Gee Best Quotes

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Michaela, Sara, Michaela, Sara,” she murmured in a mock-thoughtful voice. “Bitch Goddess angel versus my best friend, gee, which side do you think I’ll choose?
Nalini Singh (Archangel's Kiss (Guild Hunter, #2))
Be brave. Even if you're not, pretend to be. No one can tell the difference. Don't allow the phone to interrupt important moments. It's there for your convenience, not the callers. Don't be afraid to go out on a limb. That's where the fruit is. Don't burn bridges. You'll be surprised how many times you have to cross the same river. Don't forget, a person's greatest emotional need is to feel appreciated. Don't major in minor things. Don't say you don't have enough time. You have exactly the same number of hours per day that were given to Pasteur, Michaelangelo, Mother Teresa, Helen Keller, Leonardo Da Vinci, Thomas Jefferson, and Albert Einstein. Don't spread yourself too thin. Learn to say no politely and quickly. Don't use time or words carelessly. Neither can be retrieved. Don't waste time grieving over past mistakes Learn from them and move on. Every person needs to have their moment in the sun, when they raise their arms in victory, knowing that on this day, at his hour, they were at their very best. Get your priorities straight. No one ever said on his death bed, 'Gee, if I'd only spent more time at the office'. Give people a second chance, but not a third. Judge your success by the degree that you're enjoying peace, health and love. Learn to listen. Opportunity sometimes knocks very softly. Leave everything a little better than you found it. Live your life as an exclamation, not an explanation. Loosen up. Relax. Except for rare life and death matters, nothing is as important as it first seems. Never cut what can be untied. Never overestimate your power to change others. Never underestimate your power to change yourself. Remember that overnight success usually takes about fifteen years. Remember that winners do what losers don't want to do. Seek opportunity, not security. A boat in harbor is safe, but in time its bottom will rot out. Spend less time worrying who's right, more time deciding what's right. Stop blaming others. Take responsibility for every area of your life. Success is getting what you want. Happiness is liking what you get. The importance of winning is not what we get from it, but what we become because of it. When facing a difficult task, act as though it's impossible to fail.
Jackson H. Brown Jr.
The Friend of Your Youth is the only friend you will ever have, for he does not really see you. He sees in his mind a face that does not exist anymore, speaks a name – Spike, Bud, Snip, Red, Rusty, Jack, Dave – which belongs to that now nonexistent face but which by some inane doddering confusion of the universe is for the moment attached to a not happily met and boring stranger. But he humors the drooling doddering confusion of the universe and continues to address politely that dull stranger by the name which properly belongs to the boy face and to the time when the boy voice called thinly across the late afternoon water or murmured by a campfire at night or in the middle of a crowded street said, “Gee, listen to this–’On Wenlock Edge the wood’s in trouble; His forest fleece the Wrekin heaves–’” The Friend of Your Youth is your friend because he does not see you anymore. And perhaps he never saw you. What he saw was simply part of the furniture of the wonderful opening world. Friendship was something he suddenly discovered and had to give away as a recognition of and payment for the breathlessly opening world which momently divulged itself like a moonflower. It didn’t matter a damn to whom he gave it, for the fact of giving was what mattered, and if you happened to be handy you were automatically endowed with all the appropriate attributes of a friend and forever after your reality is irrelevant. The Friend of Your Youth is the only friend you will ever have, for he hasn’t the slightest concern with calculating his interest or your virtue. He doesn’t give a damn, for the moment, about Getting Ahead or Needs Must Admiring the Best, the two official criteria in adult friendships, and when the boring stranger appears, he puts out his hand and smiles (not really seeing your face) and speaks your name (which doesn’t really belong to your face), saying, “Well, Jack, damned glad you came, come on in, boy!
Robert Penn Warren (All the King's Men)
Maybe that was just the way love went - it was something that happened to you, and the best preparation you could hope for was the chance to take a deep breath before the wave of it crashed above you and you were in over your head.
Katharine McGee (The Towering Sky (The Thousandth Floor, #3))
She's come to realize that life is a bit like doing laundry--you have to separate the darks from the lights. One's not necessarily better than the other--they're just different. They have different needs, require different levels of care. She knows plenty of customers who don't give it much thought and throw all their laundry in together, and maybe that's the chaotic part of life that just happens, that no matter how hard you try, you can't always keep things separate. A red sock gets mixed in with a load of whites, or a delicate black top gets washed in hot water by accident. These things happen. All you can do is learn from it and move on. Tell your husband to enjoy his pink underwear, give your shrunken top to your little sister or niece. But it doesn't mean that you stop sorting your laundry. You keep sorting--lights from darks, darks from lights--and hope for the best.
Darien Gee (Friendship Bread)
Oh, ‘it had to be done’?” he repeated. “Daphne, some of us actually want to keep our best friends, not push them down staircases
Katharine McGee (Majesty (American Royals, #2))
The future didn’t belong to people like Robert anymore. It belonged to her and Teddy, to Samantha and Jeff. To their entire generation of people, who were all dreaming and fighting and doing their best to make the world a better place.
Katharine McGee (Majesty (American Royals, #2))
You need a change of perspective, Thalli, not a change in circumstance. Joy comes from the Designer alone. Humans, even the best humans, are flawed. We cannot meet each other's needs completely. We were not designed to do that. We were created to be in relationship with the Designer. In him, we find true joy and peace. We find freedom in loving him and being loved by him. When we look to others to fill that hole, we find ourselves empty.
Krista McGee (Luminary (Anomaly, #2))
The ideal man bears the accidents of life with dignity and grace, making the best of circumstances.
Krista McGee (Starring Me)
No one should have to confess to murder alone. Haven't you heard? That's what best friends are for.
Katharine McGee (The Towering Sky (The Thousandth Floor, #3))
On the wall next to the door we’d entered through was a huge floor-to-ceiling bulletin/whiteboard combo and hanging from a thumbtack on the bulletin board amongst pictures and other various sorts of memorabilia was my bra. It’d been washed but it still had a good many blotches of pink on it. If that wasn’t shocking enough, the dialogue written over the last two weeks on the whiteboard pertaining to said bra certainly was. I’ll include the copy just so you can truly appreciate what I’m dealing with here. Tristan’s Mom: What’s this? Tristan: A size 34B lace covered slingshot. Jeff: Nice! Tristan’s Mom: Do I want to know? Tristan: I don’t know, do you? Tristan’s Mom: Not really. Are you planning on returning it or did you win some kind of prize? Tristan: I plead the fifth. Tristan’s Dad: Well done son. Jeff: Ditto! Tristan’s Mom: Don’t encourage him. Tristan: Gee, thanks Mom. Tristan’s Dad: Can’t a father be proud of his only child? Tristan’s Mom: He doesn’t need your help…obviously. Tristan’s Dad: That’s because he takes after me. Tristan: Was there anything else I can do for you two? Tristan’s Mom: Tell her I tried to get the stains out, but I’m afraid they set in before I got to it. Tristan: I’m sure she’ll appreciate your effort, but if I’m any judge (and I’d like to think I am) its size has caused it to become obsolete and she needs to trade up. Jeff: I’m so proud. Tristan: Thanks man. Tristan’s Mom: A name would be nice you know. Tristan: Camie. Tristan’s Mom: Do we get to meet her? Tristan: Sure. I’ll have my people call your people and set it up. Tristan’s Mom: I don’t know why I bother. Do you want anything from the store? Tristan: Yeah, Camie’s sleeping over tonight and I promised her bacon and eggs for breakfast. Jeff’s got the eggs covered but could you pick up some bacon for us and maybe a box of Twinkies for the bus? Thanks, you’re the best. Jeff: I have the eggs covered? Tristan’s Dad: He gets his sense of humor from you. Tristan’s Mom: Flattery will get you everywhere. How would you like your eggs prepared dear?
Jenn Cooksey (Shark Bait (Grab Your Pole, #1))
daughter of the servants.” “Gee, you must have been lonely, Judge, having nobody to play with.” “I played with Sam Westing—chess. Hour after hour I sat staring down at that chessboard. He lectured me, he insulted me, and he won every game.” The judge thought of their last game: She had been so excited about taking his queen, only to have the master checkmate her in the next move. Sam Westing had deliberately sacrificed his queen and she had fallen for it. “Stupid child, you can’t have a brain in that frizzy head to make a move like that.” Those were the last words he ever said to her. The judge continued: “I was sent to boarding school when I was twelve. My parents visited me at school when they could, but I never set foot in the Westing house again, not until two weeks ago.” “Your folks must have really worked hard,” Sandy said. “An education like that costs a fortune.” “Sam Westing paid for my education. He saw that I was accepted into the best schools, probably arranged for my first job, perhaps more, I don’t know.” “That’s the first decent thing I’ve heard about the old man.” “Hardly decent, Mr. McSouthers. It was to Sam Westing’s advantage to have a judge in his debt. Needless to say, I have excused myself from every case remotely connected with
Ellen Raskin (The Westing Game)
The libertarian philosophy doesn't explain the best way to grow a vegetable garden!" Why do some people talk as if there should be one concept or principle which is all you'll ever need to know in order to handle everything in life? Right now the PRIMARY threat to humanity--by a factor of a zillion--is the belief in "authority." And the solution--the ONLY solution--is for people to escape that superstition. Questions like, "But how do we care for the poor?" are 100% logically IRRELEVANT to proving that statism is immoral and destructive. "But gee, if I stop sawing off my toes with this steak knife, how will I balance my checkbook?" Why the hell do people imagine that anarchists have some obligation to explain how every aspect of everyone's life will work, just because they say, "Having a ruling class is immoral and irrational"? When someone tells you to stop advocating evil crap (e.g., statism), they don't suddenly acquire an obligation to explain the whole universe to you, or to guarantee that nothing bad will ever happen to anyone ever again.
Larken Rose
I feel like I've been in a dark tunnel, but now I'm no longer blinded by darkness, but rather by an overwhelming brightness. A brightness that makes me barely able to open my eyes. It's like I have no choice but to gravitate towards it, like it's pulling me out into the light. It's the best feeling in the world. It's my saving grace.
J.B. McGee (Forever (This #5))
Well, fuck a duck,” comes Morris’s delighted voice. I jerk in surprise, then spin around to glare at him for sneaking up on me from behind. Judging by the amusement dancing in his eyes, it’s obvious he peeked over my shoulder and caught a glimpse of the photo I’d been drooling over. “I was wondering how he’d pull that one off,” Morris remarks, still grinning like a fool. “Shouldn’t have doubted him, though. That dude is an unstoppable force of nature.” I narrow my eyes. “He told you about the picture?” “About the whole list, actually. We hung out last night—Lorris is close to taking over Brooklyn, by the way—and he was moaning and groaning about not being able to track down a red velvet couch.” Morris shrugs. “I offered to throw a red blanket on the sofa in my common room and take some pictures, but he said you’d consider that cheating and deprive him of your love.” Stifling a sigh, I shove the phone in my purse, then walk over to the mini-fridge across the room and grab a bottle of water. I twist off the cap, doing my best to ignore the sheer enjoyment Morris is getting out of this. “I wish I was gay,” he says ruefully. A snicker pops out. “Uh-huh. Go on. I’m willing to follow you down this rabbit hole and see where it leads.” “Seriously, Gretch, I love him. I have a boner for him.” Morris sighs. “If I’d known he existed, I wouldn’t have asked you out in the first place.” “Gee, thanks.” “Oh, shut up. You’re awesome, and I’d tap that in a second. But I can’t compete with this guy. He’s operating on a whole other level when it comes to you.
Elle Kennedy (The Mistake (Off-Campus, #2))
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
Law demands—grace gives. Law says “do”—grace says “believe.” Law exacts—grace bestows. Law says “work”—grace says “rest.” Law threatens, pronouncing a curse—grace entreats, pronouncing a blessing. Law says “Do, and thou shalt live”—grace says, “Live, and thou shalt do.” Law condemns the best man—grace saves the worst man.
J. Vernon McGee (Thru the Bible Commentary, Volumes 1-5: Genesis through Revelation)
Newsmen have a very short attention span. It is a prerequisite in the business. That is why the news accounts of almost anything make sense to all ages up to the age of twelve. If one wishes to enjoy newspapers, it is wise to halt all intellectual development right at that age. The schools are doing their level best to achieve this goal.
John D. MacDonald (A Deadly Shade of Gold (Travis McGee #5))
People change their behavior and thinking not because they are “told to be different” but when the conditions are present that require and empower them to figure out what to do and to act on a plan. Try giving teenagers a lot of advice and see if it changes behavior. They probably don’t look at you and say, “Gee, Dad, or Mom, thanks for explaining reality to me. Now I will run out and do it.” But if you provide context—by listening, sharing information and positive examples, setting expectations and consequences, creating a healthy emotional climate, and challenging them to do their best—they will figure it out and implement it. That is a lot better than just “telling them what to do.
Henry Cloud (Boundaries for Leaders: Results, Relationships, and Being Ridiculously in Charge)
What a damn shame, to have the best views in the world, only to cover your walls with mirrors and brocade curtains.
Katharine McGee (The Dazzling Heights (The Thousandth Floor, #2))
She told me she’d never forget me as long as she lived, and I got offended, because what, as soon as she dies I’m forgotten? Gee, thanks. I see how much I mean to her.
Jarod Kintz (This is the best book I've ever written, and it still sucks (This isn't really my best book))
Why is it that one of the best songs in the world has to be written by the BeeGees?" Benedict
Tricia Walker (Benedict's Brother)
It's odd," Amory said to Tom one night when they had grown more amicable on the subject, "that the people who violently disapprove of Burne's radicalism are distinctly the Pharisee class—I mean they're the best-educated men in college—the editors of the papers, like yourself and Ferrenby, the younger professors.... The illiterate athletes like Langueduc think he's getting eccentric, but they just say, 'Good old Burne has got some queer ideas in his head,' and pass on—the Pharisee class—Gee! they ridicule him unmercifully.
F. Scott Fitzgerald (This Side of Paradise)
What about Paul?" "Paul is for girls." "I like Paul best." "Well, you're a girl." "Why is Paul for girls?" Tread carefully, I tell myself. "Uh gee. Paul is, like, the Nice Beatle, you know?" "Is that bad?" "No, not at all. But guys are more interested in being cool, and John is the cool Beatle." "Oh. But he's dead.
Audrey Niffenegger (The Time Traveler’s Wife)
I’m sorry,” he whispered, pressing his cheek against her hair. “I’m such a jackass.” She rubbed her hands up and down his back. He was warm and alive and next to her. Nothing else really mattered. “Jackass seems strong,” she murmured. “How about a first-class screwup?” “If you’re going to do a job, then do it the best you can.” He chuckled low in his throat. “Gee, thanks.” “You’re welcome.
Susan Mallery (Kiss Me (Fool's Gold, #17))
MEANWHILE, THERE’S THE New Millennium technology craze . . . holy moly, is there ever . . . the breathless infatuation with hi-def, 3D, 5G, glued to the hand, glued to the ear, twenty-first-century cyber gee-whizzery. They’re coming at us so fast—the gizmos, the doodads, the gimcracks, the wonderments—so ubiquitously, so overwhelmingly, we’ve not yet found how best to wrangle each new miracle into genuine usefulness.
David McCullough Jr. (You Are Not Special)
I had only just arrived at the club when I bumped into Roger. After we had exchanged a few pleasantries, he lowered his voice and asked, “What do you think of Martha and I as a potential twosome?” “That,” I replied, “would be a mistake. Martha and me is more like it.” “You’re interested in Martha?” “I’m interested in clear communication.” “Fair enough,” he agreed. “May the best man win.” Then he sighed. “Here I thought we had a clear path to becoming a very unique couple.” “You couldn’t be a very unique couple, Roger.” “Oh? And why is that?” “Martha couldn’t be a little pregnant, could she?” “Say what? You think that Martha and me . . .” “Martha and I.” “Oh.” Roger blushed and set down his drink. “Gee, I didn’t know.” “Of course you didn’t,” I assured him. “Most people don’t.” “I feel very badly about this.” “You shouldn’t say that: I feel bad . . .” “Please, don’t,” Roger said. “If anyone’s at fault here, it’s me.
Steven Pinker (The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century)
Fake it till you become it. Before DWTS, I was not a choreographer; I was not a teacher. I was neither of those things and had never attempted them before. So the best I could do was fake it. I had to play the part of the pro for the cameras. I couldn’t walk into the studio and confide in Jennie or Shawn or any of my partners, “Gee, I’m sorry. I have no idea what I’m doing.” I had to take the lead and be strong. When I was dancing with Brooke Burke, they asked us to do the Lindy Hop. I had never done it before in my life. I went on YouTube and watched videos of how to do it. Then I printed out a floor plan of the steps and learned it right along with Brooke. Did I ever let her in on the fact that I was a novice here as well? No. I just projected confidence and assurance, and she picked up on that vibe and went along with it. We did a damn fine Lindy.
Derek Hough (Taking the Lead: Lessons from a Life in Motion)
Smoke-ccss-b85b07: Tell me about a time when you did something evil. ABlum: oh gee well sometimes i work too hard is that evil? Smoke-ccssb85b07: Sarcasm ignored. ABlum: ok um when i started college, my brother raph pressured me to join the ut austin chapter of his fraternity and i joined, only to discover that fraternities are the stupidest forms of social organization ever invented so, live and learn but at the end of the fall semester, one of my frat brothers offered to pay me to write his final history paper and i did it but i didn't want to get caught, so i read his earlier papers and put a lot of work into imitating his shitty writing which made the paper a d+ at best so he failed the class and i wouldn't give the money back so they made up an honor code violation and kicked me out of the frat and at the time i remember thinking "this has worked out surprisingly well" so, i don't know what you consider "evil" but i'm sure you can find it somewhere in there
Leonard Richardson (Constellation Games)
You don't have to say that," she insisted. "I mean - I'll understand, if you hate me." "I could never hate you, Bee. I just...I miss you." There was no reproach in Connor's words, only a weary, unflinching truth. "I miss you, too." she said, and meant it. Beatrice's tears were coming more freely now, but that wasn't surprising. Nothing in life hurt more than hurting the people you loved. Yet Beatrice knew she had to say all of this. She and Connor had loved each other too fiercely for her to let him go without a proper goodbye. "I am...forever changed by you," she added, her voice catching. "I gave you part of my heart a long time ago, and I've never gotten it back." "You don't need it back." His voice was rough with unshed tears. "I swear that I'll keep it safe. Everywhere I go, that part of you will come with me, and I will guard and treasure it. Always." A sob escaped her chest. She hurt for Connor and with Connor and because of Connor, all at once. This wasn't how breakups were meant to go. In the movies they always seemed so hateful, with people yelling and throwing things at each other. They weren't meant to be like this, tender and gentle and full of heartache. "Okay," she replied, through her tears. "That part of my heart is yours to keep." Connor stepped back, loosening his hand from hers, and Beatrice felt the thread between them pull taut and finally snap. She imagined that she could hear it - a crisp sort of sound, like the stem of a rose being snapped in two. Her body felt strangely sore, or maybe it was her heart that felt sore, recognizing the parts of it that she had given away, forever. "You're such an amazing person, Connor. I hope you find someone who deserves you." Again he attempted a crooked smile. "It won't be easy on her, trying to live up to the queen. For a small person, you cast quite the shadow," he said, and then his features grew serious once more. "Bee - if you ever need me, I'll be there for you. You know that, right?" She swallowed against a lump in her throat. "The same promise holds for me, too. I'm always here if you need me." As she spoke, the steel panel began to lift back into the ceiling. Beatrice straightened her shoulders beneath the cool silk of the gown, drew in a breath. Somehow she managed to gather up the tattered shreds of her self-control, as if she wasn't a young woman who'd just said goodbye to her first love - to her best friend. As of she wasn't a young woman at all, but a queen.
Katharine McGee (American Royals II: Majesty)
Science is getting knocked on all sides these days, not only from religious fundamentalists, but from all kinds of people who perceive science as arrogant, one-sided, and the source of the troubles that come with the technology it produces. It's true that individuL scientists can be so arrogant and narrowly focused, they're blind to any but their own truths, and that new discoveries bring new problems with them. Still, I don't know many people who would refuse a biopsy for a newly discovered lump because they think science needs to be taken down a peg or two. Religion gets knocked for the same kinds of reasons as science: for its arrogance, narowmindedness, and tendency to create more trouble than it's worth. Religion is also accused of concealing reality under a comforting blanket of measureless faith -- the flip side, perhaps of the scientist for whom nothing can be real until she has measured it. My own sojourn into religion convinced me that good religion reveals rather than conceals. Religion is the soul in search of itself and its relationship to the cosmos. This journey requires looking at all of it: the joy, the sorrow, the beauty and the horror of life. We hope for the best. We want meaning and love to exist not only in ourselves, but in the very soul of the universe. At times this great hope might tempt us to pick and choose only the data that supports our desires. But in religion as in boat-building, the design must be tested in all conditions. When I say that I'm trying to pay attention, and that paying attention means being willing to look at all of it, I think I'm trying for the same moment of clarity that Graham experienced when the wind blew all over his theory. Looking at all of it is what good science is about. I believe that it's also what good religion is about.
Margaret D. McGee
gee i like to think of dead" gee i like to think of dead it means nearer because deeper firmer since darker than little round water at one end of the well       it's too cool to be crooked and it's too firm to be hard but it's sharp and it's thick and it loves,      every old thing falls in rosebugs and jackknives and kittens and pennies they all sit there looking at each other having the fastest time because they've never met before dead's more even than how many ways of sitting on your head your unnatural hair has in the morning dead's clever too like POF goes the alarm off and the little striker having the best time tickling away every- body's brain so everybody just puts out their finger and they stuff the poor thing all full of fingers dead has a smile like the nicest man you've never met who maybe winks at you in a streetcar and you pretend you don't but really you do see and you are My how glad he winked and hope he'll do it again or if it talks about you somewhere behind your back it makes your neck feel all pleasant and stoopid      and if dead says may i have this one and was never intro- duced you say Yes because you know you want it to dance with you and it wants to and it can dance and Whocares dead's fine like hands do you see that water flowerpots in windows but they live higher in their house than you so that's all you see but you don't want to dead's happy like the way underclothes All so differ- ently solemn and inti and sitting on one string dead never says my dear,Time for your musiclesson and you like music and to have somebody play who can but you know you never can and why have to? dead's nice like a dance where you danced simple hours and you take all your prickley-clothes off and squeeze- into-largeness without one word      and you lie still as anything      in largeness and this largeness begins to give you,the dance all over again and you,feel all again all over the way men you liked made you feel when they touched you(but that's not all)because largeness tells you so you can feel what you made,men feel when,you touched,them dead's sorry like a thistlefluff-thing which goes land- ing away all by himself on somebody's roof or some- thing where who-ever-heard-of-growing and nobody expects you to anyway dead says come with me he says(and why ever not)into the round well and see the kitten and the penny and the jackknife and the rosebug                                 and you say Sure you say  (like that)  sure i'll come with you you say for i like kittens i do and jackknives i do and pennies i do and rosebugs i do E.E. Cummings, 100 Selected Poems. (Grove Press, January 10, 1994) Originally published 1954.
E.E. Cummings (100 Selected Poems)
It’s not all sex work, of course. Any business of that size needs support and grounds staff—” “Gee, Mom.” Melanie’s voice dripped with sarcasm. “Can I get a summer job there? I’ll be the best jizz-mopper ever!” “Melanie!” Emma snapped. I quickly shoved a forkful of prawn in my mouth, trying to keep myself from laughing, but I couldn’t hold a straight face. Melanie grinned at me, sensing a kindred spirit at the table. “Language,” Caitlin told Melanie, then looked sidelong at me and muttered, “Don’t encourage her.
Craig Schaefer (Redemption Song (Daniel Faust, #2))
He howls when the Bee Gees play on the radio, like he always has, though she’ll never know if this is a complete coincidence or if Gibb falsetto is the only frequency her deaf dog can discern. But that’s Auggie’s only real mystery, other than where he came from. Minnie knows her best friend. She knows his excited bark from his anxious bark, his I’m-hungry whine from his I-have-to-go-out whine. When he rolls on his back, he wants to be rubbed not on his belly but on the top of his head, and she shares his belief that the pizza delivery guy simply must be given a hero’s frenzied welcome every time. She’s given him food and shelter, walks and tossed Frisbees; he’s given her courage and strength by first giving her unconditional love. She never had to ask for it. It came into her life. All she had to do was trust it. Which is so much harder than it sounds.
Kate Racculia (Bellweather Rhapsody)
Applying a value lens to stakeholder capitalism, two ideas strike me as particularly important. First, business creates substantial value for customers, employees, and suppliers even if its only goal is to maximize financial returns. Think of all the stories in this book—Best Buy, Apple, Michelin, Quest, Intel, Tommy Hilfiger, and many more. Every one of them is testament to the ability of business to create significant customer delight, employee satisfaction, and supplier surplus. Competition is our best assurance that companies continue to innovate in service to these stakeholders. Second,
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
And after they’ve been talking for a while and John shares all this information, Greg comes back with “Well, gee, John. It seems to me that if you kill yourself today, your boys are going to lose their best friend.
Jonah Berger (The Catalyst: How to Change Anyone's Mind)
According to research, fathers with children under eighteen spend about three more hours per week on leisure time than mothers. And while leisure activities for men generally include playing sports, exercising, or watching TV or other media, mothers' activities are often expected to be normal day-to-day activities chalked up to self-care. "Go take a bath! Go take a nap! Go to bed early!" Gee, thanks, society. When we aren't momming, we are expected to be working; and when we aren't working we are expected to be momming! Maybe this is why mothers feel more exhausted and stressed during their leisure time than fathers do, and why co-opting a business trip for some R&R is the best excuse there is to do business.
Emily Lynn Paulson (Hey, Hun: Sales, Sisterhood, Supremacy, and the Other Lies Behind Multilevel Marketing)
What do executives love best about customer delight? The fact that it is highly contagious. Just ask David Vélez, CEO of Brazil’s Nubank, the world’s largest independent digital bank. Nubank gains more than 40,000 customers each day, 80 percent of them through referrals from existing customers.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Hubert Joly, a former strategy consultant and most recently CEO of Carlson, a hotel and travel conglomerate, took on the challenge. Recognizing the dire circumstances, Joly and his team devised a plan they dubbed Renew Blue. The core idea was to create more customer value by increasing WTP and improving price perception. Rather than thinking of Best Buy’s more than 1,000 stores as a liability that made it difficult to compete, the company reimagined their role and turned them into assets. Going forward, the stores would serve four functions: points of sale (the traditional role), showrooms for brands that built stores-within-a-store, pickup locations, and mini-warehouses.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Our mission is to be the destination and authority for technology products and services. We are here to help our customers discover, choose, purchase, finance, activate, enjoy, and eventually replace their technology products. We also help our vendor partners market their products by providing them the best showroom for technology products, both online and in our stores.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
There are three reasons why this type of thinking is prevalent in companies that create exceptional value. A first is that in most industries, variation in profitability inside the industry exceeds the profitability differences across industries.14 In other words, your best opportunities are almost always in your current industry, even if it is considered a difficult place for business. A second reason to focus on competitive positions inside an industry (versus industry attractiveness) is that positive industry fundamentals will simply be reflected in the multiples that companies need to pay to enter an attractive industry. Finally, for companies that happen to be in struggling industries, a focus on headwinds is demoralizing, and it likely contributes to decreases in productivity. “It’s a virtuous cycle,” says Joly.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
is surprising, perhaps, but true nevertheless: the companies that perform best do not think about themselves first and foremost. They dream up ever better ways to create value for others. Think value, not profit, and profit will follow.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Companies compete for customers by creating superior customer delight. Many companies strive to be best in class. But having better quality and higher WTP is no guarantee for success. What matters is the difference between WTP and price—in other words, customer delight.
Felix Oberholzer-Gee (Better, Simpler Strategy: A Value-Based Guide to Exceptional Performance)
Halston listened to her thoughtfully, smoking a cigarette, and when Liza was finished with her lament, he said softly, “Gee, I think about my life, and I’ve just had a wonderful life. Always. I was always a success. I’ve always had the best workers. I’ve always had the nicest friends. I always had everything I wanted.’ He smiled his perfect smile at her. ‘I’ve had a great life,’ he said.
Steven Gaines (Simply Halston: The Untold Story)
I Feel for You,” Chaka Khan “She’s a Bad Mama Jama,” Carl Carlton “Ring My Bell,” Anita Ward “More Bounce to the Ounce,” Zapp “Le Freak,” CHIC “Best of My Love,” The Emotions “You Dropped a Bomb on Me,” The Gap Band “Forget Me Nots,” Patrice Rushen “I’m Coming Out,” Diana Ross “Let’s Groove,” Earth, Wind & Fire “Xanadu,” Olivia Newton-John “Night Fever,” Bee Gees “Love Rollercoaster,” Ohio Players “Get Down on It,” Kool & The Gang
Maggie Smith (You Could Make This Place Beautiful)
Of the many brief tests designed to identify patients at higher risk for falls, the best studied are “stops walking when talking” and “timed up-and-go” tests. In studies of these tests, the history of a prior fall during the previous year predicts another fall in the next 6 to 12 months, with a sensitivity of 20% to 62%, specificity of 71% to 93%, and positive LR of = 2.4.
Steven McGee (Evidence-Based Physical Diagnosis E-Book)
You want to know how I’m feeling? Leda thought furiously. For starters, she’d been betrayed by her best friend and the only boy she’d ever really cared about, the boy she’d lost her virginity to. Now the two of them were together even though they were adopted siblings. On top of that, she’d caught her dad cheating on her mom with one of her classmates—Leda couldn’t bring herself to call Eris a friend. Oh, and then Eris had died, because Leda had accidentally pushed her from the roof of the Tower. “I’m fine,” she said briskly.
Katharine McGee (The Dazzling Heights (The Thousandth Floor #2))
Today,” he said simply. “Which will only last until tomorrow, and then tomorrow will be the best day. Because every day with you is better than the one before.
Katharine McGee (The Dazzling Heights (The Thousandth Floor #2))
point of justification is that we can never achieve perfection on this earth; even our best efforts at self-righteousness are as filthy rags to God (Isa. 64:6).
Robert S. McGee (The Search for Significance: Seeing Your True Worth Through God's Eyes)
Steve and I would go our separate ways. He would leave Lakefield on Croc One and go directly to rendezvous with Philippe Cousteau for the filming of Ocean’s Deadliest. We tried to figure out how we could all be together for the shoot, but there just wasn’t enough room on the boat. Still, Steve came to me one morning while I was dressing Robert. “Why don’t you stay for two more days?” he said. “We could change your flight out. It would be worth it.” When I first met Steve, I made a deal with myself. Whenever Steve suggested a trip, activity, or project, I would go for it. I found it all too easy to come up with an excuse not to do something. “Oh, gee, Steve, I don’t feel like climbing that mountain, or fording that river,” I could have said. “I’m a bit tired, and it’s a bit cold, or it’s a bit hot and I’m a bit warm.” There always could be some reason. Instead I decided to be game for whatever Steve proposed. Inevitably, I found myself on the best adventures of my life. For some reason, this time I didn’t say yes. I fell silent. I thought about how it would work and the logistics of it all. A thousand concerns flitted through my mind. While I was mulling it over, I realized Steve had already walked off. It was the first time I hadn’t said, “Yeah, great, let’s go for it.” And I didn’t really know why. Steve drove us to the airstrip at the ranger station. One of the young rangers there immediately began to bend his ear about a wildlife issue. I took Robert off to pee on a bush before we had to get on the plane. It was just a tiny little prop plane and there would be no restroom until we got to Cairns. When we came back, all the general talk meant that there wasn’t much time left for us to say good-bye. Bindi pressed a note into Steve’s hand and said, “Don’t read this until we’re gone.” I gave Steve a big hug and a kiss. Then I kissed him again. I wanted to warn him to be careful about diving. It was my same old fear and discomfort with all his underwater adventures. A few days earlier, as Steve stepped off a dinghy, his boot had gotten tangled in a rope. “Watch out for that rope,” I said. He shot me a look that said, I’ve just caught forty-nine crocodiles in three weeks, and you’re thinking I’m going to fall over a rope? I laughed sheepishly. It seemed absurd to caution Steve about being careful. Steve was his usual enthusiastic self as we climbed into the plane. We knew we would see each other in less than two weeks. I would head back to the zoo, get some work done, and leave for Tasmania. Steve would do his filming trip. Then we would all be together again. We had arrived at a remarkable place in our relationship. Our trip to Lakefield had been one of the most special months of my entire life. The kids had a great time. We were all in the same place together, not only physically, but emotionally, mentally, and spiritually. We were all there.
Terri Irwin (Steve & Me)
That trip was epic. Every day was an adventure. Bindi sat down for her formal schooling at a little table under the big trees by the river, with the kookaburras singing and the occasional lizard or snake cruising through camp. She had the best scientists from the University of Queensland around to answer her questions. I could tell Steve didn’t want it to end. We had been in bush camp for five weeks. Bindi, Robert, and I were now scheduled for a trip to Tasmania. Along with us would be their teacher, Emma (the kids called her “Miss Emma”), and Kate, her sister, who also worked at the zoo. It was a trip I had planned for a long time. Emma would celebrate her thirtieth birthday, and Kate would see her first snow. Steve and I would go our separate ways. He would leave Lakefield on Croc One and go directly to rendezvous with Philippe Cousteau for the filming of Ocean’s Deadliest. We tried to figure out how we could all be together for the shoot, but there just wasn’t enough room on the boat. Still, Steve came to me one morning while I was dressing Robert. “Why don’t you stay for two more days?” he said. “We could change your flight out. It would be worth it.” When I first met Steve, I made a deal with myself. Whenever Steve suggested a trip, activity, or project, I would go for it. I found it all too easy to come up with an excuse not to do something. “Oh, gee, Steve, I don’t feel like climbing that mountain, or fording that river,” I could have said. “I’m a bit tired, and it’s a bit cold, or it’s a bit hot and I’m a bit warm.” There always could be some reason. Instead I decided to be game for whatever Steve proposed. Inevitably, I found myself on the best adventures of my life. For some reason, this time I didn’t say yes. I fell silent. I thought about how it would work and the logistics of it all. A thousand concerns flitted through my mind. While I was mulling it over, I realized Steve had already walked off. It was the first time I hadn’t said, “Yeah, great, let’s go for it.” And I didn’t really know why.
Terri Irwin (Steve & Me)
When I first met Steve, I made a deal with myself. Whenever Steve suggested a trip, activity, or project, I would go for it. I found it all too easy to come up with an excuse not to do something. “Oh, gee, Steve, I don’t feel like climbing that mountain, or fording that river,” I could have said. “I’m a bit tired, and it’s a bit cold, or it’s a bit hot and I’m a bit warm.” There always could be some reason. Instead I decided to be game for whatever Steve proposed. Inevitably, I found myself on the best adventures of my life.
Terri Irwin (Steve & Me)
All of your life, someone is pointing the way, directing you this way and that, determining for you which road is best traveled... Here is your chance to find your own way. Don't ask me how to get to McGee Canyon or Lake Double-Eleven-0. Go, on your own. Be adventuresome. Don't forever seek the easiest way. Take the way you find. Don't demand trail signs and sturdy bridges. Don't demand we show you the mountains. Seek them and find them yourself... Be free enough from intentions to find goodness wherever you are and in whatever is happening. Here for once in your life you needn't do anything, be anywhere at a determined time, walk in a certain direction. You can now live by whim. Here's your one chance to get lost, fall in the creek, find a beautiful place. - Randy Morgenson
Eric Blehm, The Last Season
Wednesday, 16 November 2011: United States (US) senator Bernie Sanders gives a remarkable speech, which is worth quoting at some length: There is a war going on in this country.… I am talking about a war being waged by some of the wealthiest and most powerful people in this country against the working families of the United States of America, against the disappearing and shrinking middle class of our country. The reality is that many of the nation’s billionaires are on the war-path, they want more, more, more. Their greed has no end.… The reality is that many of these folks [the wealthy] want to bring the United States back to where we were in the 1920s. And they want to do their best to eliminate all traces of social legislation, which working families fought tooth and nail to develop to bring a modicum of stability and security to their lives.… While we struggle with a record breaking deficit and a large national debt, caused by the wars in Iraq and Afghanistan, caused by tax breaks for the wealthy … caused by the Wall Street bailout, driving up the deficit, driving up the national debt, so that people can say oh my goodness, we have got all of those expenses and then we got to give tax breaks to millionaires and billionaires, but we want to balance the budget. Gee, how are we going to do that? Well, obviously, we know how they are going to do that. We are going to cut back on health care … education … childcare … food stamps, … we surely are not going to expand unemployment compensation, … we got a higher priority, … we have got to, got to, got to give tax breaks to billionaires.
Kees van Kersbergen (Comparative Welfare State Politics)
In Gee’s Bend, Alabama, he bent an ear to church-mother Mrs. Eugene Witherspoon, who informed him that "watery grits goes with sleazy ways.
John Egerton (Cornbread Nation 1: The Best of Southern Food Writing)
I’m sure she’d respond to some big romantic gesture.” Daphne paused, trying to remember everything she knew about Samantha’s best friend. “She’s always dreamed of visiting Venice. She collects M&M’s from foreign countries. She works in a library, for god’s sake.
Katharine McGee (Majesty (American Royals, #2))
Other women say they can climax best with the application of pressure deep within the vagina, which led the gynecologist Ernst Grafenberg and his partisans to propose the existence of a Grafenberg, or G, spot, a sort of second, internalized clitoris. The G spot is said to be a two-inch cushion of highly erogenous tissue located on the front wall of the vagina, right where the vagina wraps around the urethra, the tube that carries urine from the bladder. Some have said that the G spot is embedded in the so-called Skene’s glands, which generate mucus to help lubricate the urethral tract. Others have said that the gee-whiz spot is actually the sphincter muscle, which keeps the urethra clamped shut until you’re ready to void. Still others question the existence of a discrete G spot altogether. Let’s not bother inventing novel erogenous loci, they say, when the existing infrastructure will do. The roots of the clitoris run deep, after all, and very likely can be tickled through posterior agitation. In other words, the G spot may be nothing more than the back end of the clitoris.
Natalie Angier (Woman: An Intimate Geography)
It is said: “The best things in life are free”— often stated when one has no money! But once they have got oodles of money, how many exclaim: “Gee, I’m so happy!
Rodolfo Martin Vitangcol
LaTrivia delivers a Quinn and Leslie quote of note when he draws this line of distinction: “A statesman is always out to get his country the best deal he can. A politician is always out to get his.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Keri answered the door, looking frazzled and not having the best hair day he’d ever seen. “Hi, Sean. I was just thinking, gee, I need more Kowalskis in my life right now.” He laughed and stepped into the big foyer. “Baby acting up?” “I thought the Kowalski men were royal pains in the ass—no offense—but you guys have nothing on the girls.” “Joe writing?” She blew out a sharp breath and put her hands on her hips. “No. Joe is pretending to write so I won’t dump Brianna in his lap, but he’s probably playing some stupid game.” From the other room came a pissed-off howl that Sean hoped was their daughter and not a wild animal foraging for table scraps. “So he’s in his office?” Keri nodded and waved a hand in that direction before making a growling sound and heading off to appease her daughter. Welcome to the jungle, he mused before heading to Joe’s office. He rapped twice on the door, then let himself in. Joe looked up with a guilty start and Sean knew his wife had him all figured out. “She knows you’re only pretending to write so you don’t have to deal with the kid.” “You know what really sucks? Everybody keeps saying to just wait till she’s older. Like it gets worse. How can it get worse?” Sean lifted his hands in a “don’t ask me” gesture. “For years I’ve been writing about boogeymen and the evil that lurks in the hearts of men. I had no idea there’s nothing scarier than a baby girl.” Sean laughed. “She can’t be that bad. What does she weigh? Ten pounds?” “Fifteen. But it’s fifteen pounds of foul temper and fouler smells. Trust me.” “I’ll take your word for it.” Joe leaned back in his leather office chair and sighed. “Let’s talk about your life. She still on the couch?” “Yes, she is.” “Good. I said you’d last three weeks.” Maybe, but Sean wouldn’t bet on it. Or he shouldn’t have bet on it, anyway. Especially a whole month. His balls ached just thinking about it. “You guys come up with a plan for the kids for Saturday yet?” “Yeah, but it’s going to cost you.” “Not a problem. I’ll just take it out of all the money I’m going to collect from you idiots at the end of the month.” Joe grinned. “You keep telling yourself that, buddy.” He was. With as much oomph as he could muster. And he’d probably keep telling himself that up to the minute he got Emma naked.
Shannon Stacey (Yours to Keep (Kowalski Family, #3))
I’ve been trying to think of the best way to get in touch with you. I found your address, but no phone number, and I—” “You know where I live?” He looked around a little nervously; she made it sound as if he was some ax murderer or something. “Let’s not get loud here,” he suggested. “I needed to find you. I looked you up on the computer. You bought a house.” “Oh, for God’s sake,” she said, rubbing her temples. She seemed to gather herself from within. “All right. What do you want?” Now this was pissing him off all over again. “Gee, was I confusing you? I want us to have a conversation, maybe talk about what happened to us. I wanted to tell you that it didn’t take me long to wish I’d been more…more…cooperative when we had the argument that broke us up.” “Well, Sean, it did actually take you too long,” she said. “So there—consider your mission accomplished. You told me. Now, can you please go away and leave me alone?” “No, I can’t,” he said. “So I get it—you’re still mad. We can’t really deal with that without talking.” “But I said I don’t want to!” she stated, raising her voice again. “Franci,” he said quietly. “Could we try not to make a big scene here…” “Look, I told you, I’m in a hurry. You still using the same cell number?” she asked. He nodded. “Great, I’ll call you sometime. Now, excuse me, if you’d please just leave me alone, I’d appreciate it very much.” Polite as that might’ve sounded, it was stated angrily, and people had stopped shopping and began watching them. She turned away from him and he grabbed her arm again. “Franci, I am not going away. This is important.” Suddenly
Robyn Carr (Angel's Peak (Virgin River #10))
God had His plans. And any journey He invited her to go on would always be an adventure. Perhaps not the one she expected, but always the one that would be the best for her.
Stephenia H. McGee (Missing Mercy (Ironwood Plantation Family #3))
When Marian was diagnosed with ovarian cancer, the Jordans in essence retired and closed the hall closet for good. She died on April 7, 1961. Jim lived to be 91, succumbing on a date in 1988 that seems appropriate for one of radio’s best jokers: April 1st.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Although some of the predicaments McGee found himself in were downright silly, they never seemed as contrived as those entangling the Aldrich and Bumstead families. Once listeners bought Fibber, they bought the whole package. What sold the show was Fibber and Molly and, in Jim and Marian Jordan, the writers had two of the best comic actors on the air to bring their dialogue to life and get the maximum effect from the lines.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Fibber delivers the best line of the show after Wilcox reveals his shirt size. “17½? Wow! That ain’t a shirt. That’s a step-in.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Jim has never received adequate recognition for his skills as a comic actor. Fred Allen’s status as a witty ad-libber is well-documented, yet Jim could fire off an spontaneous line with the best of them. It is this talent of the quick quip that is noted in the comments of numerous episodes in this book.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
The show was one of radio’s most consistent until 1950, when Harold Peary announced that he was quitting his starring role. Rumor had it that Peary had held out for more money. His series was still carrying a rating in the midteens—certainly no disgrace at any time, and highly respectable in radio’s final years, when the once-lofty Hope, Bergen, Benny, and Fibber powerhouses were doing little better themselves. Peary admitted he was bored: he had slowly tired of the role and was frustrated that his onceremarkable versatility had been eclipsed under a blanket of Gildersleeve typecasting. People forgot that he had been a singer, he said, and that he had been one of the best of the old Chicago dialect men in the days before he moved with Fibber McGee and Molly to Hollywood. This might have killed most shows, but NBC and Kraft had on tap one Willard Waterman, who had once been denied acting jobs on McGee because his voice sounded so much like Peary’s. Waterman and Peary had traveled similar routes on their climb through radio. Waterman had arrived in Chicago around 1936 and had played many of the same bit parts that Peary would do the following year. While Peary was establishing himself on McGee, Waterman was working The First Nighter Program, Ma Perkins, and The Story of Mary Marlin. Like Peary, Waterman was a prolific and versatile talent, doing up to 40 parts in a week.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
The vagabond period lasted 19 weeks: then the McGees arrived in a little town called Wistful Vista, somewhere in America. Fibber bought a raffle ticket and won the prize, a house, whose address at 79 Wistful Vista was soon to become the best-known habitat on the air. The McGees moved in Sept. 2, 1935.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
Maybe that was just the way love went—it was something that happened *to* you, and the best preparation you could hope for was the chance to take a deep breath before the wave of it crashed above you and you were in over your head.
Katharine McGee (The Towering Sky (The Thousandth Floor, #3))
Sometimes the adage of the simplest things in life being the best (jokes included) is true as evidenced by Fibber’s pithy comment on the Old Timer’s short career of being shot out of a cannon: “You mean, they fired you and then you quit.” In the tag Jim and Marian acknowledge the contribution of Ken Darby, who eventually will win three Oscars of his own, in helping “Zip-a-Dee-Doo-Dah” win the 1947 Academy Award for Best Song.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
The Mike Douglas Show wasn’t the only place to find colored people on television. Each week, Jet magazine pointed out all the shows with colored people. My sisters and I became expert colored counters. We had it down to a science. Not only did we count how many colored people were on TV, we also counted the number of words the actors were given to say. For instance, it was easy to count the number of words the Negro engineer on Mission Impossible spoke as well as the black POW on Hogan’s Heroes. Sometimes the black POW didn’t have any words to say, so we scored him a “1” for being there. We counted how many times Lieutenant Uhuru hailed the frequency on Star Trek. We’d even take turns being her, although Big Ma would have never let us wear a minidress or space boots. But then there was I Spy. All three of us together couldn’t count every word Bill Cosby said. And then there was a new show, Julia, coming in September, starring Diahann Carroll. We agreed to shout out “Black Infinity!” when Julia came on because each episode would be all about her character. We didn’t just count the shows. We counted the commercials as well. We’d run into the TV room in time to catch the commercials with colored people using deodorant, shaving cream, and wash powder. There was a little colored girl on our favorite commercial who looked just like Fern. In fact, I said that little girl could have been Fern, which made Vonetta jealous. In the commercial, the little girl took a bite of buttered bread and said, “Gee, Ma. This is the best butter I ever ate.” Then we’d say it the way she did, in her dead, expressionless voice; and we’d outdo ourselves trying to say it with the right amount of deadness. We figured that that was how the commercial people told her to say it. Not too colored. Then we’d get silly and say it every kind of colored way we knew how.
Rita Williams-Garcia (One Crazy Summer (Gaither Sisters, #1))
This set Brad off. “A lot of us in this room have not grown up—and I mean that in the best way,” he said. “The conundrum is how to become mature, how to take on responsibility and become reliable while at the same time preserving your childlike wonder. People have come up to me many times, as I’m sure has happened to many people in this room, and said, ‘Gee, I wish I could be creative like you. That would be something, to be able to draw.’ But I believe that everyone begins with the ability to draw. Kids are instinctively there. But a lot of them unlearn it. Or people tell them they can’t or it’s impractical. So yes, kids have to grow up, but maybe there’s a way to suggest that they could be better off if they held onto some of their childish ideas.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
Therefore, if we have trusted in Christ for our salvation, we each can say with certainty, “I am completely forgiven and am fully pleasing to God.” Some people have difficulty thinking of themselves as being pleasing to God because they link being pleasing so strongly with performance. They tend to be displeased with anything short of perfection in themselves and suspect that God has the same standard. The point of justification is that we can never achieve perfection on this earth; even our best efforts at self-righteousness are as filthy rags to God (Isa. 64:6). Yet He loves us so much that He appointed His Son to pay for our sins and to give us His own righteousness, His perfect status before the Father.
Robert S. McGee (The Search for Significance: Seeing Your True Worth Through God's Eyes)
The writers chose a gem of an image reflecting the duration of Alice’s talkathon, that of Wilcox planting a redwood which will get to the sawmill before she relinquishes the phone. In their respectful closing the Jordans extend best wishes to Harry Truman who became president after Roosevelt’s death five days before this broadcast.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
A report citing a Hamburg radio announcement regarding the death of Adolph Hitler precedes Harlow’s introduction. The tongue twister returns after a long absence, last used on the February 24, 1942 broadcast. In his blow-by-blow account of an imaginary encounter with Bronson, McGee gets the worst of it but listeners get to enjoy the best of it.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))
Harlow pitches war bonds in lieu of the middle commercial. What this program meant to radio listeners is best conveyed in the wording of the citation from Catholic War Veterans read near the end of the show: “To the beloved Fibber McGee and Molly of America’s millions in recognition of their successful efforts to lighten the burdens of American people in a time of great ordeal through understanding and clean comedy and in acknowledgement of their accomplishment in portraying the American home through gentle humor in true dignity as a great source of our national strength.
Clair Schulz (FIBBER McGEE & MOLLY ON THE AIR, 1935-1959 (REVISED AND ENLARGED EDITION))