β
Actually thatβs my secret β I canβt even talk about you to anybody because I donβt want any more people to know how wonderful you are.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Do you know what it means to come home at night to a woman who'll give you a little love, a little affection, a little tenderness? It means you're in the wrong house, that's what it means.
β
β
Henny Youngman
β
New friends can often have a better time together than old friends.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
You're the only girl I've seen for a long time that actually did look like something blooming.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I don't ask you to love me always like this, but I ask you to remember. Somewhere inside me there'll always be the person I am tonight
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Later she remembered all the hours of the afternoon as happy -- one of those uneventful times that seem at the moment only a link between past and future pleasure, but turn out to have been the pleasure itself.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Strange children should smile at each other and say, "Let's play.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
If you spend your life sparing peopleβs feelings and feeding their vanity, you get so you canβt distinguish what should be respected in them.
β
β
F. Scott Fitzgerald (Tender is the Night / The Last Tycoon)
β
In any case you mustn't confuse a single failure with a final defeat.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I want to give a really BAD party. I mean it. I want to give a party where thereβs a brawl and seductions and people going home with their feelings hurt and women passed out in the cabinet de toilette. You wait and see.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
When love beckons to you follow him, Though his ways are hard and steep. And when his wings enfold you yield to him, Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him, Though his voice may shatter your dreams as the north wind lays waste the garden. For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, So shall he descend to your roots and shake them in their clinging to the earth......
But if in your fear you would seek only love's peace and love's pleasure, Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed; For love is sufficient unto love. And think not you can direct the course of love, if it finds you worthy, directs your course. Love has no other desire but to fulfil itself."
But if you love and must needs have desires, let these be your desires: To melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; And to bleed willingly and joyfully.
β
β
Kahlil Gibran (Le Prophète)
β
Someday I'm going to find somebody and love him and love him and never let him go.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
People living alone get used to loneliness.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Well, you never knew exactly how much space you occupied in people's lives. Yet from this fog his affection emerged--the best contacts are when one knows the obstacles and still wants to preserve a relation.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
She smiled at him, making sure that the smile gathered up everything inside her and directed it toward him, making him a profound promise of herself for so little, for the beat of a response, the assurance of a complimentary vibration in him.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Well, you never knew exactly how much space you occupied in people's lives.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
He was so terrible that he was no longer terrible, only dehumanized.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.
β
β
Kahlil Gibran
β
My God,' he gasped, 'you're fun to kiss.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
One writes of scars healed, a loose parallel to the pathology of the skin, but there is no such thing in the life of an individual. There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still. The marks of suffering are more comparable to the loss of a finger, or of the sight of an eye. We may not miss them, either, for one minute in a year, but if we should there is nothing to be done about it.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
She smiled, a moving childish smile that was like all the lost youth in the world.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Somewhere inside me thereβll always be the person I am to-night
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I am tired of knowing nothing and being reminded of it all the time.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Hard to sit here and be close to you, and not kiss you.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
You will walk differently alone, dear, through a thicker atmosphere, forcing your way through the shadows of chairs, through the dripping smoke of the funnels. You will feel your own reflection sliding along the eyes of those who look at you. You are no longer insulated; but I suppose you must touch life in order to spring from it.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Most people think everybody feels about them much more violently than they actually do; they think other people's opinions of them swing through great arcs of approval or disapproval.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
In the dead white hours in Zurich staring into a stranger's pantry across the upshine of a street-lamp, he used to think that he wanted to be good, he wanted to be kind, he wanted to be brave and wise, but it was all pretty difficult. He wanted to be loved, too, if he could fit it in.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I am a woman and my business is to hold things together.
My business is to tear them apart.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Good manners are an admission that everybody is so tender that they have to be handled with gloves. Now, human respectβyou don't call a man a coward or a liar lightly, but if you spend your life sparing people's feelings and feeding their vanity, you get so you can't distinguish what should be respected in them.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
When you're older you'll know what people who love suffer. The agony. It's better to be cold and young than to love. It's happened to me before but never like this - so accidental - just when everything was going well.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
One of the strange things about living in the world is that it is only now and then one is quite sure one is going to live forever and ever and ever. One knows it sometimes when one gets up at the tender solemn dawn-time and goes out and stands out and throws one's head far back and looks up and up and watches the pale sky slowly changing and flushing and marvelous unknown things happening until the East almost makes one cry out and one's heart stands still at the strange unchanging majesty of the rising of the sun--which has been happening every morning for thousands and thousands and thousands of years. One knows it then for a moment or so. And one knows it sometimes when one stands by oneself in a wood at sunset and the mysterious deep gold stillness slanting through and under the branches seems to be saying slowly again and again something one cannot quite hear, however much one tries. Then sometimes the immense quiet of the dark blue at night with the millions of stars waiting and watching makes one sure; and sometimes a sound of far-off music makes it true; and sometimes a look in someone's eyes.
β
β
Frances Hodgson Burnett (Secret Garden (Dover Children's Evergreen Classics))
β
Sometimes it is harder to deprive oneself of a pain than of a pleasure and the memory so possessed him that for the moment there was nothing to do but to pretend.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
But I suppose you must touch life in order to spring from it.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
They were still in the happier stage of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered. They both seemed to have arrived there with an extraordinary innocence as though a series of pure accidents had driven them together, so many accidents that at last they were forced to conclude that they were for each other. They had arrived with clean hands, or so it seemed, after no traffic with the merely curious and clandestine.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
the best contacts are when one knows the obstacles and still wants to preserve a relation.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
All my life, I'd been around men. That night, I discovered the tenderness of a woman.
β
β
Khaled Hosseini (The Kite Runner)
β
The strongest guard is placed at the gateway to nothing. Maybe because the condition of emptiness is too shameful to be divulged.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I like France, where everybody thinks he's Napoleon--down here everybody thinks he's Christ.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Bright star, would I were steadfast as thou artβ
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moorsβ
Noβyet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live everβor else swoon to death.
Bright Star
β
β
John Keats (The Complete Poems)
β
There are open wounds, shrunk sometimes to the size of a pin-prick but wounds still.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Love is like a wind stirring the grass beneath trees on a black night,' he had said. 'You must not try to make love definite. It is the divine accident of life. If you try to be definite and sure about it and to live beneath the trees, where soft night winds blow, the long hot day of disappointment comes swiftly and the gritty dust from passing wagons gathers upon lips inflamed and made tender by kisses.
β
β
Sherwood Anderson (Winesburg, Ohio)
β
It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and the noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic is chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.
β
β
Ray Bradbury (Dandelion Wine)
β
The letter had been crumpled up and tossed onto the grate. It had burned all around the edges, so the names at the top and bottom had gone up in smoke. But there was enough of the bold black scrawl to reveal that it had indeed been a love letter. And as Hannah read the singed and half-destroyed parchment, she was forced to turn away to hide the trembling of her hand.
βshould warn you that this letter will not be eloquent. However, it will be sincere, especially in light of the fact that you will never read it. I have felt these words like a weight in my chest, until I find myself amazed that a heart can go on beating under such a burden.
I love you. I love you desperately, violently, tenderly, completely. I want you in ways that I know you would find shocking. My love, you don't belong with a man like me. In the past I've done things you wouldn't approve of, and I've done them ten times over. I have led a life of immoderate sin. As it turns out, I'm just as immoderate in love. Worse, in fact.
I want to kiss every soft place of you, make you blush and faint, pleasure you until you weep, and dry every tear with my lips. If you only knew how I crave the taste of you. I want to take you in my hands and mouth and feast on you. I want to drink wine and honey from you.
I want you under me. On your back.
I'm sorry. You deserve more respect than that. But I can't stop thinking of it. Your arms and legs around me. Your mouth, open for my kisses. I need too much of you. A lifetime of nights spent between your thighs wouldn't be enough.
I want to talk with you forever. I remember every word you've ever said to me.
If only I could visit you as a foreigner goes into a new country, learn the language of you, wander past all borders into every private and secret place, I would stay forever. I would become a citizen of you.
You would say it's too soon to feel this way. You would ask how I could be so certain. But some things can't be measured by time. Ask me an hour from now. Ask me a month from now. A year, ten years, a lifetime. The way I love you will outlast every calendar, clock, and every toll of every bell that will ever be cast. If only youβ
And there it stopped.
β
β
Lisa Kleypas (A Wallflower Christmas (Wallflowers, #4.5))
β
If he had to bring all the bitterness and hatred of the world into his heart, he was not going to be in love with her again.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing
inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
β
β
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
β
I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
β
β
Mary Oliver
β
The nights you fight best are
when all the weapons are pointed at you,
when all the voices hurl their insults
while the dream is being strangled.
The nights you fight best are
when reason gets kicked in the gut,
when the chariots of gloom encircle you.
The nights you fight best are
when the laughter of fools fills the air,
when the kiss of death is mistaken for love.
The nights you fight best are
when the game is fixed,
when the crowd screams for your blood.
The nights you fight best are
on a night like this
as you chase a thousand dark rats from your brain,
as you rise up against the impossible,
as you become a brother to the tender sister of joy
and move on
regardless.
β
β
Charles Bukowski
β
He looked at her and for a moment she lived in the bright blue worlds of his eyes, eagerly and confidently.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
If you're in love it ought to make you happy. You ought to laugh.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I want to die violently instead of fading out sentimentally.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
I'm not much like myself any more.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Derek's breath touched Sara's throat in unsteady urges. "Sometimes," he whispered, "I'm so close to you ... and I'm still not close enough. I want to share your breath ... every beat of your heart."
He cradled her head in both his hands, his mouth hot on her neck. "Sometimes," he murmured, "I want to punish you a little."
"Why?"
"For making me want you until I ache with it. For the way I wake at night just to watch you sleeping." His face was intense and passionate above her, his green eyes sharp in their brightness. "I want you more each time I'm with you. It's a fever that never leaves me. I can't be alone without wondering where you are, when I can have you again." His lips possessed hers in a kiss that was both savage and tender, and she opened to him eagerly.
β
β
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
β
She knew few words and believed in none.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
But you can love more than just one person, can't you?
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Either you think--or else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Dear Father, hear and bless thy beasts and singing birds, and guard with tenderness small things that have no words.
β
β
Margaret Wise Brown (A Child's Good Night Book)
β
Often a man can play the helpless child in front of a woman, but he can almost never bring it off when he feels most like a helpless child.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
When she saw him face to face their eyes met and brushed like birdsβ wings. After that everything was all right, everything was wonderful, she knew that he was beginning to fall in love with her.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
When love beckons to you, follow him,
Though his ways are hard and steep.
And When his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And When he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden...
But if in your fear you would seek only loveβs peace and loveβs pleasure,
Then it is better for you that you cover your nakedness and pass out of
loveβs threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter,
and weep, but not all of your tears...
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
β
β
Kahlil Gibran (The Prophet)
β
When I see a beautiful shell like that I can't help feeling a regret about what's inside it.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Kiss me now, love me now.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Very well then, better a sane crook than a mad puritan.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Who would not be pleased at carrying lamps helpfully through the darkness?
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Dick walked beside her, feeling her unhappiness, and wanting to drink the rain that touched her cheek.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
She walks in beauty, like the night
Of cloudless climes and starry skies;
And all thatβs best of dark and bright
Meet in her aspect and her eyes:
Thus mellowβd to that tender light
Which heaven to gaudy day denies.
One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens oβer her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place.
And on that cheek, and oβer that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all
A heart whose love is innocent!
β
β
Lord Byron (Selected Poems of Lord Byron)
β
Dream tonight of peacock tails,
Diamond fields and spouter whales.
Ills are many, blessings few,
But dreams tonight will shelter you.
Let the vampire's creaking wing
Hide the stars while banshees sing;
Let the ghouls gorge all night long;
Dreams will keep you safe and strong.
Skeletons with poison teeth,
Risen from the world beneath,
Ogre, troll, and loup-garou,
Bloody wraith who looks like you,
Shadow on the window shade,
Harpies in a midnight raid,
Goblins seeking tender prey,
Dreams will chase them all away.
Dreams are like a magic cloak
Woven by the fairy folk,
Covering from top to toe,
Keeping you from winds and woe.
And should the Angel come this night
To fetch your soul away from light,
Cross yourself, and face the wall:
Dreams will help you not at all.
β
β
Thomas Pynchon
β
As heβd slept one night, suffering from some nightmare, sheβd gazed down at him with tenderness. Her chest had ached with feeling for himβas his continued to do for her. Sheβd smoothed hair from his brow, soothing him with soft words.
β
β
Kresley Cole (Lothaire (Immortals After Dark, #11))
β
Love has no other desire but to fulfill itself. But if to love and must needs have desires, let these be your desires: to melt and be like a running brook that sings its melody to the night. To know the pain of too much tenderness. To be wounded by your own understanding of love; and to bleed willingly and joyfully. To wake at dawn with a winged heart and give thanks for another day of loving; to rest at noon and meditate love's ecstasy; to return home at eventide with gratitude; and then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
β
β
Kahlil Gibran (The Prophet)
β
Since when?β she challenged.
βSince when has my heart been with you?β She nodded. He stepped closer and framed her face in his large hands. βQuite possibly from the first time I heard you snort.β He placed a kiss on the tip of her nose. βVery probably when you flirted with our waiter.β A warm kiss on the freckle by her eye. βAlmost certainly the first time you fell asleep in my arms.β A small kiss on the opposite cheek. βAnd most definitely the night we made love.β Finally, a tender kiss on the lips.
β
β
Gina L. Maxwell (Seducing Cinderella (Fighting for Love, #1))
β
...there seemed some necessity of taking all or nothing; it was as if for the remainder of his life he was condemned to carry with him the egos of certain people, early met and early loved, and to be only as complete as they were complete themselves. There was some element of loneliness involved--so easy to be loved--so hard to love.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Slowly, gently night unfurls its splendor. Grasp it, sense it, tremulous and tender. Turn your face away from the garish light of day, turn your thoughts away from cold, unfeeling light, and listen to the music of the night... Close your eyes and surrender to your darkest dreams, purge your thoughts of the life you knew before. Close your eyes, let your spirit start to soar, and live, as you never lived before!
β
β
Charles Hart (The Phantom of the Opera: Piano/Vocal)
β
Annabelleβs eyes stung as she stared at him, while need and inexhaustible tenderness gathered like an ache in her body. βI realized something,β she said huskily, βwhen I was standing outside the foundry, watching it burn and knowing you were inside.β She swallowed hard against the thickness in her throat. βI would rather have died in your arms, Simon, than face a lifetime without you. All those endless yearsβ¦ all those winters, summersβ¦ a hundred seasons of wanting you and never having you. Growing old, while you stayed eternally young in my memories.β She bit her lip and shook her head, while her eyes flooded. βI was wrong when I told you that I didnβt know where I belonged. I do. With you, Simon. Nothing matters except being with you. Youβre stuck with me forever, and Iβll never listen when you tell me to go.β She managed a tremulous smile. βSo you may as well stop complaining and resign yourself to it.
β
β
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
β
As he took her hand she saw him look her over from head to foot, a gesture she recognized and that made her feel at home, but gave her always a faint feeling of superiority to whoever made it. If her person was property she could exercise whatever advantage was inherent in its ownership.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
Franz Kafka is Dead
He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. They put their arms around each other, and touched their children's hair. They took off their hats and raised them to the small, sickly man with the ears of a strange animal, sitting in his black velvet suit in the dark tree. Then they turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees , Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. It all caught in the delicate pointed shells of his ears and rolled like pinballs through the great hall of his mind.
That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice. One child, the smallest, shrieked out in delight and her cry tore through the silence and exploded the ice of a giant oak tree. The world shone.
They found him frozen on the ground like a bird. It's said that when they put their ears to the shell of his ears, they could hear themselves.
β
β
Nicole Krauss (The History of Love)
β
the hard season will split you through. do not worry. you will bleed water. do not worry. this is grief. your face will fall out and down your skin and there will be scorching. but do not worry. keep speaking the years from their hiding places. keep coughing up smoke from all the deaths you have died. keep the rage tender. because the soft season will come. it will come. loud. ready. gulping. both hands in your chest. up all night. up all of the nights. to drink all damage into love. β therapy
β
β
Nayyirah Waheed (salt.)
β
Sleeping In The Forest
I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.
β
β
Mary Oliver (Twelve Moons)
β
The day my mother died I wrote in my journal, "A serious misfortune of my life has arrived." I suffered for more than one year after the passing away of my mother. But one night, in the highlands of Vietnam, I was sleeping in the hut in my hermitage. I dreamed of my mother. I saw myself sitting with her, and we were having a wonderful talk. She looked young and beautiful, her hair flowing down. It was so pleasant to sit there and talk to her as if she had never died. When I woke up it was about two in the morning, and I felt very strongly that I had never lost my mother. The impression that my mother was still with me was very clear. I understood then that the idea of having lost my mother was just an idea. It was obvious in that moment that my mother is always alive in me.
I opened the door and went outside. The entire hillside was bathed in moonlight. It was a hill covered with tea plants, and my hut was set behind the temple halfway up. Walking slowly in the moonlight through the rows of tea plants, I noticed my mother was still with me. She was the moonlight caressing me as she had done so often, very tender, very sweet... wonderful! Each time my feet touched the earth I knew my mother was there with me. I knew this body was not mine but a living continuation of my mother and my father and my grandparents and great-grandparents. Of all my ancestors. Those feet that I saw as "my" feet were actually "our" feet. Together my mother and I were leaving footprints in the damp soil.
From that moment on, the idea that I had lost my mother no longer existed. All I had to do was look at the palm of my hand, feel the breeze on my face or the earth under my feet to remember that my mother is always with me, available at any time.
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β
Thich Nhat Hanh (No Death, No Fear: Comforting Wisdom for Life)
β
Often people display a curious respect for a man drunk, rather like the respect of simple races for the insane. Respect rather than fear. There is something awe-inspiring in one who has lost all inhibitions, who will do anything. Of course we make him pay afterward for his moment of superiority, his moment of impressiveness.
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β
F. Scott Fitzgerald (Tender Is the Night)
β
The voice fell low, sank into her breast and stretched the tight bodice over her heart as she came up close. He felt the young lips, her body sighing in relief against the arm growing stronger to hold her. There were now no more plans than if Dick had arbitrarily made some indissoluble mixture, with atoms joined and inseparable; you could throw it all out but never again could they fit back into atomic scale. As he held her and tasted her, and as she curved in further and further toward him, with her own lips, new to herself, drowned and engulfed in love, yet solaced and triumphant, he was thankful to have an existence at all, if only as a reflection in her wet eyes.
β
β
F. Scott Fitzgerald (Tender Is the Night)
β
She felt a little betrayed and sad, but presently a moving object came into sight. It was a huge horse-chestnut tree in full bloom bound for the Champs Elysees, strapped now into a long truck and simply shaking with laughter - like a lovely person in an undignified position yet confident none the less of being lovely. Looking at it with fascination, Rosemary identified herself with it, and laughed cheerfully with it, and everything all at once seemed gorgeous.
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β
F. Scott Fitzgerald (Tender Is the Night)
β
Every night I empty my heart, but by morning it's full again.
Slow droplets of you seep in through the night's soft caress.
At dawn, I overflow with thoughts of us
An aching pleasure that gives me no respite.
Love cannot be contained, the neat packaging of desire
Splits asunder, spilling crimson through my days.
Long, languishing days that are now bruised tender with yearning,
Spent searching for a fingerprint, a scent, a breath you left behind.
β
β
Shamim Sarif (I Can't Think Straight)
β
Little Words
When you are gone, there is nor bloom nor leaf,
Nor singing sea at night, nor silver birds;
And I can only stare, and shape my grief
In little words.
I cannot conjure loveliness, to drown
The bitter woe that racks my cords apart.
The weary pen that sets my sorrow down
Feeds at my heart.
There is no mercy in the shifting year,
No beauty wraps me tenderly about.
I turn to little words- so you, my dear,
Can spell them out.
β
β
Dorothy Parker (The Portable Dorothy Parker)
β
I will never, ever regret stopping you from walking out of my life a second time, Kyle," she said in an emotional voice. "And I can prove it."
She reached for the buttons on her trench coat and undid them, one at a time. Then she opened the coat and let it drop to the floor.
And even if she didn't say a single word more, Kyle knew he would never again doubt the way Rylann felt about him.
She was wearing his flannel shirt.
"You kept it," he said softly. "All this time."
She nodded. "For nine years, I've held on to this darn shirt, literally dragging it across the country and back."
Kyle touched her cheek, gently brushing away a tear with his thumb. "Why?"
She paused hesitantly, and then with a tender smile, finally put it all on the line, too. "I guess I always hoped you'd come back for it someday.
β
β
Julie James (About That Night (FBI/US Attorney, #3))
β
I can't bury another friend."
"You won't."
"If anything ever happened to you, Rowan-"
"Don't" he breathed. "Don't even say it. We dealt with that enough the other night."
He lifted a hand - hesitated, and then brushed back a strand of hair that had fallen across her face. His callused fingers scrapped against her cheekbone, then caressed the shell of her ear.
It was foolish to even start down that road, when every other man she'd let in had left some wound, in one way or another, accidentally or not.
There was nothing tender in his face. Only a predator's glittering gaze. "When we get back," he said, "remind me to prove you wrong about every thought that just went through your head."
She lifted an eyebrow. "Oh?"
He gave her a sly smile that made thinking impossible. Exactly what he wanted - to distract her from the horrors of tomorrow. "I'll even let you decide how I tell you: with words"- his eyes flickered once to her mouth- "or with my teeth and tongue.
β
β
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
β
The boy's eyes went to him, and a shock passed through Magnus. They were not Will's eyes, the eyes Magnus remembered being as blue as a night sky in Hell, eyes Magnus has seen both despairing and tender.
This boy has shining golden eyes, like crystal glass filled brimful with crisp white wine and held up to catch the light of a blazing sun. If his skin was luminous, his eyes were radiant. Magnus could not imagine these eyes as tender. The boy was very, very lovely, but his was a beauty like that of Helen of Troy might have had once, disaster written in every line. The light of his beauty made Magnus think of cities burning.
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β
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
β
She had somehow given over the thinking to him, and in his absences her every action seemed automatically governed by what he would like, so that now she felt inadequate to match her intentions against his. Yet think she must; she knew at last the number on the dreadful door of fantasy, the threshold to the escape that was no escape; she knew that for her greatest sin now and in the future was to delude herself. It had been a long lesson but she had learned it. Either you thinkβor else others have to think for you and take power from you, pervert and discipline your natural tastes, civilize and sterilize you.
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β
F. Scott Fitzgerald (Tender Is the Night)
β
Bad, or good, as it happens to be, that is what it is to exist! . . . It is as though I have been silent and fuddled with sleep all my life. In spite of all, I know now that at least it is better to go always towards the summer, towards those burning seas of light; to sit at night in the forecastle lost in an unfamiliar dream, when the spirit becomes filled with stars, instead of wounds, and good and compassionate and tender. To sail into an unknown spring, or receive one's baptism on storm's promontory, where the solitary albatross heels over in the gale, and at last come to land. To know the earth under one's foot and go, in wild delight, ways where there is water.
β
β
Malcolm Lowry (Ultramarine)
β
A song of despair
The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.
Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!
Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.
In you the wars and the flights accumulated.
From you the wings of the song birds rose.
You swallowed everything, like distance.
Like the sea, like time. In you everything sank!
It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.
Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!
In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!
You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!
I made the wall of shadow draw back,
beyond desire and act, I walked on.
Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.
Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.
There was the black solitude of the islands,
and there, woman of love, your arms took me in.
There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.
Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!
How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.
Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.
Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.
Oh the mad coupling of hope and force
in which we merged and despaired.
And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.
This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!
Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!
From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.
You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.
Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!
It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.
The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.
Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.
Oh farther than everything. Oh farther than everything.
It is the hour of departure. Oh abandoned one!
β
β
Pablo Neruda
β
BELOVED, gaze in thine own heart,
The holy tree is growing there;
From joy the holy branches start,
And all the trembling flowers they bear.
The changing colours of its fruit
Have dowered the stars with merry light;
The surety of its hidden root
Has planted quiet in the night;
The shaking of its leafy head
Has given the waves their melody,
And made my lips and music wed,
Murmuring a wizard song for thee.
There the Loves a circle go,
The flaming circle of our days,
Gyring, spiring to and fro
In those great ignorant leafy ways;
Remembering all that shaken hair
And how the wingèd sandals dart,
Thine eyes grow full of tender care:
Beloved, gaze in thine own heart.
Gaze no more in the bitter glass
The demons, with their subtle guile,
Lift up before us when they pass,
Or only gaze a little while;
For there a fatal image grows
That the stormy night receives,
Roots half hidden under snows,
Broken boughs and blackened leaves.
For all things turn to barrenness
In the dim glass the demons hold,
The glass of outer weariness,
Made when God slept in times of old.
There, through the broken branches, go
The ravens of unresting thought;
Flying, crying, to and fro,
Cruel claw and hungry throat,
Or else they stand and sniff the wind,
And shake their ragged wings; alas!
Thy tender eyes grow all unkind:
Gaze no more in the bitter glass.
- The Two Trees
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β
W.B. Yeats
β
Bright star, would I were stedfast as thou art--
Not in lone splendour hung aloft the night
And watching, with eternal lids apart,
Like nature's patient, sleepless Eremite,
The moving waters at their priestlike task
Of pure ablution round earth's human shores,
Or gazing on the new soft-fallen mask
Of snow upon the mountains and the moors--
No--yet still stedfast, still unchangeable,
Pillow'd upon my fair love's ripening breast,
To feel for ever its soft fall and swell,
Awake for ever in a sweet unrest,
Still, still to hear her tender-taken breath,
And so live ever--or else swoon to death.
Glanzvoller Stern! wΓ€r ich so stet wie du,
Nicht hing ich nachts in einsam stolzer Pracht!
SchautΕ½ nicht mit ewigem Blick beiseite zu,
Einsiedler der Natur, auf hoher Wacht
Beim Priesterwerk der Reinigung, das die See,
Die wogende, vollbringt am Meeresstrand;
Noch starrt ich auf die Maske, die der Schnee
Sanft fallend frisch um Berg und Moore band.
Nein, doch unwandelbar und unentwegt
MΓΆchtΕ½ ruhn ich an der Liebsten weicher Brust,
Zu fΓΌhlen, wie es wogend dort sich regt,
Zu wachen ewig in unruhiger Lust,
Zu lauschen auf des Atems sanftes Wehen -
So ewig leben - sonst im Tod vergehen!
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β
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
β
Something is beginning in order to end: adventure does not let itself be drawn out; it only makes sense when dead. I am drawn, irrevocably, towards this death which is perhaps mine as well. Each instant appears only as part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplaceable -- and yet I would not raise a finger to stop it from being annihilated. This last moment I am spending -- in Berlin, in London -- in the arms of a woman casually met two days ago -- moment I love passionately, woman I may adore -- all is going to end, I know it. Soon I shall leave for another country. I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn of early morning: and even so the minute passes and I do not hold it back, I like to see it pass.
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Jean-Paul Sartre (Nausea)
β
What a face this girl possessed!βcould I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender PsychΓ© and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!βalmost foul, with so many odors. Γ, that and the spicy night! β¦Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl tooβthe moon! And once a month it will make the face of this tender girl bloom.
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β
Roman Payne
β
Tell me what it is that you are hiding behind your eyes.
Tell me of the pain, so I can make it go away.
Tell me what it is that you are missing in your life.
I want to be the angel who takes care of your soul.
Finally Iβm alive in your love.
There is so much tenderness in your heart.
There is so much spirit in your smile.
But it is your innocence mixed with mischievousness that I love.
I am with you to protect you for the rest of my life.
Finally Iβm alive in your love.
Do not let anything dilute your smile ever again.
To see you happy I would do anything, mi amor.
You are the woman that I dream of late into the night.
It is because of your smile that my life has meaning once again.
Finally Iβm alive in your love.
And every day my love grows stronger for you.
And the sadness that I once carried is forever gone.
I thank destiny and God for putting you in my life.
Since you came into my world, my dreams have all woken up.
Finally Iβm alive in your love.
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β
JosΓ© N. Harris (MI VIDA: A Story of Faith, Hope and Love)
β
My Dearest Love,
As I sit here writing, I wish nothing more than to have you with me. The days have gone slowly without your tender gaze upon mine. I am weak without you and do not know how I can survive in this state. The scent of your hair, the touch of your lip, the rose of your cheek all lay engraved in my touch, my sight, my scent, my mind and my heart. I am committed to you with all that I am, and I am nothing without you. Tonight I lay awake recounting our loverβs meets and I agonize over the insignificant distance between us. Yet, it so pains me to have you this short distance away. Might I be a fool to feel this way? And if a fool I am, then it is for you; for you would make any man a kingβs fool, my queen. I pray thee sleep well, with dreams of your one true love and may he be me, for the love of my eternal life is the one that breathes life into my soul and that is you and only you. I bid thee sweet dreams and sweet kisses on thy cheek and thy lip and thine eyes, that I should be so fortunate to keep them on mine lip every night.
Ceaselessly Yours,
David Chios
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Nely Cab (Creatura (Creatura, #1))
β
Evening Solace
The human heart has hidden treasures,
In secret kept, in silence sealed;Β
The thoughts, the hopes, the dreams, the pleasures,
Whose charms were broken if revealed.
And days may pass in gay confusion,
And nights in rosy riot fly,
While, lost in Fame's or Wealth's illusion,
The memory of the Past may die.
But, there are hours of lonely musing,
Such as in evening silence come,
When, soft as birds their pinions closing,
The heart's best feelings gather home.
Then in our souls there seems to languish
A tender grief that is not woe;
And thoughts that once wrung groans of anguish,
Now cause but some mild tears to flow.
And feelings, once as strong as passions,
Float softly back-Βa faded dream;
Our own sharp griefs and wild sensations,
The tale of others' sufferings seem.
Oh ! when the heart is freshly bleeding,
How longs it for that time to be,
When, through the mist of years receding,
Its woes but live in reverie !
And it can dwell on moonlight glimmer,
On evening shade and loneliness;
And, while the sky grows dim and dimmer,
Feel no untold and strange distressΒ
Only a deeper impulse given
By lonely hour and darkened room,
To solemn thoughts that soar to heaven,
Seeking a life and world to come.
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β
Charlotte BrontΓ« (Poems)
β
England once there lived a big
And wonderfully clever pig.
To everybody it was plain
That Piggy had a massive brain.
He worked out sums inside his head,
There was no book he hadn't read.
He knew what made an airplane fly,
He knew how engines worked and why.
He knew all this, but in the end
One question drove him round the bend:
He simply couldn't puzzle out
What LIFE was really all about.
What was the reason for his birth?
Why was he placed upon this earth?
His giant brain went round and round.
Alas, no answer could be found.
Till suddenly one wondrous night.
All in a flash he saw the light.
He jumped up like a ballet dancer
And yelled, "By gum, I've got the answer!"
"They want my bacon slice by slice
"To sell at a tremendous price!
"They want my tender juicy chops
"To put in all the butcher's shops!
"They want my pork to make a roast
"And that's the part'll cost the most!
"They want my sausages in strings!
"They even want my chitterlings!
"The butcher's shop! The carving knife!
"That is the reason for my life!"
Such thoughts as these are not designed
To give a pig great piece of mind.
Next morning, in comes Farmer Bland,
A pail of pigswill in his hand,
And piggy with a mighty roar,
Bashes the farmer to the floorβ¦
Now comes the rather grizzly bit
So let's not make too much of it,
Except that you must understand
That Piggy did eat Farmer Bland,
He ate him up from head to toe,
Chewing the pieces nice and slow.
It took an hour to reach the feet,
Because there was so much to eat,
And when he finished, Pig, of course,
Felt absolutely no remorse.
Slowly he scratched his brainy head
And with a little smile he said,
"I had a fairly powerful hunch
"That he might have me for his lunch.
"And so, because I feared the worst,
"I thought I'd better eat him first.
β
β
Roald Dahl
β
Sheridan bit back a teary smile at his quip, afraid to believe him, afraid to trust him, and unable to stop herself because she loved him. "Look at me," Stephen said, tipping her chin up again, and this time her glorious eyes looked into his. "I have several reasons for asking you to walk into that chapel, where there is a vicar waiting for us, but guilt is not among them. I also have several things to ask of you before you agree to go in there with me."
"What sort of things?"
"I would like you to give me daughters with your hair and your spirit," he said, beginning to enumerate his reasons and requests. "I would like my sons to have your eyes and your courage. Now, if that's not what you want, then give me any combination you like, and I will humbly thank you for giving me any child we make."
Happiness began to spread through Sheridan until it was so intense she ached from it. "I want to change your name," he said with a tender smile, "so there's no doubt who you are ever again, or who you belong to." He slid his hands up and down her arms, looking directly into her eyes. "I want the right to share your bed tonight and every night from this day onward. I want to make you moan in my arms again, and I want to wake up wrapped in yours."
He shifted his hands and cradled her cheeks, his thumbs brushing away two tears at the edges of her shimmering eyes. "Last of all, I want to hear you say 'I love you' every day of my life. If you aren't ready to agree to that last request right now, I would be willing to wait until tonight, when I believe you will. In return for all those concessions, I will grant you every wish that is within my power to grant you.
β
β
Judith McNaught (Until You (Westmoreland, #3))
β
HOME
no one leaves home unless
home is the mouth of a shark
you only run for the border
when you see the whole city running as well
your neighbors running faster than you
breath bloody in their throats
the boy you went to school with
who kissed you dizzy behind the old tin factory
is holding a gun bigger than his body
you only leave home
when home wonβt let you stay.
no one leaves home unless home chases you
fire under feet
hot blood in your belly
itβs not something you ever thought of doing
until the blade burnt threats into
your neck
and even then you carried the anthem under
your breath
only tearing up your passport in an airport toilets
sobbing as each mouthful of paper
made it clear that you wouldnβt be going back.
you have to understand,
that no one puts their children in a boat
unless the water is safer than the land
no one burns their palms
under trains
beneath carriages
no one spends days and nights in the stomach of a truck
feeding on newspaper unless the miles travelled
means something more than journey.
no one crawls under fences
no one wants to be beaten
pitied
no one chooses refugee camps
or strip searches where your
body is left aching
or prison,
because prison is safer
than a city of fire
and one prison guard
in the night
is better than a truckload
of men who look like your father
no one could take it
no one could stomach it
no one skin would be tough enough
the
go home blacks
refugees
dirty immigrants
asylum seekers
sucking our country dry
niggers with their hands out
they smell strange
savage
messed up their country and now they want
to mess ours up
how do the words
the dirty looks
roll off your backs
maybe because the blow is softer
than a limb torn off
or the words are more tender
than fourteen men between
your legs
or the insults are easier
to swallow
than rubble
than bone
than your child body
in pieces.
i want to go home,
but home is the mouth of a shark
home is the barrel of the gun
and no one would leave home
unless home chased you to the shore
unless home told you
to quicken your legs
leave your clothes behind
crawl through the desert
wade through the oceans
drown
save
be hunger
beg
forget pride
your survival is more important
no one leaves home until home is a sweaty voice in your ear
saying-
leave,
run away from me now
i dont know what iβve become
but i know that anywhere
is safer than here
β
β
Warsan Shire
β
When love beckons to you, follow him,
Though his ways are hard and steep.
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you.
And when he speaks to you believe in him,
Though his voice may shatter your dreams
as the north wind lays waste the garden.
For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning.
Even as he ascends to your height and caresses your tenderest branches that quiver in the sun,
So shall he descend to your roots and shake them in their clinging to the earth.
Like sheaves of corn he gathers you unto himself.
He threshes you to make you naked.
He sifts you to free you from your husks.
He grinds you to whiteness.
He kneads you until you are pliant;
And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast.
All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart.
But if in your fear you would seek only love's peace and love's pleasure,
Then it is better for you that you cover your nakedness and pass out of love's threshing-floor,
Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears.
Love gives naught but itself and takes naught but from itself.
Love possesses not nor would it be possessed;
For love is sufficient unto love.
When you love you should not say, "God is in my heart," but rather, "I am in the heart of God."
And think not you can direct the course of love, for love, if it finds you worthy, directs your course.
Love has no other desire but to fulfill itself.
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.
β
β
Kahlil Gibran (The Prophet)
β
They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.
One of the most remarkable sufferers by the same axe---a woman---had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these:
"I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.
"I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.
"I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.
"I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, brining a boy of my name, with a forehead that I know and golden hair, to this place---then fair to look upon, with not a trace of this day's disfigurement---and I hear him tell the child my story, with a tender and faltering voice.
"It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.
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Charles Dickens (A Tale of Two Cities)