Gee Money Quotes

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But who would build the roads if there were no government? You mean to tell me that 300 million people in this country and 7 billion people on the planet would just sit around in their houses and think “Gee, I’d like to go visit Fred, but I can't because there isn’t a flat thing outside for me to drive on, and I don’t know how to build it and the other 300 million or 7 billion people can’t possibly do it because there aren’t any politicians and tax collectors. If they were here then we could do it. If they were here to boss us around and steal our money and really inefficiently build the flat places, then we would be set. Then I would be comfortable and confident that I could get places. But I can’t go to Fred’s house or the market because we can’t possibly build a flat space from A to B. We can make these really small devices that enable us to contact people from all over the word that fits in our pockets; we can make machines that we drive around in, but no, we can’t possibly build a flat space.
Larken Rose
O.K." "Gee I'm glad." "Me too. I'm so sick of hot dogs and beer and apple pie with cheese on the side I could heave it all in the river." "You'll love it, Frank. We'll get a place up in the mountains, where it's cool, and then, after I get my act ready, we can go all over the world with it. Go as we please, do as we please, and have plenty of money to spend. Have you got a little bit of gypsy in you?" "Gypsy? I had rings in my ears when I was born.
James M. Cain (The Postman Always Rings Twice)
My last penny! I think I'll squander it on myself. I never feel badly about spending money my dad has earned honestly! I can't decide whether I should buy a balloon or a gumball. A gumball would taste mighty good, but a balloon would be a lot more fun... I'll take a balloon! Sooner or later in life a person has to learn to make decisions! (Sees someone with a different color balloon) Gee, I wish I'd bought a RED balloon.
Charles M. Schulz (The Complete Peanuts, Vol. 1: 1950-1952)
This seemed to be happening more and more lately out in Greater Los Angeles, among gatherings of carefree youth and happy dopers, where Doc had begun to notice older men, there and not there, rigid, unsmiling, that he knew he'd seen before, not the faces necessarily but a defiant posture, an unwillingness to blur out, like everyone else at the psychedelic events of those days, beyond official envelopes of skin. Like the operatives who'd dragged away Coy Harlingen the other night at that rally at the Century Plaza. Doc Knew these people, he'd seen enough of them in the course of business. They went out to collect cash debts, they broke rib cages, they got people fired, they kept an unforgiving eye on anything that might become a threat. If everything in this dream of prerevolution was in fact doomed to end and the faithless money-driven world to reassert its control over all the lives it felt entitled to touch, fondle, and molest, it would be agents like these, dutiful and silent, out doing the shitwork, who'd make it happen. Was it possible, that at every gathering--concert, peace rally, love-in, be-in, and freak-in, here, up north, back east, wherever--those dark crews had been busy all along, reclaiming the music, the resistance to power, the sexual desire from epic to everyday, all they could sweep up, for the ancient forces of greed and fear? 'Gee,' he said to himself out loud, 'I dunno...
Thomas Pynchon (Inherent Vice)
It’s funny… when you’re young you spend your life trying to convince yourself you’re not like your parents. And then, every now and then, you’ll do something a certain way, some mannerism, or you’ll say something. When our car broke down upstate, I remember I hit the wheel and said, ‘I’m not made of money!’ And I caught myself and thought, Gee, Louie, you just sounded like Pop. When you’re young and it happens, it drives you crazy. And then you live long enough, and it makes you smile a little.” He wipes a tear from his eyelashes with the back of his hand. “That’s a nice part of life,” he says.
Kenny Porpora (The Autumn Balloon)
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything. It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer. But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O. Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield. And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed. There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil. And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
In India, we have a saying: 'Always look down, never look up," he said. "When you are trying to determine where you stand in life, don't look upward at the rich people, the people with everything. Look downward at the people who have nothing, those begging on the street, those living in the slums. There's no end to looking up and feeling badly. And if you try to spit upward it only falls down upon your own face. Only by looking down do you understand your dharma.
Alison Singh Gee (Where the Peacocks Sing: A Palace, a Prince, and the Search for Home)
Life in the Cause would lurch forward as it always did. You worked, slaved, fought off the rats, the mice, the roaches, the ants, the Housing Authority, the cops, the muggers, and now the drug dealers. You lived a life of disappointment and suffering, of too-hot summers and too-cold winters, surviving in apartments with crummy stoves that didn’t work and windows that didn’t open and toilets that didn’t flush and lead paint that flecked off the walls and poisoned your children, living in awful, dreary apartments built to house Italians who came to America to work the docks, which had emptied of boats, ships, tankers, dreams, money, and opportunity the moment the colored and the Latinos arrived. And still New York blamed you for all its problems. And who can you blame? You were the one who chose to live here, in this hard town with its hard people, the financial capital of the world, land of opportunity for the white man and a tundra of spent dreams and empty promises for anyone else stupid enough to believe the hype. Sister Gee stared at her neighbors as they surrounded her, and at that moment she saw them as she had never seen them before: they were crumbs, thimbles, flecks of sugar powder on a cookie, invisible, sporadic dots on the grid of promise, occasionally appearing on Broadway stages or on baseball teams with slogans like “You gotta believe,” when in fact there was nothing to believe but that one colored in the room is fine, two is twenty, and three means close up shop and everybody go home; all living the New York dream in the Cause Houses, within sight of the Statue of Liberty, a gigantic copper reminder that this city was a grinding factory that diced the poor man’s dreams worse than any cotton gin or sugarcane field from the old country. And now heroin was here to make their children slaves again, to a useless white powder. She looked them over, the friends of her life, staring at her. They saw what she saw, she realized. She read it in their faces. They would never win. The game was fixed. The villains would succeed. The heroes would die.
James McBride (Deacon King Kong)
Smoke-ccss-b85b07: Tell me about a time when you did something evil. ABlum: oh gee well sometimes i work too hard is that evil? Smoke-ccssb85b07: Sarcasm ignored. ABlum: ok um when i started college, my brother raph pressured me to join the ut austin chapter of his fraternity and i joined, only to discover that fraternities are the stupidest forms of social organization ever invented so, live and learn but at the end of the fall semester, one of my frat brothers offered to pay me to write his final history paper and i did it but i didn't want to get caught, so i read his earlier papers and put a lot of work into imitating his shitty writing which made the paper a d+ at best so he failed the class and i wouldn't give the money back so they made up an honor code violation and kicked me out of the frat and at the time i remember thinking "this has worked out surprisingly well" so, i don't know what you consider "evil" but i'm sure you can find it somewhere in there
Leonard Richardson (Constellation Games)
I touched my hairline. Maybe she was right. Maybe it had receded somewhat. Or was it my imagination? Something new to worry about. “What do you mean?” I asked. “How can I be careful?” “You can’t, I guess. There’s nothing you can do. There’s no way to prevent baldness. Guys who are going to go bald go bald. When their time comes, that’s it: they just go bald. There’s nothing you can do to stop it. They tell you you can keep from going bald with proper hair care, but that’s bullshit. Look at the bums who sleep in Shinjuku Station. They’ve all got great heads of hair. You think they’re washing it every day with Clinique or Vidal Sassoon or rubbing Lotion X into it? That’s what the cosmetics makers will tell you, to get your money.” “I’m sure you’re right,” I said, impressed. “But how do you know so much about baldness?” “I’ve been working part time for a wig company. Quite a while now. You know I don’t go to school, and I’ve got all this time to kill. I’ve been doing surveys and questionnaires, that kind of stuff. So I know all about men losing their hair. I’m just loaded with information.” “Gee,” I said. “But you know,” she said, dropping her cigarette butt on the ground and stepping on it, “in the company I work for, they won’t let you say anybody’s ‘bald.’ You have to say ‘men with a thinning problem.’ ‘Bald’ is discriminatory language. I was joking around once and suggested ‘gentlemen who are follically challenged,’ and boy, did they get mad! ‘This is no laughing matter, young lady,’ they said. They’re so damned seeerious. Did you know that? Everybody in the whole damned world is so damned serious.
Haruki Murakami (The Wind-Up Bird Chronicle)
Her mother cleaved him, cracking open like a peach pit split the tender centre mewling, a monster turned a baby. They snatched up the infant, innocent, beastly, from Half World they fled, they fled to the Realm of Flesh. Gee could not stop the words in the terrible book from popping up in his mind. The images that formed filled him with fear and fascination. Confusion. A creeping sense of recognition. The déjà vu of dreams…. Half World. The words whispered, echoed inside him. Like something almost familiar. Something he’d forgotten— How could Popo do this to him? Gee pounded the heels of his fists on the thick table. He pounded and pounded until he could feel the physical pain. Maybe Popo had written this book herself…. Maybe it was an elaborate psychological experiment? Maybe she was a psychotic, abusive person. Those irregularities in his adoption…. There were no papers. He had no birth certificate. His grandmother had found someone to forge documents. It had cost a lot of money. Popo had kidnapped him from somewhere and his real parents were still looking for him, far far away. That made more sense than the gibberish book. He wasn’t a murderous monster from a different Realm! Ridiculous! Mad. Popo! he raged. You did this to me! It’s all your fault! That’s why he didn’t have a real name. Baby G. Like a foundling in a basket. Baby X. John Doe. Why hadn’t she given him a proper name? The school had written his name as “Gee” when they saw Ms. Wei, saw that his papers identified him only as “G.” They must have thought she was illiterate. Did the teachers think it would make him more Asian? Because it hadn’t! When he’d finally asked his popo about his real name, she had been silent for a long time. You must seek your own name, she finally said. When the time comes.
Hiromi Goto (Darkest Light)
Much of the new money, on top of the already existing multi-billion-dollar budgets of the intelligence community and the military agencies, went into classified budget annexes under a new catch-all category called “GWOT” (pronounced Gee-Watt), for the Global War on Terror.2
Dana Priest (Top Secret America: The Rise of the New American Security State)
In summary, let me quote Professor McGee once again:           Judging from the Record, Standard Oil did not use predatory price discrimination to drive out competing refiners, nor did its pricing practice have that effect . . . I am convinced that Standard did not systematically, if ever, use local price cutting in retailing, or anywhere else, to reduce competition. To do so would have been foolish; and, whatever else has been said about them, the old Standard organization was seldom criticized for making less money when it could readily have made more. A
Lawrence W. Reed (Excuse Me, Professor: Challenging the Myths of Progressivism)
We grew up hearing stories about how he has been cheated - out of money, out of reputation, out of a grander fate. We had lost everything, he'd wail, and that was despite the fact that we had each other.
Alison Singh Gee
Keri answered the door, looking frazzled and not having the best hair day he’d ever seen. “Hi, Sean. I was just thinking, gee, I need more Kowalskis in my life right now.” He laughed and stepped into the big foyer. “Baby acting up?” “I thought the Kowalski men were royal pains in the ass—no offense—but you guys have nothing on the girls.” “Joe writing?” She blew out a sharp breath and put her hands on her hips. “No. Joe is pretending to write so I won’t dump Brianna in his lap, but he’s probably playing some stupid game.” From the other room came a pissed-off howl that Sean hoped was their daughter and not a wild animal foraging for table scraps. “So he’s in his office?” Keri nodded and waved a hand in that direction before making a growling sound and heading off to appease her daughter. Welcome to the jungle, he mused before heading to Joe’s office. He rapped twice on the door, then let himself in. Joe looked up with a guilty start and Sean knew his wife had him all figured out. “She knows you’re only pretending to write so you don’t have to deal with the kid.” “You know what really sucks? Everybody keeps saying to just wait till she’s older. Like it gets worse. How can it get worse?” Sean lifted his hands in a “don’t ask me” gesture. “For years I’ve been writing about boogeymen and the evil that lurks in the hearts of men. I had no idea there’s nothing scarier than a baby girl.” Sean laughed. “She can’t be that bad. What does she weigh? Ten pounds?” “Fifteen. But it’s fifteen pounds of foul temper and fouler smells. Trust me.” “I’ll take your word for it.” Joe leaned back in his leather office chair and sighed. “Let’s talk about your life. She still on the couch?” “Yes, she is.” “Good. I said you’d last three weeks.” Maybe, but Sean wouldn’t bet on it. Or he shouldn’t have bet on it, anyway. Especially a whole month. His balls ached just thinking about it. “You guys come up with a plan for the kids for Saturday yet?” “Yeah, but it’s going to cost you.” “Not a problem. I’ll just take it out of all the money I’m going to collect from you idiots at the end of the month.” Joe grinned. “You keep telling yourself that, buddy.” He was. With as much oomph as he could muster. And he’d probably keep telling himself that up to the minute he got Emma naked.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
unoriginal nickname for my last name Barnard. “Ek gaan vir jou n poesklap gee.” I threaten to slap the shit out of him. “Thula man.” “At least you didn’t hit the tree with your pretty face. Think of all the money you’d lose.” I have a pretty face. Sue me. Or better yet, complain to my parents. It’s their genetics to blame. Somehow over the years of playing rugby, I’ve never had my nose broken or earned a scar. I wouldn’t mind a scar for character. Tell people I got it in a knife fight or a shark encounter. Something to toughen up my pretty boy image. “Lee, you okay? You’re looking
Daisy Prescott (Next to You (Love with Altitude, #1))
This is a night for punny epigrams, notably Fibber’s observation on politics (“If you start to run, you can’t stop till Gallup says you’ll win in a walk” and his take on money (“The Romans did their figuring with chisels, we do our chiseling with figures”).
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
It is said: “The best things in life are free”— often stated when one has no money! But once they have got oodles of money, how many exclaim: “Gee, I’m so happy!
Rodolfo Martin Vitangcol
That is one strange woman.” “Oh-ho, she’s peculiar all right. But she’s always thinking about the town. I’d love to get a look at her will. She’s crafty, and I think she must have a ton of money. And no living relatives.” He lifted an eyebrow. “Looking for a wife? Mature woman with big black glasses and mud on her knees?” Dan laughed. “I don’t think I could drink that one pretty, Jack. But gee, thanks for the tip.” “How’s
Robyn Carr (Paradise Valley)
I first heard about blockbusting when I decided I wanted to buy and sell property in Dorchester. So I went to local real estate agents. I got friendly with one fellow who worked in a particular office. We went out to lunch a couple of times, and he said, “I like you. You ought to come to work here. You can make a ton of money...” He explained to me that the banks had decided to take a certain area and designate it with a red pen... Mattapan and parts of Dorchester. We’re going to finance minorities in this particular area, so they can get a house with no money down. That’s how it all began. Of course, I personally wasn’t out to help any minorities. I was out to make a buck for myself, and, seeing all those clients lining up out the door, I thought a fortune was certainly there. For a lot of people already in the business, it was a boon to them. And a lot of people who weren’t in the business said, gee, this looks really good...
Lawrence Harmon (The Death of an American Jewish Community: A Tragedy of Good Intentions)
When Deutsche Bahn, the German railway company, offered its workforce the choice of a 2.6 percent pay increase, a one-hour reduction in weekly hours, or six additional days of vacation annually, 58 percent chose the extra week off.4 The opportunity to exchange money for time is increasingly popular, particularly in developed economies and among younger employees.*5
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
it kind of seemed like we were in a constant state of suicide the whole time. It wasn’t like, ‘Gee, we’re going to become successful and make a lot of money.
Michael Azerrad (Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991)
it kind of seemed like we were in a constant state of suicide the whole time. It wasn’t like, ‘Gee, we’re going to become successful and make a lot of money.’ It was more like, ‘Man, we’re going to have a lot of fun before the end comes and we all hit the can.
Michael Azerrad (Our Band Could Be Your Life: Scenes from the American Indie Underground, 1981-1991)
When you see that in order to produce, you need to obtain permission from men who produce nothing—when you see that money is flowing to those who deal, not in goods, but in favors—when you see that men get richer by graft and by pull than by work, and your laws don't protect you against them, but protect them against you—when you see corruption being rewarded and honesty becoming a self-sacrifice—you may know that your society is doomed.” Ayn Rand
Robert W. McGee (Justifiable Homicide (Robert Paige #1))
In the first episode the highly-regarded team of Tackaberry, Josefsberg, Balzer, and Perrin scripted for Benny (October 10, 1943), they paid homage to Fibber McGee and Molly by having the pilot (played by John Brown) engage in a Myrt bit with the person in the control tower. The Benny bunch knew that allusions to Fibber and Molly were like money in the vault. That fabled vault, first heard on January 7, 1945, could be considered a noisy stepchild of the McGee closet.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
I think it is a lot of money. We’re all still carnivorous, and money is the meat. If there’s a lot of money and any possible way to get at it, I think people will do some strange warped things. Hardly anybody is really immune to the hunger, not if there’s enough in view. I know I’m not.” “Is that one of those facts of life
John D. MacDonald (Nightmare in Pink (Travis McGee, #2))
Our passions move WTS in a powerful way. We all have activities that we pursue for pure enjoyment, no compensation needed. WTS is zero (or even negative if you are willing to pay good money to engage in your favorite hobby).
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Throughout his career, the outspoken Bogle criticized his industry for high prices, misleading advertising practices, and product proliferation that creates little value for investors. In his 2010 book Enough: True Measures of Money, Business, and Life, he summarized Vanguard’s goal and his own personal aspiration: “What I’m battling for—[giving] our citizen/investors a fair shake—is right. Mathematically right. Philosophically right. Ethically right.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
The show was one of radio’s most consistent until 1950, when Harold Peary announced that he was quitting his starring role. Rumor had it that Peary had held out for more money. His series was still carrying a rating in the midteens—certainly no disgrace at any time, and highly respectable in radio’s final years, when the once-lofty Hope, Bergen, Benny, and Fibber powerhouses were doing little better themselves. Peary admitted he was bored: he had slowly tired of the role and was frustrated that his onceremarkable versatility had been eclipsed under a blanket of Gildersleeve typecasting. People forgot that he had been a singer, he said, and that he had been one of the best of the old Chicago dialect men in the days before he moved with Fibber McGee and Molly to Hollywood. This might have killed most shows, but NBC and Kraft had on tap one Willard Waterman, who had once been denied acting jobs on McGee because his voice sounded so much like Peary’s. Waterman and Peary had traveled similar routes on their climb through radio. Waterman had arrived in Chicago around 1936 and had played many of the same bit parts that Peary would do the following year. While Peary was establishing himself on McGee, Waterman was working The First Nighter Program, Ma Perkins, and The Story of Mary Marlin. Like Peary, Waterman was a prolific and versatile talent, doing up to 40 parts in a week.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
J.D. Steelritter, like many older adults, is kind of a bigot. Mark Nechtr, like most young people in this awkward age, is NOT. But his aracism derives, he'd admit, from reasons that are totally self-interested. If all blacks are great dancers and athletes, and all Orientals are smart and identical and industrious, and all Jews are great makers of money and literature, wielders of a clout born of cohesion, and all Latins great lovers and stiletto-wielders and slippers-past-borders—well then gee, what does that make all plain old American WASPs? What one great feature, for the racist, brings us whitebreads together under the solid roof of stereotype? Nothing. A nameless faceless Great White Male. Racism seems to Mark a kind of weird masochism. A way to make us feel utterly and pointlessly alone. Unidentified. More than Sternberg hates being embodied, more than D.L. hates premodern realism, Mark hates to believe he is Alone. Solipsism affects him like Ambrosian meta-fiction affects him. It's the high siren's song of the wrist's big razor. It's the end of the long, long, long race you're watching, but at the end you fail to see who won, so entranced are you with the exhausted beauty of the runners' faces as they cross the taped line to totter in agonized circles, hands on hips, bent.
David Foster Wallace (Girl with Curious Hair)
The church steeple was the next part of the town to become visible. There was a truth in that, he supposed, for the Calendar House and the church were the only buildings in town used for the purposes they were originally intended. Grand buildings, both of them, built with free convict labor and inherited money. A calendar house was a showy thing, with the number of major features totaling either four for the seasons, seven for the days in the week, fifty-two for the weeks in the year, twelve for the months in the year. The ultimate vanity of the Lilys’ Calendar House, in Cliff’s opinion, were the 365 windows—especially considering the cost of glass when the house was built.
Poppy Gee (Vanishing Falls)