Gas Station Quotes

We've searched our database for all the quotes and captions related to Gas Station. Here they are! All 100 of them:

I am a greaser. I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man do I have fun!
S.E. Hinton (The Outsiders)
Where did she come from, and where can I find one?" "Picked this one up at a gas station in West Virginia, bargain price. Last one on the shelf, sorry.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
You don't necessarily have to write to be a poet. Some people work in gas stations and they're poets. I don't call myself a poet, because I don't like the word. I'm a trapeze artist.
Bob Dylan
Librarian is a service occupation. Gas station attendant of the mind.
Richard Powers
Money is like gasoline during a road trip. You don’t want to run out of gas on your trip, but you’re not doing a tour of gas stations.
Tim O'Reilly
The only thing that really worried me was the ether. There is nothing in the world more helpless and irresponsible and depraved than a man in the depths of an ether binge. And I knew we'd get into that rotten stuff pretty soon. Probably at the next gas station.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
I figured I could get a job at a filling station somewhere, putting gas and oil in people's cars. I didn't care what kind of job it was, though. Just so people didn't know me and I didn't know anybody. I thought what I'd do was, I'd pretend I was one of those deaf-mutes. That way I wouldn't have to have any goddam stupid useless conversations with anybody. If anybody wanted to tell me something, they'd have to write it on a piece of paper and shove it over to me. They'd get bored as hell doing that after a while, and then I'd be through with having conversations for the rest of my life. Everybody'd think I was just a poor deaf-mute bastard and they'd leave me alone.
J.D. Salinger (The Catcher in the Rye)
Half-drunk on well-creamed gas station coffee and the exhilarating loneliness of a freeway in nighttime...
John Green (An Abundance of Katherines)
Jeevan found himself thinking about how human the city is, how human everything is. We bemoaned the impersonality of the modern world, but that was a lie, it seemed to him; it had never been impersonal at all. There had always been a massive delicate infrastructure of people, all of them working unnoticed around us, and when people stop going to work, the entire operation grinds to a halt. No one delivers fuel to the gas stations or the airports. Cars are stranded. Airplanes cannot fly. Trucks remain at their points of origin. Food never reaches the cities; grocery stores close. Businesses are locked and then looted. No one comes to work at the power plants or the substations, no one removes fallen trees from electrical lines. Jeevan was standing by the window when the lights went out.
Emily St. John Mandel (Station Eleven)
I guess I´m too used to sitting in a small room and making words do a few things. I see enough of humanity at the racetracks, the supermarkets, gas stations, freeways, cafes, etc. This can´t be helped. But I feel like kicking myself in the ass when I go to gatherings, even if the drinks are free. It never works for me. I´ve got enough clay to play with. People empty me. I have to get away to refill. I´m what´s best for me, sitting here slouched, smoking a beedie and watching this creen flash the words. Seldom do you meet a rare or interesting person. It´s more than galling, it´s a fucking constant shock. It´s making a god-damned grouch out of me. Anybody can be a god-damned grouch and most are. Help!
Charles Bukowski (The Captain is Out to Lunch and the Sailors Have Taken Over the Ship)
I am a greaser," Sodapop chanted. "I am a JD and a hood. I blacken the name of our fair city. I beat up people. I rob gas stations. I am a menace to society. Man, do I have fun!" "Greaser...greaser...greaser..."Steve singsonged. "O, victim of enviornment, underprivelaged, rotton no-count hood!" Juvenile delinquent, you're no good!" Darry shouted. Get thee hence, white trash," Two-Bit said in asnobbish voice. "I am a Soc. I am the privelaged and the well-dressed. I throw beer blasts, drive fancy cars, break windows at fancy parties." And what do you do for fun?" I inquired in a serious, awed voice. I jump greasers!" Two-Bit screamed, and did a cartwheel.
S.E. Hinton
His name was Rambo, and he was just some nothing kid for all anybody knew, standing by the pump of a gas station at the outskirts of Madison, Kentucky.
David Morrell (First Blood)
Ali wrinkled her forehead and cocked her head to the side. Clearly, she hadn't prepared herself for me to be pleasant. After a moment, her eyes narrowed. "What exactly did you and Lake did yesterday?" she asked, like we might have held up a gas station and gone on a crime spree across the country, all in the span of just a few hours. "We went to Mexico, had some tequila, eloped with a pair of drug smugglers, and took part-time jobs as exotic dancers. You know, same old, same old." Ali snorted. "I'm torn on stripper names. It's either going to be Lady Love or Wolfsbane Lane. Thoughts?" Ali threw a onesie at me. "Brat.
Jennifer Lynn Barnes (Raised by Wolves (Raised by Wolves, #1))
Travel is little beds and cramped bathrooms. It’s old television sets and slow Internet connections. Travel is extraordinary conversations with ordinary people. It’s waiters, gas station attendants, and housekeepers becoming the most interesting people in the world. It’s churches that are compelling enough to enter. It’s McDonald’s being a luxury. It’s the realization that you may have been born in the wrong country. Travel is a smile that leads to a conversation in broken English. It’s the epiphany that pretty girls smile the same way all over the world. Travel is tipping 10% and being embraced for it. Travel is the same white T-shirt again tomorrow. Travel is accented sex after good wine and too many unfiltered cigarettes. Travel is flowing in the back of a bus with giggly strangers. It’s a street full of bearded backpackers looking down at maps. Travel is wishing for one more bite of whatever that just was. It’s the rediscovery of walking somewhere. It’s sharing a bottle of liquor on an overnight train with a new friend. Travel is “Maybe I don’t have to do it that way when I get back home.” It’s nostalgia for studying abroad that one semester. Travel is realizing that “age thirty” should be shed of its goddamn stigma.
Nick Miller
I've never been a fan of personality-conflict burgers and identity-crisis omelets with patchouli oil. I function very well on a diet that consists of Chicken Catastrophe and Eggs Overwhelming and a tall, cool Janitor-in-a-Drum. I like to walk out of a restaurant with enough gas to open a Mobil station.
Tom Waits
Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work.
Tim Dorsey (Gator A-Go-Go (Serge Storms, #12))
...he asked, "Where are you today, right now?" Eagerly, I started talking about myself. However, I noticed that I was still being sidetracked from getting answers to my questions. Still, I told him about my distant and recent past and about my inexplicable depressions. He listened patiently and intently, as if he had all the time in the world, until I finished several hours later. "Very well," he said. "But you still have not answered my question about where you are." "Yes I did, remember? I told you how I got to where I am today: by hard work." "Where are you?" "What do you mean, where am I?" "Where Are you?" he repeated softly. "I'm here." "Where is here?" "In this office, in this gas station!" I was getting impatient with this game. "Where is this gas station?" "In Berkeley?" "Where is Berkeley?" "In California?" "Where is California?" "In the United States?" "On a landmass, one of the continents in the Western Hemisphere. Socrates, I..." "Where are the continents? I sighed. "On the earth. Are we done yet?" "Where is the earth?" "In the solar system, third planet from the sun. The sun is a small star in the Milky Way galaxy, all right?" "Where is the Milky Way?" "Oh, brother, " I sighed impatiently, rolling my eyes. "In the universe." I sat back and crossed my arms with finality. "And where," Socrates smiled, "is the universe?" "The universe is well, there are theories about how it's shaped..." "That's not what I asked. Where is it?" "I don't know - how can I answer that?" "That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery. "My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.
Dan Millman (Way of the Peaceful Warrior: A Book That Changes Lives)
Besides being blind to lots of good things, the GDP also benefits from all manner of human suffering. Gridlock, drug abuse, adultery? Goldmines for gas stations, rehab centers, and divorce attorneys. If you were the GDP, your ideal citizen would be a compulsive gambler with cancer who’s going through a drawn-out divorce that he copes with by popping fistfuls of Prozac and going berserk on Black Friday. Environmental pollution even does double duty: One company makes a mint by cutting corners while another is paid to clean up the mess. By contrast, a centuries-old tree doesn’t count until you chop it down and sell it as lumber.
Rutger Bregman (Utopia for Realists: And How We Can Get There)
The gas station had already cut so many corners on safety that it was practically a circle,
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
Love isn’t roses. It’s those little square caramels and a root beer from the gas station because he knows that’s your favorite snack. It’s watching a musical with you without groaning. It’s handing you your glasses at night because he knows you’re too blind to find your way to the bathroom without them. Love is awkward.
R.K. Ryals (The Story of Awkward)
The function of this school is custodial. It’s here to keep these kids off the streets until the girls are big enough to get pregnant and the boys are old enough to go out and hold up a gas station.
William Gaddis (J R)
...ultimately, all diseases are magical diseases... ("Gas Station Carnival")
Thomas Ligotti (The Nightmare Factory)
What happened to you?” Seth was out of his chair and circling her. “You look like Britney Spears, back when she was dating backup dancers and walking around gas stations barefoot.
Rainbow Rowell (Landline)
No, dude, I’m working at a shitty gas station in the middle of nowhere and I’m perfectly happy being miserable until I die. Good day, sir.
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
Psycho? The woman's senile. We had to stop at about thirty gas stations on the way over here. Finally I got tired of getting out of the car and showing her which was the Men's and which was the Women's, so I let her pick them herself. I worked out a system. The law of averages. I laid money on her and she came out about fifty-fifty.
John Kennedy Toole (A Confederacy of Dunces)
People arrived in town all the time. It wasn’t that distant from other places, and it was along a major thoroughfare. There was a Taco Bell where people could pee. There was a gas station where people could pee. There were all sorts of things.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
When Ben unfurls the T-shirts, there are two small problems. First, it turns out that a large T-shirt in a Georgia gas station is not the same size as a large T-shirt at, say, Old Navy. The gas station shirt is gigantic-more garbage bag than shirt. It is smaller than the graduation robes, but not by much. But this problem pales in comparison to the other problem, which is that both T-shirts are embossed with huge Confederate flags. Printed over the flag are the words HERITAGE NOT HATE. "Oh no you didn't," Radar says when I show him why we're laughing. "Ben Starling, you better not have bought your token black friend a racist shirt." "I just grabbed the first shirts I saw, bro." "Don't bro me right now," Radar says, but he's shaking his head and laughing. I hand him his shirt and he wiggles into it while driving with his knees. "I hope I get pulled over," he says. "I'd like to see how the cop responds to a black man wearing a Confederate T-shirt over a black dress.
John Green (Paper Towns)
The realities are that, you know, as a black man, you know, Barack can get shot going to the gas station, you know.
Michelle Obama
A couple gnomes showed up right outside the back door, and I left them where I found them because one of them was holding a steak knife and I don’t need that kind of crazy in my life.
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
Restrooms at gas stations were an unpleasant and shocking surprise; I had never considered the serious drawbacks of such lazily-cleaned rooms. I was completely unable to ignore the filth, and wasted a burst of power to turn the sink, floors and porcelain toilet into sparkling, clean examples of their kind before using the facility. I felt that was a much less judgmental response than simply blowing the place off the face of the Earth, which was also a distinct temptation, especially when the storekeeper overcharged me for a bottle of cold water.
Rachel Caine (Unknown (Outcast Season, #2))
I turned and looked into the gas station, where Wes was now paying, as the man who'd driven us looked on. "That's too bad," I said. "It's okay, though," she assured me. "Someday I'll show you an extraordinary boy, Macy. They do exist. You just have to believe me." "Don't worry," I said. "I do.
Sarah Dessen (The Truth About Forever)
When it comes to loving people, let's not allow it to be something we do on the side. Let's make it a lifestyle. Whether we are at the gas station, picking up groceries, even waiting to get our car repaired, there is always an open opportunity to love someone in need.
Jarrid Wilson (Jesus Swagger: Break Free from Poser Christianity)
Florida Highway, 1986. Lonely slum. I passed through on low wheels. It was hot outside. Shacks, gas stations that didn't work, dead corn in fields, children on the road, retarded and dulled by the heat. Two girls waved as I passed.
Henry Rollins (Art to Choke Hearts)
An incomplete list: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take pictures of concert states. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one's hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position – but no, this wasn't true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)
This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am petting the puppy, I am watching the mountain. And the second I verbalize this awareness in my brain, I cease to see the mountain or feel the puppy. I am opaque, so much black asphalt. But at the same second, the second I know I've lost it, I also realize that the puppy is still squirming on his back under my hand. Nothing has changed for him. He draws his legs down to stretch the skin taut so he feels every fingertip's stroke along his furred and arching side, his flank, his flung-back throat. I sip my coffee. I look at the mountain, which is still doing its tricks, as you look at a still-beautiful face belonging to a person who was once your lover in another country years ago: with fond nostalgia, and recognition, but no real feeling save a secret astonishment that you are now strangers. Thanks. For the memories. It is ironic that the one thing that all religions recognize as separating us from our creator--our very self-consciousness--is also the one thing that divides us from our fellow creatures. It was a bitter birthday present from evolution, cutting us off at both ends. I get in the car and drive home.
Annie Dillard
I think anyone who stops at a gas station at night is up to no good. I think that if cops want to stop drunk driving, they should hide out in the bushes at the Taco Bell drive-through. I think if you're a guy and you pull down your pants and the girl you're with starts texting, you have a small penis.
Bill Konigsberg (Openly Straight (Openly Straight, #1))
I took a shower under a fountain drink machine at a gas station because it beats showering with unleaded gasoline at $3.33 a gallon and rising.
Jarod Kintz (At even one penny, this book would be overpriced. In fact, free is too expensive, because you'd still waste time by reading it.)
Love that is fueled solely by feelings will suddenly find itself out of gas on a long road with no gas stations.
Craig D. Lounsbrough
Dad on Child-rearing: "There's no education superior to travel. Think of The Motorcycle Diaries, or what Montrose St. Millet wrote in Ages of Exploration: 'To be still is to be stupid. To be stupid is to die.' And so we shall live. Every Betsy sitting next to you in a classroom will only know Maple Street on which sits her boxy white house, inside of which whimper her boxy white parents. After your travels, you'll know Maple Street, sure, but also wilderness and ruins, carnivals and the moon. You'll know the man sitting on an apple crate outside a gas station in Cheerless, Texas, who lost his legs in Vietnam, the woman in the tollboth outside Dismal, Delaware, in possession of six children, a husband with black lung but no teeth. When a teacher asks the class to interpret Paradise Lost, no one will be able to grab your coattails, sweet, for you will be flying far, far out in front of them all. For them, you will be a speck somewhere above the horizon. And thus, when you're ultimately set loose upon the world..." He shrugged, his smile lazy as an old dog. "I suspect you'll have no choice but to go down in history.
Marisha Pessl (Special Topics in Calamity Physics)
October air, complete with dancing leaves and sighing winds greeted him as he stepped from the bus onto the dusty highway. Coolness embraced. The scent of burning wood hung crisp in the air from somewhere far in the distance. His backpack dropped in a flutter of dust. He surveyed dying cornfields from the gas station bus stop. Seeing this place, for the first time in over twenty years, brought back a flood of memories, long buried and forgotten.
Jaime Allison Parker (The Delta Highway)
Three days after that, the funeral was held, and while riding from the church to the cemetery Ava looked out the widow and noticed that everyone she passed was crying. "Old people, college students, even the colored men at the gas station-- the soul brothers, or whatever we're supposed to call them now." It was such an outdated term, I just had to use it myself. "How did the soul brothers know your father?" "That's just it," she said. "No one told us until after the burial that Kennedy had been shot. It happened when we were in the church, so that's what everyone was so upset about. The president, not my father.
David Sedaris (When You Are Engulfed in Flames)
God’s purpose for the Christian’s involvement in the church was radically different from my gas-station approach. The church wasn’t merely a place to swing by for a fill-up. The journey of the Christian faith was supposed to be made with other believers. The church isn’t a gas station, I realized. It’s the bus I’m supposed to be traveling on.
Joshua Harris (Dug Down Deep: Unearthing What I Believe and Why It Matters)
He just looks like a guy, the boy next door, someone who could even be handsome if his eyes weren’t so sunken, if his skin wasn’t so greasy, if he were wearing something besides a gas station uniform and a scowl on his face. Nothing about him says “rapist.” Nothing about him is particularly intimidating. There’s no clue to stay away from him besides his crappy job and unfortunate haircut. There’s nothing about him that screams evil. Someone like him could be anyone.
Amy Reed (The Nowhere Girls)
He's freaked out. The bullets and the near-assassination and the fiery gas stations were okay, but the hand-holding freaked him out.
Jane Seville
You’re probably the kind of person who grew up in a town that has a gas station, and that doesn’t encourage students to drive to school in their tractors.
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
So I’m standing there, holding a googly-eyed can of beans as it shakes and loudly farts the birthday song to me in a gas station.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Sex is like a gas station. Sometimes you get full service, others you have to ask for service. And sometimes you have to be happy with self-service. -Fact
Lani Lynn Vale (Bad Apple (The Uncertain Saints MC, #4))
Not only to myself or before the mirror or at the hour of my death, which I hope will be long in coming, but in the presence of my children and my wife and in the face of the peaceful life I’m building, I must acknowledge: (1) That under Stalin I wouldn’t have wasted my youth in the gulag or ended up with a bullet in the back of my head. (2) That in the McCarthy era I wouldn’t have lost my job or had to pump gas at a gas station. (3) That under Hitler, however, I would have been one of those who chose the path of exile, and that under Franco I wouldn’t have composed sonnets to the caudillo or the Holy Virgin like so many lifelong democrats. One thing is as true as the other. My bravery has its limits, certainly, but so does what I’m willing to swallow. Everything that begins as comedy ends as tragicomedy.
Roberto Bolaño (The Savage Detectives)
So much about life in a global economy feels as though it has passed beyond the individual's control--what happens to our jobs, to the prices at the gas station, to the vote in the legislature. But somehow food still feels a little different. We can still decide, every day, what we're going to put into our bodies, what sort of food chain we want to participate in. We can, in other words, reject the industrial omelet on offer and decide to eat another.
Michael Pollan (The Omnivore's Dilemma: A Natural History of Four Meals)
In North Carolina, I stopped to gas up at a Humble Oil station, then walked around the corner to use the toilet. There were two doors and three signs. MEN was neatly stenciled over one door, LADIES over the other. The third sign was an arrow on a stick. It pointed toward the brush-covered slope behind the station. It said COLORED. Curious, I walked down the path, being careful to sidle at a couple of points where the oily, green-shading-to-maroon leaves of poison ivy were unmistakable... There was no facility. What I found at the end of the path was a narrow stream with a board laid across it on a couple of crumbling concrete posts... If I ever give you the idea that 1958's all Andy-n-Opie, remember the path, okay? The one lined with poison ivy. And the board over the stream.
Stephen King (11/22/63)
It was a sombre snowy afternoon, and the gas-lamps were lit in the big reverberating station. As he paced the platform, waiting for the Washington express, he remembered that there were people who thought there would one day be a tunnel under the Hudson through which the trains of the Pennsylvania railway would run straight into New York. They were of the brotherhood of visionaries who likewise predicted the building of ships that would cross the Atlantic in five days, the invention of a flying machine, lighting by electricity, telephonic communication without wires, and other Arabian Nights marvels.
Edith Wharton (The Age of Innocence)
- Do you want to know why I followed you into that funeral parlor? - You said you followed me on a whim. - That´s the truth, but there´s more to it. I was parking at the gas station across the street and I saw you get out of your car. I didn´t think much of it until you pausen on your way inside the shop. You tilted your head toward the sun and closed your eyes, like a prisoner stepping outside after years of being locked away. It seemed so odd. No one just stops and appreciates life like that, but you did. I could see your smile from across the street and I couldn´t look away. I knew in that moment that I was completely uninterested in pursuing a life in wich I didn´t cross that street and meet you.
R.S. Grey (With This Heart)
And if you think having a gas station is not that big of a deal, then you’re probably the kind of person who grew up in a town that has a gas station, and that doesn’t encourage students to drive to school in their tractors. Wall
Jenny Lawson (Let's Pretend This Never Happened: A Mostly True Memoir)
That’s the secret of creativity. You have to steal around. If you keep going back to that same 7-Eleven, they’re going to catch you. So you go over to the floral shop, the gas station that nobody ever goes to, and you steal all this shit, and you put it together and people say, “Wow.” They think it’s yours.
Paul Schrader
All of us had problems, it seemed, whose sources were untraceable, crossing over one another like the trajectories of countless raindrops in a storm, blending to create a fog of delusion and counter-delusion. Powerful forces and connections were undoubtedly at play, yet they seemed to have no faces and no names, and it was anybody's guess what we - a crowd of deluded no-talents - could have possibly done to offend them. We had been caught up in a season of hideous magic from which nothing could offer us deliverance. ("Gas Station Carnivals")
Thomas Ligotti (The Nightmare Factory)
You’ll have to take me to some museums,” he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men’s rooms across the country.
Francesca Lia Block (Echo)
Master Stanley used to tell me that what I was doing was nowhere near as important as the place within myself from where I was doing it. For example, a person could be teaching others out of a selfless motive, or out of a desire for power or glory: the former had a positive impact on the world, whereas the latter had a negative impact, even though the same identical teaching may have been imparted. “It’s the spirit that’s important,” he would say. “It’s even more important than the act. Going to work in a gas station and providing for your family out of love is more important than creating a mighty religious work out of a desire for glory or power.
Thom Hartmann (The Prophet's Way: A Guide to Living in the Now)
The gunslinger is the truth. Roland is the truth. The Prisoner is the truth. The Lady of Shadows is the truth. The Prisoner and the Lady are married. That is the truth. The way station is the truth. The Speaking Demon is the truth. We went under the mountains and that is the truth. There were monsters under the mountain. That is the truth. One of them had an Amoco gas pump between his legs and was pretending it was his penis. That is the truth. Roland let me die. That is the truth. I still love him. That is the truth.
Stephen King (The Waste Lands (The Dark Tower, #3))
It’s the kind of place where, for fun, people do Civil War reenactments in the summer and meth in the winter.
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
the smoke detector may or may not be an old frisbee.
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
That’s a big old nope sandwich with a side of hell naw slaw.
Jack Townsend (Tales from the Gas Station: Volume One (Tales from the Gas Station, #1))
Good luck with that." I turn to face him. "She's predisposed to hate you. Convinced you'll be my downfall. Says you've got heartbreaker written all over you." Dace grips the wheel tighter,eyebrows quirked, gaze stricken in a way that makes me feel bad for saying it, but it's only a moment later when he laughs and says, "Funny,that's the same thing Chepi said about you." Addressing my confusion when he adds, "That day at the gas station, when I saw you sitting on the curb,talking on the phone-Chepi caught me looking and warned me right then and there to keep my distance,to not get involved.
Alyson Noel (Fated (Soul Seekers, #1))
He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something. Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.
Francesca Lia Block (Echo)
I remember that day very clearly: I had received a phone call. A friend had been in an accident. Perhaps she would not live. She had very little face, and her spine was broken in two places. She had not yet moved; the doctor described her as “a pebble in water.” I walked around Brooklyn and noticed that the faded peri-winkle of the abandoned Mobil gas station on the corner was suddenly blooming. In the baby-shit yellow showers at my gym, where snow sometimes fluttered in through the cracked gated windows, I noticed that the yellow paint was peeling in spots, and a decent, industrial blue was trying to creep in. At the bottom of the swimming pool, I watched the white winter light spangle the cloudy blue and I knew together they made God. When I walked into my friend’s hospital room, her eyes were a piercing, pale blue and the only part of her body that could move. I was scared. So was she. The blue was beating.
Maggie Nelson (Bluets)
I had a dream about you. You asked how long I’ve loved you, and I replied, “About 5,280 feet.” It was true. Ever since the car ran out of gas a mile back, and we were forced to walk, I’ve been thinking a lot about life, love, and how much I wish the first gas station we see has mashed-potato-flavored bubblegum.
Jarod Kintz (Dreaming is for lovers)
You must attract a lot of attention on the road,” I said, “doing all that.” “Yeah, sometimes,” she said. “Yesterday, I pulled into a gas station, and this truck driver followed right behind me and pulled up alongside. He said, ‘Ma’am, I have been driving behind you for the last forty-five minutes, and I’ve been watching. First you did your makeup. Then you did your hair. Then you did your nails. I just wanted to get up close and see what you looked like.’ He gave me a big wink and told me I was right pretty. But then he said, ‘Let me ask you something. I noticed every couple of minutes you’ve been reaching over and foolin’ with something on the seat next to you. Whatcha got over there?’ ‘That’s my TV,’ I told him. ‘I can’t miss my soaps!
John Berendt (Midnight in the Garden of Good and Evil)
He felt as he always did when he finished a book—queerly empty, let down, aware that for each little success he had paid a toll of absurdity. It was always the same, always the same—like toiling uphill through jungle and breaking out to a clearing at the top after months of hell only to discover nothing more rewarding than a view of a freeway—with a few gas stations and bowling alleys thrown in for good behavior, or something.
Stephen King (Misery)
It wasn’t quite a romantic infatuation. There are levels of readiness. Young girls don’t entertain the idea of sex, their body and another’s together. That comes later, but there isn’t nothing before it. There’s an innocent displacement, a dreaming, and idols are perfect for a little girl’s dreaming. They aren’t real. They aren’t the gas station attendant trying to lure you into the back of the service station, a paperboy trying to lure you into a toolshed, a friend’s father trying to lure you into his car. They don’t lure. They beckon, but like desert mirages.
Rachel Kushner (The Flamethrowers)
His mother was quiet for a moment. “I get out of bed every day because I never know where I’ll meet with one of God’s small graces. Maybe I’ll be cleaning a room and find a dollar bill. Maybe I’ll be at the gas station on a slow night, and I’ll get to sit and be paid to watch the sun set. Or maybe I just won’t hurt much that day. What a miracle each day is. To see the spirit of God move across the face of our lives like he did the waters in the darkness of creation.
Jeff Zentner (The Serpent King)
There's an innocent displacement, a dreaming, and idols are perfect for a little girl's dreaming. They aren't real. They aren't the gas station attendant trying to lure you into the back of the service station, a paperboy trying to lure you into a toolshed, a friend's father trying to lure you into his car. They don't lure. They beckon, but like desert mirages.
Rachel Kushner (The Flamethrowers)
I read my copy of On the Road and dug the scenery whizzing past. On the Road is a semi-autobiographical novel about Jack Kerouac, a druggy, hard-drinking writer who goes hitchhiking around America, working crummy jobs, howling through the streets at night, meeting people and parting ways. Hipsters, sad-faced hobos, con-men, muggers, scumbags and angels. There's not really a plot -- Kerouac supposedly wrote it in three weeks on a long roll of paper, stoned out of his mind -- only a bunch of amazing things, one thing happening after another. He makes friends with self-destructing people like Dean Moriarty, who get him involved in weird schemes that never really work out, but still it works out, if you know what I mean. There was a rhythm to the words, it was luscious, I could hear it being read aloud in my head. It made me want to lie down in the bed of a pickup truck and wake up in a dusty little town somewhere in the central valley on the way to LA, one of those places with a gas station and a diner, and just walk out into the fields and meet people and see stuff and do stuff.
Cory Doctorow (Little Brother (Little Brother, #1))
Sitting through a three hour long sociology class Tuesday night hadn’t been as bad as I thought it would be, but by the time class let out, I was starving. Before I headed back to my apartment, I stopped by Sheetz—a convenience store/gas station we didn’t have in Texas—and got a MTO. A Made To Order salad, heavy on the fried chicken strips and ranch dressing. Mmm. Healthy.
J. Lynn (Wait for You (Wait for You, #1))
Today I say am an addict. A respectable addict, of course. Not like the desperate addicts who have cashed in their mortgage... After all, my drug is cheap, the cheapest of all drugs, and therefore the most pernicious... And my drug is everywhere I look: in the drive-through gas station's convenience store, in the supermarket, on the lusciously displayed menu of an exclusive restaurant.
Vera Tarman (Food Junkies: The Truth About Food Addiction)
Here’s what I’ve got, the reasons why our marriage might work: Because you wear pink but write poems about bullets and gravestones. Because you yell at your keys when you lose them, and laugh, loudly, at your own jokes. Because you can hold a pistol, gut a pig. Because you memorize songs, even commercials from thirty years back and sing them when vacuuming. You have soft hands. Because when we moved, the contents of what you packed were written inside the boxes. Because you think swans are overrated. Because you drove me to the train station. You drove me to Minneapolis. You drove me to Providence. Because you underline everything you read, and circle the things you think are important, and put stars next to the things you think I should think are important, and write notes in the margins about all the people you’re mad at and my name almost never appears there. Because you make that pork recipe you found in the Frida Khalo Cookbook. Because when you read that essay about Rilke, you underlined the whole thing except the part where Rilke says love means to deny the self and to be consumed in flames. Because when the lights are off, the curtains drawn, and an additional sheet is nailed over the windows, you still believe someone outside can see you. And one day five summers ago, when you couldn’t put gas in your car, when your fridge was so empty—not even leftovers or condiments— there was a single twenty-ounce bottle of Mountain Dew, which you paid for with your last damn dime because you once overheard me say that I liked it.
Matthew Olzmann
I remember reading once how some Stone Age Indians from the Brazilian rain forest with no knowledge or expectation of a world beyond the jungle were taken to Sao Paulo or Rio, and when they saw what it contained-the buildings, the cars, the passing airplanes-and how thoroughly at variance it was with their own simple lives, they wet themselves, lavishly and in unison. I believe I had some idea how they felt. It is such a strange contrast. When you’re on the AT, the forest is your universe, infinite and entire. It is all you experience day after day. Eventually it is about all you can imagine. You are aware, of course, that somewhere over the horizon there are mighty cities, busy factories, crowded freeways, but here in this part of the country, where woods drape the landscape for as far as the eye can see, the forest rules. Even the little towns like Franklin and Hiawassee and even Gatlinburg are just way stations scattered helpfully through the great cosmos of woods. But come off the trail, properly off, and drive somewhere, as we did now, and you realize how magnificently deluded you have been. Here, the mountains and woods were just backdrop-familiar, known, nearby, but no more consequential or noticed than the clouds that scudded across their ridgelines. Here the real business was up close and on top of you: gas stations, Wal-Marts, Kmarts, Dunkin Donuts, Blockbuster Videos, a ceaseless unfolding pageant of commercial hideousness.
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
I was also one of those people who hadn’t caught up with the latest social networking site. Maura belonged to most of them. She passed most evenings befriending men who had tried to date-rape her in high school, but I was still stuck in the last virtual community, a sad place to be, like Europe, say, during the Black Death. Whenever I cruised this site, with its favorites lists and its paeans to somebody’s cousin’s gas station art gallery, I could not help but think of medieval corpses in the spring-thaw mud, buboes sprouted in every armpit and anus, black bile curling out of frozen mouths. Those of us still cursed with life wandered the blasted dales of this stricken network, wept and moaned and flogged ourselves with frayed AC adaptors, called out for God to strike us dead, or else let us find somebody who liked similar bands.
Sam Lipsyte (The Ask)
Sometimes, when I was sitting in the Crimson Cabaret on a rainy night, I thought of myself as occupying a waiting room for the abyss (which of course was exactly what I was doing) and between sips from my glass of wine or cup of coffee I smiled sadly and touched the front pocket of my coat where I kept my imaginary ticket to oblivion.
Thomas Ligotti (Teatro Grottesco)
He disappeared into the century-old house, returning with three beers and a plate of what appeared to be bacon-chip cookies. Given the choice, I grabbed one of the bottles and leaned against the railing, waiting impatiently as Jeff and Helen filled us in on the latest werewolf gossip, most of which centered around who was sneaking into bed—or into the woods, or the backseat, or in one case the middle of the gas station parking lot—with whom. Werewolves treated sex like a professional sporting event, occasionally with spectators and cheerleaders.
Jim C. Hines (Unbound (Magic Ex Libris, #3))
i remember el salvador, /n it’s horse shit, like i tell you. i stopped chasing the messiahs /n madonnas - wised up, set myself straight. i’ve laid em /n balled em in every half-way house south of biloxi, every 10 cent bed west of tulsa, fucked /n slobbered myself stupid on swingsets, greyhounds /n gas station floors the world over. i’ve split em in half from head to ass in elevator shafts, plus-size fitting rooms, in the lobbies of sheraton inns /n kfc parking lots - fucked em everywhere every way that i could. someone else can fuck em now. i’m done w/ el salvador. i know her militias her perfume, munitions, her missing hubcaps /n posters of paris. i know her goyas, her barricades, her paintboxes /n bookshelves of baudelaire, her banners, her bullshit /n paris can keep her.
Brandon Thomas DiSabatino (6 weeks of white castle /n rust)
And me, I’ve got to start all over. Not only build a new life, but construct a new person. I call my old self “that other guy,” for I share nothing but his memories, and everything he ever liked I’ve had to discover all over again, one by one, so that I’ve held on to, for example, reading, motorcycling, and birdwatching, but I’m not yet sure about art or music (I can look at it or listen to it, but not with the same “engagement” I used to), and I have no interest in work, charity, world events, or anybody I don’t know. In my present gypsy life, I encounter a lot of people every day, and some of them I instinctively like and respond to in a brief encounter at a gas station or small-town diner, but for the most part I look around at ugly and mean-spirited people and think, “Why are you alive?
Neil Peart (Ghost Rider: Travels on the Healing Road)
...The very worst events in life have that effect on a family: we always remember, more sharply than anything else, the last happy moment before everything fell apart. The second before the crash, the ice-cream in the gas station just before the accident, the last swim on holiday before we came home and received the diagnosis. Our memories always force us back to those very best moments, night after night, prompting the questions: "Could I have done anything differently? Why did I just go around being happy? If only I'd known what was going to happen, could I have stopped it?"...Everyone has a thousand wishes before a tragedy, but just one afterward. When a child is born, its parents dream of it being as unique as possible, until it gets ill, when suddenly all they want is for everything to be normal.
Fredrik Backman (Beartown (Beartown, #1))
We are all creatures of the stars and their forces, they make us, we make them, we are part of a dance from which we by no means and not ever may consider ourselves separate. But when the Gods explode, or err, or dissolve into flying clouds of gas, or shrink, or expand, or whatever else their fates might demand, then the minuscule items of their substance may in their small ways express—not protest, which of course is inappropriate to their station in life—but an acknowledgement of the existence of irony: yes, they may sometimes allow themselves—always with respect—the mildest possible grimace of irony.
Doris Lessing (Re: Colonised Planet 5, Shikasta (Canopus in Argos, #1))
I noticed early on in motherhood that my children inherited my tendency toward the negative. Years ago, while driving home from a soccer game, I was listening to my kids whine about their day. Practically everything made their list of complaints, and I was sick of it. I decided something had to change, so I made up a new game. "All right, Luka and Matea," I yelled from the front seat, "I have a new game for us. It's called Yeah, But. Every time you have something negative to say, you have to follow it up with a 'Yeah, but . . . " and then add something positive. I'll start. Ugh, I'm almost out of gas and the last thing I feel like doing right now is stopping at a gas station. Yea, but . . . I have a car! And I have money for gas, and I don't ever want to take those things for granted. Okay, your turn now.
Kristina Kuzmic (Hold On, But Don't Hold Still)
On either side of them the essence of honky tonk beach resort had now enclosed them: gas stations, fried clam stands, Dairy Treets, motels painted in feverish pastel colors, mini golf. Larry was drawn two painful ways by these things. Part of him clamored at their sad and blatant ugliness and at the ugliness of the minds that had turned this section of a magnificent, savage coastline into one long highway amusement park for families in station wagons. But there was a more subtle, deeper part of him that whispered of the people who had filled these places and this road during other summers. Ladies in sunhats and shorts too tight for their large behinds. College boys in red and black striped rugby shirts. Girls in beach shifts and thong sandals. Small screaming children with ice cream spread over their faces. They were American people, and there was a kind of dirty, compelling romance about them whenever they were in groups never mind if the group was in an Aspen ski lodge or performing their prosaic/ arcane rites of summer along Route 1 in Maine. And now all these Americans were gone.
Stephen King (The Stand)
Months later, when I rarely saw the Angels, I still had the legacy of the big machine -- four hundred pounds of chrome and deep red noise to take out on the Coast Highway and cut loose at three in the morning, when all the cops were lurking over on 101. My first crash had wrecked the bike completely and it took several months to have it rebuilt. After that I decided to ride it differently: I would stop pushing my luck on curves, always wear a helmet and try to keep within range of the nearest speed limit ... my insurance had already been canceled and my driver's license was hanging by a thread. So it was always at night, like a werewolf, that I would take the thing out for an honest run down the coast. I would start in Golden Gate Park, thinking only to run a few long curves to clear my head ... but in a matter of minutes I'd be out at the beach with the sound of the engine in my ears, the surf booming up on the sea wall and a fine empty road stretching all the way down to Santa Cruz ... not even a gas station in the whole seventy miles; the only public light along the way is an all-night diner down around Rockaway Beach. There was no helmet on those nights, no speed limit, and no cooling it down on the curves. The momentary freedom of the park was like the one unlucky drink that shoves a wavering alcoholic off the wagon. I would come out of the park near the soccer field and pause for a moment at the stop sign, wondering if I knew anyone parked out there on the midnight humping strip.
Hunter S. Thompson
Entrepreneurs who kept their day jobs had 33 percent lower odds of failure than those who quit. If you’re risk averse and have some doubts about the feasibility of your ideas, it’s likely that your business will be built to last. If you’re a freewheeling gambler, your startup is far more fragile. Like the Warby Parker crew, the entrepreneurs whose companies topped Fast Company’s recent most innovative lists typically stayed in their day jobs even after they launched. Former track star Phil Knight started selling running shoes out of the trunk of his car in 1964, yet kept working as an accountant until 1969. After inventing the original Apple I computer, Steve Wozniak started the company with Steve Jobs in 1976 but continued working full time in his engineering job at Hewlett-Packard until 1977. And although Google founders Larry Page and Sergey Brin figured out how to dramatically improve internet searches in 1996, they didn’t go on leave from their graduate studies at Stanford until 1998. “We almost didn’t start Google,” Page says, because we “were too worried about dropping out of our Ph.D. program.” In 1997, concerned that their fledgling search engine was distracting them from their research, they tried to sell Google for less than $2 million in cash and stock. Luckily for them, the potential buyer rejected the offer. This habit of keeping one’s day job isn’t limited to successful entrepreneurs. Many influential creative minds have stayed in full-time employment or education even after earning income from major projects. Selma director Ava DuVernay made her first three films while working in her day job as a publicist, only pursuing filmmaking full time after working at it for four years and winning multiple awards. Brian May was in the middle of doctoral studies in astrophysics when he started playing guitar in a new band, but he didn’t drop out until several years later to go all in with Queen. Soon thereafter he wrote “We Will Rock You.” Grammy winner John Legend released his first album in 2000 but kept working as a management consultant until 2002, preparing PowerPoint presentations by day while performing at night. Thriller master Stephen King worked as a teacher, janitor, and gas station attendant for seven years after writing his first story, only quitting a year after his first novel, Carrie, was published. Dilbert author Scott Adams worked at Pacific Bell for seven years after his first comic strip hit newspapers. Why did all these originals play it safe instead of risking it all?
Adam M. Grant (Originals: How Non-Conformists Move the World)
I coast through the abyss on the colder side of Neptune's orbit. Most of the time I exist only as an absence, to any observer on the visible spectrum: a moving, asymmetrical silhouette blocking the stars. But occasionally, during my slow endless spin, I glint with dim hints of reflected starlight. If you catch me in those moments you might infer something of my true nature: a segmented creature with foil skin, bristling with joints and dishes and spindly antennae. Here and there a whisper of accumulated frost clings to a joint or seam, some frozen wisp of gas encountered in Jupiter space perhaps. Elsewhere I carry the microscopic corpses of Earthly bacteria who thrived with carefree abandon on the skins of space stations or the benign lunar surface—but who had gone to crystal at only half my present distance from the sun. Now, a breath away from Absolute Zero, they might shatter at a photon's touch.
Peter Watts (Blindsight (Firefall, #1))
At the front of Sushi Nozawa is a mean woman. When I asked Mom why the woman is so angry, Mom said it’s because she’s Japanese and that it’s cultural. The woman at school who serves lunch is also mean but she is not Japanese. Maybe it’s just serving food that makes people angry. I understand why the people who work here are so angry. I guess it’s like working at a gas station, but instead of cars, they have to fill up people. And people eat slowly and talk about their stupid lives at the table and make each other laugh, but when the waiters come by, the people at the table stop laughing and become quiet like they don’t want to let anyone else know about their great jokes. And if the waiters talk about their own lives, they’re not allowed to talk about how bad it is, only how good it is, like, “I’m doing great, how are you?” And if they say something truthful like, “I’m doing terrible, I’m a waiter here,” they will probably get fired and then they will be even worse. So it’s probably always a good idea to talk about things happily. But sometimes that’s impossible. That’s why I’m giving Sushi Nozawa 16 out of 2000 stars.
Jesse Eisenberg (Bream Gives Me Hiccups)
Unfortunately the hostility that the European displayed toward the native cultures he encountered he carried even further into his relations with the land. The immense open spaces of the American continents, with all their unexploited or thinly utilized resources, were treated as a challenge to unrelenting war, destruction, and conquest. The forests were there to be cut down, the prairie to be plowed up, the marshes to be filled, the wildlife to be killed for empty sport, even if not utilized for food or clothing. In the act of 'conquering nature' our ancestors too often treated the earth as contemptuously and as brutally as they treated its original inhabitants, wiping out great animal species like the bison and the passenger pigeon, mining the soils instead of annually replenishing them, and even, in the present day, invading the last wilderness areas, precious just because they are still wildernesses, homes for wildlife and solitary human souls. Instead we are surrendering them to six-lane highways, gas stations, amusement parks, and the lumber interests, as in the redwood groves, or Yosemite, and Lake Tahoe-though these primeval areas, once desecrated, can never be fully restored or replaced.
Lewis Mumford (The Pentagon of Power (The Myth of the Machine, Vol 2))
The porn kids come across on the internet, is misogynistic poison. We have to explain that to them so they don't think sex is about violence. Sex is a wonderful and exciting thing about being human. It is natural to be curious about sex and when we are curious about things, we turn to the internet for information. But here's the problem with using the internet to learn about sex: you cannot know who is doing the teaching. There are people who have taken sex and sucked all the life out of it to package it and sell it on the internet. What they’re selling is not real sex. It lacks connection, respect, and vulnerability, which is what makes sex sexy. This kind of porn is sold by people who are like drug dealers. They sell a product that fills people with a rush that feels like joy for a short while but then becomes a killer of real joy. Over time people prefer the rush of drugs to the real joy of life. Many who start watching porn very young will get hooked on the rush. Eventually, they will find it hard to enjoy real sex with real human beings. Trying to learn about sex from porn is like trying to learn about the mountains by sniffing one of those air fresheners they sell at the gas station. When you finally get to the real mountains and breathe in that pure, wild air—you might be confused. You might wish it smelled like that fake, manufactured air freshener version. We don’t want you to stay away from porn while you’re young because sex is bad. We want you to stay away from porn because real sex—with humanity and vulnerability and love—is indescribably good. We don’t want fake sex ruining real sex for you.
Glennon Doyle (Untamed: Stop Pleasing, Start Living / A Toolkit for Modern Life)
They looked so familiar that for a moment Claude feared he had doubled back to Mrs. Merritt's city, until a sudden wave of water blinded his wipers and drove him along with everyone else to the curb, where the crackling radio reported an old man had just now been swept from his backyard by a cloudburst, the latest in a series deluging Tulsa. Clinging there to the side of the hill, no hand brake, Claude rode out the storm, stuffing blankets into the cracks under the doors, watching overhead drips as best he could with the babyseat. When the car next in front crept away from the curb, Claude followed as far as a gas station. There he wondered aloud what lay ahead, but the attendant couldn't say, having swum to work just five minutes ago. Now as Claude pulled away the rain suddenly ceased, it seemed from exhaustion, and for the next hundred miles he spun his dial to catch the latest reports: that old man was still missing, he had last been seen floating downhill toward the river, he had been found, he was dead, he was dying, he was still missing... Claude turned off the radio, for he was beyond range of Tulsa, and Joplin had not heard the news yet. He raced in silence toward the night which he knew already had begun not far ahead.
Douglas Woolf (Wall to Wall (American Literature))
Questions of Travel There are too many waterfalls here; the crowded streams hurry too rapidly down to the sea, and the pressure of so many clouds on the mountaintops makes them spill over the sides in soft slow-motion, turning to waterfalls under our very eyes. —For if those streaks, those mile-long, shiny, tearstains, aren't waterfalls yet, in a quick age or so, as ages go here, they probably will be. But if the streams and clouds keep travelling, travelling, the mountains look like the hulls of capsized ships, slime-hung and barnacled. Think of the long trip home. Should we have stayed at home and thought of here? Where should we be today? Is it right to be watching strangers in a play in this strangest of theatres? What childishness is it that while there's a breath of life in our bodies, we are determined to rush to see the sun the other way around? The tiniest green hummingbird in the world? To stare at some inexplicable old stonework, inexplicable and impenetrable, at any view, instantly seen and always, always delightful? Oh, must we dream our dreams and have them, too? And have we room for one more folded sunset, still quite warm? But surely it would have been a pity not to have seen the trees along this road, really exaggerated in their beauty, not to have seen them gesturing like noble pantomimists, robed in pink. —Not to have had to stop for gas and heard the sad, two-noted, wooden tune of disparate wooden clogs carelessly clacking over a grease-stained filling-station floor. (In another country the clogs would all be tested. Each pair there would have identical pitch.) —A pity not to have heard the other, less primitive music of the fat brown bird who sings above the broken gasoline pump in a bamboo church of Jesuit baroque: three towers, five silver crosses. —Yes, a pity not to have pondered, blurredly and inconclusively, on what connection can exist for centuries between the crudest wooden footwear and, careful and finicky, the whittled fantasies of wooden cages. —Never to have studied history in the weak calligraphy of songbirds' cages. —And never to have had to listen to rain so much like politicians' speeches: two hour of unrelenting oratory and then a sudden golden silence in which the traveller takes a notebook, writes: "Is it lack of imagination that makes us come to imagined places, not just stay at home? Or could Pascal have been entirely right about just sitting quietly in one's room? Continent, city, country, society: the choice is never wide and never free. And here, or there...No. Should we have stayed at home, wherever that may be?
Elizabeth Bishop (Questions of Travel)
Half a dozen fingers pointed at the amputated wheel--he stared at it for a moment and then looked upward as though he suspected that it had dropped from the sky. "It came off," some one explained. He nodded. "At first I din' notice we'd stopped." A pause. Then, taking a long breath and straightening his shoulders he remarked in a determined voice: "Wonder'ff tell me where there's a gas'line station?" At least a dozen men, some of them little better off than he was, explained to him that wheel and car were no longer joined by any physical bond. "Back out," he suggested after a moment. "Put her in reverse." "But the WHEEL'S off!" He hesitated. "No harm in trying," he said.
F. Scott Fitzgerald (The Great Gatsby)
This seat taken?" My eyes grazing over the only other occupant, a guy with long glossy dark hair with his head bent over a book. "It's all yours," he says. And when he lifts his head and smiles,my heart just about leaps from my chest. It's the boy from my dreams. The boy from the Rabbit Hole,the gas station,and the cave-sitting before me with those same amazing,icy-blue eues, those same alluring lips I've kissed multiple times-but only in slumber, never in waking life. I scold my heart to settle,but it doesn't obey. I admonish myself to sit,to act normal, casual-and I just barely succeed. Stealing a series of surreptitious looks as I search through my backpack, taking in his square chin,wide generous lips,strong brow,defined cheekbones, and smooth brown skin-the exact same features as Cade. "You're the new girl,right?" He abandons his book,tilting his head in a way that causes his hair to stream over his shoulder,so glossy and inviting it takes all of my will not to lean across the table and touch it. I nod in reply,or at least I think I do.I can't be too sure.I'm too stricken by his gaze-the way it mirrors mine-trying to determine if he knows me, recognizes me,if he's surprised to find me here.Wishing Paloma had better prepared me-focused more on him and less on his brother. I force my gaze from his.Bang my knee hard against the table as I swivel in my seat.Feeling so odd and unsettled,I wish I'd picked another place to sit, though it's pretty clear no other table would have me. He buries his smile and returns to the book.Allowing a few minutes to pass,not nearly enough time for me to get a grip on myself,when he looks up and says, "Are you staring at me because you've seen my doppelganer roaming the halls,playing king of the cafeteria? Or because you need to borrow a pencil and you're too shy to ask?" I clear the lump from my throat, push the words past my lips when I say, "No one's ever accused me of being shy." A statement that,while steeped in truth, stands at direct odds with the way I feel now,sitting so close to him. "So I guess it's your twin-or doppelganer,as you say." I keep my voice light, as though I'm not at all affected by his presence,but the trill note at the end gives me away.Every part of me now vibrating with the most intense surge of energy-like I've been plugged into the wall and switched on-and it's all I can do to keep from grabbing hold of his shirt, demanding to know if he dreamed the dreams too. He nods,allowing an easy,cool smile to widen his lips. "We're identical," he says. "As I'm sure you've guessed. Though it's easy enough to tell us apart. For one thing,he keeps his hair short.For another-" "The eyes-" I blurt,regretting the words the instant they're out.From the look on his face,he has no idea what I'm talking about. "Yours are...kinder." My cheeks burn so hot I force myself to look away,as words of reproach stampede my brain. Why am I acting like such an inept loser? Why do I insist on embarrassing myself-in front of him-of all people? I have to pull it together.I have to remember who I am-what I am-and what I was born to do.Which is basically to crush him and his kind-or,at the very least,to temper the damage they do.
Alyson Noel (Fated (Soul Seekers, #1))
Algren’s book opens with one of the best historical descriptions of American white trash ever written.* He traces the Linkhorn ancestry back to the first wave of bonded servants to arrive on these shores. These were the dregs of society from all over the British Isles—misfits, criminals, debtors, social bankrupts of every type and description—all of them willing to sign oppressive work contracts with future employers in exchange for ocean passage to the New World. Once here, they endured a form of slavery for a year or two—during which they were fed and sheltered by the boss—and when their time of bondage ended, they were turned loose to make their own way. In theory and in the context of history the setup was mutually advantageous. Any man desperate enough to sell himself into bondage in the first place had pretty well shot his wad in the old country, so a chance for a foothold on a new continent was not to be taken lightly. After a period of hard labor and wretchedness he would then be free to seize whatever he might in a land of seemingly infinite natural wealth. Thousands of bonded servants came over, but by the time they earned their freedom the coastal strip was already settled. The unclaimed land was west, across the Alleghenies. So they drifted into the new states—Kentucky and Tennessee; their sons drifted on to Missouri, Arkansas and Oklahoma. Drifting became a habit; with dead roots in the Old World and none in the New, the Linkhorns were not of a mind to dig in and cultivate things. Bondage too became a habit, but it was only the temporary kind. They were not pioneers, but sleazy rearguard camp followers of the original westward movement. By the time the Linkhorns arrived anywhere the land was already taken—so they worked for a while and moved on. Their world was a violent, boozing limbo between the pits of despair and the Big Rock Candy Mountain. They kept drifting west, chasing jobs, rumors, homestead grabs or the luck of some front-running kin. They lived off the surface of the land, like army worms, stripping it of whatever they could before moving on. It was a day-to-day existence, and there was always more land to the west. Some stayed behind and their lineal descendants are still there—in the Carolinas, Kentucky, West Virginia and Tennessee. There were dropouts along the way: hillbillies, Okies, Arkies—they’re all the same people. Texas is a living monument to the breed. So is southern California. Algren called them “fierce craving boys” with “a feeling of having been cheated.” Freebooters, armed and drunk—a legion of gamblers, brawlers and whorehoppers. Blowing into town in a junk Model-A with bald tires, no muffler and one headlight … looking for quick work, with no questions asked and preferably no tax deductions. Just get the cash, fill up at a cut-rate gas station and hit the road, with a pint on the seat and Eddy Arnold on the radio moaning good back-country tunes about home sweet home, that Bluegrass sweetheart still waitin, and roses on Mama’s grave. Algren left the Linkhorns in Texas, but anyone who drives the Western highways knows they didn’t stay there either. They kept moving until one day in the late 1930s they stood on the spine of a scrub-oak California hill and looked down on the Pacific Ocean—the end of the road.
Hunter S. Thompson (The Great Shark Hunt: Strange Tales from a Strange Time (The Gonzo Papers Series Book 1))
IN THE 1960S, WHEN I became a beat cop in San Diego, manufacturing, selling, possessing, or using “dangerous drugs” or “controlled substances” were all violations of the law. But there was no “war,” per se, on drug-law violators. We made the occasional pot bust, less frequently a heroin or cocaine pinch. Drug enforcement was viewed by many of us almost as an ancillary duty. You’d stumble across an offender on a traffic stop or at a loud-party call. Mostly, you were on the prowl for non-drug-related crime: a gas station or liquor store stickup series, a burglary-fencing ring, an auto theft “chop shop” operation. Undercover narcs, of course, worked dope full time, chasing users and dealers. They played their snitches, sat on open-air markets, interrupted hand-to-hand dealing, and squeezed small-time street dealers in the climb up the chain to “Mister Big.” But because most local police forces devoted only a small percentage of personnel to French Connection–worthy cases, and because there were no “mandatory minimum” sentences (passed by Congress in 1986 to strip “soft on crime” judges of sentencing discretion on a host of drug offenses), and because street gangs fought over, well, streets—as in neighborhood turf (and cars and girlfriends)—not drug markets, most of our jails and prisons still had plenty of room for violent, predatory criminals. The point is, although they certainly did not turn their backs on drug offenses, the country’s police were not at “war” with users and dealers. And though their government-issued photos may have adorned the wall behind the police chief’s desk, a long succession of US presidents stayed out of the local picture.
Norm Stamper (To Protect and Serve: How to Fix America's Police)
From a Berkeley Notebook' ~Denis Johnson One changes so much from moment to moment that when one hugs oneself against the chill air at the inception of spring, at night, knees drawn to chin, he finds himself in the arms of a total stranger, the arms of one he might move away from on the dark playground. Also, it breaks the heart that the sign revolving like a flame above the gas station remembers the price of gas, but forgets entirely this face it has been looking at all day. And so the heart is exhausted that even the face of the dismal facts we wait for the loves of the past to come walking from the fire, the tree, the stone, tangible and unchanged and repentant but what can you do. Half the time I think about my wife and child, the other half I think how to become a citizen with an apartment, and sex too is quite on my mind, though it seems the women have no time for you here, for which in my larger, more mature moments I can’t blame them. These are the absolute Pastures I am led to: I am in Berkeley, California, trapped inside my body, I am the secret my body is going to keep forever, as if its secret were merely silence. It lies between two mistakes of the earth, the San Andreas and Hayward faults, and at night from the hill above the stadium where I sleep, I can see the yellow aurora of Telegraph Avenue uplifted by the holocaust. My sleeping bag has little cowboys lassoing bulls embroidered all over its pastel inner lining, the pines are tall and straight, converging in a sort of roof above me, it’s nice, oh loves, oh loves, why aren’t you here? Morgan, my pyjamas are so lonesome without the orangutans—I write and write, and transcend nothing, escape nothing, nothing is truly born from me, yet magically it’s better than nothing—I know you must be quite changed by now, but you are just the same, too, like those stars that keep shining for a long time after they go out—but it’s just a light they touch us with this evening amid the fine rain like mist, among the pines.
Denis Johnson (The Incognito Lounge: And Other Poems)
Dear Mother and Dad: Since I left for college I have been remiss in writing and I am sorry for my thoughtlessness in not having written before. I will bring you up to date now, but before you read on, please sit down. You are not to read any further unless you are sitting down, okay? Well, then, I am getting along pretty well now. The skull fracture and the concussion I got when I jumped out the window of my dormitory when it caught on fire shortly after my arrival here is pretty well healed now. I only spent two weeks in the hospital and now I can see almost normally and only get those sick headaches once a day. Fortunately, the fire in the dormitory, and my jump, was witnessed by an attendant at the gas station near the dorm, and he was the one who called the Fire Department and the ambulance. He also visited me in the hospital and since I had nowhere to live because of the burntout dormitory, he was kind enough to invite me to share his apartment with him. It’s really a basement room, but it’s kind of cute. He is a very fine boy and we have fallen deeply in love and are planning to get married. We haven’t got the exact date yet, but it will be before my pregnancy begins to show. Yes, Mother and Dad, I am pregnant. I know how much you are looking forward to being grandparents and I know you will welcome the baby and give it the same love and devotion and tender care you gave me when I was a child. The reason for the delay in our marriage is that my boyfriend has a minor infection which prevents us from passing our pre-marital blood tests and I carelessly caught it from him. Now that I have brought you up to date, I want to tell you that there was no dormitory fire, I did not have a concussion or skull fracture, I was not in the hospital, I am not pregnant, I am not engaged, I am not infected, and there is no boyfriend. However, I am getting a “D” in American History, and an “F” in Chemistry and I want you to see those marks in their proper perspective. Your loving daughter, Sharon Sharon may be failing chemistry, but she gets an “A” in psychology.
Robert B. Cialdini (Influence: The Psychology of Persuasion (Collins Business Essentials))
The Sun King had dinner each night alone. He chose from forty dishes, served on gold and silver plate. It took a staggering 498 people to prepare each meal. He was rich because he consumed the work of other people, mainly in the form of their services. He was rich because other people did things for him. At that time, the average French family would have prepared and consumed its own meals as well as paid tax to support his servants in the palace. So it is not hard to conclude that Louis XIV was rich because others were poor. But what about today? Consider that you are an average person, say a woman of 35, living in, for the sake of argument, Paris and earning the median wage, with a working husband and two children. You are far from poor, but in relative terms, you are immeasurably poorer than Louis was. Where he was the richest of the rich in the world’s richest city, you have no servants, no palace, no carriage, no kingdom. As you toil home from work on the crowded Metro, stopping at the shop on the way to buy a ready meal for four, you might be thinking that Louis XIV’s dining arrangements were way beyond your reach. And yet consider this. The cornucopia that greets you as you enter the supermarket dwarfs anything that Louis XIV ever experienced (and it is probably less likely to contain salmonella). You can buy a fresh, frozen, tinned, smoked or pre-prepared meal made with beef, chicken, pork, lamb, fish, prawns, scallops, eggs, potatoes, beans, carrots, cabbage, aubergine, kumquats, celeriac, okra, seven kinds of lettuce, cooked in olive, walnut, sunflower or peanut oil and flavoured with cilantro, turmeric, basil or rosemary … You may have no chefs, but you can decide on a whim to choose between scores of nearby bistros, or Italian, Chinese, Japanese or Indian restaurants, in each of which a team of skilled chefs is waiting to serve your family at less than an hour’s notice. Think of this: never before this generation has the average person been able to afford to have somebody else prepare his meals. You employ no tailor, but you can browse the internet and instantly order from an almost infinite range of excellent, affordable clothes of cotton, silk, linen, wool and nylon made up for you in factories all over Asia. You have no carriage, but you can buy a ticket which will summon the services of a skilled pilot of a budget airline to fly you to one of hundreds of destinations that Louis never dreamed of seeing. You have no woodcutters to bring you logs for the fire, but the operators of gas rigs in Russia are clamouring to bring you clean central heating. You have no wick-trimming footman, but your light switch gives you the instant and brilliant produce of hardworking people at a grid of distant nuclear power stations. You have no runner to send messages, but even now a repairman is climbing a mobile-phone mast somewhere in the world to make sure it is working properly just in case you need to call that cell. You have no private apothecary, but your local pharmacy supplies you with the handiwork of many thousands of chemists, engineers and logistics experts. You have no government ministers, but diligent reporters are even now standing ready to tell you about a film star’s divorce if you will only switch to their channel or log on to their blogs. My point is that you have far, far more than 498 servants at your immediate beck and call. Of course, unlike the Sun King’s servants, these people work for many other people too, but from your perspective what is the difference? That is the magic that exchange and specialisation have wrought for the human species.
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
AN INCOMPLETE LIST: No more diving into pools of chlorinated water lit green from below. No more ball games played out under floodlights. No more porch lights with moths fluttering on summer nights. No more trains running under the surface of cities on the dazzling power of the electric third rail. No more cities. No more films, except rarely, except with a generator drowning out half the dialogue, and only then for the first little while until the fuel for the generators ran out, because automobile gas goes stale after two or three years. Aviation gas lasts longer, but it was difficult to come by. No more screens shining in the half-light as people raise their phones above the crowd to take photographs of concert stages. No more concert stages lit by candy-colored halogens, no more electronica, punk, electric guitars. No more pharmaceuticals. No more certainty of surviving a scratch on one’s hand, a cut on a finger while chopping vegetables for dinner, a dog bite. No more flight. No more towns glimpsed from the sky through airplane windows, points of glimmering light; no more looking down from thirty thousand feet and imagining the lives lit up by those lights at that moment. No more airplanes, no more requests to put your tray table in its upright and locked position—but no, this wasn’t true, there were still airplanes here and there. They stood dormant on runways and in hangars. They collected snow on their wings. In the cold months, they were ideal for food storage. In summer the ones near orchards were filled with trays of fruit that dehydrated in the heat. Teenagers snuck into them to have sex. Rust blossomed and streaked. No more countries, all borders unmanned. No more fire departments, no more police. No more road maintenance or garbage pickup. No more spacecraft rising up from Cape Canaveral, from the Baikonur Cosmodrome, from Vandenburg, Plesetsk, Tanegashima, burning paths through the atmosphere into space. No more Internet. No more social media, no more scrolling through litanies of dreams and nervous hopes and photographs of lunches, cries for help and expressions of contentment and relationship-status updates with heart icons whole or broken, plans to meet up later, pleas, complaints, desires, pictures of babies dressed as bears or peppers for Halloween. No more reading and commenting on the lives of others, and in so doing, feeling slightly less alone in the room. No more avatars.
Emily St. John Mandel (Station Eleven)