch over our affections and our constancy as we can over other treasures.
β
β
George Eliot (Middlemarch)
β
All meanings, we know, depend on the key of interpretation.
β
β
George Eliot (Daniel Deronda)
β
Will not a tiny speck very close to our vision blot out the glory of the world, and leave only a margin by which we see the blot? I know no speck so troublesome as self.
β
β
George Eliot
β
The days were longer then (for time, like money, is measured by our needs), when summer afternoons were spacious, and the clock ticked slowly in the winter evenings.
β
β
George Eliot
β
In old days there were angels who came and took men by the hand and led them away from the city of destruction. We see no white-winged angels now. But yet men are led away from threatening destruction: a hand is put into theirs, which leads them forth gently towards a calm and bright land, so that they look no more backward; and the hand may be a little child's.
β
β
George Eliot (Silas Marner)
β
The great safeguard of society and of domestic life was, that opinions were not acted on. Sane people did what their neighbors did, so that if any lunatics were at large, one might know and avoid them.
β
β
George Eliot (Middlemarch)
β
Society never made the preposterous demand that a man should think as much about his own qualifications for making a charming girl happy as he thinks of hers for making himself happy.
β
β
George Eliot (Middlemarch)
β
Love once, love always
β
β
George Eliot (Silas Marner)
β
How can one ever do anything nobly Christian, living among people with such petty thoughts?
β
β
George Eliot (Middlemarch)
β
He once called her his basil plant; and when she asked for an explanation, said that basil was a plant which had flourished wonderfully on a murdered man's brains.
β
β
George Eliot (Middlemarch)
β
That by desiring what is perfectly good, even when we don't quite know what it is and cannot do what we would, we are part of the divine power against evil -- widening the skirts of light and making the struggle with darkness narrower.
β
β
George Eliot
β
Somebody put a drop under a magnifying-glass and it was all semicolons and parentheses.
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β
George Eliot (Middlemarch)
β
Every man's work, pursued steadily, tends to become an end in itself, and so to bridge over the loveless chasms of his life.
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β
George Eliot (Silas Marner)
β
A man never lies with more delicious languor under the influence of a passion than when he has persuaded himself that he shall subdue it to-morrow.
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β
George Eliot (Adam Bede)
β
but very little achievement is required in order to pity another man's shortcomings.
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β
George Eliot (Middlemarch)
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We are contented with our day when we have been able to bear our grief in silence, and act as if we were not suffering.
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β
George Eliot (Adam Bede)
β
I beg your pardon: correct English is the slang of prigs who write history and essays. And the strongest slang of all is the slang of poets.
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β
George Eliot (Middlemarch)
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Eros has degenerated; he began by introducing order and harmony, and now he brings back chaos.
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β
George Eliot (Middlemarch)
β
Ignorance gives one a large range of probabilities.
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β
George Eliot (Daniel Deronda)
β
I like not only to be loved, but to be told I am loved.
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β
George Eliot
β
What greater thing is there for two human souls than to feel that they are joined to strengthen each other, to be at one with each other in silent unspeakable memories
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β
George Eliot
β
Cruelty, like every other vice, requires no motive outside of itself; it only requires opportunity.
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β
George Eliot
β
It is one of the secrets in that change of mental poise which has been fitly named conversion, that to many among us neither heaven nor earth has any revelation till some personality touches theirs with a peculiar influence, subduing them into receptiveness..
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β
George Eliot (Daniel Deronda)
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The dull mind, once arriving at an inference that flatters the desire, is rarely able to retain the impression that the notion from which the inference started was purely problematic.
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β
George Eliot (Silas Marner)
β
I would not creep along the coast but steer
Out in mid-sea, by guidance of the stars.
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β
George Eliot (Middlemarch)
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I would rather not be engaged. When people are engaged, they begin to think of being married soon, and I should like everything to go on for a long while just as it is.
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β
George Eliot (The Mill on the Floss)
β
We are all of us born in moral stupidity, taking the world as an udder to feed our supreme selves
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β
George Eliot
β
Souls have complexions too: what will suit one will not suit another.
β
β
George Eliot
β
Nature repairs her ravages, but not all. The uptorn trees are not rooted again; the parted hills are left scarred; if there is a new growth, the trees are not the same as the old, and the hills underneath their green vesture bear the marks of the past rending. To the eyes that have dwelt on the past, there is no thorough repair.
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β
George Eliot (The Mill on the Floss)
β
It is easy to say how we love new friends, and what we think of them, but words can never trace out all the fibers that knit us to the old.
β
β
George Eliot
β
Among all forms of mistake, prophecy is the most gratuitous.
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β
George Eliot (Middlemarch)
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Who can know how much of his most inward life is made up of the thoughts he believes other men to have about him, until that fabric of opinion is threatened with ruin?
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George Eliot (Middlemarch)
β
People talk of their motives in a cut and dried way. Every woman is supposed to have the same set of motives, or else to be a monster. I am not a monster but I have not felt exactly what other women feel, or say they feel, for fear of being thought unlike others.
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β
George Eliot (Daniel Deronda)
β
I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs and ideas into my brain. Life seems to go on without effort, when I am filled with music.
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β
George Eliot
β
Her heart went out to him with a stronger movement than ever, at the thought that people would blame him. Maggie hated blame; she had been blamed her whole life, and nothing had come of it but evil tempers.
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β
George Eliot (The Mill on the Floss)
β
The terror of being judged sharpens the memory: it sends an inevitable glare over that long-unvisited past which has been habitually recalled only in general phrases. Even without memory, the life is bound into one by a zone of dependence in growth and decay; but intense memory forces a man to own his blameworthy past. With memory set smarting like a reopened wound, a manβs past is not simply a dead history, an outworn preparation of the present: it is not a repented error shaken loose from the life: it is a still quivering part of himself, bringing shudders and bitter flavors and the tinglings of a merited shame.
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George Eliot (Middlemarch)
β
[W]e must learn to accommodate ourselves to the discovery that some of those cunningly-fashioned instruments called human souls have only a very limited range of music, and will not vibrate in the least under a touch that fills others with tremulous rapture or quivering agony.
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George Eliot (Adam Bede)
β
But if Maggie had been that young lady, you would probably have known nothing about her: her life would have had so few vicissitudes that it could hardly have been written; for the happiest women, like the happiest nations, have no history.
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β
George Eliot (The Mill on the Floss)
β
Since you think it my duty, Mr. Farebrother, I will tell you that I have too strong a feeling for Fred to give him up for any one else. I should never be quite happy if I thought he was unhappy for the loss of me. It has taken such deep root in meβmy gratitude to him for always loving me best, and minding so much if I hurt myself, from the time when we were very little. I cannot imagine any new feeling coming to make that weaker.
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β
George Eliot (Middlemarch)
β
Can anything be more disgusting than to hear people called 'educated' making small jokes about eating ham, and showing themselves empty of any real knowledge as to the relation of their own social and religious life to the history of the people they think themselves witty in insulting? [...] The best thing that can be said of it is, that it is a sign of the intellectual narrownessβin plain English, the stupidity which is still the average mark of our culture.
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β
George Eliot
β
Signs are small measurable things, but interpretations are illimitable, and in girls of sweet, ardent nature, every sign is apt to conjure up wonder, hope, belief, vast as a sky, and colored by a thimbleful of matter in the shape of knowledge....wrong reasoning sometimes lands poor mortals in right conclusions: starting a long way off the true point, and proceeding by loops and zigzags, we now and then arrive just where we ought to be. Just because Miss Brooke was hasty in her trust, it is not therefore clear that Mr. Casaubon was unworthy of it.
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β
George Eliot (Middlemarch)
β
Marriage is so unlike everything else. There is something even awful in the nearness it brings. Even if we loved someone else better than - than those we were married to, it would be no use. I mean, marriage drinks up all our power of giving or getting any blessedness in that sort of love. I know it may be very dear, but it murders our marriage, and then the marriage stays with us like a murder, and everything else is gone.
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β
George Eliot (Middlemarch)
β
[She was] a creature full of eager, passionate longings for all that was beautiful and glad; thirsty for all knowledge; with an ear straining after dreamy music that died away and would not come near to her; with a blind unconscious yearning for something that would link together the wonderful impressions of this mysterious life, and give her soul a sense of home in it.
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β
George Eliot (The Mill on the Floss)
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The Naming of Cats is a difficult matter,
It isn't just one of your holiday games;
You may think at first I'm as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there's the name that the family use daily,
Such as Peter, Augustus, Alonzo or James,
Such as Victor or Jonathan, or George or Bill Bailey -
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter -
But all of them sensible everyday names.
But I tell you, a cat needs a name that's particular,
A name that's peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkustrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum -
Names that never belong to more than one cat.
But above and beyond there's still one name left over,
And that is the name that you never will guess;
The name that no human research can discover -
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Effanineffable
Deep and inscrutable singular Name.
β
β
T.S. Eliot (Old Possum's Book of Practical Cats)
β
Someday, sometime, you will be sitting somewhere. A berm overlooking a pond in Vermont. The lip of the Grand Canyon at sunset. A seat on the subway. And something bad will have happened: You will have lost someone you loved, or failed at something at which you badly wanted to succeed. And sitting there, you will fall into the center of yourself. You will look for some core to sustain you. And if you have been perfect all your life and have managed to meet all the expectations of your family, your friends, your community, your society, chances are excellent that there will be a black hole where that core ought to be. I don't want anyone I know to take that terrible chance. And the only way to avoid it is to listen to that small voice inside you that tells you to make mischief, to have fun, to be contrarian, to go another way. George Eliot wrote, 'It is never too late to be what you might have been.' It is never too early, either.
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β
Anna Quindlen (Being Perfect)
β
I have said that His Dark Materials is not fantasy but stark realism, and my reason for this is to emphasise what I think is an important aspect of the story, namely the fact that it is realistic, in psychological terms. I deal with matters that might normally be encountered in works of realism, such as adolescence, sexuality, and so on; and they are the main subject matter of the story β the fantasy (which, of course, is there: no-one but a fool would think I meant there is no fantasy in the books at all) is there to support and embody them, not for its own sake.
Dæmons, for example, might otherwise be only a meaningless decoration, adding nothing to the story: but I use them to embody and picture some truths about human personality which I couldn't picture so easily without them. I'm trying to write a book about what it means to be human, to grow up, to suffer and learn. My quarrel with much (not all) fantasy is it has this marvelous toolbox and does nothing with it except construct shoot-em-up games. Why shouldn't a work of fantasy be as truthful and profound about becoming an adult human being as the work of George Eliot or Jane Austen?
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β
Philip Pullman
β
How is it that the poets have said so many fine things about our first love, so few about our later love? Are their first poems their best? or are not those the best which come from their fuller thought, their larger experience, their deeper-rooted affections? The boy's flute-like voice has its own spring charm; but the man should yield a richer, deeper music.
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β
George Eliot (Adam Bede)
β
I have always been thinking of the different ways in which Christianity is taught, and whenever I find one way that makes it a wider blessing than any other, I cling to that as the truestβI mean that which takes in the most good of all kinds, and brings in the most people as sharers in it. It is surely better to pardon too much, than to condemn too much.
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β
George Eliot (Middlemarch)
β
But indefinite visions of ambition are weak against the ease of doing what is habitual or beguilingly agreeable; and we all know the difficulty of carrying out a resolve when we secretly long that it may turn out to be unnecessary. In such states of mind the most incredulous person has a private leaning towards miracle: impossible to conceive how our wish could be fulfilled, still - very wonderful things have happened!
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George Eliot (Middlemarch)
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I should like to make life beautiful--I mean everybody's life. And then all this immense expense of art, that seems somehow to lie outside life and make it no better for the world, pains one. It spoils my enjoyment of anything when I am made to think that most people are shut out from it."
I call that the fanaticism of sympathy," said Will, impetuously. "You might say the same of landscape, of poetry, of all refinement. If you carried it out you ought to be miserable in your own goodness, and turn evil that you might have no advantage over others. The best piety is to enjoy--when you can. You are doing the most then to save the earth's character as an agreeable planet. And enjoyment radiates. It is of no use to try and take care of all the world; that is being taken care of when you feel delight--in art or in anything else. Would you turn all the youth of the world into a tragic chorus, wailing and moralising over misery? I suspect that you have some false belief in the virtues of misery, and want to make your life a martyrdom.
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β
George Eliot (Middlemarch)
β
76. David Hume β Treatise on Human Nature; Essays Moral and Political; An Enquiry Concerning Human Understanding
77. Jean-Jacques Rousseau β On the Origin of Inequality; On the Political Economy; Emile β or, On Education, The Social Contract
78. Laurence Sterne β Tristram Shandy; A Sentimental Journey through France and Italy
79. Adam Smith β The Theory of Moral Sentiments; The Wealth of Nations
80. Immanuel Kant β Critique of Pure Reason; Fundamental Principles of the Metaphysics of Morals; Critique of Practical Reason; The Science of Right; Critique of Judgment; Perpetual Peace
81. Edward Gibbon β The Decline and Fall of the Roman Empire; Autobiography
82. James Boswell β Journal; Life of Samuel Johnson, Ll.D.
83. Antoine Laurent Lavoisier β TraitΓ© ΓlΓ©mentaire de Chimie (Elements of Chemistry)
84. Alexander Hamilton, John Jay, and James Madison β Federalist Papers
85. Jeremy Bentham β Introduction to the Principles of Morals and Legislation; Theory of Fictions
86. Johann Wolfgang von Goethe β Faust; Poetry and Truth
87. Jean Baptiste Joseph Fourier β Analytical Theory of Heat
88. Georg Wilhelm Friedrich Hegel β Phenomenology of Spirit; Philosophy of Right; Lectures on the Philosophy of History
89. William Wordsworth β Poems
90. Samuel Taylor Coleridge β Poems; Biographia Literaria
91. Jane Austen β Pride and Prejudice; Emma
92. Carl von Clausewitz β On War
93. Stendhal β The Red and the Black; The Charterhouse of Parma; On Love
94. Lord Byron β Don Juan
95. Arthur Schopenhauer β Studies in Pessimism
96. Michael Faraday β Chemical History of a Candle; Experimental Researches in Electricity
97. Charles Lyell β Principles of Geology
98. Auguste Comte β The Positive Philosophy
99. HonorΓ© de Balzac β PΓ¨re Goriot; Eugenie Grandet
100. Ralph Waldo Emerson β Representative Men; Essays; Journal
101. Nathaniel Hawthorne β The Scarlet Letter
102. Alexis de Tocqueville β Democracy in America
103. John Stuart Mill β A System of Logic; On Liberty; Representative Government; Utilitarianism; The Subjection of Women; Autobiography
104. Charles Darwin β The Origin of Species; The Descent of Man; Autobiography
105. Charles Dickens β Pickwick Papers; David Copperfield; Hard Times
106. Claude Bernard β Introduction to the Study of Experimental Medicine
107. Henry David Thoreau β Civil Disobedience; Walden
108. Karl Marx β Capital; Communist Manifesto
109. George Eliot β Adam Bede; Middlemarch
110. Herman Melville β Moby-Dick; Billy Budd
111. Fyodor Dostoevsky β Crime and Punishment; The Idiot; The Brothers Karamazov
112. Gustave Flaubert β Madame Bovary; Three Stories
113. Henrik Ibsen β Plays
114. Leo Tolstoy β War and Peace; Anna Karenina; What is Art?; Twenty-Three Tales
115. Mark Twain β The Adventures of Huckleberry Finn; The Mysterious Stranger
116. William James β The Principles of Psychology; The Varieties of Religious Experience; Pragmatism; Essays in Radical Empiricism
117. Henry James β The American; The Ambassadors
118. Friedrich Wilhelm Nietzsche β Thus Spoke Zarathustra; Beyond Good and Evil; The Genealogy of Morals;The Will to Power
119. Jules Henri PoincarΓ© β Science and Hypothesis; Science and Method
120. Sigmund Freud β The Interpretation of Dreams; Introductory Lectures on Psychoanalysis; Civilization and Its Discontents; New Introductory Lectures on Psychoanalysis
121. George Bernard Shaw β Plays and Prefaces
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Mortimer J. Adler (How to Read a Book: The Classic Guide to Intelligent Reading)
β
Some discouragement, some faintness of heart at the new real future which replaces the imaginary, is not unusual, and we do not expect people to be deeply moved by what is not unusual. That element of tragedy which lies in the very fact of frequency has not yet wrought itself into the coarse emotion of mankind, and perhaps our frames could hardly bear much of it. If we had a keen vision and feeling of all ordinary human life, it would be like hearing the grass grow and the squirrel's heart beat, and we should die of that roar which lies on the other side of silence.
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George Eliot
β
There is something sustaining in the very agitation that accompanies the first shocks of trouble, just as an acute pain is often a stimulus, and produces an excitement which is transient strength. It is in the slow, changed life that follows--in the time when sorrow has become stale, and has no longer an emotive intensity that counteracts its pain--in the time when day follows day in dull unexpectant sameness, and trial is a dreary routine--it is then that despair threatens; it is then that the peremptory hunger of the soul is felt, and eye and ear are strained after some unlearned secret of our existence, which shall give to endurance the nature of satisfaction.
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George Eliot (The Mill on the Floss)
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Because, dear, trouble comes to us all in this life: we set our hearts on things which it isn't God's will for us to have, and then we go sorrowing; the people we love are taken from us, and we can joy in nothing because they are not with us; sickness comes, and we faint under the burden of our feeble bodies; we go astray and do wrong, and bring ourselves into trouble with our fellow men. There is no man or woman born into this world to whom some of these trials do not fall, and so I feel that some of them must happen to you; and I desire for you, that while you are young you should seek for the strength from your Heavenly Father, that you may have a support which will not fail you in the evil day.
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George Eliot (Adam Bede)
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And Dorothea..she had no dreams of being praised above other women.
Feeling that there was always something better which she might have done if she had only been better and known better, her full nature spent itself in deeds which left no great name on the earth, but the effect of her being on those around her was incalculable.
For the growing good of the world is partly dependent on unhistoric acts and on all those Dorotheas who life faithfully their hidden lives and rest in unvisited tombs. Middlemarch
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George Eliot
β
There is much pain that is quite noiseless; and vibrations that make human agonies are often a mere whisper in the roar of hurrying existence. There are glances of hatred that stab and raise no cry of murder; robberies that leave man or woman forever beggared of peace and joy, yet kept secret by the suffererβcommitted to no sound except that of low moans in the night, seen in no writing except that made on the face by the slow months of suppressed anguish and early morning tears. Many an inherited sorrow that has marred a life has been breathed into no human ear.
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George Eliot (Felix Holt: The Radical)
β
In books there were people who were always agreeable or tender, and delighted to do things that made one happy, and who did not show their kindness by finding fault. The world outside the books was not a happy one, Maggie felt: it seemed to be a world where people behaved the best to those they did not pretend to love and that did not belong to them. And if life had no love in it, what else was there for Maggie? Nothing but poverty and the companionship of her motherβs narrow griefsβperhaps of her fatherβs heart-cutting childish dependence. There is no hopelessness so sad as that of early youth, when the soul is made up of wants, and has no long memories, no super-added life in the life of others; though we who look on think lightly of such premature despair, as if our vision of the future lightened the blind suffererβs present.
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George Eliot (The Mill on the Floss)
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A human life, I think, should be well rooted in some spot of native land, where it may get the love of tender kinship for the face of the earth, for the labours of men go forth to, for the sounds and accents that haunt it, for whatever will give that early home a familiar unmistakable difference among the future widening of knowledge: a spot where the definiteness of early memories may be inwrought with affection, and kindly acquaintance with all neighbors, even to the dogs and donkeys, may spread not by sentimental effort and reflection, but as a sweet habit of the blood.
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George Eliot
β
She opened her curtains, and looked out towards the bit of road that lay in view, with fields beyond outside the entrance-gates. On the road there was a man with a bundle on his back and a woman carrying her baby; in the field she could see figures moving - perhaps the shepherd with his dog. Far off in the bending sky was the pearly light; and she felt the largeness of the world and the manifold wakings of men to labor and endurance. She was a part of that involuntary, palpitating life, and could neither look out on it from her luxurious shelter as a mere spectator, nor hide her eyes in selfish complaining.
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George Eliot (Middlemarch)
β
Even people whose lives have been made various by learning sometimes find it hard to keep a fast hold on their habitual views of life, on their faith in the Invisible - nay, on the sense that their past joys and sorrows are a real experience, when they are suddenly transported to a new land, where the beings around them know nothing of their history, and share none of their ideas - where their mother earth shows another lap, and human life has other forms than those on which their souls have been nourished. Minds that have been unhinged from their old faith and love have perhaps sought this Lethean influence of exile in which the past becomes dreamy because its symbols have all vanished, and the present too is dreamy because it is linked with no memories.
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George Eliot (Silas Marner)
β
Men can do nothing without the make-believe of a
beginning. Even science, the strict measurer, is obliged to start
with a make-believe unit, and must fix on a point in the stars'
unceasing journey when his sidereal clock shall pretend that time
is at Nought. His less accurate grandmother Poetry has always been
understood to start in the middle; but on reflection it appears
that her proceeding is not very different from his; since Science,
too, reckons backward as well as forward, divides his unit into
billions, and with his clock-finger at Nought really sets off
in medias res. No retrospect will take us to the true
beginning; and whether our prologue be in heaven or on earth, it is
but a fraction of that all-presupposing fact with which our story
sets out.
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George Eliot (Daniel Deronda)
β
He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of life. Silas's hand satisfied itself with throwing the shuttle, and his eye with seeing the little squares in the cloth complete themselves under his effort. Then there were the calls of hunger; and Silas, in his solitude, had to provide his own breakfast, dinner, and supper, to fetch his own water from the well, and put his own kettle on the fire; and all these immediate promptings helped, along with the weaving, to reduce his life to the unquestioning activity of a spinning insect. He hated the thought of the past; there was nothing that called out his love and fellowship toward the strangers he had come amongst; and the future was all dark, for there was no Unseen Love that cared for him. Thought was arrested by utter bewilderment, not its old narrow pathway was closed, and affection seemed to have died under the bruise that had fallen on its keenest nerves.
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George Eliot (Silas Marner)
β
There were intervals in which she could sit perfectly still, enjoying the outer stillness and the subdued light. The red fire with its gently audible movement seemed like a solemn existence calmly independent of the petty passions, the imbecile desires, the straining after worthless uncertainties, which were daily moving her contempt. Mary was fond of her own thoughts, and could amuse herself well sitting in the twilight with her hands in her lap; for, having early had strong reason to believe that things were not likely to be arranged for her peculiar satisfaction, she wasted no time in astonishment and annoyance at that fact. And she had already come to take life very much as a comedy in which she had a proud, nay, a generous resolution not to act the mean or treacherous part. Mary might have become cynical if she had not had parents whom she honoured, and a well of affectionate gratitude within her, which was all the fuller because she had learned to make no unreasonable claims.
She sat to-night revolving, as she was wont, the scenes of the day, her lips often curling with amusement at the oddities to which her fancy added fresh drollery: people were so ridiculous with their illusions, carrying their fools' caps unawares, thinking their own lies opaque while everybody else's were transparent, making themselves exceptions to everything, as if when all the world looked yellow under a lamp they alone were rosy.
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George Eliot (Middlemarch)