Geek Love Quotes

The truth is always an insult or a joke, lies are generally tastier. We love them. The nature of lies is to please. Truth has no concern for anyone's comfort

Could a scar be like the rings of a tree, reopened with each emotional season?

They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born.

Sometimes we know in our bones what we really need to do, but we're afraid to do it. Taking a chance and stepping beyond the safety of the world we've always known is the only way to grow, though and without risk there is no reward.

Can you be happy with the movies, and the ads, and the clothes in the stores, and the doctors, and the eyes as you walk down the street all telling you there is something wrong with you? No. You cannot be happy. Because, you poor darling baby, you believe them.

My idea of a fun night was diving into a massive pile of To Be Read pile of books stacked near my dresser... I was the girl who loved everything geeky.

I get glimpses of the horror of normalcy. Each of these innocents on the street is engulfed by a terror of their own ordinariness. They would do anything to be unique.

When your mama was the geek, my dreamlets," Papa would say, "she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.

There are the those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behaviour and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity.

No popularity exists when tragedy strikes. All that's left are human hearts and love and ache. We all love each other, deep down, and when we see another soul in pain we can't help but hurt too.

A true freak cannot be made. A true freak must be born.

There are parts of Texas where a fly lives ten thousand years and a man can't die soon enough. Time gets strange there from too much sky, too many miles from crack to crease in the flat surface of the land.

He must love me, i thought, amazed. A faint whiff of nausea hit me at seeing pain as proof of love, but it seemed true. Unavoidable.

Genius or jock, it didn't seem to matter. Boys were born with a gene that kept girls, no matter how smart they might be, from understanding them.

Wet towel under the door,' said Barry. 'It's what you do when you're smoking weed in a hotel and you don't want everyone calling security. You're always supposed to have a towel. I read about it in a guide for hitchhiking through the galaxy.

We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.

It was the fangirl code for every book geek: read, chat, squeal. Re-read, chat, and squeal again, until it’s all over and the dreaded book funk sets in. Find the next best thing to fill the void, then repeat steps one through three as necessary.

Adorkable. It's in its own category.

Being a fangirl is the best thing that's ever happened to me. ...We know what we're into, we love hard, and we're okay with it.

It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.

We know what we’re into, we love hard, and we’re okay with it. But we don’t have it easy.

In the end I would always pull up with a sense of glory, that loving is the strong side. It's feeble to be an object. What's the point of being loved in return, I'd ask myself.

I am not going to get into it myself, except to say (1) if I am writing "boy fiction," who are all those boys with breasts who keep turning up by the hundreds at my signings and readings? and (2) thank you, geek girls! I love you all.

And girls do want boys who are interesting. Girls want the shy geeks who know everything and have big hands and good teeth and say sweet things.

Geeks are smart and talented and passionate. I don’t think that’s a bad thing.

There are parts of Texas where a fly lives ten thousand years and a man can't die soon enough.

What greater gift could you offer your children than an inherent ability to earn a living just by being themselves?

[Pride and power] are the same except that pride leaves the lights on and power can do it in the dark.

As an adult, getting paid thousands of dollars a week to say, “Aye, Sir. Course laid in” is a seriously sweet gig, but when I was a teenager, it sucked.

The truth is always an insult or a joke. Lies are generally tastier. We love them. The nature of lies is to please. Truth has no concern for anyone’s comfort.” —

You must have wished a million times to be normal.” “No.” “No?” “I’ve wished I had two heads. Or that I was invisible. I’ve wished for a fish’s tail instead of legs. I’ve wished to be more special.” “Not normal?” “Never.

How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.

Like colors or a spring tree against that kind of blue sky that pulls your heart out through your eyes. Pretty things will swarm you like that, like your heart was a hive of electric bees.

What's bred in the bones, when you have bones, comes through. And they looked at her, watched her, wanted to squirt her full of baby juice.

All he had to do to make me like him was need me. All he had to do to make Arty like him was drop dead.

will never understand why the Internet seems to take away the basic humanity of most people, and allows — no, enables — them to say things that they’d never say to another person face to face.

In defense of geeks," Justine said, "they're great in bed. They fantasize a lot, so they're really creative. And they love to play with gadgets.

The hope you get from religion is a three-ring, all-star hope because the risk is outrageous.

They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born. There

The more people we exclude, the more people will want to join. That’s what exclusive means.

It goes in streaks. But some things never go out of fashion.' Hunger artists, fat folks, giants, and dog acts come and go but real freaks never lose their appeal.

Like colors or a spring tree against that kind ofblue sky that pulls your heart out through your eyes. Pretty things will swarm you like that, like your heart was a hive of electric bees.

There are parts of Texas where a fly lives ten thousand years and a man can’t die soon enough. Time gets strange there from too much sky, too many miles from crack to crease in the flat surface of the land.

Who knew that you would be The One," I smile, "which I guess makes me your Trinity." "My Amidala." "Your Zira." "My Sylvia." "Your..." I scour my brain, trying to remember some other great sci-fi love interest. "Ha! I'm your Saphira," I settle back smugly, only for Trevor to start laughing. "Saphira is a dragon.

Matt laughed. "Close. That was last year. This year it's Obsessive Deovtion to Fourier Analysis Theory and Applications. And my personal favorite, Quantum Physics II: Romantic Entanglements of Energy and Matter." Julie turned her head to Matt. "You're a double major? Physics and math? Jesus..." "I know. Nerdy." He shrugged. "No, I'm impressed. I'm just surprised your brains fit in your head." "I was fitted with a specially desinged compression filter that allows excessive information to lie dormant until I need to access it. It's only the Beta version, so excuse any kinks that may appear. I really can't be held responsible.

I don’t mind being lord of all I survey but I don’t want to have to work at it. It just wouldn’t be practical.

The whiskey looks like transparent wood in my glass.

Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their own less-apparent deformities.

A carnival in daylight is an unfinished beast, anyway. Rain makes it a ghost. The wheezing music from the empty, motionless rides in a soggy, rained-out afternoon midway always hit my chest with a sweet ache. The colored dance of the lights in the seeping air flashed the puddles in the sawdust with an oily glamour.

If I could describe myself, I'd say that I am a poetic gerd. (A geek and nerd combo) I love Shakespeare and romance, but sci-fi and action have a big slice of my heart. When I meet a man who can quote some Hitchcock out of thin air, do a perfect ''Timey Whimey'' impression, play me some classic rock when I'm sad and can give a 'Gone with the Wind' kiss, I will have my soul mate.

We walk a fine line between commendable passion for that which we love--starships, superpowers, costumes, fantastic stories--and an almost frightening militancy about the Right Way to Enjoy Them.

My heart died. Arty would despise her. But Mama told me to go on hoping. "Go ahead and love her," Mama said. I've wondered since whether those were Mama's last words, the final sizzle of her synapses.

the top head would have controlled everything and made his poor little butt-brother miserable.

I wonder if The Lesson is that, in order to succeed, I need to rely upon myself, trust myself, love myself, and not put my happiness and sadness into the hands of others.

It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.

I stared in silence as Miranda swooped, shrieking, down the playground slide, searching to see alive in her all the dead love in me.

I suspect people are suckers for a prick. I suspect folks just naturally go belly-up for a snob. Folks figure if a guy acts like he’s King Tut and everybody else is donkey shit, he must be an aristocrat.

Why do women love The Princess Bride so much? Here's a thought: because its hero, Westley, is able to simultaneously fill the roles of dashing romantic adventurer and seriously devoted (maybe even borderline henpecked) fiance.

There are those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behavior and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity. These are frequently artists and performers, adventurers and wide-life devotees. Then there are those who feel their own strangeness and are terrified by it. They struggle toward normalcy. They suffer to exactly that degree that they are unable to appear normal to others, or to convince themselves that their aberration does not exist. These are true freaks, who appear, almost always, conventional and dull.

Then there are those who feel their own strangeness and are terrified by it. They struggle toward normalcy. They suffer to exactly that degree that they are unable to appear normal to others, or to convince themselves that their aberration does not exist. These are true freaks, who appear, almost always, conventional and dull.

It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites. We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.

Understand, daughter, that the only reason for your existing was as a tribute to your uncle-father. You were meant to love him. I planned to teach you how to serve him and adore him. You would be his monument and his fortress against mortality. Forgive me. As soon as you arrived I realized that you were worth far more than that.

there are those who feel their own strangeness and are terrified by it. They struggle toward normalcy. They suffer to exactly that degree that they are unable to appear normal to others, or to convince themselves that their aberration does not exist. These are true freaks, who appear, almost always, conventional and dull.

The old man is spread out on the worm buffet and

He had Oly letter a little card that he taped on his wall. The thing read, ‘The only liars bigger than the quack are the quack’s patients.’ Arty used to just keep me in stitches. Eleven years old he was then.

When your mama was the geek, my dreamlets,” Papa would say, “she made the nipping off of noggins such a crystal mystery that the hens themselves yearned toward her, waltzing around her, hypnotized with longing.

Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites

Geeks like to make things. Indeed, the drive to create is an intrinsic geeky quality (right up there with loving genre fiction and drinking too much Mountain Dew). And while many geeks may not think of themselves as creative in an artistic sense, most geeky pursuits--from rolling up a new D&D character to assembling the LEGO Star Wars Death Star kit (you know, the one with all the cool minifigures)--are acts of creation.

The moment I walk into a bookstore, I remember what I love about them. They are an oasis of intellectual calm. Perhaps it’s the potential of all the ideas hidden behind those delicious covers. Or perhaps it’s the social reverence for the library-like quiet. You don’t yell in a bookstore; you’ll piss off the books.

I love crafting. Knitting, decoupage, scrapbooking, any "lady-ish" art form, I'm a fan. For about six months each. Then I shove all the supplies in a closet, alongside the skeletons of long dead New Year's resolutions, like saber fencing, playing the ukulele, and Japanese brush painting.

No, I don't party; no, I don't dress in black leather and chains; that's not my style. That's how I was raised. I worry about getting good grades and I go to church and I watch sci-fi movies and I generally follow the rules. Most people would call me a geek or a nerd. You've called me that many times. But that isn't everything that defines me. I mean, look at me, sitting here in a rainstorm under a tree that's probably going to kill us when the lightning hits it, holding the hand of a pretty cool girl who really is the opposite of me, a girl that I happen to be in love with. A girl I couldn't have imagined would want to be with me. But here she is, letting me hold her hand, trying to tell me why she isn't good enough for me. That's crazy.

There are two ways to ruin any chances of leading a happy life. The first is to chase a goal twenty-four hours a day, day after day, and gladly give up all the little laughs and joys that life has to offer in exchange for that ever-elusive moment of jubilation. The second way is far worse, in that it NEVER fails. You know what it is, Sam? Falling in love with someone who chases a goal twenty four hours a day.

How proud I am, dancing in the air full of eyes rubbing at me uncovered, unable to look away because of what I am. Those poor hop toads behind me are silent. I've conquered them. They thought to use and shame me but I win out by nature, because a true freak cannot be made. A true freak must be born. (20)

A lot of people feel that way. That if you didn’t pay your dues by being ostracized then you’re not *really* a geek. I don’t think that though. It’s not an exclusive club that you need to pay some social price to get in. Being a geek is about loving something passionately beyond all reason or sense. And it need not necessarily be related to science fiction, fantas, superheroes, etcetera. You can be a gardening geek, a model train geek, stamp collecting geek, a baby geek… It’s about enthusiasm, in my opinion. From his blog RE: Thirty years of D&D

It takes a lady of a certain age to contain the stuff [whiskey]. Particularly the Irish. No offense but a bit of weathering and experience are required not to go right off the edge with it. I would heisitate to serve Irish to a green schoolgirl. Mixes and vodka are enough for them to go wrong on. I couldn't look at myself shaving if I poured Irish for the young.

Only a lunatic would want to be president. These lunatics are created deliberately by those who wish to be presided over. You’ve seen it a thousand times. We create a leader by locating one in the crowd who is standing up. This may well be because there are no chairs or because his knees are fused by arthritis. It doesn’t matter. We designate this victim as a ‘stand-up guy’ by the simple expedient of sitting down around him.” ARTURISM:

The saddest thing I have ever experienced is watching a fellow nerd I've known forever and befriended, trying to unnerdify themselves. It was painful because that great geeky personality I loved so much is hidden behind a plaster of trends, and he may end up with a girl who will never understand him.

But I could never see what was so awful and wrong about being honest. And I didn’t think it had anything to do with being an only child. I believed it had more to do with the fact that I had an inherently low bullshit tolerance, and what the hell is wrong with that?

Beside Mama, in my own folding chair, with my feet sticking out in front of me, I thought about my own innards. Just a few months before I'd had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.

Consider the whole thing as occupational therapy. Power as cottage industry for the mad. The shepherd is slave to the sheep. A gardener is in thrall to his carrots. Only a lunatic would want to be president. These lunatics are created deliberately by those who wish to be presided over. You've seen it a thousand times. We create a leader by locating one in the crowd who is standing up. This may well be because there are no chairs or because his knees are fused by arthritis. It doesn't matter. We designate this victim as a 'stand-up guy' by the simple expedient of sitting down around him.

We don't unfold ourselves like pieces of paper for everyone to see: that's not how humans work. There are always parts of us we shut away or hide. Bits of ourselves we can't touch because they're too precious and buried too deep. Fragments of truth we barely admit to ourselves. Because sometimes editing our own story is the only way to get through it.

The roses started him thinking, how the oddity of them was beautiful and how that oddity was contrived to give them value. “It just struck me – clear and complete all at once – no long figuring about it.” He realized that children could be designed. “And I thought to myself, now that would a rose garden worthy of a man’s interest.” We children would smile and hug him and he would grin around at us and send the twins for a pot of cocoa from the drink wagon and me for a bag of popcorn because the red-haired girls would just throw it out when they finished closing the concession anyway. And we would all be cozy in the warm booth of the van, eating popcorn and drinking cocoa and feeling like Papa’s roses.

There were oil wells everywhere. The soil had been abandoned to dust and lizards, and the backyard of every wind-blistered bungalow in town had thrown over ideas of shade or geraniums in favor of the whiskey promise in the mutter of those green grasshopper pumps...A dozen ravenous steel insects sucked at the shit-caked loam in the mile-square meatfield of empty pens where the beeves, when there were beeves, milled waiting for the knife. (125)

Arty's growing flock, however, was different. I dreamed one night that Arty cried them into the world. They came out of his eyes as a green liquid that dripped to the ground making puddles. The puddles thickened and jelled into bodies that got up and hung around Arty. But Dr. P. and the advance man and McGurk, and later Sanderson and the Bag Man and the nebbishes and the simps who mooned and crooned around him, were all there because of Arty, no matter what other pretext they might claim. They all belonged to him.

She talks. People talk easily to me. They think a bald albino hunchback can’t hide anything. My worst is all out in the open. It makes it necessary for people to tell you about themselves. They begin out of simple courtesy. Just being visible is my biggest confession, so they try to set me at ease by revealing our equality, by dragging out their apparent deformities. That’s how it starts. But I am like a stranger on the bus and they get hooked on having a listener. They go too far because I am one listener who is in no position to judge or find fault. They stretch out their dampest secrets because a creature like me has no values or morals. If I am “good" (and they assume that I am), it’s obviously for lack of opportunity to be otherwise. And I listen. I listen eagerly, warmly, because I care. They tell me everything eventually.

And who wouldn't wish that? Certainly everyone here- dressed up as aliens, and wizards, and zombies, and superheroes- wants desperately to be inside a story, to be part of something more logical and meaningful than real life seems to be. Because even worlds with dragons and time machines seem to be more ordered than our own. When you live for stories, when you spend so much of your time immersed in careful constructs of three and five acts, it sometimes feels like you're just stumbling through the rest of life, trying to divine meaningful narrative threads from the chaos. Which, as I learned the hard way this weekend, can be painfully fruitless. Fiction is there when real life fails you. But it's not a substitute.

Dear daughter, I won't try to call my feeling for Arty love. Call it focus. My focus on Art was an ailment, noncommunicable, and, even to me all these years later, incomprehensible. Now I despise myself. But even so I remember, in hot floods, the way he slept, still as death, with his face washed flat, stony as a carved tomb and exquisite. His weakness and his ravening bitter needs were terrible, and beautiful, and irresistible as an earthquake. He scalded or smothered anyone he needed, but his needing and the hurt that it caused me were the most life I ever had. Remember what a poor thing I have always been and forgive me. He saw no use for you and you interfered with his use of me. I sent you away to please him, to prove my dedication to him, and to prevent him from killing you... My job was to come back [from the convent] directly, with nothing leaking from beneath my dark glasses, to give Arty his rubdown and then paint him for the next show, nodding cheerfully all the while, never showing anything but attentive care for his muscular wonderfulness. Because he could have killed you. He could have cut off the money that schooled and fed you. He could have erased you so entirely that I never would have had those letters and report cards and photos, or your crayon pictures, or the chance to spy on you, and to love you secretly when everything else was gone.

And me all the while having to pee—coughing into the mike when my throat was tired and raw—eyes stinging and lips and chin crumpling in grief at his anger. The sweet tinkle of Electra on the bass and Iphy on the treble with Mama’s voice counting, “One and two and …” as the twins had their piano lesson inside the trailer. The gurgle and hum of the pumps that filtered my brother Arty’s “Aqua Boy” tank. And the dim round moon of baby Fortunato’s face peering at me from the dark of the risers above Papa.

Sometimes when I felt the eyes crawling on me from all sides, I got scared thinking someone was looking who wasn’t just curious. I knew it was my imagination and I got used to it, learned to shunt it away. But sometimes I held onto it quietly, that feeling that someone behind or beside me in the crowd – some guy leaning on the target booth with a rifle, or some cranky sweating father spending too much on ride tickets to keep his kids away from him – anybody could be looking at me in the sidelong way that norms use to look at freaks, but thinking of me twitching and biting at the dirt while my guts spilled out of the big escape hatch he’d cut for them… a feeling like that is special. Sometimes you hold onto it quietly for a while.

It's interesting that when these individuals choose-and it is their choice always-to endure voluntary amputations for their own personal benefit, society professes itself shocked and disapproving. Yet this same society respects the concept that any individual should risk total annihilation in war, subject to the judgement of any superior officer at all and for purposes ranging from a promotion for the lieutenant to higher profits for the bullet company. Hell, they don't just respect that idea, they flat out expect it. And they'll shoot your ass if you don't go along with it. -Arturo in response to critics

You might not hit the target or win the stuffed dog, you might lose your money and look like a fool. You don’t get the surge without the risk. Well. Religion works the same way. The only difference is that it’s more amazing than even Chick or the twins. And it’s a whole lot scarier than the Roll-a-plane or the Screamer, or any simp twister. This scare stuff laps over into the hope department too. The hope you get from religion is a three-ring, all-star hope because the risk is outrageous. Bad! Well, I’m working on it. I’ve got the amazing part down. And the scary bits are a snap. But I’ve got to come up with a hope.

All due respect, Renny,” said Mary Jo, “I have a pretty freaking good idea of your capabilities. And I think Mr. Traegar’s decision to bring us in first was the correct one. We don’t really know what we’re dealing with when it comes to the fae—there is no way that the sheriff’s office would. We had two werewolves, Mercy and the goblin king out there—and if it weren’t for the goblin king we’d have failed to bring him in ourselves.” He gave her a look. “I am going to ignore—just for a minute—how much my geek side is loving that apparently there is a goblin king in the world. And that he is—again apparently—here in the Tri-Cities. Even knowing that David Bowie is gone, I am giddy about this.” He said all that in a very dry, professional tone. I was starting to really like this guy.

I think I’m getting a notion of how to do this. O.K., a carnival works because people pay to feel amazed and scared. They can nibble around a midway getting amazed here and scared there, or both. And do you know what else? Hope. Hope they’ll win a prize, break the jackpot, meet a girl, hit a bull’s-eye in front of their buddies. In a carnival you call it luck or chance, but it’s the same as hope. Now hope is a good feeling that needs risk to work. How good it is depends on how big the risk is if what you hope doesn’t happen. You hope your old auntie croaks and leaves you a carload of shekels, but she might leave them to her cat. You might not hit the target or win the stuffed dog, you might lose your money and look like a fool. You don’t get the surge without the risk. Well. Religion works the same way. The only difference is that it’s more amazing than even Chick or the twins. And it’s a whole lot scarier than the Roll-a-plane or the Screamer, or any simp twister. This scare stuff laps over into the hope department too. The hope you get from religion is a three-ring, all-star hope because the risk is outrageous. Bad! Well, I’m working on it. I’ve got the amazing part down. And the scary bits are a snap. But I’ve got to come up with a hope.

Hey, nit squat! These are written by norms to scare norms. And do you know what the monsters and demons and rancid spirits are? Us, that’s what. You and me. We are the things that come to the norms in nightmares. The thing that lurks in the bell tower and bites out the throats of the choirboys—that’s you, Oly. And the thing in the closet that makes the babies scream in the dark before it sucks their last breath—that’s me. And the rustling in the brush and the strange piping cries that chill the spine on a deserted road at twilight—that’s the twins singing practice scales while they look for berries. Don't shake your head at me! These books teach me a lot. They don't scare me because they're about me. Turn the page.

There are those whose own vulgar normality is so apparent and stultifying that they strive to escape it. They affect flamboyant behavior and claim originality according to the fashionable eccentricities of their time. They claim brains or talent or indifference to mores in desperate attempts to deny their own mediocrity. These are frequently artists and performers, adventurers and wide-life devotees. Then there are those who feel their own strangeness and are terrified by it. They struggle toward normalcy. They suffer to exactly that degree that they are unable to appear normal to others, or to convince themselves that their aberration does not exist. These are true freaks, who appear, almost always, conventional and dull (281-2)

Then he dreamed that he was in the open door of a plane several thousand feet above the earth and he had to jump holding a baby in his arms. It was his baby. He jumped, pulled the rip cord on the parachute, and it didn’t open. The emergency release didn’t work. He was falling fast. The wind tore at him fiercely. He was gripping the baby as tightly as he could but the wind pried under his arms, strained at his muscles, and suddenly the baby was loose, falling beside him, just out of reach. He flailed and groped in the air, trying to reach it. The baby was falling just a little bit faster than he was. It was below him, falling away from him as he fell after it. The earth screamed up at him. He knew that the baby was going to hit first and he would see it, would know it for a whole fraction of a second before he was smashed into a pulp himself. The terrible millisecond of that grief burst in him and he woke shrieking. He couldn’t get the dream out of his head. He prayed that he would have the dream again but that this time he would fall faster and be allowed to die first.

Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket. "Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars." The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly. I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees. "Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam." "Elly doesn't like anything anymore." The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot. "Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama." Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran. I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.

I wonder, for example, if the twins’ piano training had given them the Tomaini brand of dexterity with hand jobs? Could a non-musician learn it? Could I? Children stumble through these most critical acts with no real help from the elders who are so anxious to teach them everything else. We were given rules and taboos for the toilet, the sneeze, the eating of an artichoke. Papa taught us all a particular brush stroke for cleaning our teeth, a special angle for the pen in our hand, the exact words for greeting elders, with fine-tuned distinctions for male, female, show folk, customers, or tradesmen. The twins and Arty were taught to design an act, whether it lasted three minutes or thirty, to tease, coax, and startle a crowd, to build to crescendo and then disappear in the instant of climax. From what I have come to understand of life, this show skill, this talk-’em, sock-’em, knock-’em-flat information, is as close as we got to that ultimate mystery. I throw death aside. Death is not mysterious. We all understand death far too well and spend chunks of life resisting, ignoring, or explaining away that knowledge. But this real mystery I have never touched, never scratched. I’ve seen the tigers with their jaws wide, their fangs buried in each other’s throats, and their shadowed hides sizzling, tip to tip. I’ve seen the young norms tangled and gasping in the shadows between booths. I suspect that, even if I had begun as a norm, the saw-toothed yearning that whirls in me would bend me and spin me colorless, shrink me, scorch every hair from my body, and all invisibly so only my red eyes would blink out glimpses of the furnace thing inside. In fact, I smell the stench of longing so clearly in the streets that I’m surprised there are not hundreds exactly like me on every corner.

Nick grinned, swooping in for another kiss and then leaning back and scruffing his hair up. “Harriet Manners, I’m about to give you six stamps. Then I’m going to write something on a piece of paper and put it in an envelope with your address on it.” “OK …” “Then I’m going to put the envelope on the floor and spin us as fast as I can. As soon as either of us manage to stick a stamp on it, I’m going to race to the postbox and post it unless you can catch me first. If you win, you can read it.” Nick was obviously faster than me, but he didn’t know where the nearest postbox was. “Deal,” I agreed, yawning and rubbing my eyes. “But why six stamps?” “Just wait and see.” A few seconds later, I understood. As we spun in circles with our hands stretched out, one of my stamps got stuck to the ground at least a metre away from the envelope. Another ended up on a daisy. A third somehow got stuck to the roundabout. One of Nick’s ended up on his nose. And every time we both missed, we laughed harder and harder and our kisses got dizzier and dizzier until the whole world was a giggling, kissing, spinning blur. Finally, when we both had one stamp left, I stopped giggling. I had to win this. So I swallowed, wiped my eyes and took a few deep breaths. Then I reached out my hand. “Too late!” Nick yelled as I opened my eyes again. “Got it, Manners!” And he jumped off the still-spinning roundabout with the envelope held high over his head. So I promptly leapt off too. Straight into a bush. Thanks to a destabilised vestibular system – which is the upper portion of the inner ear – the ground wasn’t where it was supposed to be. Nick, in the meantime, had ended up flat on his back on the grass next to me. With a small shout I leant down and kissed him hard on the lips. “HA!” I shouted, grabbing the envelope off him and trying to rip it open. “I don’t think so,” he grinned, jumping up and wrapping one arm round my waist while he retrieved it again. Then he started running in a zigzag towards the postbox. A few seconds later, I wobbled after him. And we stumbled wonkily down the road, giggling and pulling at each other’s T-shirts and hanging on to tree trunks and kissing as we each fought for the prize. Finally, he picked me up and, without any effort, popped me on top of a high wall. Like Humpty Dumpty. Or some kind of really unathletic cat. “Hey!” I shouted as he whipped the envelope out of my hands and started sprinting towards the postbox at the bottom of the road. “That’s not fair!” “Course it is,” he shouted back. “All’s fair in love and war.” And Nick kissed the envelope then put it in the postbox with a flourish. I had to wait three days. Three days of lingering by the front door. Three days of lifting up the doormat, just in case it had accidentally slipped under there. Finally, the letter arrived: crumpled and stained with grass. Ha. Told you I was faster. LBxx

Оракула создаёт тот, кто задаёт вопрос и думает, будто слышит ответ." Пока я резала мясо на тарелке Арти, мою грудь распирала тоска, грозившая пролиться слезами из глаз и соплями из носа. Как я теперь понимаю, это была растерянность и печаль, какую испытывают все дети, когда им приходится защищать родителей от жестокой реальности. Детям горько и странно видеть, какими наивными, хрупкими и уязвимыми могут быть взрослые. И их, этих взрослых, конечно же, нужно беречь от всей едкой грязи детства. Можно ли винить ребенка в том, что его возмущают иллюзии взрослых? Большие мягкие руки, тихий шепот в темноте: «Скажи маме и папе, что приключилось. Мы прогоним любую беду». Ребенок, в слезах ищущий утешения, чувствует, как ненадежно убежище, что ему предлагают. Как дом из соломы, домик из веточек. Взрослые не понимают. Они называются большими и сильными, обещают защиту от всего плохого. И видит бог, как отчаянно дети нуждаются в этой защите. Как непроглядна густая тьма детства, беспощадны клинки детской злобы – незамутненной, чистейшей злобы, которую не сдерживают ни возраст, ни наркоз воспитания. Взрослые прекрасно справляются с расцарапанными коленками, упавшим на землю мороженым и потерявшимися куклами, но если они заподозрят истинную причину, по которой мы ревем в три ручья, то сразу выпустят нас из объятий и оттолкнут от себя с ужасом и отвращением. И все же мы – маленькие и напуганные, хотя и страшные в своих лютых желаниях. Нам нужна эта уютная глупость взрослых. Даже зная, что это лишь иллюзия, мы все равно плачем и прячемся у них на коленях, как в домике, но говорим только об уроненных в грязь леденцах или потерянных плюшевых медвежатах и получаем себе в утешение новую конфету или игрушку. Мы обходимся этим малым, чтобы не оставаться один на один с черной бездной у нас в голове, от которой нет избавления, защиты и утешения. Но мы все-таки выживаем – мы вообще очень живучи – и в итоге спасаемся бегством в сумеречную невинность своей собственной взрослости с ее блаженным беспамятством. Есть в Техасе такие места, где муха живет десять тысяч лет и человек не может умереть в срок. Нечто странное творится со временем. Слишком много там неба, слишком много там миль между трещинками и складками на безысходно ровной земле. Хорст говорил, что теперь мы все проживем дольше положенного, потому что "зимуем в этих оголённых пространствах". – У нас любовь, – говорит она. Это звучит, как ЛЮБ[сердечко]ВЬ. – Он хочет на мне жениться! – стонет она. Она изливала слова пополам со слезами, подруга по переписке до мозга костей. Из раза в раз одно и то же. Норвал не был нахрапистым и бесцеремонным. Он был маневренным и терпеливым, как вода, бегущая по камням. «Правда – это всегда оскорбление или шутка. Ложь обычно изящнее и тоньше. Мы её любим. Природа лжи – доставлять удовольствие. Правда не озабочена чьим-то удобством». "Есть лжецы и похуже врача-шарлатана. Это его пациенты." Порой, когда я просто смотрела на Ала или Хрустальную Лил, мне хотелось схватить монтировку и стукнуть их по голове. Не для того, чтобы убить, а чтобы разбудить. Папа расхаживал с важным видом, мама все глубже и глубже погружалась в себя, оба витали в своих облаках и утратили всякую связь с реальностью, как я ее понимала. Наверное, мне хотелось, чтобы они защитили меня от всех горестей и обид, от разрушительной муки ревности. Я мечтала вернуться в детство, где мама и папа были большими и сильными и могли уберечь меня от моей собственной злобы. «Почему? Вы спрашиваете, почему? Я думал, вы сами мне скажете. Я не в том положении, чтобы знать. Знать – это ваша работа. Я могу лишь догадываться. У меня есть подозрение, что людям нравится, когда их унижают. Они готовы ползать на брюхе перед каждым снобом. Люди считают, что если парень ведет себя, словно он Тутанхамон, а все остальные – ослиное дерьмо, значит, он аристократ». Детям приходится постигать самые важные вещи без помощи взрослых, столь озабоченных тем, чтобы научить их всему остальному.